#Carnero

[nicolasfolch]

Tu est venue comme une brebis, Catalunya.

[contemporaryartsgallery]

Carnero - Guillermo Lorca

[dabenturas]

[viajerofantasma]

Buenas noches.

[ali4nia]

Esté simpático carnero suizo nos desea un buen día y mucha suerte.

Al tajo! ☕️👍🏼🍀💼

#Alifornia

[mechaprimaverapicnic]

Infancia. J. M. Coetzee.

Mondadori. Buenos Aires, 2003. p. 105-106.

[pattytacuri]

poesía: carnero

escribí este poema en febrero del 2023 irreverente…jajaja Como un carnero el tomo mi corazony lo cortó en una docena de piezassin remordimientos, sin perdonsy lo consumio

[curtvilescomic]

Rogue by Carmen Carnero

[evilhorse]

They’re older than you were when Charles Xavier tossed you into the danger room.

(Exceptional X-Men #3)

[artverso]

Carmen Carnero - Rogue

[wwprice1]

Several covers for next March’s X-Men crossover, X-Manhunt!

[avengerscompound]

Bucky Barnes & Alpine

Captain America Finale (2023)

[ultrameganicolaokay]

The Spectacular Spider-Men #13 by Greg Weisman and Emilio Laiso. Cover by Carmen Carnero. Out in March 2025.

"INTO THE LIZARD’S LAIR!

As if the SPIDER-MEN didn’t have enough to worry about with TWO ELECTROS – now the LIZARD claws his way into the fight?!

AND these Sinister Sixers TEAMED-UP?!

Dig deep, Pete and Miles – Billy Connors’ life depends on YOU!"

[neutron669]

Darth Vader by CARMEN CARNERO

[rei-ismyname]

Exceptional X-Men #4 REVIEW

I've been singing the praises of Eve L Ewing and Carmen Carnero's Exceptional X-Men, so let's see what they manage to do now that the premise is established and they've got 5 main characters we're invested in. A benefit of establishing your characters early is that you get to focus on introducing plot elements, special guests, and complications - like serialised storytelling does. Uncanny is a good example of how a lack of focus early on weakens everything you try to do. It's hard to care about The Outliers or Nightcrawler when they feel like wallpaper, and now they're running around an event without knowing who they are. The stakes lay primarily with Rogue. Trista/Bronze is a fantastic example of this done right, and as you'll see we can explore plot developments that wouldn't make sense elsewhere. Spoilers ahoy, caveat emptor.

Trista gets a lot of focus which works because we know who she is and what she wants.

Due to Kate pushing back against taking these kids somewhere isolated for training, we get to see them try to live normal lives. Trista has friends outside the tiny mutant peer group, a crush, and an interest in theatre. She declared last issue that her goal is to not hurt anyone, and she's struggling with what people tell her to be and what she wants. She's a sweet kid, and I'd say there's a racial component to this dichotomy - how black kids are perceived and how they need to act to get by in a white supremacist world. That's outside my experience but I'm invested in how Trista deals navigates the issue. After all, being strong, kind, gentle and lovely aren't mutually exclusive

I hesitate to compare to Uncanny again, but they both have high school scenes and the difference is stark. Westinghouse College Prep is a real life school in Chicago (that Biggie, Jay Z, Busta Rhymes and DMX all went to) and it is ranked pretty highly nationally. According to its website it has 98% minority enrollment. Importantly, it feels like a real school in 2024 with real people attending it, and not just because it actually is one IRL. There's no need to reach for played out generic high school tropes when the characters feel like real people with real problems already - verisimilitude.

After a smash cut to Trista with a sentinel looming over her, we learn that Emma does a pretty damn good Danger Room analogue. Trista seems determined and in control at first, using her different powers in concert effectively. She does manage to Empire Strikes Back trip the Sentinel up, but wigs out when it falls on top of her, understandably. Emma calls it, and we see more proof of why she's considered good at training young mutants.

Bobby's entrance at the end of last issue felt like a cliffhanger by virtue of being on the final page, but I'm glad his presence doesn't derail the plot entirely. It's implied that some time has passed, maybe a week - enough time for Bobby and Trista to get to know each other and enough time for Bobby to feel Kitty is avoiding him. Trista picks up on his odd behaviour and asks Emma about psychic ethics, heh. Her answer is funny and sardonic while still getting the point across. Emma and Trista having one on one time tells us a lot about Emma's sincerity and the trust she's earned through good works.

The subtext of Trista's distraction is made text - she's preoccupied with the audition, her crush, and the fear of exposure/social rejection. While we know this already, or could guess, it's effective to have newer characters tell their story. What they say is as important as what they don't say or how they say it. She responds well to being listened to and positive reinforcement, accepting the reframing of the audition as an opportunity.

Bobby is definitely up to something and acting weird. His persona feels performative. He's explicitly faking bathroom usage to text privately, and while his texting is worded vaguely enough to not give much away, it does seem sinister. At minimum he is lying about why he's there. Kitty picks up on the same weirdness Trista did and she's really not having it. He doesn't have the vibes of a friend seeking or offering support, though Kitty isn't interested in either and tells him to leave. Idk if Bobby even has a home right now - he was living in Antarctica because ORCHIS poisoned him and he couldn't hold a solid form for long. He was back with Romeo last time we saw him but also didn't have a physical body. I can't blame the creators for not explaining that, I have to assume they're under the same editorial direction everyone else is.

Trista's warmup scene has excellent layout, with the other kids' faces in circles next to their supportive texts. It's a clever way of showing their faces in an issue they're mostly absent from, and it's a solid method of variety in an issue with more texting than most. Showtime!

Trista meekly introduces herself to the casting guy/director and he suggests that the lead might not be right for her. He's polite, though she's about to disagree when her mutant life and school life clash in an unexpected way. One of those yellow beasts from X-Force appears from a portal and grabs her crush. You don't need to have been reading X-Force, it's a big monster (that were confirmed to be appearing globally in that book) and it's here. Trista rallies and uses her training to bronze up and get her head in the game.

It's a dangerous situation but has a simple solution suited to Trista's skillset. She grabs it with her tentacle things, ties it up and yeets it through the portal. Her overcoming it with pure force or martial skill would be a bit silly, but by linking her training and the progress she's made with Emma to a simple solution, it feels like an appropriate and believable triumph. Strong yet gentle. Neutralizing the beast and protecting herself and others without using overwhelming violence. It's a very effective character beat and the support/adulation from the theatre people is earned. She nailed the audition, and gets offered her choice of parts, though interestingly she turns it down in favour of her training. The theatre folks show solidarity and swear to keep her mutanthood a secret.

Trista shows up to training and seems more confident, her posture showing strength and positivity. It looks like Bronze, Axo and Melee are all benefiting and even Kate manages a smile. Then she overhears Bobby on the phone while grabbing some equipment. It's not a good look.

What Bobby is saying is so weird that she's not even sure it's him. Kate phases her hand next to his heart and straight up threatens him. He explains that everyone is worried about her and she says she's choosing this life. He tries to bring up ORCHIS and she shuts it down, saying out loud that she killed people. A little too loud, it turns out.

The kids overhear and are horrified, understandably. They're really young and don't have the kind of life experiences that come with being an X-Man - of course they are! Tom Brevoort has made a lot of noise about the X-Men killing people in Fall of X, an argument that has ignored the nuance of being at war with genocidal fascists. The issue hasn't made it to the page in a meaningful way until now, and I couldn't be more impressed. Rooting the issue in Kate's trauma and shame - as something that terrifies the students she's trying to help and likely damaging the trust she's built - approaches it on a believable character level.

This is a big part of what caused Kate to hang up her Spandex and it's something she's going to have to reckon with. Add the kids' emotional and ethical reaction and you've got a fantastic cliffhanger with the promise of explosive drama.

Kate grabs Bobby's phone and it's Rogue on the other end. She doesn't look like she's at Haven or in uniform, so who knows what's going on there? They're clearly ahead of Raid on Graymalkin as Iceman is in league with them, as if that book needs more characters. Kate doesn't care and hangs up on her. I wasn't going to compare to Uncanny a third time, but if the two are crossing over it invites comparison. Kurt's glib comment about thinking he was a murderer felt trite and silly, next to the dramatic execution of Shadowkat's actions being confronted it looks downright amateur. Kate is clearly having a PTSD flashback or intrusive thought during this conversation - whereas it wouldn't work for Bobby or Emma to announce that she has PTSD, for example.

I do enough shitting on Uncanny's writing in my reviews of that book, my point is how well similar beats are executed in this book. Eve L Ewing and Carmen Carnero's Exceptional X-Men is aptly named and frankly, if you're not reading it you're missing out. We know all these characters well enough that we care about their reaction to this revelation. Kate looks like she's about to break down, and Bronze and Axo's body language is heartbreaking. Emma knows shit is about to hit the fan and she's surely aware she killed people in Fall of X too. That's how you do a cliffhanger. Issue #4 managed to do a Trista focus issue, some slice of life, excellent character work, and lit a fuse to explode next issue all in 20 pages.

Exceptional X-Men is fantastic and you should be reading it.

[superheroes-or-whatever]

Exceptional X-Men (2024-) #1-3 art by Carmen Carnero