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Exploring Belgium: A Comprehensive Travel Guide

Belgium, a charming country nestled in Western Europe, offers a rich tapestry of history, culture, and modernity. This guide will take you through Belgium’s history, colonial past, political landscape, education system, and practical travel information, ensuring a delightful and informed visit. A Brief History of Belgium Belgium’s history is a blend of influences from Roman times to modern-day…

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Marionette

The second star of Cosmically divine...

☆ Author: bvidzsoo

☆ Pairing: Kang Yeosang x female reader

☆ Warning: nudity, cursing, consensual smut, corruption kink, blood, violence, cutting off a hand, allusion to pedophilia (but he pays for it lol karma is a bitch)

☆ Word count: 8.6k

☆ Rating: nsfw

☆ Genre: Greek mythology, Yeosang is Aphrodite's son, forbidden relation

☆ Summary: Doomed from the beginning, your mother, Hera, only saw a weapon in you. If you had once thought she loved you, she proved you wrong the second she cast you away once you failed to kill her enemy's son. Yeosang, Aphrodite's dearest and most prized offspring.

☆ A/N: Hii, lovelies! Second instalment of this series is here, and I swear to God this is the last time I write it in one setting bcz my wrist is falling off currently lol. I really really like this part, I am so curious to hear what you all think of it ! I genuinely appreciate your feedback, and the ones you've left on the previous part legit had me giggling and in tears, I love you all! <3 The taglist is still open, so lmk if you want to be added to it. This is a small side note, but I've read not too long ago a Yungi story that is absolutely amazing and is a Greek mythology au, and whenever I'm writing a part for this series I get reminded of it, so, let me share it with you if you are curious to read it, it's so good!! I'll point out a few things before I let you read the story:

★ This is inspired by Greek mythology, but I took creative liberty and adapted it to my likes, so keep that in mind while reading, thank you! ★ Aphrodite is the Goddess of love, beauty, desire, and all aspects of sexuality ★ Hera is the Goddess of marriage, women, and family, and the protector of women during childbirth ★ Athena is the Goddess of war, handicraft, and wisdom and the patroness of Athens ★ Hades is the God of the underworld ★ Dionysus is the God of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre ★ Tartarus lies far beneath the disk of the world, under Hades' underworld, it's used as the ultimate of prisons, unpleasant and inaccessible ★ Elysian Fields is part of the underworld and is where the good go ★ Athenai are a group of women who followed and worshiped Athena ★ Dion is a village and municipal unit in the municipality of Dion-Olympos in the Pieria regional unit, Greece; it's known for its sanctuary of Zeus and its ancient city (definitely give it a visit if you're in the area!) ★ (Athens is the capital city of Greece) ocean divider; greek divider

☆ Taglist: @patchofblue @sthwaaberry @constipatedcorgi @holytidalwavechees3cake @cheolliehugs

@slowitdownmakeitb0uncy @hoeforsungie @madebysvt

༄ ҉ Series m.list ༄ ҉ 　★ previous star ★ 

            Right by the foothill of Mount Olympus and just a few hours away from the lively village of Dion, hidden in a little meadow of the evergreen forest, almost a day long walk from Lake Naia, lay the fun house of Dionysus. Men and women, Gods and Goddesses were welcomed here, scrutinizing and judgmental eyes turning into indifferent and lustful ones, whatever your heart desired a possibility to become reality if whispered to the right person or deity. Selfless and desperate men found solace in the caresses of nymphs that ventured down from Mount Olympus to the fun house, desperate to get away from the clutches of merciless deities that took advantage of them at the smallest chance given. Gods and Goddesses who were tired of the mistreatment enabled by their superiors and were in desperate need of a night where they could let go, often stumbled through the threshold of the fun house. Dionysus loved calling it a fun house because that’s what it truly was, a house that offered you whatever you had in mind when you thought of the word fun. It came in the form of alcohol, music, entertainment and dancing, but it also came in the form of wanton moans, desperate touches, and whispered climaxes. Whatever you had in mind, you’d probably find it at the fun house. The wine was unlimited here as long as you left something of yours behind and promised to return for another fun time, making you rather addicted to the feeling of adrenaline coursing through your veins as you anticipated your reward. Whether this was in the form of a beautiful nymph or innocent maiden, a hunky man that liked it rough or a young lad whose touch was soft, or perhaps the unlimited alcohol that intoxicated your mind and sometimes killed you before your time…it was all the visitors choice. Dionysus took great pleasure in watching the mere mortals crumble at his feet, and he loved it even more when he managed to break a deity beyond the point of madness.

Everyone here knew who I was. The empty jug lay next to my hand almost mockingly as my eyes bore into the table, head slightly buzzing and ears ringing from the loud music the few drunken musicians attempted to play. The harp had a beautiful sound if in the hands of someone that could yield it, but the one mortal that attempted to play it here made it sound borderline scratchy, fingers caressing the strings rather unprofessionally. Despite how crowded the fun house was, not a soul took it upon themselves to share a table with me, and I understood why. I wasn’t necessarily here for company, especially not that of a man, but it would’ve felt nice to lay my worries upon an ear willing to listen. I knew the sharp daggers secured onto the belt around my waist intimidated men, but I expected women to be more than willing to share stories with me. After all, it wasn’t a secret to anyone that I was part of the Athenai, Athena’s loyal followers, the leader of a cult that brought forth possibilities for women eager to become more than what their society instilled on them.

A rather young girl passed by the table, head hanging low as she clutched the large jug of wine to refill the thirsty men’s glasses, and I watched closely as she walked between the tables, pouring more wine for the one’s asking. She was young, too young for a place like this, but I figured her family was living scarcely and they needed every little penny they could get. Knowing the nature of the men that were so eager to frequent places as such, it came as no surprise when the young girl’s shoulder was clutched by a calloused hand, yanking her back violently. The girl’s eyes widened in panic as she looked up, clutching the jug to her chest as if afraid to spill anything. It was pure instinct by now to draw my weapons at the sight of a female getting harmed, and it came as no surprise when I felt my blood boil underneath my skin. The man that dared touch the little girl was laughing, gripping her chin and trying to force her to sit down at his table filled with six more men, all watching her with a predatory glint in their eyes. Athena has taught me her virtues, has passed her beliefs onto me, raised me as a strong and independent woman, one that would not sit idly by and watch an innocent soul get harassed, especially if so young. The cult of Athenai have sworn celibacy to Athena, and have sworn to protect maidens and women in dire danger until their last breath.

I moved stealthily, barely leaving a breeze in my wake as I stood from the table, eyes burning anyone that dared look my way, right hand gripping the handle of my most loved dagger. Hephaestus was a marvelous craftsman, every piece of armor was designed by Athena and myself, and then later on perfected and strengthened by him. I had great trust in my weapons and my abilities, having led a war by Athena’s side more than once. As I made my way towards the table full of vile men, the little girl’s body had started shaking as she struggled to fill their glasses with wine, the man that was holding her had his hand sliding down her fragile body. I tensed my muscles and willed my mind to remain focused, knowing that if I saw red right now, not even one man would leave this house in one piece. As a quiet and scared whimper left the young girl’s lips, my jaw clenched and I unsheathed my dagger, the other men sitting at the table finally noticing me as I came into their vicinity.

A wide smirk stretched onto my lips as I saw the terror in their eyes, and before they could alert their companion harassing the young girl, my dagger had long come down against the nimble skin of the man, the steel cutting through his flesh and bones, severing the hand he had on the table. The cry that left his mouth was gut-wrenching and it made everyone stop in their tracks, eyes wide as the lively music had cut off at once, the young girl jumping away with watering eyes as the man tried to stand and whirl around. But I just chuckled and grabbed his greasy hair, yanking his head back as I pressed my sharp dagger against his neck, making him suddenly become still. His chest was heaving and he had broken out into a cold sweat, whole body shaking as blood gushed out of his severed limb. I leered, leaning down close to his ear.

“You are in great luck tonight, my friend,” I hissed against his ear, his body reeking of alcohol and grime, “I cannot kill you unless you do something unforgivable, but that doesn’t mean I cannot teach you a lesson, you stupid mortal.”

The man had started sobbing, snot running down his nose and into his mouth as he tried to splutter out apologies, his companions frozen as they didn’t know whether to help him or not. I pressed my dagger just a little more against his skin, making sure to draw blood as the man cried out in agony again, making me grin widely as I released him, but not before banging his head against the table hard enough to knock him out. His companions jumped to their feet and rushed over to the passed-out man as I turned my head to search for the young girl, finding her cowering behind a woman that was silently crying. I wiped down the blood from my dagger onto the white cloth I had hidden in my pocket as I walked towards the two, motioning for the woman to step aside. She did so quickly, revealing the young girl to me. I sighed as I leaned down to be eye level with her, gently wiping her tears off her face.

“Do not cry child, you’re safe now.” I muttered to her gently, unlatching a satchel from my belt, “Take this and head to Athens tomorrow, take your family with you if needed. Pray to Athena tonight and tell her that her most trusted apprentice saved you from a vile man, ask for her blessings and protection.”

“Won’t she want something in return?” The girl’s voice was shaky as she reluctantly accepted the coins, probably the sum more than she’s ever made here at the fun house. I smiled and gave a pat to her head as I stood up straight again.

“You are a smart girl; Athena will like that.” I hummed, fixing her hair behind her head, tilting her chin up to look in her eyes, “If you wish to be strong and able to protect yourself, all you have to offer to Athena is a promise to remain a maiden, child, and she will have you. You’ll thrive under her cult and you’ll have a good life in Athens.”

Gratitude graced the young girl’s face and she bowed her head deeply, bending at her middle to go even lower, making me smile at her display of gratitude, “Thank you, my heavenly protector.”

I chuckled as I gave a last pat to the girl’s head, looking around the still deadly silent fun house. I grinned and took my leave, knowing that the mood would be ruined as I wasn’t welcomed anymore for the night. When I reached the door, I turned around and bowed mockingly before I was out of the crowded and warm house, welcoming the cool breeze of the summer night. As the door closed behind myself, the music picked back up and the chatter and shouts resumed like nothing had happened, and I took a moment to clear my mind. I headed to the corner of the house and leaned against its structure, sighing as I looked up at the stary night, wondering whether I should return to Olympus now, or head back to Athens myself. But something snapped next to me and the unmistakable aura of an Olympian God invaded my sense, forcing my body to remain alert as I gently clutched the handle of my dagger.

“No need for that, dear,” I slightly relaxed at the familiar deep voice, but failed to spot the figure in the pitch-black night, “I am not here to harm you—or any of the women you protect.”

“Then why are you here?” I snapped back, growing a little irritated that the God wasn’t showing himself to me.

“I’m here to collect a very dear soul.” The deep voice answered back, sounding amused at my irritation as the nauseating scent of tobacco filled my nose. Sometimes, I wondered whether Death was timeless, whether he could travel between times unseen and unknown to us. Even as deities, we couldn’t predict the future nor if we truly were everlasting, but there was a glint in Death’s eyes that held secrets nobody but him knew about.

“I didn’t kill the man, you don’t have to snitch on me—” His deep giggle cut me off, and there he was, finally, showing himself to me as he stepped out of the shadows. His body was clad in a midnight black suit, tailored to fit his body perfectly as if it was his second skin. He had cut his hair shorter sometime not long ago, and it stood up in a way that made him look like he didn’t belong amongst us. Hades’ sharp eyes were crinkled as he smiled widely, his front teeth crooked as the cigar hung loosely between his teeth.

“I’m not here for that man,” Hades chuckled as the cigar bobbed with every word he said, “he’s going straight to Tartarus. I’m here for someone else.”

I followed his line of sight as he gazed inside the fun house through the window, eyes settling on an old man who was smiling and chatting by the bar with a beautiful young woman, “He’s lively, but his heart has weakened. I hope he hasn’t forgotten about our little trade back when he was still youthful and handsome.”

“You love making trades.” I sighed under my breath as I watched Hades grin, then take a long drag of his strongly smelling cigar. I never dared ask where he got those from, I never saw anyone else smoking them. It felt like it was somehow beyond me and our times, like it was better if I stayed naïve. Hades was an enigma nobody could fully decipher; it was best if you didn’t ask many questions. He had a way with his words, he could easily trick you into trades and deals that were only beneficial to him. The tale of signing your soul away to him unassumingly was more common than not, and I appreciated my life, cherished it dearly even.

“That I do, indeed.” He hummed, sharp and dark eyes falling on me again. He also loved flirting with people that he wasn’t supposed to flirt with, “Still worshiping the lovely Athena?”

I snorted under my breath, crossing my arms in front of my chest as I leaned against the building again, “It’s what I was created for.”

“Ah, yes,” Hades hummed, taking a long drag of his cigar, smoke wafting up in the air around us, “my bitch of a sister sure loves sending out other people to do the dirty work for her. If only Zeus wasn’t such a man-whore—”

“You speak rather freely, Mingi.” I narrowed my eyes at the God of death, interrupting what was supposed to be his inner monologue.

“Of course, I do.” He chuckled upon hearing his real name leave my lips, throwing the cigar onto the ground as he stepped on it. I’ve seen him do that many times, yet I still haven’t figured out why he did that, “What? What are they going to do to me? Banish me? Chase me away? Kill me? Death is everlasting, my dear, just as birth is. Even when you will stop existing, I’ll be still here. I’m one with Gaea. Unlike many of our kin, I do not need to be worshipped to exist.”

That made me think, made my mind dwell on thoughts that they weren’t supposed to dwell on, “Are you saying we won’t always be here?”

“I’d love to chat more with you, my dear.” Mingi smiled mischievously, his eyes narrowing into playful slits as he stepped closer, caressing my cheek gently. He was perhaps the only man that’s ever touched me—the one I willingly allowed to touch me—his touch lacking the lust no other man could even as much so as hide, “But my old man really needs to go now, and Hera’s called for you.”

“Are you stealing Hermes’ job now?” I chuckled, patting his hand before I removed it, dusting my hands off.

“No,” Mingi chuckled, shaking his head, “I’d rather die then be the messenger of these bored deities that love beefing with each other for no reason.”

“Do you reckon why my mother is asking for me?” I raised an eyebrow as I chuckled at Mingi’s humor.

“No idea, but she looked beyond devious.” He sighed, slowly stalking towards the entrance of the fun house, Dionysus would certainly hate that there would be two deities tormenting his fun house tonight, “Perhaps has something to do with lovely Aphrodite.”

I hummed, nodding my head in goodbye as Mingi disappeared inside, leaving me alone in the darkness of the night. Well, off to Mount Olympus I was.

            And Mingi was right, my mother did summon me due to something concerning Aphrodite. The palace was brightly lit despite it being after midnight by the time I made it home, and my steps were silent against the marble stones despite how lightly I walked. Athena made sure teach me that. As I had knocked on the door of my mother’s bedroom, it opened up instantly and allowed me inside. She sat on her sofa, snacking on some grapes as her two servants fanned her with big leaves, looking stoic and avoiding eye contact at all costs. My mother’s mouth pulled into a wide smile upon seeing me, her eyes a bright color and glimmering under the divine light. I fixed my posture and bowed my head in respect as I walked closer to her, the armor I wore completely the opposite of her satin indigo dress.

“Daughter,” She cooed, her voice warm and loud in the confines of her bedroom, “it’s been a while since I’ve seen you.”

That was true, indeed, she only met me when she needed something from me. I wasn’t to any use for her unless she was sending me out to kill the people she didn’t like, or have tried to bewitch her bellowed husband. I have long come to terms with the fact that Athena was more of a motherly figure than my own mother would ever be.

“Indeed, mother, how may I help you this time?” I asked emotionlessly, resting my hand on the handle of my dagger as it brought me comfort.

My mother chuckled as she raised her hand, the servants stopping their actions, “Out.”

They wasted no time in scurrying out, and I watched as they bowed deeply to my mother then to me, and fled the room at last. My mother sat up, pushing her dark brown hair behind her shoulders, her satin dress falling down on one shoulder. She was a Goddess almost as beautiful as Aphrodite, Hera could have anyone she wanted. Many worshipped her and tried to whisk her away from Zeus, but she only had eyes for that tyrant.

“Well, now that it’s just the two of us,” Hera chuckled, her expression twisting into something sly, “I’m sure you’ve heard of Aphrodite’s children, my daughter.”

“I have.” I confirmed as I raised an eyebrow at my mother. I have even met a few, but they weren’t very likeable, much like their mother.

“What about Yeosang?” My mother’s voice dripped with venom, palms curling into fists.

“Mere tales whispered by naiads is all I know of him.” I answered, gulping when my mother raised to her feet, a deity easily taller than most men. She stepped off her pedestal and slowly approached me, hand extending as she cupped my cheek. Unlike Mingi’s tender caress, hers was cold and borderline painful.

“I have a very important mission for you, my daughter.” My mother’s eyes sparkled with a vicious glint, teeth showing as she leered, “Someone had spoken ill of poor Aphrodite and she wants the man dead. But we know she never directly dirties her hands, and instead sends one of her children. Yeosang is her most prized child, my daughter, I need you to go find him, and kill him.”

I withheld the snort that threatened to bubble past my lips, impressed by my mother’s ignorance and the irony of her words. Wasn’t she sending me out to take care of her dirty business? The hatred between the two Goddesses runs deep, the two never settling their differences and finding ways to torment not just each other, but those around themselves as well. I was raised to hate Aphrodite, by my mother at least, because Athena’s teachings taught me different things. I wasn’t supposed to hate no woman, nor Goddess, but my mother couldn’t know that. I was more loyal to Athena than to her anyway.

“Is he going down to the mortals?” I questioned and pulled my head back slowly to get rid of my mother’s uncomfortable caress against my cheek. She hummed, giving me a scrutinizing look as her eyes took me in, a small grin spreading onto her lips.

“You’ve become a fine warrior, my daughter, I knew handing you over to Athena was a smart choice.” My mother sighed happily, eyes hardening at once, “You cannot fail me, my daughter, Aphrodite never lets Yeosang out of her sight, this is your one and only chance to kill him for me, do you understand?”

“Yes, I understand.” I bowed my head and my mother hummed, turning her back to me as she walked back towards her sofa.

“He’s in Dion, you’ll find him at the brothel in the East side of the village.” She sat back on her sofa, snapping her fingers as the doors opened instantly, the two servants rushing back inside, “And do not worry about recognizing him, you’ll know once you see him. He resembles Aphrodite a lot.”

And perhaps my mother hated that even more than the fact that Aphrodite was more beautiful than her. I didn’t worry about recognizing Yeosang, amongst mortals, an Olympian could be easily picked out in a crowd.

            Life in the village compared to the life of the Olympians was rather lamentable. Few people were well-off to live in spacious mansions that resembled the homes of the Olympians, as most of these mortals lived in humble and small cottages. But no matter how poor or rich, the nightlife in Dion never lacked as inns and brothels were overfilled with rowdy and insatiable people. I had disguised myself as a maiden of the village, a simple white dress that’s seen better days replacing the armor that felt like a second skin and brought me comfort. I felt exposed as my dark hair flowed freely against my shoulders and back, making me more vulnerable as anyone could easily grab onto it. The only time I wore it like this was when I bathed, in a battle you couldn’t allow anything to distract you. The sleeves of my dress were long, covering my arms as my two daggers were strapped tightly against the inner parts of them, I would never willingly bear myself vulnerable around anyone I didn’t trust.

Since I was disguised, nobody could tell that I was Hera’s daughter and Athena’s apprentice, making men boldly approach me and try to flirt their ways into bedding me for the night. I hated every single second of it, narrowly avoiding their touches and turning down their offers in a charming manner, not wanting to anger anyone and draw attention onto myself before I was done with what I was here for. The brothel was overspilling with people at the ungodly hour of the witches, and it turned out to be a hard task to find Aphrodite’s son, Yeosang. I didn’t know who I was looking for, but I would know upon seeing him. After walking around and watching the crowd carefully, I let the people push me towards the bar as I ordered a pint of beer for myself, leaning against the surface as I surveyed the crowd once again. The music was loud and the dancing people grew in number as others disappeared upstairs, occupying the empty rooms for mere seconds of pleasure. I had just taken a sip of the rather bitter beer, when an overwhelming feeling of warmth made me look up alarmed. I narrowed my eyes as I tried to pinpoint the direction it was coming from, my blood boiling underneath my skin as a weird sense of calmness tried to push through my alert disposition. My heart was racing and my ears had started ringing at once, and I knew the few sips of beer weren’t the cause of it. I was in the presence of another divinity. And upon realizing this, through the dancing people emerged an ethereal looking man.

The seemingly white glow that no mortal seemed to notice was almost alarming, coating his skin fair and making it glow as the softest and gentlest smile settled on his blood-red lips upon noticing me. Even from a distance, his eyes were gentle and warm in color, golden swirling around his irises as he graciously walked closer, hands clasped in front of him. Somebody crashed into him, but instead of screaming and pushing them away, he continued smiling as his lips moved slowly, probably reassuring the person that it was no problem. His hair fell around his face in a light brown curtain, framing his forehead and cheekbones as his nose was petite, his jawline sharp. My grip tightened around the pint of beer, suddenly my heart racing in my chest as the warmth I have felt previously only worsened the closer the deity walked. I found myself struggling to intake air, as if the man had his grip around my throat, refusing me the air I desperately needed. His smile only widened as I felt my legs weaken, the man now standing in front of me. His scent was sweet like honey and roses, overpowering the unpleasant odor coming from the humans.

“Another deity,” His voice was deep, unlike his soft features and what you’d expect to hear from him, “it’s rare any comes down to this brothel.”

“You’re here too.” I found my voice, completely surprised by how breathy it sounded. I gulped and took a quick sip of my beer, hoping it would help fix the dryness of my throat. The deity, Yeosang, watched my action closely, chuckling lowly as his lips pursed. The longer I looked at his face, the more I understood why he was Aphrodite’s favourite child. He was beyond perfect and gracious, well-mannered, and soft spoken. Perhaps if Aphrodite didn’t exist, he’d be Aphrodite instead. But nobody, no mortal or deity, could be prettier than the Goddess of beauty herself, and I noticed with mild surprise that Yeosang had a blood-red discoloration around his left temple in the shape of an almost heart.

“Are you here to satiate your vices?” His warm eyes shifted onto the beer again, and I chuckled, looking down at it too. I had to play my part if I wanted to kill him tonight, therefore, I lied.

“Some vices you can never fully satiate.” My expression was serious as my eyes bore into Yeosang’s, “I am tired of the fakeness of the Olympians, I want to feel something real.”

Something alluring flashed inside Yeosang’s eyes as he, too, leaned against the bar, reaching out for my pint of beer, “Mortals are fun little toys—until they start playing Gods and want to replace you.”

“Good thing we are irreplaceable, then.” I grinned as Yeosang chuckled, bringing up the pint to his lips. They parted slowly, his gaze burning into mine, a heated feeling suddenly encompassing my whole being. I have never felt that before, and suddenly I was nervous. Could it be that Yeosang was manipulating me somehow? All deities had powers to a certain extent, but his and mine were limited, we weren’t any major God the mortals ardently worshipped. I tried to reassure myself that it couldn’t have been him as he slowly lowered the pint from his lips, placing it back onto the bar.

“A deity like yourself certainly cannot enjoy that vile thing?!” Yeosang sounded almost appalled as he pressed his bony fingers against his lips, making me chuckle as I pulled the pint back towards myself.

“Someone as sophisticated as yourself would enjoy wine, I suppose.” Yeosang blushed as he hid his mouth with his hand, averting his eyes down to the floor. I smirked, feeling victorious as I raised my hand for the waitress to come over. She was quick on her feet, thankfully, and I swiftly ordered a glass of wine for my prey. My plan was perfectly working out, I didn’t think it’d be so easy to lure him into my trap. Perhaps Aphrodite shouldn’t have kept her precious son so sheltered, he was too naïve for his own good, and it would bring his downfall tonight. As Yeosang shyly looked up, I fixed my expression, trying to look as inoffensive as I could.

“I have always believed there is no point in hiding who we are,” I tensed as Yeosang suddenly leaned forward, invading my personal space as the waitress delivered his glass of wine, “after all, at some point people see through your façade. It usually falls when you think others aren’t watching you, even if it’s the slightest crack, somebody will notice.”

Feeling speechless, I could only watch as Yeosang smiled shyly and took his glass of wine, murmuring a quiet thank you before he took a tentative sip of it. My heart hadn’t stopped hammering against my ribcage ever since he walked over, and I could only pray to Athena that I wouldn’t start sweating now. There was something about Yeosang’s aura that exuded calmness but alure at the same time, and I found it hard to make sense of these new emotions surfacing in my body. Everything tingled and burned, suddenly finding his proximity not close enough, needing him to push me up against a wall and devour me. If Athena were to hear these vile thoughts, she’d be just as disgusted by them as I was. I tried to gulp down the nausea rising up through my stomach, and as I opened my mouth to speak up, a man tumbled into Yeosang. His wine was almost spilled, but he saved it last minute as he helped the man stand up straight.

“Oh,” Yeosang whispered, face lighting up in recognition, “old friend! I thought I have forever lost you to the crowd!”

The man reeked of every odor one could think of, yet Yeosang went and placed his arm around his shoulder, pulling him into his side. I watched with furrowed eyebrows as the mortal hiccupped, eyes half lidded as he struggled to stand up straight. The glass of wine was abandoned as Yeosang’s full attention was on the man, and I took a deep breath as I felt my pulse quicken even more. I took a quick glance around myself to make sure nobody was watching us, and then reached inside my dress, finding the hidden vial between my breasts easily.

“You abandoned me, boy!” The man’s words were slurred as he clumsily exclaimed, and I acted in a swift moment, pouring the poison into Yeosang’s glass unnoticed. My fist curled around the vial until I crushed it into small shards, the pain never reaching my skin as it instantly turned into dust. I watched the poison quickly dissolve in Yeosang’s drink just as the deity chuckled and looked back at me. My eyebrows shot up as I quickly smiled, hoping I didn’t look suspicious.

“This old friend of mine loves dancing,” Yeosang chuckled as he maneuvered the man around so that they stood side by side facing me, “I had to abandon him for a while.”

“Yes, you did.” The man’s head fell a little forward before Yeosang steadied him, making me wonder just how strong the deity was. His muscles were lean and not bulging as most Gods liked to look like, yet it was unquestionable that he was rather strong as he held up the man twice his size.

“Old friend, tell me something.”

The old man perked up as he tried to open his eyes more, “What, boy?”

“The young lady you introduced to me earlier,” Yeosang’s smooth voice turned slightly darker, subtly sneering. My eyebrows furrowed as the soft expression swiftly slipped off his face, “what have you said to her?”

“Oh!” The drunk man exclaimed, lips pulling into a drunken smirk as he looked at me, eyes raking over my body. I wished to wipe out my daggers and gauge his eyes out, but tonight I had to behave, “That lady cannot be compared in beauty to anyone else, she’s more beautiful than Aphrodite herself.”

The air seemed to freeze around us as my breath halted. Yeosang’s smile turned cold, eyes narrowing as he hummed, his grip on the man’s shoulder visibly tightening, “Hmm, I see.”

I didn’t know what to do as Yeosang turned his head, one eyebrow raised as if in question. I cleared my throat and averted my eyes as I instead grabbed my pint and threw back the remained of my beer. Yeosang’s eyes slowly shifted onto his glass of wine and he paused, then reached out and took the glass. I watched with a hammering heart as he raised it up to his lips, then slowly tilted the glass, the wine almost touching his blood-red lips.

“Drinking in front of your elderly without offering it to them first?!” The old man coughed a little, giving Yeosang a glare as if his respect had been broken. Yeosang froze, then I watched in mild alarm as he lowered his glass, shooting the man an apologetic smile.

“Where have my manners gone?” He shook his head at himself and the man hummed. I opened my mouth to interject into their exchange, but instead felt my jaw fall open in shock as Yeosang forcefully grabbed the man’s chin and yanked it open, pushing his head back by it, pouring the wine down his throat aggressively. I gasped as I watched the man gargle and try not to choke on the poisoned wine, my palms turning into fists as my muscles tensed.

“There, you can have all the wine.” Yeosang snickered, throwing the empty glass onto the floor, it shattering loudly as he slowly turned his head, tilting it to the side. My eyes hardened in an instant as I noticed the change in his demeanor, the serene and innocent look gone from Yeosang’s face as he smirked, leaning towards me, “Those who speak my mother’s name in vain shall be punished, right, Y/N?”

There hasn’t been a time before where a man won over me. I was trained for war, I have fought battles that took the lives of hundreds of men, I have slain men who have mistreated women and yet…a pathetic son of a Goddess had me fumbling in panic as he released the old man who had started heaving for air, clutching his throat. Yeosang stepped back and watched as I caught the old man, eyes wide as the poison rather quickly brought him to his demise. I didn’t know what to do as his body started growing heavier, and when I made eye contact with Yeosang, he was already backing into the crowd with a poisonous glint in his eyes and a vicious smirk on his lips.

He had won this game.

I felt anger surge through my body, but I couldn’t act on my desires to chase after the deity and have his head. And so, I played the part of my disguise as I released the man. Then, I opened my mouth and shrieked.

            The slap stung no more than a battle scar yet had to, and still, my ego was bruised beyond my body has ever been. I gritted my teeth as I refused to cower under my mother’s seething eyes. Something broke next to us and I jumped, not used to my mother’s hysterical displays. Now I understood why Zeus never tried to anger her, and yet still failed miserably each time.

“You wench,” Hera hissed, grabbing my chin and yanking my head forward, “You’re good for nothing.”

I tried not to snort as I looked down, avoiding eye contact. I have never failed before. I was more than good, but she was too blinded by her childish hatred for Aphrodite to actually notice that.

“You are a disgrace and an abomination!” My mother continued to hiss, her grip turning painful on my chin, “Look me in the eyes, you stupid wench!”

Fury licked under my skin, igniting my veins and making me tense my muscles and calm my mind as I yearned to reach for my dagger and push it through her nonexistent heart. I gulped and looked up into her eyes, remaining emotionless like Athena had trained me.

“You are not my daughter.” Hera hissed, leaning in my face, “I banish you from my home, you are never to step foot inside my temple and sanctuary. Perish from in front of my eyes before I turn you into nothing.”

She pushed me away like I have burned her, and I gulped, biting down on my tongue to keep myself calm and level-headed. I didn’t want to turn into nothing, that I knew. So, instead, I bowed my head and took off towards the door, grabbing the handle of my dagger for comfort, “And to think I nourished you and cherished you for nothing.”

My grip faltered around the handle of the door and something coiled in my chest as I took a deep breath, trying to talk myself down from what was about to come out of my mouth. I ripped the door open and chuckled, turning my head to look smugly at Hera, “Thank fuck I won’t have to see your stupid face ever again, you hysterical bitch.”

The scream Hera let out only made me laugh as I slammed the door shut behind me, fury making my body feel like it was on fire. That feeling was only ever present when I was in battle, and protecting women. I felt my whole being vibrate as I left the stupid home of Hera, steps hurried as I knew who to seek out for guidance. I will find Yeosang and I will kill him, Athena may you be my guide and protect me in my quest.

            Hunting came as second nature; I could do it even with my eyes closed. The ground of the forest was solid underneath my feet and the trees tall and offering shade from the blazing sun as I swiftly advanced towards the meadow. There was nothing in this world I couldn’t track and hunt down. Man, woman, animal, deity. Athena had let me know in a whisper where Aphrodite’s pond resided, a place that only her, her nymphs, and Yeosang knew about. The deity often came here to spend the hot days of summer cooling off in the ever-clear Pond of Beauty. Aphrodite had created it herself for her offspring and those that she considered worthy of her treasure. The pond resided close by the foothill of Mount Olympus, on the territory of the Gods and Goddesses. No human could come here, unless they wished for a painful death.

My bow and arrow lay snuggly in my hands as I held onto them tightly, eyes narrowed as I listened closely to the sounds of the forest. The meadow was just one step ahead, I was hiding behind the bushes and the tall trees, eyes surveying the area before I looked out onto the meadow, the pond vast and its water glimmering under the sunlight that fell directly on it. Sweat had gathered on my brows as I took deep breaths, remaining calm as I noticed ripples on the surface of the pond, a head covered in light brown hair slowly surfacing. My heart started hammering against my ribcage as I watched the deity swim around in the pond, a serene look on his face as he seemed to be glowing in the sunlight, his light brown hair turning almost as golden as the swirls in his warm brown eyes. He floated around graciously, his milky skin translucent as it made contact with the water and the sunlight.

I tensed my muscles and drew my right arm back, aiming my arrow towards Aphrodite’s beautiful creation. I closed my eyes for a second and took a deep breath, tuning in to the sounds of nature as I relaxed my body, preparing to release the arrow the second my eyes opened. I felt my body move slightly, align in the direction Yeosang was, and I sighed quietly, feeling the warm breeze caress my skin tenderly all of a sudden. The birds seemed to sing louder here, the grass seemed to brush up against my ankles gently, and the breeze carried a soft smell of pomegranates, honey, and roses. I gulped, feeling my lips part in another quiet sigh as suddenly my ears started buzzing, my skin jittery out of nowhere. My eyebrows slightly furrowed, feeling a little unnerved as my body grew warmer and warmer, flesh burning underneath the heavy silver armor. I gulped and willed my mind to focus, to let go of everything that served as a distraction, and opened my eyes as my fingers holding the string had started slipping, about to release the arrow aimed towards the mesmerizing deity.

But when my eyes opened, my body froze as if someone else was controlling it. Yeosang’s brown eyes shone golden as they bore into mine even at the great distance, and I felt my fingers tremble as I reluctantly lowered my weapon. I struggled to breathe as I felt my legs moved forward, guiding me towards the pond, away from the safety of the trees and the high grass. There was something very wrong as my skin burned and my heart raced, and I couldn’t stop myself from approaching Yeosang. His blood-red lips pulled into a faint smile as my hand raised to undo my bun, my dark hair falling down and fawning my back as I sighed in content. Another step towards him had me unclasping the silver armor from around my torso, my hands trembling as I couldn’t look away from Yeosang. I felt drawn in, mesmerized, and charmed. A madman would say it was witchcraft, but I couldn’t tell what was happening to me.

Yeosang’s lips parted as he whispered something I couldn’t hear just yet, and I felt my hands undo the bindings of my corset as it soon fell from around my body, leaving it bare for Yeosang’s eyes to drink in my exposed skin. I shivered and my arms got covered in goosebumps as Yeosang’s grin turned wider, beckoning me into the pond as he extended one hand. My mind was screaming at me to stop, to unsheathe my dagger from my belt and throw it at Yeosang, but instead, my body moved on its own as I undid my belt and then the bindings of my pants, stopping for a second to push down the garment after I stepped out of my boots.

Yeosang’s tongue darted out to lick at his blood-red lips, and I gasped as my feet came in contact with the cold water of the pond. I was bare in front of a man, walking towards him, offering myself up to him. What I was doing was forbidden, I would be banished and probably killed, but I couldn’t stop. No matter how much I wanted to, my body didn’t stop moving towards Yeosang. The cold water clung to my overheated skin and my heart pounded in my chest as I couldn’t feel the soil underneath my feet anymore. I was forced to swim further inside the pond. I wanted to stop, but my body wouldn’t until it reached Yeosang. My lips trembled from both fright and the cold, and the closer I got to Yeosang, the wider his grin got. He was preening at me, eyes flashing golden like his hair in the sunlight, and suddenly, I was face to face with him. I shuddered out a breath, chest contracting as I tried to yank myself far away from him, but suddenly the water felt like it had hands and had immobilized me to my spot.

“Y/N,” Yeosang’s voice carried amusement, eyes twinkling in the same manner, “it’s rude to impose on someone that’s bathing.”

I couldn’t find my voice, my throat had gone dry, my whole body was trembling. I couldn’t be seen bare by any man or deity, I had to kill Yeosang. I would be never forgiven if I didn’t, if he touched me…I would be punished for an eternity.

“Why are you here?” He raised an eyebrow, lowering himself under the water until his eyes and hair were visible only. I tried to calm my frantic heartbeat, to regulate my breathing once again.

“I’m here to kill you.” I hissed out, eyes hardening as Yeosang pushed his head above water, giggling.

“Without your armor, you’re nothing but a woman, Y/N.” My blood boiled under my skin, and I wasn’t trembling from the cold anymore, it was from anger. My jaw clenched as I glared at Yeosang, still trying to break free of this invisible spell he’s put on me.

“Is this where your mask slips and you show just how rotten you are at your core?” Yeosang’s head lulled back as he laughed, water dripping from his hair once he faced me again.

“You think I’m doing something to you,” His voice dropped to a dangerous whisper as his eyes darkened, just like at the brothel. He didn’t look innocent anymore, he looked menacing and dangerous, “but I am not. The pond brings out your deepest, darkest desires.”

Something coiled in my chest and I felt my cheeks heat up, mortified at what Yeosang was implying, “How dare you?! I am an Athenai, I have sworn to serve Athena. I have no such desires like the one you’re implying I have—”

I stiffened as Yeosang reached out, his warm fingertips softly touching my skin, “Then why is your skin ablaze? Why does your flesh sing to me to come closer? To feel you? To touch you? To devour you?”

I gasped as Yeosang swum uncomfortably close, palm caressing my cheek bigger than it, eyes boring into mine as I felt unraveled by the simplest touch, “Why do you want me to fill you up here until you’re a begging mess, until you have forgotten who you are?”

It felt like the sunlight was cut off and my neck was snapped into half, when, underwater, I felt nimble fingers trace the outline of lips untouched before, slipping between them and drawing out a sound that’s never left my mouth before, “Why does it throb for me?”

Yeosang’s lips brushed against my ear as I moaned loudly, head falling back when his fingers touched a spot that had the name of Gaea on my lips, praying to be forgiven for the sins I was committing, “Kill me with your bare hands, Y/N, and I shall grant you one wish.”

I whimpered as I finally felt released by the clutches of the water, hands flying out as I clung onto Yeosang’s shoulders, eyes screwing shut when the heel of his palm pressed harder against my core, massaging it in a circular motion, toes curling at the blinding feeling that had my whole body on fire like no battle could ignite it. Yeosang’s blood-red lips pressed against the vein pulsating in my neck, and I bit my bottom lip, trying to muffle the sounds I was making as he dipped his fingers lower, prodding at a hole I didn’t know existed before, “Yeosang.”

“Say my name, my goddess.” Yeosang growled against my neck, his teeth grazing my skin as I felt him grip onto my hip with his free hand, “Tell me how badly you want me dead.”

I moaned as one finger slowly slipped inside that hole, my mouth falling open in a loud gasp as I felt my muscles contracting, clenching down on his digit, “I shall skin you alive and deliver you to your mother myself.”

Yeosang moaned as his lips left my neck, eyes boring into mine as he faced me again. His hand from my hip slowly slipped down onto my thigh and he guided it around his own hip, flushing our bodies together as he moved his finger in and out, making my eyebrows furrow at the unusual pleasure that erupted in my whole body.

“If you do,” Yeosang whispered against my lips, gently biting my bottom lip, “I shall persuade Athena to forgive you for your sins.”

I gasped as the pace of his finger quickened, his thumb pressing on the bundle of nerves again, and his name echoed in the meadow as I cried it out loudly, body shaking from the overwhelming new feelings I haven’t felt before, “Oh, Yeosang.”

“I know,” He whispered, suddenly his finger gone from my throbbing core, and I whined as my eyes flew open, searching his face for an explanation. His golden eyes had glazed over and were a dark brown, his skin and hair not that bright anymore as clouds shielded the sun for us, almost as if they were shielding us from the eyes of the Gods and Goddesses themselves, “it’s overwhelming for the first time, but you’re doing so well for me, my goddess.”

He guided my other leg too around his hip, and I anchored myself against his lean body as I crossed my ankles behind his bottom. I could feel something hard and heavy press against my thigh and Yeosang smirked, pushing the hair out of my face as his lips pressed against mine featherlike, experimentally. My heart was beating fast, skin on fire as I felt the hard member line up at the entrance Yeosang’s finger had been inside previously, and I gulped, feeling fear for the first time in my life. No man, no battle, no war was scarier than the sin I was about to commit. But I wanted it. I knew now, I’ve always wanted it, I’ve just been repressing it desperately in honour of my oath.

“Yeosang, my god, take me.” It was a bare plea against his lips, and then they were devouring mine, coaxing them open as his tongue slid against mine at the same time as my hole was stretched open as the hard and heavy member seemed to split me apart at once, drawing out whimpers of pain as Yeosang’s lips tried to muffle them. I felt full, yet it wasn’t enough. It would never be enough as his hands gripped my hips bruisingly, guiding me up and down on his member as Yeosang whimpered, tongue tangled with mine as the painful sting in my core resided, but wasn’t as bad as it had been a second ago.

“Promise yourself to me and you shall live.” Yeosang’s low voice demanded as he mercilessly slammed my hips down, turning my mind into a jumbled mess as I was impaled again and again, wondering if the slice of my dagger would ever come close to this feeling.

“I am protector of maidens and women,” I groaned as a hand groped at my exposed chest, fiddling with the nipple, my nails digging into Yeosang’s back until they drew blood, “I will never promise myself to a man.”

“Then savor this feeling,” Yeosang hissed, and a yelp mixed with a loud moan left my throat as the next thrust was sharp, hitting a spot that had my hips moving more desperately on its own, trying to set a faster rhythm than the one Yeosang tried to set, “because Athena is on her way here, and when you leave this pond, you’ll be dead.”

My fingers slipped into his hair and I yanked on the wet strands, moaning as the new pace kept hitting that spot again and again, my mind wishing for nothing but to bring pain to Yeosang, “And you’ll be dying with me, my god.”

Yeosang moaned as I slammed my lips against his, painful and bruising as our teeth clanked together, noses pressing harshly against each other as I found it harder and harder to make sense of my thoughts as I had started succumbing to the pleasure completely.

Whether the promise of giving myself to Yeosang slipped past my lips or not, the clouds were witness to it, and Athena’s arrow would be the judge of it when Judgment Hour comes. Perhaps Hades would be sweet enough to let me reside in the Elysian Fields in the afterlife, “Does it feel real now?”

❱❱ Next star

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[sharonzgallery]

I LOVE MY GIRLLLL

Reference art for my OC! Information under the cut and you may draw her.

Siomara Laura-Lucía de la Cruz Cárdenas

Siomara was born in Medellín, the heart of the Antioquia region of New Granada, but was raised by a Templar couple in the Caribbean coast—specifically its capital, Cartagena.

Aside from growing up learning a long lasting taste for music and the sea, Siomara felt that there was a difference between herself and the world she lived in.

In 1740, she became caught up in the Assassin-Templar conflict as the Brotherhood came searching for the Staff of Saint Thomas, a Piece of Eden shared by the Cartagena and Bogotá Spanish governances.

Together with her newfound brothers from across all walks of life, Siomara discovers the meaning of power, which isn’t found in gold, or order, but in the freedom to run from the storm.

[pinkygirlymeg]

My opinions on 2.2 - As a Brazilian SPOILER WARNING

First off I'ma kick it saying yes, I am disappointed at Bluepoch for not adding diverse and PoC characters, however, this is a very much positive light on 2.2 because well, I enjoyed the update, I'm not here to defend Bluepoch but to appreciate the research and interesting things I think they added to their game about my people and culture.

I also think it's relevant to tell a bit about me, I'm a Brazilian woman natural from Rio de Janeiro, who early in life moved to a rural area in Goiás and later moved to the capital city of Brasília. I visited São Paulo, the city where 2.2 takes place quite a few times since parts of my family live there to this day, however the longer I've been there was 6 months, my visits to São Paulo also consisted mostly of living my the small towns around the big cities and living mostly in rural areas. (I've visited the big city but only to buy things that we didn't have mostly)

Starting off with some of the things I enjoyed the most: Music

So far there has been 3 songs of which I've listened

Starting with the one in the announcement of the special program; https://youtu.be/JsPw7aaB3WQ?si=aGYVp_yvvf1M5m5A

I do like the song, but this one is where they got the Brazil vibes a bit far off? They were going probably to the style of Bossa Nova, a Brazilian musical genre (noticable example are Garota de Ipanema) but I think in this one they went to much on a vibe that matches more french style music? Or at least reminds me of that (I'm sorry if I'm getting it wrong french people!!! Do let me know if I did).

The second one is the Livestream music! You can listen to it while they announce characters and garments;

I think the song is also not the best but definitely catches more of a Brazilian vibe, the style of music seems to be more centered around another genre commonly from the north east region of Brazil! (Noticable example is Figa de Guiné) Where they use a lot of triangles and little bit of the guitar, they're also going for a more beach style music to match the garments me thinks.

And now the third one and my favorite as off publication of this post. The "Trade Winds Garden" theme;

https://youtu.be/qCz036VZYXc?si=Gsbyl4JZzdPUpPqh

Once again they're going for a Bossa Nova vibe but this time, they nailed it perfectly. The strings and the chocalhos (sorry couldn't find a translation to that) work perfectly to create a representation in form of music! The style of the background of the new suitcase also fits the time period of Brazil's early 1900s or late 1800s that I think they're going for, the best example of a closely related song to this is also one of my favs "Águas de Março" is a music of the same genre who I think that this one might be based off.

Ok now with the characters and I'll start with the character I'm most familiar with the vibes!

Lopera the 6 star from the second part of the 2.2 version

Although we don't have much info on the story yet, she seems to be based of the "caipira" culture, I'll use the term Rural culture because "caipira" was a term used in a pejorative demeanor towards me and my family before.

Rural culture is a lot about family and as we know, Lopera ran away from her's, this is fairly common in these circles because living in a rural area while being young and full of dreams can be quite trapping! As for her design. I absolutely love it! From the hat to the sandal she embodies the spirit of a rural girl, the hat is ofc my favorite part, it's usually optional and men are more likely to not use hats as woman are. Being a Rural girl who easily burned in the sun I had to use long sleeves, long dresses and a really big straw hat, although the sandals are the norm when walking at home, usually we would use boots in the farm. In any case, I love her design and her clothes. In the i2 she seems to be more leaning towards a city girl, wearing the shorts and boots like she's ready for anything they throw at her. I personally like the i0 outfit more than the i2 for the many reasons I stated before and for the projection I did in her when I saw her.

Now for our singing best Anjo Nala!

I also loved her vibes! I saw a lot of people saying she's purple scary woman and I agree a bit with that but I really like this trope so I'm eating it! She's one of the characters that I also think I would enjoy way more if she has more melanin but for lore reasons I think she was never even a possibility for that.

First addressing the whole Anjo Nala is Kimberly, I disagree and don't think they are the same person. My evidence is that Kimberly has an identical twin who has been recently murdered! In the newspaper we can see that a ruthless murderer's life has been put to an end. I believe Anjo Nala is that twin who got murdered, aside from the visual differences both have, they also behave completely different at least from what we can see on the PV. Anjo Nala also speaks portuguese in one of her voice lines, knowing Kimberly she would've probably already said things in Portuguese had she known the language at this point. There's also some visual differences to the two, like anjo Nala's tail and horns being different than Kimberly's.

Now putting that to the side. Anjo Nala seems to be based of a more high class songstress. The beautiful girl who sings in the boats that pass by the river. Although that is a more romantic view of our culture it's still within Brazilian literature to have that type of character. The seducing demons from the rivers are also very much part of our culture as you can see from the "Boto Cor de Rosa" a character from Brazilian mythos and folklore.

The i0 dress looks simply so cute, matching the style and era of the outfits worn by the ladies here in the big cities of Brazil, as for her i2 it seems to be more of a stage outfit, I love it too, but personally, like Lopera I like her i0 more. Although I love the art and the background of her i2 and the references to the festivals of new year here and the carnival with the lights blowing in the sky voice line and the people laughing and dancing! She's a very cute character overhaul!

Mr. Duncan... Another character whom I think would look very good with more melanin, mr.duncan embodies a very common guy in Brazilian families, the "Tio do Pavê" or that cute and funny old uncle who cracks dad jokes whenever you meet with them, he seems like a passionate and generally nice guy and OMG I love seeing older man being added to the game! It really brings variety and the possibility of old men yaoi (looking at u Shamane), I really enjoy his character for how much I can see of him in my own family and it's very fun to think of all the cute interactions he could pull off! Design wise, he feels a little bit more like a tourist, although I've seen my dad wear similar outfits before when going to the beach or simply enjoying an outdoors barbecue. I like both of his i0 and i2 basically equally! I think he looks overhaul very nice

I won't make a comment about our skeleton hand just yet, White Rum seems like the most mysterious one so far! But I will make a post about them if I happen to have some new matured thoughts of if they get more info about them

Lastly for the garments, I LOVED the garments for this version, making the Brazil patch a beach vibes update is expected but they surprised me a lot! The outfits do look really like the things any Brazilian would wear to go to the beach, my favorites being Vila's and Yenisei's garment. Specifically talking about Yenisei, it might be me going on crack mode but I think her design is based off the Victoria Regia story of Brazilian folklore and I think it works perfectly with Yenisei's connection to rivers!

Marcus looks like the cute and sweet girl at the beach but girl that sunburn marks will be weird looking with all that fishnets /silly

Vila looks gorgeous and 37 is not beating the most beautiful character of the game allegations, I also think her garment has something to do with 37 accepting the malleability of truth and how it bends and changes like a river, truth changes in every different perspective!

Shamane looks gorgeous and I look forward to all the yaoi potential he got hwhshssh /silly and seriously I also love the representation of our fauna in Shamane's garment.

Few that was quite a lot I think I'm done for this post at least! I can and will yap more about this version once things come out and I'm yet to make a post about the PV, I did see it and I have some thoughts that I still need to mature! If you have any questions, suggestions or corrections they're all welcome! I just enjoy discussing things about my culture and country and how people from the outside world perceive us!

[ultra-violet-heart]

Fanfare for Frieren (a fan translation)

This is the English fan translation of Fanfare for Frieren (奏送), the accompanying short novella for the opening theme of the Frieren anime, Yuusha by Yoasobi, written by Jirou Kiso with the supervision of manga writer Kanehito Yamada. The images here are from its print/digital version, which has been a bonus from the special edition of Frieren: Beyond Journey's End Volume 12.

Disclaimer: This translation is made by me for fandom purposes only. This unofficial translation is not affiliated with the official Frieren franchise or with Yoasobi. All rights reserved for Frieren: Beyond Journey's End to its respective committees, committee members, staff and rights holders.

Please ask my permission and credit me+this post if you will be re-translating this to other languages. PLEASE DO NOT REPOST THIS OR ITS IMAGES TO OTHER SITES. PLEASE DO NOT REPOST ANYWHERE ESPECIALLY ON YOUTUBE AND TIKTOK. Please take the fan translations here with a grain of salt. 

I'm posting my Ko-Fi here as currently, I've been having financial trouble regarding my medicine, so if anyone can donate, I would be much grateful for the help, thank you very much.

1.

Five years after the death of Himmel the Hero.

Central Lands, the Capelle [1] Region.

A small city, commonly referred to as “Music City”, was located not far off west of the Royal Capital.

Many renowned musicians, who had established the foundation of court music, went there to study, and they each created orchestras there which continue up to this day. Day and night, orchestral and operatic performances kept theatres crowded, and these performances were well-known in the Central Lands.

The hymns that could be heard from the church also evoked such amicable ties between culture and religion. The singing voices and the performance, both tranquil and powerful, were pleasing to the ears.

There’s unexpected magic in places like this, huh, Frieren thought while walking through the streets with light steps.

She couldn’t visit this place during her journey to defeat the Demon King, but she thought it would have been nice to have taken a detour on the beginning. The journey started from the Royal Capital to the east, she recalled with a little regret.

To that extent, the city was much of a beautiful and isolated place.

The cobblestone pavements reminded one of a flowing music score, while the radial houses reminded one of a well-organized orchestra. The entire city had this atmosphere of welcoming people, so that there was music there for people to listen to.

There might be a wealth of music-related magic in this place. She wasn’t particularly knowledgeable when it comes to music, but folk magic rooted in a distinctive culture was worth collecting for that reason alone.

Following the signboards that were shaped like sheet music and musical instruments, Frieren continued walking.

Just near were an opera house and a museum adjacent to it, and the sound of some rhythm coming from somewhere.

Various sounds overlapped the whole city, however, strangely enough, there was no cacophony at all.

Suddenly, among those sounds, one of the most awkward sounds caught her ear. The timbre sounded like it was carefully walking on ice.

Apparently, a small marching band was passing by in front of the church located in the city’s center. The boys and the girls were preparing for their practice that day, carrying brass instruments too big for their stature and with more percussion instruments than their hands could handle.

A boy wearing a red feathered military hat―or rather, was made to wear one―had this desperate expression as he continued blowing his horn, unconcerned about his reddening face.

Even though from a very young age, all this city’s people had been living together with music.

The sound the boy made while carefully holding the horn, which was said to be the most difficult instrument in the world for humans to play, was not the clearest at all.

However, sometime in the future, that sound will reverberate gallantly and kindly.

Frieren felt it was a timbre suitable for the city.

Frieren continued to walk, as if the small orchestra was pushing her back.

The rustling of leaves, the gurgling water of the fountain, the happy hubbub from the cafeteria. All the sounds of nature and the noise of daily lives here and there gave the impression they were all pleasantly tuned.

It might be said she could stay in here for years while exploring the city thoroughly.

In one corner of the city, there stood an old-looking music store. Its appearance, reflecting its long age, made it stand out.

For some reason, she entered the store. It was a place she wouldn’t normally stop by, but her feet were strangely drawn into it.

Beyond the store’s creaking door, however, a strikingly different but still atmosphere hung about.

Beautifully polished wind instruments. Stringed instruments without a speck of dust. They were placed on a cramped space, lined like capillary vessels. The store’s appearance made it feel like one could hear the breathing of the old craftsman running the store alone.

As she searched for a narrow foothold and was about to head deeper,

“You.” A voice said. Frieren felt it was a matured voice that carefully aged over many years.

An old man, whose white hair was tied up clumsily, peeked out from the back of the store. His sleeves were still rolled up, as if he was still tending to his instruments a short while ago. She caught a glimpse of the old man’s muscles, which were well-toned for his age.

“You… seemed to have lived a life unconnected to musical instruments.”

Adjusting the monocle on his eye, the old man fixed his gaze on Frieren.

“How can you tell?”

“Because you are a face I have not seen before. Those who love music and those who are loved by music will have visited this place sooner or later.”

The old man asserted his words with such sincere belief.

“Those who love music will immediately be obsessed with the instruments here. Those who are loved by music are people my eyes immediately recognize. So, yes, I can tell. Will you let me see your face?”

And then he beckoned her to come closer.

“My, my, I am surprised. It seems like you are the latter.”

“What do you mean?”

“Your ears, the corner of your eyes, your features. You appear to be an elf.”

“I am an elf, but…”

Frieren didn’t immediately catch the drift of the conversation.

“I have something I want people like you to have.”

After saying, “Wait for me,” the old man turned on his heel and took out a small wooden box from the back of the store and opened it. Inside was a palm-sized ocarina-like musical instrument.

The instrument’s intricate design was obvious even to the untrained eye.

“This is the Möglich. [2]”

“Möglich?”

“Its other name is ‘the Impossible’ [2]. It’s an instrument said to take a hundred years to master.”

“I once heard the horn is said to be the most difficult instrument in the world for humans to play.”

Frieren replied, recalling the boy from the marching band earlier. She remembered him struggling to play.

“That is a topic for ordinary humans. This instrument, however, was originally made by elves. You seem to be unaware of this.”

“That’s right. I didn’t know. Though it’s not strange if some elf did invent something like that.”

Frieren knew some of her own kind who spent so many years just killing time. [3]

“My great-grandfather inherited the Möglich, and he analyzed its structure. Apparently, it is impossible to produce a sound with this instrument unless they continue infusing in a small amount of mana while maintaining a perfect equilibrium. It would take more than ten years to produce a proper sound on this instrument. Fifty years is not even enough for an experienced mage to play one tune with it.”

“Really?” Frieren replied vaguely, not making it clear whether she was interested or not.

“I heard after one hundred years of diligently studying it, the sound one can play from this instrument is unparalleled.”

In fact, the old shopkeeper spent his life trying to master it. However, it was impossible for him to master the instrument as he did not possess any magical power. He could not even make it produce a sound.

“There is yet no one who has mastered it, much less know how to play it, so this instrument is still for sale, waiting for a buyer.”

The instrument had this eye-popping price tag. It was an amount that could already buy a house, and there was no way Frieren could afford it, not with the travelling-expenses-money she had on hand.

Of course, Frieren had no intention to buy it.

Certainly, it was rather interesting a fellow elf spent part of their long life in the form of developing this musical instrument. What kind of elf are they? Why did they give it to humans?

Most likely, she felt that this might be no more than a prank. It was an instrument that made sounds that could not be produced within the very short, fleeting lives of humans, after all.

“I am here because I want to hear the Möglich’s melodies one day. I have long sought for that timbre no words can describe. For so many years, this whole time. I eagerly awaited any who loved music or is loved by music to come here and finally fulfill my wish. It might be an impossible dream now, but I feel the guidance of the Goddess is at work that I am able to meet you, an elf.”

“I’m sorry, but…”

“I have no need for your money.”

“I can’t pay, then.”

“I want an elf like you to have it.” The old shopkeeper said with a strong tone.

His eyes held no arrogance on them, as if he was pushing his impossible dream onto someone else, but instead were filled with unadulterated hope.

“………”

After some hesitation, Frieren replied.

“If there’s no other buyers, I’ll think about it. This should be bought by someone who should own it though.”

“I see… Come back. I am sure you will.”

“I’ll be back. I plan on staying here for a while.”

The old man, as if to remind himself, called out to Frieren as she was about to leave.

“What is your name?”

“Frieren.”

“What a fine name. A name loved by music.”

2.

The dusk was casting its shadow over the city by the time she left the music store.

Frieren felt how the city’s tune changed between day and night.

Unlike the bustling daytime and the soundless midnight, the comforting evening was like a soft breeze caressing her cheeks.

Let’s have dinner, Frieren thought.

During the time she traveled with Himmel and their party, Himmel always decided where they would eat. He had this exceptional ability to find out any restaurant that had what Frieren and the others wanted without them telling him what they were in the mood to eat.

How did you know? She once asked him at the dinner table.

“You all have this way of showing what you’re thinking on your faces.”

Himmel smiled as he said this.

“Heiter’s face now has the color of a ditch.”

Eisen took a glance at the drunkard next to him.

“What?!”

Heiter looked back at Frieren, his face looking like an undead. He was so dead drunk he couldn’t tell the difference between Eisen and Frieren.

“You reek of booze.”

Frieren kicked him while Himmel laughed.

“Frieren, you see, I enjoy nothing more than having a meal with the four of us like this. I choose the food every one of us like as I want to make sure we all have a good time.”

She recalled wondering even then if it was the answer to her question.

She then looked at the restaurant now in front of her and thought it had the same appearance and atmosphere as the one from that time.

This restaurant, called Parlante [3], was such a calm place it was like it was not her first time entering it.

“What did Himmel like?”

Thinking back, Himmel always ordered his food last. It was often a different dish from theirs, or he would choose a dish that was easy to share between the four of them.

After that, he would portion out his food little by little, share that, and say, “Isn’t it more fun to have a variety of dishes at once?”

They had eaten around the table in as many places as she could remember. They partook of seafood when they were in coastal towns, they ate wild greens and hunted game in campgrounds, and they particularly were fond of each region’s local specialties.

“The food that can only be eaten in the place you’re in becomes a shared memory with the people you went in with. Even if you forget, you’ll remember again when you go there and eat the local food. That’s how I want to travel.”

Frieren remembered them talking about this one day, so she then called the waiter.

“Is there any dish you can only eat at this restaurant?”

Would Himmel be surprised to find out she had started thinking like that? Or would he laugh and say, “It’s written on your face,” as if he had already predicted this would happen?

The waiter flipped carefully through the menu pages.

“Our specialty is the l'oeuf omelette [4], made of ten chicken eggs. This dish has four servings, so shall I bring you a quarter of that?”

“No, I’ll order it as it is. If I can’t finish it all, I’ll have the rest on take-out.”

This dish, which was loved by well-known musicians, was bigger than expected and took up a large space on the table.

The evening for one person went on, her recalling that lively dinner table she once shared with others.

3.

It has been a month since she stayed, but she had been so distracted by the magic tool shops and the cityscapes, she wasn’t able to fully explore the small city.

Every time she passed the music store, however, the old shopkeeper would enthusiastically call Frieren’s name.

It had become routine for both of them to exchange small greetings.

It wasn’t particularly a trouble to Frieren, but somehow, she felt like going somewhere a bit different for today.

Not far off the city center, there was a street lined with monuments of musicians. Some were well-known, but others were unknown to Frieren.

At the end of the line, however, she found a rather out-of-place statue.

It was a bust of Himmel holding a violin. It was probably commissioned by the time he was travelling alone in neighboring countries after the Demon King’s defeat.

“He was here, too…” Frieren muttered unconsciously.

His eyes were closed, but his facial expression on the chin rest conveyed such a strong will. This must be the work of a skilled craftsman. One could tell a lot of time was spent making the statue. The finish it had was unique even among the more than one hundred types of heroes’ statues.

“So, he could play such a musical instrument.”

She muttered those words to herself, not wanting anyone else to hear, but from behind her came an unexpected response.

“It’s just as Master Himmel said.”

When Frieren turned around, she saw the speaker was an old woman. There was quite a gap between the woman’s voice, which was quite youthful, and the woman’s elderly appearance. The woman continued with a well-projected voice.

“Might you be Lady Frieren?”

“……?”

For a few moments, Frieren couldn’t understand the words directed at her.

“What do you mean?”

“Master Himmel said that when he came here before.”

The old woman, using skillful vocal acrobatics, reenacted her and Himmel’s state during that time.

“One day in the future, a mage named Frieren will visit this city. I want to make a statue that will serve as a landmark for her.”

“A landmark? Won’t everyone just stop in front of Master Himmel instead?”

“I’m sure they will. But I’m also sure they’ll recognize her immediately as she gazes at me.”

“Is that how it is?”

“Yes, it is.”

The old woman cleared her throat once, ending her little performance. Frieren felt it was strange, given the woman was surprisingly good at imitating voices. She was then told the woman was a former star performer at a circus troupe. It was no wonder that the woman’s voice carried through strongly.

“My apologies for the late introduction. My name is Flöte [5]. I got too excited at meeting you, Lady Frieren. This is embarrassing…”

Her cheeks blushed, a complete change from moments earlier when she was still acting with different voice tones.

“I witnessed a good performance.”

“I’m glad to hear that.”

Flöte smiled like a blooming flower.

“It seems like the statue was worth making.”

“Master Himmel lamented the statue wasn’t enough to convey his charm to the public.”

“Himmel would probably say that.”

Frieren then wiped the rust off the bronze statue’s flowy hair with a rag she carried.

“If only there was a ‘spell that removes rust from bronze statues’, this clean-up would be easier.”

“Let me help you.”

“It’s all right. I can do it on my own. So, why did Himmel say that?”

As all the rust was wiped off and the statue’s smile returned, the old woman answered Frieren with a mysterious look on her face.

“I have a favor to ask of you, Lady Frieren.”

She said it so apologetically that Frieren got an anxious expression.

“…What’s the reward?”

“A grimoire with the ‘spell to record sounds in a book’.”

At that point, Frieren broke into a smile.

“All right, I’m in.”

4.

“So, you want to dispel a spell that will not dispel until the caster dies?”

Frieren asked again, repeating the old woman’s words.

“That’s rather difficult. Nearly impossible, even.”

 “’I’m sure Frieren will do it’, that’s what Master Himmel told me before.”

“That’s absurd.”

“I’m also embarrassed to say… I am the caster in question.”

“I’m not getting the situation. What do you mean?”

“I ought to speak in order, then.”

 As the old woman said this, she began narrating her personal history.

Flöte was not born in the Capelle region, but in a family of mages, and her parents moved to the area as they hated the horrors of war, and there they established a magical circus troupe. She didn’t originally want to join the troupe, but due to the education she received, she was able to use various magic spells back then.

One of those spells was the ‘spell to erase one memory until death’. It would be a terrible spell if abused by others, but the spell was restricted so that it can only be cast on oneself.

There were many rumors about its effectiveness, which were never true. Some people said it reminded them of the moment of death where one’s whole life flashed before one’s eyes, while others said it meant like being buried in eternal darkness.

In any case, it was a mysterious kind of magic.

One day, when she was 15 years old, having mastered the spell at such a young age, she then cast it upon herself.

Since then, Flöte had lost that one memory, even until now.

“In short, I want to dispel that oblivion spell I casted upon myself.”

“What memory did you erase?”

“That’s the thing: I don’t know. I did erase it, after all.”

With downcast eyes, she connected her words.

“However, I began to wonder if I did lose something important on a whim, especially as I grew older and get closer to death. If, due to the heat of the moment, I buried that memory I shouldn’t have lost with the magic spell I learned, at least, I want to remember what it is before I die. I’m sorry, you might think of this as a selfish request.”

The old woman finally spoke in a voice appropriate for her age.

“When Master Himmel was in the city, I got an opportunity to tell him about it. He then told me about you, Lady Frieren. That Lady Frieren is sure to do something about it.”

Observing Frieren carefully, the old woman then appealed to her.

“Please, will you grant my request? I want to spend the little time I have left, which will pass in the blink of an eye, without any regrets.”

The old woman spoke eloquently, but Frieren didn’t reply, seemingly getting lost in her thoughts.

She walked through the city after, letting time pass, and when night came, she booked a room in a tavern.

Late at night, when the tavern earlier filled with cheerful music finally went quiet, the events of the day came to Frieren’s thoughts as she leafed through the pages of her grimoire.

5.

“This journey must have been a blink of an eye for you,” Himmel said.

The comment came as perfectly natural as picking vegetables in the market.

“I’ve almost died so many times, but now that I’ve made it here, everything feels so nostalgic.”

After the Demon King’s defeat, Himmel continued on as he rode the shaky carriage back to the Royal Capital.

“Frieren. I know you don’t think of this as nostalgic yet, but the day will come when you remember this journey, us, and this moment. I don’t know when that will be. Maybe after I die. Even so, I’m sure you’ll be able to laugh and say, ‘That was a silly journey, wasn’t it?’”

“It’s too early for the serious talk! We haven’t truly defeated the Demon King until we return home!”

Heiter continued to tease them while smiling.

“Well, we still have requests to fulfill.”

On his return to the Royal Capital, Himmel received many requests. He took on small tasks to help people, fixing roads, even searching for lost things.

Their current request back then was from the village undertaker, who asked them to eliminate a monster that only reacted to human corpses.

When asked for more details, the undertaker said there was a dragon blocking the only bridge that connected the village and the town. Since the dragon damaging the area only occurred when corpses were carried away, it was concluded that the dragon had the tendency to target only corpses.

It didn’t respond to scarecrows, and pretending to be dead didn’t work on it either. Since it only paid attention to real human corpses, Frieren guessed it might have eyes that could detect whether a person is alive or dead.

“I’ll act as bait.”

Himmel spoke resolutely, as he always did.

“You just defeated the Demon King, and you want to die here?” Eisen said. “Stop being reckless!”

“Even Eisen, who doesn’t die even if he was eaten by monsters, is useless this time, huh.”

“Heiter, shut up.”

Frieren looked at the two badmouthing each other and then asked.

“Can’t we just borrow a corpse?”

“We can’t do that, Frieren.”

Himmel continued, as if to admonish her.

“A dead person is the image of a life lived fully. We can’t recklessly put that in danger. Besides, even if I’ll be acting as bait, I won’t truly die. Frieren, you can put me in a state of suspended animation, yes?”

“A state of suspended animation?”

She once casted the ‘spell to encase a living creature on ice’ on a ferocious enormous fish. Himmel must have that time in mind when he said this.

“Are you sure? If I make a slight mistake, you’ll truly die.”

“You can do it, right?”

“I don’t know.”

Frieren shrugged her shoulders and…

“Just do it this time. You’re capable of it, after all.”

“Go for it!”

Heiter and Eisen happily cheered.

“I don’t know what will happen.”

Himmel stood on top of the bridge as Frieren took out her staff.

“Frieren. Fire at me.”

A flash of mana concentrated on the staff’s tip then enveloped Himmel. The air around froze, and Himmel quietly collapsed.

Soon after, a very large shadow appeared on the bridge. A dragon came on sight. As it circled the sky above, it went straight at Himmel, as if it had set its sights on him. Its piercing eyes and the sharp claws it brought out now loomed nearer.

Facing that, a large swing of the warrior Eisen’s axe violently exploded.

A heavy, dull sound echoed throughout the area.

White smoke and cold air blended, then wafted away as if they were thawing. One could see that Eisen was the last one standing.

Frieren then promptly used the ‘spell to warm up the skin’ on Himmel’s cold body.

Regaining his breath, Himmel smiled at Frieren with a reddened face.

“See? I told you; you can do it.”

6.

Frieren snapped her grimoire shut.

“The ‘spell to erase one memory until death’, huh.”

The next day, as the morning sun rose, the city became slowly filled with sound.

Frieren woke up on the hard floor far from her bed, and with bed hair she went to Flöte’s house.

It was to put a theory into practice. This was a drastic measure, but in Frieren’s opinion this measure would work.

“Lady Frieren, good morning. Did you find out anything?”

The old woman’s voice seemed refreshed.

“You’ll have to die.”

“Huh?”

“That’s why I’ll put you into the state of suspended animation.”

“……”

There was a moment of confusion from the old woman, then silence. However, after a while, she looked like she had made up her mind.

“Please. I’ll do whatever it takes.”

As soon as she heard those words, Frieren gently raised her staff.

“Lie on the bed. I’m starting.”

“I’ll do whatever it takes, indeed, but are you all right with this…?”

“I’ve done it once before. I can do it.”

“If Lady Frieren says so, then it will be all right. Please do so.”

The spell Frieren casted on the old woman enveloped the latter’s body, and for a moment her body stiffened.

Soon after, however, the old woman’s body regained movement, just like how coloring paint flowed when dissolved in water. She then wore this childlike expression, showing a trace of the young girl she once was.

“How are you?” Frieren asked shortly after. “You technically have died once, so your memory should be back.”

“Hahaha… I was worried like a child…”

The old woman seemed to have recovered her lost memory.

As an adolescent, she didn’t want to join the magical circus troupe. Instead, she yearned for a particular musical instrument.

“The Möglich, the instrument said to take a hundred years to master…”

She strongly yearned for it, but it was too expensive, and she could not spend a hundred years on it, so as a child, she thought she could just forget it existed.

So, she sealed that memory instead. She put the lid on that unattainable wish and began to live on reality.

“I’m glad I remembered… I’ll put my life on the line even if it takes years before I reached my dream, and I’ll start learning from now on.”

“I see. Then, you should have that instrument.”

As the Möglich was an instrument which used magical power to produce sound, without doubt, it would be a good match for Flöte, who was a mage.

“I’ll tell the music store shopkeeper. That there is this customer who has wanted it for a long time.”

“Oh, no. Are you truly sure?”

“I want someone who loves music more than me to have it, you see.”

“Thank you very much. Lady Frieren, I cannot thank you enough.”

“I get rewarded anyways, so…”

“Yes, you’re right.” The old woman took out a grimoire from her bookshelf. “This is the grimoire with the ‘spell to record sounds in a book’. I’m ashamed to say I have already recorded various sounds in this book…”

Flöte’s eyes went downcast as she said this, just like when she and Frieren first met.

“It sounds like a strange hobby, isn’t it? As it was routine for me to travel to various places as part of the magical circus troupe, I had a lot of once-in-a-lifetime chance encounters, and I wanted to preserve them in some form. The local people and the sounds from nature became my source of support. Among these are the recordings of my meetings with Master Himmel.”

“This isn’t a strange hobby. Himmel would have said the same.”

Frieren said she would return the grimoire when she finished reading it, then left the room.

On the same day, Frieren went to Restaurant Parlante, which was now a completely familiar place for her, and ordered an omelette. When she went to bed with a full stomach, she then opened the grimoire the old woman gave her.

Just as Flöte said, the grimoire had sounds from various ages, places, genders of people… some of them were sounds from nature, some being the noise of daily lives.

“You… you look familiar.”

Was this how the old music store shopkeeper sounded like when he was younger?

“I’ll have the ten-egg l'oeuf omelette, please!”

The voice of a very well-known musician continued.

“This time, I’m thinking of starting a marching band in this city.”

“One day in the future, a mage named Frieren will visit this city. I want to make a statue that will serve as a landmark for her.”

She heard Himmel’s voice as she turned a page. His voice was a bit different from the last time she met him, but it was still Himmel’s voice from her memories. It felt nostalgic, too.

And she realized that Flöte’s voice imitation before was a bit exaggerated.

“Please pose quickly! You’re just holding a violin…!”

This was probably the heartbroken cry of the craftsman who made that Himmel bust.

It seemed like Flöte, as a young girl, followed her interests and recorded these sounds from the various places she went, and the chance encounters she cherished. Frieren could just imagine how she looked like during then.

“………”

It might not be a bad idea to retrace that journey with everyone, she thought, looking at the east towards the Royal Capital.

In the end, Frieren decided to leave after staying in the city for around three months.

When she said goodbye to the music store shopkeeper, he excitedly said, “Flöte loves music and is loved by music.” He said the old woman mastered producing sounds on the Möglich at an extraordinarily fast pace, something that would have normally taken ten years.

After all, it was appropriate for those who should own it to have it.

As she was preparing herself to leave with these thoughts in mind, a marching band passed by in front of the tavern.

The boy playing the horn had grown taller in a short time, and his hat now fitted him better. His fingers holding the horn now had calluses on them, and his blowing on it sounded less labored than before.

The sound was brave and gentle, but eventually became grainy.

A celebratory fanfare sounding like a parade salute echoed on Frieren’s back as she left the city.

(END)

Translator’s Notes:

[1] Written as カペッレ in katakana. I decided to translate it as “Capelle”, as the word means “the private orchestra or band of a prince or church”, which is a reference to the marching band in this short novel.

[2] Written as メークリヒ in katakana. In German, “möglich” means “possible”.

[3] Written as パルランテ in katakana. “Parlante” means “a piece of music to be sung or played in the style of a recitative”.

[4] In French, "l'oeuf" means "egg". In short, this word is just a fancy term for "egg omelettes".

[5] Written as フレーテ in katakana. In German, “Flöte” means “flute” or “whistle”.

[6] Frieren was most likely thinking of Milliarde, an elf friend of hers who first appeared in Chapter 69.

[wisteriagoesvroom]

unnecessarily specific headcanons for college!AU f1 drivers, part 1

charles

- major: marine biology

- always asks you to save you a seat at the caf and watch his bag then disappears for an hour and a half. when you have to run to your next class you find him on the quad and he’s made four new friends and is playing football and is super apologetic that he forgot his bag. you only forgive him because he’s so charming

- dorm room is a bit of a disaster. sports and pop culture memorabilia everywhere with no particular regard for look or feel, it’s just vibes

- makes music in his free time tho is not above making people listen to his lofi mixes on ableton

- has a t shirt tan from always being out doing fieldwork

- doesn’t make a big deal about studying but is constantly on JSTOR and tops classes rankings all the time. knows the librarians on a first name basis. crosses over with max in a lecture and ends up debating him every lesson about some soil degradation minutiae that runs way beyond class time

- often forgets to call his family, but when they do speak, the conversations last hours

- flirts with anything that moves. knows he can cash in the relationship capital at some point but it’s not malicious, just strategic

- is close friends with Pierre. they constantly speak rapid fire French to each other and gossiping about people in front of them when they think nobody understands

- definitely gets caught by the local paper for climbing the historical bell tower on the last day before graduation

max

- major: geography

- writes a shockingly good first year thesis. so good that he fucks over the bell curve for everyone else and thus alienates most people

- blatantly abuses the open office hours to go argue with the profs about pedantic points from their seminars. they actually fear him and respect him in equal regard

- will talk about the geographies of war and peace in such unnecessary detail that most people at student parties know to avoid him so as not to get maxsplained at the fruit punch

- knows only how to make 5 dishes and keeps making the same few (one of them has potatoes and raisins in it. his dorm mates do not know how to feel).

- is all about efficiency. definitely abuses a 12-in-1 shampoo and this is a detail he will never live down even when everyone graduates. at one point he resorts to eating “prepacked food” until someone (probably his TA Daniel) points out that those are army rations that you normally heat up in like, the desert

- spots a statistical error in one of the papers in year end finals, and correctly challenges their prof wolff on it. prof wolff doesn’t like that one bit.

george

- major: finance

- head of student union and will not shut up about it

- won on a platform that de-emphasised radical politics in favour of “real hard hitting issues that affect our campus welfare” including alumni fundraising

- is in fact very close with the alumni. so much so they find him annoying but will still donate every time he asks them to open their pockets for better decor in the dorms or whatever

- will one day end up running the regional arm of a Fortune 500 investment bank, before he runs for political office because someone told him he couldn’t do it and he wanted to prove a point

- gets too drunk one day and ends up running half-clothed around the quad singing adele very off key. will pay a PR specialist a huge sum when he’s older to have this scrubbed from the internet

- his friend Alex teases him about his swottiness constantly. alex is not part of the student union but somehow everyone on campus knows him anyway and loves him

alex

- major: maths and statistics

- is such a nice dude that the cafeteria workers actually smuggle him secret (and more ethnic) food on the side

- will quietly put his hand up in a lecture and say “respectfully, this is why the combinatronics sequence should be…” and is usually right

- one of the very few members of the overwhelmingly white college campus who can dance, and meets his partner lily at the ballroom dance club or something. has waltzed with George when drunk too. (Alex leads. George is not really happy about it)

- keeps a running excel sheet of who wins the drinking games at the silverstone dorm, where the gang regularly meets

- got in on an aid scholarship and never brags about it. but everyone is aware and knows he is one of the best people ever.

- posts a lot of BeReals about his cat who he misses dearly

I could do more of these but i will stop for now because I don’t know who else wants to read these extremely self-indulgent brainrot thoughts 🤷🏻‍♀️

(i was self indulgent. part 2 here.)

[whereserpentswalk]

You live on a planet where humans have been forced to have only one biological sex. You're at the edge of human space, and early in colonization you planet was under attack from an outside source, for survival you had to switch to artificial breeding, which is more effective in mammal species if there's only females, as male reproductive cells are easily synthesized.

You're the only humans in the region. Most alien species you interact with just think of humans as a single sexed species that has artifical reproduction. Though you understand that humans used to have two sexes you barely actually interact with that concept. You don't really think of yourself as having a gender identity or anything, you're kind of just a person. The last male human on your planet has been dead for generations.

You first saw a photo of human male in a history class when you were a teenager. He looked so odd to you. He was deep in the uncanny valley, something that felt very familiar to you, something you evolved to interact with, but something so unfamiliar. Illustrations of males, especially outside of academic sources, always play up unfamiliar features to make them into something almost like a fantasy race, but you find something almost charming about the one in the photo.

That photo sticks with you in a weird way. It's kind of scary. Especially the idea of living at a time with actual male female dynamics. The idea of a man being inside you, however that must work, seems so viscerally horrifying to you. You've known people who've had sex before, it's controversial in your society for people to have sex with eachother, but it's legal, but it seems so diffrent then whatever you'd be expected to do with a male human.

Time passes. You end up living your own life. You major in music once you get to college, and end up with a semi successful career as a guitarist in the capital of one of your planet's countries. Things go well for you. You live your life thinking slightly more about men then most people do, but it's never that important to you.

One day there's word that ambassadors from another human planet are visiting. They're from several systems away, and very culturally diffrent. And it's most likely that they'll have men with them. It's strange to think you might actually be able to see one. You think of them as this strange race of monsters, so clearly linked to you but unlike you. Everything people say about men, that they're violent and warlike, that they're superior yet evil, that they're weaker yet more honest and good natured, rushes through your head.

You sign up to be a musician in the welcoming band to the ambassadors. It's scary but you enter. You win, partly because you're local and talented, partly because most other musicians were too afraid.

When the ambassadors from another human planet show up its on one of your city's largest streets, with cheering crowds and flashing lights. You play a song you realize your entire planet is going to hear. Then for the first time in your life, after about two and a half decades of being alive, you see a male human.

The males in the ambassadorial mission are mixed together with normal people. But you can easily spot the males. They're strange looking to you, the way they walk, and speak and move. Though you realize their foreign way of dressing is honestly more alien then anything biological. Despite your expectations, the males look oddly human, they are human, they're just more like you then you'd expect, they look a bit diffrent, but they're honestly just normal people. It's almost anticlimactic.

When everyone is talking to eachother later you're meant to interact with the musicians of their world, most of whom seem to be male. It's so strange to think you're actually talking to someone whose male. You were kind of worried some sort of mating instincts would set in, but after a lifetime of being raised to never expect to have any sexual experiences that involve more then one person, your mind doesn't really go in that direction, even if you did have those instincts.

You end up talking for awhile in your only shared language (a long dead one) to another guitarist. He's male but it's weirdly not a big deal, he's less obviously male then some of the others, and he seems like a nice freindly person. You realize his voice is deep, but it's not distorted in monstrous like you expected it to be. You realize you shouldn't talk about his sex, so you talk about music. You end up really interested in his culture's musical traditions, and kind of ignore his sex. You almost forget he's a man. Since he'll probably have to stay on the planet for at least a few months he tells you he'd like to meet again mabye. He shakes your hand, his skin doesn't feel diffrent then anyone else's, you don't know why you'd expect it not to.

[rivensdefenseattorney]

Andros

Here's a link to the source for each image: 1, 2, 3, 4, 5, 6, 7, 8, 9

___

(WIP)

Capital: Tides

Government of Andros: Dual-Monarchy

Demographics and Population

Population Size: Large

Population Distribution by Race:

Merfolk: (45-50%)

Fairies: (20-25%)

Elves: (10-15%)

Human: (10-15%)

Other: (5-10%)

History and Origins

In the realm of Andros, the two kingdoms, Terra and Mare, share a profound connection. Their bond traces back to a time long past, when a union between the Faefolk of Terra and Mare forged a single lineage that would shape the destiny of the realm.

The Royal Family of Terra, stemming from the fairy ancestry, preside over the sprawling landscapes and majestic cities of the surface kingdom. Endowed with wings of delicate beauty, an affinity for the natural elements, and a mastery of earthbound enchantments, they oversee the flourishing forests, meadows, and towering mountains of Terra.

The Royal Family of Mare, stemming from the merfolk ancestry, reign over the oceanic expanse of Andros. With their ethereal beauty, iridescent tails, and an innate understanding of the ocean's secrets, they hold court in the shimmering palaces beneath the waves. Their lineage boasts an intimate connection with Morphix, harnessing the elemental magic that pulses through the depths.

Though distinct in their heritage, the Royal Families of Mare and Terra are bound by blood, sharing the legacy of their common ancestors. Over the ages, this shared lineage has fostered a tradition of collaboration and mutual respect between the two kingdoms, symbolizing the inherent balance between land and sea.

Kingdom of Terra

The Kingdom of Terra represents the land regions of Andros. The fertile earth yields bountiful harvests, making agriculture one of the epicenters of this realm. Vast fields of vibrant crops stretch across rolling hills and verdant valleys, a testament to the kingdom's thriving agricultural industry. Visitors are greeted with open arms, embraced by a sense of warm hospitality that permeates the tropical air.

Amidst the picturesque scenery, a lively energy permeates every corner. Terra pulses with the rhythm of festivals, the melodies of music, and the infectious spirit of dance. The people of Terra are often fluent in a multitude of languages. They effortlessly weave a cultural tapestry that celebrates diversity. They come together in joyful gatherings, sharing their traditions through cultural exchanges.

Tourism thrives amidst this blend of natural beauty and cultural richness. Visitors are drawn to the kingdom's idyllic beaches, verdant jungles, and cascading waterfalls, finding solace in the laid-back atmosphere. Adventure seekers and relaxation enthusiasts alike find their haven in Terra's tropical paradise, where every experience is colored by the kingdom's zest for life and celebration. The air is filled with the aroma of unique spices and flavors, as Terra's cuisine, a fusion of diverse influences, delights the senses and leaves an impression on every traveler's palate.

Kingdom of Mare

Intertidal Zone

Here, where the sea kisses the land, the Halflings find their home. Halflings move effortlessly between the surface and the depths. Their communities, nestled in hidden coves and near coastal cliffs, serve as a bridge between the kingdoms of Terra and Mare. Halflings, being adept at traversing both realms, act as intermediaries, facilitating trade, cultural exchange, and cooperation between the two kingdoms.

Photic Zone

As sunlight pierces the surface waters, it bathes the photic zone in a mesmerizing glow. This well-lit region supports an abundance of marine life. Here, the cities of Mare flourish, their structures crafted from luminescent materials that harness the sunlight filtering through the waves. The merfolk inhabitants, with their affinity for illumination, enhance this zone with enchantments that create breathtaking displays of bioluminescence, turning the ocean depths into a living tapestry of color and light.

Aphotic Zone

In the dark and mysterious depths of the aphotic zone, Merfolk with unique adaptations thrive, attuned to the energies of Morphix. Their bioluminescent features, whether glowing orbs or intricate patterns that shimmer like ancient runes, attune them to the lifeforce, allowing them to draw sustenance and power from its essence. The cities of the Aphotic Zone exist as captivating marvels beneath the shroud of darkness. The cityscape shimmers with a mosaic of colors, vibrant and ever-changing, as Merfolk artisans infuse their creations with Morphix. The architecture within these cities is a testament to the mastery of bioluminescent craftsmanship.

Infinite Ocean

The Infinite Ocean is an endless expanse that transcends the boundaries of realms. The Infinite Ocean stands as a testament to the unifying force of water, an eternal realm that unites the disparate seas of Andros into a harmonious, interconnected whole.

The Labyrinth of the Abysses

A complex labyrinthine system spread across the abyssal depths, shrouded in an aura of ancient pathways. It constantly shifts, creating a maze where paths change. The Labyrinth serves as a threshold to the heart of the abyss, guiding seekers toward the source of Morphix. Explorers and seekers often traverse this labyrinth, facing trials and tests of wisdom.

The Deep Blue - Heart of the Abysses

The Deep Blue represents the epicenter where Morphix emanates, radiating a mesmerizing blue luminescence that illuminates the darkest depths. Revered as a sacred sanctuary by merfolk and creatures of the abyss, embodying the ocean's life force and primal energy. Various merfolk societies hold rituals or ceremonies, offering reverence and seeking blessings for their communities.

Morphix

Morphix, a luminescent and multifaceted energy, is the lifeblood of the infinite ocean, replacing conventional needs such as sunlight or fire, granting vitality, sustenance, and life to oceanic flora, fauna, and ecosystems. Its essence adapts to diverse oceanic environments, catering to the needs of creatures dwelling across varying depths and regions.

It emanates from sacred locations such as the Deep Blue at the heart of the abyssal depths, generating life, fostering growth, and offering spiritual sustenance to the ocean's inhabitants. It powers the ocean gates, serving as a cosmic key that enables safe passage and interconnectivity between different underwater realms.

Morphix is highly revered, enshrined in lore and cultural practices, and embodies unity and interconnectedness among diverse underwater communities. Its purity and uninterrupted flow are guarded by custodians and gatekeepers who ensure its sanctity, protecting against disruptions, and maintaining its integrity for the stability of the ocean gates and vitality of the oceanic realms.

__

Mood Board Notes

I decided to try adding a mood board last minute to this post, so forgive me if it isn't the best. I've created mood boards a couple years ago when I first started my rewrite, but I'm not sure if I feel conformable sharing them as they are. I don't fully get the ethics/legality of mood boards using copyrighted materials, so I just wanted to play it safe with some images I found from a free to use image website.

I'm thinking of possibly creating a collage instead for the character mood boards I currently have. I think those are more transformative? If anyone has some insight on this I'd appreciate any info and advice you have. I'd also like to know if this is even something anyone would be interested in seeing before I put all this effort into figuring out how to add some visuals. @_@

Andros Notes

I've always envisioned Andros, especially Terra, to be like a mixture of the Caribbean and Polynesia across it's various cities if it were to be real. This is only my first draft, so I'll most likely be adding more information in the future to what I see fit.

[kemetic-dreams]

Go-go is a subgenre of funk music with an emphasis on specific rhythmic patterns, and live audience call and response.

Go-go was originated by African-American musicians in Washington, D.C., during the mid-60s to late-70s. Go-go has limited popularity in other areas, but maintains a devoted audience in the Washington metropolitan area as a uniquely regional music style and was named the official music of Washington, D.C., in February 2020.

Performers associated with the development of the style include Rare Essence, EU, Trouble Funk, and singer-guitarist Chuck Brown. Modern artists like Charles "Shorty Corleone" Garris continue the go-go tradition in D.C.

Origins

Although Chuck Brown is known as "the Godfather of Go-Go", go-go is a musical movement that cannot be traced back to one single person, as there were so many bands that flourished during the beginning of this era that they collectively created the sound that is recognized as go-go of today. Artists such as Marvin Gaye, Van McCoy, Billy Stewart, Peaches & Herb, Black Heat,Experience Unlimited (E.U.), Vernon Burch, Sir Joe Quarterman & the Free Soul, the Moments, Ray, Goodman & Brown, True Reflection, the Unifics, Terry Huff & Special Delivery, Act 1, the Dynamic Superiors, Skip Mahoney & the Casuals, the Choice Four, and the Fuzz that played soul music during pre-go-go era.

The term "gogo" (as it applies to a music venue) originated in France in the early 1960s, at the Whiskyagogo nightclub, named after the French title for the British comedy "Whisky Galore!".The club also featured go-go dancers. In January 1964, capitalizing on the emerging popularity of "go-go dancers", the name was licensed to a Los Angeles club, the Whisky a Go Go, and from there the term "go-go" spread nationwideThe Cafe Au Go Go in NYC was also in business during that time, gaining notoriety when Lenny Bruce was arrested there in April 1964. By 1965, "go-go" was a recognized word for a music club, as evidenced by the TV show Hollywood A Go-Go (march 1965-1966), or the song title of that year's hit Going to a Go-Go by Smokey Robinson & the Miracles (released November 1965). At a go-go club, dancers could expect to hear the latest top 40 hits, performed by local bands and DJ's. (The French Whiskyagogo had been one of the first venues in the world to replace live music with records selected by a disc jockey.)

In Washington D.C., minor group Wornell Jones and the Young Senators were formed in 1965, beginning a fierce competition with Chuck Brown and Black Heat on the local club circuit. The Young Senators later became known for their song "Jungle" released in 1970 by Innovation Records. Guitarist and bandleader Chuck Brown is widely regarded as "the Godfather of Go-Go".

Chuck Brown was a fixture on Washington and Maryland music scene with his band Los Lotinos as far back as 1966. By the mid-1970s, he had changed the group's name to The Soul Searchers, and developed a laid-back, rhythm-heavy style of funk performed with one song blending into the next (in order to keep people on the dance floor). The beat was based on Grover Washington Jr.'s song "Mr. Magic," though Brown has said in interviews that both he and Washington had adapted the beat from a gospel music beat found in African churches.

Washington, D.C., funk's early national chart action came when Black Heat (the first D.C. go-go band to be signed by a major record label) released their Billboard top 100 hit "No Time To Burn" from their second album on Atlantic Records in 1974. They then toured with such national acts as Earth Wind & Fire, Parliament Funkadelic, Ohio Players, The Commodores, and others. In 1976, James Funk, a young DJ who spun at clubs in between Soul Searchers sets, was inspired (and encouraged by Brown himself) to start a band—called Rare Essence (originally the Young Dynamos)—that played the same kind of music.

[mirahuyooo]

Your Grace | myg

[Min Yoongi as a Duke]

— Unseathe your sword, warrior. You are home. in which, once upon a time, there lived a duke of the north and his wife

word count: 1,216 pairing: min yoongi x reader content/s: fluff, romance, angst, mentions of trauma from war, hurt/comfort, implied smut 👀 ambigous place names bc i can’t think much rn lol, possible nobility hierarchy inaccuracies (dont come at me, come after the manhwas i read lol), min yoongi as a husband in aNY AU IS A WIN, Historical Fantasy AU, Marriage of Convenience AU

[masterlist] | more [reactions & headcannons] &  [moodboards]

A/N: excuse me, i need something fluffy to get me through life rn 😭💖 also when people started calling these pics of yoongi as a duke, my brain went “haha, duke of the north male lead type of shii” and i just rolled with it lmAO AHWHAHHA i also thought to make some drabbles out of this AU! Let me know if y’all would like that?? Enjoy!

Also, send me ur headcannons for a duke min yoongi bc i’D LOVE to hear em 🤩💘✨

min yoongi, who is a young duke that took the title after his late father abdicates to travel the known world lol

min yoongi, who governs the coldest region of the kingdom (absolutely hates the climate, but loves his people)

min yoongi, who is a prodigy of the sword and one of the best swordmasters in the kingdom

min yoongi, who is renowned as a war hero that greatly contributed to winning the war against an enemy kingdom

min yoongi, who suffers from night terrors of the people he killed, of the people who betrayed him in battle, of all that blood and gore

min yoongi,  whose hands shake whenever he has to hold his blade, but knows he has to get ahold of himself to do his duties

min yoongi, who hates politics and is known to have a tongue as sharp as his sword in slandering nonsensical members of the court

“Frankly, I think this whole proposal of yours, Lord Lee, is a sham that I’m wasting my precious time on.”

min yoongi, who is very close with the crown prince, and thus, much to his chagrin, is one of his most trusted advisors that’s involved with even more politics and shenanigans

“No, I’m not helping you sneak out, Taehyung. We’re here as a foreign delegation—”

min yoongi, who definitely complains about all of the paperwork he has to do, but does so anyways (he does a fantastical job with it, thank you very much)

min yoongi, who spends a lot of his free time either sleeping, or reading in his enormous library to digest knowledge (he's a curious cat sometimes ok)

min yoongi, who is very much fond of tangerines and imports it whenever its in season (his mother used to peel them for him as a child)

min yoongi, who plays the old piano in the east wing whenever he can’t sleep and learns different music from all around the world, but always tends to play his mother’s lullaby

min yoongi, who is pressured to take a wife and is constantly flocked by lords intending to sell their daughters to him

min yoongi, who, to the shock of the entire court, offers marriage to the eldest daughter of a count to a fairly small province that hosted him during the war—you

min yoongi, who swears it’s only because your family wouldn’t have enough power to interfere with his and definitely not also because you were pretty and nice and helped him through a panic attack all those years ago

“I don’t know much about being a husband, but I do know how to be a man of my word, and I swear no harm will come your way.”

min yoongi who marries you on a beautiful summer day, because he thought it'd be nice for you to have a warm and bright wedding in the capital since you'll be living with him in the north where it's constantly foggy and the winters are harsh

min yoongi, who promises to make the wedding night as comfortable and as quick as he can for your sake (but why can't he help but crave for more?)

min yoongi, who is a pretty chill and attentive husband, actually

min yoongi, who made sure to arrange you lessons that'll help you adjust to your title as duchess in the north and in the social circle as well

min yoongi, who always does his best to eat his meals with you (it’s awkward, maybe you should strike a conversation or two?)

“I, uh, heard repairments are to be done on the east wing?”

“Oh, yes, actually. There’s also a new wainscotting design I saw on the capital that I thought would suit the wall so I thought it’d be perfect to have it done as well—”

(great job! you hit the perfect topic!)

min yoongi, who asks you if you’d like something whenever he has to make a visit to the capital and if you say nothing, he'll come back with something he probably consulted someone with—a new dress? a necklace? a popular novel? (damn it, someone help him out here!)

“Here… I, uh, heard it’s popular among the ladies at the capital…”

{gives you a dress in the rest popular fashion so you stay “updated to the trends” as he says it — regrets it, because youlookbeautifulohno—}

“Thank you, Yoongi,” you shyly smile, “It’s beautiful.”

(dead. he’s dead.)

min yoongi, who becomes furious to hear about the gossip surrounding you and goes into a rant about the pretentious idiots at court

“You are Duchess Min of the north. Do not let them slander you like that. Do not hesitate to remind them of what you represent. I gave you the same power as I have when I married you.”

min yoongi who attends every ball from that season on with you by his side to rub it in their faces that the duke of the north does care for his wife, thanks : ]

min yoongi, who was pleasantly surprised when you brought him peeled tangerines to snack on while he was buried under paperwork

“Would you… would you like some?”

min yoongi, who now also peels tangerines for you whenever you two idly hang out together

min yoongi, who finds it easier to sleep with you by his side, especially after you insisted to stay by him when he had a night terror

min yoongi, who likes to take a nap with his head on your lap because you tend to play with his hair when you think he's asleep (he falls asleep right after because of it aww)

min yoongi, who keeps his hair longer than usual because you said it suits him, and absolutely refuses to let others point out or touch his hair lol

“Your hair’s gotten longer, hyung—”

“Don’t. Touch.”

min yoongi, who beams with pride every time he hears the servants praise how well the lady of the house treats them and manages the household (he's also so, so glad he doesn't have to worry about that anymore)

min yoongi, whose heart melts seeing his people love their duchess and shower you both with praises whenever you make visits to the town

min yoongi, who takes horse rides with you around his territory and will never say a word of complaint even if he’s freezing his ass off (pls make him something warm after you two go back to the castle lol)

min yoongi, who always makes sure you stay warm after he heard you go down with a fever (just how many layers do you gotta wear now? jeez)

“While I appreciate your concern, Yoongi. I don’t think I’d need a third fur coat…”

“But—”

min yoongi, who asks you one night if you, at all, regret marrying him and finds himself anxiously waiting for your response

“I find myself very fortunate to have married a man like you, Yoongi. I don’t think I’ll ever regret it.”

min yoongi, who is very relieved and enamored to hear you shyly say that (his gummy smile is unstoppable, o h n o)

min yoongi, whose heart flutters as he smiles down at your sleeping figure after your late-night talk together

Perhaps, this is a better arrangement than I thought…

𝓽𝓪𝓰𝓵𝓲𝓼𝓽 : @mwitsmejk @dreamamubarak @unknownwalkingobject @bloodline1632​

[dichotomoustessellations]

March 20th Desperate Annie’s free show 21+ Saratoga Springs NY

[baejax-the-great]

tell us about pillow talk I beg!!!!

Pillow talk is a Mass Effect WIP that I swear I am going to update one day for real. I have like four half-chapters that every once in a while I add a couple sentences to. Here's part of one:

“Researching something?” Shepard asked, peering through the glass case over her desk down to Garrus below on the sofa.

Garrus cursed under his breath. It was impossible to know how much she saw on his datapad over his shoulder. Lying was too much of a liability for getting rightfully roasted, and there was no telling that EDI would keep his secrets. He might as well show it to her, even if it made him feel like an idiot. After half an hour of searching, it was becoming clear the entirety of Citadel knowledge could not solve this particular mystery.

Shepard walked around to stand in front of him, wrapped only in a towel after her shower, and he handed the datapad to her.

“Human circadian vocal variations,” she read out loud, sounding unimpressed. “Is someone talking weird? Do I talk in my sleep? Or wait, do I snore?”

“Nah. Well, not that I’ve noticed. You’d have to actually sleep for me to hear anything. What I have noticed is that sometimes at night, your voice sounds different. I thought it was a translator glitch, but it only happens at night.”

Nadia grinned, tossing the datapad to her coffee table. “At night? Or specifically when we’re in my cabin?”

“Huh. I guess… in your cabin.” It had never happened in the field. Or on missions or on shore leave. In fact, it had only ever occurred when they were alone. Was it some sort of human mating thing? A different voice only for their lover? He was almost flattered, but that would have come up in one of those romantic vids Tali had sent him, probably. Unless it was too personal to include…

Nadia was still smiling, even bigger now. She had already figured it out, and she didn’t look too upset he had noticed whatever this was. “What do I sound like?”

“Hm. It’s like you have a different accent, I guess. During the day, you sound like you are from my area of Palaven. The capital.”

“And right now?”

“An area that’s pretty far east of where I was born, somewhat north.”

Shepard had already pulled up a map of Palaven on her own omnitool, and Garrus pointed at the region.

“What are they known for over there?”

“A spicy fish stew and really boring music.”

“Huh. Anyone else on the crew sound have a different Palaven accent?”

“Kasumi and Chakwas. Oh, and Miranda.”

“Show me.”

They dropped pins across the map, and Shepard nodded at each one, like it was just where she suspected.

“It looks like whoever made your translation software decided to overlay a map of Earth onto Palaven with the Alliance HQ on top of your capital and just assign accents from there. Of course, Australia looks to be in the middle of an ocean, so they had to adjust earth continents for it… huh. You said my night time accent was here?”

“Yeah.”

“I definitely don’t sound like I’m from here?” Nadia pointed at a completely different region.

“Almost nobody lives on those islands, but no.”

“My father would be rolling in his grave if he had one.”

“You gonna enlighten me anytime soon, Shep? I’ve been awfully patient here.”

“The official language of the Alliance is English. It originated here” –her finger pointed to a sparsely populated region on Palaven and a small island on Earth— “And that is the accent Chakwas has. My accent is standard to here, North America, but English is not my first language.”

“I’ve heard that Earth has an unusually high number of languages.”

“Yeah. Someone told me that before globalization you could go five kilometers in any direction and find people finding a different one. Don’t know if that’s true. I grew up on Mindoir, though, and our entire colony was French-speaking. I haven’t had any reason to speak it in a long time, but I realized in here, with you, there was no reason not to when we already relied on the translator.”

“So when we’re alone—”

“I speak French, which comes from here, France, which is where my mother was born. My father was from here” –she pointed to the sparsely populated islands north of Palaven. “He would be very disappointed to learn I sounded more French than French Canadian. He tried very hard to make sure I used their slang and variations over my mother’s. I wonder if it’s a limitation of the software.”  

[ptseti]

Benin's Ganvie Stilt Village Comes Alive With Annual Festival of Arts and Sports | FPNews

Hundreds of canoes and barges thronged the centuries-old lake village of Ganvie in Benin in August for its annual festival celebrating its history and heritage with vibrant music, dance, and boat regattas, as well as traditional food and spiritual ceremonies. The Festival of Nautical Sports, Cultures, and Arts (FESCAN) was held from August 24 to 31 and highlighted the vibrant life and traditions of the lake-dwelling community, a village perched on stilts, lying just north of the capital Cotonou on Lake Nokoue. Canoe races were a major attraction, drawing participants from across the region. Packed onto boats, spectators cheered on their favourite teams and savoured the lively atmosphere.

[mariacallous]

Like many non-Austrians, I first discovered Vienna’s winter ball season through German-language tabloids. The celebrity-studded Opernball (Opera Ball), the season highlight, is widely covered in the German-speaking world, where it is streamed live on TV and culled for clickbait online. Glittering details are consumed with a mix of aspiration and resentment: debutantes, tiaras, and pricey opera boxes (starting cost: $14,000)! The only sign of the 21st century is a name-drop such as Kim Kardashian, who attended in 2014.

The Opera Ball, I have since learned, is only the tip of the iceberg.

More than 400 formal balls are held in Vienna each winter carnival season. This February, I visited three. The tradition combines the public festivities of the medieval carnival with the legacy of the “Waltzing Congress” of 1814, better known as the Congress of Vienna. Held just a year before Napoleon’s final defeat at the Battle of Waterloo, the Congress—a series of diplomatic meetings between leaders of various powers opposing France—aimed to reinstate Europe’s monarchies and hash out the continent’s post-Napoleonic order.

Its more immediate effect, however, was to transform Vienna into a giant ballroom.

With representatives from Prussia, Austria, Great Britain, Russia, and France, as well as assorted royalty and nobility from across Europe gathered at the imperial Hofburg Palace, the prevailing atmosphere was that of a permanent “house party,” observed historian Dorothy McGuigan in her book The Habsburgs. The dance halls were packed, and the streets were filled with music and fireworks; to lubricate negotiations, Emperor Francis hosted evening balls and musical entertainment, including a concert featuring 100 pianos. The enduring epithet of the so-called Waltzing Congress stems from a quip by the rakish Prince Charles-Joseph de Ligne of Belgium, who proclaimed that “[t]he Congress doesn’t work; it dances.”

The Viennese ball season has been celebrated almost continually since 1814, breaking only for the two world wars and recent pandemic. In a country of only 9 million people, it draws more than 500,000 ordinary people out to waltz. Nearly every profession in Austria hosts its own celebration: A nonexhaustive season program includes the Police Ball, the Firefighters’ Ball, the Engineers’ Ball, the Doctors’ Ball, multiple farmers’ union balls, and the Lawyers’ Ball. Some of these dances, such as the Coffee Brewers’ Ball or the Hunters’ Ball, have outlived the imperial-era professions that they were created to celebrate. Others, such as the Ball of the International Atomic Energy Agency or the recently retired Life Ball—founded to raise awareness during the height of the AIDS crisis—are decidedly contemporary.

It was the improbable continuity of 19th-century traditions, however, that drew my attention. The frenzy of the waltz—still performed in the same ballrooms as in the imperial era—echoes a persistent anxiety for Europe’s over-touristed, economically uneasy, and politically pessimistic capitals: On a continent that relishes golden-era traditions yet finds itself slipping in the geopolitical world order, how do you face the future without romanticizing the past?

Viewed through this lens, the ball season refracts the flamboyant anachronisms of a region in transition. Dozens of guests and former debutantes—most balls include a debutante ceremony—described the events to me in terms of glorious contradiction. The balls, I was told, are elegant, tacky, rarified, intimidating, democratic, elite, ironic, gorgeous, decadent, tiresome, astonishing; they are both political and apolitical, accessible and inaccessible, international and decidedly Viennese.

This cacophony carried over to my own impressions. I saw tiaras and hoop skirts and a tattoo of the Sistine Chapel fresco framed in the V-line of a backless ballgown. Orphaned evening gloves and ostrich feathers drifted across the parquet floors of the Hofburg Palace; hair fixtures nested in updos like Fabergé eggs. I witnessed government ministers dance the disco and saw at least six debutantes faint.

I was told by veteran ball journalists that the publications I write for sound “serious and political,” and that a Viennese ball is neither a serious nor political event. A ball is frivolous, they said; a ball is for fun. I don’t disagree. But I also believe that a society’s attitude toward tradition shapes its expectations for the future—and how much that future should resemble the past.

Maryam Yeganehfar, the creative director of the Opera Ball, emphasized the balls’ capacity for rejuvenation and even escape. The carnival festivities were originally founded, she said, to give people “hope, life, enjoyment” in the weeks leading up to Lent, the 40-day period before the Christian celebration of Easter.

“[W]hy is enjoyment always framed as decadence?” Yeganehfar asked.

At a time when Europe’s post-COVID-19 pandemic headlines—on immigration, war, inflation, right-wing extremism, climate change, energy crises, and strained trans-Atlantic relations—often give reason for pessimism, the balls are a testament both to the temptations of nostalgia and to the resilience to party on.

The Science Ball

The first ball I attended was the Ball der Wissenschaften (Science Ball). Oliver Lehmann, who has served as the event’s director since 2014, is aware of the season’s appeal for foreigners: “For a lot of our friends and guests from the U.K. and the U.S., but also from Switzerland and Germany,” he said over a Zoom call before I arrived, “a ball sounds like a sugar fairy tale from a Walt Disney movie.”

Lehmann admitted that there is some truth to that image. But the balls might be better understood as the “Austrian version of a huge networking event,” he said. Even socialists once held balls; in the 1860s, party members at the Workers’ Ball waltzed wearing bright red ties, attracting attention from political censors.

The Science Ball, for its part, brings together representatives from Vienna’s nine public universities, its expansive network of private and vocational colleges, and numerous research institutions to celebrate—and boost—the city’s reputation as a center of innovation.

The Science Ball also has a unique, quasi-political agenda. It was first held in 2015 in part to undercut the claim of the far-right Akademikerball, or Scholars’ Ball, to “scholarship,” Lehmann said. The gathering of right-wing fraternities is organized by the nativist Freedom Party of Austria (FPÖ). In 2014, the annual protest against the Scholars’ Ball turned violent, resulting in injuries and damaged property.

Today, the Vienna government offers the Science Ball its palatial city hall free of charge, signaling its continued support for the ball’s mission and helping to lower ticket prices for attendees. Regular entry is 100 euros, or $107, while students can attend for $43. It’s a win-win arrangement: Scientists celebrate field achievements; students attend on the cheap; local government discredits nativist misinformation; and a city whose reputation for innovation is often overshadowed by its cultural-historical attractions gets to advertise its technical heft.

To Lehmann, the Science Ball’s focus on contemporary Vienna is evidence that the balls have “nothing to do with nostalgia.” When I asked if the recent rise of right-wing nativism in Austria (the nativist FPÖ came in first in Austria’s elections for the EU Parliament this month and is currently polling at more than 30 percent ahead of elections this fall) has begun to politicize the balls, he replied, “Only counterintuitively, because we’ve never sold out so fast.”

When I arrived, the Science Ball proved to be many balls in one. The dancing unfolded through a series of rooms across three floors of the city hall, each with its own band and musical style. The main ballroom, lined with chandeliers and debutante couples in tuxedos and white gloves, opened onto a grand stairwell decked out with flowers. Beyond this lay the sultry tango room, followed by a baroque cloister where a cover band played “Que Será, Será,” and a ground-floor disco crowded with younger guests. The latter venue is where I spotted Austria’s federal climate minister briefly boogying to “Stayin’ Alive.”

This year’s ball was dedicated to promoting more effective strategies for communicating the threats posed by climate change. There were leaflets floating around with a carbon-emissions logic puzzle, plus a cryptic exhibit devoted to whales that featured a fog machine. In the flagstone courtyard, an 8-by-8 meter inflated cube (about 25 feet across), reminiscent of a giant bouncy house, offered a visual representation of one metric ton of carbon emissions; the average European Union citizen emits between 7 and 8 metric tons of carbon dioxide each year.

The importance of these issues to the Austrian government’s agenda was underscored by the presence of Vienna Mayor Michael Ludwig and Leonore Gewessler, the federal minister of climate action, environment, energy, mobility, innovation and technology. On the main stairwell, the politicians posed for selfies with students, many of whom expressed interest in climate-related issues. The balls can facilitate this sort of direct constituency engagement. But Gewessler also warned against overstating the events’ political importance: “A lot has changed since the Congress of Vienna,” she said. “As it should in an open democracy.”

She is right: Things have changed. Many young women—including the president of the Vienna student union—took advantage of the gender-neutral dress code, donning smart tuxedos and white ties. The organizers “don’t give a damn” about who wears what, Lehmann said, as long it’s evening attire. A couple of biologists I spoke to with roots in India, who now work at a Viennese research outlet, appeared in a tux and emerald sari repurposed from Mumbai’s wedding season. (The fact that I, too, had worn my wedding dress became a bonding moment.)

A group of American exchange students from St. Olaf College in Minnesota had bought their outfits at a budget shop in nearby Bratislava, Slovakia, about an hour away by train. They were starstruck. “It’s amazing,” one said. Another chimed in: “But the drinks are really expensive.”

The balls’ class dynamics are the subject of much local scrutiny. Open any Austrian newspaper in January and you will find an announcement about the average cost that each guest spends per visit: $371. About a third of that is paid for entry, and the rest on attire, taxis, styling, and infamously exorbitant concessions. Local headlines decry $15.50 pints and $17 Wiener sausages. In 2022, an Austrian state governor went viral for her tone-deaf tip that constituents restrict themselves to owning three—rather than 10—ballgowns.

The considerable spending associated with the balls is also a source of revenue that working-class Viennese—taxi drivers, caterers, dance instructors, and hairdressers—depend on. Norbert Kettner, the CEO of the Vienna Tourism Board, an independently run organization that also receives funds from the city, pointed out that the hundreds of millions of euros that this year’s 540,000 guests spent on the balls filter back into the local economy. At a “styling corner” at the Science Ball, where guests can stop by for touch-ups, one freelance makeup artist estimated that she makes more than half her annual income during the ball season.

Later that evening, my taxi driver explained that he organizes his night shifts around the ball schedule, which he pulled up on his phone; there were five events that night alone. When I asked whether he’d ever attended a ball himself, he laughed: “Just outside!” That is, at the taxi stand.

It’s natural to wonder whether the 19th-century aura does more to promote or impede democratic norms, especially when far-right nostalgia—such as that channeled through the FPÖ-sponsored Scholars’ Ball—is on the rise. The object of that nostalgia is pre-globalization Europe. There is a perception that the continent’s status has declined since then: The eurozone’s respective share of the global GDP, for example, has fallen by more than a third since 1960. On the other hand, Europe remains comparatively wealthy; Austria’s per capita GDP is the 14th-highest in the world, according to International Monetary Fund estimates.

Meanwhile, as war rages on in Ukraine, Sudan, and the Middle East, the EU Agency for Asylum predicts that 2024 could bring the highest number of asylum-seekers to the bloc since 2015, when 1.3 million refugees arrived in Europe, about half of them from Syria, Afghanistan, and Iraq. Just before this year’s carnival season, the 35-year old Austrian right-wing extremist Martin Sellner presented a bone-chilling “remigration” plan for migrants, asylum-seekers, and “unassimilated citizens” at a November conference of far-right actors near Berlin. He has since been banned from entering Germany.

The balls appear to offer a welcome respite from these thorny challenges—if they don’t feed back into the well of nostalgia from which these troubling political headlines are sourced.

Around midnight at the Science Ball, a psychology master’s student from Bavaria took a break from her heels on the red-carpeted stairs. She told me that this was her second time attending the event; she and a friend visited last year as well to celebrate the conclusion of a dreaded statistics exam.

“We love it,” she said, gesturing at the glittering crowd of young people posing for pictures behind us, “but we also hate it.” In her view, ball culture is elite and exclusive, reserved for the rich—but more so at other events than at this one. All the same, she conceded, “Why not feel super special? For 40 euros, look what you get.”

The Coffee Brewers’ Ball

Hosted by the Club of Viennese Coffeehouse Owners, the Kaffeesiederball, or Coffee Brewers’ Ball, is another of the season’s most-anticipated events. It celebrates and promotes the history of Vienna’s famous coffeehouse culture, which was inducted into the UNESCO list of intangible world heritage practices in 2011. Were there a people’s choice award for balls, the Coffee Brewers’ Ball would likely win; multiple guests, none of them coffee brewers, told me that it’s the most beautiful ball of the season.

The stately Hofburg Palace, where the ball was held, took on the atmosphere of a black-tie nightclub. Attendees—whose ages spanned from 18 to 80—had traveled from Munich to celebrate a 40th birthday; from Dubai, for the glamour; from Austria’s southern Carinthia region to see the scheduled performance by the Vienna State Ballet; and from northern Austria, to see a disco cover band (called the Bad Powells). Most were from Vienna itself. They had come to see the Hofburg, whose status as the former imperial palace lends the events held there a particular lure and elegance.

The guests were there, above all, to dance: the polka, the quadrille, the polonaise, and the tricky Viennese “left waltz,” in which couples follow a double rotation, revolving on their own axes while simultaneously orbiting the room, like planets hurtling around the sun. The dancing spilled from the main ballroom into gold-trimmed apartments leading deeper and deeper into the palace; I finally reached a dead end at the storied Redouten Rooms, which ball-enthusiast Empress Maria Theresa renovated in 1748 to better accommodate waltzes and masquerades. That evening, they had been furnished with neon lights, a gin bar, and a DJ spinning techno.

The balls have long dramatized a broader European tug-of-war between democratization and aristocratic control. From the 16th to 18th centuries, the monarchy strove to regulate, then ban, public masquerades and dances in the weeks leading up to Lent. The prohibitions were issued on the grounds of mischief (murders were known to be committed from behind the anonymity of carnival masks) and the threat of popular uprising.

Meanwhile, the nobility began to host their own masquerades in private ballrooms such as the Redouten Rooms. When Emperor Joseph II opened these rooms to the nontitled public in 1772, the nobility retreated once again to exclusive spaces, where they could better monitor the guest list (and, by extension, the marriage market). The same trend followed the rise of public dance halls at the turn of the century, when every profession began to hold its own celebrations.

Today’s balls are also increasingly international and cross-cultural. “Twenty years ago,” a 40-year-old Viennese guest told me, “you wouldn’t see so many international guests.” This year, he had brought two friends from Paris. As the night wore on, I also met a fashion journalist from Switzerland, a reporter from South Korea, and a correspondent from Munich. In one of the palace’s many golden bars, a local journalist pointed a camera at two models posing in a black tuxedo and a frothy pink gown. When I asked what the photoshoot was intended to advertise, he gave a cheerful answer: “Vienna!” The staged images will run in an international travel magazine.

For European states, the continent’s golden era is readily monetizable through foreign tourism. In cities such as Barcelona and Amsterdam, the annual total of visitors outnumbers locals by more than 10 to 1, prompting some local governments to dissuade further travelers from coming. Today, tourism makes up almost 10 percent of Austria’s economy, the same share as for the eurozone as a whole, which also claims more than 60 percent of the world’s international leisure travel.

There are many reasons to be drawn to the continent; Vienna itself is frequently ranked as the world’s most livable city. Yet among locals, the pandemic, climate change, and geographic proximity to Russia’s war in Ukraine can contribute to a mood of perceived domestic decline.

One former debutante reflected on her experience with a contagious nihilism: “Europe is lost,” she said. There’s “Ukraine,” and “nobody has money. Everything is fucked, basically, so why not party?”

It is not the kind of sentiment that will make the travel magazine spread.

Despite signs of disillusionment, Kettner—the Vienna Tourism Board CEO—said that young people such as the former debutante have “rescued” the balls. The discotheques and increasingly gender-neutral dress codes are part of a concerted effort to appeal to younger generations.

It’s been successful: Debutante classes ahead of the balls, which draw from the under-30 crowd, are full at the city’s top dance schools. Post-pandemic participation across all ages has risen from 520,000 in 2019 to an estimated 540,000 in 2023. The challenge of keeping the ball season relevant is a microcosm for Europe’s overall challenge: How to protect proud cultural traditions while also making sure that they can keep up with the times.

The Opera Ball

This official state ball, the “ball of all balls”—Austria’s most beautiful, decadent, and exclusive event—arrived on the scene in the year 1935. It is a fundraiser, with revenues flowing to the Vienna State Opera, in whose building the dance is also held. In 2019, the event raised  the equivalent of more than $1.1 million for the national opera and ballet.

In recent years, the Opera Ball has also developed a side reputation for celebrity antics. This is in large part thanks to Austrian reality TV star and businessman Richard Lugner; the reveal of his date is an annual tabloid event. In 2005, Lugner was accompanied by former Spice Girl Geri Halliwell, who, headlines gleefully reported, refused to dance with him. His other previous companions have included Pamela Anderson, Kim Kardashian, and Grace Jones. This year, he took Priscilla Presley.

A livestream broadcast of the ball is popular with viewers at home. This winter, more than 1.6 million Austrians and 1 million Germans tuned in.

The Opera Ball, with its outsized media footprint, also attracts dissenters. An annual demonstration that has been held on the same day as the ball since the late 1980s has become as much a part of the tradition as the waltz itself. Organized by the Communist Youth of Austria, this year, 400 to 600 people marched to the slogan “Eat the Rich.” More specific demands included a nationalized housing policy, the reinstatement of a national inheritance tax, and wage increases to keep pace with inflation.

The group’s media relations manager, Johannes Lutz, said that the protest stands against the inequity that the Opera Ball “symbolizes” rather than the ball itself. The minimum entry price of about $426 ($38 of which is earmarked for charity) is a point of contention; basic tickets for the season’s other exclusive balls range from $107 to $208.

Yeganehfar, who has served as the creative director of the Opera Ball since 2023 and also runs a successful local event production company, conceded that the ball “has its price.” She compared it to a major sporting event: Some fans will save up to attend, but many more will watch from home. (By comparison, the average ticket price to attend an NFL football game in the United States was $377 in 2023.) It is precisely because ordinary people “save up to be in this room” that Yeganehfar said she aims to make the Opera Ball so memorable.

“This is the most beautiful event in the entire country,” she said. “We should put it on a pedestal.”

The ball unfurled throughout the entire opera house—onstage, in the wings, in the basement, and in the many gilded bars and cafes—lending a night-at-the-museum giddiness to the evening. From a lobby erupting with Pink Floyd roses, arriving parties filtered through linoleum hallways and past dressing rooms usually reserved for singers and ballerinas. The dancing took place on the stage itself, which had been extended over the orchestra pit.

To debut at the Opera Ball, one breathless young debutante told me, is to occupy the same stage where the “the greatest singers in history” have performed.

The idea that the Opera Ball is something “you should see once in your life” is a sentiment that I heard from guests again and again. A couple from Berlin—a retired secretary and the manager of a hydrogen firm—said they were in attendance because Vienna is “the city of music.” Eight middle-aged women from Kyrgyzstan had arrived in matching pastel gowns after discovering the Opera Ball on the internet. Two Austrian students—a couple studying education and social anthropology, whose gelled hair and all-black palette gave the requisite dress code a punk twist—told me that they are usually at the leftist demonstration outside. This year, they’d saved up to attend the ball itself, saying, “[o]nce at the Opera Ball, the rest of the time at the protest!”

Onstage, I was asked to participate in a disastrous waltz. A ball veteran leading me through the polka, a step I do not know, insisted that the point of the Opera Ball is to escape reality. “For one night,” he said, “you don’t think about war or poverty. You just celebrate.”

But we were thinking about these issues—he mentioned them without my prompting. Awareness of the world outside was inscribed in the price of concessions, 10 percent of whose revenues were earmarked for an Austrian charity initiative in addition to the $38 earmarked from the ticket price. I saw three young men pass around a flask of liquor, a common workaround to the exorbitantly priced drinks. Exiting the stage, I dodged waiters rushing into private opera boxes with trays of petits fours and canapés.

This is about “tradition,” guests told me. It’s about prestige. It’s about attending the same ball as celebrities. (Later, I discovered that Italian actor Franco Nero was also in attendance.) It’s about “seeing and being seen.” It is, above all, about the illicit, dreamworld feeling of being where we’re not supposed to be: backstage at the Vienna Opera House and also, possibly, in the 19th century.

In the lobby, VIPs were being interviewed on live television. The sense that I’d fallen through the looking glass became more overwhelming when I stumbled into the basement, which had been transformed into a club. On a velvet sofa adjacent to the writhing dance floor lay a tulle hoopskirt, evidence of someone’s late-night costume change.

Like a hypnotist’s signal, it was my cue to head out and catch my early morning train.

Out in the real world, Yeganehfar’s comment lingered with me the most: “Why is enjoyment always framed as decadence?”

The taxi driver who picked me up outside of the opera house was originally from Poland. Our conversation drifted to the rise of right-wing politics in his native country. “History is turning back on itself,” he concluded, a reference to the ascendence of the far-right Law and Justice party in Poland and the accompanying decline in German-Polish relations. The observation compounded my sense of being drawn through multiple timelines at once.

By the time we arrived at the hostel apartment where I was staying, it was dawn. I exited onto the sidewalk and tipped my driver everything I had. Teetering in the sunrise in a pair of borrowed heels, I wondered if ball critics’ hand-wringing over decadence speaks less to a distrust of pleasure than to a profound sense of dissonance. Europeans still enjoy a quality of life that is the envy of much of the world, yet populists have managed to create—and spread—a narrative of a continent in imminent decline.

“Let us hope the future will be better!” the taxi driver said in parting. I found myself a little too eager to agree.

[acowardinmordor]

Idle thoughts for the historical royalty au it turns out I want to read, but can’t be bothered to write.

This is a fairly young or small kingdom. Early Plantagenets but less established.

Steve’s mom is more in the category of Eleanor of Aquitaine. She’s off in her own lands trying to fix the mess that the King made. The King forbade her taking Steve with her and they both have other lovers. Steve’s mom had several failed pregnancies when he was young, and at least one or two siblings that died too young for him to really remember.

The King is fighting yet another push against Not-France. Has been gone for at least two years, will be gone at least one more. Left his advisors and council in place, and gave Steve very little authority. He’s basically Henry the first. Except he’s Richard

Most of the important Lords and families left the capital when the King did, either to go on campaign, or back to their own homes. The adults who remain are either greedy and manipulative or too low ranked to have another option. Lots of the children of families are left there as good faith

Nancy and Barb are the daughters of nobility, not known for their social standing. Carol and Tommy are trying very hard to get/stay in Steve’s favor so they can elevate their and their families’ status. Joyce got elevated to a role like a chatelaine because the prior died while the king was gone. Hopper is Captain of the Guard.

Magic exists if you ask the right person, but in any official sense or statement there is science, religion, and blasphemous rumors.

El is for sure somewhere in the changeling shade of things. But in the sense that she got stolen, lived with the Unseelie Court, and escaped. Because he is the reason I am in this fandom; El follows the sound of music and laughter and finds Eddie.

Eddie lives with his uncle, who was in the last war, took an arrow to the knee and can’t serve again. Does odd jobs and repairs things for people. Eddie is supposed to be apprenticing as a scribe, but hates writing down ledgers of how much the Lords spend and how much they tax. It’s doomed from the start. But, it means he’s the rare example of a poor kid in the city who can read and write. He makes spare money telling stories, writing down and using bits of histories and rumors he hears while apprenticing. And because he travels from the town up to the court, he’s also doing a bit of unofficial trade.

Lucas helps at the stables. Mike wants to be a knight, but was too young to go with the king to war. Younger kids went, but the Wheelers are just noblé enough that he didn’t. Only son privileges. Will was sick as a kid, so he’s seen as kind of a ‘what’s the point’ but he learned to read a little, then spent so long sick he taught himself more.

Dustin flits around the court and castle, bullying people into explaining things to him. He has learned many things, and is still a little genius, but his reading is kinda self taught so he can’t always say why he’s right beyond saying that he is. Claudia came with the Queens court but stayed after the Queen left again. She’s in a weird important-but-not-noble position. Steve adores her because she was around more than his mom.

Actually. Yeah. Dial up the magic a little. The King conquered the region and stomped out most of the hedge-witch type folks. Also pissed off some of the more powerful ones as they fled. But the big piece is that he broke A Thing™ that served to hold the worlds separate. That was a least 15 years ago. The leak is slow/irs been getting worse.

Lucas’s family isn’t nobility, but they’re wealthier than some of the nobles. He’s the personable son with a fondness for horses, racing, hunts, etc.

Max and family moved to Hawkins and something something, Max is now working at a smithy. It’s not what she should be doing, but she’s really good at it. Also: horseshoes gets us LuMax.

Maybe the Hargrove were noble, mayfields weren’t. Lord Hargrove went to war, Billy has been there too, and the second you look away from max she’s back to doing what she wants.

Murray is something like a hedgewitch.

The Russians become some of the conquered people, looking for an opportunity to reclaim and lacking that: a chance to fuck things up for Hawkins.

Creel is def a kid from wayyy long ago, who got conned by the fae, but spent so long there that he’s got magic of his own, and a love/hate with a humans.