#Cable & Deadpool 18

[withoutaconscienceorafilter]

Cable & Deadpool #18 -- Cable fixing Wade's brain a little bit

(I was looking up the moment to get the wording exactly right, so figured I might as well share too.)

[thequiver]

Who is....James Proudstar | Warpath? - A Reading Guide

James "Jimmy" Proudstar, is an X-Men affiliated character from Marvel Comics first introduced in 1984. Jimmy is a member of the Yavapai-Apache Nation, and was born in Camp Verde, Arizona. Jimmy grew up idolizing his older brother, John, who would die while on a mission with the X-Men, prompting Jimmy's own path into the world of mutant infighting. Jimmy's story includes topics around the mistreatment of indigenous people (including the medical experimentation that they've suffered), as well as dealing heavily with themes of grief and healing. However, given the nature of American comic books and the lack of diversity among writers, the comics do not always do a good job addressing themes and plots specifically related to Jimmy being Apache.

Many earlier comics do not accurately depict Jimmy's skin-tone or culture, so while in the graphic above I have adjusted some coloring, please be advised that in an unfortunately large number of the following issues...he will look white.

Reading list is under the cut!

From Hellions to X-Force

Jimmy's first appearances are with the Hellions, a villainous group of mutants under the direction of Emma Frost. Jimmy joined their ranks following the death of his brother, John, when he was determined to get revenge on the X-Men- he soon found that he didn't fit in with the Hellions and returned home. Cable approached him about joining the New Mutants but he declined until he discovered that the Hellfire Club (of which Emma was part) had murdered his entire tribe. Now fueled by a desire for revenge against Emma Frost, Jimmy agreed to join the New Mutants right before they turned into X-Force.

New Mutants (1983)#16-17 Uncanny X-Men (1981) #193 Firestar (1986) #2-3 New Mutants (1983) #39, 43, 53-54, 56, 62, 99-100, Annual 7A New Warriors (1992) #Annual 1A Uncanny X-Men (1981) #Annual 15A X-Factor (1986) # Annual 6A X-Force (1991) #1-3 Spider-Man (1990) #16 X-Force (1991) #4-5, Annual 1C Warheads (1992) #4-5 X-Force (1991) #6-7A, 9A-15 X-Cutioner's Song X-Men (1991) #17 New Warriors (1990) #31 X-Force (1991) #19, 21-26, Annual 2, 27-33 New Warriors (1990) #46 X-Force (1991) #34-38 Blaze (1994) #4-5 X-Force (1991) #39-41, 43 Cable (1993) #21 X-Force (1991) #44-53, 55-58 X-Force and Cable '96 (1996) #1A X-Force (1991) #59-61, 63-64 X-Force and Cable '97 (1997) #1 X-Force (1991) #65-66, -1, 68-71 Deadpool (1997) #12 X-Force (1991) #72-93, Annual 1999, 94-98 Cable (1993) #73-75 X-Force (1991) #99-117

X-Corporation

After the dissolution of X-Force, Jimmy would join the international mutant taskforce, X-Corporation.... it didn't last very long....

New X-Men (2001) #133 X-Force (2004) #2-3

X-Men

Jimmy keeps his powers after M-Day and returns to the Xavier Institute where he ends up "joining the X-Men". (It's complicated).

Uncanny X-Men (1981) #475-476, 478-479, 481-482, 484-491

X-Force: Take 2 (Now with Wolverine)

A new X-Force was formed, led by Wolverine (Logan) to do the more....extreme tasks the normal X-Men won't.

Uncanny X-Men (1981) #493 X-Factor (2006) #26 New X-Men (2004) #45 X-Men (1991) #206 X-Factor (2006) #27 (mostly here as set up for the next issue) New X-Men (2004) #46 X-Men (1991) #207 Uncanny X-Men (1981) #498-499 X-Force (2008) #1-6 X-Force: Ain't No Dog (2008) #1B Cable (2008) #6-7, 9-10 X-Force (2008) #7-11 X-Men: Legacy (2008) # Annual 1A, 230A X-Force (2008) #12-13 X-Force/Cable: Messiah War (2009) #1 Cable (2008) #13 X-Force (2008) #14 Cable (2008) #14 X-Force (2008) #15 Cable (2008) #15 X-Force (2008) #16-18, 20

Necrosha, etc.

After the events of Messiah War, Jimmy became embroiled in Necrosha (reanimated mutants were being controlled by Selene and the T-O virus). After fixing that scenario, Jimmy quit X-Force, stayed in Utopia after the schism, and would join the X-Men in a war against the Avengers. (This era technically includes Age of X, but Jimmy doesn't really...do much there so I didn't include those appearances).

X-Necrosha (2009) #1A,C X-Force (2008) #21, Annual 1A, 22A-25 Nation X (2010) #4C X-Men: Schism (2011) #5 (Jimmy's only in like 3 panels but they're important) X-Men: Legacy (2008) #260 X-Men (2010) #20-29

Weapon X

After all...that. Jimmy was captured by the restarted Weapon X Program, after being rescued the team Jimmy was on started by renaming themselves "Weapon X" as a way to reclaim the program that had hurt them. During this time, Jimmy started dating Domino...which was certainly a choice on the writer's part....

Weapon X (2017) #2, 4 Weapons of Mutant Destruction: Alpha (2017) #1 Totally Awesome Hulk (2016) #20 Weapon X (2017) #5 Totally Awesome Hulk (2016) #21 Weapon X (2017) #6 Totally Awesome Hulk (2016) #22 Phoenix Resurrection: The Return of Jean Grey (2017) #1-5 Weapon X (2017) #7-21 Astonishing X-Men (2017) #13A-17 Extermination (2018) #3-5 X-Force (2018) #1A-5, 7-10

Krakoa and Fall of X

Like many mutants, Jimmy moved to the mutant nation of Krakoa. While on Krakoa he joined the New Mutants, and would have a chance to reconnect with his beloved brother, John.

New Mutants (2019) #14-15, 18-24 Giant Size X-Men: Thunderbird (2022) #1 New Mutants (2019) #29 New Mutants: Lethal Legion (2023) #1 X-Men Unlimited Infinity Comic (2021) #121-123, 138-142

[qcomicsy]

I Have Just Said - Mary Oliver / Cable & Deadpool #9 / Unknown / Cable & Deadpool #9 / Unknown / Cable & Deadpool #03 / Unknown / Cable & Deadpool #18 / Trisha Mateer / Cable & Deadpool #03 / Herakles - Euripides / Cable & Deadpool #6 / Fatima Aamer Bilal - Her Garden Yearns For More Visitors Than Water / Cable & Deadpool #6 / Cable & Deadpool #19 / Roxane Gray / Cable & Deadpool #19 / The Affliction - Marie Howe

[sciderman]

cable & deadpool #18

[primewadewilson]

Hi! My Name's Wade Wilson, and I identify as...

everyone's fucking problem now, and you better fucking like it.

I'm also known as Deadpool, the Merc with the Mouth, Mouth (Affectionately), Mouth (Derogatory), Gods Perfect Idiot, El Cancer, Marvel Jesus, Jabbering Buttplug, Red and whatever name you decide to call me. ;)

This blog is strictly adults only. Anyone under 18, get out/salir/aussteigen/出て行け (deteike). That means minors, do not interact.

@wolverine-original is my Logan. He has one half of my heart, and my dog tags.

@deadpool-original is my Wade Wilson. He has the other half of my heart. Mess with either of them and I will make Art the clown look like a joke.

I like dancing, long walks in the void, Hugh Jackman, and getting stabbed repeatedly by 6 adamantium claws. I've got every form of cancer known to man, and some not known to man. Don't ask me how I got it, but I probably got it from Cable (that son of a bitch). That's half the reason why I look like I got face-fucked by a long, winding country road. You can thank some fucker named Francis for getting me stuck like this. (He's the other half of the reason)

Shoot me an ask, if you'd like! I don't bite...or do I?

Only one way to find out.

[disneybucks]

general rules.

IC =/= OOC. no godmodding/infomodding.

re: wade's fourth wall breaks, i won't have him assume to know anything important about other characters without OOC permission.

please hardblock me if you believe tastes in fiction = morality.

non-selective, non-exclusive, open to crosscanon & OCs. open to other marvel universes; i'm very familiar with marvel 616.

won’t follow other xmcu wades, including multis with wade on them. i’ll write with any other muses on those multis, but i won’t follow back.

pre-established relationships are always OK, including romantic ships. plotting is optional, but feel free to PM me if needed.

don’t send memes if you won’t turn them into threads.

feel free to remind me of any tags i owe. clear demand wakes my muse up and helps in prioritising my backlogs.

shipping’s fine, wade’s monogamous. i won’t romantically ship wade w/ minors, but i’m fine with writing other “problematic” or “taboo” ships.

smut’s also fine, but only w/ 18+ writers. i’m 21+, myself. no bottom!wade. no three/moresomes.

sensitive content is tagged as #[subject] cw (e.g. #abuse cw). smut is tagged as #nsfw.

don’t take my icons, headcanons, etc.

constructive criticism very much appreciated.

i’m not here for discourse. hardblock/unfollow me if you hate my content.

if you have any questions, PM me.

other info.

ooc stuff.

Timezone: GMT-4 / EST Discord: PM me if you want it. Triggers: N/A on my account, feel free to let me know if you have any in particular that you need tagged or avoided. What the hell is the XMCU? You know, the X-Men cinematic universe, 20th Century Fox style. And everything that comes after as far as XMCU Deadpool's concerned.

general rp prefs.

Hugging this character: Yes, Wade's a hugger Kissing this character: Yes, Wade's a kisser Smut with this character: Yes; PM me if you want specific scenarios/kinks. I don’t write bottom!Wade or three/moresomes, but I’m open to anything else Fighting with this character: Yes, but sorry in advance for Wade's raging boner Injuring this character: Yes Killing this character: Yes; Wade has a regenerative healing factor, though, so this would require extensive plotting Using telepathy/mind reading abilities on this character: Yes; let me know if you want me to write Wade’s thoughts out specifically

shipping prefs.

General: M/M, M/F, M/NB all OK. Open to canonmates, crosscanon, OCs, genderbends, AU versions of characters, and the like. I don’t care about whether your character is liveaction or animated or iconless or what have you, either. Will Ship: Logan, Cable, Vanessa, Ajax, Domino, Colossus, Peter, Steve Rogers, Thor Might Ship (i.e., probably needs some build up/discuss with me first): Weasel, Dopinder, Paradox, Cassandra, Peter Parker, Matt Murdock, 616!Janet Van Dyne, non-XMCU Deadpools, any canonmate and Marvel-adjacent characters not in the “won’t ship” category Won’t Ship: Underage ships, polyam ships

[salt-is-a-terrible-currency]

Zealot

Written for day 26 of the Narcos fandom smut alphabet over on @narcosfandomdiscord

Fandom: Narcos, Deadpool movieverse

Rating: Explicit, 18+

Words: 3 991 (this one really got a life of its own)

Pairing: Javier x f!reader, Nathan 'Cable' Summers x f!reader

Prompt: zeal

Warnings: verbal fight, threats of gun violence, one night stand, rough sex, biting, some dirty talk, makeup sex

Tagging: @futurewife

It's the last prompt and I figured go big or go home. Then this monstrosity happened.

"Fuck you," you snap. Javier's face twitches but he doesn't respond, instead leaning back against the wall out on your patio for a second before finally nodding. You follow him back inside the house, past the kitchen that’s still a mess from your dinner that he interrupted by inviting himself over, and into the hallway where he grabs his jacket and shrugs it on. As he steps outside, you decide to get another kick in for good measure:

"Show up at my house again and I'll shoot you," you say, then slam the door shut in his face.

⁂

You already know you look good, especially tonight, but the reactions you get when stepping into the bar less than 24 hours after your blow-up with Javier is still an ego boost you sorely needed. A group of regulars throw glances in your direction, one of them even leaning out of his seat to get a better look at you as you saunter past and head for the row of high chairs facing the desk. With a glass of overly sweet wine in your hand, you glance around the bar. There’s no lack of men here tonight, though most of them you cross off the list immediately. Some of them for being married, and others for being old enough to be your grandfather. You order a second glass of wine and return to weighing your options. 

Just as you’re considering who to sidle up to - Benicio Moreno or Marcus Ruiz - a figure appears in the open door. He’s in heavy boots, some sort of utility pants with countless pockets and a thick belt, a gray t-shirt fitted so snugly that if the temperature were to drop by even a few degrees you’re certain you’d be able to see his nipples. You bite back a giggle at the thought. Thick arms-  the left one with marred and partially tattooed skin - and a buzzcut in need of a touch-up. A few heads turn the man’s way as he enters but nothing like when you did. You feel like you’ve hit the jackpot. The stranger’s from out of town, he has to be, and there’s barely any women at the bar tonight. You wait for him to pull out another chair, two seats to your right, and listen as he places his order in a gruff voice. It’s unladylike to be desperate, your mother and grandmother both told you as much, so you sip your wine and pretend not to notice his presence. Five more seconds, you think to yourself as you down the last of your second glass, then I’ll introduce my-

"What are you having?" A gruff voice interrupts. You jump, startled to find that the man has shifted to the seat next to you. 

"White wine," you answer, quickly recovering to flash a smile at him. They only have the one kind and it's not very good, but it's cheap and it does the job. Now that the man’s up close, you get a better look at him. He’s got a sharp jaw with a hint of stubble on it, a faint scar at the back of his right cheek and…and, you realize, there’s something about his left eye. Like it’s a different shade from his right. Not different enough to be blatantly obvious but here, up close, you can tell they’re not identical. He flags the bartender down to refill your glass and you raise it to his in a silent toast.

"What's your name, stranger?" you ask. He leans forward on the desk, face turned to you.

"I'm Nathan." Now that you’re not startled by him speaking, the sound of his voice goes straight to your core. It’s a voice you can imagine growling praise as you suck his soul out through his dick. You uncross your legs and lean forward a little.

"You new to town, Nathan?" You’re pretty damn sure of the answer but it doesn’t hurt to double-check. It’s just a glance but you catch it: his eyes dropping to your cleavage before meeting your gaze again.

"I've been to the area before, but not Laredo,” he explains. “Got hired for a job, finished early so I figured I'd take a night of rest before starting the drive back." You don’t realize how much the wine has affected you until you hear yourself answer him:

"Well, Nathan, I have to tell you I don't foresee your night being very restful." What the hell did I just say? Nathan, to your relief, doesn’t take offense. He chuckles, low and raspy, then leans in close to your ear. You’re already feeling faint and when his hand lands at your thigh your eyes flutter shut.

"Your place or mine?" he asks.

⁂

The way his lips move against you is a complete opposite compared to Javier’s. 

Nathan tears the dress from your body. It joins his discarded pants and t-shirt at the threshold to your bedroom. He falls back against the headboard, pulls you on top of him with your back to his scarred and tattooed chest, then reaches under the backs of your thighs so that your legs bend at the knee.

“Go on, sweetheart” he says, nipping at your jawline, “Get me inside you.” He knows you’re wet enough to take him, ran his fingers along the seat of your soaked panties while you were fumbling to unlock the front door. You do as he says, wrapping your fingers around his cock and taking note of how he growls as you notch him to your opening. With a shift of your hips, he disappears into you. He gives you but a split second to adjust before he moves. Your whole body jolts as Nathan pounds into you, making sure you can feel every last bit of him. Every curve and dip, down to the last vein of his cock. His hands grasp your legs in a vice-like grip. His hot breath at the back of your head sends chills through your body. A stark contrast to your skin which feels on fire, sweat running down your brow and stinging your eyes. Your breathing coming out in bursts with each punch of his cock into your cunt. The way he works your body has you trembling, the first whispers of your climax building in your core like a knot winding itself tighter and tighter. When it bursts, your back arches and you sob his name like it’s a prayer. Nathan doesn’t let up.

“Gorgeous girl,” he drawls, “The things I’ll do to you.” He slams into you another one, two, three times before tensing like bowstring and snarling like a beast unhinged. His hands keep you there as rope after rope of cum gushes into you. You feel dizzy, teetering on the edge of a giggle.

Nathan releases your legs and you tip back against his broad, sweaty chest. His lips press to yours in a hungry kiss which you blindly reciprocate, little sparks of electricity still running along your skin from just the memory of his cock inside you. You whine as his lips disappear but soon something else taps against your mouth. You open your eyes, finding two fingers held in front of you. 

“Suck them,” he commands, bumping the tips against your lips, “Want you to get them wet like they’d been in that tight little pussy of yours.” You find his darkened eyes, see the lust in them. Feeling devious, you take only the tips of his fingers into your mouth and bite. Not enough to draw blood but enough that he hisses a curse under his breath. You turn to face him, getting on your hands and knees. Nathan’s chest reverberates with a growl.

“What’re you playing at, sweetheart?” Inching closer, you bite your lower lip at him. He’s still got his fingers up and you stick your tongue out, licking where previously you nipped. 

“I’m not playing at anything,” you say innocently. Nathan’s lips twist into a grin. You take his fingers as deep as you can, stopping just short of gagging, and seal your lips tightly around them to give one long, firm suck. A slight tickle at your shoulder tells you that he’s letting his free hand wander. It brushes across your collarbones, lightly presses at the hollow of your throat, then slides down to cup your breast. Gentle at first, then harder as you withdraw from his fingers - a string of saliva prolonging the contact between you.

“That wet enough?” you ask, again feigning innocence. His face twists into something animalistic, and as it does he twists your nipple. You whine, equal parts pain and pleasure coursing through you.

“On your back, sweetheart.” His tattooed arm wraps around you, helps guide you through the abrupt change in position, while he uses the other to prop himself up. Your back hits the mattress, a cold spot beneath your buttcheek that must be from where his cum has leaked out of your throbbing cunt. Nathan’s scruff chafes your chin as he pries your lips apart with his tongue, licking at the roof of your mouth until your mind is buzzing with nothing but thoughts of how it would feel to have him to that between your legs. As if he’s read your thoughts, Nathan retreats from your lips. He crawls down the length of you, kissing down your chest, lingering briefly at your sensitive breasts before moving down to your belly button where he also presses his lips. His mouth is hot on your skin, forcing your already unsteady breathing into nothing but shallow rasps of air. He pauses as he reaches the spot between your parted legs. You can only see the top of his head, his eyes turned to your exposed sex. Then you feel it. His tongue moving along your seam in methodical, determined movements. You cry out, your hips jolting up only for his hands to grab and press you back down so that he can continue without interruptions. Even though the room is practically a sauna at this point, even though your skin feels on fire, you shiver at the feeling of his mouth on your cunt. He brings a hand up, spreading your folds open for his tongue to push inside.

“Nate…” you rasp. He hums into you at the same as his thumb swipes across your aching clit and again you try to buck up against him but again he stops you. His hand cracks against the inside of your thigh, setting off another ripple of heat between your legs, and you take the slap for the warning it is. Determined to stay put, you reach down to his shoulders and hold on. Just the feel of his muscles rippling beneath your hands is enough to make your eyes roll back in your head. His hand finds its way back between your legs to continue the ministrations. There’s nothing soft about how he circles it, but neither is he adding enough pressure for you to cum. Your nails dig ever deeper into his skin with each thrust of his tongue, certain that he’ll have marks in the morning to match the deep bruises from his tight grip on your hips, and at the moment you couldn’t care less. Nathan pulls back, the loss of his tongue inside you leaving empty and aching. But only for a brief moment. He seals his lips around your clit, hands on your inner thighs keep you spread wide, and sucks. The orgasm comes seemingly out of nowhere, your whole body tensing and then relaxing in an instant as wave after wave of bone-melting heat overtakes you. You feel like you’re floating, like you can see stars.

From the corner of your eye, you see Nathan rise onto his knees and wipe his mouth. Then he disappears from view but the shift of the mattress and his heavy groan tells you that he’s laid down next to you. Mind and body still buzzing, you scoot closer until you’re skin to skin and seek him out with a kiss on his shoulder. He meets you in one, lips to lips, but when he tries for a second you slip further down his body to instead suck at the spot where his tattooed pec transitions into unmarked skin. He tastes of salt and cigarette smoke. You go even lower, finding his happy trail and burying your nose in it while smothering a giggle. A kiss to his left hipbone, then to his right, and you find yourself face to face with his once again erect cock. You peer up at Nathan, bat your eyelashes.

“Want to have a taste, sweetheart?” he asks, thrusting forward to let the reddened tip of his cock brush against your lips. You smile at him, dazed, and let your jaws fall open in invitation. He chuckles darkly, runs his cock along your lower lip. You surge forward, taking him in your mouth and squeezing him at the root with your fist like you’ve noticed many men enjoy. Based on the obscene moan that escapes him, Nathan is no different. You begin to bob along his length, coating him with as much saliva as you can - in addition to your own slick still clinging to him from before - to ease your way and keeping your fist tightly locked around the base of him. When he shifts his hips, you dig the nails of your left hand into his thigh. Warning him like he did you. He huffs but his hips do sink back against the mattress and you smile around his length. Another couple of bobs and you pull back for a breath of air, sliding your fist right below the head and rubbing the slit in it with the pad of your thumb.

“Nate,” you coo at him. “Need you to fuck my throat.” Immediately, work hardened fingers move down and grasp at the back of your head to keep you still, your head in the right angle, as he begins to thrust savagely into you. The first stroke is enough to make you gag, saliva running from the corners of your mouth and staining the bedlinen even further. With each thrust, your nose hits the bush of dark hair between his legs. You gag and sputter, legs trembling with the effort not to choke around him. It’s a lot, and at the same time there’s nothing like the kick you get from hearing Nathan’s pained groans as he fucks into you. When he tenses, the back and forth motion of his hips ceasing, you press forward from your current position at his tip and once more bury your face in the dark patch of hair - nuzzling it for good measure. Nathan gives up an inhuman sound. He floods your mouth, the taste of salt erupting at the back of your tongue. His short-trimmed nails scrape over your skull. Not holding you there anymore, just touching. When you’re content that there’s no more to receive, you pull away with a wet sound and crawl further up into bed to once again face him. Nathan flashes a lopsided grin.

“I don’t know which idiot pissed you off and made you go to the bar tonight,” he says, “but his stupidity is my luck.”

⁂

You ogle Nathan as he pulls his jacket back on in your hallway, the scent of your soap clinging to his skin. ‘I smell like a girl’, he gruffed and you replied, cheek-in-tongue: ‘Yeah, you do. Because you slept with one’. He chuckled at that. You open the door, go to walk him to his car but stop in your tracks at the sight of something unexpected. Someone unexpected. Javier is walking up your driveway, hands in his pockets and looking every bit as stone faced as last time you saw him. First, you’re shocked. Then, you’re pissed. You cross your arms over your chest.

“What are you doing here?” you demand. Javier, catching onto the fact that you’re outside, 

lifts his gaze to you, goes to speak but stops. Stares. Right past your shoulder. Next to you, Nathan steps into the late morning sun. He too stops as he notices the new arrival and the tension in the air.

"This your husband or something?" he asks you, brow furrowed.

"No,” you say loudly, “this is a piece of shit who I told never to show up at my doorstep again." Javier’s whole face scrunches up in that way it does when you know he’s trying very hard not to say something he’ll regret. After a beat of silence, his gaze flits from you to Nathan.

"Do you mind giving us a moment?" Javier asks. Your eyebrows jump up at that. You hadn’t expected something so polite from him. Nathan turns to you. 

"He's not going to hit you or some shit, is he?" You shake your head. Even if Javier ever got the idea of laying hands on you, you’re close enough with his dad that you’re confident the younger Peña would regret it for the rest of his life. Nathan throws his hands up. 

"Alright then, I'm leaving," he announces, before turning to you and - with a grin - adding: “I had fun.” You return the smirk but say nothing. No sooner has Nathan closed the car door than Javier is striding toward you, arms crossed.

“What was that about, hm?” he demands as Nathan pulls out of the driveway. Guess the politeness was just for show. You sigh.

“I told you to fuck off, Javier.” You turn and head back inside, Javier hot on your heels.

“I’m sorry,” he says, pulling the door closed behind him. “Alright? I’m sorry I said your job doesn’t matter.” You stop, turn to face him. Now that he’s up close you can tell he looks like shit. There’s bags under his eyes, hair more ruffled than usual, and he reeks of cigarettes. He told you he’d quit last month. Something within you melts at the state of him. Javier sighs.

“I’d had a shit week and when you blew me off to work late I got upset,” he explains. “Shouldn’t have taken it out on you.” You mull over his apology. It’s not like the two of you are in a relationship, both of you are free to sleep with whoever, though more often than not you turn to each other for sex. You know he’s seen others when you were out of town, just like you’ve seen others. It’s just because you know each other, are comfortable with each other’s preferences in bed and confident in the fact that you’ll have a good time together.

“I’m not your girlfriend, Javi, you can’t demand my time like that again. And you certainly can’t get upset about me sleeping with someone else when I know for a fact you fucked Marianne Jamison last month when I was visiting family.” His face twitches.

“I know,” he says. “I was an asshole and I’ll make it up to you.” The last bit of anger melts away and you let your arms fall back to your sides.

“When?” you ask. Javier’s face changes, from the beaten down look into something you’re more used to seeing. Hunger. He doesn’t waste any time before he presses his mouth to yours. His kiss is dominating, showing you who is in control this time. And when he presses his tongue past the seam of your lips, your whole body melts to him like an ice cream cone in the Texas sun, readily submitting to him. There’s that buzz in your head again. And with it the feeling of pleasant warmth gathering between your legs. You barely realize that he’s moving you until your backside hits something and your eyes fly open, finding yourself in the kitchen with your back against the edge of the counter. Javier’s lips move lower, seeking out the mounds of your breasts. His fingers hook into the front of your tanktop, tugging at it to expose more for him to mouth at. Switching between gentle kisses and urgent sucking, it doesn’t take long before your nipples are practically aching from the ministrations. His hands seem to be covering every part of your body, all at once. His touch feels hot even with your tanktop and flimsy shorts preventing him from going fully skin to skin. He’s so fucking clever with his hands, the slightest touch of those rough fingers enough to stir the desire in the pit of your belly. He’s taken the time to learn how to get your body to respond to him, how to coax a climax out of you. It was one of the things you first fell for. Not in a romantic way, but in a way that made you feel safe. Lots of guys would’ve been happy to get their fill and then leave. Not Javier. For him, your pleasure is as important as his own and when he discovered how you reacted to a press, a brush, a pinch he took note. He’s a zealot, the map to your pleasure his manifesto, his sacred text. The sparks left behind by each kiss, each touch, sends waves of joy running down your spine. You reach out to palm his bulge, feel him twitch beneath your hand. He pulls your shorts down, finds you bare beneath them. As well as the bruises left behind by Nathan. For a moment, Javier stills. You hold your breath, waiting for him to come back to the present. Javier shakes his head, growls. Then he surges forward, covering the bruised with his own hands and grinding his still denim clad bulge against your exposed core. The texture of it makes it almost painful, but only almost. You try to ride against the seam, try to get yourself off before he can decide that he wants to drag things out. Just as you think you’re reaching that peak, Javier’s hands lock around your forearms. 

“Turn for me,” he orders. With a whimper, you do as you’re told. To your surprise, Javier wastes no more time teasing. He simply bends you over the kitchen counter, and slams himself in.

You’d thought Nathan fucked you with zeal, which he did. But it’s nothing compared to what Javier is doing now. It’s as if he’s trying to consume you, or else crawl under your skin and become joined together forever. He finds your sweet spots, paying attention to them in turn. First, he grabs the back of your neck - the tips of his fingers lightly pressing until you moan for him. Then down your spine before sweeping around to grab at your hip bone and rubbing circles into it. Back up your front to cup first your left breast and then your right, giving each a squeeze. But it’s when he reaches down between your legs that the heat between your legs blossoms into something more. You jump at the first press of his thumb at your clit. Javier presses himself even closer to you then, locking you in between him and the counter. A few seconds of his digits swirling around your bud is all you need and then you’re falling apart. You scramble to find purchase against the counter, legs shaking - nearly caving - as he keeps thrusting into you. You hear the familiar sound of a groan, feel him grow taller between you as if he’s getting up on his toes and then he bursts inside you. Rope after rope of cum paints your inner walls, fills you to the brim. Javier doubles over, his chest pressed to your back.

“What do you think?” he breathes, his hips still shifting in a barely discernible pattern. “Am I forgiven yet?” You twist your head, press a kiss to full lips.

“Not yet,” you answer, equally out of breath. “But you’ll get there.”

[xmencovered]

18 ACTION FIGURE VARIANTS JOHN TYLER CHRISTOPHER VARIANTS / DEADPOOL 007, 013 / DEADPOOL AND THE MERCS FOR MONEY 001 - 005 / THE UNBELIEVABLE GWENPOOL 001 / CABLE 001 / DOMINO 001 / OLD MAN LOGAN 001 / ALL NEW WOLVERINE 001 / WHAT IF? XMEN 001 / ASTONISHING XMEN 001 / WHAT IF? MAGIK 001 / CHAMPIONS 003 / CIVIL WAR II: XMEN 001 / INHUMANS VS XMEN 001 / Published: 2014, 2016, 2018 / Artist: John Tyler Christopher

[findinyourkin]

Hi I’m Deadpool (From the film not the comics) I’m 18 about to be 19 and I’m hopping to reunite with Domino and/or Cable. I prefer talking about memories but I’m also down to just talk

Interact with this post and I will chat

!!!!!!!!

[bellepeppertronix]

20 Questions for Fic Writers

I was tagged by @bittylildragon!

1. how many works do you have on ao3?

2. what’s your total ao3 word count?

3. what fandoms do you write for?

4. what are your top five fics by kudos?

5. do you respond to comments?

6. what’s the fic you wrote with the angstiest ending?

7. what’s the fic you wrote with the happiest ending?

8. do you get hate on fics?

9. do you write smut? if so, what kind?

10. do you write crossovers? what’s the craziest one you’ve written?

11. have you ever had a fic stolen?

12. have you ever had a fic translated?

13. have you ever co-written a fic before?

14. what’s your all-time favorite ship?

15. what’s a WIP you want to finish, but doubt you ever will?

16. what are your writing strengths?

17. what are your writing weaknesses?

18. thoughts on writing dialogue in another language for a fic?

19. first fandom you wrote for?

20. favorite fic you’ve ever written?

~~

Here goes!

1. how many works do you have on ao3?

I have 40 works on Ao3! I can't believe the first ones were from 2013.

I remember worrying about the general state of the internet at the time, and feeling like Ao3 would collapse like all the LiveJournal clones were starting to (I used to have a writing LJ too, lol 🥲)

2. what’s your total ao3 word count?

My word count is currently 473,741! A lot of this is from my Darkest Dungeon longfic, What Happened to the Candlemaker's Apprentice.

3. what fandoms do you write for?

I have written fic for Team Fortress 2, Pacific Rim, Mass Effect, the Alien movie franchise (Prometheus), Overwatch, The Shape of Water, Cable & Deadpool, Darkest Dungeon, One Punch Man, DC Comics (Superman and Wonder Woman). In the past I wrote some long-buried fic for Metalocalypse, and The Hobbit. There may or may not still be some Star Trek fic I wrote out there, which is a slight crossover with Teen Titans...

4. what are your top five fics by kudos?

•Sharp-Dressed Man (a PacRim fic)

•In Which Newton is A Badass And Everybody Is Surprised (also a PacRim fic)

•Small Insistent Things (another PacRim fic)

•What Happened to the Candlemaker's Apprentice (a Darkest Dungeon fic)

•Rained the Whole Time (a TF2 fic)

5. do you respond to comments?

I try to! I have a rather chaotic home life irl, unfortunately. And often I am either not sure how to respond, or I draft a reply and forget to send it bc of my not-great memory.

I re-read through them to lift my spirits when I'm feeling down, though. Thank you to everyone who has ever read my work!

6. what’s the fic you wrote with the angstiest ending?

One of my Overwatch WIPs was basically a study of Commander Reyes as he slowly turned into Reaper. Not just physically; there's a bunch of lore, probably now ret-conned because Blizzard is A Mess and A Joke when it comes to storytelling, un which he was the unsung heroic commander behind a lot of important things. Only he got passed over for Overwatch commander by a white man who was a colleague of his. Anyway his whole team is/was rehabilitated criminals.

I wrote all this to say, in the fic, he falls in love with Genji, who is Not in a great headspace at the time, and after seeing what the Overwatch docs do to Genji in the name of "saving him"-- Gabriel becomes really bitter and disillusioned, and the fic ends with him deciding he's done with the organization and is just going to do Criminal Shit for himself instead of the government now. (He "dies" at the end, but it was staged, and not by himself, and then is "brought back to life" by Overwatch doctors. I wrote ths before Moira existed, so it was Mercy.)

I'm not even sure I posted that much of that fic, come to think of it...

7. what’s the fic you wrote with the happiest ending?

Ah! Haha! Most of my fics have happy endings desired. But I am a very slow writer, and so the happiest FINISHED thing I have is, I think, the story where the Scout from TF2 learns to read better, and learns to really enjoy literature, after finding a book that reminds him of his own life. (The fanfic is Rained the Whole Time, and the book is A Tree Grows In Brooklyn. You should read the book, if you haven't! It's a very beautiful experience.)

8. do you get hate on fics?

No, I haven't gotten any. Then again, I survived the whole Shipping War nonsense on both LiveJournal and FF.net, and I learned to just...avoid a lot of people in fandom. I'm trying to get past that. But, that said, you can't get any hate if you hardly talk to anyone! (I do not recommend this. It can go from very peaceful to very lonely, very quickly.)

9. do you write smut? if so, what kind?

Yes! Not often, though, because I always feel shy about writing it, even if I love reading it!

10. do you write crossovers? what’s the craziest one you’ve written?

My one Mass Effect fic is a Mass Effect/Aliens crossover.

It goes exactly as you think it would.

I also wrote a Watchmen/Marvel crossover, in which Deadpool and Rorschach have to find their way out of a weird parallel death-dimension. (I...cannot remember if I posted this...)

I also have an idea for a Discworld/The Witcher/Final Fantasy XII crossover that is so self-indulgent I don't even know where to start with it...

11. have you ever had a fic stolen?

Speaking of my current works--I don't know, and I'm afraid to look.

I do have a history of irl "friends" stealing my work and art, though, so I'm very wary and cautious about sharing. :(

Plagiarism, even of fanworks, is terribly anxiety-inducing and ruinous to self-esteem, and I wouldn't wish it on anybody. I don't mean "heavily inspired by", I mean "I literally stole your rough draft and edited it and added to it, and I'm going to publish this and say I wrote it" stuff.

12. have you ever had a fic translated?

No, but I have had a few offers, which is very flattering...but I have declined them, though, for the reasons in #11. I never really feel safe about it. :(

13. have you ever co-written a fic before?

Yes! And it was a disaster! Because we (me and the "friend") were in junior high school writing a genuinely awful Interview With the Vampire multi fandom crossover mess. I lost my notebooks. I hope she lost hers, too. 🤣

And now, as an adult ~20 years later, I still sometimes want to. But I have no idea how that would work out.

14. what’s your all-time favorite ship?

I don't have only one! I tend to trip and fall into rarepair holes, so my longest-worded ship is the Highwayman/the Leper from Darkest Dungeon, followed immediately by the Demoman/Soldier from TF2, which I think is my oldest ship. Another delicious one is Stacker Pentecost/Hercules Hansen, from Pacific Rim. My current favorites to read are (from the Witcher) Geralt/Eskel, Geralt/Dandelion, Geralt/Regis (I just love reading people rubbing that Witcher-man all over other people) Lambert/Aiden, Lambert/Keira. From Darkest Dungeon, I like the Highwayman/the Crusader, the Higheayman/the Leper, the Plague Doctor/the Grave Robber...I like a lot of ships.

15. what’s a WIP you want to finish, but doubt you ever will?

Ahaha...hehe...well...you see...a LOT of my fics are WIPs. I want to finish Thank You For Hiring Pan-Pacifica Construction! I love that one, but I'm not really active in the PacRim fandom anymore, so...

16. what are your writing strengths?

I love, and like to think I'm good at, describing scenery (which I sometimes love so much that I forget to have the characters DO anything in it). Somebody told me once that they loved how distinct all the characters' voices were, and that I fleshed out even side characters, which was a compliment that made me feel So Happy and Proud!

17. what are your writing weaknesses?

Oh, man, I am NOT a finisher.

I'm trying so, so hard to work on that.

Also, like I mentioned before, I can describe a setting forever and the characters will be standing under a tree waiting for permission to wander around in it. 😅 I had my adventurers stuck in a cursed hallway for like 12 pages once. For the Vibes, you know!

18. thoughts on writing dialogue in another language for a fic?

I only speak and read English, unfortunately! I always find it fascinating when people can work different languages, or even constructed languages, into their fics, though.

19. first fandom you wrote for?

😅 Posted/publically shared? Either Star Trek (2009) or TF2. Possibly Hellsing? As for unpublished/unposted? (Or, well, shown only to a friend?) Some quite terrible Interview With the Vampire fanfic from AGES ago, in school. That was also the first, and last time, I collaborated with anyone. Farther back it was all Star Trek: TNG fanfic and The Last Unicorn fanfic.

20. favorite fic you’ve ever written?

I can't answer this 😂! The ADHDemons are forever upon my heels. I write things and forget I wrote them, then re read them and fall in love with them again. Right now I love my Darkest Dungeon fic and all its related fics in the same world.

[thequiver]

Who is...Theresa Cassidy | Siryn? - A Reading Guide

Theresa "Terry" Cassidy is an X-Men affiliated mutant from Marvel Comics first introduced in 1980. Terry is the daughter of Sean Cassidy (Banshee) and was raised by Tom Cassidy (Black Tom Cassidy) and Cain Marko (Juggernaut). She possesses her father's super-sonic scream and a hypnotic voice. Terry is most known for her affiliation with teams like X-Force and X-Factor, and having taken on the mantle of the ancient goddess, the Morrigan, in the 2010s.

Terry's central story deals with topics that may be triggering such as alcoholism, infant death (X-Factor 2005), and suicide (X-Factor 2020). These are all central themes to her story across the years, if you struggle with triggers related to these topics please proceed with caution and make sure to take care of yourself.

Reading list under the cut!

Crime and Muir Island

Terry's appearances open with her as a criminal alongside Black Tom Cassidy and the Juggernaut. Her heart, however, was not in it, and Tom helped her to reunite with her father, Sean, and Terry then split her time between her father's home and the Muir Island Mutant Research Facility.

Spider-Woman (1978) #37-38 Uncanny X-Men (1981) #148 Fallen Angels (1987) #1-8 Marvel Comics Presents (1988) #43D Uncanny X-Men Annual (1986) #15A X-Factor (1986) # Annual 6A Uncanny X-Men (1981) #278 X-Factor (1986) #69 Uncanny X-Men (1981) #280

X-Force

Terry initially joined X-Force to stop her former father-figures, Tom and Cain, from bombing the World Trade Center but stayed with the team for its entire duration. While on the team Terry would become deputy leader, and with the help of Warpath would recover from alcoholism. Towards the end of the team's tenure Terry lost her voice and subsequently her powers- and would regain her voice/powers (bad), lose them again, and then regain her voice/powers again (good) with the help of her recurring romantic mistake, Deadpool.

X-Force (1991) #3 Spider-Man (1990) #16 X-Force (1991) #4-7, 9, 11-15 X-Cutioner’s Song X-Force (1991) #19, 21-26, Annual 2, 27-28 Cable (1993) #5, 7-8 X-Force (1991) #29-33 New Warriors (1990) #46 X-Force (1991) #34, Annual 3B Cable (1993) #14 X-Force (1991) #35-36, 38-41 Deadpool (1994) #1-4 X-Force (1991) #42-44, 46-50 X-Force and Cable '95 (1995) #1A X-Force (1991) #51-58 X-Force and Cable '96 (1996) #1A X-Force (1991) #59-61 Deadpool (1997) #2-5 X-Force (1991) #63-71 Deadpool (1997) #12 X-Force (1991) #72-84 Generation X (1994) #44 X-Force/Champions Annual '98 (1998) #1 X-Force (1991) #85-91, 99-100 Wolverine (1988) #154-155 Deadpool (1997) #56, 61

X-Corps and X-Corporation

Despite what the name might suggest, these are in fact different things. Terry's father, Sean, formed the paramilitary X-Corps, which was frankly a disaster that had to be reigned in by the X-Men, leaving Sean wounded. Terry joined X-Corporation, a secret branch of the X-Men who operated internationally.

New X-Men (2001) #128, 130 Domino (2003) #3 (just at the beginning) Cable and Deadpool (2004) #15-18 X-Men: Deadly Genesis (2006) #6 (Sean is buried in this issue and Terry is present for the funeral in one panel at the end, important for her character)

X-Factor Investigations

Following the events of M-Day, Terry would join X-Factor Investigations and restart her relationship with Jamie Madrox that had first started back on Muir Island. During this period of time, Terry and Jamie lose their baby, and Terry will come to take on the mantle of the Morrigan.

X-Factor (2005) #1-19, 21A-39, 41-44, 46-50 Nation X: X-Factor (2010) #1 X-Factor (2005) #200, 205-209, 211-213, 217-219, 221-224-228, 230, 233-235, 237-239, 241, 243-244, 262

Krakoa

After disappearing from comics for around 6-7 years following becoming an ancient Irish sovereignty, war, and death deity- Terry, like many mutants, came back on the mutant island nation of Krakoa. Things were not quite paradise here for her courtesy of some things with her dad (not his fault this time)- and also Leah Williams' complete bastardization of the Morrigan arc (in X-Factor 2020) which was literally Terry's last appearances, how fucking hard is it to read like 5 issues of comics Leah? How fucking hard could it possibly be? Terry has less than 300 appearances, get it together.

House of X (2019) #6 Hellions (2020) #1 X of Swords: Creation (2020) #1 X-Factor (2020) #4-10 (THIS IS LEAH WILLIAMS' AWFUL MORRIGAN ARC, BUT IT HAS TERRYLORNA CRUMBS AND REMEMBERS THAT SHATTERSTAR AND TERRY ARE CLOSE WHICH IS THE ONLY REASON IT'S EVEN READABLE) X-Men Unlimited Infinity Comic (2021) #26 X-Men: Hellfire Gala Confessionals Infinity Comic (2022) #1 X-Men Unlimited Infinity Comic (2021) #50-55

After the Fall

Krakoa fell apart (as all things run by Charles Xavier do), and things are ROUGH for mutants now. We find Terry now imprisoned by the anti-mutant terrorist organization, Orchis, in the Greymalkin Prison.

Free Comic Book Day 2024 Blood Hunt/X-Men

EXTRA:

Wolverine: First Class (2008) #6, 16 (there's no clear place for these in continuity OR in Terry's established backstory, but it's cute and supposedly 616 so it's here)

[earthsixonesix]

Cable: *holding his arm at a certain angle to reflect the sun into Wade’s eyes*

[agdistis-sanctified]

“Nate, you don’t have to do this- I mean, is Wilson worth losing a new lease on life?” “I’ve lost several leases on life for a lot less, Irene.” “Seriously, he’s an unrepentant mercenary killer.” “I know what it is like to have holes in your life, Forge. To have so many holes and not be able to fill them in?” Cable & Deadpool (2004) #18

[elficcionista]

1. ¨Iron Man Three’s¨ 2. Juggernaut 3. ? 4. Speedball 5. - 6. - 7. Doctor Strange 8. Ghost Rider 9. - 10. Falcon 11. Nova 12. Colossus? 13. - 14. Jack of Hearts 15. Hulk 16. Adam Warlock? 17. Namor 18. Electro 19. - 20. ? 21. Hawkeye 22. Frog-Man / Doctor Doom? 23. Bishop 24. Green Goblin 25. Captain Marvel 26. Spider-Man 27. Moon Knight 28. - 29. Wolverine / Luke Cage? 30. Thing 31. Vision 32. Cyclops 33. Black Panther 34. - 35. Cable 36. Captain America 37. Deadpool 38. Silver Surfer 39. Thor 40. - 📺 She-Hulk | EP 5

[eiirisworkshop]

The Fanfic Author's Guide to Metatext

(As Used on Ao3) by Eiiri

Also available as a PDF here. This thing is 13,000 words.  The PDF is recommended.

Intro: What is Metatext?

Metatext is everything we fanfic authors post along with our story that is not the story itself: title, tags, summary, author's notes, even the rating.

It is how we communicate to potential readers what they're signing themselves up for if they choose to read our story, how we let them make informed decisions regarding which fics they want to read, how we get their interest and, frequently, how they find our story in the first place. A lot of metatext acts as a consent mechanism for readers, it's the informed part of informed consent.

Since most of us who write fanfic also read it, we understand how important this is! But, for the most part, no one ever teaches us how to use metatext; we have to pick it up by osmosis. That makes it hard to learn how to use it well, we all suck at it when we first start out, and some of us may go years without learning particular conventions that seem obvious to others in our community. This creates frustration for everybody.

Enter this guide!

This is meant to be a sort of handbook for fic writers, particularly those of us who post on Archive of Our Own, laying out and explaining the established metatext conventions already in use in our community so we (and our readers!) are all on the same page. It will also provide some best-practices tips.

The point is to give all of us the tools to communicate with our audience as clearly and effectively as possible, so the people who want to read a story like ours can find it and recognize it as what they're looking for, those who don't want to read a story like ours can easily tell it's not their cup of tea and avoid it, nobody gets hurt, and everybody has fun—including us!

Now that we know what we're talking about, let's get on with the guide! The following content sections appear in the order one is expected to provide each kind of metatext when posting a fic on Ao3, but first….

Warning!

This is a guide for all authors on Ao3. As such, it mentions subject matter and kinds of fic that you personally might hate or find disgusting, but which are allowed under the Archive's terms of use. There are no graphic descriptions or harsh language in the guide itself, but it does acknowledge the existence of fic you may find distasteful and explains how to approach metatext for such fics.

Some sexual terminology is used in an academic context.

A note from the author:

This guide reflects the conventions of the English-language fanfiction community circa 2021. Conventions may differ in other language communities, and although many of our conventions have been in place for decades (praise be to our Star Trek loving foremothers) fanfiction now exists primarily in the realm of internet fandom where things tend to change rather quickly, so some conventions in this guide may die out while other new conventions, not covered in this guide, arise.

This is not official or in any way produced by the Archive of Our Own (Ao3), and though some actual site rules are mentioned, it is not a rulebook. Primarily, it is a descriptivist take on how the userbase uses metatext to communicate amongst ourselves, provided in the interest of making that communication easier and more transparent for everyone, especially newer users.

Contents

How To Use This Guide Ratings Archive Warnings Fandom Tags Category Relationship Tags Character Tags Additional Tags Titles Summaries Author's Notes Series and Chapters Parting Thoughts

How To Use This Guide

Well, read it.  Or have it read to you.

This isn't a glossary, it's a handbook, and it's structured more like an academic paper or report, but there's lots and lots of examples in it!

Many of these examples are titles of real media and the names of characters from published media, or tags quoted directly from Ao3 complete with punctuation and formatting.

Some examples are more generic and use the names Alex, Max, Sam, Chris, Jamie, and Tori for demonstration purposes. In other generic examples, part of an example tag or phrase may be sectioned off with square brackets to show where in that tag or phrase you would put the appropriate information to complete it.  This will look something like “Top [Character A]” where you would fill in a character's name.

This guide presumes that you know the basics of how to use Ao3, at least from the perspective of reading fic. If you don't, much of this guide may be difficult to understand and will be much less helpful to you, though not entirely useless.

Ratings

Most fanfic hosting sites provide ratings systems that work a lot like the ratings on movies and videogames.

Ao3's system has four ratings:

General

Teen

Mature

Explicit

These seem like they should be pretty self-explanatory, and the site's own official info pop-up (accessible by clicking the question mark next to the section prompt) gives brief, straightforward descriptions for each of them.

Even so, many writers have found ourselves staring at that dropdown list, thinking about what we've written, and wondering what's the right freaking rating for this?  How do I know if it's appropriate for “general audiences” or if it needs to be teen and up? What's the difference between Mature and Explicit?

The best way to figure it out is often to think about your fic in comparison to mainstream media.

General is your average Disney or Dreamworks movie, Cartoon Network or Nickelodeon shows, video games like Mario, Kirby, and Pokemon.

There may be romance, but no sexual content or discussion. Scary things might happen and people might get hurt, but violence is non-graphic and usually mild. Adults may be shown drinking alcohol or smoking tobacco, and some degree of intoxication may be shown (usually played for laughs and not focused on), but hard drug use is generally not shown or discussed.  There is little to no foul language written out and what language there may be is mild, though harsher swears may be implied by narration. There are no explicit F-bombs or slurs.

Teen is more like a Marvel movie, most network television shows (things like The Office, Supernatural, or Grey's Anatomy), video games like Final Fantasy, Five Nights at Freddie's, and The Sims.

There might be some sex and sexual discussion, but nothing explicit is shown—things usually fade to black or are leftimplied. More intense danger, more severe injuries described in greater detail, and a higher level of violence may be present.  Substance use may be discussed and intoxication shown, but main characters are unlikely to be shown doing hard drugs. Some swearing and other harsh language may be present, possibly including an F-bomb or two.  In longer works, that might mean an F-bomb every few chapters.

Mature is, in American terms, an R-rated movie* like Deadpool, Fifty Shades of Grey, The Exorcist, and Schindler's List; certain shows from premium cable networks or streaming services like Game of Thrones, Shameless, Breaking Bad, and Black Sails; videogames like Bioshock, Assassin's Creed, Grand Theft Auto, and The Witcher.

Sex may be shown and it might be fairly explicit, but it's not as detailed or graphic or as much the focus of the work as it would be if it were porn. Violence, danger, and bodily harm may be significant and fairly graphic. Most drug use is fair game. Swearing and harsh language may be extensive.

Explicit is, well, extremely explicit. This is full on porn, the hardcore horror movies, and snuff films.

Sex is highly detailed and graphic. Violence and injury is highly detailed and graphic. Drug use and its effects may be highly detailed and graphic. Swearing and harsh language may be extreme, including extensive use of violent slurs.

Please note that both Mature and Explicit fics are intended for adult audiences only, but that does not mean a teenaged writer isn't going to produce fics that should be rated M or E.  Ratings should reflect the content of the fic, not the age of the author.

Strictly speaking, you don't have to choose any of these ratings; Ao3 has a “Not Rated” option, but for purposes of search results and some other functions, Not Rated fics are treated by the site as Explicit, just in case, which means they end up hidden from a significant portion of potential readers. It really is in your best interest as a writer who presumably wants people to see their stories, to select a rating. It helps readers judge if yours is the kind of story they want right now, too.

Rating a fic is a subjective decision, there is some grey area in between each level. If you're not quite sure where your fic falls, best practice is to go with the more restrictive rating.

*(Equivalent to an Australian M15+ or R18+, Canadian 14A, 18A or 18+, UK 15 or 18, German FSK 16 or FSK 18.)

Warnings

Ao3 uses a set of standard site-wide Archive Warnings to indicate that a work contains subject matter that falls into one or more of a few categories that some readers are likely to want to avoid.  Even when posting elsewhere, it's courteous to include warnings of this sort.

These warnings are:

Graphic Depictions Of Violence

Major Character Death

Rape/Non-Con

Underage

Just like with the ratings, the site provides an info-pop up that explains what each warning is for. They're really exactly what it says on the tin: detailed descriptions of violence, injury, and gore; the death of a character central to canon or tothe story being told; non-consensual sex i.e. rape; and depictions of underage sex, which the site defines as under the age of 18 for humans—Ao3 doesn't care if your local age of consent or majority is lower than that.

In addition to the four standard warnings above, the warnings section has two other choices:

No Archive Warnings Apply

Choose Not To Use Archive Warnings

These do not mean the same thing and cannot be used interchangeably. “No Archive Warnings Apply” means that absolutely nothing in your fic falls into any of the four standard warning categories. “Choose Not To Use Archive Warnings” means that you the author are opting out of the warning system; your fic could potentially contain things that fall into any and all of the four standard warning categories.

There's nothing wrong with selecting Choose Not To Use Archive Warnings! It may mean that some readers will avoid your fic because they're not sure it's safe for them, and you might need to use more courtesy tags than you otherwise would (we'll talk about courtesy tags later), but that's okay! Opting out of the warning system can be a way to avoid spoilers,* and is also good for when you're just not sure if what you've written deserves one of the Archive warnings. In that case, the best practice is to select either the warning it might deserve or Choose Not To Use Archive Warnings, then provide additional information in other tags, the summary, or an initial author's note.

Unless you're opting out of using the warning system, select all the warnings that apply to your fic, if any of them do. So if a sixteen year old main character has consensual sex then gets killed in an accident that you've written out in excruciating detail, that fic gets three out of the four standard warnings: Underage, Major Character Death, and Graphic Depictions Of Violence.

*(Fandom etiquette generally favors thorough tagging and warning over avoiding spoilers. It doesn't ruin the experience of a story to have a general sense of what's going to happen. If it did, we wouldn't all keep reading so many “there was only one bed” fics.)

Fandom Tags

What fandom or fandoms is your fic for?  You definitely know what you wrote it for, but that doesn't mean it's obvious what to tag it as.

Sometimes, it is obvious! You watched a movie that isn't based on anything, isn't part of a series, and doesn't have any spinoffs, tie-ins or anything else based on it. You wrote a fic set entirely within the world of this movie. You put this movie as the fandom for your fic. Or maybe you read a book and wrote a fic for it, and there is a movie based on the book, but the movie is really different and you definitely didn't use anything that's only in the movie. You put the book as the fandom for your fic.

All too often, though, it's not that clear.

What if you wrote a fic for something where there's a movie based on a book, but the movie's really different, and you've used both things that are only in the movie and things that are only in the book?  In that case you either tag your fic as both the movie and the book, or see if the fandom has an “all media types” tag and use that instead of the separate tags.  If the fandom doesn't have an “all media types” tag yet, you can make one! Just type it in.

“All media types” fandom tags are also useful for cases where there are lots of inter-related series, like Star Wars; there are several tellings of the story in different media but they're interchangeable or overlap significantly, like The Witcher; or the fandom has about a zillion different versions so it's very hard, even impossible, to say which ones your fic does and doesn't fit, like Batman. Use your best judgement as to whether you need to include a more specific fandom tag such as “Batman (Movies 1989-1997)” alongside the “all media types” fandom tag, but try to avoid including very many. The point of the “all media types” tag is to let you leave off the specific tags for every version.

In a situation where one piece of media has a spinoff, maybe several spinoffs, and you wrote a fic that includes things from more than one of them, you might want use the central work's “& related fandoms” tag. For example, the “Doctor Who & Related Fandoms” tag gets used for fics that include things from a combination of any era of Doctor Who, Torchwood, and The Sarah Jane Adventures.

And don't worry, from the reader-side of the site the broadest fandom tags are prioritized. The results page for an “all media types” or “& related fandoms” search includes works tagged with the more specific sub-tags for that fandom, the browse-by-fandom pages show the broadest tag for each fandom included, and putting a fandom into the search bar presumes the broadest tag for that fandom.  A search for “Star Wars - All Media Types” will pull up work that only has a subtag for that fandom, like “The Mandalorian (TV).” You don't have to put every specific fandom subtag for people to find your fic.

If you wrote a fic for something that's an adaptation of an older work—especially an older work that's been adapted a lot, like Sherlock Holmes or The Three Musketeers—it can be hard to know how you should tag it. The best choice is to put the adaptation as the fandom, for instance “Sherlock (TV),” then, if you're also using aspects of the older source work that aren't in the adaptation, also put a broad fandom tag such as “Sherlock Holmes & Related Fandoms.” Do not tag it as being fic for the source work—in our Sherlock example that would be tagging it “Sherlock Holmes - Arthur Conan Doyle”—unless you are crossing over the source work and the adaptation. Otherwise, the specific fandom subtag for the source work ends up clogged with fic for the adaptation, which really is a different thing.

By the same token, fic for the source work shouldn't be tagged as being for the adaptation, or the adaptation's subtag will get clogged.

The same principle applies to fandoms that have been rebooted. Don't tag fic for the reboot as being for the original, or fic for the original as being for the reboot. Don't tag a fic as being for both unless the reboot and original are actually interacting. Use an “& related fandoms” tag for the original if your fic for the reboot includes some aspects of the original that weren't carried over but you haven't quite written a crossover between the two. Good examples of these situations can be seen with “Star Trek: Alternate Original Series (Movies)” vs. “Star Trek: The Original Series,” and “She-Ra and the Princesses of Power (2018)” vs. “She-Ra: Princess Of Power (1985).”

Usually, this kind of mistagging as a related fandom happens when someone writes a fic for something that is or has a reboot, spinoff, or adaptation, but they're only familiar with one of the related pieces of media, and they mistakenly presume the fandoms are the same or interchangeable because they just don't know the difference.  It's an honest mistake and it doesn't make you a bad or fake fan to not know, but it can be frustrating for readers who want fic for one thing and find the fandom tag full of fic for something else.

In order to avoid those kinds of issues, best practice is to assume fandoms are not interchangeable no matter how closely related they are, and to default to using a tag pair of the most-specific-possible sub-fandom tag + the broadest possible fandom tag when posting a fic you're not entirely sure about, for instance “Star Trek” and “Star Trek: Enterprise.”

The Marvel megafandom has its own particular tagging hell going on. Really digging into and trying to make sense of that entire situation would require its own guide, but we can go through some general tips.

There is a general “Marvel” fandom tag and tags for both “The Avengers - Ambiguous Fandom” and “The Avengers (Marvel) - All Media Types.” Most of us who write Marvel fic are working with a cherry picked combination of canons from the MCU, various comics runs, both timelines of X-Men movies, and possibly several decades worth of cartoons. That's what these tags are for.

If your cherry picked Marvel fic is more X-Men than Avengers, go for the “X-Men - All Media Types” tag.

If you are primarily working with MCU canon, use the MCU specific tags rather than “all media types” and add specific tags for individual comics runs—like Earth 616 or the Fraction Hawkeye comics—if you know you're lifting particular details from the comics.  If you're just filling in gaps in MCU canon with things that are nebulously “from the comics” don't worry about tagging for that, it's accepted standard practice in the fandom at this point, use a broader tag along with your MCU-specific tag if you want to.

Same general idea for primarily movie-verse X-Men fics. Use the movie-specific tags.

If your fic mostly draws from the comics, use the comics tags. If you're focusing on an individual run, show, or movie series rather than an ensemble or large swath of the megafranchise, tag for that and leave off the broader fandom tags.

Try your best to minimize the number of fandom tags on your Marvel work. Ideally, you can get it down to two or three. Even paring it down as much as you can you might still end up with about five.  If you're in the double digits, take another look to see if all the fandom tags you've included are really necessary, or if some of them are redundant or only there to represent characters who are in the fic but that the fic doesn't focus on. Many readers tend to search Marvel fics by character or pairing tags, it's more important that you're thorough there. For the fandom tags it's more important that you're clear.

If you write real person fiction, you need to tag it as an RPF fandom. Fic about actors who are in a show together does not belong on the fandom tag for that show. There are separate RPF fandom tags for most shows and film franchises. Much like the adaptation/source and reboot/original situations discussed earlier, a fic should really only be tagged with both a franchise's RPF tag and its main tag if something happens like the actors—or director or writer!—falling into the fictional world or meeting their characters.

Of course, not all RPF is about actors. Most sports have RPF tags, there are RPF tags for politics from around the world and for various historical settings, the fandom tags for bands are generally presumed to be RPF tags, and there is a general Real Person Fiction tag.

In order to simplify things for readers, it's best practice to use the general Real Person Fiction tag in addition to your fandom-specific tag. You may even want to put “RPF” as a courtesy tag in the Additional Tags section, too. This is because Ao3 isn't currently set up to recognize RPF as the special flavor of fic that it is in the same way that the site recognizes crossovers as special, so it can be very difficult to either seek out or avoid RPF since it's scattered across hundreds of different fandom tags.

On the subject of crossovers—they can make fandom tagging even more daunting. Even for a crossover with lots of fandoms involved, though, you just have to follow the same guidelines as to tag a single-fandom work for each fandom in the crossover. The tricky part is figuring out if what you wrote is really a crossover, or just an AU informed by another fandom—we'll talk about that later.

There are some cases where it's really hard to figure out what fandom something belongs to, like if you wrote a fanfic of someone else's fanfic, theirs is an AU and yours is about their OC, not any of the characters from canon. What do you do?! Well, you do not tag it as being a fanfic for the same thing theirs was. Put the title of their fic (or name of their series) as the fandom for your fic, attributed to their Ao3 handle just like any other fandom is attributed to its author. Explain the situation in either the summary or the initial author's note. Also, ask the author's permission before posting something like this.

What if you wrote a story about your totally original D&D character? The fandom is still D&D, you want the “Dungeons & Dragons (Roleplaying Game)” tag.

What if there's not a fandom tag on the Archive yet for what you wrote? Not a problem! You can type in a new one if you're the first person to post something for a particular fandom. Do make sure, though, that the fandom isn't just listed by a different name than you expect. Many works that aren't originally in English—including anime—are listed by their original language title or a direct translation first, and sometimes a franchise or series's official name might not be what you personally call it, for instance many people think of Phillip Pullman's His Dark Materials series as The Golden Compass series, so it's best to double check.

What if you wrote an entirely new original story that's not based on anything?  Excellent job, that takes a lot of work, but that probably doesn't belong on Ao3!  The Archive is primarily meant as a repository for fannish content, but in a few particular circumstances things we'd consider Original Work may be appropriate content for the Archive as well. Double check the Archive's Terms of Service FAQ and gauge if what you wrote falls under the scope of what is allowed. If what you wrote really doesn't fit here, post it somewhere else or try to get it published if you feel like giving it a shot.

Category

What Ao3 means by category is “does this fic focus on sex or romance, and if so what combination of genders are involved in that sex or romance?”

The category options are:

F/F

F/M

Gen

M/M

Multi

Other

The F/F, F/M, and M/M categories are for stories focused on pairings of two women, a woman and a man, and two men, respectively.  These refer to sexual and/or romantic pairings.

The Other category is for stories focused on (sexual and/or romantic) pairings where one or both partners are not strictly male or female, such as nonbinary individuals, people from cultures with gender systems that don't match to the Western man-woman system, and nonhuman characters for whom biological sex works differently or is nonexistent, including aliens, robots, and inanimate objects or abstract concepts. There are some problems with treating nonbinary humans, eldritch tentacle monsters, sexless androids, and wayward container ships as all the same category, but it's the system we currently have to work with. Use Additional Tags to clarify the situation.

Multi is for stories in which several (sexual and/or romantic) relationships are focused on or which focus on relationships with multiple partners, including cases of polyamory, serial monogamy, strings of hookups with different people, and orgies.  A fic will also show as “Multi” if you, the author, have selected more than one category for the fic, even if none of those are the Multi category. Realistically, the Archive needs separate “Multiple Categories” and “Poly” options, but for now we have to work with this system in which the two are combined.  Use Additional Tags to clarify the situation.

Gen is for stories that do not contain or are not focused on sex or romance. Romance may be present in a gen fic but it's going to be in the background.  While rare, there is such a thing as a sexually explicit gen fic—solo masturbation which does not feature fantasizing about another character is explicit gen fic; a doctor character seeing a series of patients with sex-related medical needs following an orgy may qualify if the orgy is not shown and the doctor is being strictly professional—but such fic needs to be rated, otherwise tagged, and explained carefully in the summary and/or author's note.

Much like the warnings section, category is a “select all that apply” situation. Use your best judgement. For a fic about a polyamorous relationship among a group of women, it's entirely appropriate to tag it as both F/F and Multi.  A poly fic with a combination of men and women in the relationship could be shown as both M/M and F/M, Multi, or all three. A fic that focuses equally on one brother and his husband and the other brother and his wife should be tagged both M/M and F/M, and could be tagged as Multi but you might decided not to just to be clear that there's no polyamory going on. If you wrote a fic about two characters who are both men in canon, but you wrote one of them as nonbinary, you could tag it M/M, Other, or both depending on what you feel is representative and respectful.

When dealing with trans characters, whether they're trans in canon or you're writing them as such, the category selection should match the character's gender.  If there's a character who is a cis woman in canon, but who you're writing as a trans man, you categorize the fic based on his being a man. If there's a character who is a cis man in canon, but whom you're writing as a trans man, he is still a man and the fic should be categorized accordingly. When dealing with nonbinary characters the fic should really be classed as Other though, by convention, fics about characters who are not nonbinary in canon may be classed based on the character's canon gender as well or instead. When dealing with gender swapped characters—i.e. a canonically cis male superhero who you're writing as a cis woman—class the fic using the gender you wrote her with, not the gender he is in canon.

Most of the time, gen fics should not be categorized jointly with anything else because a fic should only be categorized based on the ships it focuses on, and a gen fic should not be focusing on a ship in the first place.*

*(One of the few circumstances in which it might make sense to class a fic as both gen and something else is when writing about Queerplatonic Relationships, but that is a judgement call and depends on the fic.)

Relationship Tags

The thing about relationship tagging that people most frequently misunderstand or just don't know is the difference between “Character A/Character B” and “Character A & Character B.”

Use a “/” for romantic or sexual relationships, such as spouses, people who are dating, hookups, and friends with benefits. Use “&” for platonic or familial relationships, such as friends, siblings, parents with their kids, coworkers, and deeply connected mortal enemies who are not tragically in love.

This is where we get the phrase “slash fic.” Originally, that meant any fic focused on a romantic paring, but since so much of the romantic fic being produced was about pairs of men, “slash fic” came to mean same-sex pairings, especially male same-sex pairings. Back in earlier days of fandom, pre-Ao3 and even pre-internet, there was a convention that when writing out a different-sex pairing, you did so in man/woman order, while same-sex pairings were done top/bottom. Some authors, especially those who have been in the fic community a long time, may still do this, but the convention has not been in consistent, active use for many years, so you don't have to worry about putting the names in the “correct” order. Part of why that died out is we, as a community, have gotten less strict and more nuanced in our understandings of sex and relationships, we're writing non-penetrative sex more than we used to, and we're writing multi-partner relationships and sex more than we used to, so strictly delineating “tops” and “bottoms” has gotten less important and less useful.

The convention currently in use on Ao3 is that the names go in alphabetical order for both “/” and “&” relationships. In most cases, the Archive uses the character's full name instead of a nickname or just a given name, like James "Bucky" Barnes instead of just Bucky or James. We'll talk more about conventions for how to input character names in the Characters section. The Archive will give you suggestions as you type—if one of them fits what you mean but is slightly different from how you were typing it, for instance it's in a different order, please use the tag suggested! Consistency in tags across users helps the site work more smoothly for everybody.

This is really not the place for ship nicknames like Puckleberry, Wolfstar, or Ineffable Wives. Use the characters' names.

Now that you know how to format the relationship tag to say what you mean, you have to figure out what relationships in your fic to tag for.

The answer is you tag the relationships that are important to the story you're telling, the ones you spend time and attention following, building up, and maybe even breaking down. Tagging for a ship is not a promise of a happy ending for that pair; you don't have to limit yourself to tagging only the end-game ships if you're telling a story that's more complicated than “they get together and live happily ever after.” That said, you should generally list the main ship—the one you focus on the most—first on the list, and that will usually be the end-game ship. You should also use Additional Tags, the summary, and author's notes to make it clear to readers if your fic does not end happily for a ship you've tagged. Otherwise readers will assume that a fic tagged as being about a ship will end well for that ship, because that's what usually happens, and they'll end up disappointed and hurt, possibly feeling tricked or lied to, when your fic doesn't end well for that ship

You don't have to, and honestly shouldn't, tag for every single relationship that shows up in your fic at all. A character's brief side fling mentioned in passing, or a relationship between two background characters should not be listed under the Relationship tag section. You can list them in the format “minor Character A/Character C” or “Character C/Character D – mentions of” in the Additional Tags section if you want to, or just tag “Minor or Background Relationship(s)” under either the Relationship tag section or in the Additional Tags section.

There are two main reasons to not tag all those minor relationships. The first is to streamline your tags, which makes them clearer and more readable, and therefore more useful. The second reason is because certain ships are far more common as minor or background relationships than as the focus of a work, so tagging all your non-focus focus ships leads to the tags for these less popular ships getting clogged with stories they appear in, but that are not about them. That is, of course, very frustrating for readers who really want to read stories that focus on these ships.

If your fic contains a major relationship between a canon character and an OC, reader-insert, or self-insert, tag it as such. The archive already has /Original Character, /Reader, /You, and /Me tags for most characters in most fandoms. If such a relationship tag isn't already in use, type it in yourself. There are OC/OC tags, too, some of which specify gender, some of which do not.  All the relationship tags that include OCs stack the gender-specific versions of the tags under the nongendered ones. Use these tags as appropriate.

For group relationships, both polycules and multi-person friendships, you “/” or “&” all the names involved in alphabetical order, so Alex/Max/Sam are dating while Chris & Jamie & Tori are best friends. For a poly situation where not everyone is dating each other you should tag it something like “Alex/Max, Alex/Sam” because Alex is dating both Max and Sam, but Max and Sam are not romantically or sexually involved with each other. Use your judgement as to whether you still want to include the Alex/Max/Sam trio tag, and whether you should also use a “Sam & Max” friendship tag.

Generally, romantic “/” type relationships are emphasized over “&” type relationships in fic. It is more important that you tag your “/”s thoroughly and accurately than that you tag your “&”s at all. This is because readers are far more likely to either be looking for or be squicked by particular “/” relationships than they are “&” relationships. You can tag the same pair of characters as both / and & if both their romance and their friendship is important to the story, but a lot of people see this as redundant. If you're writing incest fic, use the / tag for the pair not the & tag and put a courtesy tag for “incest” in the Additional Tags section; this is how readers who do not want to see incestuous relationships avoid that material.

Queerplatonic Relationships, Ambiguous Relationships, Pre-Slash, and “Slash If You Squint” are all frequently listed with both the “/” and “&” forms of the pairing; use your best judgement as to whether one or the other or both is most appropriate for what you've written and clarify the nature of the relationship in your Additional Tags.

Overall, list your “/” tags first, then your “&” tags.

Character Tags

Tagging your characters is a lot like tagging your relationships. Who is your fic about? That's who you put in your character tags.

You don't have to and really should not tag every single background character who shows up for just a moment in the story, for pretty much the same reasons you shouldn't tag background relationships.  We don't want to clog less commonly focused on characters' tags with stories they don't feature prominently in.

You do need to tag the characters included in your Relationship tags.

A character study type of fic might only have one character you need to tag for. Romantic one shots frequently only have two. Longfics and fics with big ensemble casts can easily end up with a dozen characters or more who really do deserve to be tagged for.

Put them in order of importance. This doesn't have to be strict hierarchal ranking, you can just arrange them into groups of “main characters,” “major supporting characters,” and “minor supporting characters.” Nobody less than a minor supporting character should be tagged. Even minor supporting characters show up for more than one line.

If everyone in the fic is genuinely at the same level of importance (which does happen, especially with small cast fics), then order doesn't really matter. You can arrange them by order of appearance or alphabetically by name if you want to be particularly neat about it.

Do tag your OCs! Some people love reading about OCs and want to be able to find them; some people can't stand OCs and want to avoid them at all costs; most people are fine with OCs sometimes, but might have to be in the mood for an OC-centric story or only be comfortable with OCs in certain contexts. Regardless, though, Character tags are here to tell readers who the story is about, and that includes new faces. Original Characters are characters and if they're important to the story, they deserve to be tagged for just like canon characters do.

There are tags for “Original Character(s),” “Original Male Character(s),” and “Original Female Character(s).” Use these tags!  If you have OCs you're going to be using frequently in different stories, type up a character tag in the form “[OC's Name] – Original Character” and use that in addition to the generic OC tags.

Also tag “Reader,” “You,” or “Me” as a character if you've written a reader- or self-insert.

You can use the “Minor Characters” tag to wrap up everybody, both OC and canon, who doesn't warrant their own character tag. Remember, though, that this tag is also used to refer to minor canon characters who may not have their own official names.

Just like when tagging for relationships, the convention when tagging for characters is to use their full name. The suggestions the Archive gives you as you type will help you use the established way of referring to a given character.

Characters who go by more than one name usually have their two most used names listed together as one tag with the two names separated by a vertical bar like “Andy | Andromache of Scythia.” This also gets used sometimes for characters who have different names in an adaptation than in the source text, or a different name in the English-language localization of a work than in the original language. For character names from both real-world and fictional languages and cultures that put family or surname before the given name—like the real Japanese name Takeuchi Naoko or the made up Bajoran name Kira Nerys—that order is used when tagging, even if you wrote your fic putting the given name first.

Some characters' tags include the fandom they're from in parentheses after their name like “Connor (Detroit: Become Human).” This is mostly characters with ordinary given names like Connor and no canon surname, characters who have the same full name as a character in another fandom, such as Billy Flynn the lawyer from the musical Chicago and Billy Flynn the serial killer played by Tim Curry in Criminal Minds, and characters based on mythological, religious, or historical figures or named for common concepts such as Lucifer, Loki, Amethyst, Death, and Zero that make appearances in multiple fandoms.

Additional Tags

Additional Tags is one of the most complicated, and often the longest, section of metatext we find ourselves providing when we post fic. It's also the one that gives our readers the greatest volume of information.

That, of course, is what makes it so hard for us to do well.

It can help to break down Additional Tags into three main functions of tag: courtesy tags, descriptive tags, and personal tags.

Courtesy tags serve as extensions of the rating and warning systems. They can help clarify the rating, provide more information about the Archive Warnings you've used or chosen not to use, and give additional warnings to tell readers there are things in this fic that may be distasteful, upsetting, or triggering but that the Archive doesn't have a standard warning for.

Descriptive tags give the reader information about who's in this fic, what kind of things happen, what tropes are in play, and what the vibe is, as well as practical information about things like format and tense.

Personal tags tell the readers things about us, the author, our process, our relationship to our fic, and our thoughts at the time of posting.

It doesn't really matter what order you put these tags in, but it is best practice to try to clump them: courtesy tags all together so it's harder for a reader to miss an important one, ship-related info tags together, character-related info tags together, etc.

There are tons and tons of established tags on Ao3, and while it's totally fine, fun, and often necessary to make up your own tags, it's also important to use established tags that fit your fic.  For one thing, using established tags makes life easier for the tag wranglers behind the scenes. Using a new tag you just made up that means the same thing as an established tag makes more work for the tag wranglers. We like the tag wranglers, they're all volunteers, and they're largely responsible for the search and sorting features being functional. Be kind to the tag wranglers.

For basically the same reasons, using established tags makes it easier for readers to find your fic. If a reader either searches by a tag or uses filters on another search to “Include” that tag, and you didn't use that tag, your fic will not show up for them even if what you wrote is exactly what they're looking for.  Established tags can be searched by exactly the same way as you search by fandom or pairing, your off the cuff tags cannot.

Let's talk about some well-known established tags and common tag types, divvied up by main function.

Courtesy

A lot of courtesy tags are specific warnings like “Dubious Consent,” “Incest,” “Drug Use,” “Extremely Underage,” “Toxic Relationship,” and “Abuse.” Many of these have even more specific versions such as “Recreational Drug Use” and “Nonconsensual Drug Use,” or “Mildly Dubious Consent” and “Extremely Dubious Consent.”

Giving details about what, if any, drugs are used or mentioned, specifying what kinds of violence or bodily harm are discussed or depicted, details about age differences or power-imbalanced relationships between characters who date or have sex, discussion or depictions of suicide, severe or terminal illness, or mental health struggles is useful. It helps give readers a clear sense of what they'll encounter in your fic and decide if they're up for it.

One the most useful courtesy warning tags is “Dead Dove: Do Not Eat” which basically means “there are things in this fic which are really screwed up and may be disturbing, read at your own risk, steer clear if you're not sure.” This tag—like all courtesy warnings, really—is a show of good faith, by using it you are being a responsible, and thoughtful member of the fanfic community by giving readers the power and necessary information to make their own informed decisions about what they are and are not comfortable reading.

Saying to “Heed the tags” is quite self-explanatory and, if used, should be the last or second to last tag so it's easy to spot.  Remember, though, that “Heed the tags” isn't useful if your tags aren't thorough and clear.

“Additional Warnings In Author's Note” is one of only things that should ever go after “Heed the tags.”  If you use this, your additional warnings need to go in the author's note at the very beginning of the fic, not the one at the end of the first chapter.  If your additional warnings write up is going to be very long because it's highly detailed, then it can go at the bottom of the chapter with a note at the beginning indicating that the warnings are at the bottom. Some authors give an abbreviated or vague set of warnings in the initial note, then longer, highly detailed, spoilery warnings in the end note. It's best to make it as simple and straightforward as possible for readers to access warnings.

Tagging with “Dead Dove: Do Not Eat,” “Heed the tags,” or “Additional Warnings In Author's Note” is not a substitute for thorough and appropriate courtesy tagging. These are extra reminders to readers to look closely at the other warnings you've given.

While most courtesy tags are warnings, some are assurances like “No Lesbians Die” or “It's Not As Bad As It Sounds.”  A fic tagged for rape or dub-con may get a tag assuring that the consent issues are not between the characters in the main ship; or a fic with a premise that sounds likely to involve lack of consent but actually doesn't may get a tag that it's “NOT rape/non-con.” A tag like “Animal Death” may be immediately followed by a freeform tag assuring that the animal that dies is not the protagonist's beloved horse.

Descriptive

There are a few general kinds of descriptive tags including character-related, ship-related, temporal, relation-to-canon, trope-related, smut details, and technical specifications.

Many character- and ship-related tags simply expand on the Character and Relationship tags we've already talked about.  This is usually the place to specify details about OCs and inserts, such as how a reader-insert is gendered.

When it comes to character-related tags, one of the most common types in use on Ao3 and in fandom at large is the bang-path. This is things like werewolf!Alex, trans!Max, top!Sam, kid!Jamie, and captain!Tori. Basically, a bang-path is a way of specifying a version of a character. We've been using this format for decades; it comes from the very first email systems used by universities in the earliest days of internet before the World Wide Web existed. It's especially useful for quickly and concisely explaining the roles of characters in an AU. Nowadays this is also one of the primary conventions for indicating who's top and who's bottom in a ship if that's information you feel the need to establish.  The other current convention for indicating top/bottom is as non-bang-path character-related tags in the form “Top [Character A], Bottom [Character B].”

Other common sorts of character tags are things like “[Character A] Needs a Hug,” “Emotionally Constipated [Character B],” and “[Character C] is a Good Dad.”

Some character-related tags don't refer to a particular character by name, but tell readers something about what kinds of characters are in the fic. Usually, this indicates the minority status of characters and may indicate whether or not that minority status is canon, as in “Nonbinary Character,” “Canon Muslim Character,” “Deaf Character,” and “Canon Disabled Character.”

Down here in the tags is the place to put ship nicknames!  This is also where to say things like “They're idiots your honor” or indicate that they're “Idiots in Love,” maybe both since “Idiots in Love” is an established searchable tag but “They're idiots your honor” isn't yet. If your fandom has catchphrases related to your ship, put that here if you want to.

If relevant, specify some things about the nature of relationships in your fic such as “Ambiguous Relationship,” “Queerplatonic Relationships,” “Polyamory,” “Friends With Benefits,” “Teacher-Student Relationship,” and so on. Not all fics need tags like these. Use your best judgement whether your current fic does.

Temporal tags indicate when your fic takes place. That can be things like “Pre-Canon” and “Post-Canon,” “Pre-War,” “Post-Captain America: The Winter Soldier,” “1996-1997 NHL season,” “Future Fic,” and so on.  These tags may be in reference to temporal landmarks in canon, in the real world, or both depending on what's appropriate.

Some temporal tags do double duty by also being tags about the fic's relationship to canon. The Pre- and Post-Canon tags are like that.

Other relation-to-canon type tags are “Canon Compliant” for fics that fit completely inside the framework of canon without changing or contradicting anything, “Alternate Universe - Canon Divergence” for fics that are compliant up to a certain point in canon, then veer off (maybe because you started writing the fic when the show was on season two but now it's at season four and you're not incorporating everything from the newer seasons, maybe a character died and you refuse to acknowledge that, maybe you just want to explore what might have happened if a particular scene had gone differently), and the various other Alternate Universe tags for everything from coffee shop AUs and updates to modern settings, to realities where everyone is a dragon or no one has their canon superpowers.

The established format for these tags is “Alternate Universe – [type],” but a few have irregular names as well, such as “Wingfic” for AUs in which characters who don't ordinarily have wings are written as having wings.

If you have written an AU, please tag clearly what it is! Make things easy on both the readers who are in the mood to read twenty royalty AUs in a row, the readers who are in the middle of finals week and the thought of their favorite characters suffering through exams in a college AU would destroy the last shred of their sanity but would enjoy watching those characters teach high school, and the readers who really just want to stick to the world of canon right now.

Admittedly, it can get a little confusing what AU tag or tags you need to describe what you've written since most of us have never had a fandom elder sit us down and explain what the AU tags mean. One common mix up is tagging things “Alternate Universe - Modern Setting” when what's meant is “Alternate Universe - Canon Divergence.”  The misunderstanding here is usually reading “Alternate Universe - Modern Setting” and thinking it means an alternate version of the canon universe that is set at the same time as the canon universe, but is different in some way. That's not how the tag is meant to be used, though.

The Modern Setting AU tag is specifically for fic set now (at approximately the same time period it was written), for media that's canonically set somewhere that is very much not the present of the real world. This can mean things set in the past (like Jane Austen), the future (like Star Trek), or a fantasy world entirely different from our own (like Lord of the Rings or Avatar: the Last Airbender). Fic for a canon that's set more or less “now” doesn't need the Modern Setting AU tag, even if the world of canon is different from our own. If you're removing those differences by putting fantasy or superhero characters in a world without magic or supersoldier serum, you might want the “Alternate Universe - No Powers” tag instead.

Some of the most fun descriptive tags are trope tags. This includes things like “Mutual Pining,” “Bed Sharing” for when your OTP gets to their hotel room to find There Was Only One Bed, “Fake Dating,” “Angst,” Fluff,” “Hurt/Comfort” and all its variants.  Readers love tropes at least as much as we love writing them and want to be able to find their favorites. Everyone also has tropes they don't like and would rather avoid. Tagging them allows your fic to be filtered in and out by what major tropes you've used.

Explicit fics, and sometimes fics with less restrictive ratings, that contain sex usually have tags indicating details about the nature of the sexual encounter(s) portrayed and what sex acts are depicted. These are descriptive tags, but they also do double duty as courtesy tags. This is very much a situation in which tags are a consent mechanism; by thoroughly and clearly tagging your smut you are giving readers the chance to knowingly opt in or out of the experience you've written.

Most of the time, it's pretty easy to do basic tagging for sex acts—you know whether what you wrote shows Vaginal Sex, Anal Sex, or Non-penetrative Sex.  You probably know the names for different kinds of Oral Sex you may have included. You might not know what to call Frottage or Intercrural Sex, though, even if you understand the concept and included the act in your fic. Sometimes there are tags with rectangle-square type relationships (all Blow Jobs are Oral Sex, but not all Oral Sex is a Blow Job) and you're not sure if you should tag for both—you probably should. Sometimes there are tags for overlapping, closely related, or very similar acts or kinks and you're not sure which to tag—that one's more of judgement call; do your best to use the tags that most closely describe what you wrote.

Tag for the kinks at play, if any, so readers can find what they're into and avoid what they're not. Tag for what genitalia characters have if it's nonobvious, including if there's Non-Human Genitalia involved. Tag your A/B/O, your Pon Farr, and your Tentacles, including whether it's Consentacles or Tentacle Rape.

Technical specification tags give information about aspects of the fic other than its narrative content.  Most things on Ao3 are prose fiction so that's assumed to be the default, so anything else needs to be specified in tags. That includes Poetry, Podfics, things in Script Format, and Art. If it is a podfic, you should tag with the approximate length in minutes (or hours). If a fic is Illustrated (it has both words and visual art) tag for that.

Tag if your fic is a crossover or fusion.  The difference, if you're not sure, is that in a crossover, two (or more) entire worlds from different media meet, whereas in a fusion, some aspects of one world, like the cast of characters, are combined with aspects of another, like the setting or magic system.

If the team of paranormal investigators from one show get in contact with the cast of aliens from another show, that's a crossover and you need to have all the media you're drawing from up in the Fandom tags. If you've given the cast of Hamlet physical manifestations of their souls in the form of animal companions like the daemons from His Dark Materials but nothing else from His Dark Materials shows up, that's a fusion, the Fandom tag should be “Hamlet - Shakespeare,” and you need the “Alternate Universe - Daemons” tag. If you've given the members of a boy band elemental magic powers like in Avatar: the Last Airbender, that can be more of a judgement call depending how much from Avatar you've incorporated into your story. If absolutely no characters or specific settings from Avatar show up, it's probably a fusion.  Either way, if the boyband exists in real life, it needs to be tagged as RPF.

Tag if your fic is a Reader-Insert or Self-Insert.

You might want to tag for whether your fic is written with POV First, Second, or Third Person, and if it's Past Tense or Present Tense (or Future Tense, though that's extremely uncommon).  For POV First Person fics that are not self-inserts, or POV Third Person fics that are written in third person limited, you may want to tag which character's POV is being shown. Almost all POV Second Person fics are reader-insert, so if you've written one that isn't, you should tag for who the “you” is.

A fic is “POV Outsider” if the character through whom the story is being conveyed is outside the situation or not familiar with the characters and context a reader would generally know from canon. The waitress who doesn't know the guy who just sat down in her diner is a monster hunter, and the guy stuck in spaceport because some hotshot captain accidentally locked down the entire space station, are both potential narrators for POV Outsider stories.

Other technical specifications can be tags for things like OCtober and Kinktober or fic bingo games.  Tagging something as a Ficlet, One Shot, or Drabble is a technical specification (we're not going to argue right now over what counts as a drabble). Tagging for genre, like Horror or Fantasy, is too.

It's also good to tag accessibility considerations like “Sreenreader Friendly,” but make sure your fic definitely meets the needs of a given kind of accessibility before tagging it.

Personal

Even among personal tags there are established tags!  Things like “I'm Sorry,” “The Author Regrets Nothing,” “The Author Regrets Everything,” and “I Wrote This Instead of Sleeping” are common ones.  Tags about us and our relationship to the fic, such as “My First Work In This Fandom,” “Author is Not Religious,” and “Trans Porn By A Trans Author,” can help readers gauge what to expect from our fic. Of course, you are not at all obligated to disclose any personal information for any reason when posting your fic.

The “I'm Bad At Tagging” tag is common, but probably overused. Tagging is hard; very few of us have a natural feel for it even with lots of practice.  It's not a completely useless tag because it can indicate to readers that you've probably missed some things you should have tagged for, so they should be extra careful; but it can also turn into a crutch, an excuse to not try, and therefore a sign to readers they can't trust your tagging job. Just do your best, and leave off the self depreciation. If you're really concerned about the quality of your tagging, consider putting in an author's note asking readers to let you know if there are any tags you should add.

You might want to let readers know your fic is “Not Beta Read” or, if you're feeling a little cheekier than that, say “No Beta We Die Like Men” or its many fandom-specific variants like the “No Beta We Die Like Robins” frequently found among Batman fics and “No beta we die like Sunset Curve” among Julie and The Phantoms fic. Don't worry, the Archive recognizes all of these as meaning “Not Beta Read.”

The Archive can be inconsistent about whether it stacks specific variants of Additional Tags under the broadest version of the tag like it does with Fandom tags, so best practice is usually to use both.  You can double check by trying to search by a variant tag (or clicking on someone else's use of the variant); if the results page says the broader or more common form of the tag, those stack.

There's no such thing as the right number of tags. Some people prefer more tags and more detail, while other people prefer fewer more streamlined tags, and different fics have different things that need to be tagged for.  There is, however, such a thing as too many tags.  A tagblock that takes up the entire screen, or more, can be unreadable, at which point they are no longer useful. Focus on the main points and don't try to tag for absolutely everything.  Use the “Additional Warnings In Author's Note” strategy if your courtesy tags are what's getting out of hand.

Tag for as much as you feel is necessary for readers to find your fic and understand what they're getting into if they decide to open it up.

A little bit of redundancy in tags is not a sin.  In fact, slight redundancy is usually preferable to vagueness. Clear communication in tags is a cardinal virtue. Remember that tags serve a purpose, they're primarily a tool for sorting and filtering, and (unlike on some other sites like tumblr) they work, so it's best to keep them informative and try to limit rambling in the tags. Ramble at length in your author's notes instead!

Titles

Picking a title can be one of the most daunting and frustrating parts of posting a fic. Sometimes we just know what to call our fics and it's a beautiful moment. Other times we stare at that little input box for what feels like an eternity.

The good news is there's really no wrong way to select a title. Titles can be long or short, poetic or straight to the point. Song lyrics, idioms, quotes from literature or from the fic itself can be good ways to go.

Single words or phrases with meanings that are representative of the fic can be great. A lot of times these are well known terms or are easy enough to figure out like Midnight or Morning Glow, but if you find yourself using something that not a lot of people know what it means, like Chiaroscuro (an art style that uses heavy shadow and strong contrast between light and dark), Kintsukuroi (the Japanese art of repairing broken pottery with gold), or Clusivity (the grammatical term for differences in who is or isn't included in a group pronoun), you should define the term in either a subtitle, i.e. “Chiaroscuro: A Study In Contrast,” or at the beginning of the summary.

As a courtesy to other writers, especially in small fandoms, you may want to check to make sure there's not already another fic with the same title in the same fandom, but this is not required. In large fandoms, there's no point in even trying. After all, there are only so many puns to be made about the full moon and only so many verses to Hallelujah.

It may be common practice on other platforms to include information such as fandom or ship in the title of a fic, but on Ao3 nothing that is specified by tags belongs in the title unless your title happens to be the same as a tag because, for instance, you've straightforwardly titled your character study of Dean Winchester “Dean Winchester Character Study” and also responsibly tagged it as such.

Summaries

Yes, you really do need to put something down for the summary. It might only need to be a single sentence, but give the readers something to go off of.

The summary is there to serve two purposes: one, to catch the interest of potential readers, give them a taste of what's inside, and make them want to know more; and two, to give you a space to provide information or make comments that don't really fit in the tags but that you want readers to see before they open the fic.

We've already talked some about that second function. When you put an explanation of the title or clarification about tags in the summary, that's the purpose it's serving. You can also put notes to “Heed the tags” or instruct readers that there are additional warnings in the author's note here in the summary, rather than doing so in the tags.

The first function, the actual summarizing, can be very hard for some of us.  It's basically the movie trailer for your fic, butwhat are you even supposed to say?

There are two main strategies as to how to approach this: the blurb, and the excerpt. Blurbs are like the synopses you at least used to see on the backs of published books, or the “Storyline” section on an IMDb page. Writing one is a matter of telling your readers who does what, under what circumstances.

Depending on the fic, one sentence can capture the whole thing: “Sam and Alex have sex on a train.” “Tori tries to rob a bank.” “If anybody had mentioned Max's new house was haunted, Jamie wouldn't have agreed to help with the move.”

Sometimes a blurb can be a question! “What happens when you lock a nuclear engineer in a closet with a sewing kit, a tennis ball, and half a bottle of Sprite?”

Of course, plenty of blurbs are more than one sentence. Their length can vary pretty significantly depending on the type and length of fic you're working with and how much detail you're trying to convey, but it shouldn't get to be more than a few short paragraphs. You're not retelling the entire fic here.

An excerpt is a portion of the fic copied out to serve as the summary. This, too, can vary in length from a line or two to several paragraphs, but shouldn't get too long. It should not be an entire scene unless that scene happens to be uncommonly short. It's important to select a portion of the fic that both indicates the who, what, and under what circumstances of the fic and is representative of the overall tone. Excerpts that are nothing but dialogue with no indication of who's talking are almost never a good choice. Portions that are sexually explicit or extremely violent are never ever a good choice—if it deserves content warnings, it belongs inside the fic, not on the results page.

Counterintuitively, some of the best excerpts won't even look like an excerpt to the reader if they don't contain dialogue. They seem like particularly literary blurbs until the reader reaches that part in the fic and realizes they recognize a section of narration.

Some of us have very strong preferences as to whether we write blurbs or use excerpts for our summaries. Some readers have very strong preferences as to which they find useful. Ultimately, there's no accounting for taste, but there are things we can do to limit the frustration for readers who prefer summaries of the opposite kind than we prefer to write, without increasing our own frustration or work load very much. Part of that is understanding what readers dislike about each type so we know what to mitigate.

Blurbs can seem dry, academic, and overly simplified. They don't automatically give the reader a sense of your writing style the way an excerpt does. They can also seem redundant, like they're just rehashing information already given in the tags, so the reader feels like they're being denied any more information without opening the fic.

Excerpts can seem lazy, like you, the author, don't care enough to bother writing a blurb, or pushy like you're telling the reader “just read the fic; I'm not going to give you the information you need to decide if you want to read or not, I'm shoving it in front of you and you just have to read it.” That effect gets worse if your tags aren't very informative or clear about what the plot is, if the excerpt is obviously just the first few lines or paragraphs of the fic, if the except is particularly long, or, worst of all, if all three are true at once.

A lot of the potential problems with blurbs can be minimized by having fun writing them! Make it punchy, give it some character, treat it like part of the story, not just a book report. A fic for a serialized show or podcast, for instance, could have a blurb written in the style of the show's “previously on” or the podcast's intro.  Make sure the blurb gives the reader something they can't just get from the tags—like the personality of your writing, important context or characterization, or a sense of the shape of the story—but don't try to skimp on the tags to do it!

Really, the only way to minimize the potential problems with excerpts is to be very mindful in selecting them. Make sure the portion you've chosen conveys the who, what, and under what circumstances and isn't too long.  You know the story; what seems clear and obvious from the excerpt to you might not be apparent to someone who doesn't already know what happens, so you might need to ask a friend to double check you.

The absolute best way to provide a summary that works for everybody is to combine both methods. It really isn't that hard to stick a brief excerpt before your blurb, or tack a couple lines of blurb after your excerpt, but it can make a world of difference for how useful and inviting your summary is to a particular reader. The convention for summaries that use both is excerpt first, then blurb.

If you're struggling to figure out a summary, or have been in the habit of not providing one, try not to stress over it. Anything is better than nothing.  As long as you've written something for a summary, you've given the reader a little more to help them make their decision. What really isn't helpful, though, is saying “I'm bad at summaries” in your summary. It's a lot like the “I'm Bad At Tagging” tag in that it's unnecessarily self depreciating, frequently comes across as an excuse not to try, and sometimes really is just an excuse. Unlike the “I'm Bad At Tagging” tag, which has the tiny saving grace of warning readers you've probably missed something, saying you're bad at summaries has no utility at all, and may drive away a reader who thought your summary was quite good, but is uncomfortable with the negative attitude reflected by that statement. Summaries are hard. It's okay if you don't like your summary, but it's important for it to be there, and it's important to be kind to yourself about it. You're trying, that's what matters.

Author's Notes

Author's notes are the one place where we, the writers, directly address and initiate contact with our readers. We may also talk to them in the comments section, but that's different because they initiate that interaction while we reply, and comments are mostly one-on-one while in author's notes we're addressing everyone who ever reads our fic.

The very first note on a fic should contain any information, such as warnings or explanations, that a reader needs to see before they get to the body of the story, as well as anything like thanks to your beta, birthday wishes to a character, or general hellos and announcements you want readers to see before they get to the body of the story. On multi-chapter fics, notes at the beginning of chapters serve the same function for that chapter as the initial note on the fic does for the whole story, so you can do things like warn for Self-Harm on the two chapters out of thirty where it comes up, let everyone know your update schedule will be changing, or wish your readers a merry Christmas, if they celebrate it, on the chapter you posted on December 23rd but is set in mid-March.

Notes at the end of a fic or chapter are for things that don't need to be said or are not useful to a reader until after they've read the preceding content, such as translations for that handful of dialogue that's in Vulcan or Portuguese, or any parting greetings or announcements you want to give, like a thanks for reading or a reminder school is starting back so you won't be able to write as much. End notes are the best place to plug your social media to readers if you're inclined to do so, but remember that cannot include payment platforms like Patreon or Ko-fi.

As previously mentioned, warnings can go in end notes but that really should only be done when the warnings are particularly long, such that the length might cause a problem for readers who are already confident in their comfort level and would just want to scroll past the warning description. In that case, the additional warnings need to go in the note at the end of the first chapter, rather than at the end of the fic, if it's a multi-chapter fic; and you need to include an initial note telling readers that warnings/explanations of tags are at the bottom so they know to follow where the Archive tells them to see the end of the chapter/work for “more notes.”

When posting a new work, where the Preface section gives you the option to add notes “at the beginning” or “at the end” or both, if you check both boxes, it means notes at the beginning and end of the entire fic, not the beginning and end of the first chapter. For single-chapter fics this difference doesn't really matter, but for multi-chapter fics it matters a lot. In order to add notes to the beginning or end of the first chapter of a multi-chapter fic you have to first go through the entire process to post the new fic, then go in to Edit, Edit Chapter, and add the notes there.

Series and Chapters

Dealing with Series and Chapters is actually two different issues, but they're closely related and cause some of us mixups, especially when we're new to the site and its systems, so we're going to cover them together.

Series on Ao3 are for collecting up different stories that you've written that are associated with each other in some way. Chapters are for dividing up one story into parts, usually for pacing and to give yourself and your readers a chance to take breaks and breathe, rather than trying to get through the entire thing in a single marathon sitting (not that we won't still do that voluntarily, but it's nice to have rest points built in if we need them).

If your story would be one book if it was officially published, then it should be posted as a single fic—with multiple chapters if it's long or has more than one distinct part, like separate vignettes that all go together. If you later write a sequel to that fic, post it as a new fic and put them together in a series. It's exactly like chapters in a book and books in a series. Another way to think of this structure is like a TV show: different fics in the series are like different seasons of the show, with individual chapters being like episodes.

If you have several fics that all take place in the same AU but really aren't the same story those should go together as a series.  If you wrote a story about a superhero team re-cast as school teachers, then wrote another story about different characters in the same school, that's this situation.

Series are also the best way to handle things like prompt games, bingos, or Kinktober, or collect up one shots and drabbles especially if your various fills, entries, and drabbles are for more than one fandom. If you put everything for a prompt game or bingo, or all your drabbles, together as one fic with a different chapter for each story, what ends up happening is that fic gets recognized by the Archive as a crossover when it isn't, so it gets excluded from the results pages for everyone who told the filters to Exclude Crossovers even though one of the stories you wrote is exactly what they're looking for; and that fic ends up with tons and tons of wildly varying and self-contradictory tags because it's actually carrying the tags for several entirely different, possibly unrelated stories, which also means it ends up getting excluded from results pages because, for instance, one out of your thirty-one Kinktober entries is about someone's NoTP.

Dividing these kinds of things up into multiple fic in a series makes it so much easier for readers to find what of your work they actually want to read.

If you've previously posted such things as a single fic, don't worry, it's a really common misunderstanding and there is absolutely nothing stopping you from reposting them separately. You may see traffic on them go up if you do!

Parting Thoughts

Metatext is ultimately all about communication, and in this context effective communication is a matter of responsibility and balance.

Ao3 is our archive. It's designed for us, the writers, to have the freedom to write and share whatever stories we want without having to worry that we'll wake up one day and find our writing has been deleted overnight without warning.  That has happened too many times to so many in our community as other fanfic sites have died, been shut down, or caved to threats of legal action. Ao3 is dedicated to defending our legal right to create and share our stories. Part of the deal is that, in exchange for that freedom and protection, we take up the responsibility to communicate to readers what we're writing and who it's appropriate for.

We are each other's readers, and readers who don't write are still part of our community. We have a responsibility as members of this community to be respectful of others in our shared spaces.  Ao3 is a shared space. The best way we have to show each other respect is to give one another the information needed to decide if a given fic is something we want to engage with or not, and then, in turn, to not engage with fic that isn't our cup of tea. As long as our fellow writer has been clear about what their fic is, they've done their part of the job. If we decided to look at the fic despite the information given and didn't like what we found, then that's on us.

Because metatext is how we put that vital information about our fics out in the community, it's important that our metatext is clear and easy to parse. The key to that is balance. Striking the balance between putting enough tags to give a complete picture and not putting too many tags that become an unreadable wall; the balance between the urge to be thorough and tag every character and the need to be restrained so those looking for fics actually about a certain character can find them; the balance between using established tags for clarity and ease and making up our own tags for specificity and fun.

Do your best, act in good faith, remember you're communicating with other people behind those usernames and kudos, and, most importantly, have fun with your writing!

[mostlymarvelsstuff]

MCU News, part 1

For those of you not keeping up with San Diego comic con I'll update you on upcoming MCU projects covered in their panels.

First, now on Disney+: Logan, Deadpool, Deadpool 2

Second, Phase 4 ends with She-Hulk & Black Panther: Wakanda Forever

Upcoming animated shows:

I Am Groot (August 10, 2022)

5-episode series

Confirmed: Bradly Cooper will voice Rocket Racoon

Confirmed: 5 more episodes will be out, date to be determined

Trailer:

What If...? Season 2 (Early 2023)

Attendees were shown the first episode of the new season, “Captain Carter vs The Hydra Stomper”

Confirmed characters: Captain Carter, Iron Man, Hulk, Mandarin, Black Widow, Odin, Winter Soldier, Hela, Star-Lord, Hydra Stomper, Ego, The Scarlet Witch, Valkyrie

Reportedly Elizabeth Olsen will voice Wanda Maximoff

Rumor: In Captain Carters universe  Dreykov that runs the Red Room, but Melina Vostokoff does.

9-episode series

Confirmed: Season 3 is in the works

X-Men ‘97 (Fall 2023)

Continuation of the original X-Men show from the 90′s

Continuity issues will be fixed

Confirmed characters, X-Men: Magneto, Rouge, Gambit, Wolverine, Jubilee, Cyclops, Storm, Jean Grey, Beast, Sunspot, Morph, Cable, Bishop, Forge, Nightcrawler

Confirmed characters, Villains: Val Cooper, Sebastion Shaw, Mr. Sinister, Emma Frost/White Queen, Calisto

10-episode series

Confirmed: A second season is in the works

Spider- Man: Freshman Year (2024)

Tom Holland will not voice Peter Parker/Spider-Man, but Charlie Cox will voice Daredevil.

Takes place in a different universe, a sorta 'What if' scenario

Characters confirmed: ?, Amadus Cho, ?, Peter Parker, Nico Minoru, ?, ?, Harry Osborn, Aunt May, Doctor Strange

Characters confirmed, Villains: Rhino, Scorpion, Tarantula, Butane he Pyromaniac, Doc Oc, ?, Tombstone, Speed Demon, Chameleon, Norman Osborn

Confirmed: A sequel series, “Sophomore Year” is in the works

Marvel Zombies (2024)

Confirmed to be rated MA due to violence

Confirmed Heros: Yelena Belova, Kate Bishop, Jimmy Woo, Shang-Chi, Kamala Khan, Death Dealer, Red Guardian/Alexei, Katie

Confirmed Zombies: Scarlet Witch, Ghost, Hawkeye, Okoye, Abomination, Captain Marvel, half of Captain America, Ikarus

Rumor: a biker gang of Skrulls as well as a team of Black Widows make an appearance

Upcoming live action projects:

Secret Invasion (Spring 2023)

Confirmed cast: Samuel L Jackson, Cobie Smulders, Don Cheadle, Emilia Clark

Said to be interesting to views because 'you will not know who is a skrull and who is not'

Blade (November 3, 2023)

Confirmed cast: Mahershala Ali, Delroy LINDO, Aaron Pierre

Daredevil: Born Again (Spring 2024)

Confirmed to return: Charlie Cox & Vincent D’Onofrio

18-episode series

Captain America: New World Order (May 3, 2024)

Will explore what makes someone Captain America

Thunderbolts (July 26, 2024)

Will conclude phase 5