#C1200

[forgeline]

Prepare for takeoff. Henry’s Lamborghini Huracan Performante was built by the team at Cicio Performance and is equipped with their C1200 package. It’s powered by a 1200+WHP Cicio-upgraded V10 engine equipped with a Cicio twin turbo kit manufactured by Extreme Turbo Systems, upgraded fuel system, MoTeC engine management, and Dodson Motorsport clutch. It rides on Toyo Proxes R888R tires and 19x9/19x12 Forgeline one piece forged monoblock GE1 wheels finished in Gloss Black! See more at: https://forgeline.com/customer-gallery/henry

🇺🇸🇺🇸🇺🇸

[frenchcurious]

BMW C1200 R 2001. - source Ruote da Sogno.

[daphsmods]

MY TSR PAGE - TURKSIMMER Clothes SET309 Crowbar Patterned Crop Top C1199 Crowbar Patterned Trousers C1200 8 SWATCHES Compatible with HQ mod Works with all of skins Custom Thumbnail New Mesh All Lods All Maps Teen to Elder For; Female My accounts: Instagram: trsimmer Patreon: turksimmer TSR: turksimmer Pinterest: trsimmer

[anastpaul]

Saint of the Day – 14 August – Blessed Alberto Pandoni OSA (c1200-1274) “The Good Bishop” Bishop of Piacenza (Italy) (1243–1257), Bishop of Ferrara (Italy) (1257–1274), Religious of the Order of the Hermits of St Augustine, Reformer, political crusader and writer. The name Albert means “brilliant nobility.” Born in c1200 in Brescia, Italy and died on 14 August 1274 in Ferrara, Italy of natural causes. Also known as – “The Good Bishop”Alberto of Piacenza, Alberto of Ferrara, Albert… Additional Memorial – 27 July (on some calendars), 2 September (the date of the enshrinement of Blessed Alberto’s Relics Alberto was born into the Brescia nobility. After his studies, he entered the secular clergy of his City and later became an Religious of the Augustinians. In 1244, Pope Innocent had chosen him for the Episcopal chair of Piacenza, at the time of the greatest splendour of the star of Frederick II, whose Court was in Puglia, in Lucera. The Bishop of Piacenza’s love for culture is demonstrated by the fact that in 1248 he organised a university-type school in his City to promote good education, called the “Studio Pubblico.” Piacenza thus followed the example of nearby Bologna, a university cenrer of European importance. By educating themselves, the faithful could become aware of their rights and responsibilities, therefore, also of what threatened them, on the level of faith and politics.

(via Saint of the Day – 14 August – Blessed Alberto Pandoni OSA (c1200-1274) “The Good Bishop” – AnaStpaul)

[irish-dress-history]

Identifying J.C. Walker's Illustrations

An Historical Essay on the Dress of the Ancient and Modern Irish by Joseph Cooper Walker published in 1788 was the first major work published on Irish dress history. Due to a combination of the limited information known at the time, and his erroneous assumption that Irish dress didn't change for the entirety of the Middle ages, Walker got a lot of things wrong, so his writing isn't cited much anymore. Some of his illustrations, however, are still used.

Because Walker lived before the invention of photography, he used drawings of historical Irish art created by colleagues and family to illustrate his book. I decided to track down the original works of art to see how Walker's drawings compared. I am resorting these into roughly chronological order, because Walker's lack of regard for chronology makes my head hurt.

The High Crosses, 9-10th centuries:

Ireland's high crosses have unfortunately lost a lot of their detail due to erosion, making these hard to identify. Sadly, the breeches with a fitted knee-band and the skirt gathered to a waistband look more Late Medieval or Early Modern than they do Early Medieval, so I don't think these are reliable depictions of the lost detail.

Plate 1: Figure 1 (right) is supposed to be from the Clonmacnoise Cross of Scripture. At a guess, it's based off the guard on the right arresting Jesus:

Figures 2 and 3 are based off a high cross fragment at Old Kilcullen, County Kildare. Unfortunately, I don't think the original carving survived. I initially blamed its loss on the United Irishmen, but this drawing from 1889 convinced me that acid rain was the real culprit.

Plate 5 Figure 1 is supposed to be a king from Muiredach's cross. The closest image I could find on the actual cross is Cain killing Able:

Ironically, Cain and Able have more embellishment on their clothes than the "king" based off of them.

12th century:

Plate 1 Figure 5 is from the capital of an arch at St. Saviour's Priory in Glendalough, County Wicklow. The drawing gives the impression that the sides of the head were shaved and the hair was deliberately curled at the end. In the actual carving, the hair is slicked back at the sides and interlaced with adjacent design elements. These are stylistic elements of Irish Romanesque art and not intended to be a realistic depiction of an Irish hairstyle.

13th century:

Plate 4 is the late 13th century effigy of Felim O'Connor, Dominican Priory of St. Mary, Roscommon with a frontal of gallowglasses added in the 15th c.

This drawing is pretty accurate, although the gallowglasses are lacking some details like their quilted cloth gambesons.

photos by Edwin Rae

I cannot find a good photo of Felim O'Connor's effigy, but Conor O'Brien's contemporary effigy at Corcomroe Abbey, County Clare wears the same style of clothing.

13-14th century?

Plate 6 is based on a sculpture from Athassel Priory in County Tipperary. I can't find a solid date for this one. Athassel Priory was built c1200 and then burnt and rebuilt twice before it was dissolved in 1541. The clothing style of the carving makes me think it's from the earlier part of this time frame.

The biggest thing the drawing gets wrong is the gender. This is a man, not a woman. The "necklace pendent" on his chest might have actually been a brooch holding his cloak, but the sculpture is now too damaged to tell. The drape of fabric at his side, which Walker calls a train, is actually the edge of his cloak. The drawing also leaves out the way his become more fitted below the elbow.

15th century:

Plate 3 Figures 1-3 are based off a painting at Knockmoy Abbey.

I'm pretty sure those are houppelandes on the left and center figures. This continental fashion influence shows up elsewhere in 15th c. Ireland (Dunlevy 1989). The drawing omits the massive houppelande sleeves and shortens their hems.

The painting is now badly weather and difficult to see. This is a more accurate drawing published in 1904. Recent photograph here

Plate 5 figure 2 and plate 1 figure 6 come from a 15th c. grave at the Dominican Friary, in Strade, County Mayo.

Figure 2 is a decent representation, although it adds a center front slit to the leine which I don't think is actually there. Figure 6 gets the silhouette of the cotehardie a bit wrong and omits the hanging belt accessories, but its greatest crime is that it makes the top of the hood look like a separate object. Walker actually misidenifies it as a Scotch bonnet.

photo again by Edwin Rae

Plate 7 is Anne Plunket's effigy at St. Mary's Church, Howth, County Dublin. This drawing is decent, though the sleeves are a bit too slim. The cross necklace and belt decorations are no longer visible on the effigy.

photos by MVP Edwin Rae

Plate 8 figures 1 and 2 are both based on a late 15th c. tomb at the New Abbey in Kilcullen, County Kildare. Figure 1 is based off a carving which is probably depicting St. Brigid, which makes her headwear the wimple of an abbess, not a laywoman's kerchief Walker. The drawing, however, omits her telltale crozier. The drawing makes it look like she has cuffed sleeves, but that is actually just the folds of her brat draped over her arm. It also shows her as wearing 2 layers of skirts when she is actually wearing a single lower garment with a hem circumference so large that it puddles at her feet.

Figure 2 is based of Margaret Janico's effigy. The effigy is now too badly eroded to make out details, but it originally probably looked very similar to Margaret Janico's other effigy in St. Audoen's Church, Dublin. Unlike Anne Plunket's effigy above, the necklace and belt decorations are still faintly visible on the Dublin effigy. Figure 2 distorts the construction of the gown and headwear. This drawing makes the bodice of the gown look heavily stiffened or even boned like 17th c. stays. The houppelande on the effigy does not have stiffening in it.

effigy of Margaret Janico and husband at St. Audoen's Church, Dublin (photos, once again, by my man Edwin)

The headpiece in the drawing looks like a linen kerchief wound up to form a turban with a decorated fillet tied over it. The headpiece on the effigy is probably actually a truncated hennin with a veil pinned to it like the one in this mid-15th c Burgundian painting by Petrus Christus.

16th century:

Plate 9 is based on Katherine Molloy's early 16th c. effigy at Fertagh Church, in County Kilkenny. According to the artist's notes it was in "nearly perfect" condition at the time. I wish he had put more detail into the drawing.

(photo also by Edwin Rae)

17th century:

Plate 10 is based on The Taking of the Earl of Ormond in anno 1600. Walker's artist clearly fabricated some detail here, falsely giving the impression that triús were ankle-length. We know from extant examples from Kilcommon, Dungiven, and Killery that triús actually extended past the ankle, covering part of the wearer's foot (Dunlevy 1989, Henshall et al 1961).

Plate 11 was taken from the tomb of Sir Gerald Aylmer (died 1634) and Juliana Nugent. Sadly, it appears to have been destroyed in the early 19th c, so I have no further pictures of it. The clothing looks to me like typical 1630s English fashion with loose gowns over doublets, falling bands, and linen cuffs.

? Century

Plate 1 figure 4 is apparently from Old Kilcullen, County Kildare. I am not sure what this is based on. I haven't seen any Santa hats at Old Kilcullen. Or anywhere else in Medieval Ireland.

Bibliography:

Dunlevy, Mairead (1989). Dress in Ireland. B. T. Batsford LTD, London. 

Henshall, Audrey, Seaby, Wilfred A., Lucas, A. T., Smith, A. G., and Connor, A. (1961). The Dungiven Costume. Ulster Journal of Archaeology, 24/25, 119-142. https://www.jstor.org/stable/20627382

Edwin Rae's invaluable collection of photographs of Late Medieval Irish art accessed via TARA.

[friendswithclay]

“Persian Mina'i Ware Painted Pottery Qom Iran c1200” Kunstmuseum Den Haag museum

[osrphotography]

International Trucks D-Line 1510 ute at the Packard & Pioneer Museum.

The D-Line utes were produced from 1955-75 as a replacement for the C series (a C1200's headlights can be seen in the left-hand side of the frame).

Unfortunately for International Harvester, the D-Line never made a noticeable dent in the American pick-up market. This, coupled with the oil crisis of the mid-70s and the fact that IH utes were not fuel efficient, killed the line in 1975.

I don't know whether any came to New Zealand as utes, although a number were modified and used as ambos. This particular one was imported from Queensland, Australia.

[kennak]

独立行政法人情報処理推進機構（IPA）および一般社団法人JPCERT コーディネーションセンター（JPCERT/CC）は8月21日、複数のTP-Link製品における複数の脆弱性について「Japan Vulnerability Notes（JVN）」発表した。株式会社ゼロゼロワンの早川宙也氏が報告を行っている。影響を受けるシステムは以下の通り。・CVE-2023-31188、CVE-2023-32619Archer C50「Archer C50(JP)_V3_230505」より前のファームウェアArcher C55 「Archer C55(JP)_V1_230506」より前のファームウェア・CVE-2023-36489TL-WR802N「TL-WR802N(JP)_V4_221008」より前のファームウェアTL-WR841N「TL-WR841N(JP)_V14_230506」より前のファームウェアTL-WR902AC「TL-WR902AC(JP)_V3_230506」より前のファームウェア・CVE-2023-31188、CVE-2023-37284Archer C20「Archer C20(JP)_V1_230616」より前のファームウェア・CVE-2023-38563Archer C1200「Archer C1200(JP)_V2_230508」より前のファームウェアArcher C9「Archer C9(JP)_V3_230508」より前のファームウェア・CVE-2023-38568Archer A10「Archer A10(JP)_V2_230504」より前のファームウェア・CVE-2023-38588Archer C3150「Archer C3150(JP)_V2_230511」より前のファームウェア・CVE-2023-39224Archer C5 すべてのバージョンArcher C7 「Archer C7(JP)_V2_230602」より前のファームウェア・CVE-2023-39935Archer C5400「Archer C5400(JP)_V2_230506」より前のファームウェア・CVE-2022-24355TL-WR940N「TL-WR940N(JP)_V6_201103」より前のファームウェア・CVE-2023-40193Deco M4「Deco M4(JP)_V2_1.5.8 Build 20230619」より前のファームウェア・CVE-2023-40357Archer AX50「Archer AX50(JP)_V1_230529」より前のファームウェアArcher A10「Archer A10(JP)_V2_230504」より前のファームウェアArcher AX10「Archer AX10(JP)_V1.2_230508」より前のファームウェアArcher AX11000「Archer AX11000(JP)_V1_230523」より前のファームウェア・CVE-2023-40531Archer AX6000 「Archer AX6000(JP)_V1_1.3.0 Build 20221208」より前のファームウェア　TP-Linkが提供する複数の製品には、下記の影響を受ける可能性がある複数の脆弱性が存在する。・OSコマンドインジェクション（CVE-2023-31188）→ユーザによって、任意のOSコマンドを実行される・ハードコードされた認証情報の使用（CVE-2023-32619）→第三者によってハードコードされたアカウント情報を利用して機器に侵入され任意のOSコマンドを実行される・OSコマンドインジェクション（CVE-2023-36489）→第三者によって任意のOSコマンドを実行される・不適切な認証（CVE-2023-37284）→第三者によって細工したリクエスト送信により認証を回避され、任意のOSコマンドを実行される・OSコマンドインジェクション（CVE-2023-38563）→第三者によって任意のOSコマンドを実行される・OSコマンドインジェクション（CVE-2023-38568）→第三者によって任意のOSコマンドを実行される・OSコマンドインジェクション（CVE-2023-38588）→ユーザによって任意のOSコマンドを実行される・OSコマンドインジェクション（CVE-2023-39224）→ユーザによって任意のOSコマンドを実行される・OSコマンドインジェクション（CVE-2023-39935）→ユーザによって任意のOSコマンドを実行される・スタックベースのバッファオーバーフロー（CVE-2022-24355）→第三者によって細工したリクエスト送信により任意のコードを実行される・OSコマンドインジェクション（CVE-2023-40193）→ユーザによって任意のOSコマンドを実行される・OSコマンドインジェクション（CVE-2023-40357）→ユーザによって任意のOSコマンドを実行される・OSコマンドインジェクション（CVE-2023-40531）→ユーザによって任意のOSコマンドを実行される　JVNでは、開発者が提供する情報をもとにファームウェアを最新版にアップデートするよう呼びかけている。なお、Archer C5のサポートは既に終了しているため、アップデート提供の予定はない。

複数のTP-Link製品に複数の脆弱性 | ScanNetSecurity

[findxbuy]

Gemini Counter C1200, C1200, CM60 Black

Make your retail business look the business with these stylish and practical shop counter displays units. These popular shop counter and retail display sets look great, and also make your products look great when you’re displaying them on the unit’s lovely shelves. Available in maple or lilac white, you’d be hard pressed to find an interior they wouldn’t look good in, particularly with their…

[sssvietnam]

Cisco C1200-48P-4G Switch Cisco Catalyst 1200 chính hãng

Thiết kế nhỏ gọn, linh hoạt  Tiết kiệm năng lượng Fast convergence using 802.1w (Rapid Spanning Tree Protocol [RSTP]), enabled by default Multiple spanning tree instances using 802.1s (MSTP); 8 instances are supported Per-VLAN Spanning Tree Plus (PVST+); 126 instances are supported Rapid PVST+ (RPVST+); 126 instances are supported ●  Up to 4 groups - b6w7dkxodk

[lolasrambles]

"Sometimes I wake up, look at the clock, whip out my credit card and post it all over social media because apparently all 12/13 year old do that when they get a phone"

-Me at a debate c1200 AD

[techtrickszonedotcom]

TP link c1200 gigabit dual band router setup first time

[vienthongthienminh]

#motorola #bodam #motorolacxirc1200 #xirc1200 #bodammotorola #bodamgiare #bodamchinhhang #vienthongthienminh #tongkhobodamvietnam #xir_c1200 

[anastpaul]

Our Morning Offering – 29 March – Membra Jesu Nostri, O Sacred Head, Now Wounded

Our Morning Offering – 29 March – Good Friday Membra Jesu NostriO Sacred Head, Now WoundedBy Blessed Arnulf of Leuven O.Cist. (c1200-1276) O sacred Head, now wounded,with grief and shame weighed down,Now scornfully surroundedwith thorns, Thine only crown;O sacred Head, what glory,what bliss till now was Thine!Yet, though despised and gory,I joy to call Thee mine. What Thou, my Lord, hast…

[belle-aesthetics]

I might be enjoying my victory a bit too much. :3

Anyways, you nailed the brand on the head. It's the 60-something to 70-something probably Australian exclusive International Harvester CM-1300. There may genuinely be less than a 100 pictures of this. More than I first thought though since it's on IMCDB. I shall now give you pictures

Perhaps 64 was the first year? Also this grill is different than the rest of them.

Pictures pulled from https://www.imcdb.org/v031886.html

According to one of the comments there the Harvester part of International Harvester was dropped pretty early on. Maybe that's when the grill changed?

This is an picture you can buy on redbubble for 17.75. It's on sale right now though!: https://www.redbubble.com/i/poster/Old-Delivery-Van-Salvage-Yard-by-hebphoto/23014547.LVTDI

This was for sale. It was listed as a C1200, the examples above seem to all be CM-1300s. https://www.justcars.com.au/cars-for-sale/1971-international-c1200-step-van/JCW5243255

There IS a strangely big gap in the badge there... perhaps a M fell off at some point? This listing also gives us an interior shot.

Love it. Also did you notice the top light display thing magically changed in those last two pictures?

Finally, the coolest picture, and the first one I found, this one being raced at a motorkhana: https://www.shannons.com.au/club/enthusiasts/wojo12/garage/1969-international-harvester-cm1300-metrovan/

There's a bit of interesting information on that page, too. Apparently 4WD conversions are easy if you know what you're doing. I know there are a few food truck listings of this out there too but I can't be bother to hound them down again. Anyways I love this van.

Wish we had more info...

Love this blog! As thanks I give you what I think is the world's most obscure step-van in the world. As a challenge! Have fun!

If you want to gander at it more, this is from the music video for Men At Work's Everything I Need.

P.S: Yes, I do know know what this is.

thanks! wow that’s a sick van, love men at work too. i admittedly don’t really know step vans and especially not ones that were in the australian market in the 80s. my best guess is something from International or IHC, but i honestly don’t even know if they had those in australia!

i think you’ve bested me haha, would love to know what it is!