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girls-are-weird · 1 year

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YR fanfic pet peeves (and corrections): latin america edition

so. i was originally going to post this in january as a kind of "new year, new opportunity to learn about simon's hispanic heritage" kind of a thing, but life got busy, and then my computer died and i lost my original list, so i've had to reconstruct this from memory as best as i could. there may be some stuff missing, so perhaps i'll just keep adding to this post as missing/new points come to mind.

disclaimer 1: if you've included any of the points made here on any fanfic of yours, please don't take this as a call-out. this isn't intended to shame anyone, but rather as an educational opportunity. it's very rare that a latin american nationality that is not mexican or colombian or puerto rican is showcased in an international show, especially outside of the US, and it's given me such joy to have all of you lovely folks make the effort to be open to and research and understand the idiosyncrasies of simon's (and omar's) heritage because the rest of latin america tends to go overlooked in most other fandoms. so i don't intend to scold anyone with this. we can't all know everything about every other culture-- lord knows i don't know everything about sweden, but i want to be respectful to the country and its people and that is why i heavily research anything i don't know and ask people who do know when my research doesn't quite cover it and am open to corrections when even that falls short. i expect most of you come to write about simon's family background in good faith and also want to be respectful to his family's culture, and so i thought i might make things a bit easier for you all by putting the most common errors/misunderstandings i've seen in one handy post. but once again, it's not a call-out, i don't get offended by these things, and i'm in no way implying, if you've done any of these things in fic or in life, that you are a bad person. i understand people make mistakes when they don't know things.

disclaimer 2: i am not venezuelan myself. i was born and raised in the same general region of latin america, though, and i have venezuelan friends and have worked with venezuelan people and have visited venezuela. generally speaking, i feel their culture is very similar to mine (though our spanish is much closer to spanglish than theirs is, haha xD) and feel a deep kinship with them. but of course, i'm no native, and if you're venezuelan and catch anything here that you feel is incorrect, feel free to point it out and i'll add a correction in your name.

warning: this is very long. christ almighty. DX if you can't make it to the end, tl;dr-- feel free to ask if you have any questions or if anything isn't clear. my ask box/messages are always open.

1- "mijo." this is the only one that legit has caused me to click out of several fics/chapters, at least in the beginning, but i've learned to grin and bear it by now. it's not so much that it's wrong, per se, but rather it's more of a location issue. "mijo" is, to my ears, very much a mexican (or, if you stretch it, northern triangle) slang. it IS used sparingly in other countries, but rarely used unironically. instead, if you hear the term used in the caribbean region of latin america (which my country is part of, as is a large part of venezuela), it's almost always used… let's say sarcastically. for example, if your grown-ass adult friend is being a dumbass and doing something reckless, you might call out "oiga, mijo, se va a romper el cuello" ("hey, mijo, you're going to break your neck"). basically, it's a way of calling someone immature like a child. it doesn't have to be ENTIRELY unaffectionate (kinda like the way someone might call their significant other "idiot" or "dummy" but mean it endearingly. in fact, in colombia it's way more common for spouses to call each other "mijo/a" than it is for them to call their children that), but you can also use it with complete strangers-- like if someone cuts sharply into your lane while you're driving, you might yell at them "oiga, mijo, a donde le enseñaron a manejar, en un potrero?!" ("hey, mijo, where did you learn how to drive, in a horse paddock?!"). but even in these sarcastic/neggy cases, it's rare. and EVEN RARER to hear a mother call her children "mijo" or "mija" in this region. it's just not a thing. so when i read it in fanfic, it immediately takes me out of the story because it's so weird to me that linda would sound mexican-- it's a very distinctive accent, which carmen gloria 1000000% does not have. (plus, "mijo" in spanish is a type of birdseed. so it gave me a chuckle the first few times i read it in a fic because i always have that brief second of confusion where i go "why is linda calling simon birdseed?" before it clicks. xD i'm a dork.) it's much more likely that linda would just say "hijo" or "mi hijo," instead.

1b- the way you decide on whether to use "hijo" or "mi hijo" is important because "mi hijo" can sound overly formal in the modern context especially, much like it would in english. in fact, you can use the english version of it, "son" vs "my son" to guide you on which of the two to use. like for example, if linda were to say directly to simon "i love you, my son," she would sound oddly old-timey and anachronistic, so you would just use "son" ("hijo") in that case. whereas if she's talking about simon with someone else, for example saying "i told my son to be here on time," you'd be perfectly okay to use "mi hijo" in that sentence in spanish. it's very transferable in that case.

2- speaking of non-transferable, though, you can't use "cariño" in all instances you would use "sweetheart" or "sweetie." it really depends on the grammatical construction, and it can be tricky to get it right, but it depends on whether you're using it as a direct address or as an object. for example, if you're using it in place of someone's name-- say, a mother telling her child "te quiero, cariño" ("i love you, sweetheart/sweetie") is perfectly fine, because in that case, she could also say "te quiero, hijo" ("i love you, son") or "te quiero, simon" ("i love you, simon"). but if, say, simon says to wille "you're my sweetheart," you would not use "cariño" there; you'd go instead with some syrupy way to say "boyfriend," like "eres mi novio" or "eres mi enamorado" or even "eres mi amor," and if sara tells felice "you're a sweetheart," that would also not involve "cariño" at all. in addition, "cariño" is also very rarely used in plural; if linda is using a term of endearment for both her kids, or for a group of teens her kids' age, she would use a different term of endearment altogether: "hola, mis amores" ("hi, my loves"), "hola, bebés" ("hi, babies") or "hola, mis tesoros" ("hi, my treasures") among some examples. one exception is when you say "cariños míos" ("my sweethearts"), but very rarely the plural by itself. in fact, "cariño" is often slang for gift or present, especially in the diminutive-- for example, if you go to someone's celebratory party for some occassion (birthdays, graduations, baby showers, heck even christmas), you might hand them a small gift and go "te traje un cariñito" ("i brought you a small present"), and if it's more than one gift, or you're bringing gifts for several people, then you'd say "unos cariños" or "unos cariñitos" in the plural.

3- simon's skin is tan, not tanned. this… doesn't personally bug me as much because it's more of an english grammar issue, but i know people who might actually feel very offended if you get this one wrong with respect to them. "tan" is a color; a light shade of brown. "tanned" implies the original color of your skin has darkened with the sun. now, i'm sure simon can tan (lucky goat, says she whose skin burns even while indoors), but about 95% of the time "tanned" is used in YR fanfiction, it's used as a descriptor of the color of simon's skin as we see it on the show. that would imply his skin used to be lighter at some indeterminate before-time and has been darkened by the sun. this is incorrect; that is the natural color of simon's skin. so stick to "tan skin" instead (not tan PERSON, mind you. his SKIN is tan, he is not). and i would gently suggest that if you take away any single thing from this post, make it ESPECIALLY this point, as someone more sensitive than me might interpret this error as some kind of retroactive whitewashing. and i don't want anyone here to get in trouble for simply not knowing.

4- pabellón criollo is one dish, yes, but it's four different FOODS. it's not something a newbie would be able to make off of a recipe (i don't know how to make it and i've been eating it all my life), and it's not something that's likely to be taught in just one day. also, if you're bringing it to a dinner or a potluck, you're bringing four separate food containers, not just one.

4b- also, venezuelan food, for the most part, is not particularly spicy. you CAN make it spicy if you want, but traditionally, it is not. it's flavorful, maybe even saucy depending on the dish, but rarely spicy. i know the joke of white people being unable to handle spice is funny, but there's also plenty of us hispanic people who are equally terrible at it, because there's different levels of spice in the food from different regions of latin america. besides, as a friend of mine perfectly put: we are living in the 21st century now. if you can eat mild mexican food, you should be able to handle traditional venezuelan food just fine. and i'm pretty sure there's mexican food in sweden. plus, wille would probably be more used to international food-- not only does he have the means, but having traditional meals in foreign countries is kind of part of the job.

5- while i'm at it: simon is definitely half venezuelan. this is canon as of S2. there is no other place in the world where that dish is called pabellón. please keep that in mind when you're writing and researching.

5b- this, along with several of the points above, is important because it's a bit of diaspora trauma that whenever we venture outside of latin america and people learn we're latino, they immediately assume we're mexican, or that our culture and traditions are the same as those of mexican people. it happens often, and it's incredibly annoying. not that there's anything wrong with mexico or mexican people-- they're lovely, and their traditions and culture and food are fantastic-- but we are not them, and treating us like we are is reductive. the rest of latin america can be very different and incredibly diverse, and it can be dispiriting when people treat us like we're all the same. so that is why it is important when writing about simon, his family or his venezuelan roots, that you take care to actually research things as they are in venezuela, and not just pick the low-hanging fruit of latino facts you might've learned through pop cultural osmosis, which eight times out of ten will be mexican-only because most hispanic people in the US are mexican and the US exports its media all over the world. i've learned to just roll my eyes at it by now, but some people might actually feel offended or hurt, and i'm sure nobody here intends for that to happen.

6- although simon speaks spanish, neither he nor sara nor his mother nor any aspect of his mother's culture is spanish. "spanish" is what people from spain call themselves. people from spanish-speaking latin american countries are not spanish; we are hispanic, or latino/a/e. "latinx" is… let's call it controversial, at least outside of the US. most people born and raised in latin america don't like it; i personally don't get offended if people use it, but i don't use the term myself. also, you can say "latin food" or "latin music," but we usually don't refer to PEOPLE as latin, but rather latino/a/e. if in doubt, just use latin american or hispanic. they're also conveniently gender neutral.

EDIT: @andthatisnotfake also brought up a very important point: "if you spell it latinx, it makes it harder for screen readers to read (or so I've been told) and some people depend on those, so there's another reason to avoid it." (the unpronounceability of that term is at least part of the reason why hispanic people who live in latin america don't like it.)

6b- never use "the latino/a" on its own to refer to people. "latino/a/e" is an adjective, not a noun, so you would say "the latino boy" or "the latino man" but never just "the latino." kinda like it would be weird to point out the one japanese man in a room as "the japanese." there are some nationality/ethnic terms that just don't work as nouns in english.

7- spanish is not simon's one native language-- or at least not any more than swedish is. he grew up in a mixed-race household, speaking two different languages. it's pointless to call spanish his native language when comparing it to swedish. both are his native languages. also, while we're at this, wille is probably at least bilingual (i'm assuming he can speak at least english), although he only has one native language. it's hardly a competition between the two boys as to who's more of a polyglot.

7b- simon wouldn't take classes on the spanish language-- like to learn how to SPEAK the language-- since spanish is one of his native languages. he wouldn't take them at hillerska, nor in university, nor elsewhere. he wouldn't be allowed. you're literally not allowed to take classes on your native language, nor get credit for said classes. trust me, those would've been an easy extra 24 credits for me in college if that was a thing.

EDIT: have been made aware (thanks, @rightsogetthis and @plantbasedfish!) that at least in sweden and in finland one IS allowed to take classes of your non-swedish/finnish native language, in certain circumstances. i have to say, i'd be pissed if i were taking my french classes alongside a french native speaker, but hey, the system's the system, i guess. ;) so i've struck this one out.

8- dear god please don't use google translate for your spanish translations. listen, i'm not judging-- i do it with other languages, too, when i'm in a pinch. but google translate is literally The Worst (tm) so i always try to either check with someone, or stick to the stuff i already know is correct. seriously, you don't want to know the kinds of crazy stuff GT can spit out that people actually put out in the real world; some of them are quite hilarious. if you're unsure, my ask box/messages are always open and i looooove helping people with this kind of thing, hispanic language and cultural stuff. i know it seems like i'm hardly around, but i do check my messages. don't be shy, even if it's something really small.

PS: while i'm talking pet peeves, malin is wille's bodyguard, not his butler. she's nice enough to attend to him at hillerska because there's no other palace staff around and she's literally stationed outside his door, but she wouldn't do that in the actual palace. there's other staff for that. she wouldn't even guard him at the palace, i don't think, because the royal palaces in sweden are guarded by the royal guard, not SÄPO. if anything, malin might spend the time while wille is in the palace grounds at a gatehouse (like in YR 2x03 and onwards) or at some kind of security office in the palace, and then get called whenever wille needs to go anywhere. she wouldn't be giving wille messages from the queen or walking guests to wille's room or anything like that. that's not her job. (sorry, i had to get that off my chest, lol.)

#young royals #young royals netflix #netflix #simon eriksson #sara eriksson #linda eriksson #omar rudberg #carmen gloria perez #latin america #latino #hispanic #latin american culture #latin culture #latino culture #hispanic culture #spanish language #i hope this is helpful #if not feel free to ignore lol

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iheartmyart · 8 months

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Juan Francisco Elso: Por América Exhibition at El Museo del Barrio

Juan Francisco Elso: Por América investigates the brief yet significant career of the late Cuban artist Juan Francisco Elso (1956-1988). Based in Havana, Elso was part of the first generation of artists born and educated in post-revolutionary Cuba, who gained international recognition in the early 1980’s. Created mostly using natural, organic materials, his sculptural practice examines the complex forms of contemporary Cuban, Caribbean, and Latin American identities, as inflected by the cultural influences of Indigenous traditions, Afro-Caribbean religious beliefs, as well as the traumas of colonial oppression.

Juan Francisco Elso: Por América was exhibited at El Museo del Barrio in New York City from October 27, 2022 – March 26, 2023

Photographs by Blair Prentice

#sculpture #artist #art #sculptor #art exhibition #exhibition #Cuban #Cuban artist #Juan Francisco Elso #Blair Prentice #New York City #museum #El Museo del Barrio

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shuinami · 1 year

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Part 2: Why is the accent? Where and when does Hobie come from? Part 1: Who, What (London Accents) | Part 3: How (Writing Tips)

In this section, we'll touch on racism since the 70s, black Londoner youth culture and how punk has historically interacted with those things.

To begin, let’s answer the question of what the hell all us black people are doing here in the U.K. 😂

Long story short, after World War II, the U.K. invited subjects of the empire over, in need of help rebuilding the place and doing essential work after getting bombed and stuff. There was further incentive on the subjects’ side to come as many of their men had been sent off for the war but were out of work and not properly compensated upon their return, leading to a poor economy and many people hoping for better in the ‘mother country’. Caribbean people, mostly Jamaicans, came over from then right through the 60s but were not welcomed and treated as British as many of them thought they might be… cause, you know, racism.

In 1962, 1968, 1971 and 1981, legislation was passed that made it incredibly difficult for black Caribbeans to come over, even to this day, which led to the migration of black people shifting to predominantly Africans, mostly West Africans, in the 80s, who would come for education and work purposes mostly. (For context, in the 2020s, there are more African people than Caribbean people in the U.K.). In the 70s and 90s, East Africans fleeing conflict have also immigrated en masse, although the numbers were quite a bit smaller than the West African and black Caribbean diaspora.

[not an expansive breakdown of all ethnicities, I just wanted to talk about the most populous black nationalities for the general gist of where black British life really got on a roll]

So, onto life as a black person in the U.K.

It’s important to remember that the U.K. was racist as fuck AND did not have Jim Crow laws or a history of relegating certain cities or neighbourhoods to ethnic minorities because, by the time we had been invited, there were not so many of us living in England for such laws to be deemed necessary (by racists).

Living literally side by side, often in the same building, with people who wanted to see them brutalized had a big impact on how black British people navigated life back then and has residual cultural effects on how we behave to this day.

One thing that stood out to me was the line where Hobie says he has “a laugh at the pub with the mandem”. As many of you will know, the pub is a large part of general British culture as the main drinking scene. Until more recently, you couldn’t just go and buy alcohol from the supermarket or whatever like you can now, so people had to go to the pub for a drink. Additionally, during times when getting clean water was unreliable due to cholera outbreaks, a drink from the pub was safer than drinking water.

It’s also important to know that, unlike clubs, many pubs sell food and are family-friendly, so while it’s not likely for a little kid to be bouncing to go the pub because it’s just basically like a restaurant to them, it’s a place that a child can be used to going to.

Not only do pubs sell food, but pubs also are places that are mostly used to watch football, as well as play pool, participate in pub quizzes (competitive general knowledge pop quizzes done in teams) and generally be out late to sit and talk.

That being said, as I mentioned before, how black people navigate where we live is different to how white people do.

Whilst many black people will go to the pub with their work colleagues or with their mixed friend groups, pubs generally have never been a haunt for black adolescents.

Instead, black drinking culture is more associated with dance and music, i.e. house parties, clubs (particularly clubs or club nights where music popular amongst the black community is played and, in older times, basement boozers) and lounges. Unlike white counterparts, most black kids will not have grown up going to the pub or around people who went and would not be used to going until they got invited out, likely by workmates.

To this day, although racism has chilled out so much since the mid-20th century, a lot of younger people actually still have a latent fear of facing racism from white football hooligan types and drunk, older white people in pubs. If you went to a pub, you typically wouldn’t see many young black people in there, if any.

The epitome of this mindset was on display during the last World Cup, during which Gen Z black U.K. TikTok was filled with half-jokes about the brutality they would face sitting in the pub to watch an England game if a black team member were to miss a kick or otherwise make a mistake. It was something we joked about in real life too and there was a rumour that went around - which many of us believed to be true - that two black guys had been thrown in the Thames because the black players had missed the penalty kicks they took.

It was just a rumour, however, people did take to racially abusing the players online and, whilst it wasn’t true, you can see what the general attitude towards pubs tends to be and why it’s not a hotspot for black youth.

There are U.K. pubs that historically have had more black patronage in black communities but there’s only a few and they’re not really a thing in London.

Knowing that, it’s not to say that no young black people frequent pubs, but it means that it says something about Hobie that he does (or his world, which we’ll talk about later). What it says exactly is up to your headcanon, but it’s worth noting that it’s not typical for a black teenager in London to hang out at the pub, even if they are rebellious and not concerned by the drinking age.

So you may be thinking, damn, why do pubs have such a reputation? What happened that meant that - to this day - there’s such a divide?

While the U.K. was always racist and was unwelcoming to those who arrived during the Windrush period, it continued to get worse going into the 70s. The increasing popularity of the fascistic political party called the ‘National Front’ saw the rise of ‘the immigrants are taking our jobs’ rhetoric used to appeal to the white working class that persists, to a less extreme, today, such as with the political party UKIP, as well as the English Defense League (EDL), both of which have taken on a more Islamophobic angle than the focused and explicit anti-black & anti-browness of the National Front. The National Front’s supporters would chant and sing stuff like “We’re gonna send the blacks back”.

In daily life, black kids had to deal with shameless racism, bullying and violence from their white peers. There was a ‘sus’ law implemented, which essentially made it so that police could (and very much did) stop and arrest any black person they saw on the street that they felt was ““““suspected person””””, which included unprovable and outrageously ridiculous bullshit like being suspected of ‘loitering with the intent to steal’ (so basically, if you’re black and outside, you were - and still are, especially if you’re young - likely to be suspected of this). As mentioned earlier, there were people who would watch games and get drunk in the pub, then go out into the streets on a destructive rampage would also take those opportunities of chaos to physically assault black and brown people.

All of this was on top of institutional racism and micro-aggressions like we have today but turned up to 10. Minorities didn’t feel safe going around their own city alone for fear of getting mobbed or having rocks thrown at them. Even in their own homes, racists were putting literal shit and bombs in their letterboxes. The popularity of the National Front saw a rise in Nazism - an especially wild expression of racism, considering the Nazis had bombed the fuck out of London in WW2, which was the reason the U.K. went crying to the subjects for help in the first place.

So, naturally, ethnic Londoners tended to craft and operate in their own spaces when it came to leisure, more attuned to the cultures from their family’s countries of origin as well as the kinds where they were just generally more accepted for who they are. Though no longer out of necessity for safety, this aspect of Black British culture persists today, to a lesser extent though, and latent anxieties about acts of extreme racism still remain in the collective subconscious, even though most young people today will have never experienced such extremes.

Just for clarity, this is not to say black people are afraid of white people in general, I’m not sure that could even have been said in the 70s, since there were also plenty of non-racist (aka normal) people too. Back then, the culture was probably a lot more gatekept than it has been for the past few decades, but I’m trying to explain why black British culture and black British life is a different experience to being white British, it’s not only experiencing racism, but it’s also that we just do different stuff cause we historically didn’t feel welcome at their figurative tables and thus did our own thing mostly. It’s why you still get friend groups that are predominantly black despite everyone’s families likely coming from different countries with different cultures, because we relate in terms of black British culture and not feeling especially understood amongst white counterparts. But if white people make us feel like they are down with us, we’re down with them, as one would hope lol.

Speaking of down white people, another huge part of Hobie’s character is that he’s a punk, of course.

So, not gonna lie to you guys, due to the things I just stated about how black people had to navigate the world and craft their own spaces in order to feel comfortable and safe, the punk scene (as we would think of it) has never been a thing that was popular amongst black British people. It’s a predominantly white scene and during the 70s was not unaffected by rising Nazism. To this day, there are still Nazi punks and what we call dirtbag leftists, so you can imagine, at the time, though there were and still are more non-racist white punks, there were enough Nazis that a. it’s not something that seemed welcoming to black people and b. non-racist White punks in the 70s felt that the Nazi problem was bad enough that they needed to do something big about it, which we’ll get onto.

Because we’re not a monolith, of course, there were black punks such as Poly Styrene, the lead singer of X-Ray Spex, and Basement 5, a punk-reggae band (remember this), but other than that, I haven’t been able to find documentation of black punk life in particular, nor have I been able to get any personal accounts from family. Punk is a small-ish scene to begin with, so you can imagine that the black people who participated are very few. Here, I’m not trying to say that few black people enjoyed listening to the music as part of their taste, I’m pretty sure a lot of young people would have liked the music but not necessarily been active in the scene/culture in the way that white counterparts were.

Again, the fact that Hobie is a full-out punk as a black teen says something about him or his world; what in particular, is totally up to interpretation and headcanon, but understand that it’s another unique behaviour.

A similar thing that did include black people was ‘skinhead’ culture, something that emerged from and celebrated the working class, especially Jamaican people, in the 1960s, but it was co-opted by ‘punk’ and white people, then drifted away from its associations with and relevance amongst black people and became most popular amongst Nazis in the 80s, associated with the ‘British Movement’. Most people will think of racist white football hooligan types when they think of skinheads nowadays, even though in reality, for both punks and skinheads, not all people in these subcultures are racist/fascist.

As I mentioned earlier, because minorities were living side by side with working-class white people, a lot of stuff that wasn’t kind of gatekeepy (i.e. super black) has always been at risk of being yanked from us and has historically been done by literal Nazis and I’m sure this plays a part in alternative scenes that stray very far from the cultures we’re raised in not being the most popular amongst us.

Nonetheless, non-racist punks and black people agreed on a lot of core points about classism/capitalism and the need to stomp out racism, which led to white punks starting the Rock Against Racism (RAR) organisation, which held concerts across the country with the intention of bringing people together to take a stand against racism. If you’re able to, I recommend watching the documentary about it called White Riot (2019), which whilst it does include some black interviewees, focuses on the white punks’ side of things and the racism of the time, as opposed to black life. Still worth the watch :)

Other than punk rock, you know what other acts were invited to play at these RAR concerts?

Black musicians who played funk and reggae were also invited. Even though their music taste was different, the message was the same. Additionally, it might surprise non-British people to hear but even white British people have long loved themselves some reggae, hence Bob Marley’s popularity here.

Reggae is a genre that is often used to speak on politics and social issues, it’s why Rastafarians love it and make such music. So, whilst the punk-reggae fusion of Basement 5 might sound strange today when reggae is not as popular as it once was, it makes total sense why. You can also see references to the London punk scene in the 70s (the time he was living in London) in Bob Marley’s song “Punky Reggae Party”.

I mention this to emphasise how the blackness of black British people, even in white space, has not typically proven to give way, that to be punk or believe in such values is not to relinquish all traces of black culture. I also say this to say, as I’ve said in a previous post bouncing off of Daniel Kaluuya’s thoughts on ‘punk’, that people who are adamant Hobie would not listen to genres of music that are popular with or created by predominantly black people alongside the more typical punk rock give off strange vibes. There’s no precedent for a black person to totally give up that part of them that they would’ve grown up with just because they’ve solidified a political view. Of course, some people are less into it than others, as I said earlier, black people are not a monolith, but given all this context, I’m begging people to not post things like ‘Hobie would never listen to [insert black genre here] because he’s a punk! Other people’s headcanons/playlists are stupid and they’re punk posers!’.

You can believe he only listens to genres of rock, and that’s fine, but stop telling black people that their headcanons where they project their more black tastes onto Hobie are inaccurate because they aren’t and it’s very strange to gatekeep interpretations of a black character from blackness in that way.

If you do want to know some genres popular amongst or pioneered by black British people, most of which popped off in the 90s, look to grime (hip hop, electronic), garage (electronic), drum n bass (electronic), jungle (electronic), U.K. drill (hip hop), afroswing (hip hop, r&b), reggae, dancehall (hip hop, reggae), hip hop, funk and r&b. I’d say pop since it’s popular amongst all ethnicities lol but, since Hobie is a punk, you’re gonna wanna exchange that for rock and indie, though I think it’s also fair to think there’s a few pop songs that Hobie would like, since being an anarcho-communist doesn’t mean you can’t have a little fun, idk. Headcanons and stuff are not really what I’m here to share or enforce. Plus, of course, a lot of these genres are anachronistic but, at the same time, I’m pretty sure most people’s playlists feature more modern songs anyway, hell, even the song selected as Hobie’s intro is from 2011.

And none of this is not to downplay Hobie’s love of rock genres either.

I did make a playlist for myself, if anyone wants it or recommendations you can drop an ask 🤓

In the past few years, there’s been a noticeable growth of alternative life in London black youth culture, notably the roller-skating scene, as well as more people participating in more classic takes on alternative culture like goths, punks, etc. and, of course, black nerd culture has been popping since the late 90s. The black people participating in these alternative cultures aren’t relinquishing their blackness, putting hip-hop in the bin and whatnot - people can be multi-faceted.

What I hope you take away from this is that Hobie is a unique and nuanced character, he’s not a typical representation of any of the things he is, which is personally why I love him so much. I also hope you understand that being a black punk in the U.K., before more recent times, would have been a different thing to being a white punk because, not only are you participating in a counter-culture, you’re going outside the safety net and norms of black British culture which has been positioned as inherently counter-cultural anyways and is one you can never hide your associations with or come out of. It says a lot about him, it comes down to headcanon what, but it’s important to recognise that these aspects of him are not a given but things that would have been purposeful developments or huge moments of self-discovery in his life.

Headcanons are something that throws somewhat of a spanner into the works. Everything I’ve said is historically accurate but we also don’t know that Earth-138’s New London would reflect all these aspects of our Earth’s London. Perhaps 138 is written in a race-blind kind of way or, not coming from black British culture, the writers may not envision the world authentically from our point of view and might be unaware of how it’s different; maybe the execs would not allow them to tap into the racist aspect of Nazism and have the writers keep it vague for marketability's sake; hell, maybe the date on the mugshot was just an Easter egg and not a canon-accurate date, who knows?

On top of that, if you headcanon Hobie as a transracial adoptee (meaning adopted by people of another race) or that he was orphaned at a very young age or otherwise not enculturated and socialised as a black boy, maybe none of this applies.

From the current slang to the casting of Daniel Kaluuya, it seems clear to me that, in tandem with the retro vibe, Hobie has been designed to also evoke more contemporary ideas of blackness so the full picture of what the writers have in mind is anyone’s guess at this point.

That being said, I feel like those conclusions would all take some stretching and reaching to come to. I’m not here to tell you what you can and cannot interpret or write, but I’m just trying to give some information so you can write more accurately and understand Hobie and Black Londoner life better.

So, now you understand where we’re coming from, I think you’re ready for the writing advice 😎

#atsv fanfiction #hobie brown #spider punk #black british #across the spiderverse #shui fic #shuinami

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trans-corvo · 4 months

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Youtube Video Essayists part 2

I made one of these lists years ago, so if you're wondering why big names like hbomberguy and Kat Blaque aren't here, that's why.

Science and Tech

Miniminuteman - Archaeologist and science educator whose content focuses on archaeological mysteries and debunking pseduoarcheaology. Videos average about 20 minutes to an hour and a half.

Adam Something - Most of his videos focus on urbanism and transport (it's more interesting than it sounds, I promise), but he also occasionally covers politics and culture. His bread and butter is tearing apart impractical billionaire passion projects (hyperloop, the cybertruck, Munger Hall). Big fan of trains. Average video playtime is 10 to 20 minutes.

Petal Palmer - A pre-med student and cancer patient who covers true stories of medical oddities and malpractice. Some of my favourites are on the Tylenol murders, the woman who froze alive (and survived unscathed), and fraudulent cancer awareness orgs. Videos run from 10 minutes to an hour and a half.

Politics and Culture

Caelan Conrad - Their channel mainly covers gay and trans rights, with a focus on debunking right-wing narratives and commentators. Videos average 30 minutes to an hour and a half.

Fundie Fridays - Started as a channel where Jen did her makeup and talked about various figures and sects of Christian fundamentalism, has since grown to include her husband and to cover politics. Very respectful in her tone, and very funny. I'd recommend their videos on the Miracle Mineral Solution (bleach), Eugene Scott, Duck Dynasty, and Gwen Shamblin Lara. Their early videos are only around 10 to 20 minutes, but these days they run as long as an hour and a half.

Khadija Mbowe - Honestly, her channel could fit under any of these categories. Her content varies wildly, but is always engaging and thought provoking. I'd recommend her videos on meritocracy in health and weightloss, Poor Things and engaging with 'problematic' material, and Barbie and white feminism. Videos average 20 to 40 minutes

F.D Signifier - Very well researched and presented commentary on politics, media, and black manhood. I'd recommend his videos on Eminem and white rappers, what makes men desirable, white men and edge lord movies, and how black athletes are exploited. Videos average 40 minutes to an hour and a half.

Foreign Man in a Foreign Land - Commentary on race and Caribbean culture. I'd recommend his videos on racism in gaming, tourism as the new slavery, and Elizabeth II and english colonialism. Videos average 20 minutes to an hour.

Arts and Entertainment

Broey Deschanel - Channel focuses on film and film criticism. I'd highly recommend her videos on the problems with method acting, feeling cynical about Barbie, and the 'death' of cinema. Videos average about 20 to 50 minutes and have a high production value.

Jane Mulcahy - Film and tv analysis, with a focus on media aimed towards female audiences. Lighthearted but thoughtful. I'd recommend her videos on the Red White and Royal Blue movie, Lifetime 'Daddy' movies, and the 'psycho biddy' genre. Videos average 20 minutes to an hour.

Verily Bitchie - Examining movies and tv through a queer and feminist lense, along with occasional videos on culture on politics. I'd recommend her feminist critique of Doctor Who, a look at bisexual representation on TV, and her video on trial by tiktok. Videos average 10 minutes to an hour and a half.

Coldcrashpictures - Pretty standard long-form film analysis. I'd recommend his videos on the current state of Hollywood, Freaks (1932) and old school horror, the 2020 dumpster fire watchlist, and cinematic masculinity. Videos average 20 minutes to an hour.

Internet Culture

WURLD - Commentary on internet trends and culture. More lighthearted and off the cuff in her presentation. Best videos include Is Booktok Ruining Reading?, the obsession with reusable cups, and hustle culture is a nightmare. Videos run from 15 to 45 minutes.

Gabi Bell - A lot of variation in her content, ranging from internet culture, to (bad) movies, to (bad) tv. I'd recommend her videos on tiktok drama and fake verification. Videos average 10 to 50 minutes.

Tiffany Ferg - Content focused on internet analysis. I'd recommend her videos on concert culture, learned helplessness and tech illiteracy, and 'body trends' and plastic surgery. Videos average from 20 to 40 minutes.

Salem Tovar - Nuanced commentary on internet culture. I'd recommend her videos on gen Z's aesthetic obsession, millennial parenting problems, and filming strangers in public. Videos average from 30 minutes to an hour and a half.

Ro Ramdin - Probably the funniest person on this list, I can't recommend her enough. Videos are thoughtful well edited. I'd recommend her videos on Hogwarts Legacy and financially supporting JK Rowling, the NFT island, the metaverse, and XQC. Videos average 20 to 40 minutes.

Also, misc. video essays: 2010s Pop Feminism: A Painful Look Back, We Need to Talk about TikTok's Obsession with Face Reading and its Dark History, Transphobia: The Far Right and Liberalism, You're Wrong about Modern Art, Who is Killing Cinema? - A Murder Mystery, Transition Regret & the Fascism of Endings, I Debunked Every "Body Language Expert" on Youtube, These Stupid Trucks are Literally Killing Us, How Conservatives Created (and Cancelled) Gender.

#video essays #basically my background noise when I'm drawing

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krisrampersad · 9 months

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People's Prime Minister Panday's Parting Punch in prep for Tell-All Memoire - mutating orator into author In Remembrance

His inglorious gift of gab would take him to the pinnacles of his profession, but it is the pen that would prove mightier to the sword-sharp tongue of the Silver Fox, PM Panday more at www.krisrampersad.com

Winner of the Communications Initiative Partners (BBC/UNESCO et al) pioneering Development Policy Blogging for New Media, Dr Kris Rampersad Demokrissy Blogs now find a home at GLoCaL Knowledge Pot The People’s Prime Minister Basdeo Panday’s Parting Punch is neatly couched in a pep-talk to him to pen his memoires – a promised tell-all which will leave no one ‘unscathed’ as ‘a most colourful…

View On WordPress

#Basdeo Panday #Capacity Development #Caribbean #Caribbean Authors #Caribbean culture education #Creating #cultural diversity #Global Diversity Inclusion Strategy #Knowledge for Sustainable Development #Legacy #Writers and Writing

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sixty-silver-wishes · 3 months

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well, it's fourth of july. if you're like me, and you're in the us, you're probably feeling pessimistic right now, given the state of things. I made a joke post about how I feel about it the other day that blew up, and tbh I'm not surprised. that being said, I'd like to talk a bit more in detail about my thoughts on the matter this year.

so, to begin with, it's pretty obvious why I'm feeling so disillusioned this year. the us presidential election isn't looking good, fascism is on the rise and seems to be met mainly with apathy, the us is aiding in genocide in gaza, while many politicians are restricting the rights of american civilians, especially those belonging to marginalized groups- abortion is being criminalized, as is trans healthcare, and rulings have been upheld gerrymandering black-majority voting districts, not to mention the state of education surrounding POC and queer history. the supreme court is out of control. climate change gets worse every year, with consequences all around the world; hurricane beryl's early arrival and its devastation of the caribbean was just one more instance of the worsening state of the environment. russia is still invading ukraine, with global tensions worsening as multiple major powers battle for global prominence. all that is to say, it's a scary time to live pretty much anywhere in the world, and given the slew of problems in the united states, it's impossible to feel a shred of patriotism as many people of prominence in our country either worsen or are otherwise complicit in many of the aforementioned issues.

all that being said, I want to begin by saying that I don't think you're necessarily a bad person if you celebrate fourth of july. I don't think guilting people is a productive way to go about things, or to alleviate any feelings of cognitive dissonance. I don't know why everyone is celebrating; maybe you want to focus on the positive aspects of american culture, such as its diversity or the accomplishments of those who have been able to advocate for themselves despite oppression from within their own country. or maybe you just want a day off to spend with your family and friends, without anything to do with america. what you do today is your business, and it's not up to me to police what you should or shouldn't do.

I do, however, want to offer some resources for those of you like me, who feel like we can't celebrate. I don't think we should be paralyzed by guilt and do nothing, but I also acknowledge that what we can do varies from person to person. maybe you can do a mix of both- spend the day with your family while also taking time to engage with these resources. You don't have to engage with all of them, but I would appreciate if people took the time with these resources, whether it means educating themselves on various issues or donating money to a cause. So, here are some I think deserve some attention:

NDN Collective: NDN Collective is an Indigenous-led organization that focuses on sustainability, the Land Back movement, intersectional activism, and climate justice.

Native Land Digital: This interactive digital map shows the location of precolonial Indigenous land around the world, so you can find whose land you're living on. Clicking on a location on the map may provide you with links affiliated with specific tribes or Indigenous groups, allowing you to learn more about the history, culture, and issues regarding Indigenous peoples in the area where you live. For instance, I live on Seminole land, and clicking on the Seminole area of the map leads me to the official Seminole tribe website.

The Afiya Center: The Afiya center is a Texas-based organization that focuses on reproductive health issues regarding Black women and AFAB people in Texas. This includes abortion and contraceptive resources, as well as preventing STI's.

Zebra Youth: Zebra Youth is a Florida-based organization that provides resources to LGBT adolescents, such as housing and mental health resources.

Operation Olive Branch: Operation Olive Branch is a spreadsheet that contains various verified fundraisers to help people evacuate or survive in Gaza during the current genocide.

Healing Our Homeland: An organization that delivers food and humanitarian relief to Palestinians.

Nova Ukraine: Delivers humanitarian relief to Ukraine.

ASAN: Autism Self-Advocacy Network- An autistic-led organization that aims to better representation for autistic people, provide educational resources, and improve accommodations.

This article contains links to relief efforts to help the victims of Hurricane Beryl.

Of course, please remember to vote this year! As bad as the choices are, either a democrat or a republican will be the president in 2025, and organizing for progress is going to be a hell of a lot easier under one than the other. For now, let's continue to uplift our communities, provide support where we can, and continue to learn about intersectional issues and diverse viewpoints.

#4th of july #fourth of july #humanitarian aid #signal boost #palestine #gaza #reproductive rights #ukraine #lgbt rights #disability rights

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saintsenara · 5 months

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I really want to hear your thoughts on the wizarding world. So I have a question about British wizards' language skills. Canon tells us very little about British wizards and their relationship to languages. We know that Fleur, Victor and Madame Maxime can speak more than one language. (They are not British). However, we do know that there is at least one British wizard who speaks several languages. Percy and Ludo say that Barty senior speaks over a hundred languages. So, do you think British wizarding society has a general opinion about learning languages or is it more about what class a wizard is born into or what their future career plans are? After all, Hogwarts doesn't teach languages to students. I'd also like to hear your thoughts on these characters and their language skills. Do you think they can speak more than one language? Voldemort (parseltongue doesn't count), Dumbledore, Barty jr and Bill Weasley.

thank you very much for the ask, anon! and what an interesting question!

in harry potter, language-learning is one of those things which - since it's not a key aspect of the story - ends up not having any specific worldbuilding. and so it's one of those parts of the books in which the wizarding attitude towards foreign languages just seems to be exactly the same as the real-world british one.

which is - like everything in britain - enormously rooted in social class, and in things [like race and ethnicity] which intersect with this.

you will often hear, for example, that the working-classes don't bother learning foreign languages - but what is meant by this is that working-class people don't choose in large numbers to become proficient in the specific western european languages [french, german, italian, and spanish] which signify that someone is well-educated, culturally-sophisticated, and mentally non-parochial to the british cultural and intellectual elite. working-class people may very well speak one of these four languages - especially african and caribbean dialects of french - as native or heritage languages, and they may very well speak urdu, yoruba, albanian, polish, turkish, and so on for the same reasons... it's just that this isn't recognised as something impressive.

but it is certainly true that language-learning for reasons other than heritage generally isn't considered to be particularly important in class-brackets below a certain threshold in the middle-middle- to upper middle-classes.

partially this is for boorish, parochial reasons which align with certain strains of political and social conservatism. uncle vernon, for example, would regard language-learning as woke nonsense and be horrified if dudley came home from school and asked to be given loads of italian novels for his birthday... he would have a similar reaction if his son announced his intention to start playing the violin, take ballet, write poetry, become interested in impressionist painting, or eat the local food while on holiday.

[the grangers, in contrast, appear to come from the europhile wing of the upper-middle-classes - and would, therefore, regard it as horribly parochial to only speak english. we know they go on holiday to france in prisoner of azkaban - and i think we can imagine that this isn't the first time they do so, and that hermione and her parents can all speak conversational french. indeed, if hermione was privately educated prior to starting hogwarts - and all signs point to yes - she would have studied french at prep school.]

but british monolingualism is also partially because the global hegemony of english means that being able to speak anything else isn't crucial for travel, employment, or - indeed - emigration, since brits who aspire to move abroad often want to go to places like australia and new zealand.

and so language-learning has become - like music - an academic subject which seems to be thought of by many brits as "not a key skill" - unlike, for example, something like maths. nice to have if you've got a grip on everything else, but not a necessity... and so, for british children who are educated in state schools [public schools in the us], foreign languages are only compulsory for three school years [years 7-9, the equivalents of years 1-3 at hogwarts]. some schools insist on a language being taken at gcse [exams taken at the end of year 11 - hogwarts year 5, what owls are a pastiche of], but this is not mandatory.

[although it was at my school. slay.]

so it makes sense within this cultural context that there are no languages on the compulsory hogwarts curriculum - the intended audience isn't expecting there to be.

[although it's worth saying that ancient runes - while i know it has a whole fanon surrounding it which makes it a sort of spellcasting system - is a pastiche of latin/classical greek as school subjects, so there is at least one elective language students can study].

of course, it makes less sense that this is the case when we remember that jkr did french at university... and it also makes less sense that this is the case because hogwarts is based on real-world institutions - britain's elite boarding schools - which do prioritise language-learning, since the students come from class-backgrounds which value multilingualism as a signal of cultural status.

[seriously - while i accept that this is anecdotal - it was so striking to me when i was at university that all but three of the thirty-or-so people i ever met doing a degree in a foreign language, whether a european language or not, was privately educated. add in classical languages and that ratio gets worse.]

but i think we can get around this by noting that hogwarts is set up in a way which presumes that its entire student body has had a wizarding primary education - and not only that, but an elite one [since hogwarts does, even if this isn't the doylist text's intention, seem to apply some sort of selection process which means that students who aren't from well-heeled backgrounds stand out enormously]. and then by presuming that the primary curriculum which someone like draco malfoy would have studied [at home, probably with a governess] would have included some sort of language tuition.

i imagine that this tuition would be in a muggle language - non-human languages [like mermish or gobbledegook] seem to be regarded as sufficiently "niche" in the eyes of the population that they wouldn't be taught as a general skill, but either learned in one's own time or as part of the training for specific careers, such as goblin liaison; the fact that barty crouch sr. speaks so many just for fun is a way canon hints at him being a bit... weird - and i imagine that this muggle language would be french.

this is not, however, because i go in for the fanon that all purebloods are of recent french heritage and retain close family connections in france [names like malfoy and lestrange are anglo-norman - which means they arrived in britain a thousand years ago with william the conqueror, and are as meaningfully english as the word "beef" or "monarchy...], but because french is generally considered the most "useful" language to learn in britain because france is literally next door.

[irish is sobbing.]

when it comes to the characters you specifically asked about...

lord voldemort's pre-hogwarts education is a bit of a mystery - in that the fact that the text isn't concerned about fleshing it out means that he ends up being far better educated than would normally have been the case for a child of his background [simply by virtue of not being functionally illiterate...].

even if he went to a moderately well-resourced school by random chance, though, he's extremely unlikely to have formally learned any foreign languages. but the fact that the most common fanon locations for the orphanage are parts of east london which had historically large jewish communities in the late nineteenth and early twentieth centuries means that he'd have had a fair chance of picking up snippets of yiddish while he was wheeling and dealing around each day. east london also had a large irish community, and if the orphanage is a catholic one [which doesn't really work canonically but which is a headcanon i'm nonetheless wedded to], then he'd probably also have a bit of latin.

once he's at hogwarts, i presume he must take runes [since he's heavily implied, like all male characters the series considers to be intellectually brilliant, to have taken twelve owls]. nonetheless, while he's clearly a nerd - and while he loves a language puzzle, since he spends his teenage years coming up with an anagram of his own name [...] - he has a slightly harry-ish preference in canon for only enjoying lots of flicking-through-books research if it's for a tangible goal [i.e. opening the chamber of secrets]. i can't see him scouring textbooks in an effort to teach himself the european languages his posh friends would have learned at home unless he thought doing so would be unequivocally beneficial to him.

indeed, we canonically know that voldemort can't speak german, since when he's on his hunt for gregorovitch in deathly hallows a woman speaks to him in that language and he just defaults to the british standard of speaking louder in english... and i think we can reasonably assume on these grounds that he can't speak french either.

but he must be able to speak albanian fluently - simply out of necessity, since he spends so much time in the country.

and it's also interesting to me that during his ten years in europe after murdering hepzibah smith [so c.1955-1965], he is implied to spend a lot of time in communist europe, even if not in countries which were fully behind the iron curtain [he must, for example, meet karkaroff - and potentially dolohov - in some part of the eastern bloc, and the bulgarian delegation at the quidditch world cup know who he is]. i think it's entirely reasonable to suppose, then, that he must also be able to speak some level of russian.

dumbledore - on the other hand - can probably speak french, german, and italian, which would have been expected of the sort of late victorian young man who was preparing to embark on a grand tour, and which he undoubtedly taught himself in order to keep up his correspondence with the "most noted magical names of the day" [including grindelwald, to whom he probably spoke german].

i also quite like the idea of him as the sort of late victorian orientalist who crops up again and again in british history, who speaks a language like hindi, arabic, or ottoman turkish with a cut-glass english accent.

the various non-human language he speaks in canon - such as mermish - are presumably also self-taught, and the question which preoccupies me the most in relation to these is whether dumbledore can speak parseltongue?

after all, we know it's a language which can be learned by non-parselmouths - since ron manages to speak it in deathly hallows - and so it must have an actual structure rather than just be vibes. and if dumbledore can't understand it, then what the hell did he think was going on in the memory of the gaunts he shows harry?

barty crouch jr. was definitely forced to have endless lessons with tutors hired by his father, who wanted him to match his two hundred languages, but then forgot everything he knew about mermish the second he started school.

i am sure that - even if he doesn't seem to be able to during the canon timeline - bill weasley learns how to speak french fluently the second the war's out of the way. since this is a basic courtesy if your partner and her family is from france.

i am also sure that the three delacour-weasley children are raised to be bilingual, and that they take great pleasure in bitching about the three potter-weasley children to their faces.

the more interesting question, though, is whether bill can speak any gobbledegook.

it's implied that he might through his job - and he's asked in order of the phoenix about whether there's any pro-voldemort talk among the goblins at gringotts, which suggests that he's known to be able to understand any gobbledegook chit-chat he overhears. but it still always strikes me in deathly hallows that the imperialism really jumps out when bill's speaking to harry about griphook:

“I know goblins,” said Bill. “I’ve worked for Gringotts ever since I left Hogwarts. As far as there can be friendship between wizards and goblins, I have goblin friends - or, at least, goblins I know well, and like.”

this really doesn't sound like a man who takes the time to speak to his "friends" in their own language...

the fact that even the good guys treat non-human magical communities with - at best - paternalistic contempt is a really noticeable theme in the series [and, crucially, something which the series doesn't seem to think is a particularly bad thing]. and so i quite like the idea that someone like bill would have a lack of ability to communicate in gobbledegook, and that this would never be something he interrogated.

#asks answered #asenora meta #hard-launching my beef with william “elgin” weasley

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lboogie1906 · 6 months

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Léon Damas (March 28, 1912 - April 22, 1978) was a poet, editor, diplomat, and cultural theorist who was born in Cayenne, French Guiana. He was the youngest of five children born to parents Ernest and Marie Aline Damas.

He left French Guiana to attend the prestigious Lycée Victor-Schœlcher. He attended the University of Paris. His scholarship was for the study of law, he developed an interest in the humanities and social sciences. Influenced by Andre Breton’s anti-colonial pamphlet Légitime Défense, by his encounters with the work of Harlem Renaissance poets like Claude McKay and Langston Hughes, and by the growing community of US Black expatriate writers and artists, he began to assert his identity as a poète Nègre.

He and Aimé Césaire met Léopold Sédar Senghor. The three founded the journal L’Étudiant Noir, called Négritude.

He was the first Black writer to address the impact of colonization on the psyche of the colonized. He introduced this colonial and postcolonial condition more than 20 years before philosopher Frantz Fanon would label such traits “the colonized personality”.

He was the author of nine other volumes, including five additional books of poetry, three essay collections, and one book of short stories. In addition to a writing career that spanned 40 years, he held several prominent and influential positions in military, diplomatic, and government organizations. He served in the French army during WWII. He was elected to the Chambre des Députés of the French National Assembly. He became the overseas editor for Radio France, a contributing editor on the board of the journal Presence Africaine, and a representative of the African Society of Culture for the UN Educational, Scientific, and Cultural Organization.

He traveled extensively in Africa, Latin America, the US, and the Caribbean. He settled in DC, where he accepted a visiting professorship at Georgetown University. He was offered a permanent position at Howard University, where he remained on the faculty until his death. #africanhistory365 #africanexcellence

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lcverrpc · 1 year

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voodoo , witchcraft and the rpc

or why you should think before including voodoo in your roleplay . ( this will contain discussions of slavery and racism , for my own comfort i will not be going into true detail of these and the other dark topics surrounded with the stereotypes )

now , i would like to preface this by saying i am not a practitioner or follower of the voodoo ( vodou but for the sake of this post we'll use voodoo ) religion , however i am black ( caribbean specifically ) and after seeing an uptick of voodoo in the rpc lately , it's occurred to me that this puts me in the position to say something . so lets get into it .

witches and magic have been a staple of both the horror and supernatural genres for years and voodoo has worked its way into the entertainment industry alongside this but lets get into what vodoo actually is : a religion with its own spiritual hierarchies , ritual ceremonies, customs and practises .

a closed religion at that .

unless you are invited into it , you can not and should not practise it . it was developed by african slaves - it's entire foundation incorporates blended religions , cultures and sufferings of african slaves . it's commonly known that enslaved people were separated from their religious and spiritual identities , the only way that this knowledge and religion still exists is from being passed down from generation to generation .

'what if my muse was invited into it?' in my opinion , you as a mun who has not been invited into this religion who does not practise it , can not fully understand the weight , traditions and complexities of it . even with research , you will be missing pieces of the information .

closed religion aside , lets now talk about the stereotypes surrounding voodoo and magic .

the term black magic was often used in regards to african spirituality and in media it's not uncommon to see voodoo be used and misrepresented as something backwards , perverse and downright evil . where does this come from ? well as simple as i can make it , it's racism . voodoo and hoodoo were used to further demonise black people , it gave us the reputation that we could enslave you , that we would take away your will and autonomy and force good innocent white people into doing things they didn't want to do ( ironic isn't it ) think of media such as ahs or even princess and the frog for modern examples of how this stereotype continues .

when portraying black witches who dabble in the stereotyped portrayal of 'voodoo' , or white characters with 'voodoo' superpowers it's important to be aware of the history and of the image you will be projecting with your character .

this is not to say you can't play black characters as witches or other magical species , but you can do so in a way that doesn't enforce damaging stereotypes and tropes . ( bonnie bennet from tvd is a witch the same as her many white counterparts , the most recent reboot of charmed features black female leads as powerful witches - although both of these are not perfect depictions )

tldr : this is no where as detailed as i wanted it to be as im saving my energy and i can't tell you what to do but voodoo is a closed religion that should not be used in roleplays as a source of magic or witchcraft . please respect it and it's roots . if you want to play a black character with magic , do so the same way you would their white counterparts but be aware of stereotypes ( particularly the magical n*gro stereotype )

as always im open to questions and comments on this . my knowledge is not absolute so i'm happy to amend things in this post . keep discussions civil and polite pretty please and remember that people of colour do not owe you education , especially at their own expense so be patient and listen .

#rp psa #writing guide #black character resources #voodoo #*made by m #this was nervewracking to write but i feel its important to know #black stereotypes #rpc #rph

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