#CROWLEY IS LIVING OUT HIS CAR

[amratjesus]

I haven't posted in years but I rewatched good omens s2 last night with my dad and he made a very infuriating point that I can't stop thinking about

he said at the end of e6 that's Aziraphale doesn't feel the same abt Crowley, or hasn't fully come to terms with how he feels about him, not because he left for heaven but because he never offered to house Crowley even though he knew he was living in his car.

(like he literally helped him move his plants BACK INTO THE BENTLY when he got back from Edinburgh)

like he offered Gabriel a spare room but not Crowley.

and you can't even argue that Gabriel took the only spare room because Aziraphale could have offered it to Crowley before Gabriel even showed up!

or they could've stayed in the same room

AND there was a whole nother empty room he could've made into a bedroom or something! they literally went and had a secret talk in it away from Muriel!!!

and while I don't agree with my dad that Aziraphale doesn't love Crowley back, this is my current dilemma over season two

[weakinthekneez]

the real reason crowleys hair is more red is bc he had a crisis and dyed it

[lit-in-thy-heart]

It's the way that one of Crowley's last desperate attempts to convince Aziraphale not to go is to say: 'you can't leave this bookshop'. The same bookshop that Aziraphale said was 'ours', in the same way he said 'I thought we'd carved [this peaceful, fragile existence] out for ourselves'.

It's a place that belongs to them, for all the intrusions in this series from Heaven and Hell. A place where Crowley leaves his glasses on an ornamental horse, where the tangible trail of Aziraphale's existence is scattered among the shelves, where they sit and drink themselves silly. It's the epitome of the two of them being 'us'. And it's as if he's saying to Aziraphale look around, look at everything we've built, there are the books I saved for you in 1941, you said it was ours and how can it be ours if you're not here?

It has Aziraphale's name on the front and Crowley's comfort through the door and not even a fire stopped them from getting it back so how can Aziraphale just walk away?

And in that moment, Crowley doesn't have the courage to say exactly what he's thinking, not after feeling like his entire speech has been brushed over. So, it's you can't leave this bookshop, not you can't leave me.

[thepersianslipper]

Omg, I just realised... has Crowley been living in his car for 4 years?!

[canofwormholes]

I really believe that much of Good Omens season 2 comes down to Neil being on Tumblr and seeing the fan discourse and going, "Yeah, bet."

*Crowley having been an angel responsible for shaping the cosmos and having a high clearance before his fall.

*Blackbonnet and Ineffable Husband's parallels

*Ineffable Bureaucracy

[mrghostrat]

you've had too much of the digital love you want everything live, you want things you can touch you want something bizarre, old conceptual cars you want girls dressed in drag, you want boys with guitars you go ask your questions like, "what makes a man?" oh, it's 2020 so it's time to change that so you go make an album and call it dreamland

(au: spending his 50th birthday alone in lockdown forces semi-retired rockstar crowley to face all the thoughts he normally buries with distractions. when he realises all his life regrets are just confusion around his sexuality, songwriting his feelings is the only thing that seems to help, but he doesn't have the understanding to figure it out on his own. even though they haven't spoken since graduation 30 years ago, crowley knows his old school friend aziraphale is the one person who'll be able to figure him out)

[cloud-based-and-rainpilled]

Nothin wrong with Best Buddy ™ if you aren't dating/married to your best friend then what's the point? ¯\_(ツ)_/¯

David Tennant and Michael Sheen on The One Show talking about Good Omens season 2

[bi-scottsummers]

2x01 | 2x06

[sing-you-fools]

thinking about Good Omens 2. and stories, and the shape of them, and Terry Pratchett and his themes. and something clicked.

Aziraphale is cackling.

it's not just the ball. he spends the entire season trying to force the story into a shape it's not, and everyone suffers for it.

i've seen some less than charitable takes on Crowley's actions and they all ignore how much Crowley did try to talk to Aziraphale, did try to ask Aziraphale questions, did try to help, only to be ignored or brushed off. because his questions, his offers, they didn’t fit with the story Aziraphale was telling himself.

quiet, gentle, and romantic. it was, if you're our favorite Angel - right up until the end, at least. because he decided that's the story he was in. from the very beginning, he's off in la-la land, living out this romcom with a cute little mystery wrapped up in it, completely ignoring what's actually going on around him. i'll set Nina and Maggie up! (completely ignoring that Nina tells him she has a partner, and at that point, he has no reason to think she's anything less than happy.) i'll take ~our~ car to go do investigate this silly little mystery (he's not taking it even a little bit seriously!) while you stay here and run the bookshop and it will be so quaint and domestic! soon we'll dance and confess our feelings that we obviously share because we're already so clearly a couple we just need to finally say it!

Crowley knows the entire time that they're in a horror story but Aziraphale ignores every attempt he makes to point that out because it doesn't fit the story he decided he's in the middle of.

he brushes off Crowley's concerns and questions - his QUESTIONS! - like they're nothing. he doesn't want to see it, so he doesn't. and Crowley should have told him more?

why would he?

when you are CLEARLY in distress and it's being BLATANTLY AND WILLFULLY IGNORED, what the fuck are you supposed to do? "Crowley didn't comminicate" well okay if I were having a panic attack about something and my husband completely ignored it, chattering on about our dinner plans or whatever, that wouldn’t exactly make me want to open up about what was wrong! that would send the very fucking clear signal that he didn't want to know!

words aren't the only way we communicate and Crowley's body language, the entire season, is that of someone who is living in a horror story, knows he's living in a horror story, and is fucking terrified. if Aziraphale were paying any attention to Crowley instead of focusing all his energy trying to set things up just so for the big climax of his love story, he would know something major was wrong.

why would Crowley have told him how cruel Gabriel was about the execution when Aziraphale's already so thoroughly convinced that heaven is pure and good and has shown over and over through the millennia that he's not really open to considering that it can be cruel!

just look at them at the dance. Crowley freaking out because there's a horde of demons out there and Aziraphale giggling as they go to dance. that's the whole season!

you know who Crowley reminds me of this season?

he's watching helplessly and with increasing levels of distress as Aziraphale shoves every plot point into the romcom hole even though it's obviously not remotely romcom shaped! and i'm sick of people saying he was abusive because he raises his voice about it a few times!

[books-and-omens]

oh BY the WAY

This scene proves, doesn’t it, that living in the car is Crowley’s choice. When Aziraphale comes back from Scotland, Crowley shoves the box at him before he gets to the threshold. He gives Aziraphale no option to even say, “won’t it be easier to leave the plants here” let alone to propose anything else. Was Crowley, by any chance, actively avoiding a conversation about him living in his car this whole time?

Crowley is absolutely not okay, we know, we know. He is frustrated, he is struggling; he is asking what the point of it all is. Yes, he is fiercely protective of his independence when he says “my car”, “the precious, peaceful, fragile existence I have carved out for myself”—and the same time, he is still not willing to talk. He probably does not even see a way to have important conversations safely; the fear of rejection might still be too much. His instinct remains to run away from trouble. With something as terrifying as vulnerability and openness, he needs Nina and Maggie to tip the scales.

He has the swagger. He acts like he knows what’s happening, like he has things figured out.

I think we’re just starting to see how much that has not been true.

[actual-changeling]

we do not talk enough about the moment right before crowley puts his sunglasses back on. the "nothing lasts forever" is devastating and if you're like me your eyes were so full of tears you couldn't see the screen the first time you watched it (just like crowley, look at us all twinning in sadness!).

there is a shift that happens in his eyes and i think it is absolutely fascinating and heartbreaking at the same time.

we begin with crowley averting his gaze from aziraphale's face and staring off into the distance instead, and you can see his spirit break. that crowley just lost the one thing in the world he cannot live without and we can see it written across his face like a neon sign.

then, as you'd expect, he gives into the need to cover up his pain, to try and make himself less vulnerable, and even before he lifts his glasses he looks down so aziraphale can no longer see his eyes.

now, the next part is what would not let me out of its grasp all day. we know it happens because of his demeanour afterwards and up until the kiss, but you can actually watch as crowley makes himself numb to the world.

i am intimately familiar with dissociation as a trauma and stress response, and while you can never fully control it, you do eventually find the switch in your mind that makes you snap back into the haze. crowley has had six thousand years to get really, really good at leaving reality behind when he needs and/or wants to.

that's exactly what he does.

he still looks sad, and yet there's just something distinctly distant in his eyes, the shift from openly heartbroken to "i don't want to feel any of this let me leave".

glasses? on

emotions? off

hotel? trivago

i have stared at those four frames more than any person probably should and i don't know if it's the light, if i am going insane, or if there is a single tear sliding out of his right (our left) eye. i'm probably insane and the light is a bitch so if anyone has some high resolution shots or anything that could answer that question without a doubt PLEASE do add it.

by now you are probably ready to threaten me with a knife in a dark alley but before you do that or drive your car off a cliff, let me tell you the best part:

aziraphale notices.

they might be communicating on two different frequencies but aziraphale knows crowley. he knows and loves him, and, most importantly, over the last few years he has gotten used to seeing crowley without his glasses. aziraphale could probably write a book on the expressions in his eyes alone and watches that shift happen and is devastated.

look.

he tries to make himself hope the same second, tries to convince himself crowley is putting on his glasses so they can leave together, but he knows.

aziraphale sees the light leave crowley's eyes, sees crowley leave, knowing that he is quite literally running away from him. you and me against the world, angel, but in that moment crowley firmly pushes him back to "the world" (or tries to, anyway).

the entire season we see crowley take off his glasses whenever he enters the bookshop to the point where he's running around without them on in broad daylight with jimbriel right there.

can you imagine how hurt and confused aziraphale must be?

because what crowley is telling him, if we really, really break it down, is that aziraphale is no longer a safe person for him. and repairing that trust is going to take time and work, no matter how much crowley loves him, how badly they love and need each other.

anyway to seal this off and really rub in the pain - how it started vs. how it ended. <3

oh one last thing: now crowley no longer has a single person he can be himself around, no one that knows him, no one he trusts. no one in whose presence he can take his glasses off.

and outside of the bentley and his own flat, he no longer has a place to do so either. the bookshop was theirs. with aziraphale gone, is it really a safe place anymore? is it somewhere he can just let himself be knowing he will be looked after and protected?

easy answer: no.

alright, off i go. see y'all on the next angst post or in the tags.

[lenaellsi]

One thing that really gets me about the opening with angel Crowley is that he's not just excited by how beautiful his stars are, or how fun the process of creation is, or how impressed he's made Aziraphale. He’s not in it for the glory or the aesthetics. He’s actually horrified by the idea that the universe will just be "fancy wallpaper" in the future, even though Aziraphale assures him that humans will "marvel" at his creations.

What Crowley loves about his stars is their potential. He is building, essentially, a nursery. Most of the universe's stars, he explains to Aziraphale, will come pre-aged--but his are just starting out! After they're given time to grow, who knows what could happen! Good or bad, black holes or new constellations—there are so many possible futures ahead of them, and Crowley can’t wait to see what happens.

And then Aziraphale tells him that he knows what will happen: those stars will never grow up. They will never shine or burn out or implode or become anything new. They’ll be destroyed before they get the chance.

"You can't kill kids."

“Whose side are you on?” “God’s, of course!” “Same God that wants me to whack the kids?”

"People die." "They do, don't they?"

“Great pustulant mangled bollocks to the Great blasted Plan!”

"Don't test them to destruction."

"It's always too late."

"Nothing lasts forever." "No, I don't suppose it does."

This fear has been chasing Crowley since before the beginning. It’s what caused his first doubts, put the first traces of gray in his wings. He’s been raging at the futility of watching beautiful, complex things be damned or destroyed for his entire existence, and that’s why he seems to the audience and to Aziraphale to be a mess of contradictions.

He loves to follow the trends of the times, but he clings to his classic car in an era of planned obsolescence for vehicles. He lives in an ultra-modern flat, but finds his greatest comfort in the unchanging security of aziraphale’s old shop. He hates the idea of killing children, but is willing to see a child die if it preserves the rest of the universe and foils the Great Plan. He “goes too fast,” but his most unique and notable power is that he’s learned to stop time.

Crowley hates predestination. He hates divine intervention and the removal of agency. Crowley, the architect of free will, is constantly torn between his love of change and choice and potential and his terror that everything will be destroyed by an unstoppable, incomprehensible higher power. That’s his driving conflict in the way that Aziraphale’s is learning to find his own path without following Heaven’s rules, and I am fascinated to see how it resolves.

[forineffablereasons]

Oh, Crowley. Nothing lasts forever.

I think the entirely of Crowley and Aziraphale's interactions in the Final Fifteen™️can be summed up by the idea that they are talking past one another, failing to fully understand each other, but I want to talk about this line in particular. This isn't a full analysis of the scene - just this isolated bit.

Crowley: ...If Gabriel and Beelzebub can do it, go off together, then we can. We don't need Heaven, we don't need Hell, they're toxic. We need to get away from them, just be an us. You and me, what do you say? Aziraphale: Come with me. To Heaven. I'll run it, you can be my second-in-command. We can make a difference. Crowley: You can't leave this bookshop. Aziraphale: Oh, Crowley. Nothing lasts forever. Crowley: No. No, don't suppose it does.

As methods of occult/ethereal communications go, the metaphor is quite versatile.

Crowley is saying: stay here with me. We have this enclave. We can be together properly now - stay here with me. Never mind that they have not actually made any progress on this in the last four-ish years since the end of the world. Never mind that Crowley is so stagnant that four years after the end of the world he's still living in his car.

Keep in mind that Aziraphale didn't have the benefit of Nina and Maggie's intervention - Aziraphale doesn't see this as a confession under Crowley's own initiative, he sees it as a response to what Aziraphale is saying. Aziraphale says, let's go make a difference, and Crowley is sort of forced into taking this position as an alternative offer - to Aziraphale, it looks almost like a temptation. Nothing changed in the last four years, but now that Heaven needs you (and we must give Aziraphale the benefit of his belief that Heaven truly does need him, even though this is clearly a manipulation), I'm ready to move forward, don't you want to stay, don't you want to deny Heaven and exist with our heads in the sand?

"Oh, Crowley," Aziraphale says. "Nothing lasts forever."

To Crowley, who is offering himself and this enclave, this bit of existence that can just be theirs - nothing lasts forever is an obvious smackdown: not even us.

That's not what Aziraphale is saying, though. What Aziraphale is saying is, we can't live like this forever. If we want to protect it, we have to change. Nothing lasts forever isn't a betrayal or a resignation - it's a sacrifice. Aziraphale cares so much about Earth, about fixing Heaven, and about Crowley himself that he's willing to give up the bookshop and their enclave on Earth in order to save it.

They cannot just maintain the status quo. It's been four years since Armageddon and nothing has changed, and keeping on ignoring Heaven and Hell didn't work! It didn't work! They were on their own and here's Heaven and Hell again, in their business, dragging Crowley back to Hell, dragging Aziraphale back into Heaven's politics. Four years was all they got. Four years, and they were under threat, risking each other, risking their very existences. They can't sit in their enclave and pretend it won't happen again because it absolutely will.

Aziraphale spends a lot of this series burying his head in the sand. If he can just hide Gabriel, everything will be fine! (It won't - he'll still have Gabriel.) If he can just make Maggie and Nina fall in love, everything will be fine! (It won't - he'll still have Heaven and Hell waiting in the wings for the next suspicious event.) If he can just get everyone at the Jane Austen Ball, if he can just keep the demons out, if he can just ignore it, it will go away! If he can make the participants know the steps to the dance and if he can control the lingo, he can create a new fantasy world for them all to live in and everything will be fine!

It won't. Aziraphale isn't in control. Aziraphale can't stop this. Aziraphale can't protect himself, and he can't protect Crowley to the point where he has to let Crowley leave him and work a plan on his own. He's a principality, and he can't protect the things and the people he loves.

Then the Metatron walks in, makes a point of validating all the things Aziraphale loves - coffee (food/drink), Crowley (your demon can recognize me even when these angels can't), the shop (do you need to take anything with you? I've made sure the shop will be safe), separates Crowley from Aziraphale - Crowley, Aziraphale's guiding light in all those minisodes, Crowley, the one being Aziraphale trusts - and then.

And the Metatron offers Aziraphale the control he's been missing all season.

Nothing lasts forever. We can't survive in this enclave forever. If we stay here, it will all end. If we stay here, I can't protect you, or humanity, or any of it. I have to try, we have to try, because no one else will, and I'm willing to give up my freedom and my bookshop if it means I can save everything. I want to save it with you, I want you to be with me, I need you, I need us, but--

If I can save you, even if it costs me us, at least you'll have survived.

If that's the price, well. Nothing lasts forever.

[muffinpines]

Shower thought: Crowley, despite being madly in love, is always subverting fanfiction style tropes, he is completely immune.

Kicked out of his flat, perfect opportunity to move into the bookshop without any implications, no thanks I will now live in my car

Aziraphale's "is there anything I can do for you in return wink wink" Crowley: no

I'm convinced they'd get thrown into a "there was only one bed" situation and it would be like

Crowley: don't worry king, I'll sleep on the wall

Aziraphale: but I don't even sleep...

Crowley: *on the wall* dont worry about it

Bruh they'd be under the mistletoe like

Aziraphale: oh my...look at that.

Crowley: don't worry, angel, we aren't bound by botany-related superstitions. Anyway,

Feel free to invent your own in the tags

[boylikeanangel]

crowley literally just got fired kicked out of his home is living in his car with his houseplants hes having the worst fucking time of his life and now he thinks aziraphale is cheating on him. can someone get this poor guy a fucking break. can we cut him some SLACK

[vidavalor]

Crowley is not living in the bookshop in S2 because he's trying to protect Aziraphale. He's lost his flat and he's got Shax popping up unannounced everywhere and he knows that Heaven and Hell might be leaving them alone but it won't be forever. He's afraid of what could happen if Heaven and Hell find out that he and Aziraphale are living together. Aziraphale asked him to stay in the bookshop-- and Crowley does on some nights-- but he makes sure Hell knows that he's living in his car as a way of trying to protect them.

Aziraphale has been trying to convince Crowley that he doesn't need to do this. S2 suggests he's been trying to get Crowley to just move in already. His look of irritation when Crowley moves his plants back into The Bentley upon Aziraphale returning from Edinburgh suggests he was hoping that Crowley would just leave them in the shop and leave himself in there while he was at it. He later tries to calm Crowley-- who is talking about having been up all night with anxiety-- by telling him to go relax in the bookshop, illustrating that he knows that the demon-free zone is a calming place for Crowley and trying to remind him that it's his home, too.

I don't think it's that Aziraphale didn't ask. I think it's that Crowley said no as a way of trying to protect Aziraphale and Aziraphale loves the gentlemanly-ness of it but he's also just like oh, Crowley, will you just come inside and get under some tartan blankets and let me make you a cocoa already? Every night? Forever?