i don’t care if authors write fanfiction but if i read a book and a major problem the author has is making their original characters compelling or developing characters coherently in a work that is otherwise actually decently written. and Then i find out the author was big into writing fic. i’m like yeah…fanfiction is Not beating the allegations 😔
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Voice actors are NOT the same as actors.
It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.
Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.
The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.
This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.
Actors are not the same as voice actors.
And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.
I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.
People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.
Voice Actors ≠ Actors.
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*complaining for no reason again because i am bored* i need more ppl to know that these. are all the same person these are literally canonically all the exact same individual person im begging u
literally almost all the ganondorfs are the exact same individual and almost all the ganons are the exact same individual, almost all the ganondorfs & ganons are the same exact person just in different forms and circumstances. except for FSA and maybe whatever the fuck is going on with TotK ganondorf but i still think it’s weird that he still has golden eyes & rounded ears when even the gerudo in TotK’s ancient past dont, but anyway ashfjsbfjsn
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in kuyu's historical fantasy webnovel turning, protagonist yuder aile is described to have only focused on the development of his own abilities prior to his execution and subsequent regression. in an attempt to prevent the disaster he saw in that future, he begins to build genuine connections and trust with not only his cavalry member peers but also his commander, kishiar la orr. the slow-paced and natural progression of yuder's relationship with kishiar, beginning with curiosity, progressing to mutual respect, and later encompassing loyalty and romance, is a major point of interest. however, their relationship still manages to not obscure the equally compelling plotlines, politics, and character dynamics present in the story. yuder's complex relationship with kishiar and the story's refusal to revolve solely around romance strongly mirrors the arospec experience. in this essay i will-
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I could say that ASOIAF is a very medieval lit story at heart and you’d be like, “well no shit Sherlock, tell me something I don’t know 🙄”.
And I’d say: “Ok bet. ASOIAF’s medieval core is best exemplified through Jon Snow and Bran Stark, two distinct yet mirrored iterations of one hero-knight whose origins can be traced to Percival and his magical quest. Both are Percival (and both are potentially the grail king) but one is as close a 1:1 copy as we can get (Jon) and the other is the Percival archetype completely flipped over its head before it even begins (Bran). Jon, by the author’s own admission, is the fantasy hero in the most traditional sense. He’s Percival who was inspired by the knights and left his mother’s castle to chase after chivalric glory (Jon III AGoT), only to find out that he has a massive misunderstanding of the knight’s purpose and honor (ACOK/ASOS arcs). No one told him of the ethical dilemmas involved with being a knight. No one told him that he could meet the fair maiden and either be completely incapable of helping her (Gilly) or help her, leave her, and be burdened by her death (Ygritte). No one told him how hard it would be to have his entire world view upended and upon going back to his fellow knights and saying ‘hey friends maybe we should all re-evaluate the system in which we operate and how it might be causing us to betray the vows we swore’ he’d be met with disdain. No one told him that, like Percival, he might look back to his mother’s home and see what has become of it (and his sister whom he left) and upon making the decision to go back to it he dies before he can even get his foot out of the gate. Percival made it back home and Jon might too, but where Percival still had his mother’s shirt to remind him of his boyhood Jon had to kill the boy because the fate of the world depended on it. Jon stumbles and rises, only to stumble again. But nonetheless, he gets to be a knight. But on the other hand, there’s poor Bran! He doesn’t even get to fail at being a knight in the first place because that storyline was fucking taken from him before he could realize his dream of leaving his mother’s home. Jon at least got his call to action. Bran’s dazzling dream of knighthood doesn’t even get off the ground (quite literally). He climbs, falls immediately, and once his eyes are awakened he realizes that he is now incapable of being Percival as he’d wish to be. There’s no battling evil knights. There’s no saving fair maidens. But then he’s visited by a wizened old man who’s like ‘hey Percival, you can never be a knight but I’ll teach you how to be a mighty wizard!’ And that would be cool and all….BUT BRAN WANTS TO BE A KNIGHT GODDAMNIT! When he auditioned for the medieval lit play, he picked up the Percival/Arthur script. Yet that’s not what he ultimately got when the cast list finally got out. Because who the fuck switched it out his hero-knight script for the Merlin one??! So now he has to try and figure out how to be a knight who’s actually a wizard, and it fucking sucks y’all.”
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Oh, don’t mind me… just thinking about how Ace is the only character with whom both parents are confirmed to have the will of D- something we know to be major though we still don't know why for exact, & Ace used his own will to care. To try to look out for those disenfranchised like he was growing up. To treat its ethos as an unimpeachable code when he finally found a place that finally wanted to protect him. To put every effort into being a good brother.
He set out trying to define himself, for himself, and yet became increasingly littered by nods to the people he loves- his public surname, the tattoos, the necklace, etc.
He wanted to live to the fullest, with no regrets. To give meaning to the man he was without the imposition of legacy. And, at the end of the day, that looked like making the choice, the active & fought for choice, to be loving. Then he died giving thanks for the ways in which that love was returned.
If that’s not beautiful, then I’m not quite sure what is.
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Hey, Star Trek Writers... -taps the glass-
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the desire to observe them under a microscope is overwhelming
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One of the best differences for Cats when it comes to boots vs proshots is how with boots (specifically filmed by someone close to the stage) you can hear the individual voices of the performers as they pass by in Naming of Cats.
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Is this fanfic friendly? I feel like an outlier.
I guess this is my sign it's time to throw together a FAQ post to link to lol.
Yes, every event for this blog is fanfic friendly :D
Though as I mentioned on my Ominous October post, for events that include multiple short stories, I encourage everyone to flex their creativity and take one of their planned short story fanfics, and at least *attempt* to turn one of them into something entirely original; rebuilding a character and story from the ground up to stand on its own two legs is no easy feat, and that is what makes it so fun!
It really gets your creative gears turning, to make an "au of an existing material" to be something entirely original, and you can be pleasantly surprised about the things you come up with!
As a few people say, its not just a matter of "filing the serial numbers off" -- you have to add in just as much *or more* as what you take out when you are turning a fanfiction into something that is original and completely divorced from its original source material / inspiration, and that is a hard, but very rewarding challenge!
Obviously, this is not a requirement (there's no hard requirements for any of the challenges, other than no cheating, including no using AI),
but if you would like an extra challenge for the short story events and you're planning on doing entirely fan-fiction, I highly recommend trying it out at least once, and seeing where it leads you--
you may find yourself pleasantly surprised by what you find down that rabbit hole!
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whatever afterlife exists in SGE must be the funniest shit ever imagine being some Jaunt Jolie peasant who gets a little too in the way of the Snake and dying only to see The Literal School Master cheering the Snake on. Imagine dying of like cholera or something and taking a little Ghost Vacation to Camelot and seeing the King of Camelot - who's dead, apparently - beating the shit out of some random other boy with weird eyes. imagine how flesh and blood went down. Do you think they all had popcorn for that
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with my phantom hourglass replay, there are two things i noticed;
a possible theme you could glean from the game is action vs inaction, and i think it's especially prevalent before you even leave mercay the first time, with oshus frequently urging link to not go after the ghost ship, then to just wait until the broken bridge is fixed, and seems reluctant at every turn while link and ciela are more than eager to go and do something about this problem, and the people of mercay in general talking about things and their problems but never seeming to act on their fears or desires, as well as the mention that due to the ghost ship, very very few people are still sailing around, while linebeck is one of the only people we see in the game actively going after the ghost ship and still sailing around. i might make a longer post just talking more about the action vs inaction in phantom hourglass but i just noticed it a bit and thought it was a bit of an interesting sort of theme you could find in the game.
linebeck moves so fucking much. i think he moves more than any npc in the rest of the game. not just in his intro cutscene where he is very animated, just in how much he moves when just standing in his little idle post, it's damn near distracting when the camera is focused on him, he moves a lot. i don't think i've really acknowledged how much he moves, and it really gives the impression that he's antsy or eager to get going, both of which fit him pretty well with how he acts.
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i mentioned that i personally headcanon kirito as transmasc and now i’ve had days of hate in my inbox saying i read the series wrong or that i hate trans women or that i don’t understand what reki’s doing and i’m like. let’s all take a deep breath and log off shall we?
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hey don’t cry. 10 million blorbos from your shows, okay?
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