'But to get to Candy's room, you gotta walk the darkness of Candy's hall. 'Cause in the darkness, there'll be hidden worlds that shine.' Bruce Springsteen
'the soul, this monument made of stones and grays, composed of water, winds, and tides, this monument of silence that encloses in its corners a thousand deserts and hides a thousand perspectives, but at its heart, there is a red rose, waiting and always opening🌹'
Philippe Fraisse: The Cinema of Terrence Malick, 'To the Wonder'
Video: Bruce Springsteen & The E Street Band - Candy's Room (Live at The Paramount Theatre 2009)
@ofgreatart:
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🎶✨when u get this, list 5 songs u like to listen to, publish. then, send this ask to 10 of your favourite followers (positivity is cool)🎶✨ 🫶🏼
Speaking of Bruce Springsteen…
"Incident on 57th Street" (https://www.youtube.com/watch?v=Yk8iXy-aw30)
"Street Punk Gospel Choir" by (not the Bruce Springsteen song but the band) Candy's Room (https://www.youtube.com/watch?v=RzqHaCFYqwY)
(hey, y'all – prepare yourself for) "The Rubberband Man" by The Spinners (https://www.youtube.com/watch?v=KSMVflSBKx8)
"Cumberland Gap" rendition by Meredith Moon (https://www.youtube.com/watch?v=ubC7ClPrH1g)
"Everything Looks Better (in Hindsight)" by The Wild Reeds (https://www.youtube.com/watch?v=osW7rC4YiXw)
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When Diana and her twin Jason was born after her, Jason was left to be disposed off in Amazon, only for him to disappear a second later.
Clockwork saw the possibility and took the freshly wet newborn swapping him with The Fenton's stillborn.
For what he saw in the possibility of the future was nearly endless as he did what he had to do.. for the best outcome to come forth..
A pebble here, a rocket ship toy there, an inch of furniture moved then so that incident doesn't happen, a poster paper on that tree. Minor tiny changes to help bring the visual to the present.
All leading to clockwork giving 19 year old sleep deprived danny an small yet important task to deliver a scroll in another dimension leading up to his body regressed in that dimension timeline the moment he slipped in and out the portal.
Diana knew she had a twin brother out there.. and she was going to find him.
What she didn't know that he was literally falling into her arms, when she and Superman went to check on the Glowing lararus pit portal made near metropolis.
Tiny little boy who look completely tired as he went unconscious holding a purple and green scroll in his hands, wearing clothes 3 times his size.
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We are headed into our final Drama Shower show of the season. How do you rank the shows we got this season and how are you feeling about the direction of the project?
What is Drama Shower and Why Does It Matter?
Before we get into rating these shows, I want to do a breakdown of what this is. To give you a sense of how big a deal Drama Shower is, fans are regularly updating a Wikipedia page for it with relevant links to follow the project. Also, there is a dedicated MDL page for it.
Drama Shower is a dedicated half-hour programming block on MBS, a Japanese broadcaster that is over 70 years old, in conjunction with Kadokawa, a Japanese publisher and holding group, that plays BL content at 1:30 am on Fridays. The project's main producer is Kaoru Azuma, who is a self-described long-time BL fan. He wants to show that BL can do a variety of stories in genre, and has recently stated that he wants to produce original content through the project as well.
We originally had six shows air through year one: Mr. Unlucky Has No Choice But to Kiss!, Senpai, This Can't Be Love!, Takara-kun to Amagi-kun, Eternal Yesterday, Candy Color Paradox, and Jack o' Frost.
I originally reviewed these shows as overall a mixed bag, but showing great promise. I liked that they got more comfortable with depictions of m/m intimacy over time. I thought Mr. Unlucky was legitimately funny (9), Senpai never found its footing (6), Takara and Amagi mildly squandered their premise (8), Eternal Yesterday was extremely poignant (10), Candy Color Paradox had ambitions that exceeded its talent pool (7), and Jack o' Frost was a really strong finish (9.5).
MBS seemed to enjoy the performance of this project enough to continue it for another year.
For me, I think it's very significant to give BL itself a time slot to see how audiences are responding to BL as a concept compared to the pitch of individual shows. I'm really encouraged by MBS doing this. Even if you don't care about the name MBS, you have interacted with their content, because they are also behind Full Metal Alchemist and Haikyuu! anime adaptations.
Rating Year 2
I actually liked the way year 2 started, even if I'm a bit mixed on the end. I really loved opening with Tokyo in April is... I liked that they had BL trying to be topical. I think the show unfortunately conflates some things it shouldn't, but I loved TIAI and I loved Ren and Ryunosuke's experience being gay men. I liked the changes they made to the source material. This show was dark in a way that it owned, and I really like that. I gave it a 9.
We then moved to My Personal Weatherman, and that went over well for the people who like to see really hot people go at it with each other. I actually enjoyed how much Yoh and Segasaki actively misunderstood each other even as they were speaking to each other. I don't know that they exactly completed their story, and I suspect that there may be a future outing for this show. Despite enjoying it, I think it didn't get all of its pieces together fully and gave it an 8.5.
We then crossed over into uncertain territory with One Room Angel. Despite enjoying a lot of what was going on in this show, I don't actually think it's a romance. It's my understanding that the angel character is a lot younger in the source material, and so they may have been a little shy about how much they did with these characters on screen. I also don't think the storytelling was balanced between the leads. However, because I am susceptible to complex stories about grief, I gave this show an 8.
Now, we have Sahara-sensei to Toki-kun. I hated this show so much. I think it makes the unfortunate mistake of asking me to care about how homophobia and public perceptions impacts people through its flashback drama, but then does nothing with that in the front. It sucked so hard, and I'm really disappointed because I thought this show had some of the most potential, and I thought Toki was one of the most watchable characters Drama Shower had produced. I ended up giving it a 4.
Our next and final show (I think) for this outing is called My Strawberry Film. This one will also be in a high school, but I know little about it, other than we may have a GL plot in it.
So, overall I'd give Drama Shower an 8. I think fans of BL, and especially Japanese BL, should continue to show up and support it. The fact that we have a dedicated programming block is important. The fact that none of these shows has felt like a retread so far is super important. Drama Shower is varied. There is something in here for almost everyone. Drama Shower is the biggest commitment to BL we've had from a distributor other than GMMTV's ongoing BL slate. Taiwan has Vidol doing is four projects, but Drama Shower is the first time I know of that a Japanese distributor has focused on BL in a meaningful, ongoing way. We should stick with it.
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