#Byeon Hee-bong
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blackramhall · 2 years ago
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삎읞의 추얔 - Memories of Murder Bong Joon-ho (2003)
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magicaldragons · 1 year ago
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'in the name of pain and outrage'
an analysis of the ending
I say this with utmost love, but episode 16 was a shitshow.
i walked into this show accepting it at face value – a show that would take itself lightly, with a compelling subplot marinated in humor, and a dose of sweet romance.
this show tried to include very mature, sobering themes with slapstick humor, which is definitely possible if balanced properly, but i feel this show was not able to achieve this the way do bong soon or others could.
to get some of the discrepancies out of the way:
they never told us that the women's senses were connected, geum joo should not have been able to feel namsoon's thirst – that's something they abruptly added to fuel the tension of the situation.
there is absolutely no reason nam soon would react like that to the drug, when you compare it to how every other user was affected by it.
the strength exerted by gil-joongan did not feel like enough to knock her out like that
and with how easy it would've been to leave the situation, it's very obvious that nam soon taking the drug was an ill-planned way to raise the stakes and increase suspense
the homeless couple truly had nothing of value to add to the show or it's message
none of the show's themes or messages were delivered properly towards the end, and it went against everything it preached.
the immediate tone change after ryu si-o's death did not do any justice to the effort put into his characterization
i do not understand how nam soon became a cop, all technicalities considered
why was she throwing humans out a window from the second floor, even if they're criminals??
they REALLY cheapened the whole marriage conversation by bringing money, property, and heirs into it. that was NOT romantic or wholesome. hee-sik deserves better parents, tf.
side note: i'm pretty disappointed with namsoon's character arc, but lee yoo mi worked within the purview of the script to give us honestly wonderful acting, especially in episode 15.
now, to get into the ending, i'll start with this:
what we got, felt like an empty victory. hollow and out of place.
i've always been an advocate for all parts of a show coming together to create an experience – there's usually no single keystone.
but as soon as si-o died, the rest of the episode felt like a blur, with all loose ends being succinctly wrapped up and prepared for season three. byeon woo seok, and his characterization really carried the show as a unit, and added to its cohesiveness. i did not find myself rooting for geum joo and nam soon's successes afterwards
because they had failed the ONE thing most of us had been hoping for them to do:
to save people who were victims of oppression from those with the power of money, and empower them, including to save si-o from his oppressors, and help him take down pavel.
there is no satisfaction in geum joo doing it by herself, because she has no emotional investment in destroying pavel.
losing hwaja and si-o, watching namsoon & heesik become one dimensional all of a sudden, and seeing tertiary unrelated characters having their loose ends tied, is extremely unsatisfactory – for a show that had an incredible cast and so much potential.
at the same time: i loved the portreyal of gil joongan's mission to help the elderly and her enthusiasm for her future, and the addition of binbin + looking into their past from an additional angle also really elevated the emotional context of si-o's character arc.
i loved each character, truly, and to not see the plot and writers give them the detail and care they deserve, is wholly disappointing.
the show took me on a whole journey, emotionally,,,but to know exactly what would make it better, and be aware of its discrepancies makes me grieve the potential it had to truly leave an impact on its viewers, with a solid takeaway message.
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kdramacrybaby · 11 months ago
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Strong Girl Nam-soon (2023)
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Genre: Action, Comedy, Supernatural, Romance
Synopsis: Nam-soon was lost by her Korean family while on vacation in Mongolia, so she grew up with a Mongolian couple, who took her in as their own. But she has always dreamed of going back to find out where she's from, so she worked hard to learn Korean, until she was finally ready to go back and search for her birth parents. Her dreams about South Korea were all shattered immediately, though, as her return finds her scammed and homeless. And not only that, but finding her family leads to her being wrapped up in a drug-case that threatens to take away everything she has worked so hard to find.
Episode info: 16 episodes / Runtime around 60
Lead cast: Lee Yoo-mi (Tsetseg / Gang Nam-soon), Kim Jung-eun (Hwang Geum-jo), Kim Hae-sook (Gil Joong-gan), Ong Seong-wu (Gang Hee-sik), Byeon Woo-seok (Ryu Shi-oh)
Link to watch: You can watch on Netflix or Dramacool
Drama rec masterlist | Drama rant thread (beware of spoilers)
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This drama is unsurprisingly a lot like its "prequel" which is, of course, Strong Woman Do Bong-soon. Which is both a good and a bad thing, because I like the original drama a lot, but it also means that I kept comparing the two. And honestly, the original is better if you ask me.
Both dramas have this thing where it's a comedy drama overall, but it has these really dark themes and scenes that just feel so out of place because they keep undermining it with something funny. The balance just isn't there for me - I had the same problem with Strong Woman Do Bong-soon, but I still feel that they handled it a bit better. A drama that handles that balance really well, though it may be hard to compare with these two, is Vincenzo. -> this does not mean it's a bad drama or anything, it is just not my thing.
Overall, it was a very decent drama. The actors all gave it their all, but sometimes the writing just didn't really hit what they were trying to. Some of the drama came off feeling almost two-dimensional, if that makes sense? It just never really got deep enough for me to actually truly care what happened to any of the characters, which doesn't really make for an amazing viewing experience.
And I can't talk about this drama, without talking about the shipping wars, because oh boy did it get heated at some points. The viewers who found Hee-sik boring (which... I can kind of see, but he's just as "stereotypical" of his character as any of the other characters in this drama, so by that logic all the characters are boring) started shipping Nam-soon with Shi-oh. And yes, these two did have pretty good chemistry on screen, but guys with giant red banners waving behind them just really aren't my thing. And while I did think that Nam-soon and Hee-sik were cute, their chemistry wasn't off the charts like you would want in a romance (neither was her chemistry with Shi-oh, just saying).
The single best scene in this drama was the cameo from Bong-soon and Min-hyuk. And that says a lot about this drama, I think.
In the end... this was a drama that did what it wanted - it copied and somewhat successfully made a second drama to the "classic" that was Bong-soon. It was generally cute and kinda fun, and I didn't have the worst time watching it. Did this drama need to be made? Not if you ask me. Does it need a second season / spin-off like they're teasing? Definitely not. Will I still give it a watch? Probably.
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korelist · 1 year ago
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SUSPICIOUS PARTNER // KDRAMA DÄ°ZÄ° YORUMU
UYARI : Yazılar genel olarak spoiler içerebilir. İçermeyedebilir.
İmdb: 7,8 Benim puanım: 7
Drama: Suspicious Partner (literal title)
Hangul: 수상한 파튾너
Director: Park Sun-Ho
Writer: Kwon Ki-Young
Date: 2017
Language: Korean
Country: South Korea
Cast: Ji Chang-Wook, Nam Ji-Hyun, Choi Tae-Joon, Kwon Na-Ra, Lee Deok-Hwa
2017 SBS Drama Awards - December 31, 2017
Excellent Actress (Wednesday & Thursday drama) (Nam Ji-Hyun)
Ji Chang-Wook görĂŒnce diziye balıklama atladım ama Healer ve K2’den sonra 1 adım ileri gidememiƟ olduğunu görĂŒnce hayal kırıklığı yaƟadım. Kadın karakterimiz Nam Ji-Hyun ondan da beterdi. Daha baƟlamadan tadını kaçırmÄ±ĆŸ gibi oldum, ĂŒzgĂŒnĂŒm.
No Ji-Wook(Ji Chang-Wook) babasını kĂŒĂ§ĂŒk yaƟta kaybetmiƟ, babasının izinden savcı olmuƟ baƟarılı bir adamdır. Bir kliƟe olarak sabah metroda tartÄ±ĆŸtığı hukuk Ă¶ÄŸrencisi Eun Bong-Hee(Nam Ji-Hyun) onun ofisine staja gelir. Diziye giriƟ kısmında stajerine bol bol eziyet eden Ji-Wook, staj bittiğinde görĂŒĆŸmemek ĂŒzere diyerek onu gönderir. İƟte o kadar birbirlerini çekemezler, siz dĂŒĆŸĂŒnĂŒn.
Eun Bong-Hee (Nam Ji-Hyun)’da babasını kĂŒĂ§ĂŒk yaƟta kaybetmiƟ annesine destek olabilmek için avukat olmak isteyen bir kızdır. Uzun sĂŒreli bir iliƟkisi vardır ama bir akƟam tesadĂŒfen erkek arkadaĆŸÄ± tarafından aldatıldığını görĂŒr. Burada uzun bir sĂŒre hanım efendinin buhranını izliyoruz. Biraz sĂŒre geçtikten sonra evde ders çalÄ±ĆŸtığı bir gece polisler eski erkek arkadaĆŸÄ± Jang Hee-Joon(Chansung)’u Bong-Hee’nin evinde ölĂŒ buluyor. Konu atlaya atlaya anlatıyormuƟum gibi gelebilir ama zaten böyle atlaya atlaya yaƟanıyor.
Ve sonuç olarak savcı Ji-Wook, bu kez Bong-Hee ile suçlu koltuğunda karĆŸÄ±laĆŸÄ±yor. Bong-Hee’nin ise tek umudu Ji-Wook’tur. Ă‡ĂŒnkĂŒ bĂŒtĂŒn deliller onu göstermektedir. İƟte dizi böyle baƟlar gibi oluyor. 16 bölĂŒmlĂŒk olabilecek bir dizi 20 bölĂŒme yayılmÄ±ĆŸta yayılmÄ±ĆŸ. Bir sĂŒre sonra buhranlar basmaya baƟlıyor.
YanlÄ±ĆŸ anlama ve davacı/davalı mevzusu bĂŒtĂŒn sezon devam etmiyor. Bir sĂŒre sonra vıcık aƟk moduna geçiliyor. Ama bu mod sĂŒrekli bir kĂŒs bir barÄ±ĆŸÄ±k Ɵekilde sakız kıvamında sunuluyor. Gerçekten sonralara doğru sinir bozmaya baƟlıyor. Kadın baƟrolĂŒ hiç beğenmedim. Oyunculuğu abartılıydı, set makyajı ekstra onu çirkinleƟtirmiƟti. Oyunculuğunu da beğenmedim, senaristin yazdığı karakteri de beğenmedim. Beğenemedim yani. Haliyle çift olarak asla bir uyum içinde değillerdi. Ji Chang-Wook ise karakterine yeni hiçbir Ɵey katmıyordu. Aynı mimikler, aynı bakÄ±ĆŸlar ile bundan önceki rollerin devamı gibiydi. Bence bu durum kendi ajansının rol seçmesindeki baƟarısızlığından da kaynaklanıyor. Dizideki rolĂŒne de değinecek olursam, çok baƟarılı sert bir savcı gibi anlatılırken karakter sakar, ƟapƟal biri olarak resmedilmiƟti. O “allah allah” savcı hiç hissedilmedi. Ä°nsan ister istemez böyle bir konuda bir tık ciddiyet arıyor.
Ne anlatacaklarını bir tĂŒrlĂŒ bilemediler. Bir gönĂŒl iƟlerine daldılar. Hop çıktı savcılık olaylarına girdiler. Hop tekar aƟk meƟke değindiler. Bir baktık yine davalar suçlular konular karÄ±ĆŸtı. Hele ikilinin sonlara doğru ayrıl-barÄ±ĆŸ kĂŒs-sev git gelleri inanılmaz sıkıcıydı. Dizi gĂŒzel bir dizi değildi. Ortalama altına ramak kalmÄ±ĆŸ bir diziydi. Dizinin sĂŒrĂŒkleyiciliği de eksikti. BölĂŒmler gereksiz bir anda bitiyordu. Bunun nedenini platform için bölĂŒm sĂŒrelerini tekrar dĂŒzenlemelerine yoruyorum. Yayınlanırken 30dklık 40 bölĂŒm olarak yayınlanırken platformda 1 saatlik 20 bölĂŒmden oluƟuyordu. Ama tabi bunun kendimi kandırmak için bir bahane olduğunu hepimiz biliyoruz.
Yani sonuç olarak Nam Ji-Hyun’un oyunculuğu nedeni ile bundan sonraki dizilerine bir ön yargı sahibi oldum. Ji Chang-Wook’un ise acilen ajansını değiƟtirmesi ve farklı rollerde yer alması gerektiğini dĂŒĆŸĂŒnĂŒyorum. Ve söylemeden edemeyeceğim bol bol cringe oldum. Yan rollere hiç değinmedim. Yan roller çok daha baƟarılıydı onu belirteyim. Savcının babalığı Byeon Young-Hee rolĂŒnde kötĂŒ adam rollerinde görmeye alÄ±ĆŸtığımız Lee Deok-Hwa vardı. Savcımızın eski sevgilisi Cha Yoo-Jung rolĂŒnde keƟke esas kız olsaymÄ±ĆŸ dediğim Kwon Na-Ra vardı. Ofiste savcımızın yardımcısı rolĂŒnde Jang Hyuk-Jin oynuyordu. Kendisini pek severim. Ve isminin söylenmesi gereken bir diğer oyuncu da; Bong-Hee’nin hem yakın arkadaĆŸÄ± hem ezeli dĂŒĆŸmanı Kim Ye-Won rolĂŒnde Na Ji-Hae vardı.
Ä°zleyecek hiçbir Ɵey bulamazsanız yoklukta gideri var ama kaliteli bir dizi değil. Beklentiyi dĂŒĆŸĂŒrĂŒn izleyin.
OST:
Ji Chang Wook - 101 Reasons Why I Like You
Raven Melus
BAƞKA NELER VAR ?
FOTOĞRAFLAR
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lamiaprigione · 3 years ago
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Memories of murder (2003)
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lottereinigerforever · 5 years ago
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On the set of Bong Joon Ho’s “The Host”
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thebutcher-5 · 2 years ago
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Memories of Murder
Benvenuti o bentornati sul nostro blog. Nello scorso articolo abbiamo continuato a parlare di horror indipendenti (cosa che vedrete molto spesso qui) e siamo arrivati a parlare del recente Son. Una storia che vede una madre e suo figlio vivere una vita tranquilla, almeno fino a quando una setta non li rintraccia. Lei faceva parte di questa setta satanica ed era fuggita da loro poco prima che

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defdaily · 4 years ago
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â€Ș[TRANSLATION] Arena Homme+ Magazine April 2021 Issue featuring JAY B
Translated by defdaily.
JAY B is free and starting again from scratch. That is what JAY B has in mind. GOT7’s leader announced that he would be leaving JYPE as the group stays together. JAY B is preparing to debut as a solo musician while planning to also release mixtapes and hold exhibitions as Def. We had a chat with JAY B, who has gained more freedom and strength, at the swimming pool about courage, depression, literature and aspirations.
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Did you come here alone?
Yes. I took a taxi here. I was the type to go around freely even when I was in JYPE but catching the taxi to work this time around felt new.
All GOT7 members decided to leave JYP but stay together as a group. As a leader, you needed to make a decision, right?
Although we ended up leaving JYPE, we wanted to continue as GOT7. We all agreed to leave [JYPE] and try it between ourselves.The product made from me taking responsibility/taking charge was the single 'Encore’ that was released not too long ago. I was involved in the whole process with a new record label. I was happy to see a good response [to the single]. It was lacking in some areas but I was just very proud that we were able to show a different step. Since we showed through this single that “we did not disband”, what’s next is more important. When we left JYPE, Director Jung Wook mentioned "Your role as a leader starts now." I'm realizing it now.
”I wanted to learn everything about the process of releasing an album and how difficult it is. I wanted to start again from scratch.”
Your role as a leader actually starts now.
I used to find the role of a leader burdensome at times but now I feel a greater sense of responsibility. While supporting each person’s journey, I thought I needed to be the one to step up once we got back together. We also talk regularly in our group chat. Not long ago, Jackson went to China. When Mark went to the USA, I could see him off but when Jackson was leaving, we couldn’t be together because of a schedule. So I told him to have a safe flight, apologised for not being able to see him off and thanked him too. He replied saying he’ll take care and be back.
What motivated you to leave the large agency you've been working with for a long time?
The thought came to mind suddenly as we were promoting as GOT7. Am I taking all these benefits I get for granted? When a schedule is released I just do it, and when they ask me to confirm things I do, but what kind of long process has it gone through before it came to me? Who sends a request and how is it processed? Why am I only waiting until it reaches me and simply watching it unfold? I wanted to be directly involved in that process. I wanted to learn everything about the process of releasing an album and how difficult it is. I want to be humble and start from the bottom again.
Didn't you need the courage?
Of course I did. I was also afraid. My position has risen to all the way up here, but when it comes to my actual knowledge, I think I'm only down there. I was afraid that the difference would feel too big once I left the company. But I think I would have been more afraid if I stayed at JYPE. Since that difference would have grown bigger and bigger. My real self is here, so I should face it head-on a little faster. That's what I thought.
As JAY B or as Def. who releases mixtapes and holds exhibitions, you must have had the desire to do something new.
I want to do research and build it up step by step without haste. JAY B will show hip hop and RnB music that appeals to the general public and Def. will do activities that Def. wants to do. It could be mixtapes or exhibitions, or other different kinds of fictions. Def. is the nickname I used as a bboy before I became a trainee. It’s like air floating about freely. It could be house or soul or acoustic or even modern rock. In a way, you can say that Def. is close to my “main self” but since I debuted as JAY B, I’ll also show a devoted side of myself through JAY B. I want to be a person who can do both what he has to do and what he wants to do freely.
Listening to your mixtapes, and hearing that you like the styles of D’Angelo and Ray Charles, you seem to be attached to the Southern US rhythm and blues and soul music.
I do like them a lot. I like the entire hip-hop culture that originated from there. That culture also includes DJing, graffiti and even bboying. Since I started as a bboy, I would look up older videos to watch, study the culture and also look into what each dance move symbolizes, with my bboying crew and that's how I became fascinated. What captivated me the most was their obstinacy. I felt respect towards the conviction and obstinacy they carried with their culture.
Is that mood still incorporated in your music and dance?
Yes. For example, I don’t think choreography is dance. I think dancing is when music plays and you like the rhythm and start humming and bobbing your head and moving your body. I think dancing is a free act you do out of enjoyment.
What was the reason you joined an idol group after starting out as a bboy?
I gained an interest in music too, not just dancing. When I was young, I listened to D’Angelo’s music and wanted to become a singer like him. But I was rebellious when I first joined JYPE. Haha. I was even suspended for a month once as a trainee. I definitely said hello but they said I didn’t so they said "If you're going to be stubborn, then go home" and me with my young heart replied “Then I shall head home.” and left. Then I met up with my bboying crew after a long time, and in just a few months it turned into a different world. The crew members were above me and I was worried because I could feel myself far away by myself. Should I go back to bboying? Should I continue as a trainee? In the end, I wanted to do my very best in whatever I chose so I decided to focus on becoming a singer. Since I wanted to do music, it was a choice I made with no regrets.
You started as a dancer and ended up as a main vocalist. What was music to you back then?
It was a challenge. Trainees are divided into singing and dancing. I joined as a dancer but what I wanted to do was become a singer and not just do dance. But since I was put into the dancing division, I worked even harder with singing to break that prejudice. I often felt defeated. I still feel defeated with singing. Haha. But music is about endless research. Now it’s more about research than studying.
You grew up as an only child to your parents who did farming?
I was an ordinary kid. I enjoyed Haruki’s Colorless Tsukuru Tazaki and His Years of Pilgrimage and thought the “colourless” kid was just like me. I was a calm kid who helped his parents with their farm work. I don’t know if it’s because I don’t have any older siblings but they said I used to talk to myself a lot. My mother said there was a way she would know if I was home or not. If I was home, she would hear me talk to myself and be like “Oh really?” “Yes really” haha.
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It’s extraordinary to read Haruki at that age.
There was an older friend that I knew and he was really cool. He looked really cool reading on the bus with his legs crossed. He said “Hey, Read a book and build up some knowledge.” As I was trying to be cool like him, I gained a favourite author and started reading more since I enjoyed it.
What kind of books do you like?
When I was a teenager I often read Kafka On The Shore. It felt like Kafka was just like me, and so while reading it, I even cried. The style of Murakami Radio was also interesting. The ending phrase “But I like that more
” was very witty. I’m collecting books from secondhand bookstores from authors who won the Young Author awards. I like Lee Jang-wook's short story Byeon Hee-bong. The main character knows the actor Byun Hee-bong, but the world doesn't know him. He would ask "Don't you know Byun Hee-bong from the movie The Host?" But no one knows. I like stories that don’t intend to be funny but they end up making me giggle.
What do you read these days?
I try to read poetry. I purchased and read the first volume that appeared on Moonji’s Poetry Collection, but it has too many Hanja characters. Haha. I started with Munhwak’s Poetry Collection. I have volumes 1 to 85. I also read poet Park Joon's collection of poems and poet Lee Eun-gyu's Affectionate Name. I even underlined and wrote things down.
Among the idols and musicians I’ve met, I think you are the most extensive reader.
We went on tours often and we would have a lot of time in my hotel room. When I went out I took pictures and when I stayed in my hotel room I read books. When I go on an overseas tour, I pack around 30 books in my suitcase. Then I bring back the books that left an impression on me, and those that didn’t sometimes I dispose of them there. These days, I look for independent publications too. I often look for independent publishing bookstores in Nakseongdae or Haebangchon. There are many books that contain honest stories that are not refined, and the power of those sentences is great.
How does reading influence your work?
The poetic expressions with poetic license help when writing lyrics. You read a new sentence and think “What is this expressing?” You receive inspiration from that image being expressed in a new way. I think of lyrics as poetry too. There are times I write how I feel honestly, but when I want to include a certain meaning I’d want to write the lyrics like poetry.
In your photo exhibition <ALONE> last year, you took pictures of objects and signs in the middle of the road.
Wouldn't it feel very lonely if you think about it from an object’s point of view? The camera captures just an instance but the object will stay there. I think each person has an insatiable loneliness. I like the artist Seonglib’s works, and I feel loneliness in his drawings. I don't know why I keep talking about loneliness, I guess I’m familiar with loneliness.
Seems like you take more pictures of objects and landscapes than people.
I don’t really like taking pictures of people. You can clearly see a person’s emotions in their eyes. I prefer hiding things rather than revealing them too much. I prefer objects, backgrounds, and natural objects rather than subjects that openly express 'It's me!'. Tranquil things, I like when you go past something and go “that’s how it was.” I try my best since my job requires being presented to people but that’s also how I am.
Who do you like as a movie director?
I like Woody Allen’s directing. My favourite is Match Point. It's a love story that goes beyond taboos, and it's electrifying. The face of the actor who secretly asks the reunited lover to give him her number remains in my memory for a long time. How could he direct such a real-looking, raw look in their eyes? When I was a theater and film major, I used to take directing classes rather than acting. If I were to direct a film, I would like to shoot an eccentric witty romantic comedy like Love Fiction directed by Jeon Gye-soo.
Are you self-conscious as an artist?
I’m interested in a variety of genres, and interact with crews often, but I think goofing off just because they are an artist is an arrogant attitude. Everyone is their own artist, no matter what they do, right? I'm not trying to be pretentious, I just think there's a difference in expression, and people who work in the office are also doing their own art. That’s why I’m a little shy about the title “artist.” Is there a need to be puffed up with pride because I’m an artist? I’m just a person.
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While filming for “What's in my bag” and revealed your medications for depression and panic disorder. When did you face your depression?
I didn’t know I had depression. I thought I was being weak for a short while and let it pass. But on an occasion I got examined and found out I had depression. They asked how I lived by without going to the psychiatrist. I said I just thought I was the type to feel blue. Haha. I’m the type that doesn’t show [what is wrong] but they said I was in a state where I needed treatment. After going to counselling and taking medications, I’m much better now.
“I just wanted to talk about it. It may not show, but depression is both a common and dangerous illness.”
I think you’re cool for having the courage to talk about this.
I got diagnosed and looked at the people around me. There are friends who are ashamed of it and try to hide it, and there are friends who talk about it as if it’s insignificant. I just wanted to talk about it. It may not show, but it’s both a common and dangerous illness. A mental illness is an illness too. Among my fans, or those who read this interview, if there is someone who feels depressed, don’t be ashamed of it and I hope you receive treatment and overcome it. It’s not an embarrassing thing and it doesn’t need to be hidden. And I was filming content where I show what’s inside my bag; I can’t lie. I wish everyone would be healthy.
Are you bad at lying?
Yes. If I have to tell a lie, I think it’s just better to not say anything. Since I’m the type that’s honest and straightforward, I also don’t like beating around the bush.
Can you share a way one can take a step forward towards recovering from depression?
Look at the world in a broad view. Know that there are many places you haven’t been to yet and there are many things you haven’t felt yet. It's also good to take a walk and go off your usual route and take a path you've never been on. Small adventures can also be of great help. Just by leaving the house you’re already halfway there. I think there are more ways you can refresh yourself outside rather than inside. Also, I thought I was an honest person but after being diagnosed with depression, I thought I should be more honest with myself and more faithful to myself. At times like this, think of yourself before others.
What do you believe in?
I just believe in god. I don’t have a religion. I don’t know what kind of existence god is but I do believe that there is a god. When I’m thankful or am having a hard time, I pray. “Thank you.” “Please let me get through this wisely.”
What is the greatest motivation that moves you?
As long as I’m alive, I want to continue doing work that will leave a message. I believe that there is no next life. I think I should live this time diligently to the fullest. To have no regrets.
Translated by defdaily.
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anoushkatb · 7 years ago
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*car crash*
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(Future vision):
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Noh Ji Wook to everybody like:
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Wait:
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(every single gif was me)
JUST NOOOOOOOO!!!!!
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dramasrevise · 7 years ago
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Recomendação: Suspicious Partner 수상한 파튾너 (K-Drama)
Recomendação: Suspicious Partner 수상한 파튾너 (K-Drama)
A resenha de hoje Ă© sobre Suspicious Partner, um drama incrĂ­vel nas mĂŁos de Ji Chang Wook e Nam Ji Hyun! (more
)
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movie-dramareview · 4 years ago
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STRANGERS FROM HELL (2019) 
Nama drama: Strangers from Hell (타읞은 지옄읎닀)
Rating pribadi: 7,8/10
Genre: thriller, misteri
Cast:  - Im Si Wan sebagai Yoo Jong Woo  - Lee Dong Wook sebagai Seo Moon Zo (dokter gigi) - Lee Jung Eun sebagai Eom Book Soon (pemilik kosan)  - Lee Hyun Woo sebagai Yoo Ki Hyeok - Park Jong Hwan sebagai Byeon Deuk Jong dan Byeon Deuk Soo (kembar) - Lee Joong Ok sebagai Hong Nam Bok - Hyun Bong Sik sebagai Ahn Hee Joong - Ro Jong Hyun sebagai Kang Seok Yun
Jumlah episode: 10 episode
Adaptasi webtoon dengan judul sama (strangers from hell)
Sinopsis: Yoo Jong Woo yang berusaha mencari kerja, pindah dari desa tempat ia tinggal ke kota. Disana, dia kesulitan mencari tempat tinggal karena biaya sewa yang mahal. Lama berjalan, dia menemukan sebuah kosan di dekat gereja. Tempatnya kecil, kumuh, kamar mandi bersama, dan kamar yang sangat sempit. Karena uangnya memang tidak cukup, dia memutuskan untuk tetap tinggal di kosan itu sambil mencari kerja. Pacarnya yang juga kerja di kota, mengatakan ketika bekerja nanti semua akan baik-baik saja. Di kosan, dia merasa baik-baik saja tidak banyak yang terjadi. Pemilik kosan juga sangat ramah (terlalu ramah malah karena terlalu sering mengajak ngobrol). Tapi karena kosan yang sangat sempit, dia jadi tidka bisa bebas bicara karena terdengar oleh tetangga kamarnya. Disana juga disediakan dapur bersama. Saat Jong Woo mau masak, ternyata ada om-om yang nampak seperti gangster juga ingin dibuatkan ramyeon. Si om om (Hee Jeong) ini mengeluh setiap hari karena kosan yang tidak nyaman. Ia juga mengeluh karena Deuk-Jong (anak yang berkebutuhan khusus) terus saja berisik. Sampai suatu hari, tiba-tiba Hee Jeong menghilang. Jong Woo memang tidak merasa aneh karena Hee Jeong mengatakan mau pindah dari kosan. Tapi, tetap saja, kenapa barang-barangnya masih di kamar? Dan disini thrillernya sudah dimulai.
Pendapat pribadiku~ Genre yang aku suka. Di drama ini juga bisa lihat sisi lain dari Lee Dong Wook yang biasanya dapat peran baik-baik. Dia berhasil memerankan dengan apik kok! Beneran ngga disangka. Jalan ceritanya ngga membosankan, cukup sadis, bikin penasaran? Lumayan. Tapi bikin sangat penasaran pas sudah di akhir. Ibu Lee Jung Eun juga keeeren banget perannya! Buat yang sudah tonton parasite, you know what I mean. Jadi disini dia juga sangat menyebalkan walau terlihat begitu baik. Mantep gais!
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malaysiankpopfans · 4 years ago
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9 K-DRAMAS THAT’LL MOTIVATE YOU TO PURSUE YOUR DREAMS
You can do it!
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Sometimes it’s difficult to find motivation to complete goals whether they are small or big. It’s easier to accept defeat or try to procrastinate. However, there’s nothing more satisfying than fulfilling your objectives and dreams. Be inspired and gain motivation from these characters who pursue their dreams despite various obstacles.
Start-Up
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Start-Up features four, very driven, characters interested in start-ups and technology. Seo Dal-mi (Bae Suzy) and Won In-jae (Kang Han-na) are sisters who were separated after their parents’ divorce and develop a rivalry. Nam Do-san (Nam Joo-hyuk) was a math prodigy as a child, but hasn’t had much luck with his company Samsan Tech yet. Han Ji-pyeong (Kim Seon-ho) was a disadvantaged orphan, but transformed his life with the help of Dal-mi’s grandmother. The foursome learn and grow as they pursue their tech dreams.
Record of Youth
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Record of Youth also centers on young people chasing after their dreams, but in the entertainment industry. Sa Hye-jun (Park Bo-gum) and Won Hae-hyo (Byeon Woo-seok) are both model-turned actors hoping to make it big. An Jeong-ha (Park So-dam) quits a secure office job at a conglomerate in order to take on her dream job of being a makeup artist. As they go after their dreams, there are people who block their paths. However, they strive to overcome setbacks as they further their careers.
Itaewon Class
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Itaewon Class showcases the battle between Park Saeroyi (Park Seo-jun) and food conglomerate Jangga Group. Saeroyi gets expelled from school, loses his father, and becomes a convict because of Jangga Group’s CEO and his son. These unfair events are enough to anger anyone, but Saeroyi overcomes his anger and channels it into creating a bar-restaurant. The callous and intelligent Jo Yi-seo (Kim Da-mi) decides to help grow Saeroyi’s business. Along with the other DanBam crew, the pair fight back against Jangga Group.
Doctors
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Doctors proves that anyone can turn their life around with determination and hard work. Yoo Hye-jeong (Park Shin-hye) had a tough childhood, and is a headstrong delinquent in high school. Due to her unruly behavior and her financial situation, Hye-jeong’s future does not look particularly promising. However, she is changed after meeting compassionate teacher Hong Ji-hong (Kim Rae-won) who inspires her to change her path and become a doctor. 13 years later, they reunite after Hye-jeong has become a neurosurgeon.
Fight for My Way
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Fight for My Way shows four friends whose lives don’t go as they had initially planned. In particular, Ko Dong-man (Park Seo-jun), Choi Ae-ra (Kim Ji-won), and Baek Sul-hee (Song Ha-yoon) are not satisfied with their current job situations. Ae-ra hasn’t given up on her dream though, and pursues a new opportunity. This inspires Dong-man to find a career that makes him happy as well. Facing difficult people and circumstances, the four friends grow as they pursue their dreams and change their lives. You might be stuck in a situation, but you can still go after your goals.
The Producers
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The Producers takes a look at four people behind the scenes of the broadcasting world. Baek Seung-chan (Kim Soo-hyun) becomes a rookie producer in order to work closely with his crush. However, he ends up joining Ra Joon-mo (Cha Tae-hyun)’s show instead. Joon-mo struggles to revive ratings for his show and seeks help from his friend and fellow producer Tak Ye-jin (Kong Hyo-jin). Lastly, Cindy (IU) is a famous singer who debuted at a young age. This drama shows how things won’t always be smooth sailing even when you get the job you aimed for. However, the characters work hard and with passion in order to protect their dreams.
Welcome to Waikiki
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Welcome to Waikiki gathers three young men and women who run a guesthouse together while pursuing their dreams. At first, the guesthouse is managed by the three guys who individually aspire to be a successful director, actor, and screenwriter. The three girls who join them also have different career goals: pastry chef, journalist, and model. Many humorous, embarrassing situations befall the six characters as they are sometimes forced to do things they don’t want to do while they pursue better opportunities.
Rookie Historian Goo Hae-ryung
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Rookie Historian Goo Hae-ryung centers around free-spirited Goo Hae-ryung who focuses on studying instead of romance unlike most of her peers. She works hard to become a historian while fighting gender stereotypes. Despite being looked down upon due to being a woman, Hae-ryung doesn’t hesitate to voice her opinions and defend people who have been wronged. She’s an admirable character who stands up for what she believes in even if it means going up against the king. Be motivated by her bravery to pursue your dreams as well!
Oh My Ghost
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Oh My Ghost’s heroine, Na Bong-sun (Park Bo-young), is a timid assistant chef with low self-esteem. She’s not confident enough in her cooking skills and has a secret crush on her boss Kang Sun-woo (Cho Jung-seok). After getting possessed by the ghost of a lustful virgin Shin Soon-ae (Kim Seul-gi), she changes completely and catches the attention of Sun-woo. With Soon-ae’s help, Bong-sun gains the confidence to show her culinary skills and go after the man she’s interested in. Sometimes it’s hard to believe in yourself and external help can make all the difference. An encouraging friend can help you realize the potential you had inside of you all along.
Which of these motivational stories do you love the most? Be sure to watch all these shows and more, on Netflix!
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markbeomfrance · 4 years ago
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(JAYB) INTERVIEW ‱ 2021.04 | ARENA HOMME+
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JAY B est libre et repart de zĂ©ro. C’est ce que JAY B a Ă  l’esprit. Le leader de GOT7 a annoncĂ© qu’il quitterait la JYPE tout en continuant Ă  faire partie du groupe. JAY B se prĂ©pare Ă  dĂ©buter en tant que musicien solo tout en prĂ©voyant de sortir aussi des mixtapes et de faire des expositions en tant que Def. Nous avons eu une discussion avec JAY B, qui a gagnĂ© plus de libertĂ© et de force, Ă  la piscine, Ă  propos de courage, de dĂ©pression, de littĂ©rature et d’aspirations.
Tu es venu ici seul ?
Oui. J’ai pris un taxi jusqu’ici. J’étais le genre qui se baladait librement mĂȘme quand j’étais Ă  la JYPE mais prendre un taxi pour travailler cette fois est un peu nouveau.
Tous les membres de GOT7 ont dĂ©cidĂ© de quitter JYP mais de rester ensemble en tant que groupe. En tant que leader, tu avais besoin de prendre une dĂ©cision, n’est-ce pas ?
MĂȘme si nous avons fini par quitter JYPE, nous voulions continuer en tant que GOT7. Nous Ă©tions tous d’accord pour partir et essayer les choses par nous-mĂȘme. Le produit qui m’a fait prendre en charge cette responsabilitĂ© Ă©tait le single ‘Encore’ qui est sorti il n’y a pas longtemps. J’ai Ă©tĂ© impliquĂ© dans tout le processus avec un nouveau label. J’étais heureux de voir une bonne rĂ©ponse. Il y avait quelques faiblesses dans certains domaines mais j’étais juste trĂšs fier d’avoir pu montrer une nouvelle Ă©tape. Vu qu’avec ce single, nous avions montrĂ© que “nous ne nous sĂ©parions pas”, ce qui arrive est plus important. Quand on a quittĂ© JYPE, le Directeur Jung Wook m’a dit “Ton rĂŽle de leader commence maintenant.”, je le rĂ©alise maintenant.
“Je voulais tout apprendre Ă  propos du processus de crĂ©ation d’un album et Ă  quel point c’est difficile. Je voulais repartir de zĂ©ro.”
Ton rĂŽle en tant que leader commence maintenant.
J’avais l’habitude de trouver que le rĂŽle de leader Ă©tait pesant mais maintenant, je ressens un plus grand sens des responsabilitĂ©s. Tout en soutenant le parcours de chacun, j’ai pensĂ© que j’avais besoin d’ĂȘtre celui qui devait se renforcer une fois qu’on serait de retour ensemble. On parle aussi rĂ©guliĂšrement sur notre conversation de groupe. Il n’y a pas longtemps, Jackson est retournĂ© en Chine. Quand Mark est parti aux USA, je pouvais le voir partir mais quand Jackson est parti, on ne pouvait pas ĂȘtre ensemble parce que j’avais une activitĂ©. Alors je lui ai dit de faire bon voyage, je me suis excusĂ© de ne pas avoir pu lui dire au revoir et je l’ai remerciĂ© aussi. Il a rĂ©pondu en disant qu’il ferait attention et qu’il reviendrait.
Qu’est-ce qui t’a motivĂ© Ă  quitter une grande agence avec qui tu travaillais depuis longtemps ?
La pensĂ©e m’est venue Ă  l’esprit subitement pendant qu’on se produisait en tant que GOT7. Est-ce que je tiens pour acquis tous ces avantages ? Quand une activitĂ© est prĂ©vue je la fais juste et quand ils me demandent de confirmer les choses, je le fais, mais quel long processus a Ă©tĂ© fait avant d’arriver Ă  moi ? Qui a envoyĂ© la requĂȘte et comment ça s’est passĂ© ? Pourquoi j’attends juste que ça vienne Ă  moi et que je regarde simplement se dĂ©rouler ? Je voulais ĂȘtre directement impliquĂ© dans ce processus. Je voulais tout apprendre Ă  propos du processus de crĂ©ation d’un album et Ă  quel point c’est difficile. Je veux ĂȘtre humble et recommencer Ă  nouveau depuis le dĂ©but.
Tu n’as pas eu besoin de courage ?
Bien sĂ»r que si. J’étais effrayĂ© aussi. Ma position s’est Ă©levĂ©e jusqu’ici mais quand il s’agit de ma connaissance actuelle, je crois que je ne suis qu’en bas. J’avais peur que la diffĂ©rence soit trop importante une fois que j’aurais quittĂ© la compagnie. Mais je pense que j’avais encore plus peur si je restais Ă  la JYPE. Vu que la diffĂ©rence aurait de plus en plus grossie. Mon vrai moi est lĂ , alors je devais y faire face un peu plus vite. C’est ce que j’ai pensĂ©.
En tant que JAY B ou Def. qui sort des mixtapes et fait des expositions, tu dois avoir le désir de faire quelque chose de nouveau.
Je veux chercher et construire pas Ă  pas sans hĂąte. JAY B montrera une musique hip-hop et R&B qui attirera le grand public et Def. fera des activitĂ©s que Def. veut faire. Ça peut ĂȘtre des mixtapes ou des expositions, ou d’autres genres de fictions. Def. est le surnom que j’utilisais en tant que b-boy avant que je ne devienne un trainee. C’est comme de l’air flottant librement. Ça peut ĂȘtre de la house ou de la soul ou de l'acoustique ou mĂȘme du modern rock. Dans un sens, vous pouvez dire que Def. est proche de mon ‘moi principal’ mais vu que j’ai dĂ©butĂ© en tant que JAY B, je montrerai aussi un cĂŽtĂ© dĂ©vouĂ© de moi-mĂȘme Ă  travers JAY B. Je veux ĂȘtre une personne qui peut faire ce qu’il doit faire et ce qu’il veut faire librement.
En Ă©coutant tes mixtapes et en entendant que tu aimais le style de D’Angelo et Ray Charles, tu sembles attachĂ© Ă  la musique soul et rhythm and blues du sud des USA.
J’aime beaucoup tout ça. J’aime la culture entiĂšre hip-hop qui vient de lĂ . Cette culture implique aussi le DJ, le graffiti et mĂȘme le b-boying. Vu que j’ai commencĂ© en tant que b-boy, je voulais regarder de vieilles vidĂ©os, Ă©tudier la culture et aussi voir quels Ă©taient les mouvements de danse qui la symbolisent, avec mon crew de b-boying et c’est comme ça que je suis devenu fascinĂ©. Ce qui m’a captivĂ© le plus Ă©tait leur obstination. J’ai ressenti le respect Ă  travers la conviction et l’obstination qu’ils portaient avec leur culture.
Est-ce que cet Ă©tat d’esprit est toujours incorporĂ© dans ta musique et ta danse ?
Oui. Par exemple, je ne pense pas qu’une chorĂ©graphie est de la danse. Je pense que danser, c’est quand une musique est jouĂ©e et que tu aimes le rythme et que tu commences Ă  fredonner et bouger la tĂȘte et le corps. Je pense que danser est un acte libre que tu fais par plaisir.
Quelle est la raison pour laquelle tu as rejoint un groupe d’idoles aprĂšs avoir commencĂ© en tant que b-boy ?
J’ai trouvĂ© de l’intĂ©rĂȘt dans la musique aussi, pas seulement dans la danse. Quand j’étais jeune, j’écoutais la musique de D’Angelo et je voulais devenir un chanteur comme lui. Mais j’étais rebelle quand j’ai rejoint JYPE. Haha. Une fois, j’ai mĂȘme Ă©tĂ© suspendu 1 mois en tant que trainee. J’avais clairement dit bonjour mais ils disaient que non alors ils ont dit “Si tu veux ĂȘtre tĂȘtu, alors rentre chez toi.” et moi, avec mon jeune coeur, j’ai rĂ©pondu “Alors je vais rentrer chez moi.” et je suis parti. Alors j’ai revu mon crew de b-boying aprĂšs un long moment, et juste en quelques mois, c’est devenu un autre monde. Les membres du crew Ă©taient au-dessus de moi et j’étais inquiet parce que je pouvais sentir moi-mĂȘme que je m’éloignais. Est-ce que je dois retourner au b-boying ? Est-ce que je dois continuer en tant que trainee ? A la fin, je voulais donner le meilleur dans ce que je choisirai et j’ai dĂ©cidĂ© de me concentrer Ă  devenir chanteur. Vu que je voulais faire de la musique, c’était un choix que je faisais sans regret.
Tu as commencĂ© en tant que danseur et fini en tant que chanteur principal. Qu’était la musique pour toi Ă  l’époque ?
C’était un challenge. Les trainees sont divisĂ©s en chant et en danse. Je suis arrivĂ© en tant que danseur mais ce que je voulais faire, c’était devenir un chanteur et pas seulement faire de la
danse. Mais vu que j’avais Ă©tĂ© mis dans la division de danse, j’ai travaillĂ© encore plus dur pour briser ce prĂ©judice. Je me suis souvent senti vaincu. Je me sens encore vaincu avec le chant. Haha. Mais la musique est une Ă©ternelle recherche. Maintenant, c’est plus de la recherche que de l’étude.
Tu as grandi comme enfant unique avec tes parents agriculteurs ?
J’étais un enfant ordinaire. J’ai aimĂ© L’incolore Tsukuru Tazaki et ses annĂ©es de pĂšlerinage de Haruki et je pensais que l’enfant sans couleur Ă©tait comme moi. J’étais un enfant calme qui aidait ses parents avec leur travail Ă  la ferme. Je ne sais pas si c’est parce que je n’avais pas de grand frĂšre mais ils disaient que j’avais l’habitude de me parler. Ma mĂšre disait que c’était une façon de savoir si j’étais Ă  la maison ou pas. Si j’étais Ă  la maison, elle pouvait m’entendre me parler, du genre “Oh, vraiment ?”, “Oui, vraiment.” Haha.
C’est incroyable de lire Haruki à cet ñge-là.
Il y avait un vieil ami que je connaissais et qui Ă©tait vraiment cool. Il avait l’air vraiment cool Ă  lire dans le bus avec ses jambes croisĂ©es. Il a dit “Hey, lis ce livre et construis-toi une connaissance.” Alors que j’essayais d’ĂȘtre cool comme lui, j’ai trouvĂ© un auteur prĂ©fĂ©rĂ© et j’ai commencĂ© Ă  lire plus car j’ai apprĂ©ciĂ©.
Quel genre de livres aimes-tu ?
Quand j’étais adolescent, j’ai souvent lu Kafka sur le rivage. Je sentais que Kafka Ă©tait juste comme moi, et en le lisant, j’ai mĂȘme pleurĂ©. Le style de Murakami Radio est intĂ©ressant aussi. La phrase de fin “Mais c’est ce que j’aime le plus
” est trĂšs drĂŽle. Je rĂ©cupĂšre les livres des boutiques de seconde main des auteurs qui ont gagnĂ© les rĂ©compenses du Jeune Auteur. J’aime l’histoire courte de Lee Jwang Wook, Byeon Hee Bong. Le personnage principal sait qui est l’acteur Byeon Hee Bong mais le monde ne le connaĂźt pas. Il demande “Vous ne connaissez pas Byeon Hee Bong du film The Host ?” Mais personne ne connait. J’aime les histoires qui ne sont pas vouĂ©es Ă  ĂȘtre drĂŽles mais qui finissent par me faire rire.
Tu lis quoi en ce moment ?
J’essaie de lire de la poĂ©sie. J’ai achetĂ© et lu le premier volume du Recueil de PoĂ©sie de Moonji, mais il y a trop de caractĂšres Hanja. Haha. J’ai commencĂ© le Recueil de PoĂ©sie de Munhwak. J’ai les volumes 1 Ă  85. J’ai aussi lu la collection de poĂšmes du poĂšte Park Joon et Affectionate Name du poĂšte Lee Eun Gyu. Je souligne et rĂ©Ă©cris mĂȘme les choses.
Parmi les idoles et musiciens que j’ai rencontrĂ©, je pense que tu es le lecteur Ă  la lecture la plus Ă©tendue.
On a souvent fait des tournĂ©es et on pouvait avoir beaucoup de temps dans la chambre d’hĂŽtel. Quand je sortais, je prenais des photos et quand je restais Ă  l’hĂŽtel, je lisais des livres. Quand je vais en tournĂ©e Ă  l’étranger, je mets une trentaine de livres dans ma valise. Ensuite, je ramĂšne ceux qui ont laissĂ© une impression sur moi et ceux dont ce n’était pas le cas, je les laisse lĂ -bas. En ce moment, je cherche aussi des publications indĂ©pendantes. Je cherche souvent dans des librairies indĂ©pendantes Ă  Nakseongdae ou Haebangchon. Il y a tellement de livres qui contiennent des histoires honnĂȘtes qui ne sont pas affinĂ©es et le pouvoir de ces phrases est super.
Comment la lecture influence ton travail ?
Les expressions poĂ©tiques avec une ligne poĂ©tique aident Ă  l’écriture de paroles. Vous lisez une nouvelle phrase et pensez “Qu’est-ce que ça exprime ?”. Vous recevez l’inspiration de cette image exprimĂ©e d’une nouvelle maniĂšre. Je vois aussi les paroles comme de la poĂ©sie. Il y a des fois oĂč j’écris honnĂȘtement ce que je ressens, mais quand je veux inclure une certaine signification, je vais Ă©crire les paroles comme de la poĂ©sie.
Dans ton exposition photo <ALONE> l’annĂ©e derniĂšre, tu as pris des photos d’objets et de panneaux au milieu de la route.
Est-ce que ça ne fait pas trĂšs solitude si vous pensez Ă  ça du point de vue de l’objet ? L’appareil capture juste un instant mais l’objet restera lĂ . Je pense que chaque personne a une insatiable solitude. J’aime le travail de l’artiste Seonglib, et je ressens la solitude dans ses dessins. Je ne sais pas pourquoi je continue de parler de solitude, peut-ĂȘtre parce qu’elle m’est familiĂšre.
On dirait que tu prends plus de photos d’objets et de paysages que de gens.
Je n’aime pas vraiment prendre de photos des gens. Vous pouvez clairement voir les Ă©motions d’une personne dans ses yeux. Je prĂ©fĂšre cacher les choses plutĂŽt que de trop en rĂ©vĂ©ler. Je prĂ©fĂšre les objets, les arriĂšres plans et les objets naturels plutĂŽt que les sujets qui expriment ouvertement un “C’est moi !”. Les choses tranquilles, j’aime quand vous passez devant quelque chose et dites “C’est comme ça que c’était.”. J’essaye de mon mieux vu que mon travail demande d’ĂȘtre prĂ©sentĂ© aux gens mais c’est aussi comme ça que je suis.
Qui aimes-tu comme réalisateur ?
J’aime la rĂ©alisation de Woody Allen. Ma prĂ©fĂ©rĂ©e est Match Point. C’est une histoire d’amour qui va au-delĂ  des tabous et c’est Ă©lectrisant. Le visage de l’acteur qui demande secrĂštement Ă  celle qu’il aime son numĂ©ro reste encore dans ma mĂ©moire. Comment a-t-il pu rĂ©aliser un regard aussi rĂ©el et brut dans ses yeux ? Quand je faisais des Ă©tudes dans le cinĂ©ma, j’avais l’habitude de prendre plutĂŽt des cours de rĂ©alisation que de comĂ©die. Si je devais rĂ©aliser un film, je voudrais plutĂŽt tourner une comĂ©die romantique pleine d’esprit et excentrique comme Love Fiction rĂ©alisĂ© par Jeon Gye Soo.
Es-tu conscient de toi en tant qu’artiste ?
Je suis intĂ©ressĂ© par plusieurs genres et j'interagis souvent avec des groupes, mais je pense que glander juste parce que tu es un artiste est une attitude arrogante. Tout le monde est son propre artiste peu importe ce qu’ils font, non ? Je n’essaie pas d’ĂȘtre prĂ©tentieux, je pense juste qu’il y a une diffĂ©rence dans la façon de l’exprimer, et les gens qui travaillent dans un bureau font aussi leur propre art. C’est pourquoi je suis un peu timide avec le titre d’artiste. Il y a besoin d’ĂȘtre gonflĂ© avec la fiertĂ© parce que je suis un artiste ? Je suis juste une personne.
En tournant “Qu’est-ce qu’il y a dans mon sac ?”, il a Ă©tĂ© rĂ©vĂ©lĂ© tes mĂ©dicaments contre la dĂ©pression et le trouble panique. Quand as-tu fait face Ă  la dĂ©pression ?
Je ne savais pas que je faisais une dĂ©pression. Je pensais que j’étais un peu faible depuis un petit moment et j’ai laissĂ© passĂ©. Mais Ă  l’occasion, j’ai Ă©tĂ© examinĂ© et j’ai dĂ©couvert que je faisais une dĂ©pression. Ils m’ont demandĂ© comment je faisais pour vivre sans aller voir un psychiatre. J’ai dit que je pensais que j’étais juste du genre Ă  avoir le cafard. Haha. Je suis le genre qui ne montre pas mais ils ont dit que j’étais Ă  un stade oĂč j’avais besoin d’un traitement. AprĂšs des consultations et la prise de mĂ©dicaments, je vais mieux maintenant.
“Je voulais juste en parler. Il se peut que ça ne se voie pas, mais la dĂ©pression est une maladie aussi commune que dangereuse.”
Je pense que tu es cool d’avoir le courage de parler de ça.
J’ai Ă©tĂ© diagnostiquĂ© et j’ai regardĂ© les gens autour de moi. Il y a des amis qui en ont honte et essaient de le cacher et il y a des amis qui parlent de ça comme si ce n’était rien. Je voulais juste en parler. Il se peut que ça ne se voie pas, mais la dĂ©pression est une maladie aussi commune que dangereuse.Une maladie mentale est aussi une maladie. Parmi mes fans, ou ceux qui lisent cette interview, s’il y a quelqu’un qui se sent dĂ©primĂ©, n’ayez pas honte de ça et j’espĂšre que vous recevrez un traitement et arriverez Ă  le surmonter. Ce n’est pas une chose embarrassante et ça n’a pas besoin d’ĂȘtre cachĂ©e. Et je filmais quelque chose qui montrait ce qu’il y avait dans mon sac, je ne peux pas mentir. Je souhaite que tout le monde soit en bonne santĂ©.
Tu es mauvais pour mentir ?
Oui. Si je dois dire un mensonge, je pense que c’est juste mieux de ne rien dire. Vu que je suis du genre Ă  ĂȘtre honnĂȘte et franc, je n’aime pas non plus tourner autour du pot.
Tu peux partager une façon de faire un pas vers la guérison de la dépression ?
Regardez le monde d’une vision large. Sachez qu’il y a plein d’endroits oĂč vous n’avez pas encore Ă©tĂ© et qu’il y a plein de choses que vous n’avez pas encore ressenti. C’est aussi bien d’aller marcher et de sortir de votre chemin habituel et de prendre un chemin que vous n’avez jamais pris. Les petites aventures peuvent aussi ĂȘtre d’une grande aide. Juste en sortant de la maison, vous avez dĂ©jĂ  fait la moitiĂ© du chemin. Je pense qu’il y a plus de chemins pour vous faire du bien dehors que dedans. Aussi, je pensais que j’étais une honnĂȘte personne mais aprĂšs qu’on m’ait diagnostiquĂ© une dĂ©pression, j’ai pensĂ© que je devais ĂȘtre plus honnĂȘte avec moi-mĂȘme et ĂȘtre plus fidĂšle Ă  moi-mĂȘme. Dans des moments comme ça, pensez Ă  vous avant les autres.
En quoi tu crois ?
Je crois juste en Dieu. Je n’ai pas de religion. Je ne sais pas quel genre d’existence est dieu mais je crois qu’il y a un dieu. Quand je suis reconnaissant ou que je vis un moment difficile, je prie. “Merci.” “S’il te plaüt, laisse-moi traverser ça avec sagesse.”
Quelle est la plus grande motivation qui te fait bouger ?
Tant que je serai en vie, je veux continuer à faire un travail qui laissera un message. Je crois qu’il n’y a pas de vie aprùs. Je pense que je dois vivre ce temps soigneusement au maximum. Pour ne pas avoir de regrets.
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offshorebrazil · 4 years ago
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[TRADUÇÃO] Entrevista Jay B (Revista Arena) Abril/2021
JAY B Ă© gratuito e começa do zero. É isso que JAY B tem em mente. O lĂ­der de GOT7 anunciou que ele estaria deixando JYPE enquanto o grupo permaneceria junto. JAY B estĂĄ se preparando para estrear como mĂșsico solo enquanto planeja lançar mixtapes e realizar exposiçÔes como Def. Conversamos com JAY B, que ganhou mais liberdade e força, na piscina sobre coragem, depressĂŁo, literatura e aspiraçÔes.
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VocĂȘ veio aqui sozinho?
Sim. Peguei um tĂĄxi aqui. Eu era do tipo que andava livremente, mesmo quando estava no JYPE, mas desta vez pegar o tĂĄxi para o trabalho parecia novo.
Todos os membros do GOT7 decidiram deixar o JYP, mas permaneceram juntos como um grupo. Como lĂ­der, vocĂȘ precisava tomar uma decisĂŁo, certo?
Embora acabĂĄssemos saindo da JYPE, querĂ­amos continuar como GOT7. Todos concordamos em deixar [JYPE] e tentar entre nĂłs mesmos. O produto feito por mim assumindo a responsabilidade / assumindo o controle foi o single 'Encore' que foi lançado nĂŁo muito tempo atrĂĄs. Estive envolvido em todo o processo com uma nova gravadora. Fiquei feliz em ver uma boa resposta [ao single]. Faltou em algumas ĂĄreas, mas fiquei muito orgulhoso por termos conseguido dar um passo diferente. JĂĄ que mostramos neste single que “nĂŁo nos separamos”, o que vem a seguir Ă© mais importante. Quando deixamos a JYPE, o Diretor Jung Wook mencionou “Seu papel como lĂ­der começa agora”. Estou percebendo isso agora.
“Eu queria aprender tudo sobre o processo de lançamento de um ĂĄlbum e como Ă© difĂ­cil. Eu queria começar do zero. ”
Seu papel como líder realmente começa agora.
Eu costumava achar o papel de lĂ­der um fardo Ă s vezes, mas agora sinto um maior senso de responsabilidade. Enquanto apoiava a jornada de cada pessoa, achei que precisava ser o Ășnico a dar um passo Ă  frente quando estivĂ©ssemos juntos. TambĂ©m conversamos regularmente em nosso bate-papo em grupo. NĂŁo muito tempo atrĂĄs, Jackson foi para a China. Quando Mark foi para os EUA, eu pude me despedir dele, mas quando Jackson estava saindo, nĂŁo podĂ­amos ficar juntos por causa de um cronograma. EntĂŁo eu disse a ele para ter um vĂŽo seguro, pedi desculpas por nĂŁo poder me despedir dele e agradeci tambĂ©m. Ele respondeu dizendo que vai cuidar e voltar.
O que o motivou a deixar a grande agĂȘncia com a qual trabalha hĂĄ muito tempo?
O pensamento veio à mente de repente enquanto eståvamos promovendo como GOT7. Estou considerando todos esses benefícios que recebo como garantidos? Quando uma programação é lançada, eu simplesmente faço isso, e quando eles me pedem para confirmar as coisas que eu faço, mas por que tipo de longo processo passou antes de chegar a mim? Quem envia uma solicitação e como ela é processada? Por que estou apenas esperando até que me alcance e simplesmente observando o desenrolar? Queria estar diretamente envolvido nesse processo. Eu queria aprender tudo sobre o processo de lançamento de um ålbum e como é difícil. Quero ser humilde e começar do zero novamente.
VocĂȘ nĂŁo precisava de coragem?
Claro que sim. Eu também estava com medo. Minha posição subiu até aqui, mas quando se trata do meu conhecimento real, acho que estou apenas lå embaixo. Eu temia que a diferença parecesse grande demais quando eu deixasse a empresa. Mas acho que teria mais medo se tivesse ficado na JYPE. Uma vez que essa diferença teria ficado cada vez maior. Meu verdadeiro eu estå aqui, então devo enfrentå-lo um pouco mais råpido. Isso foi o que eu pensei.
Como JAY B ou como Def. quem lança mixtapes e faz exposiçÔes, vocĂȘ deve ter tido vontade de fazer algo novo.
Quero fazer pesquisas e construir passo a passo, sem pressa. JAY B vai mostrar hip hop e mĂșsica R&B que agrada ao pĂșblico em geral e ao Def. farĂĄ atividades que Def. quer fazer. Podem ser mixtapes ou exposiçÔes, ou outros tipos diferentes de ficção. Def. Ă© o apelido que usei como bboy antes de me tornar um trainee. É como o ar flutuando livremente. Pode ser house ou soul ou acĂșstico ou atĂ© rock moderno. De certa forma, vocĂȘ pode dizer que Def. estĂĄ prĂłximo do meu “eu principal”, mas desde que estreei como JAY B, tambĂ©m mostrarei um lado dedicado de mim mesmo atravĂ©s de JAY B. Quero ser uma pessoa que pode fazer o que tem que fazer e o que quer fazer faça livremente.
Ouvindo suas mixtapes e sabendo que gosta dos estilos de D'Angelo e Ray Charles, vocĂȘ parece estar apegado ao rhythm and blues e soul do sul dos Estados Unidos.
Eu gosto muito deles. Gosto de toda a cultura hip-hop que se originou daí. Essa cultura também inclui DJing, graffiti e até bboying. Desde que comecei como bboy, procurava vídeos antigos para assistir, estudava a cultura e também o que cada movimento de dança simbolizava, com minha equipe de bboying e foi assim que fiquei fascinado. O que mais me cativou foi a obstinação. Senti respeito pela convicção e obstinação que carregavam com sua cultura.
Esse clima ainda estĂĄ incorporado em sua mĂșsica e dança?
Sim. Por exemplo, nĂŁo acho que coreografia seja dança. Acho que dançar Ă© quando a mĂșsica toca e vocĂȘ gosta do ritmo e começa a cantarolar, balançar a cabeça e mexer o corpo. Acho que dançar Ă© um ato livre que vocĂȘ faz por prazer.
Qual foi a razĂŁo pela qual vocĂȘ se juntou a um grupo de Ă­dolos depois de começar como bboy?
TambĂ©m me interessei por mĂșsica, nĂŁo apenas por dança. Quando eu era jovem, ouvia a mĂșsica do D'Angelo e queria me tornar um cantor como ele. Mas eu era rebelde quando entrei para a JYPE. Haha. Fui atĂ© suspenso por um mĂȘs uma vez como estagiĂĄrio. Eu definitivamente disse olĂĄ, mas eles disseram que nĂŁo, entĂŁo eles disseram "Se vocĂȘ vai ser teimoso, entĂŁo vĂĄ para casa" e eu com meu coração jovem respondi "EntĂŁo eu devo voltar para casa." e fui. EntĂŁo eu me encontrei com minha equipe de bboying depois de um longo tempo, e em apenas alguns meses, ele se transformou em um mundo diferente. Os tripulantes estavam acima de mim e eu estava preocupado porque me sentia longe sozinho. Devo voltar ao bboying? Devo continuar como estagiĂĄrio? No final, eu queria dar o meu melhor no que eu escolhesse, entĂŁo decidi me concentrar em me tornar um cantor. JĂĄ que eu queria fazer mĂșsica.
VocĂȘ começou como dançarino e acabou como vocalista principal. O que era mĂșsica para vocĂȘ naquela Ă©poca?
Foi um desafio. Os estagiĂĄrios sĂŁo divididos em canto e dança. Entrei como dançarino, mas o que eu queria era me tornar um cantor e nĂŁo apenas dançar. Mas desde que fui colocado na divisĂŁo de dança, trabalhei ainda mais duro cantando para quebrar esse preconceito. Muitas vezes me senti derrotado. Ainda me sinto derrotado por cantar. Haha. Mas a mĂșsica Ă© uma pesquisa sem fim. Agora Ă© mais pesquisa do que estudo.
VocĂȘ cresceu como filho Ășnico de seus pais que faziam agricultura?
Eu era uma criança normal. Eu gostei do Tsukuru Tazaki Incolor e dos Anos de Peregrinação de Haruki e pensei que o garoto “incolor” era igual a mim. Eu era um garoto calmo que ajudava os pais no trabalho da fazenda. NĂŁo sei se Ă© porque nĂŁo tenho irmĂŁos mais velhos, mas eles disseram que eu falava muito sozinho. Minha mĂŁe disse que havia uma maneira de saber se eu estava em casa ou nĂŁo. Se eu estivesse em casa, ela me ouviria falar comigo mesma e seria como "Ah, Ă© mesmo?" “Sim, sĂ©rio” haha.
É extraordinário ler Haruki nessa idade.
Tinha um amigo mais velho que eu conhecia e ele era muito legal. Ele parecia muito legal lendo no înibus com as pernas cruzadas. Ele disse: “Ei, leia um livro e adquira algum conhecimento”. Como eu estava tentando ser legal como ele, ganhei um autor favorito e comecei a ler mais porque gostava.
Que tipo de livro vocĂȘ gosta?
Quando eu era adolescente, costumava ler Kafka On The Shore. Parecia que Kafka era igual a mim e, ao lĂȘ-lo, atĂ© chorei. O estilo da RĂĄdio Murakami tambĂ©m foi interessante. A frase final “Mas eu gosto mais disso ...” foi muito espirituosa. Estou colecionando livros em livrarias de segunda mĂŁo de autores que ganharam o prĂȘmio de Jovem Autor. Eu gosto do conto de Lee Jang-wook, Byeon Hee-bong. O personagem principal conhece o ator Byun Hee-bong, mas o mundo nĂŁo o conhece. Ele perguntava "VocĂȘ nĂŁo conhece Byun Hee-bong do filme The Host?" Mas ninguĂ©m sabe. Gosto de histĂłrias que nĂŁo pretendem ser engraçadas, mas acabam me fazendo rir.
O que vocĂȘ lĂȘ hoje em dia?
Tento ler poesia. Eu comprei e li o primeiro volume que apareceu na Coleção de Poesia de Moonji, mas ele contém muitos personagens Hanja. Haha. Comecei com a Coleção de Poesia de Munhwak. Tenho os volumes 1 a 85. Também li a coleção de poemas do poeta Park Joon e o Nome afetuoso do poeta Lee Eun-gyu. Até sublinhei e escrevi coisas.
Entre os Ă­dolos e mĂșsicos que conheci, acho que vocĂȘ Ă© o leitor mais extenso.
SaĂ­amos em excursĂ”es com frequĂȘncia e passĂĄvamos muito tempo no meu quarto de hotel. Quando saĂ­a, tirava fotos e quando ficava no meu quarto de hotel lia livros. Quando faço uma turnĂȘ internacional, coloco cerca de 30 livros na minha mala. AĂ­ trago de volta os livros que me marcaram, e os que nĂŁo deixaram Ă s vezes eu os descarto lĂĄ. Hoje em dia tambĂ©m procuro publicaçÔes independentes. Costumo procurar livrarias de publicação independente em Nakseongdae ou Haebangchon. Existem muitos livros que contĂȘm histĂłrias honestas que nĂŁo sĂŁo refinadas, e o poder dessas frases Ă© grande.
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Como a leitura influencia seu trabalho?
As expressĂ”es poĂ©ticas com licença poĂ©tica ajudam na escrita das letras. VocĂȘ lĂȘ uma nova frase e pensa "O que isso estĂĄ expressando?" VocĂȘ recebe inspiração dessa imagem sendo expressa de uma nova maneira. Eu tambĂ©m penso nas letras como poesia. HĂĄ momentos em que escrevo como me sinto honestamente, mas quando quero incluir um certo significado, gostaria de escrever as letras como poesia.
Em sua exposição de fotos <ALONE> no ano passado, vocĂȘ tirou fotos de objetos e placas no meio da estrada.
NĂŁo seria muito solitĂĄrio se vocĂȘ pensar sobre isso do ponto de vista de um objeto? A cĂąmera captura apenas uma instĂąncia, mas o objeto permanecerĂĄ lĂĄ. Acho que cada pessoa tem uma solidĂŁo insaciĂĄvel. Gosto das obras do artista Seonglib e sinto solidĂŁo em seus desenhos. NĂŁo sei por que continuo falando sobre solidĂŁo, acho que estou familiarizado com a solidĂŁo.
Parece que vocĂȘ tira mais fotos de objetos e paisagens do que de pessoas.
Eu realmente nĂŁo gosto de tirar fotos de pessoas. VocĂȘ pode ver claramente as emoçÔes de uma pessoa em seus olhos. Prefiro esconder as coisas do que revelĂĄ-las demais. Prefiro objetos, planos de fundo e objetos naturais em vez de assuntos que expressam abertamente 'Sou eu!' Coisas tranquilas, gosto quando vocĂȘ passa por alguma coisa e diz “era assim que era”. Eu tento o meu melhor, pois meu trabalho exige ser apresentado Ă s pessoas, mas Ă© assim que eu sou.
De quem vocĂȘ gosta como diretor de cinema?
Eu gosto da direção de Woody Allen. Meu favorito Ă© Match Point. É uma histĂłria de amor que vai alĂ©m dos tabus e Ă© eletrizante. O rosto do ator que pede secretamente ao amante reunido que lhe dĂȘ seu nĂșmero permanece por muito tempo na minha memĂłria. Como ele poderia direcionar um olhar tĂŁo real e cru em seus olhos? Quando eu era formado em teatro e cinema, costumava ter aulas de direção em vez de atuação. Se eu fosse dirigir um filme, gostaria de filmar uma comĂ©dia romĂąntica excĂȘntrica e espirituosa como Love Fiction, dirigida por Jeon Gye-soo.
VocĂȘ Ă© autoconsciente como artista?
Estou interessado em uma variedade de gĂȘneros e interajo com as equipes com frequĂȘncia, mas acho que ficar de bobeira sĂł porque eles sĂŁo artistas Ă© uma atitude arrogante. Cada um Ă© seu prĂłprio artista, nĂŁo importa o que façam, certo? NĂŁo estou tentando ser pretensioso, sĂł acho que hĂĄ uma diferença na expressĂŁo, e as pessoas que trabalham no escritĂłrio tambĂ©m estĂŁo fazendo sua prĂłpria arte. É por isso que sou um pouco tĂ­mido quanto ao tĂ­tulo "artista". HĂĄ necessidade de se encher de orgulho porque sou um artista? Eu sou apenas uma pessoa.
Durante as filmagens de “O que estĂĄ em minha bolsa” e revelou seus medicamentos para depressĂŁo e transtorno do pĂąnico. Quando vocĂȘ enfrentou sua depressĂŁo?
Eu nĂŁo sabia que tinha depressĂŁo. Eu pensei que estava sendo fraco por um curto perĂ­odo de tempo e deixei passar. Mas, em uma ocasiĂŁo, fui examinado e descobri que estava com depressĂŁo. Eles perguntaram como eu vivia sem ir ao psiquiatra. Eu disse que achava que era do tipo que fica triste. Haha. Sou do tipo que nĂŁo mostra [o que hĂĄ de errado], mas disseram que eu estava em um estado de necessidade de tratamento. Depois de ir ao aconselhamento e tomar medicamentos, estou muito melhor agora.
“Eu sĂł queria falar sobre isso. Pode nĂŁo aparecer, mas a depressĂŁo Ă© uma doença comum e perigosa. ”
Acho legal vocĂȘ ter coragem de falar sobre isso.
Fui diagnosticado e olhei para as pessoas ao meu redor. Existem amigos que tĂȘm vergonha disso e tentam disfarçar, e existem amigos que falam sobre isso como se fosse insignificante. Eu sĂł queria falar sobre isso. Pode nĂŁo aparecer, mas Ă© uma doença comum e perigosa. Uma doença mental tambĂ©m Ă© uma doença. Entre os meus fĂŁs, ou quem leu esta entrevista, se houver alguĂ©m que se sinta deprimido, nĂŁo tenha vergonha e espero que receba tratamento e supere isso. NĂŁo Ă© algo constrangedor e nĂŁo precisa ser escondido. E eu estava filmando um conteĂșdo onde mostro o que estĂĄ dentro da minha bolsa; Eu nĂŁo posso mentir Eu gostaria que todos estivessem saudĂĄveis.
VocĂȘ Ă© ruim em mentir?
Sim. Se eu tiver que contar uma mentira, acho melhor não dizer nada. Como sou do tipo honesto e direto, também não gosto de rodeios.
VocĂȘ pode compartilhar uma maneira de dar um passo em frente no sentido de se recuperar da depressĂŁo?
Olhe para o mundo de uma maneira ampla. Saiba que hĂĄ muitos lugares que vocĂȘ ainda nĂŁo visitou e que hĂĄ muitas coisas que ainda nĂŁo sentiu. TambĂ©m Ă© bom dar um passeio e sair da sua rota habitual e seguir um caminho que vocĂȘ nunca percorreu. Pequenas aventuras tambĂ©m podem ser de grande ajuda. SĂł de sair de casa vocĂȘ jĂĄ estĂĄ na metade do caminho. Acho que hĂĄ mais maneiras de se refrescar por fora do que por dentro. AlĂ©m disso, eu achava que era uma pessoa honesta, mas depois de ser diagnosticada com depressĂŁo, pensei que deveria ser mais honesta comigo mesma e mais fiel a mim mesma. Em momentos como este, pense em si mesmo antes dos outros.
No que vocĂȘ acredita?
Eu apenas acredito em Deus. Eu nĂŁo tenho religiĂŁo. NĂŁo sei que tipo de existĂȘncia Ă© deus, mas acredito que existe um deus. Quando estou agradecido ou estou passando por momentos difĂ­ceis, eu oro. "Obrigado." "Por favor, deixe-me passar por isso com sabedoria."
Qual é a maior motivação que o move?
Enquanto eu estiver vivo, quero continuar fazendo um trabalho que deixarĂĄ uma mensagem. Eu acredito que nĂŁo hĂĄ prĂłxima vida. Acho que devo viver este tempo diligentemente ao mĂĄximo. Para nĂŁo ter arrependimentos.
Traduzido pela equipe Øffshore_Brasil (base defdaily).
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hanwoolkrp · 4 years ago
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Nesta manhã de såbado, a estrutura para um cinema ao ar livre foi montada no Salão de Eventos ao ar livre, promovendo o primeiro final de semana de conscientização do cinema nacional desse semestre, onde diversos filmes serão passados durante såbado e domingo no período entre 14hrs às 22hrs de såbado e 13hrs às 22hrs de domingo.
Como uma ajuda ao financiamento de projetos do curso de Cinema, os estudantes aproveitaram o evento e se organizaram para vender pipoca, algodão-doce, tteokbokki, kimbap e bebidas variadas.
Se preparem para estender as suas toalhas na grama e passar uma bela tarde com os seus colegas, e não se esqueçam de verificar abaixo a programação:
SĂĄbado:
Unforgettable (Lee Eun-hee, 2016) 1hr 53min
Ao receber uma carta escrita por seu primeiro grande amor, um apresentador de rĂĄdio passa a relembrar os acontecimentos do verĂŁo de 1991. Durante uma viagem de amigos, Soo-ok machuca sua perna, o que faz com que ela precise ser carregada o tempo todo por Beom-sil, que acaba se apaixonando por ela.
A girl at my door (July Jung, 2014) - 2h
ApĂłs um acidente, a Young-nam, uma jovem agente de polĂ­cia de Seul, Ă© transferida para uma pequena aldeia no litoral. Ao chegar, cruza-se com a Dohee, uma adolescente intrigante. Neste novo ambiente, a Young-nam encontra o padrasto de Dohee, um homem violento e alcoĂłlico que explora os trabalhadores imigrantes. Para proteger a Dohee dos maus tratos do padrasto, a Young-nam acolhe-a em casa. A jovem polĂ­cia descobre entĂŁo as vĂĄrias facetas da personalidade de Dohee
Money (Park Noo-ri, 2019) 1h 55min
Deixe-se envolver pela história de um novo corretor da bolsa que sonha em ficar rico. Esses sonhos o tornam suscetível a um golpe no mercado de açÔes que ameaça colocå-lo em apuros.
O Hospedeiro (Bong Joon Ho, 2007) 2h
Na beira do rio Han moram Hie-bong (Byeon Hie-bong) e sua famĂ­lia, donos de uma barraca de comida no parque. Seu filho mais velho, Kang-du (Song Kang-ho), tem 40 anos, mas Ă© um tanto imaturo. A filha do meio Ă© arqueira do time olĂ­mpico coreano e o filho mais novo estĂĄ desempregado. Todos cuidam da menina Hyun-seo (Ko Ah-sung), filha de Kang-du, cuja mĂŁe saiu de casa hĂĄ muito tempo. Um dia surge um monstro no rio, causando terror nas margens e levando com ele a neta de Hie-bong. É quando, em busca da menina, os membros da famĂ­lia decidem enfrentar o monstro.
Domingo:
Our love story (Lee Hyun-ju, 2016) 1h 39min
Yoon-Joo estuda arte. Ela estå se preparando para sua exposição de formatura. Ela faz contato visual com uma mulher Ji-Soo. Yoon-Joo fica atraída por ela. Ji-Soo trabalha meio período. Um dia frio, ela conhece uma mulher Yoon-Joo olhando para ela calorosamente. Logo ela encontra Yoon-Joo novamente. Elas passam momentos felizes e calorosos juntos, mas isso pode durar?
Princess Aurora (Bang Eun-jin, 2005) 1hr 46min
Uma mulher Ă© morta em uma loja de departamentos. NinguĂ©m imagina que isso poderia levar a assassinatos em sĂ©rie, mas dois dias apĂłs o primeiro assassinato, outro homicĂ­dio ocorre. Uma mulher morre sufocada e a Ășnica prova que resta na cena do crime Ă© um adesivo da personagem de desenho animado "Princesa Aurora". Um veterano detetive Oh suspeita que uma mulher atraente e animada chamada Jung Soon-jung seja a assassina. No entanto, ele nĂŁo diz a ninguĂ©m - nem mesmo Ă  sua parceira - que Jung tambĂ©m Ă© sua ex-mulher. Repetidamente, o adesivo da Princesa Aurora Ă© encontrado... cada um com um cadĂĄver.
The truth beneath (Lee Kyoung-mi, 2016) 1hr 42min
The truth beneath é um thriller que acompanha Yeon-hong, uma mulher que, em meio a campanha eleitoral de seu marido, precisa lidar com o desaparecimento de sua filha. Temendo que o caso prejudique suas chances de vencer a eleição, o político a proíbe de notificar as autoridades. Sendo assim, Yeon-hong decide procurar a filha e acaba se metendo em uma grande rede de conspiraçÔes.
The whistleblower (Yim Soon-rye, 2014) 1hr 54 min
Contando a histĂłria real do maior escĂąndalo cientĂ­fico do paĂ­s, The whistleblower acompanha um jornalista investigativo que recebe a denĂșncia de que uma importante pesquisa sobre a clonagem de cĂ©lulas humanas Ă© uma fraude. Ele entĂŁo embarca em uma luta pela verdade, opondo-se a uma poderosa empresa e lidando com a revolta da opiniĂŁo pĂșblica.
A Empregada (Im Sangsoo, 2010) 1h 47 min
Eun-yi é contratada como empregada doméstica em uma mansão de um rico empresårio. Ele rapidamente começa a seduzir seu empregada, que aparentemente não tem escolha a não ser obedecer a seus avanços sexuais. Logo as mulheres da família conspiram contra Eun-yi, que deve travar uma batalha igualmente tortuosa para se proteger.
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its-nishq · 4 years ago
Text
Assignment-1
STEP 1 – Dataset Selection:
The Codebook that I would like to choose is Add Health codebook for this assignment. I decided to pick this codebook to find the correlation between suicidal ideation and parental relationship.
STEP 2 – Identifying Specific topic of interest:
Our life starts at home and upbringing or the way the parents treat and things they teach you at growing age is the primal factor on how the personality of a being would be developed. Therefore I wish to study how this can cause to Suicidal Thoughts and Suicidal Attempts
STEP-3 – Preparing Codebook:
After processing the data, the variables for my research question would be shortlisted as:
Section 18 (Independent Variables)
H1PF4  
You are satisfied with the way your mother and you communicate with each other.
H1PF5           
Overall, you are satisfied with your relationship with your mother
H1PF10
 You never get sad.
H1PF14
You usually go out of your way to avoid having to deal with problems in your life.
H1PF24
You are satisfied with the way your father and you communicate with each other.
H1PF25    
Overall, you are satisfied with your relationship with your father
H1PF36      
You feel loved and wanted.
 Section 33 (Dependent Variables)
H1SU1  
During the past 12 months, did you ever seriously think about committing suicide?
H1SU4           
Have any of your friends tried to kill themselves during the past 12 months?
 STEP-4 – Identifying a Secondary Topic:
Secondary topic associated with primary topic that I would like to choose is Parental Relationship i.e.:
H1PF5           
Overall, you are satisfied with your relationship with your mother
H1PF25         
Overall, you are satisfied with your relationship with your father
 STEP-5 – Building Associating Relationship:
There is a correlation between parental relationship and suicidal attempts
STEP-6 – Literature Review:
The Mediating Role of Parental Support in the Relationship between Life Stress and Suicidal Ideation among Middle School Students
Summary: A study of Suicidal Ideation caused due to poor parental relationships on 3,007 adolescent students in South Korea, in which 7.8% male students and 15.8% students experienced suicidal ideation. This study included 3 parental factors: emotional, financial and academic supports were recorded. In this it was found that all kind of parental supports pose a significant role in the effect of life stress and suicidal ideation.   Reference: Bong-Hee Kang, Jae-Heon Kang, Hyun-Ah Park, Young-Gyu Cho, Yang-Im Hur, Won Yong Sim, Gyeong-Ran Byeon, and Kyoungwoo Kim   https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5541169/
Suicide attempts and retrospective reports about parent-child relationships: evidence for the affectionless control hypothesis.
Summary:
A study was done on 509 patients, in which 249 psychosomatic clinic and 260 from the offices of general practitioners. A total of 17% reported suicidal attempts. After performing bivariate analysis, the results showed a direct link between poor parent-child relationships with suicide attempts. When multi-variant analysis was analyzed, the combination of maternal control and low perceived love was the primal factor leading to suicidal attempts.
Reference:
J. Hardt,*,1 U.T. Egle,2 and J.G. Johnson3
https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2736528/
STEP-7 – Developing Hypothesis based on Literature Review:
Yes, there is association between Parental Relationship and Suicidal Ideation.
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