#But is far more self focused
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thefloatingstone · 7 months ago
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I was doing the "Just one more thing" style of gaming where I was at a point to finish off for the night but kept skulking around and such when Tav called me the fuck out
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Moonstone: can we fucking go to BED already???
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monochromeia · 2 months ago
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REALLY wanna work on a fan continuity where the decepticons are in the right
#or more like#are not the villains#because half of the time in tf media they are in the right LMFAO#then they go “too far”#i think itd be fun instead to explore one where a lot of the decepticons “evil” actions are misconstrued#theyre only ever violent in self defense but it gets spun as them being violent brutes#they only ever want equality but its framed as them wanting power#could totally have like two parts too right#pre-war and beginning of the war focusing on the decepticons pov#but then what if when the war moves to earth all of the old autobots are gone and the ones that are there were raised on that propaganda#and it then focuses on the new autobots learning that the decepticons were never evil#and unlearning that propaganda and bias#was also thinking about optimus dying before the war moves and elita getting the matrix and becoming prime#has nothing to do with the main concept here but a fun idea#anyway so then you could have one autobot (elita) who WAS there in the initial stages of the war#who knows that the decepticons just wanted equality and arent evil but also thinks they deserve what they got for it#and having to unlearn that as well#which i think could also be an even more complicated journey than those who were just told 'decepticons bad' yknow#cuz theyre all like 'wait we were told they wanted total power but they dont. okay then'#still an issue but not necessarily part of a facet of their person? they were jsut told these guys wanted to murder everyone#and pretty reasonably thought 'thats not very nice' even if it does turn out to be a lie#while elita's opinions and ideals ARE something that are ingrained into her#and they are a result of something she was told but that kind of classism/functionism is still very much a part of her person as a whole#and don't necessarily have the excuse of a 'reasonable reaction'. not that the other actuall was as well but u get what i mean#okOK ill stop yapping#SOMEBODY hear me out on this#mono talks#transformers#maccadam
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navree · 10 months ago
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unfortunately i do think this was kind of a weak season finale, there's a lot of stuff from overarching story arcs throughout the season that feel really unresolved (not in a 'this story is gonna keep on going' way, just a straight up 'we're not addressing this any longer' kind of way).
like, have sam and lois talked? she has a lot of abandonment issues and the last time they interacted he abandoned her and it sent her spiraling, have they communicated about this? why did waller go on the run? did checkmate turn against her? why are slade and lex apparently on the same side now? they hated each other and slade should be thrilled lex's metallos failed, why are they suddenly apparently pals? do they even still work for the government? clark and lois's "break up" and the issues involved in it on both clark and lois's side hasn't ever actually been addressed and it needs to be, are we ever gonna see that? where tf are clark's little shorts????? are they gone forever?????
combining that with the fact that this episode feels really padded (given that there was just this constant circular 'they're up they're down they're up they're down' for like 90% of the fight with brainiac), i do really feel like the story would have been better served if they cut the padding, resolved the brainiac invasion at the end of ep 9, and devoted ep 10 to addressing these myriad loose ends in a tight enough way that the season doesn't feel incomplete but still leaving doors open for season 3. because some of the loose ends are fine, 'oh we don't know what happened to hank henshaw', that's just a good teaser for whenever he shows up next season as metallo, that's a good loose end to have for a season finale. but a lot of these just feel like unresolved plots that aren't getting any resolution ever. sam lane went through an entire character arc and we didn't see any of it and it feels jarring, it feels like a writing fail. which is unfortunate because i really love this show and most of the writing has been very good, especially this season.
so i hope that they're able to be a bit tighter and more cohesive for season 3. and also pay chris parnell a hundred million dollars so he can voice anime slade wilson in every single episode.
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platypusisnotonfire · 7 months ago
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I am doing perhaps the most hilariously overboard and unnecessary world-building thing (probably not the most….creating 5 accurate conlangs based on languages from 800ad merging and gaining specific vocabulary from 2000 years of life in very different planets is probably up there since that took a year and I only referenced one of them in the actual book… but that was a different book/universe)
I am currently making MANY spreadsheets of duty rosters to logistically make Exodus Terminal run with 53 people and still have scouting missions happening. Every department has its own sheet and all 53 characters have their own sheet to describe exactly where everyone is at any given point in time. There’s also a « crew by alphabetical order » sheet and a « crew by rank » sheet to help inform the choices of where people best slot in.
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westrelics · 2 months ago
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so. here we are again
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sleepvines · 8 months ago
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It feels nice getting back into the story. I missed it, and I think there's a lot we can add/tweak to get it where we want it to be :-]
due to work and such it's been difficult to set aside time and just write. Or read for that matter. Things are finally looking up again though. Taking a break from a story can lead to a growing detachment from it and I feel like we're slowly warming back up to it now <3 -🍂
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smol-tired-binch-blog · 2 years ago
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hate how im now at a point where im legit like kicking my legs and grinning like an idiot over fictional characters SEND HELP
#take One Guess who im talking about. YES ITS KOI BOI#hes so prettyyyyy and cute and lovely and i love looking at him i wanna hear him speak and laugh and sing just AAAAAAAAAAAA#(turns to my own brain) BITCH WE ARE MEANT TO BE AROACE WHY ARE YOU IN LOVE WITH TWO FICTIONAL CRIMINALS WHAT THE FUCK ARE YOU DOING?????#my brain: (that fuckin anime girl gif from evangelion (i think??))#like fuuuuuck man is it self shipping if u use a proxy? like. hes an oc but he's a stand in for me. he is me and i am him but we also arent#he is his own person and i am my own our lives are very very different but i use him to express love for Mad Dog and Koi Boy#cause they could actually love him if i were in their world i wouldnt stand a chance but my boy has one so he loves them for me#its far easier to imagine him kissing them than it is for me to imagine myself kissing them but that might be because im wired weird#idk it *feels* like it counts yknow. my dumbass out here gettin jealous when i see a Certain Ship cause like i disagree with it on#a Fundamental Level. and on TOP of that half the time the art is so CUTE and im like 'motherfucker that should be ME' or i guess my lad but#STILL am i making sense?? doesnt help that i worry im like. misreading what content i have but also fuck you i can do what i want and also#i get him more than yall kgyugkhjhk (jk jk. Unless) basically when i call them my boyfriends i fuckin mean it#look its Real Missing Nishiki Hours i love him i wanna kiss his perfect face someone shoulda shown him love i could save him and he could#make me worse <3 I Want Him#and do not get me wrong i may be focused on him but Majima is still my wifey too!!! hes mine you cant have her <3#i just have koi boy brainrot i very much desire them Both (YES THAT MIGHT BE WHY I SHIP THEM TOO LOOK I ALSO THINK THEYD WORK WELL TOGETHER#OR AT LEAST HAVE A FUN DYNAMIC TO EXPLORE I SHOULD DATE THEM AND THEY SHOULD DATE EACH OTHER WE ALL HAVE 2 HANDS)#might delete this in the mornin who knows but im feelin silly i wanna talk about them i wanna talk about my boy but idk if ppl would really#GET IT yknow i can think of maybe Two People and that INCLUDES bestie but just aaaa point is i love my koi boy so much hes so lovely <3 <3
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01tsubomi · 1 year ago
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mfw i spent yeeeeears in college aaaaaagonizing about how to turn a short fanfic of mine into a full-length original work and was working on it with my professor and through all the editing became really embarrassed of the original fanfic version thinking it was immature and shallow but could also never make the rewrite work so i moved onto other projects and then today after a very long time reread both of them only to find that the original fic is concise and heartfelt with clunky execution but solid and gripping emotional beats and the novelization is overwritten self-obsessed garbo
#i think i posted about it here a decent amount too#i was surprised at how much i liked the fic but honestly shocked at how bad the rewrite was#like not to dog on myself too much#but i wrote the fic originally for a class on short stories#(which is why i wanted to rewrite it in the first place - if i was already disguising it as original work might as well go all the way)#(see how far we can make this premise go)#so the original is super super to the point and like yeah clearly written by an 18 year old and dramatic but also very tastefully paced#like i was genuinely surprised at how effective i thought a lot of it was#i don't tend to toot my own horn about my writing especially not my old writing i was genuinely chuffed#then i had the dangerous thought of 'maybe i could give the rewrite idea another go this time more in the spirit of the original'#'keep it short and punchy and focused on the characters and their dynamic while updating it w my skills now and use it for grad school apps#but then i thought no...that was the vision i had when i was 18#this is sort of a pun bc it's a story about ghosts but i should just let it lie and move on#personal#i was genuinely so put off by the writing of the rewrite that i was like wtf wait...i like...submitted this to lit mags on campus didn't i#did some digging found that it was the opening scene - which was THE most overwritten wanky part of it in my current self's eyes -#that i submitted to (and got published in) the lit mag i worked on in my little college community#girl nooooooooo i mean i guess the other girlies liked it enough to put it in#but it's odd i guess how time changes your perception/value judgments
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asummersday · 2 years ago
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local author is absolutely obsessed with raph and leo's relationship following the end of season 2 and is making it everyone's problem, more at 11!
#theyre so fascinating to me#let me pull up my notes on them so i can ramble like a crazy person in the tags#heres the thing. raph is the eldest sibling. its his job to keep his little brothers safe#and hes been the leader their whole lives. like they were clearly allowed to do whatever they wanted with little parental supervision#so it would be the most obvious and natural choice for the oldest to be the leader#and like clearly the others are on board (at least during canon events)#and leos the most supportive of raph and his leadership out of all of them. constantly hyping him up. even calling on mind raph#because leo trusts raphs judgement (more than his own id go so far as to say tbh)#(i genuinely believe that leo has always looked up to raph since they were very young.)#so i think leo would see him being promoted to leader as undeserved. unearned. it belongs to raph because hes always been there for them.#(~impostor syndrome babey)#meanwhile raph is struggling to find where he belongs on the team now that hes not the leader#i think raph would have liked to have someone guide him through being leader because its HARD!!! ur choices can and WILL have consequences#so hes trying to be that for leo. he tries to be there the way no one was there so that leo doesnt struggle the way raph did#and also its a good way to ignore having to process how HE feels about the demotion#bc it was so unexpected there would obviously be feelings of guilt and self-doubt and 'was i good enough'#and obviously raph isnt going to tell his brothers how hes struggling to find his place on the team now#because hes the oldest and the oldest sibling is the shoulder to lean on. not there to dump their insecurities on their little siblings#the problem is that leo isnt raph#and raph is so focused on helping leo and not dealing with his own stuff that he forgets that.#i think raph sees himself as the leader of the team and the smashy guy. the powerhouse#(i say that with the belief that raph is the HEART of the team btw. only he doesnt know that lmao)#leo himself is also projecting a little onto raph. like i really do believe he thinks raph hates him for 'stealing' his role#(its bullshit but like. brains are dumb sometimes so)#leo seeks out validation but ESPECIALLY raph's validation (like donnie tbh)#to leo a leader is someone you can count on. and he doesnt see himself as reliable#rottmnt#ataimw#rottmnt raph#rottmnt leo
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kingdom-falls · 1 year ago
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Back at that reference grind
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eyes-talks-ocs · 4 months ago
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I am having issues with a scene/chapter.
On one hand I'm having fun having deep conversations and a little character lore dump™️ that is pretty much completely self indulgent on my part.
But the other hand, it might feel a bit out of character? Like a reader might find it out of character. But it's just the first time this character is actually being kinda normal for the first time on page because he feels comfortable(exhausted) enough to be.
I guess I'm trying to figure out a good middle ground between "hey, I'm finally going to be honest with you in a not fucked up way and be pretty calm and reasonable about it" and being the complete closed off angry individual he is when anything personal is brought up or any attempt at trying to bond with him is made.
I'm trying to make it feel a little bit more natural in transition to him trusting the other character. That, or I really am just over analyzing and overthinking this scene. Like it's not a complete dump of everything that's ever happened to this character and then him then discussing it willingly. It's just a little slip of info from him, and then him not being reactive or aggressive to the person asking him a couple questions over it. Rather him being pretty open to answer the uncomfortable questions.
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Ehhh. I'm 70% sure I'm just overthinking it.
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chatdomestique · 9 months ago
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Does anyone else sometimes get the feeling that a significant number of people in fandoms don’t actually care all that much about the original media and are really just addicted to the false sense of community that fandom creates?
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swampjawn · 1 year ago
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Time to talk an unnecessary amount about floors!
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Episode 6 of Dungeon Meshi was produced in collaboration with a smaller studio, Enishiya - and it went way harder than I expected, for being made up of two relatively simple and self contained stories focusing on one character each.
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And you can really see how those extra resources meant the animators could give full focus to both halves of the episode. Let's take a look at one piece that stole the show.
The first half was handled primarily by episode director/storyboard artist Keita Nagahara and co-animation director Hirotoshi (or Hiroaki? [1]) Arai. It's actually kinda insane how much of this section can be attributed to these two.
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But the real star of the show is the second half, Chilchuck vs the mimic, led by co-animation director Toya Ooshima in his first animation director role for TV anime!
And the biggest aspect that knocked my dang boots off was something that's very consistent with Ooshima's style: background animation!
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By animating the backgrounds rather than using painted still images, Ooshima and the team of other similarly skilled animators are able to create these beautiful dynamic camera movements that wouldn't be possible otherwise. Like these cuts by Takeshi Maenami where the camera becomes an expressive part of the scene, zipping forward and backward, and tilting to emphasize the speed of this murderous hermit crab. (Maenami's style is also very recognizable here - snappy timing and quick camera movements)
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Or this cut by the incredible Kaito Tomioka which cleverly combines a traditional background for the walls with a fully animated floor. The level of detail in these tiles is just completely insane, and used to great effect with this wide, diagonal angle, and the way the camera tentatively drifts forward before reversing direction, and the tiles blur out as it speeds up.
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I don't think I'm the only one caught off guard by how much they full-assed this little side story, but it was a pleasant surprise!
I broke down the entire episode in this video here. A lot of research went into this one, and I think it's the best one of these videos I've made so far, so if you're at all interested in more of this type of analysis in video form, I would really appreciate it if you checked it out, or re-blogged this post! Thanks
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[1] It's listed as Hirotoshi on Anime News Network, but Hiroaki on a key frame that Studio Trigger shared on Twitter, so I'm not sure which one is wrong.
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luna-azzurra · 2 years ago
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Good Traits Gone Bad
Empathy turning into manipulation
Imagine a character who is deeply empathetic, someone who genuinely feels and understands the emotions of others. At first, this makes them incredibly compassionate and kind, always there to lend an ear or offer comfort. But over time, this empathy begins to shift. Instead of just understanding how others feel, they start to use that understanding to manipulate those around them. They know exactly what to say to get people to do what they want, twisting their caring nature into a tool for control. What once was a beautiful gift becomes a weapon, used to bend others to their will without them even realizing it.
Confidence becoming arrogance
Think of someone who exudes confidence—someone who knows their worth and isn’t afraid to go after what they want. This kind of self-assuredness is magnetic and inspiring, drawing people in. But sometimes, this confidence can grow into something darker. The character starts to believe they’re always right, that their way is the best and only way. They dismiss others’ ideas and opinions, thinking they know better than everyone else. What was once a healthy self-esteem turns into arrogance, pushing people away as they start to feel belittled and unappreciated.
Ambition turning into obsession
Picture a character who is ambitious and driven, always striving for the next big achievement. Their dedication is admirable, pushing them to work hard and aim high. But ambition can have a dark side, too. Slowly, their drive becomes an obsession. They start to focus solely on their goals, willing to sacrifice anything or anyone who stands in their way. Friends, family, and even their own health fall by the wayside as they chase success at any cost. What was once an admirable quality turns destructive, consuming them completely.
Loyalty becoming blind devotion
Loyalty is such a beautiful trait. A loyal character is dependable, someone who stands by the people they care about no matter what. But loyalty can also become dangerous if it goes too far. This character might start to overlook red flags or harmful behaviors, sticking by someone or something even when it’s clearly detrimental. They become so blindly devoted that they lose sight of their own well-being and moral compass. What starts as a positive trait turns into a kind of self-destructive stubbornness, harming them more than helping.
Courage turning into recklessness
Imagine someone who’s incredibly brave, always ready to face challenges head-on and stand up for what they believe in. At first, this courage is inspiring, giving them the strength to overcome obstacles and help others. But sometimes, courage can cross a line. It turns into recklessness, making them take unnecessary risks without considering the consequences. They start to believe they’re invincible, putting themselves and others in danger because they’re too focused on proving their bravery. What was once a powerful strength becomes a dangerous flaw.
Determination becoming stubbornness
There’s something admirable about a character who never gives up, no matter how tough things get. Their determination helps them push through difficulties and keep going when others might quit. But when that determination turns into stubbornness, it’s a different story. They refuse to change their minds, even when all the signs point to a different path. They ignore advice, dismiss alternative viewpoints, and stick to their course out of sheer willpower, even when it’s clearly not working. Their once-praiseworthy persistence becomes a source of frustration for those around them.
Optimism becoming naivety
Someone who always looks on the bright side, no matter what. Their optimism is contagious, lifting the spirits of those around them and helping them see the silver lining in every situation. But if they aren’t careful, this optimism can morph into naivety. They might start ignoring real dangers or fail to recognize when they’re being taken advantage of. Their rosy outlook makes them blind to harsh realities, and they become easily deceived or led astray, all because they’re so focused on seeing the good in everything and everyone.
Protectiveness turning into possessiveness
A character who is naturally protective of their loved ones, always looking out for them and ensuring they’re safe and happy. This protectiveness is heartwarming and makes those around them feel cherished. But when protectiveness goes too far, it can become possessiveness. The character starts to feel like they own the people they care about, becoming overly controlling and jealous. They start dictating others' actions, justifying it as care, but it’s really about their need to keep everything under their control. What started as a caring instinct turns into something suffocating and unhealthy.
Altruism becoming self-neglect
Think about a character who is incredibly selfless, always putting others' needs before their own. They’re the kind of person who would give you the shirt off their back, always ready to help, always there for everyone. But this selflessness can go too far. It turns into self-neglect, where they completely disregard their own needs and well-being. They keep giving and giving until they have nothing left, leading to burnout and exhaustion. Their altruism, while beautiful, ends up harming them because they don’t know how to set boundaries or take care of themselves.
Honesty becoming brutal bluntness
There’s a lot to be said for a character who is straightforward and honest, someone who tells it like it is and doesn’t sugarcoat the truth. People appreciate their transparency and trustworthiness. But when honesty turns into brutal bluntness, it’s no longer a positive trait. This character starts to disregard others' feelings, using their honesty as an excuse to be harsh and tactless. Their words cut deep, hurting those around them, all in the name of being truthful. What was once refreshing candor becomes a source of pain, as they lose sight of the importance of kindness in communication.
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yakshxiao · 22 days ago
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FIVE MINUTES AT A TIME ; JACK ABBOT
wc; 9.3k synopsis; You and Jack only ever see each other for five minutes at a time — the tail end of day shift and the start of night shift. But those five minutes? They’ve become the best part of both of your days. Everyone else in the ER has noticed it. The way you both lean in just a little too close during handoff. The way both of you leave a drink and a protein bar next to the chart rack. The way neither of you ever miss a single shift — until one day, one of you doesn’t show up. And everything shifts.
contents; Jack Abbot/nurse!reader, gn!reader, medical inaccuracies, hospital setting, mentions of injury and death, slow burn, found family, mutual pinning, mild jealousy, age gap (like 10-15 years, reader is aged around late 20s/early 30s but you can do any age), can you tell this man is consuming my every thought? tempted to write a follow-up fic lemme know what u guys think.
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You only see him at 7 p.m. — well, 6:55 p.m., if you’re being exact.
You’re already at the nurse’s station, chart pulled up, pen poised, pretending you’re more focused than you are — just waiting for that familiar figure to walk in. The ER is barely holding itself together, seams straining under the weight of another long, unsparing shift. 
You’ve witnessed Mckay go through two scrub changes — both stained, both discarded like paper towels. Dana’s been shouted at by too many angry patients to count, each new confrontation carving deeper lines into her already exhausted face. And if you see Gloria trailing behind Robby one more time, arms crossed, mouth already mid-complaint, you’re sure you’ll have front-row seats to the implosion of Robby’s self-restraint.
The end-of-shift exhaustion hangs in the air, thick enough to taste. It seeps into the walls, the floor, your bones. The scent of bleach, sweat, and cold coffee hangs over everything, a cocktail that clings to your skin long after you clock out. The vending machine’s been emptied of anything worth eating. Your stomach gave up asking hours ago. 
The sun is still trying to claw its way down, its last rays pressing uselessly against frosted windows, too far removed to touch. The ER isn’t made for soft light. It lives under fluorescents, bright and unfeeling, leeching color and kindness from the world, one hour at a time.
It’s then, right on time, he arrives.
Jack Abbot.
Always the same. Dark scrubs, military backpack slung over his shoulder, the strap worn and fraying. His stethoscope loops around his neck like it belongs there and his hair is a little unkempt, like the day’s already dragged its hands through him before the night even starts.
He walks the same unhurried pace every time — not slow, not fast — like a man who’s learned the ER’s tempo can’t be outrun or outpaced. It’ll still be here, bleeding and burning, whether he sprints or crawls. And every day, like clockwork, he arrives at your station at 6:55 p.m., eyes just sharp enough to remind you he hasn’t completely handed himself over to exhaustion.
The handoff always starts the same. Clean. Professional. Efficient. Vitals. Labs. Status updates on the regulars and the barely-holding-ons. Names are exchanged like currency, chart numbers folded into the cadence of clipped sentences, shorthand that both of you learned the hard way. The rhythm of it is steady, like the low, constant beep of monitors in the background.
But tonight, the silence stretches just a little longer before either of you speaks. His eyes skim the board, lingering for half a second too long on South 2. You catch it. You always do.
“She’s still here,” you say, tapping your pen against the chart. “Outlived the odds and half the staff’s patience.”
Jack huffs a quiet sound that’s almost — almost — a laugh. The sound is low and dry, like it hasn’t been used much lately, “Figures.”
His attention shifts, following the slow, inevitable exit of Gloria, her unmistakable white coat vanishing around the corner, Robby sagging against the wall in her wake like a man aging in real-time, “I leave for twelve hours and Gloria’s still haunting the halls. She got squatters’ rights yet?”
You smirk, shaking your head and turning to look in the same direction, “I think Robby’s about five minutes away from filing for witness protection.”
That earns you a real smile — small, fleeting, but it’s there. The kind that only shows up in this place during the quiet moments between shift changes, the ones too short to hold onto and too rare to take for granted. The kind that makes you wonder how often he uses it when he’s not here.
Jack glances at the clock, then back at you, his voice low and dry. “Guess I better go save what’s left of his sanity, huh?”
You shrug, sliding the last of your notes toward him, the pages worn thin at the corners from too many hands, too many days like this. “Too late for that. You’re just here to do damage control.”
His smile lingers a little longer, but his eyes settle on you, the weight of the shift pressing into the space between you both — familiar, constant, unspoken. The clock ticks forward, the moment folding neatly back into the rush of the ER, the five-minute bubble of quiet already closing like it always does.
And then — 7 p.m. — the night begins.
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The next few weeks worth of handoffs play out the same way.
The same rhythm. The same quiet trade of names, numbers, and near-misses. The same half-conversations, broken by pagers, interrupted by overhead calls. The same looks, the same five minutes stretched thin between shifts, like the ER itself holds its breath for you both.
But today is different. 
This time, Jack arrives at 6:50 p.m. 
Five minutes earlier than usual — early even for him. 
You glance up from the nurse’s station when you catch the sound of his footsteps long before the clock gives you permission to expect him. Still the same dark scrubs, the military backpack and stethoscope around his neck. 
But it’s not just the arrival time that’s different.
It’s the tea. Balanced carefully in one hand, lid still steaming, sleeve creased from the walk in. Tea — not coffee. Jack Abbot doesn’t do tea. At least, not in all the months you’ve been on this rotation. He’s a coffee-or-nothing type. Strong, bitter, the kind of brew that tastes like the end of the world.
He sets it down in front of you without fanfare, as if it’s just another piece of the shift — like vitals, like the board, like the handoff that always waits for both of you. But the corner of his mouth lifts when he catches the confused tilt of your head.
“Either I’m hallucinating,” you say, “or you’re early and bringing offerings.”
“You sounded like hell on the scanner today,” he says, voice dry but easy. “Figured you’d be better off with tea when you leave.”
You blink at him, then at the cup. Your fingers curl around the warmth. The smell hits you before the sip does — honey, ginger, something gentler than the day you’ve had.
“Consider it hazard pay,” Jack’s mouth quirks, eyes flicking toward the whiteboard behind you. “The board looks worse than usual.”
You huff a dry laugh, glancing at the mess of names and numbers — half of them marked awaiting test results and the rest marked with waiting.
“Yeah,” you say. “One of those days.”
You huff a laugh, the sound pulling the sting from your throat even before the tea does. The day’s been a long one. Endless patient turnover, backlogged labs, and the kind of non-stop tension that winds itself into your muscles and stays there, even when you clock out.
Jack leans his hip against the edge of the counter, and lets the quiet settle there for a moment. No handoff yet. No rush. The world is still turning, but for a brief second it feels like the clock’s hands have stalled, stuck in that thin stretch of stillness before the next wave breaks.
“You trying to throw off the universe?” you ask, half teasing, lifting the cup in mock salute. “Next thing I know, Gloria will come in here smiling.”
Jack huffs, “Let’s not be that ambitious.”
The moment hangs between you, the conversation drifting comfortably into the kind of quiet that doesn’t demand filling. Just the weight of the day, and the knowledge that the night will be heavier.
But then, as always, duty calls. A sharp crackle from his pager splits the stillness like a stone through glass. He straightens, his expression shifting back to business without missing a beat.
You slide the last chart across the desk toward him, your hand brushing the edge of his as you let go. The handoff starts, the ritual resumes. Vitals. Labs. Critical patients flagged in red ink. Familiar, steady, practiced. A dance you both know too well.
But even as the conversation folds back into clinical shorthand, the tea sits between you, cooling slowly, marking the space where the ritual has quietly shifted into something else entirely.
And when the handoff’s done — when the last name leaves your mouth — the clock ticks past 7:05 p.m.
You linger. Just long enough for Jack to glance back your way.
“Same time tomorrow?” he asks. The question light, but not casual.
You nod once, the answer already written.
“Wouldn’t miss it.”
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After that, the handoff’s change. Tea was only the beginning.
It’s always there first — sometimes waiting on the desk before you’ve even finished logging out. The cup’s always right, too. No questions asked, no orders repeated. Jack learns the little details: how you like it, when it's too hot or too cold. When the shift’s been particularly cruel and the hours stretch too thin, he starts adding the occasional muffin or protein bar to the offering, wordlessly placed on the desk beside your notes.
In return, you start doing the same. Only you give him coffee. Black, bitter — too bitter for you — but it's how he likes it and you’ve never had the heart to tell him there’s better tasting coffee out there. Sometimes you give him tea on the calmer nights. A granola bar and an apple join soon after so you know he has something to eat when the food he brings in becomes a ghost of a meal at the back of the staff fridge. A post-it with a doodle and the words “I once heard a joke about amnesia, but I forgot how it goes” gets stuck to his coffee after an especially tough day shift, knowing it’ll bleed into the night.
It’s quiet, easy. Half-finished conversations that start at one handoff and end in the next.
You talk about everything but yourselves.
About the regulars — which patient is faking, which one’s hanging on by more than sheer luck. About the shows you both pretend you don’t have time for but always end up watching, somehow. About staff gossip, bets on how long the new hire will last, debates over whose turn it is to replace the break room coffee filter (spoiler: no one ever volunteers).
But never about what you two have. Never about what any of it means.
You pretend the lines are clear. That it’s all part of the handoff. That it’s just routine.
But the team notices.
Mckay starts hanging around the station longer than necessary at 6:55 p.m., her eyes flicking between the clock and the doorway like she’s waiting for a cue. Dana starts asking loaded questions in passing — light, but pointed. “So, Jack’s shift starting soon?” she’ll say with a knowing tilt of her head.
The worst offenders, though, are Princess and Perlah.
They start a betting pool. Subtle at first — a folded scrap of paper passed around, tucked in their pockets like an afterthought. Before long, half the ER staff’s names are scribbled under columns like ‘Next week’, ‘Next Month’ or ‘Never happening’.
And then one day, you open your locker after a twelve-hour shift, hands still shaking slightly from too much caffeine and too little sleep, and there it is:
A post-it, bright yellow and impossible to miss.
“JUST KISS ALREADY.”
No name. No signature. Just the collective voice of the entire ER condensed into three impatient words.
You stand there longer than you should, staring at it, your chest tightening in that quiet, unfamiliar way that’s got nothing to do with the shift and everything to do with him.
When you finally peel the note off and stuff it deep into your pocket, you find Jack already waiting at the nurse’s station. 6:55 p.m. Early, as always. Tea in hand. Same dark scrubs. Same unhurried stride. Same steady presence.
And when you settle in beside him, brushing just close enough for your shoulder to graze his sleeve, he doesn’t say anything about the flush still warm in your cheeks.
You don’t say anything either.
The handoff begins like it always does. The names. The numbers. The rhythm. The world still spinning the same broken way it always has.
But the note is still in your pocket. And the weight of it lingers longer than it should.
Maybe tomorrow. Maybe next week. Maybe next month. Maybe never.
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The handoff tonight starts like any other.
The same exchange of vitals, the same clipped sentences folding neatly into the rhythm both of you know by heart. The ER hums and flickers around you, always on the edge of chaos but never quite tipping over. Jack’s there, 6:55 p.m., tea in one hand, muffin in the other — that small tired look in place like a badge he never bothers to take off.
But tonight, the air feels heavier. The space between you, thinner.
There’s no reason for it — at least, none you could name. Just a quiet shift in gravity, subtle enough to pretend away, sharp enough to notice. A conversation that drifts lazily off course, no talk of patients, no staff gossip, no television shows. Just silence. Comfortable, but expectant.
And then his hand — reaching past you to grab a chart — brushes yours.
Not the accidental kind. Not the casual, workplace kind. The kind that lingers. Warm, steady, the weight of his palm light against the back of your fingers like the pause before a sentence you’re too scared to finish.
You don’t pull away. Neither does he.
His eyes meet yours, and for a moment, the world outside the nurse’s station slows. The monitors still beep, the overhead paging system still hums, the hallway still bustles — but you don’t hear any of it.
There’s just his hand. Your hand. The breath you didn’t realize you’d been holding.
And then the trauma alert hits.
“MVA — multiple injuries. Incoming ETA two minutes.”
The spell shatters. The moment folds back in on itself like it was never there at all. Jack pulls away first, but not fast. His hand brushes yours one last time as if reluctant, as if the shift might grant you one more second before it demands him back.
But the ER has no patience for almosts.
You both move — the way you always do when the alarms go off, efficient and wordless, sliding back into your roles like armor. He’s already at the doors, gloves snapped on, voice low and level as the gurneys rush in. You’re right behind him, notes ready, vitals called out before the paramedics finish their sentences.
The night swallows the moment whole. The weight of the job fills the space where it had lived.
And when the trauma bay finally quiets, when the adrenaline starts to bleed out of your system and the hallways return to their usual background hum, Jack passes by you at the station, slowing just long enough for your eyes to meet.
Nothing said. Nothing needed.
Almost.
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Weeks after the same routine, over and over, the change starts like most things do in your world — quietly, without fanfare.
A new name slips into conversation one morning over burnt coffee and half-finished charting. Someone you met outside the ER walls, outside the endless loop of vitals and crash carts and lives balanced on the edge. A friend of a friend, the kind of person who looks good on paper: steady job, easy smile, around your age, the kind of life that doesn’t smell like antiseptic or ring with the static of trauma alerts.
You don’t even mean to mention them. The words just tumble out between patients, light and careless. Jack barely reacts — just a flicker of his eyes, the barest pause in the way his pen scratches across the chart. He hums, noncommittal, and says, “Good for you.”
But after that, the air between you shifts.
The ritual stays the same — the teas and coffees still show up, the handoffs still slide smooth and clean — but the conversations dull. They're shallower. You talk about patients, the weather. But the inside jokes dry up, and the silences stretch longer, thicker, like neither of you can find the right words to fix the growing space between you.
The new person tries. Dinners that never quite feel right. Movies that blur together. Conversations that stall out halfway through, where you find yourself thinking about Jack’s voice instead of the one across the table. It’s not their fault — they do everything right. They ask about your day, they remember how you take your tea, they show up when they say they will.
But they aren’t him. They never will be.
And the truth of that sits heavy in your chest long before you let it go.
When the end finally comes, it’s as quiet as the beginning. No fight. No grand scene. Just a conversation that runs out of steam and a mutual, tired understanding: this was never going to be enough.
You don’t tell Jack. Not directly. But he knows.
Maybe it’s the way your smile doesn’t quite reach your eyes that night, or the way your usual jokes come slower, dull around the edges. Or maybe it’s just that he knows you too well by now, the way you know him — a kind of understanding that doesn’t need translation.
He doesn’t push. He’s not the kind of man who asks questions he isn’t ready to hear the answers to, and you’ve never been the type to offer up more than what the job requires. But when you pass him the last of the handoff notes that night, his fingers brush yours, and for once, they linger. Just a second longer than they should. Long enough to say everything neither of you will.
When he finally speaks, his voice is soft. Neutral. Studied, “You get any sleep lately?”
It’s not the question he wants to ask. Not even close. But it’s the one he can ask, the one that fits inside the safe little script you’ve both written for yourselves.
You lie — both of you know it — but he doesn’t call you on it. He just nods, slow and thoughtful, and when he stands, he leaves his coffee behind on the counter. Still hot. Barely touched.
And that’s how you know.
Because Jack never leaves coffee unfinished.
The next handoff, he’s already at the nurse’s station when you arrive — ten minutes early, a tea waiting for you, exactly how you like it. There’s no note, no smile, no pointed comment. Just the small, familiar weight of the cup in your hand and the warmth that spreads through your chest, sharper than it should be.
You settle into the routine, pulling the chart toward you, the silence stretching long and comfortable for the first time in weeks. Jack doesn’t ask, and you don’t offer. But when your fingers brush his as you pass him the logbook, you don’t pull away as quickly as you used to.
And for a moment, that’s enough.
The world around you moves the same way it always does — busy, breathless, unrelenting. But somewhere in the quiet, something unspoken hums between you both. Something that’s been waiting.
They weren’t him. And you weren’t surprised.
Neither was he.
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It’s the handoff on a cold Wednesday evening that brings a quiet kind of news — the kind that doesn’t explode, just settles. Like dust.
Jack mentions it in passing, the way people mention the weather or the fact that the coffee machine’s finally given up the ghost. Mid-handoff, eyes on the chart, voice level. 
“Admin gave me an offer.”
Your pen stills, barely a beat, then keeps moving. “Oh yeah?” you ask, as if you hadn’t heard the shift in his tone. As if your chest didn’t tighten the moment the words left his mouth.
The department’s newer, quieter. Fewer traumas. More order. Less of the endless night shift churn that has worn him down to the bone these last few years. It would suit him. You know it. Everyone knows it.
And so you do what you’re supposed to do. What any friend — any coworker — would do. You offer the words, gift-wrapped in all the right tones.
“You’d be great at it.”
The smile you give him is steady, practiced. It reaches your lips. But not your eyes. Never your eyes.
Fortunately, Jack knows you like the back of his hand.
He just nods, the kind of slow, quiet nod that feels more like a goodbye than anything else. The conversation moves on. The night moves on.
You go home, and for him, the patients come and go, machines beep, the usual rhythm swallows the moment whole. But the shift feels different. Like the floor’s shifted under his feet and the walls don’t sit right in his peripherals anymore.
The offer lingers in the air for days. No one mentions it. But he notices things — the way you're quieter, the way you seem almost distant during handoffs. Like the weight of the outcome of the decision’s sitting on your shoulders, heavy and personal.
And then, just as quietly, the tension shifts. No announcement. No conversation. The offer just evaporates. You hear it from Robby two days later, his voice offhand as he scrolls through the department’s scheduling board.
“Abbot passed on the job.”
That’s all he says. That’s all you need.
When your shift ends that day, you linger a little longer than usual. Five minutes past the clock, then ten. Just enough time to catch him walking in. Same dark scrubs, same tired eyes. But this time, no talk of transfers. No talk of moving on.
You slide the handoff notes toward him, and when his fingers brush yours, neither of you let go right away.
“Long night ahead.” you say, your eyes lock onto his.
“Same as always,” he answers, soft but sure.
And maybe it’s nothing. Maybe it’s everything.
But he stayed.
And so did you.
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The holiday shift is a quiet one for once.
Not the kind of chaotic disaster you usually brace for — no code blues, no trauma alerts, no frantic scrambling. The ER hums at a lower frequency tonight, as if the whole department is holding its breath, waiting for the chaos to pass and the clock to turn over.
You’ve been working on autopilot for the last few hours. The patient load is manageable, the team is mostly intact, and the usual undercurrent of stress is more like a murmur than a shout. But there's something about the quiet, the softness of it, that makes you more aware of everything, every moment stretching a little longer than it should. It makes the weight of the day feel more pressing, more noticeable.
As the last patient leaves — nothing serious, just another sprain — you settle into your chair by the nurse’s station, the kind of exhausted calm that only comes when the worst is over. The clock inches toward the end of your shift — 6:50 p.m. — but you’re not in any hurry to leave, not yet.
As always, Jack walks in.
You look up just as he passes by the station. His usual tired look is softened tonight, the edges of his exhaustion blunted by something quieter, something a little more worn into his features. The shadows under his eyes are deeper, but there’s a kind of peace in him tonight — a rare thing for the man who’s always running on the edge of burnout.
He stops in front of you, and you can see the small, crumpled bag in his hand. It’s not much, just a bit of wrapping paper that’s a little too wrinkled, but something about it makes your heart give a funny, lopsided beat.
"Here," he says, low, voice a little rougher than usual.
You blink, surprised. “What’s this?”
He hesitates for half a second, like he wasn’t sure if he should say anything at all. “For you.”
You raise an eyebrow, half-laughing. "We don’t usually exchange gifts, Jack."
His smile is small, but it reaches his eyes. "Thought we might make an exception today."
You take the gift from him, feeling the weight of it, simple but somehow significant. You glance down at it, and for a moment, the world feels like it falls away. He doesn't ask you to open it right then, and for a second, you think maybe you won’t. Maybe you’ll leave it unopened, just like so many things left unsaid between you two.
But the curiosity wins out.
You peel back the paper slowly. It’s a leather-bound notebook, simple and unassuming. The kind of thing that makes you wonder how he knew.
“I... didn’t know what to get you," Jack says, his voice soft, almost sheepish. "But I figured you'd use it."
The gesture is simple — almost too simple. But it’s not. It’s too personal for just coworkers. Too thoughtful, too quiet. The weight of it sits between the two of you, unspoken, thick in the air.
You look up at him, your chest tight in a way you don’t want to acknowledge. "Thank you," you manage, and you can’t quite shake the feeling that this — this little notebook — means more than just a gift. It’s something that says everything neither of you has been able to put into words.
Jack nods, his smile barely there but real. He takes a step back, as if pulling himself away from something he doesn’t know how to navigate. The silence stretches. But it’s different this time. It’s not awkward. It’s soft. It feels like a bridge between the two of you, built in the quiet spaces you’ve shared and the ones you haven’t.
“I got you something too,” you say before you can stop yourself. When you reach into your pocket, your fingers brush against the small, folded package you had tucked away. 
His brow furrows slightly in surprise, but he takes it from you, and when he unwraps it, it’s just a small, hand-carved keychain you had spotted at a market — simple, not much, but it reminded you of Jack.
He laughs, a short, quiet sound that vibrates in the space between you, and the tension between you two feels almost manageable. “Thank you,” he says, his fingers brushing over the little keychain.
For a long moment, neither of you speaks. The noise of the ER seems distant, muffled, as if it’s happening in another world altogether. The clock ticks, the final minutes of your shift inching by. But in that small, quiet space, it’s as if time has paused, holding its breath alongside the two of you.
“I guess it’s just... us then, huh?” he says finally, voice softer than before, quieter in a way that feels like more than just the end of a shift.
You nod, and for the first time in ages, the silence between you feels easy. Comfortable.
Just a few more minutes, and the shift will be over. But right now, this — this small, quiet exchange, these moments that don’t need words — is all that matters.
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The day shift is winding down when Jack walks in, just before 7 p.m.
The usual rhythm of the ER is fading, the intensity of the day finally trailing off as the night shift prepares to take over. He arrives just as the last few nurses finish their rounds, their faces tired but steady as they begin to pass the baton.
But something feels off. The station is quieter than usual, the hum of conversation quieter, the buzz of the monitors almost unnaturally sharp in the sudden stillness. Jack glances around, noting the lack of a familiar face, the way the department feels a little emptier, more distant. He spots Dana and Robby at the nurse’s station, exchanging murmurs, and immediately knows something’s not right.
You’re not there.
He doesn’t immediately ask. Instead, he strides toward the counter, his mind racing to calculate the cause. A sick day? A last-minute emergency? Something’s happened, but he can’t quite place it. The thought that it’s anything serious doesn’t sit well in his chest, and yet, it presses down harder with every minute that passes.
It’s 6:55 p.m. now, and the clock keeps ticking forward.
By 7:00, Jack is halfway through his handoff, scanning the patient charts and mentally preparing for the usual chaos, but his focus keeps drifting.
Where are you?
He finally asks. Not loudly, not with urgency, but quietly enough that only Robby and Dana catch the edge in his voice. “Have they called in tonight?”
Before he even has a chance to follow up with your name, Dana looks up at him, a tired smirk on her face. “No. No word.”
Robby shakes his head, looking between Dana and Jack. “We haven’t heard anything. Thought you’d know.”
He nods, swallowing the sudden tightness in his throat. He tries not to show it — not to let it show in the way his shoulders stiffen or the slight furrow between his brows. He finishes up the handoff as usual, but his mind keeps returning to you, to the way the shift feels off without your presence, the absence weighing heavy on him.
By the time the rest of the night staff rolls in, Jack's focus is split. He’s still mentally running through the patient roster, but he’s half-waiting, half-hoping to see you come walking to the nurses station, just like always.
It doesn't happen.
And then, as if on cue, a message comes through — a notification from HR. You’d left for the day in a rush. Your parent had been hospitalised out of town, and you’d rushed off without a word. No call. No notice.
Jack stops in his tracks. The room feels suddenly too small, the quiet too loud. His fingers hover over the screen for a moment before he puts his phone back into his pocket, his eyes flicking over it again, like it will make more sense the second time.
His mind moves quickly, fast enough to keep up with the frantic pace of the ER around him, but his body is still, frozen for a heartbeat longer than it should be. He doesn’t know what to do with this — this sudden, heavy weight of worry and concern.
The team, in their usual way, rallies. They pull a care package together like clockwork — snacks, tissues, a soft blanket someone swears helps during long waits in hospital chairs. A card circulates, scrawled with signatures and the usual messages: thinking of you, hang in there, we’ve got you. It’s routine, something they’ve done for each other countless times in the past, a small gesture in the face of someone’s crisis.
But Jack doesn’t sign the card.
He sits quietly in the break room for a while, the weight of his concern simmering beneath the surface of his usual calm. He doesn’t know what he’s supposed to feel — concern for you, for the situation, for how the ER feels without you there. The package is ready, and with it, so is a quiet, unsaid piece of himself.
When the others step away, he tucks something else inside, sliding it between the blanket and the box of cheap chocolates the team threw in at the last minute — an envelope, plain, unmarked, the handwriting inside careful but unsteady, like the words cost more than he expected.
Take care of them. The place isn’t the same without you.
Short. Simple. Honest in a way he rarely lets himself be. It isn’t signed. It doesn’t need to be. You’d know.
The team doesn’t notice. Or if they do, they make no comment on it. The ER continues to move, steady in its rhythm, even as Jack’s world feels like it’s been thrown off balance. The package is sent. The shift carries on. And Jack waits. He waits, in the quiet space between you and him, in the absence of your presence, in the weight of things he can’t say.
The clock ticks on. And with it, Jack misses you a little more that night.
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Two weeks.
That’s how long the space at the nurse’s station stayed empty. That’s how long the chair at the nurse’s station sat empty — the one you always claimed without thinking. Nobody touched it. Nobody had to say why. It just sat there — a quiet, hollow thing that marked your absence more clearly than any words could’ve.
Two weeks of missing the familiar scrape of your pen against the chart. Two weeks of shift changes stripped down to bare-bones handoffs, clipped and clinical, no space for the soft edges of inside jokes or the quiet pauses where your voice used to fit. Two weeks of coffee going cold, of tasting far more bitter than it did before. Two weeks of the ER feeling off-kilter, like the clock’s gears had ground themselves down and no one could quite put the pieces back.
When you walk back through the automatic doors, it’s like the air catches on itself — that split-second stall before everything moves forward again. You don’t announce yourself. No one really does. The place just swallows you back up, the way it does to anyone who leaves and dares to return.
You clock in that morning. The shift goes on as normal, as normal as the ER can be. The others greet you like they’ve been told to act normal. Quick nods, small smiles. Robby pats your shoulder, light and brief. Dana leaves an extra coffee by the monitors without a word.
When the clock hands swing toward 6:50 p.m., you’re already at the nurses station. Sitting at the desk like you’d never left. Like nothing’s changed, like no time has passed at all. Like the last two weeks were some other life. Scrubs pressed, badge clipped at the same off-center tilt it always is. But your hands hover just slightly, resting on the chart without writing, pen poised like your mind hasn’t quite caught up to your body being back.
The air feels different — not heavy, not light, just suspended. Stalled.
And then you hear them. Footsteps.
Steady. Familiar. The cadence you’ve known for months. 
Jack.
He stops a few feet from you, hands stuffed deep into his pockets, the faintest crease between his brow like he hasn’t quite convinced himself this isn’t some kind of trick.
You don’t say anything. Neither does he.
No patient names. No vitals. No shorthand. The handoff script that’s lived on your tongues for months goes untouched. Instead, you stand there, surrounded by the soft beep of monitors and the shuffle of overworked staff, wrapped in the kind of silence that says everything words can’t.
It’s a strange sort of silence. Not awkward. Just full.
For a long moment, the chaos of the ER fades to the edges, the overhead pages and the low mechanical hums turning to static. You look at him, and it’s like seeing him for the first time all over again. The small lines around his eyes seem deeper. The tension at his shoulders, usually buried beneath practiced calm, sits plainly in view.
You wonder if it’s been there the whole time. You wonder if he noticed the same about you.
His eyes meet yours, steady, unguarded. The first thing that breaks the quiet isn’t a handoff or a patient update.
“I missed this.”
The corner of his mouth twitches into something that doesn’t quite make it to a smile. When he replies, it’s not rushed. It’s not easy. But it’s the truth.
“I missed you.”
Simple. Honest. No side steps. No softening the edges with humor. Just the truth. The words sit there between you, bare and uncomplicated. For a second, the world feels smaller — just the two of you, the hum of machines, and the weight of two weeks' worth of things unsaid.
His gaze shifts, softer now, searching your face for something, or maybe just memorizing it all over again.
“How are they?” he asks, voice low, careful. Not clinical, not casual — the way people ask when they mean it.
You swallow, the answer lingering behind your teeth. You hadn’t said much to anyone, not even now. But his question doesn’t pry, it just waits.
“They’re stable,” you say after a moment, the words simple but heavy. “Scared. Tired. I stayed until I couldn’t anymore.”
Jack nods once, slow and sure, as if that answer was all he needed. His hand flexes slightly at his side, like there’s more he wants to do, more he wants to say — but this is still the space between shifts, still the same ER where everything gets held back for later.
But his voice is steady when he replies.
“I’m glad you were with them.”
A pause. One of those long, silent stretches that says everything the words don’t.
“And I’m glad you came back.”
You don’t answer right away. You don’t have to.
And then, the clock ticks forward. The night shift begins. The world presses on, the monitors start beeping their endless song, and the next patient is already waiting. But the weight of those words lingers, tucked just beneath the surface.
And this time — neither of you pretend it didn’t happen.
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But it’s still not quite the right time.
Jack’s walls aren’t the obvious kind. They don’t come with sharp edges or cold shoulders. His are quieter, built from small hesitations — the steady, practiced way he keeps his distance, the careful deflection tucked behind dry humor and midnight coffee refills. And at the center of it, two stubborn truths: he’s older, and he’s widowed.
Being widowed is a quiet shadow that doesn’t lift, not really. It taught him how easily a future can disappear, how love doesn’t stop the world from taking what it wants. He doesn’t talk about her, not much — not unless the shift runs long and the coffee’s gone cold — but the space she left is always there, shaping the way he looks at you, at himself, at the idea of starting over. Jack tells himself it wouldn’t be fair. Not to you. Not when you’ve still got years ahead to figure out what you want. Not when he’s already stood graveside, watching the world shrink down to a headstone and a handful of fading memories. 
You’re younger. Less worn down. Less jaded. He tells himself — on the long drives home, when sleep refuses to come — that you deserve more time than he can offer. More time to figure out your world without him quietly shaping the edges of it. It’s the sort of difference people pretend doesn’t matter, until it does. Until he’s standing beside you, catching himself in the reflection of the trauma room glass, wondering how the years settled heavier on him than on you. Until he’s half a sentence deep into asking what you’re doing after shift, and pulling back before the words can leave his mouth.
Because no matter how much space he tries to give, the part of him that’s still grieving would always leave its mark. And you deserve more than the half-mended heart of a man who’s already learned how to live without the things he loves.
And you?
You’ve got your own reasons.
Not the ones anyone could spot at a glance, not the kind that leave scars or stories behind. Just a quiet, low-grade fear. The kind that hums beneath your skin, born from years of learning that getting too comfortable with people — letting yourself want too much — always ends the same way: doors closing, phones going silent, people walking away before you even notice they’ve started.
So you anchor yourself to the things that don’t shift. Your routine. Your steadiness. The hours that stretch long and hard but never ask you to be anything more than reliable. Because when you’re needed, you can’t be left behind. When you’re useful, it hurts less when people don’t stay.
Jack’s careful, and you’re cautious, and the space between you both stays exactly where it’s always been: not quite close enough.
So you both settle for the in-between. The ritual. The routine. Shared drinks at handoff. Inside jokes sharp enough to leave bruises. Half-finished conversations, always interrupted by codes and pages and the sharp ring of phones.
The ER runs like clockwork, except the clock’s always broken, and in the background the rest of the team watches the same loop play out — two people orbiting closer, always just out of reach.
The bets from Princess and Perlah are at the heaviest they’ve ever been, and so are their pockets. There are no more ‘Never happening’ — everyone’s now in the ‘Next week’ or ‘Next Month’. The others have stopped pretending they don’t see what’s happening. In fact, they’re practically counting the days, biding their time like a clock ticking in reverse, waiting for that moment when everything finally clicks into place.
At first, it’s subtle. 
One less handoff cut short by timing. One more overlapping hour “by accident.”
You and Jack work together more and more now, whether it's trauma cases, code blue alerts, or the quieter moments between chaotic shifts when the floor clears enough to breathe. The careful choreography of your daily dance is starting to wear thin around the edges, like a well-loved sweater that’s a little too threadbare to keep pretending it’s still holding together.
The soft exchanges in the middle of emergency rooms — the handoffs that are always clean and professional — have started to bleed into something else. You don’t mean for it to happen. Neither of you do.
But you find yourselves walking the same hallways just a bit more often. You swap shifts with an ease you hadn’t before. Jack’s voice lingers a little longer when he says, “Good night, see you tomorrow,” and the weight of that goodbye has started to feel a little like an unspoken promise.
But it’s still not enough to break the silence.
The team watches, like it’s the most obvious thing in the world, but neither of you says a word about it. You can’t, because the truth is, it’s easier to let things stay where they are. Safer, maybe. To just let the rhythm of the shifts carry you through without the sudden plunge of vulnerability that might shatter it all.
Still, they see it.
Dana, ever the romantic, gives you that knowing, almost conspiratorial look when she catches you making eye contact with Jack across the floor. “You two need a room,” she’ll joke, but it’s always followed by that soft exhale, like she’s waiting for the punchline you won’t give her.
Princess’ and Perlah’s bets are always louder, and always in a language neither of you understand. Every shift, they pass by the nurse’s station with sly grins, casting their predictions with the confidence of someone who knows exactly what they’re talking about.
“Next month, I’m telling you. It’s happening in the next month. Mark my words.”
Neither you or Jack respond to the teasing. But it’s not because you don’t hear it. It’s because, in the quietest corners of your mind, the thoughts are too sharp, too close, and there’s something terrifying about acknowledging them.
The room holds its breath for you both, watching the space between you become thinner with every passing minute. You can’t feel the ticking of time, but the team certainly can.
And so it goes. Days blend into each other. Hours pass in a blur of frantic beeps and calls, hands working together with that comfortable rhythm, but always keeping just a little distance — just a little bit too much space.
But it’s getting harder to ignore the truth of what everyone else already knows. You’re both circling something, something that neither of you is brave enough to catch yet. 
Almost.
Almost always. But never quite.
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The shift is brutal.
The ER’s pulse is erratic, like a heart struggling to maintain rhythm. The trauma bays are full, the waiting room is overflowing, and the chaos — the relentless, grinding chaos — is a constant roar in your ears. Alarms bleed into each other. The phone rings off the hook. Machines chirp, beds squeak, someone shouts for help, and the scent of antiseptic is powerless against the metallic undertone of blood lingering in the air.
It’s the kind of shift that makes even seasoned hands tremble. The kind that swallows hours whole, leaves your back sore and your mind frayed, and still, the board never clears.
At some point, you’re not sure when, maybe after the fifth code blue or the eighth set of vitals skimming the edge of disaster, Robby mutters something sharp and low under his breath, peels his phone out of his pocket, and steps away from the desk.
“Calling Abbot,” he says, voice tight. “We’re underwater.”
Jack isn’t due for another two hours, but the call doesn’t surprise you. The ER doesn’t care about schedules. And Jack — he shows up twenty minutes later.
His eyes meet yours across the station, and there’s no need for words. Just a nod. Just the quiet understanding that this isn’t going to be easy, if such a thing even exists.
The clock ticks and skips, seconds folding into one another, meaningless, until finally, the worst of it comes.
Trauma alert.
A car accident. The usual chaos.
Rollover on the interstate, the kind that dispatch voices always sound too steady while reporting. The kind where the EMTs work in grim silence. Two patients this time. A married couple.
The usual chaos unfolds the second the gurneys crash through the double doors — shouting, gloves snapping on, IV lines threading, vitals barking out like a list of crimes.
But this time, it’s different.
You notice it before anyone says it aloud: the husband’s hand is tangled in his wife’s, their fingers blood-slick but still locked together, knuckles white with the sheer force of holding on. Their wedding rings glinted under the harsh fluorescents, a tiny, defiant flash of gold against the chaos.
Neither of them will let go. Even unconscious, the connection stays.
You’re already in motion. Jack too. The usual rhythm, muscle memory sharp as ever. But something in the air feels different. He glances once at the woman, blood matted in her hair, her left hand still clutching the man’s. The rings. The way their bodies lean toward each other even in a state of injury, as if muscle memory alone could keep them tethered
And for just a second, he falters.
You almost miss it, but you don’t.
Jack works the wife’s side, but her injuries speak for themselves. Her chart is a litany of injuries: internal bleeding, tension pneumothorax, skull fracture.
You watch Jack work the case like his hands are moving on instinct, but his face gives him away. It’s too quiet. Too closed off. You see it all in real-time — the silent war behind his eyes, the years catching up to him in the span of a heartbeat. The lines around his mouth tightening, the weight of something too personal rising behind the clinical routine.
You know who he’s thinking about. 
It’s her — it’s her face he sees.
Jack’s gloves are stained, jaw tight, voice steady but clipped as the monitor flatlines for the third time. You watch. You press hands to bleeding wounds that won’t stop. You call out numbers you barely register. But the inevitable creeps in anyway.
At 6:41 p.m., time of death is called.
No one speaks, not right away. The monitors fall silent, the room too. The husband, still unconscious, is wheeled away. His hand finally slips from hers, left empty on the gurney.
It’s Jack that calls it. He stands over the woman’s bed for a beat too long, the silence of it all thickening in the air. His shoulders sag ever so slightly, the weight of it settling in — the anger, the grief, the helplessness. There’s no denying it, the hours and hours of labor, of lives teetering between life and death, have begun to take their toll.
You watch him and know the exact moment it breaks him.
He doesn’t even need to say it. You can see it in the way he moves — stiff, distant, a bit lost. His hand hovers by his stethoscope, his fingers curling slightly before dropping. The tension in his face is the kind you’ve seen only when someone is holding themselves together by a thread.
He catches your eye briefly, and for a moment, neither of you says anything. There’s an unspoken understanding, a shared grief between the two of you that’s settled like an old wound, reopened. He turns away before you can even ask, stepping out of the trauma bay and heading toward the on-call room, his pace a little slower than usual, weighed down by more than just the fatigue.
The shift drags on, but the tension, the heaviness, only grows. Finally, when it seems like it might never end, you make the decision. You leave your post, quietly slipping away from the chaos, and find your way to the on-call room where Jack is already sitting.
It’s dark in there but you don’t need to see him to know what’s there. His chest rises and falls with a weary sigh. There’s nothing to say at first. Nothing that would make this any easier, and you both know it.
You sit beside him in silence, the space between you both filled with the weight of the night, of the patient lost, of the things neither of you can change. You don’t push. You don’t ask. You simply exist in the same room, the same quiet, like two people who are too exhausted, too worn, to speak but too connected to stay apart.
Minutes pass. Long ones.
It’s Jack who breaks the silence, his voice a little rough, like it’s been buried too long.
“I kept thinking we’d have more time,” he says. It’s not addressed to you, not really — more confession than conversation, the kind of truth that’s spent too long locked behind his ribs.
You don’t answer right away, because you know the ache that lives under those words. You’ve felt it too. So you sit there, listening, the silence making room for him to say the rest.
And then, softer, barely above a breath —
“She looked like her. For a second — I thought it was her.”
The words hang in the dark, heavier than any silence.
You reach over, placing a hand gently on his. Your fingers brush his skin, warm, steady. You just sit there, the two of you, in the dark — the only light seeping in from under the door, pale and distant, like the world outside is somewhere neither of you belong right now.
Minutes pass, slow and shapeless, the kind of time that doesn’t measure in hours or shifts or chart updates. Just quiet. Just presence. Just the shared, unspoken ache of people who’ve both lost too much to say the words out loud.
When he finally exhales — long, steady, but still weighted — you feel the faintest shift in the air. Not fixed. Not fine. But breathing. Alive. Here.
When his gaze lifts, meeting yours — searching, fragile, waiting for something he can’t name — you finally offer it, soft but certain.
“We don’t get forever,” you whisper. “But we’ve still got now.”
And it’s enough. Maybe not to fix anything. Maybe not to make the night any less heavy. But enough to pull Jack through to the other side.
He exhales, slow and quiet, the tension in his chest loosening like it’s finally allowed to. The moment is small — no grand revelations, no dramatic declarations.
Just two people, breathing in the same quiet, carrying the same scars.
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When the next shift change arrives, the rhythm of the ER doesn’t quite return to normal.
The pulse of the place still beats steady — monitors chiming, phones ringing, stretchers wheeling in and out — but the handoff feels different. Like the pattern has shifted beneath your feet.
The familiar routine plays out — the smooth exchange of patient reports, the clipped shorthand you both know by heart, the easy banter that’s always filled the spaces between — but now it lingers. The words sit heavier. The pauses stretch longer. The politeness that once held everything in place has softened, frayed at the edges by the weight of what’s left unsaid.
You stay five minutes later. Then ten.
Neither of you points it out. Neither of you needs to.
The silence isn’t awkward — it’s intentional. It hangs easy between you, unhurried and unforced. The kind of silence built on understanding rather than distance. Like the quiet knows something you both haven’t said out loud yet.
The rest of the team doesn’t call you on it. But they see it. And you catch the glances. 
You catch Dana’s raised eyebrow as she clocks out, her expression all knowing, no judgment — just quiet observation, like she’s been waiting for this to finally click into place. Robby doesn’t even bother hiding his smirk behind his coffee cup this time, his glance flicking from you to Jack and back again, as if he’s already tallying another win in the betting pool.
And still, no one says a word.
The ER lights flicker, humming softly against the early morning haze as the next shift trickles in, tired and rumpled, faces scrubbed clean and coffee cups refilled. The world moves on — patients, pages, paperwork — but Jack doesn’t.
His glance finds you, steady and certain, like an anchor after too many months of pretending there wasn’t a current pulling you both closer all along. There’s no question in it. No hesitation. Just quiet agreement.
And this time, neither of you heads for the door alone.
You fall into step beside him, the silence still stretched soft between you, your shoulder brushing his just slightly as you cross through the automatic doors and into the cool, early light. The air is crisp against your scrubs, the hum of the hospital fading behind you, replaced by the quiet sprawl of the parking lot and the slow stretch of a sky trying to shake off the dark.
The weight you’ve both carried for so long — all the almosts, the what-ifs, the walls and the fear — feels lighter now. Still there, but not crushing. Not anymore.
It isn’t just a handoff anymore. It hasn’t been for a while, but now it’s undeniable.
You glance toward him as the quiet settles between you one last time before the day fully wakes up, and he meets your look with that same soft steadiness — the kind that doesn’t demand, doesn’t rush, just holds. Like the space between you has finally exhaled, like the moment has finally caught up to the both of you after all this time skirting around it.
His hand finds yours, slow and certain, like it was always supposed to be there. No grand gesture, no sharp intake of breath, just the gentle slide of skin against skin — warm, grounding, steady. His thumb brushes the back of your hand once, absentminded and careful, like he’s memorizing the feel of this — of you — as if to make sure it’s real.
The world beyond hums back to life, ready for another day beginning. But here, in this sliver of space, between what you’ve always been and whatever comes next — everything stays still.
You don’t speak. Neither does he.
You don’t need to.
It’s in the way his fingers curl just slightly tighter around yours, in the way the last of the shift’s exhaustion softens at the edges of his expression. In the way the air feels different now — less heavy, less waiting. Like the question that’s lived between you for months has finally answered itself.
The first thin blush of sunrise creeps over the parking lot, painting long soft shadows across the cracked pavement, and neither of you move. There’s no rush now, no clock chasing you forward, no unspoken rule pushing you apart. Just this. Just you and him, side by side, hand in hand, standing still while the world stumbles back into motion.
It’s the start of something else.
And you both know it. Without needing to say a thing.
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©yakshxiao 2025.
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jaydenism · 2 months ago
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I would love to see what your hypothetical Kanade crash out would look like ngl (you don't need to draw for this if you don't want to a text explanation would still be awesome)
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ok soooo this isn't exactly the crashout but rather building up to it i guess :P
the rest of this post is gonna be rambling and predictions ⬇️
alright this ask enabled me, im gonna just dump all my thoughts as of now on what's to come for kanade's story :) i could end up being completely wrong, but hey im just theorizing and having fun here while i wait very impatiently lol
To start, I don't think kana5 will be on the scale of mizu5 (i mean i might be biased but idk if anything will come close to that level of insanity again), mainly because there hasn't been as much build-up to a breaking point. Kanade's issues have been pushed aside (by herself especially) and not heavily focused on up to this point in the story. There hasn't been any increasing tension for things to reach a climax yet. Having her big break be in this next event would be too sudden and sort of unprecedented. For this event at least, I highly doubt that'll be the case. Instead, I think this event will start to touch on Kanade's buried issues more, and begin building that tension for something bigger. I can see this being a multiple event arc, similar to the events leading up to the climax of Mafuyu's story. Summarizing that, yes I think Kanade's got some real tough shit ahead of her, but that's why this won't be a one-off event story. I think it'll just be the beginning.
That being said, to touch more on my predictions for kana5 itself, I think Kanade will start to slip, and the others, Mafuyu especially, will take notice. I can't really predict anything specific, but I think something will happen that will make her question her ability to save people, or cause her to be harder on herself, as she has in the past, to keep composing persistently, neglecting her own needs and health. However, things are different now than they were before niigo. She has more people around her that will be able to see the damage she's doing to herself. But she also knows they all look up to her, and that her music lifts them up. She knows they all have a lot they're dealing with, and she needs to be there for them. She can't let them down.
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Then, when Kanade pushes herself past her limits at the cost of her well-being, what will she do then? She meets with the others on nightcord every night, and Mafuyu is living at her place. She won't be able to rot away by herself anymore without people noticing. But she still feels this need to be the group's rock and to be the one to save everyone, so she'll try her damn hardest to prevent the others from worrying about her. She'll shoot down their attempts at trying to talk about it. I think she might be especially stubborn this time around, and it might cause niigo to have to figure out a way to help Kanade, since they won't be able to get through to her at first.
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Kanade has shown in the past to get uncharacteristically aggressive when she's pushing herself too hard, as shown above. She starts to take on everything herself, and snaps at anyone who tries to stop her. I think this side of her will be shown more going forward, as she begins to go down this kind of self-destructive path yet again. At least, that's where I think her story will go. Her tendency to work herself to the bone hasn't really been resolved, and she's gone so far with it before to end up in the hospital after passing out. She doesn't care what happens to her, as long as she can save people. The only reason she has ((slightly)) gotten better at taking care of herself is so that she can be able to keep composing without ending up in the hospital again. Not because she cares about her health. Because she must keep composing. She still only does the bare minimum for herself. If it's her cooking, she's only having instant ramen, and most days she's probably not going to see the sun. She still doesn't sleep much, and Mafuyu has said that she's often falling asleep at her computer.
This might be getting a little rambley atp, but my point is that Kanade neglects her own needs in her determination to save others. I mentioned how she neglects her physical health in the last paragraph, but she also neglects her own feelings as well.
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She minimizes her own problems or just doesn't even talk about them. I think she truly believes that her problems don't matter, that they only distract her from her goals. The reason she doesn't open up is likely because she herself doesn't believe her feelings are important at all. She doesn't pay them any mind, and she doesn't want anyone else to either.
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Of course, I have to bring this card up. I think this is just a perfect visual representation of Kanade's feelings, and it's great foreshadowing for what's to come. Those feelings are buried deep within Kanade, yet to be addressed or solved. THIS is what we're getting into. Kanade, depicted as an angel, surrounded by death. I think this is related to her guilt surrounding what happened to her father, believing it was her fault. That she destroyed everything. But because of that incident, she told herself she has to keep composing, and never stop, in order to save people. She feels like she owes that much, and that that's her sole purpose. She won't allow herself to think otherwise. No matter how much it destroys her, she must be a savior for others.
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Last thing I wanted to add, because I saw this reblog under a prev kanade analysis post, and they brought up great points. Especially how dangerous Kanade's composing grind can get. We wouldn't even have a story if Honami hadn't found Kanade unconscious!!! I think she might get to a really low point again like this, but having Mafuyu there especially, it won't be able to go unnoticed. I don't have much else to add to those tags though cus they speak for themselves 🙏
Finally, just real quickly going back to the little comic I drew, this is just a rough idea of how I think Kanade could act. She'll get noticeably worse, but will try to hide that fact from the others and deny any help from them. I also mentioned that I think we could see more aggression from her again, so I included that, as she feels threatened in a way by Mafuyu worrying about her. She can't let that happen. Also, Kanade's impending doom aside, I think this progression in the story may also spark some change in Mafuyu. She might show some more emotion in this or future events, and she may realize how much Kanade means to her, motivating her to do more for her. I think it'll be a full group effort to save Kanade, but I wanna see Mafuyu taking a bigger role in this. I just think this also has the potential to grow Mafuyu's character more.
Also, as for the Kanade crashout, I really don't know how they'll handle that. I can't really predict what they're gonna do with her climax. But I want her screaming yelling and crying !!! like she better go insaneeee 🙏 and I also feel like they have a lot of potential with her seiyuu/VA and stepping out of the soft quiet voice to do some crazy shit, maybe in the songs too pls pls pls give us loud kanadeeee
OKAY THATS ENOUGH YAPPING its 5 am i havent slept....
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