#But because it's taking me a while to get that other thing done I am posting this

[hyperfixiation-station]

Behind Enemy Lines Pt.1

CW: Torture, Canon-typical violence, talk of derealization, disassociation Summary: You were a friendly medic, captured years ago and held prisoner, forced to do do the bidding of your captors. Years later, a man by the name of Ghost is dragged in and changes the trajectory of your life. A/N: I had severe ADHD, and i am unmedicated rn, and it makes it really hard to work on things unless I get the hyperfocused drive for it, so I'm sorry I'm so bad at making the other parts to my fics. Know that I will never abandon them. it just might take me a while. idea part 2

You fought back, at first. Way back when you first got captured, taken from your base camp and dragged through miles and miles of harsh terrain, blindfolded and bound. A medic you were, yes. But your team had trained you with the best of them. You spent the whole time trying to escape, kicking and screaming until they bound your legs and gagged you. You spent the first month of captivity refusing to talk to them, hissing and spitting and pretending their punches didn’t hurt. But it didn't take you long to realize it was better to cooperate, or to at least be civil. Civility got you less broken bones, less pain, more rations, more sleep. Cooperation didn’t come till later, when you finally realized your team wasn't coming for youthey were dead but you didn't know that.

Surprisingly, the whole mouth-getting-sewn-shut didn't happen till a couple years in... they were torturing someone, a man who said he had kids and a wife at home, whose only wish was that they left something recognizable of him so they could get some closure. You begged them to stop. Begged them to stop when his wounds became too numerous to count, too much for you to handle. Begged because you started to care for him as he told you about his son and daughter, how they want him home for Christmas(You didn't have the heart to tell him Christmas was 6 days ago) Told them that he would die no matter what you did if they continued. Well, they didn't stop, and he did die... and you found yourself ringing in the new year by being strapped to a table.

“We warned you to stop talking with him.” They said as they clamped the metal shut over your forehead and chin, holding you in place. “We told you to not get attached, but since you can’t seem to do it on your own, we’ll help you.” The feeding tube came 2 weeks later, shoved up your nose when they realized you were starving...they couldn't lose their favorite medic of course.

You stopped paying attention to the passage of time after that, spent most of your days drifting in and out of reality, moving through the motions with a practiced ease. And it would have remained that way, if it wasn’t for a man in a skull mask with a team- a family- looking for him. 

Your first introduction to him ended up with you getting a broken nose. Per usual, you were shoved into the cell, medical kit in hand, ready to fix up whatever damage your captors had done the their poor prisoner.

The mask he had been wearing when you saw him dragged in was gone, and he had a gash that went all the way through his cheek that would need stitching up. You pull out your equipment, moving slowly towards his bleeding face. 

he headbutted you the moment you got close enough for him to reach, and the crunch of bone and the gush of warm blood followed, not that you noticed. You were still in that dreamlike state, not quite tether to reality in the way you should be. You barely noticed when they tranqued him, and the only reason you didn't finish his stitches is because you passed out too(it’s hard to breathe through a bloody, broken nose)

The next time you approach more carefully, but he’s no trouble. Mostly because they left him completely strapped to the table this time. Today was a rare day, a time when you  could actually feel your feet on the ground rather than just see them. You feel bad as you wipe him down, your eyes flicking over the myriad of scars on his body. What’s one more you think to yourself as you get to work stitching a stab wound to his thigh. Just barely missed the artery here…that could have been bad news. Okay tie it off and- there we go. I think the only other thing that need to- oh, is he…talking to me? I should probably pay attention to that.

“-here?” His voice is gravely, though you suppose yours would be too after being tortured. He stares at you expectantly, and you shrug. You don’t know what he said, and even if you did, you couldn’t answer. You just move to his wrist, snapping the bone back in place. He inhales sharply, but doesn’t make an actual sound, which surprises you. But you don’t dwell on it, wrapping a bandage around his arm and moving to exit the room. 

“Y’ no’ g’nna lemme off?” His voice sounds, “they said y’ would.” You spin around, staring at him. You're not stupid. And even if your…bosses had said that, you still wouldn’t do it. Being trapped in a room with a man who is at least a foot taller than you and looks like he could kill a man with his glare? No thank you. 

You take a step back, heading towards the door. The man lets out a sound you would barely qualify as a laugh. “Sm’rt then.” He says to himself, “No’ gonna be that easy.” 

The next time you go in, you can't help but wonder what they want from this man. By now they usually would have killed him off. Oh well, not your job to wonder. You clean him up, splinting the fingers they had broke when he talks to you again.

"why don't y' let me die?" He says, voice just as gravely as before, "Put me outa m' misery?" You don't respond, just keep taping his hand. IT's something you ad asked yourself, right at the beginning. It would be kinder for you to just let your patients die. But you couldn't do it. Partially because you were punished anytime someone died before your captors wanted them to, but also because you were a medic. YOu were there to heal. You couldn't stomach letting someone die by your hand.

"Answer me!" The man snarls, bringing you back to the present, "For god's sake y' never talk, fuckin' mute." You don't respond, of course. Just finish your task and leave him to his thoughts.

He’s angrier after that time, you’ve noticed. The few times you're actually present, he’s fighting you. Usually not with words, but he bucks and doesn’t hold still. He’s tried to grab your medical supplies countless times, and one time you actually had to be pulled out because he jerked his arm while you were stitching him and somehow managed to drive the needle into your own hand. The few times he does actually yell at you, you’re usually not paying attention. You can catch words like “Dishonorable”  and “Disgraceful”. You aren’t entirely sure of the context of the words, but you can guess. You’ve treated enough prisoners who think that you are the world's worst human being, a blight to the medical field, to guess what he's trying to tell you. 

It's funny though, this man so full of hate. Because, for the first time in goodness knows how long, your feet are on the ground, and your head is level. Something about this man, his angry, uncrushed demeanor, even after weeks of torture, stirs emotion in you that you can’t quite identify. And maybe you should be grateful, thankful your head is on right, but you're not. You so desperately want to go back to that place of apathy and detachment, where your emotions weren’t so strong, were the pains of mishealed bones and poorly healed scars didn’t plague your waking moments. 

Or maybe it wasn’t the man- The Ghost, as you found out he was called. Maybe it was the fact that something in the air had changed. The air was electric, charged with tension so thick you could feel it even alone in your cot. They were watching you, you could tell. Could feel their eyes tracking your movements in a way they hadn’t since first giving you freedom to move around. 

You're not sure why. It’s not like you have anyone to go home to. You were an only child, and your parents had died long before you reached 18. All you had was your team, a team that had seemingly abandoned you. So why would you leave? There was nowhere to go. And yet they watched you. Was it because you were becoming more aware, more grounded then you had been in a long while? Was it the man, Ghost, who had them on edge? 

The answer came two days later. You were in Ghost's cell again, desperately packing gauze into a gaping hole on his side. You don’t know what had happened, but for the first time in years you were dragged from your cell, your captors muttering under their breath in a language you still didn’t understand as they thrust you into his cell. Blood was everywhere. Your best guess was that Ghost had been struggling and an instrument had slipped and gouged out a hole in his side. So here you are, packing gauze into the wound as you try to figure out what to do to keep him alive with your rudimentary supplies. 

You pack another piece of gauze in just as the door goes flying open. Men, dressed in black, wearing the same mask Ghost was, come bursting in. 

“Get back!” The one in the front yells at you, gun pointed in your face. You shake your head, hands pressed against Ghost’s wound. 

“Now!” You make a protesting noise, trying to gesture with your chin. The man looks down, eyes widening. 

“Aw shit- are you the medic?” You nod almost desperately. The man looks at you again, staring at your hands. They are shaking, pressed against the wound as you try to keep Ghost from bleeding out. 

“Fix him.” The man snaps. You shake your head and look up at the man, trying to communicate that you need more supplies. 

“Use your words.” The man gabs the gun at you, indicating he wants you to get on with it. You stomp your foot, shaking your head again. 

“What, what's that supposed..…you can’t speak, can you?” You nod, glad he finally got it. The man groans, lowering his gun.

“You’re coming with us, but you make one wrong move, and I mean one, I will put a bullet through your brain before you can even speak. Got it?” He gestures to the other two men with him, and together you lift Ghost up, carrying him out to safety.

A/N- anyways, here's part one. Sorry if it disappoints anyone

tags, sorry if i missed any:

@redzluvvesage @just-a-harmless-potato-05  @vesna-the-spring @princess312 @norsehorseofcourse-blog @bonniperinktrance @soggywafflezz  @littlebunie @sirbonesly @havoc973 @mommymilkers0526 @thegreyjoyed @pinkiliciousgunp0int @poopoobuttsy @darcellethedreamer @kamote-kuneho

[thinkingaboutbees]

Hi, I'm the OP of this thread on Bluesky. I thought I'd come on here and upload some of the analysis I've done in later-additions to this thread, which weren't online when Tumblr-OP @carucath made this post, as well as a recent interaction with Rhianna Pratchett, all of which I think are useful bits of contextual info/expansion. I've seen a few people in the notes/reblogs saying things about the fan-desire to rush to defend their faves etc., and kind of discounting my analysis because of that. While I agree that fandom spaces absolutely do have a huge problem with that, and that retrospectively reading Neil Gaiman's work looking for 'signs' that he was a piece of shit the whole time isn't actually constructive/doesn't really add anything useful to the discourse, my intent with this thread wasn't to try to absolve PTerry or put distance between him and Gaiman (though I can see how it reads that way). I'm more interested in looking at how 'known' people like Gaiman move within fandom spaces, as well as how our parasocial relationships with public figures, and the cult of personality which some people build up around them, can often help to protect them or even enable their behaviour (worth remembering that a number of the women Gaiman assaulted/abused have talked about being fans of his work, or meeting him through fandom spaces, or, even when not fans of his work as in the case of Scarlett, still being a bit over-awed by his fame and reputation). I suspect that Gaiman's embellishment of his relationship with PTerry helped to build up his persona in SF/Fantasy fandom spaces after Pratchett's death, contributing to his personal Cult of Personality and fandom parasocial relationships with him. Over the last 5 years especially, Gaiman has had a pretty meteoric rise in the public eye outside of online SF/Fantasy fandom spaces & conventions. In particular a number of his works have been adapted for TV across various large streaming-platforms following the success of Good Omens, with high-profile names attached to them, and large marketing campaigns. By positioning his Good Omens adaptation as 'Terry's dying wish' of him, Gaiman has gained a lot of attention for it and for his other work, increased his own public standing, and thus directly profited off of Pratchett's legacy and the public perception that the two were close friends. (Obviously GO was adapted with the support of Rhianna & Rob, but, as you'll see in these other threads, we probably should think of it as being primarily a PTerry novel, with some minor input from Gaiman). Some personal context: I hold two degrees in English literature (both with Firsts, or a 3.7-4.0 GPA for the Americans on this thread), as well as a research-Masters degree in Creative Writing (with a high 2.1, because I developed a chronic illness which made me bedbound for 6 months of that degree lmao). I have a long-standing personal and academic interest in both Gaiman and Pratchett's work, and have written multiple essays on Terry Pratchett's style & his approach to genre, including some for my Masters degree. I generally stay out of fandom spaces these days, and these threads have sprung out of my own prior research and academic work. While I'm yet to seek a PhD, I have previously been employed by the English Literature department of the main university in my city, where I was the tutor for one of their undergraduate courses (this means I was responsible for organising and running the weekly group tutorials/workshops which make up the other contact-hours for students outside of lectures, providing one-on-one support and feedback for students who asked for extra guidance but didn't feel it was complex enough to go to the head lecturer, and for marking student-essays). I do eventually hope to go in to academia/lecturing, but right now am taking a few years off from studying since finishing my Masters to pay off some of my student loan debt, get my health back on track, and to focus on my creative practice and writing career.

There was an interesting thread on Bluesky dissecting Neil Gaiman and Terry Pratchett's relationship

TL:DR - It seems like Gaiman has been exaggerating the level of closeness between them for YEARS

[imujings]

hoshi + work song by hozier? :)

when i was kissing on my baby and she put her love down soft and sweet in the low lamp light i was free

wc <1k. warnings FLUFF!!!, suggestive (they make out at the end. sorry. i’m normal), lots of kissing, hella praise (someone needs to tell soonyoung he’s doing good RIGHT NOW!!). jay’s musings i am so weak for soft sy + this song makes me go ABSOLUTELY FERAL .°(ಗдಗ。)°. you are so right anon. speak ur truth

The lighting in the room is dim, cozy. It’s well into the morning, sunlight streaming faintly through the curtained windows and finding home atop your bedsheets.

You press a long, soft kiss to Soonyoung’s bare shoulder. He’s been murmuring in his sleep for quite awhile now, shifting around like he’s trying to escape some paranormal entity unbeknownst to you. Your fingers inch under the covers and find his.

“Love,” you hum into his skin.

The man shivers at your touch, jolting awake with a gasp. His hair sticks up in all kinds of directions, unkempt from sleep, and you smooth a hand through it. Soonyoung leans into your fingers with an achingly gentle sigh.

“Nightmare again?” you tilt your head in a question.

He nods, eyes fluttering shut when you run a thumb across his cheek. You trace the knot in his eyebrows with your gaze, all the way down to the slope of his collarbone, exposed and vulnerable.

“I can’t remember much of it now,” Soonyoung confesses. “But it felt like I had this big weight on my shoulders—metaphorically, that is. There was so much guilt it was overwhelming. Like I couldn’t breathe, almost. I was in front of you, and you were looking at me, waiting for me to speak, and… I remember feeling terrified. Of what you would think of me if I told you about what I did.”

While you’re listening, your thumb on his cheek never pauses in its soft, methodical swipes along his skin. The barren sunlight leaves him dappled in a honeying glow.

Your heartbeat pounds loud in your ears, your mind taking action to bring his attention to just how much you yearn for him through a steady rhythm of love—if for nothing else but to soothe his worries.

To reiterate your thoughts, you pull him in, letting your arms lay loose around his neck. Your foreheads rest against the other’s.

“Soonyoung,” you whisper, lips brushing his.

His eyes flicker between your soft, melting gaze and the way your mouth curls to enunciate his name. His own lips are parted, waiting, and you’re eager to give, dipping in to steal a kiss.

“You could never,” you kiss him again and he chases your lips. “Never, ever ever, even try to get me to hate you.”

“You don’t know what I’ve done,” Soonyoung says brokenly. “How could you say that?”

Another kiss—one that’s unhurried, searing with want. Your lips travel to the corner of his mouth and down to his jawline. He whimpers at your nibbling.

“You act as if we are made to be perfect,” is your hushed reply, pressing an open-mouth kiss to underside of his jaw. “You’re talking as if being loved and being perfect are synonyms. As if they mean the same thing.”

“In reality, they simply coexist together. Their relationship is more of a simultaneous thing; you are loved, and at the same time, you are perfect just the way you are. Did you know, I love you? I love you, in your entirety—all your sins, all your fears. I love you because they make you, you. Your hatred, your pain, your burdens—are they not just feelings that coexist with the love inside of you? I love you because you are whole and filled with emotions. I love you because you are love.”

There’s a pause, and you draw your face back up to his level again. Soonyoung is staring at you, eyes glassy and lips wobbling.

You’re wondering if you’ve gone too far with your nonsensical ramblings when he kisses you, and all air is knocked out of your lungs.

“Thank you,” he sobs, and you taste the saltiness of his tears as his lips press against yours, frantic, needy.

His hands are in a frenzy, gripping your bare skin like you’ll disappear at any moment. You whine at his touch, passion overtaking you as your fingers wrap themselves in his locks of hair. The man moans when you tug, and the noise sounds so melodic it has you tearing up yourself.

“Thank you, thank you, thank you,” Soonyoung murmurs; you can’t tell what tears belong to who anymore, but you don’t think it matters when you’re this tangled up in each other.

“You are love, too. My love. You are my freedom—my life, my eternity. Thank you.”

wanna queue a song?

[darlingdaisyfarm]

───୨ৎ praise that old man, girl!

a/n: i adore Stanley Pines and apparently im not alone because the amount of asks i got for nsfw with this man?? who am i to deny the people what they want?? also one anon asked for public sex with Stanley sooo here you go angel!

tags: nsfw, smut, vaginal and oral sex (f receiving), age gap, dirty talk, older man/younger woman, degradation + praise, size kink, dumbification, public sex, rough sex, breeding kink

You hadn’t exactly walked into the Mystery Shack with dreams of employment. Stan had hired you on the spot, half-serious when he said he couldn’t afford to be picky. “you got a pulse? can count to ten? good, you’re in,” while shoving a broom into your hands.

You’d been working here for a while now and Stanley Pines had somehow, against all reason, taken a liking to you. You weren’t like the other employees, you were sarcastic and always ready with a quick comeback. It didn’t take long for Stan to notice and he loved the fact that you didn’t take his shit. He loved how you could dish it out just as good as he could.

You genuinely liked your work. The old place had its charm and Stan, despite his grumpy act, was actually funny in his own way.

You were sharp, quick with the same kind of deadpan humor Stan wielded like a weapon. when tourists asked the weirdest and dumbest questions as “how does this yeti paw feel so real?”, you’d shrug and go, “oh, Mr. Pines wrestled the guy for it last spring! you should’ve seen him in the ring.”

And somehow, your nonsense never grated on him.

He’d grumble about you “driving him crazy,” but the truth was, he admired how you handled people, how you could spin up a lie on the spot and sell it with a sly smirk. Even when you worked him up, you had a knack for knowing how to make him laugh before he could stay mad.

Like the time you’d swapped the “do not touch” signs in the gift shop with ones reading “please steal this.” When Stan stormed out of his office, you barely flinched. “don’t blame me. Soos did it,” you’d said again and he’d folded his arms, sighing.

“Kid, you’re gonna give me an ulcer.”

“Then you’ll get to take a vacation, Mr. Pines.”

You had a way of making him feel younger, somehow. Not just the old man with a bad back and a million regrets. Around you, he felt like the guy who still had a chance to make someone smile. And god, he loved that.

Because, god, you talk back, crack jokes, get in his face with that stupid grin of yours. And he knows you know how to get under his skin. It’s annoying and hilarious at the same time.

You’re a disaster of a worker. He’ll admit that to anyone, but for some reason, Stan forgives you. every time. “who did this? who messed up the brochures?” and you always say the same thing “Soos.”

And fuck, he adores it, the way you lie so easily and confidently. He's not mad, but charmed by it. And maybe a little turned on too, but he’ll never admit that out loud.

“You know, i should fire you, right?”

“Yeah, but you won’t, cause i’m too cute, Mr. Pines.”

Stan had wanted to stay mad, but how could he? Every time you messed up, he found a way to let it slide, not because you were good at covering your tracks, but because you always knew just what to say, how to make him forget the shit you’d done. You made it all worth it.

The pick-up lines started a few weeks in. At first, they were awful, so bad that you’d nearly die of secondhand embarrassment. “you must be tired, ‘cause you’ve been running through my mind all day, doll,” he'd say with a lazy wink. and, of course, you’d always have something ready: “you should probably take a nap then, Mr. Mystery, you’re getting old.”

The first time Stanley tried to flirt with you, he didn’t know how it’d feel. He was always smooth, always had a line ready, but it always went wrong with you. “you know, i must be a snowflake ‘cause i’m falling for you.” but before he could even get the whole line out, you shot back, “snowflakes melt. Is that really how you want to end up?”

He���d blink, caught off guard, then chuckle. “smartass.”

But Stan, the bastard, he loved that about you.

He loved how you never pretended to be anything you weren’t. No frilly nonsense or sugar-coating, just honest humor that reminded him of his own shitty jokes. You didn’t back down, never tiptoed around him, and he couldn’t even be mad when you lied about the mess-ups.

His flirts were always the same, predictable, corny, but somehow, Stan delivered them with the precision of a seasoned performer. He would laugh at your attempts to flirt back what made you want to punch him and kiss him all at once. “you’re cute when you’re trying to be a romantic,” you say as you lean against the counter with a teasing grin. “but i’m still gonna need a drink to believe you.”

Stanley grew bolder though. “if I were a few years younger. . .”

“You’d still be a pervert?”

“Nah, just a smooth talker, toots,” he’d grin, trailing his fingers over a stack of papers as you walked past, brown eyes never leaving you

The more you two exchanged these ridiculous lines, the more the tension built. The fake flirting, the dumb compliments, it was a game to both of you and neither of you could stop playing.

The shack is empty, just for now. It's an early morning in Gravity Falls, the aroma of coffee that Stan insisted on brewing too strong fills the air. He was at the counter, organising some brochures for the tours, his usual tourist-trap grin nowhere to be found yet.

Tourists haven’t arrived yet.

You were running a little late today, again. Not that Stanley really cared, but he always pretended to. The man was predictable like that. By now, you’d learned that his bark was worse than his bite, though sometimes, you didn’t mind the idea of getting a little bitten.

You walk into the Shack with coffee in one hand and bag slung over your shoulder, the creak of the floorboards greeting you. Stan was leaning against the counter when you came, scribbling something on his clipboard, his back turned to you. And that’s when you saw it.

He wasn’t wearing his girdle and it was impossible not to notice the soft swell of his stomach beneath his shirt.

Fuck. You swallow hard, trying to act normal, but there’s no stopping the heat pooling low in your belly. Mr. Pines, all thick and broad, strong arms, messy morning hair, his belly curving under his chest, that's just too much

And while anyone else might have held back, might’ve thought better of sneaking up on their boss, you didn’t hesitate. The moment you saw him, your lips curled into a smirk.

He hasn’t noticed you yet.

Stepping closer, your let your hands slide over his clothes until your palms rested against the warm curve of his belly. He jumps immediately, his hand jerking across the paper, leaving a thick, jagged line of ink.

“What the— hey! what’re you doin’, kid?!”

“Just admiring my boss?” you grin wider, leaning into him.

Another grumpy “pfft. yeah, right.” comes your way when Stan moves to brush your hands away, but you just dig your fingers in harder, letting your breasts press against his back.

“You’ve been hiding this from me all this time? What a shame.”

His face burns instantly, bright red flushing up his neck. “dammit, don’t go grabbin’ me like that! i’m too old for—”

“Oh, come on,” you cut him off, crowding him against the counter. “you’re not too anything. in fact,” your fingers dip just slightly below his beltline, teasing. “i think you’re perfect just the way you are.”

“Perfect? hah, are you outta your damn mind? Look at me! I’m no spring chicken, alright? i’ve got—”

“Got what, Mr. Pines?” you interrupt. “nice body?” your nails scrape lightly against your boss, earning a shaky exhale from him. “i like it. a lot.”

“Cut it out, kid, this ain’t the kinda body women go crazy for. You’re wastin’ your time”

You frown. “says who?”

He huffs in embarrassment. “C’mon, you've seen it. I'm too old and- and uh, rough around the edges?”

“Damn, exactly what i like,” his whole body stiffens under your touch. “big strong hands, broad chest and this belly, i want all of it, Mr. Pines.”

“You got a filthy mouth, y’know.”

“Oh, i had a good teacher.” you giggle, feeling him already getting hard. “you ever been touched like this, Mr. Pines?”

Stan exhales hard, irritated and flustered. “‘course I have, don’t talk like I’m some goddamn virgin.”

“Thats not what i meant.” your nails scrape, dragging slow over his belly, over the dips and curves.

He tries to change the tactics then. “listen, sweetie, i’m too old for this shit, alright? you- you deserve some young, pretty guy who—“

“Who what? who doesn’t look half as good as you? who can’t make me laugh the way you do? who doesn’t make me want to do this? i like it thick, broad, strong. You could just throw me around and have your way with me, Mr. Pines.”

Stanley fucking stops breathing. Hes hesitating because he doesn’t want to admit he’s just as fucking hungry for this as you are.

He runs a hand over his face, trying and failing to keep his composure. “You- you’re crazy, y’know that?” but you always knew how to get under his skin.

“Admit it, you’d miss me if i wasn’t here to keep you on your toes.” your fingertips graze his bulge once more and that's it. Stan’s breath stutters in his throat.

“Hot belgium waffles, you better be serious, sweetheart.” he’s already turning, crowding you against the counter, gripping your waist, your hips, your ass.

“Why wouldn’t i be?” you gasp after you say the last word when he palms your tits, kneads them roughly.

“You wanna be fucked like that? like a real man oughta do it?” he leans closer to your face. You nod too eagerly and Stan doesn’t waste a second “we better make this quick,” while his fingers already yanking at your clothes, dragging you onto the counter, pressing his mouth to yours.

Quick. Ha.

Stan kisses like he’s trying to eat you alive, pushing his tongue into your mouth. You moan, grinding against him, feeling the hard length of his cock pressing into your stomach

You should have known better. Should’ve known better than to touch him like that, to let your fingers linger on the soft curve of his belly as he stood there, all unbuttoned and exposed. But you didn’t. You couldn’t. Because the moment your hands landed there, the pull was too strong, and you knew that if you didn’t take it now, you’d burn up inside.

“You sure you want this, baby? ‘cause once i start, i’m not stoppin.” you nod, gasping for breath, and that’s all he needs. “good, i’ve been holding back long enough.” he gropes you, touches you everywhere, his hands roaming over your back, squeezing your ass.

“Fuck, these are perfect,” your bra is barely on you before he’s palming your tits, squeezing rough, thumbing your nipples, watching them peak.

He licks his lips, then leans down and latches on. Wet, sucking, pulling noises fill the Shack. You arch, whimper, push into his mouth and he groans. “needy little thing, ain’t ya?” he switches breasts, drags his tongue over the swell, teeth scraping before sucking your nipple into his mouth, rolling it, flicking it.

Stanley Pines, despite his gruff exterior, is a sweaty mess in front of you. A man that had given up, probably, on ever being seen as sexy. That’s what made it so deliciously easy to shatter him. To break that cold shell. Because he didn’t see it, did he? He didn’t see how much his body, his age, even his wrinkles, didn’t matter to you. You just want him to feel it. You want him to feel desired, so badly.

“Fucking hell, yer driving me insane, toots.”

You laugh breathlessly. “don’t be so dramatic, old man. You’re tougher than you look.”

“Oh, you’re gonna pay for that one,” he growls as he pushes you back against the counter, gripping your thighs.

His mouth is on you again, kissing down your neck, biting, his tongue leaving hot scorching wet trails that fill your stomach with butterflies. You grind against him, feeling the press of his cock through his pants.

“You want this, huh? want me to fuck you right here, where anyone could walk in?”

“Yes, i need you, Mr. Pines.” your hands grip his shoulders, pulling him closer.

Stanley presses his thick fingers against your underwear, circling your throbbing clit through your panties, drawing soft sounds from your lips.

“Already so wet. Hell, you’re gonna take me so good, aren’t ya? this tight little pussy’s gonna feel so fuckin’ good around my cock.”

You moan, your head falling back, your body arching against him as he works you with his fingers faster, harder.

“Please, please, please, need you!” then, out of the blue, or maybe because you're too lost to even care so you'd mumble everything that comes out of your mouth, you quietly admit. “Mr. Pines, f-fuck, ive touched myself to the thought of you—”

Stanley looks at you. “say that again.”

“I've thought about you, i fingered myself imagining it was your cock.” you say quietly, looking at him with little hearts in your puppy eyes.

“Jesus christ, you filthy little thing.”

“Stan—”

“Mr. Pines.” fuck. the way he corrects you, heat coils in your stomach, between your legs. “You wanna get fucked good, you use the right name.”

“M-Mr. Pines—fuck, please—” his fingers press harder, rubbing slow, teasing circles over your clothed clit.

“Soaked. And i ain’t even touched you yet.” you whine, pressing into his hands, your hips twitching. And that bastard laughs. “poor thing, you really need it, huh? sweetie, you’re lucky i’m not makin’ you beg for it.” yet, he forgot to add.

You’re about to retort, but then his fingers slide your panties to the side, spreading your folds, dragging through your wet slit.

“Fuck, baby, dripping all over my fingers.”

“N-need you—”

“Aw, yeah? that so?” he pushes a finger in your pussy so fucking slow, savouring the way your little cunt takes his thick digit, already imagining how perfect it'd be with his cock instead. “tight angel, fuck, so tight.” Stan manhandles you roughly, spreading your legs with his hands, kneeling in front of you, about to devour you whole. You feel his hot breath against your core and when he leans in and his tongue finally licks a long, slow stripe through your folds, you swear you see stars.

“Taste even better than i thought,” he groans, voice muffled against your pussy. His big hands grip your thighs, holding you open as he buries his face between your legs, licking and sucking like a man starved.

“Mr. Pines—oh my g-god—” Stanley keeps grunting and moaning, the vibration sending shocks through your body.

“Fuck, keep sayin’ my name like that. Can’t get enough of you, doll.” his warm tongue flicks your swollen clit and he slides two fingers into you, curling them, scissoring. Your hips buck against his face, but he holds you down with one arm across your stomach. “Stay still, princess, let me take care of you.”

You’re already close and he knows it, his fingers pumping into you faster, his mouth relentless on your clit. You fall over the edge with a cry, your thighs trembling as he works you through it, fingers still moving, tongue still teasing, until you’re begging him to stop from overstimulation, tugging his hair. Stanley pulls back, lips and chin glistening and grins like the filthy bastard he is. “cant believe i’ve been missin’ out on this.”

He stands, towering over you and you reach for him, fumbling with his belt. When the metal buckle clinks loudly in the quiet of the Shack, Stanley impatiently shoves his pants down to free himself.

Your gaze drops and your eyes widen. Jesus christ.

“Like what you see?”

“I’d be stupid not to,” you grin, reaching out to wrap your fingers around him, making him curse under his breath, his hips jerking into your hand as he grabs your wrist, guiding you to pump his hard length slowly.

But you two don't have much time so he holds your panties aside with one hand, lining himself up with the other and with a single thrust, Stan buries himself inside you, stretching you so perfectly it makes your vision blur.

“Fuck,” his hands grip your hips so hard you were sure there will be bruises. “you’re so fuckin’ tight and warm. Goddamn, sweetheart.”

Your response breaks off into a whimper as he starts moving, slow at first to let you get used, his hips rolling into yours smoothly.

“That’s it, take it, baby, all of me.” you let out a soft moan, looking down where you both connected and he grins, pressing his hand against your stomach, where the outline of him bulged beneath your skin. “look at that, i’m so fuckin’ deep, i can feel myself here. You feel it, baby? feel me stretchin’ ya open?”

You nod frantically, your head spinning with every relentless thrust as he stretches you in ways you didn’t think possible. You cry out, your nails raking down his back, your body arching against him as he sets a brutal pace, driving into you over and over again.

“Such a pretty little thing, lettin' an old bastard like me ruin ya.”

You can only nod, your needy voice lost to the pleasure as youre getting fucked that good, right here in the Shack, where anyone could walk in.

He’s watching you, watching your pussy stretch around his fat cock, watching the way you tremble. His big hands grip your thighs, spreading you wider, forcing you to take all of him.

“Bet no one’s ever fucked you like this before, huh?” he slams into you again, making the counter creak beneath you. Using his strong hands he keeps you in place as his cock drives in and out of your dripping, swollen cunt.

“C'mon, answer me, baby,” he growls, his hand sliding up to grab your jaw, forcing your glazed-over eyes to meet his. His cock buries deep, hitting that spot inside you that makes your legs tremble. ”didn’t ask for silence. you ever been fucked like this before?”

Your eyes are closed as you shake your head, whimpering. “n-no.”

“No, what?”

"N-no one’s ever fucked me like this, Mr. Pines—”

“Good girl, use your words,” Stan grips your chin and forces you to meet his gaze. “tell me how much you love this cock.”

“S-so much,” you manage to choke out between pathetic whines and mewls, your brain turning into useless mess. “i love it, i love you, Mr. Pines, don’t stop!” tears pricking the corners of your eyes.

“Poor thing, all those boys before me and none of ‘em knew how to stretch this perfect cunt open right.” he shifts his hips, grindings his cock against your walls, making you sob. “bet they didn’t even know how to fuck you proper, huh? didn’t know how to make ya beg?”

You shake your head and gasp, clinging to him.

His hand slides down your body, rough fingers rubbing over your swollen, sensitive clit. “owwh, they never even made ya cum, did they, sweetheart?”

“No, they didn’t, Mr. Pines.”

“Fuckin’ shame. all those useless boys, never knew what they were missin’.” his thumb circles your clit. “but don't worry, this pussy’s mine now, ya hear me? No one else’s. I’m the only one who can fuck ya like this, make ya feel this good.”

“Mr. Pines, ple-please. . .’

“Please what, sugar?” he pants, fucking you so deep you swear you feel him rearranging your insides.

You sob, tears spilling from your pretty eyes. “p-please, make me cum—” Stan doesn’t let up, not even for a second. His cock is buried so deep inside you that you can barely breathe and think, barely do anything but moan and take it like the filthy little thing you are.

“Aw, baby, you gonna cum already? just from my cock stretchin’ ya open like this?” you nod, your body tightening around him. “fuck, that’s right, sweetheart, squeeze me just like that. Never thought i’d get to ruin somethin’ so perfect.” his pace picks up, his cock pounding into you so hard you’re sure the counter’s going to break.

You were supposed to keep it quick. just a little pre-tour fuck as you both said.

But thirty minutes turned into sixty and sixty turned into absolute depravity.

The counter was first, but then Stan couldn’t stop. His cock is buried deep inside your soaked, needy cunt as his hands hold you while he thrusts into you.

"Fuckin’ christ, doll, this pussy’s gonna be the death of me."

You had your legs around his waist, arms locked around his neck, Stanley fucking into you so deep you felt like you’d pass out. But then he lifted you up, didn’t even bother pulling out, just carried you like you weighed nothing, still fucking up into you, and took you across the shack like a man possessed.

“Mr. Pines!” and “so good!” were the only words you knew.

“Thought we were keepin’ this quick, huh?” he grunts. “then why the fuck can’t i stop?”

You can’t even answer because your mouth is too busy moaning, gasping, babbling absolute nonsense while he splits you open, every inch pushing against your soft, sensitive walls, stuffing your tight pussy full.

You arch your back, sobbing, because you need it fast again, rough again, animalistic again. And he fucking gives it to you, by grabbing your thighs, folding you in half and absolutely destroying you.

“Fuckin’ filthy girl, letting an old bastard like me ruin this tight little pussy. Even dreamed about this, ugh, layin’ awake at night, fingers buried in that needy little cunt, wishin’ it was me.”

What can you say except loud “yesyesyes!” gasps? However, Stanley is satisfied with that.

“Yeah? bet you’re never gonna want anyone else fuckin’ you again.”

He doesn’t stop. Every display case. Every fake cryptid setup. Even the damn vending machine.

“You're so fuckin’ wet, doll, i could slide into this little cunt with no effort at all.”

Fake exhibits? fucked over them. That fake monster cage? Bent over it. That dusty-ass animatronic Stan managed to steal? yeah, he fucked you right in front of it, hands gripping your ass, hips slamming into yours so hard the damn thing started moving

Stan literally punched it to shut it up.

But did he stop? no.

“Shut the hell up, buddy,” he muttered to the machine, before shoving his cock back inside you and making you scream.

but the final round?

Staff room.

Both of you panting, sweaty, while he takes you from behind, balls slapping against your throbbing clit, the slick sound of skin on skin echoing through the empty Shack.

Or, well, not so empty anymore, because suddenly you hear the honk of a tourist bus outside.

Stan’s head snaps up. “oh, you gotta be fuckin’ kidding me—”

His eyes dart to the stupid clock on the wall and he actually freezes for a second.

“We— we were supposed to open, like—shit, twenty minutes ago.”

“So? keep going.” you say lazily under him.

“Oh, you’re gonna get me in trouble.” but does he stop? does he fucking stop?

No, no he does not. Instead, he fucks you harder.

“I'm gonna make this quick, baby, gonna fill you up real nice, then i gotta—fuck—gotta get to work—“

But then— “uh, Mr. Mystery?”

fuck.

Stan’s body locks up and you both freeze. The voice is right outside the door. Stanley lets out the deepest, most exhausted sigh. “Uh, yeah?”

The tourist hums. “sooo i was wondering, when does the tour start? we’ve been waiting outside for a while.”

Stan closes his eyes and takes a deep breath. “yeah, yeah, uh, give me five minutes, kid, i got, uh, got a bad back today, y'know? just need a second to—uhhh—” you clench around him, tight, so fucking tight and his words cut off in a groan.

He glares at you. you just smirk.

“You okay in there, Mr. Mystery?”

Stan forces his voice steady. “yeah, yeah, just—” he grits his teeth. “just need a minute to stretch it out.” he snaps his hips forward, stuffing his cock back into your cunt, deep and slow, forcing you to feel every thick, throbbing inch

You whimper, just to fuck with him because this old man is so funny when annoyed.

“Fuckin’ hell, stop that.” he growls under his breath at you.

But the tourist won’t leave.

“So, uh, what’s the official policy on taking pictures of the fake exhibits?”

Stan’s eye twitches, his hips jerk forward involuntarily and you let out a choked gasp.

The tourist pauses.

“Mr. Mystery? are you sure you're okay?”

Stan immediately shoves a hand over your mouth. “Told you, just back’s actin’ up, kid.”

The tourist keeps talking.

“What do you think the likelihood is of alien activity in oregon? because personally, i think—”

You clench around him again. Stan chokes on a groan, his cock throbbing inside you as he tries to keep his voice normal.

“Listen, kid, why don’t you, uh, go look at the gift shop or somethin’, huh?”

“Oh, but i wanted to ask about—”

Stan loses it

“NOT NOW, KID. TOUR STARTS IN TEN MINUTES. LEAVE ME THE HELL ALONE.”

“Ohh. . . Okay?” fucking finally, you hear footsteps and door creaking, that idiot leaving

Stanley slumps forward, forehead against your shoulder.

“Poor Mr. Mystery,” you tease, moving your hips. “just trying to do his job, but this damn girl won’t stop teasing him—”

“Ohhh, you thought you were so fuckin’ cute, huh?” the deep rasp of his voice sends shivers down your spine. His chest is pressed against your back, his weight holding you down while his cock still stuffed inside your ruined cunt. “moanin’ all pretty while i was tryna talk? teasin’ me in front of that dumbass tourist. Makin’ those fuckin’ sounds on purpose. Thought i wouldn’t do somethin’ about it?”

You yelp when his hand grips your hair, yanking your head back just enough to whisper against your ear. “you wanna act like a dumb little slut? then i’m gonna fuck you like one.” after that, Stan pulls out slowly, torturously just to slam back in.

You cry out. No, the sound you make would be better described as pathetic loud whine.

But Stan slaps a hand over your mouth, pressing you into the couch. “uh-uh, pretty, you don’t get to be loud now. you lost that privilege.”

His cock is so deep, stretching your cunt open, filling you completely. Every thrust is hard, brutal, messy, wet. Your pussy clenches around him, sucking him in, greedy for more as you whimper into his big palm. The couch creaks under you, the whole room still eerily silent except for the filthy, wet sounds of him using you.

“Aw, what’s wrong, baby? thought you liked teasin’ me. now you can’t even take my cock?” as you nearly fall from the fast rhythm. Stan laughs against your ear. “thought you wanted me to fuckin’ ruin you, huh? turn this sloppy little cunt into my personal fuckhole?”

You can't even moan as Stan snaps his hips up, hitting so deep it knocks the breath from your lungs.

“What’s the matter, princess? feelin’ a little too full?” his belly presses against your back, his size overwhelming you, his weight pinning you down, making sure you can’t run from him as he grabs your waist, pulls you back onto him, forces you to take every inch. “ this little cunt’s gonna take every last drop, huh? ‘cause that’s what you are, ain’tcha?”

His fingers grip your jaw, turning your head so he can look in your glassy eyes.

“Say it, sweetie. Tell me what you are.”

Your brows knit together. “m’ your dumb little slut, Mr. Pines. . .m’ made to take your cock—” words come out barely coherent through the lewd slap of skin-on-skin filling the room.

Damn right. His hand slides down, finding your clit, rubbing it fast. Your body jerks, overstimulated.

“Too much?” his voice is mocking. “too fuckin’ bad, baby. Shoulda thought of that before you started actin’ like a brat.”

You’re already close again, what is it now, your sixth orgasm? Eighth? You shake too hard in his hands as your cunt spasms around his cock.

“Gonna fill you up, doll. make you fuckin’ mine. you want that? lemme hear you beg.”

”P-please. . . ple, mhm. . .hhng . .” your words muffled against his palm.

“Please what?”

“Please—please breed my messy cunt, Mr. Pines—please, please—”

“Holy shit, baby, you want me to breed this little pussy? want me to fill you so full you’ll be drippin’ down your thighs all day?”

You nod frantically and Stanley feels you smile widely against his skin what makes him laugh. Such a dumb slut you are.

“Greedy little thing. y'know i gotta work today, right?” his cock throbs inside you, stuffing you so full you can feel him in your stomach. ”but fuck- fuck, baby, can’t help it.” his hips snap forward, burying himself completely as he cums, making you feel every pulse, every throbbing rope of his hot seed spilling inside you, flooding your pussy.

Your own orgasm hits so hard your vision whites out, your cunt clenching tight, squeezing him, milking him dry.

“Oh, that's it, baby, there it is. Good little slut.” you collapse, trembling, fucked-out and absolutely ruined.

Stan stays inside you, catching his breath, watching as his cum spills out, dripping down your thighs. He leans down, kisses your neck. “gonna clean you up, sweetheart.”

You blink up at him through tired eyes, dizzy. “with what?”

He smirks. “my fuckin’ tongue.” uh oh, you guess Mystery Shack is gonna open late today because even though Stanley Pines has a job to do, first he’s gotta make sure his messy girl is properly taken care of.

[widebrimmedhatsblog]

ONYX STORM ⚡️⚡️⚡️

My thoughts below the cut! Spoilers galore. This is all from my first read through, so we’ll see what changes by the time I finish my second read. I’m still pretty jumbled up about the book (I am physically incapable of opening up goodreads and giving it a rating) and, frankly, I think my notes are going to reflect this! Also, this is thoughts for the WHOLE BOOK, so please don’t open the full post if you’re not done with the WHOLE BOOK.

I’m pasting my notes directly from the doc I took them on while reading , and adding extra post-read commentary when I feel the urge! Also this is your warning that I swear quite a bit in these! For they are candid.

ch1-10:

- i will say i thought the ch 2 epigraph was an inntinnsic clue but now im not so sure bc it’s not that rare it’s just that they kill everyone who has it ??? (commentary from future helena: this is about lilith…right?)

- tell me something, violence. why is it always you? 😵‍💫😵‍💫😵‍💫😵‍💫

- what IS a soul. how can you take a soul apart piecemeal. why do you think he gave up part of his soul. who told you that. (CFFH: i stand by this. none of this makes any sense to me.)

- hmmmm no red post fingering! curious…very curious (CFFH: i still don’t know about this one dawg)

- the kiss beneath her ear after he helps her get dressed somebody sedate me

- god DOES garrick like imogen because mans does NOT act like it poor im (CFFH: I seriously cannot stop wondering when the hell Rebecca decided to make immrick canon because i LIKE the ship, but on my fw and if re reads it does not read like Garrick likes her, and I would say that holds true till the very end of the damn book)

- VIOLETTTTTTTT I LOVE HER she’s so fucking back (CFFH: violets characterization was my favorite thing about this book. i was really scared about xaden leaving because frankly rebecca writes violet best with him, but she held her own so much better than she has in the other two books. i always love her, but she was incredible here.)

- the bits about vi being a good duchess i Knew that was him saying he wanted to marry her (CFFH: this is an example of what i like to call RY’s “gotcha ass foreshadowing”)

- also i have always characterized fen in my head as loving the movement more than xaden i know what’s up

- i’m soooo excited about him being the duke this is so embarassing im pumping my fists

- did NOT see the samara field trip coming what the fuck

- EVEN HUNDREDS OF MILES AWAY HES STILL TSKING CARE OF EMD EKDNRNRNRN (CFFH: yeah.)

- hey guys what the fuck was that dream? did RY see the cat/violet shippers and get ideas

- WHAT THE FUCK. i saw NONE of this coming

- GARRICKS A WIND WIELDER ???? (CFFH: obviously did not age super well…however garrick was acting so sus here and his dialogue felt so off that i genuinely thought he was the traitor for a fat minute)

11-20

- WHETS RNRJRNRNRNRNRNRJEKEKKRRN

- IS THIS THE MARKED ONES SECOND SIGNET TNEORY (CFFH: can you tell i was a big fan of the marked ones second signet theory. also what’s xadens third signet then? also i feel like if EVERYONE has 2 vi will have 3! i have a theory explaining it below somewhere)

- WLSO DID XADEN FHCKINF KNOW (CFFH: they actually handled this really well i was so nervous they’d have the fight again)

- dude im like short circuiting sick to my stomach HES SOOOOOOO BOYFRIEND ? (CFFH: what on EARTH was this about?)

- well the fuck aware!!!!!!!!!

- i can’t breathe

- i need my inhaler

- LIAM WIELDINF ICE (CFFH: again, can you tell i was a big fan of the marked ones second signet theory? fun fact, i actually wanted to write it into ITHOIA but then i realized a. how much work it would be to concoct that many signets and b. i’d have to give xaden THREE, and decided to pick my battles. however i did brainstorm what signets had xaden energy for giving him a third one and immmmmm immmm having ideasssssss)

- YOURS X

- why do i agree with JFBs venin logic man

- god halden is her traumatic ex relationship goddddd (CFFH: i edited out most of my complaining, but i was super against the halden idea (per my predictions). this might get me cancelled, but it did feel fan service-y? to me? which is fine! fans deserve to be serviced! there are moments of this book in which i am the fan being serviced! but when it become clear RY was going in the halden direction, i was super stressed about how she’d handle it, and im thrilled she made him toxic. THRILLED.)

- SECOND KROVLAN UPRISING

- knowing miss yarros and her gotcha ass foreshadowing ridoc is going on that quest lmdao

- PRFOEOEKEENDJEJEN PROFESSOR RIORSON PROFESSOR RIOROSN (CFFH: not only do i stand by this, but i actually wanted to write teacher roleplay for kinktober and i didn’t bc i didn’t think the fandom would take a liking to it, but CLEARLY rebecca didn’t have those concerns)

- i am going to commit crimes against humanity your relationship did not just END SJEJEJEJENR R (CFFH: i’ve noticed miss yarros has begun to really lean on chapter cliffhangers, and frankly, it pisses me off. i understand she needs to get her bag with kindle unlimited and all, but it makes for a stressful reading experience imo. however, this one got me. this one got me SO bad i had to take a walk to calm down. i have been looking forward to professor riorson for MONTHS and i was convinced it was crashing and burning before my eyes. maybe this is why i shouldn’t read past 1 am. i know rebecca has given interviews and has said she needs there to be constant tension in their relationship or else there’s no story, and while i know what she means, THIS tension felt so manufactured to me. i also think she could pull off a war story with them just like …together. i believe in her. the story needs tension, but it doesn’t need to be between them like this, imho.)

- we live by the codex/i live by you 😵‍💫😵‍💫😵‍💫😵‍💫😵‍💫😵‍💫I AM YOURS AND YOU ARE MINE AND THERE’S NO LAW OR RULE IN THIS WORLD OR THE NEXT THAT CAN CHANGE THAT

- you know what we might get shadow sex in this book. we might. (CFFH: we do! and i think we can get more with asim!xaden)

- fun fact about me it took till my THIRD RE READ to see that xaden controls the shadows with his hands.

- there’s been like 3 indirect marriage references if my fucking empire of storms prediction was correct im going to scream (CFFH: so i actually didn’t get to scream because i was too busy MOURNING the lack of a RIORGAIL WEDDING.)

- PAPA SORRENGAIL HAS NAME AND ITS ASHER ?????

- ridocs blow job joke was funny i cackled

- papa sorrengail (im going to deadname him) i do love you man

- SHADOW HANDCUFFS OH MY GOS i had a seizure in my reading hammock

- he is my choice. that got me. that felt good.

- DRAAAAAAAAKE (CFFH: i may say this later, but alli (no tag bc she’s not done reading yet) made drake so sexy to me (and amy! also no tag) and i was kind of disappointed lmfao)

- vi rlly out here playing cousins or dating

21-30

- i loooooove him calling her love all the time

- it’s so crazy to me that he’s relaxed without magic but im glad! since i do think this is his ending over all

- helena bets time: the deal the krovlan rebels didn’t uphold was smth to do with the irids or the feather tails

- “xaden riorson is a lot of things, but happy usually isn’t one of them” hey man what the fuck

- this feels like a fever dream this is the dragon show christmas episode that isn’t relevant to the plot what do you mean they’re bonding over horses

- hey guys is this…capitalism?

- i can’t get over the isle kingdoms being kerch (CFFH: if you haven’t read six of crows this won’t make any sense, but if you have….)

- ARETIA IS THE SECOND MOST BEAUTIFUL THING I MVE EVER SEEN AND MY HOME IS THE FIRST (CFFH: he was ON ONE in this)

- maybe im toxic but he’s being so nice im so anxious about something going wrong 💀 like he stays in the isles or something jesus

- “even if we did, we can’t be in two places at once” + xaden acting weird ….. (CFFH: i want to say third signet but i don’t know)

- what the FUCK is going on with him like it’s really hot but it’s freaking me out

- IM GIVING DIPLOMACY A TRY NOT SURE ITS FOR ME THOUGH (CFFH: dare i say lilith parallel)

- HE WOULD HAVE IF HE’D MET HIM. knocked me on my ass.

- i have an idea i just dont like being wrong baby violet i need to give you a forehead kiss

- why is violets dad the grandpa from the inheritance games

- im going to bed fr fr now but my last minute prediction is that he marries vi to make her an aristocrat (this is wishful thinking) (also we don’t HAVE to rescue halden) (like it’s fine if we don’t)

- MY CONSORTTTTTTTT

- WHEN WOULD BE. can he propose for real. please. (CFFH: this is hurting my feelings)

- bro his LINES IN THIS ???? who do you swear fealty to/VIOLET

- he’s acting less sus…i did NOT like that epigraph abt “returning to his true nature” (CFFH: maybe im on something but idk if this was meant to reflecrt him draining the alloy or whatever it was orrrr if it was abt vi channeling somehow!)

- im almost worried he’s trying to marry her before he kills himself or something but he keeps telling her how selfish he is so maybe not (CFFH: close!)

- her EDS is also a lot better done this time around (CFFH: from a layman’s point of view, obviously, but her injuries were much more graphic, and her other symptoms were actually on page. i really appreciated this)

- oh my godddd sloane and dain.

- i feel like the bond fuckery is vi’s second signet ???? i ALSO feel like it’s sexy

- DAXTON

- PAPA SORRENGAIL HAS A MAIDEN NAME

- also bodhi TOTALLY has a second signet that little LIAR i wonder if he’s an inntinnsic too or smth.

- god imagine bodhi has resurrection

- im trying to be normal but i feel like its insane we’re just now learning where violets family is from idk!!!

- why is dain sweet in this idk also this happened earlier but vi’s dad teaching him languages FOR violet makes me want to cry

- im so fucking proud of violet holy crap

- is violet ??? unnbrian????

31-40

- FOREHEAD TAT LIKE THEOPHANIE!!!!

- violet absolutely can wield there im calling it rn shawty is MAGICAL (CFFH: i guess maybe it’s her touched by dunne ??? thing ??? and she’s somehow ??? half god ????)

- god xaden and dain love her so much

- why does rebecca never let me see xaden do her wraps for her i want to seeeeee

- they’re all in couple pairs so obviously dain and garrick are fucking next (CFFH: this was a joke but tbh…i could be convinced idk)

- god so timing wise DID papa sorrengail meet xaden’s mom !/!:!3&3’ejd (CFFH: i don’t think so ??? but maybe ???)

- not sure my thoughts on the name talia (CFFH: this is bc i picture my bestie Thalia Grace)

- the mommy issues are churning my stomach

- i loooooove aaric holy

- dude i totally thought ridoc was dead

- babe! this isn’t you!

- oh my god ?????? i was NOT expecting violet to give them the old kazzledazzle (CFFH: this is another six of crows reference in which Kaz uses someone’s child as leverage by implying that he’ll kill them, basically, except Kaz is on page morally gray. in THIS book violet is, but i don’t think she had been before now)

- this is genuinely honest to god NOT how i thought their relationship would go and it’s freaking me out

41-50

- you’re my soul JESUS what is he ON

- god poor andarna

- I KNEW HE WAS AN ARIES AND NOT A PICSES I KNEWWWW ITTTT

- she wrote him a letter 🥹🥹🥹🥹🥹🥹

- i will say i’ve been wondering if the venin effects xaden experiences are more of a ptsd metaphor than anything

- is cuir trans bc i totes thought she was a woman

- ….it would be a shame to kill my last living relative….

- god the adaptations to the running landing mean so much to me im so proud of her

- violet baby i love you to pieces

- you do some of your best work on that throne 😭😭😭😭 (CFFH: the amount of callbacks in this book was very intriguing to me)

- WERE HOME VI ACT LIKE IT

- i was actually rlly against xaden telling anyone he was venin but it’s all gone surprisingly well

- if lindell and lewellen are xaden and liam’s gay foster dads….dont call don’t text

- shadow handcuffs………………..

- im a fan!

- god i did NOT expect that to be the route they took? with the sex ? (CFFH: i thought they were gonna handcuff XADEN. )

- she is absolutely having xaddys dreams but idk what the FUCK the cat one was

- IS XADENS THIRD SIGNET PROPHETIC DREAMS. (CFFH: im leaning towards venin mindfuckery but who knows)

51-end

- i am actually really enjoying tairn and adarna this read although id like a dragon punnet square

- violet is so venin. xaden IS power she says while she says SHE IS power mmmmm rebecca i know your secrets (CFFH: see yall after book 4 idk)

- hi who the fuck was the high priestess and why does it matter im so confused i can see the puzzle pieces and i am flipping the table

- also crack pot theory entered my head. if xaddy gets 3 signets then vi has to get 3 signets. tairn never says naolin he always says “the one who came before” what if…hear me out…somehow it was papa sorrengail???? and not naolin ??? at least not naolin the whole time so then she’s getting a third signet from tairn

- why the fuck did vi not listen to aaric in the first place mans clearly knows what he’s talking about (CFFH: #drama)

- okay is violet a demigod. is that what’s going on

- IS HER HAIR NOT ACTUALLY SILVER (CFFH: i feel like it has to be ????)

- okay wait im thinking about the dedication thing they said earlier -> lilith is sick -> they think fetus vi is going to die -> they ??? dedicate ??? her ??? to dunne ??? (CFFH: i still don’t know actually except she’s two and not a fetus? and it was just papa sorrengail. also i think they rode tairn there LMAO but maybe im insane)

- i cant get over garrick being a distance wielder i need to check on the immrick girlies (CFFH: immrick girlies i hope you’re well!!)

- god how are the irids involved in rsc ???

- i exist for tairn, but i live for xaden okay girl okayyyy

- god does she get to keep being an inntinnsic now ?????

- THRILLED about her sleeping in xadens clothes

- were past the break up stage he’s sooooo real i love him

- core. memory. (CFFH: this is the biggest sin rebecca’s committed anachronism wise my god)

- god DID they get secret married ????

- god when they said bring your brother and i thought she meant liam was being resurrected i actually started to enter cardiac arrest (CFFH: am i the only one 😔)

- is bodhi actually his secret brother and garrick knows and we don’t because what the fuck (CFFH: i guess it could just be vibes?)

- my heart is not in my chest cavity after the liam business

- COLONEL DAXTONS GUIDE TO EXCELLING IN THE SCRIBE QUADRANT!!!!!

- i knew that was how it was going to go purely from alli’s take the second they said they had mira i was like reciting the sitq ending (CFFH: obviously i was slightly wrong but still! this is controversial but the fact that she let everyone were close to (mira/ridoc) live and only killed off tertiary characters kind of undercut the experience for me idk!)

- oh my god dain and sloane 🥹

- come back to me/only ever you

- DUKE OF ANGST

- is garrick’s distance wielding how they dealt with the fuck ass trips to aretia that didn’t work with the timeline bc that’s brilliant actually god damnit

- the bullshit about being everywhere at once means something i can feel it

- RHIANNON?????

- cannot believe that line is feirge

- hi so fun fact i don’t think jm meant to read for this many hours straight i feel like im locked in a trance

- THE ONLY PERSON I TRULY LOVE ???? ABOUT QUINN??? IMOGEN ???

- what on earth is imogen’s second signet bc i don’t think that’s how fire wielding works ????

- i cannot believe the marked ones all have second signets what the ever loving fuck

- i feel like quinn’s death was just not that impactful however imogen saying her mom and sister will know who she is made me tear up jesus

This is where I stopped taking notes!! I’m SO confused about the ending. To be quite honest, I think I’ll reblog this with my thoughts on the ending after I’ve re read it, because I’m LOST. What did Xaden show Sgaeyl ???? Who turned venin with him, because I thought Bodhi but maybe Garrick but maybe both??? how DARE rebecca now show me the riorgail wedding ?/??2?3?3$33&:! WHO does he have a DEAL with???

misc thought that didn’t make it up there:

- i LOVE how she handled Sawyer’s amputation and rehab.

[middle-earth-mythopoeia]

While I agree that not everything can be effectively translated from page to screen, I don’t buy that in this case. I just recorded myself reading these lines, not rushing, but reading them how I’d like to hear them spoken, and it took me 12 seconds. 12 seconds. It might take me one or two seconds longer if I really slowed down for emphasis. More on this in a minute.

Why do you think it would be comical? Not if it were done well, and Miranda Otto would certainly have done it well. Not if it were allowed to have the same importance that some of Tolkien’s other canonical dialogue had in the movies. This scene has nothing in common with a real emergency situation or a real combat situation, even if it’s depicting one: what it actually is is art, and the rules are different.

Was there time for Théoden to make his speech before the Battle of the Pelennor Fields? In a real emergency situation, shouldn’t they have just charged? Yes, but the thing is, it isn’t a real situation, it’s a story. It works for Théoden to make that speech. It makes the scene infinitely better. In fact, it’s one of the best scenes, if not the best scene, in both the books and the movies. This should have been treated no differently. Cutting down Éowyn’s dialogue didn’t make her scene work better, it removed the full gravitas that it could have had.

Théoden’s speech in the movie takes a long time. First he gives commands to Éomer, Gamling and Grimbold, and I’m not going to count that part, because it’s the most “realistic” part of his speech in the sense that it’s necessary for winning the battle. That takes about 11 seconds, for reference. Then this takes him 18 seconds to say: “Forth, and fear no darkness! Arise! Arise, riders of Théoden! Spears shall be shaken! Shields shall be splintered! A sword day, a red day, ere the sun rises!” After a pause, he says: “Ride now! Ride now! Ride! Ride for ruin, and the world’s ending!” That’s 11 more seconds of dialogue, not counting the pause. This is already significantly longer than Éowyn reading those lines would have been! And this is all before they start chanting “Death!”

Between “Forth, and fear no darkness” and the time they charge, more than a full minute passes. Is that realistic? Is that what you should really do in an emergency? No! But it's REALLY REALLY REALLY GOOD IN A STORY. If this speech had been cut down for brevity or so-called realism, the scene would have been much, much poorer for it.

Movies get a lot of criticism, often rightly, when opponents talk to each other during a fight, because it can seem absurd to talk while actively exchanging blows. But dialogue during a fight is different that dialogue before a fight. When Éowyn confronts the Witch-king, they’re not actually fighting yet. Théoden has just fallen beneath Snowmane and the fell beast has landed on it. He’s trapped. The Witch-king is in no hurry, and not only that, he’s used to being unopposed: most mortal Men fall to the ground in terror just at the sound of his voice. He has no expectation that anyone will try to challenge him, let alone kill him.

There’s actually even more dialogue before the quotation we’re talking about:

‘Begone, foul dwimmerlaik, lord of carrion! Leave the dead in peace!’ A cold voice answered: ‘Come not between the Nazgûl and his prey! Or he will not slay thee in thy turn. He will bear thee away to the houses of lamentation, beyond all darkness, where thy flesh shall be devoured, and thy shrivelled mind be left naked to the Lidless Eye.’ A sword rang as it was drawn. ‘Do what you will; but I will hinder it, if I may.’ ‘Hinder me? Thou fool. No living man may hinder me!’ Then Merry heard of all sounds in that hour the strangest. It seemed that Dernhelm laughed, and the clear voice was like the ring of steel. ‘But no living man am I! You look upon a woman. Éowyn I am, Éomund’s daughter. You stand between me and my lord and kin. Begone, if you be not deathless! For living or dark undead, I will smite you, if you touch him.’

Note that the fighting happens after this. She kills the fell beast and they fight after all this is said. Now the dialogue is long, and I understand cutting it down, and I get that there are changes that need to be made from page to screen. But we’re talking about 12 seconds, the part at the end right there, just 12 seconds, give or take.

Now let’s talk about the movie scene for a minute. It’s quite different:

Éowyn says, “I will kill you if you touch him.” The Witch-king says, “Do not come between the Nazgul and his prey.” She kills the fell beast. They fight. He chokes her, which didn’t happen in the book, and I really hate it because it was completely unnecessary. He says, “You fool. No man can kill me. Die now.” Merry stabs him in the leg. Éowyn says, “I am no man,” and kills him.

In my opinion, the way they expanded the fight part of this scene actually removed some of its drama. Cutting down the dialogue also removed its drama. The part where he choked her was awful and should have been changed. And do you see how in the movie version the dialogue is actually interspersed in the fighting, which is not the case in the book? That also reduced the drama of the scene. Imagine instead a version of the movie that more heavily relies on Tolkien’s dialogue and how the scene actually went:

The fell beast lands on Snowmane, poised to attack. Éowyn draws her sword and says, “Begone, lord of carrion! Leave the dead in peace!” The Witch-king says, “Thou fool. Come not between the Nazgûl and his prey. Or I will not slay thee in they turn, but bear thee away to the houses of lamentation, beyond all darkness, where thy flesh shall be devoured. No living man may hinder me!” Éowyn laughs and says, “But no living man am I! You look upon a woman. Éowyn I am, Éomund’s daughter. You stand between me and my lord and kin. Begone, if you be not deathless! For living or dark undead, I will smite you, if you touch him.” Then the fell beast attacks her and she chops off its head. The Witch-king attacks her and breaks her arm and Merry stabs him in the leg and she kills him.

This is so much more dramatic and carries so much more weight and meaning than the scene in the movie. Of course some things could be added or subtracted, and there are different ways it could be done, but I’m just showing you that the original dialogue could have played more of a role here. It not only adds to Éowyn’s gravitas, it adds to the power of the Witch-king and makes his defeat more satisfying. And it actually builds to a crescendo. It’s far better to have the dialogue first and the action after rather than breaking up the dialogue with an unnecessarily extended fight scene.

Tolkien knew what he was doing. It absolutely does make sense for Éowyn to verbally challenge the Witch-king this way, and it works within the style of writing and the story that Tolkien created. There were many times when his dialogue translated beautifully from page to the screen, and this could have been no different!

The movie dialogue could never measure up to this:

“But no living man am I! You look upon a woman. Éowyn I am, Éomund’s daughter. You stand between me and my lord and kin. Begone, if you be not deathless! For living or dark undead, I will smite you, if you touch him.”

How could anyone cut this?! How?! How?!?!?!?! These lines are so incredibly stirring, so powerful, so moving. “I am no man” doesn’t even come close.

First of all, I like that the negative statement of “No living man am I” is followed by the positive statement of “You look upon a woman.” It’s direct and definitive. She’s been disguised as Dernhelm up until this point—another thing that was cut from the movie—but now she’s revealing who she really is.

Second, in a similar way, I like that she says, “Éowyn I am, Éomund’s daughter.” It’s like a challenge. It’s like announcing one’s identity before a duel—which is in effect what she is doing.

Third, “You stand between me and my lord and kin.” This reminds me of one of the most poignant quotes from the book: “I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend.” It’s very important that Éowyn did this brave deed out of a desire to protect Théoden.

Finally, “Begone, if you be not deathless! For living or dark undead, I will smite you, if you touch him.” THIS IS LITERALLY SO AMAZING! THIS IS SO COURAGEOUS! I CAN’T EVEN EXPRESS HOW THIS MAKES ME FEEL! I don’t know which part is better—the fact that she threatens him, or that she gives him the choice to forfeit and flee the battlefield.

There’s an incredible heroic resoluteness to the final line, “For living or dark undead, I will smite you, if you touch him.” This, right here, is the essence of the courage of mortals in Tolkien’s books. It’s the acceptance of death, but the desire to go down fighting—the knowledge that death is inevitable, but the one thing we have control over is how we meet it.

Éowyn is facing Sauron’s most powerful servant, who is almost a personification of death itself, and she is declaring that no matter what he is, and no matter the outcome, she WILL fight him. When she says these lines, she doesn’t know that she and Merry will vanquish him. It’s sheer determination against impossible odds, it’s extraordinary courage in the face of death—and THAT is why this scene is so powerful.

[sassy-radio-hazbin-queen]

Ok I am going to talk about something that's been on my mind recently.

Major warning ⚠️ might get deep.

Also ADHD RAMBLING SORRY IN ADVANCE 😔

Regarding Alastor and the Seven year absence. Ok so I see how In some recent posts people say Alastor must feel forgotten by the Hasbin crew, cause When Sir Pentious and Dazzle died they got a portrait and a statue. While Alastor got nothing. And Charlie thought he had died too.

But while that is true I'm surprised no one talks about how Alastor already felt Forgotten long before the fight. I'm talking about when he finally got home after 7 years disappearance.

My boy didn't get a Welcome home,( although he did get one from Carmilla later on)or a " Hey are you ok". Nothing. What does he get. Pushed around, Judged ( though it's quite understandable it's still wrong) and even told that he basically didn't matter. Remember the scene between Carmilla and Alastor. Alastor was basically asking her " Hey while I was gone, Did you at least think about me"?. And Carmilla response was definitely " Eh Not Really, But welcome back in any case".

Sure he looked pissed but if I was in his place I'd feel very hurt. I kinda noticed how everyone treats Alastor as if he is the worst thing in hell. When there so much worse * cough Valentino cough*

From what I understand he only targeted those that hurt others. Maybe Hell was pissed because in a way he was saving other souls. Taking them from their abusive owners. Which is fucked up but it's hell. What do you expect?

I firmly believe Alastor grew up in a abusive household and definitely witnessed his mother getting abused which definitely affected his psyche. Maybe his father killed his mother and after killing his father he vowed no one will ever go through what he went through.

So he targeted awful people and offed them. When he got to hell. I think he felt his work wasn't done yet and now he is in the land of abusers and monsters. Maybe deep down. He was the one SCARED 😨.

Maybe he killed so he could feel safe in a twisted way. He ended up selling his soul cause he was scared. His owner who i headcanon is like Mother Gothel definitely didn't help. She manipulated him into thinking she is keeping him safe. When In reality she was using him for his powers.

I also headcanon that ( now this is going to sound crazy) His owner forces him to dress and act the way he does. She wants to be the only one who can play with her toy. His owner definitely doesn't share. So she will try to make him look in her eyes unappealing. We all know this doesn't work though. As Vox had fallen in love with him.

Now I don't believe Vox ever hurt Alastor and as much as I love stories where he gets 😳 obsessed. I actually would be happy if they become best friends again and hope it was just a giant misunderstanding just like Fizz and Blitz.

Still something happened That hurt Alastor deeply that he now hates anything to do with television. My Headcanon is cause Vox started to spend more time with Valentino and accidentally leaving Alastor in the dark. Alastor enjoyed spending time with Vox. Going dancing at a club, listening to radio shows. Even cuddling in a blanket watching a movie. But I think the main reason he enjoyed Vox's company is cause, His owner couldn't touch him. She couldn't hurt him in any way.

Kinda like how a person wants there friend over so there abuser doesn't hurt them. The abuser won't cause they rather do their evil deed in secret.

In other words Alastor felt safe around Vox and when he started spending time with Valentino and less with him. His owner would hurt him.

But no one knew this cause Alastor always had a smile on his face. Always seemed sure and confident of himself. This is a perfect representation of " You don't know what happens behind closed doors". I think this was a learned habit from childhood too. Maybe after his father abused him or/and his mother he would threaten to kill them if they told or even showed any signs of abuse.

His owner definitely has that power. If she has the power to give him power then she has the power to erase Alastor from existence. I think she threatened his afterlife multiple times.

Anyway eventually Vox and Alastor have a big fight which pissed the owner off. And she took him away for seven years. Personally I am among those that think she TORTURED him during that time.

I think she let him out and told him to watch the princess and make sure no one gets redeemed. She sews a smile on his face so everyone thinks he is happy and fine. Again reference to what I said earlier.

Alastor goes back home and everything has changed. Probably a culture shock to him. He goes to the hotel and had to pretend everything is ok. Maybe he was all touchy feely with everyone cause he wants to feel safe and secure. Like he is finally home and not hallucinating. When he is pushed away he acts like it doesn't matter but I think it does. I think it hurts him deeply but because of the abuse he endured in childhood and his afterlife he puts up a front as a defense mechanism.

As Alastor told Charlie

" Just because you see a Smile, don't think you know what's going on underneath. A smile is a valuable tool my dear. It inspires your friends, Keeps your enemies Guessing and says no matter what comes your way, Your the one in control".

In a roundabout way he was basically calling for help without saying he needs help. Remember he can't tell her or anyone about what he went through. Of course In a way it means he is still a prisoner. His owner can take him away at any time and this definitely scares him. So he will do anything he can to prevent this from happening. Even making a deal with the princess of hell.

Anyway So while after the battle I think he felt Forgotten, I think he already felt that way. Like he doesn't matter and he wants to matter. His owner and father probably told him that he is worth nothing and no one will miss him while he is gone.

Well he was gone twice and NO ONE missed him.

That's very sad when you think about it and I'm surprised no one had brought it up yet.

Once again I apologize for my rambling thank you for reading

[anarchy-and-piglins]

https://www.tumblr.com/anarchy-and-piglins/772595793282711552/anything-u-post-in-relation-to-fireworksduo-haunts?source=share

I am begging you to tell me more (whenever ur feeling up to it). I will offer you my bones and third born in exchange.

Keep your bones and children, I need no payment to yap about AU ideas!

Okay so the original AU is called 'Empty Vessel AU', trigger warning for suicidal ideation as part of the premise.

The base idea is that Phil does not stay on the server.

After killing Wilbur, Phil - caught in grief and hurt - takes off basically just as quickly as he arrived. Maybe he doesn't even realize Techno is there too, or maybe he's too caught up in it all to really mind. Phil fully leaves the server. This means Techno does not have Phil's support in the initial fallout of November 16th, which is a negative for his mental health (think the angst arc ccTechno wanted for his character before ccPhil ruined it by being like "hi m8, let's build a house :D" /lh).

Techno does not build the cabins in the Arctic, his base is more like a ravine/hole somewhere. He's miserable, but he stays trucking. At least until the Butcher Army happens - because it still does happen in this AU, just slightly differently than in canon since Phil isn't around. When returning to his 'base', Techno also doesn't find Tommy living there (because Tommy in this AU did not stumble upon Techno when he ran away from exile, since the cabins don't exist).

Now, Techno is the Blood God's conduit, as well all know. The Blood God is basically parasitic in nature, latching onto a mortal to serve as its conduit until they die and it must find a new vessel. The Blood God can control its conduit's body only with consent.

Techno, who is not doing too well mentally after everything that's happened, being treated as a disposable weapon or active threat by everybody, having no friends and only Chat around, etc, decides he doesn't care anymore. He'd do anything to just... not have to think for a bit. Not have to deal with all that's happened. So if the Blood God wants to use its vessel, it can.

Techno 'dies' in a sense.

More accurately, his consciousness goes into a sort of coma - completely senseless and all - while the body is left behind as an empty vessel the Blood God can puppeteer around. This is Not Good because a mortal body is not meant to contain a god so there are some negative effects. Including that the Blood God does not experience hunger, exhaustion, or pain, and it damages Techno's body by being in it. It's a ticking time bomb situation. If it stays inside Techno for long enough, Techno's body will also die.

Also, other people have to deal with an eldritch god so that's fun kekw. The Blood God is a bit of weirdo, but it does latch onto people around it as long as they promise to let it shed blood for them.

The original version of the AU was rivalsduo-centric as mentioned. Dream would have been the first person who ran into 'Techno' and clocked pretty quickly what's going on (it's not exactly subtle) and initially he thinks it's something he can exploit maybe, but then over time he realizes how dire it is and he does care enough about Techno to try and undo what's been done.

Now I'm just thinking of an alternative where it's Tubbo or Quackity (or both?) who encounter the vessel first and have to deal with that whole thing. Would they also be happy at first? Disturbed? Would they feel guilty or nah? And ofc how different it would be for them to try and get Techno back. Throw in other L'manburg members maybe and Tommy? I can assume stuff like the Green Festival would also go very differently in these circumstances.

[coraniaid]

Actually, on reflection, I think I'm persuaded that the "poor Willow is a magical junkie now and it's not her fault :(" subplot in Season 6 is, contrary to what I've said before, actually the worst multi-episode subplot on Buffy.

Say what you like about the other two contenders for that honor: the non-mystery of "is Giles really the First Evil and why hasn't anyone thought to check yet?" or the banality of "shall we engage seriously with the fact Spike has a soul now and how that might change him as a person, or shall we just say that a mean ghost hypnotized him?". But neither of those plots involve a woman telling her significant other (and I am really not paraphrasing much at all here) "I don't like that you used magic to violate my mind and rob me of my ability to consent to our relationship, because it's not good for you".

Moreover:

While the two Season 7 subplots are both pretty bad and boring to watch and are certainly part of why I don't enjoy that season, I don't think removing or somehow rewriting either of them would automatically make the season much better. By contrast, the Willow subplot of Season 6 is the worst thing about that season -- one which I think otherwise had a lot of potential and is arguably the most ambitious season the show ever did -- and fixing it would improve the season as a whole a lot.

The Willow subplot also takes up a lot more of the show overall than the two Season 7 subplots do. Giles as the First is a complete waste of everyone's time, but it's also fully resolved in less than half a dozen episodes (we first get the fake out that Giles might be dead in Never Leave Me, the ninth episode of the season, and we see that he isn't in The Killer In Me, the thirteenth episode). The Spike hypnotic trigger lasts a lot longer, but it still over within about half a season. But the Willow subplot dominates most of Season 6 and also continues to have ramifications for WIllow's character development (or lack thereof) for the rest of the show.

It's easy, I think, to understand why the writers resorted to the two Season 7 plots. They needed some excuse for Buffy's friends to not trust Spike, but for various reasons are committed to the idea that having a soul means Spike himself is now inherently Good and Blameless and so the reasons not to trust him can't be related to anything he's ever chosen to do himself, it has to be something done to him against his will. And the writers obviously stopped caring about Giles as a character with any sort of inner life the very minute ASH asked to be partially written out of the show so he could move back to England. I honestly don't believe the writers were capable of writing good subplots for either Giles or Spike by this point, even if they'd tried. But the Willow subplot comes out of nowhere and completely derails what was going to be a really interesting story line about Willow that the show had been patiently building towards since at least Season 3 and arguably even longer.

More broadly, both the Season 7 plots are bad in part because they are attempts to make the First -- previously a forgettable monster of the week whose primary powers included 'making people who have done bad things feel suitably bad' and 'not being able to touch anything'; a plot device which Buffy herself already rightly dismissed as all talk all the way back in Season 3 ("I get it. You're evil. Do we have to chat about it all day?"). Of course they're not successful attempts: there's no way to make the First as menacing and important as the writers wish it was. Being annoyed at the way they fail almost seems like missing the point.

Most importantly, I can more cheerfully ignore the two Season 7 subplots because I don't really care about either Spike or Giles at this point of the show's run. But I like Willow, so it bothers me more that she's subjected to all this dreadfully bad writing and that her character never really quite recovers from it.

[vetchtibbles]

I’ve had a couple people ask me about the results on this quiz and wanted to see the other options, so here’s all the descriptions I wrote for the recommended shows down below:

Uquiz Podcast Descriptions

[Unseen - A short urban fantasy show where each episode is a different monologue from someone in the unseen world! Incredible music, writing, and performers. Some of the episodes are really genuine and sad, some are fast paced and comedic. You get something new every time - a college class lecture, a voicemail, a tour, a story. I love this show and I highly recommend it!

Red Valley - A sci-fi mystery with amazing writing and performances - a show about the scientists behind cryogenic technology, and the people that got mixed up in it all accidentally. I'm obsessed with this one and cannot wait for the next season!

Malevolent - A Lovecraftian horror about a detective with the voice of a mysterious entity stuck in his head. You've got to take notes for this one. This show is devastating, emotional, terrifying, and one of the most beautiful pieces of media I've ever enjoyed. You should really give this one a try! The sound design, writing, and voice acting are all insane - especially because it's all done by one creator.

Camp Here and There - For this show, you get the mealtime announcements from the loud speakers at an unusual summer camp in Ohio. Enjoy paranormal happenings, drama among the camp counselors, and a banger soundtrack (yes, by Will Wood. I still have no idea why.)

Death by Dying - Absurdist comedy. A very thorough obituary writer tries to get to the bottom of every mysterious death his column covers. This show has wordplay, nice gothic vibes, and a strange little town with far too many strange little deaths.

Welcome to Nightvale - This show is a classic among audio drama podcasts, having started in 2012 and still going strong. Every episode is a radio broadcast from the bizarre little town of NIghtvale, located somewhere in the desert. Tune in for news, traffic, sports, sponsors, horoscope, and the weather, none of them what you'd expect. You should really listen to some of this one if you haven't yet

Wolf 359 - This might just be my all-time favourite show - a long form scifi about a small crew aboard a spaceship orbiting a distant star. Things start innocently enough, but this show builds in drama and mystery quickly. Incredible soundtrack, writing, and performances! Intrigue! Witty writing! Amazing actors! SPACE!!! This show has everything and I love it very much

The Amelia Project - A comedy about an agency that fakes people’s deaths. This show has fun characters, absurd situations, and a banger of a theme song. Each season feels completely unique, but I always have fun listening to this one

Sherlock and Co - This is the best modern adaptation of Sherlock Holmes that I know of. For being set in 2023 - 2024, the stories are insanely book-accurate! This show is done as an in-world true crime podcast, so it's very immersive. The actors are incredible, and the theme song is fantastic

The Magnus Archives - The recordings of a paranormal research institute's archived statements. Things gradually start connecting across stories, and everything starts becoming more complicated for our characters working at the institute. This show is long at 200 episodes (with a developing sequel) and has some amazing writing and performances! It explores all kinds of horror imaginable, while being centrally about the characters and humanity. You'll enjoy this one 100%

The Bright Sessions - Here's the thing. The original show is good, but the sequel is definitely more of my kind of show. Bright Sessions is a long form series about the patients of a psychologist that works with people who have special abilities. It's pretty sweet and mostly about character relationships, but the sequel show AM Archives is a scientific thriller/survival show about ethical dilemmas in medicine and patient care - it also has more in the way of music and sound design. Both shows are really well done, with incredible performers and writing!

Deviser - A short form horror that I can't explain too much of without spoiling the entire thing, but this show is AMAZING! It's the most terrifying thing I've ever heard done in audio, so be prepared for that. It's got it all - insane sound design, performance, writing, and music, all done by one creator. If you want a dark speculative fiction about humanity and our relation to artificial intelligence, with a dog, then give this one a try

Zero Hours - A short series of one-off episodes spanning time in ninety-year increments, all with the theme of the end of the world. I truly love this show - each episode is devastating in a different way. The actors, sound design, and music are all incredible, and the show is produced by my favourite audio fiction team. Please listen to this one, you WILL enjoy it

Time:Bombs - This show is short at only three episodes - the fast paced account of a bomb disposal team on one night - New Year's Eve. There's a surprising amount of character development and heart for such a short story in this one, and you can listen to the whole thing in one setting, take the quiz again, and find another show! I'm kidding of course but I do love this show. The creators made the whole thing in one week, which is insanely impressive

Wooden Overcoats - This show proves that the only difference in tragedy and comedy is your point of view. A sitcom about two rival funeral homes on a tiny island off the coast of France with far more absurd deaths than you might think for such a lovely little community. This is honestly one of my favorite shows of all time, and I know you'll enjoy it too. It's incredibly good - the performers and gothic orchestral soundtrack are amazing, the writing witty and fast paced, and I know my descriptions aren't giving this show any justice. It's that good. Go listen to it.

Alice isn’t Dead - Poetic and terrifying, this show is about a truckdriver searching America for her wife, whom (as the title suggests) she thought was dead. If you're into the idea of the endless and lonely expanse of the American mid-west as horror, then this is the show for you!

Re: Dracula - The novel Dracula by Bram Stoker is conveniently made up of journal entries, letters, and newspaper articles all corresponding to certain dates. With this in mind, the podcast Re: Dracula released each day's events as written in the book in high-quality audio format! Essentially, this is just a really good audio book, with full cast performances, sound effects, and a haunting musical score. For fans of the book already, or anyone who enjoys gothic horror and literature

Cry Havoc! Ask Questions Later - You didn't know you wanted an ancient Roman political comedy, did you? Well, you do. And the good news is, this show is perfect for you! It starts just after the unfortunate murder of Julius Caesar, when the financially struggling republic of Rome has turned to its new triumvirate for support. The three of them, however, are having a bit of trouble managing the world-superpower. This show is great, with incredible writing, performances and soundtrack. The story's got it all: intrigue, forbidden love, rivalries, and theatrics. Enjoy!

Trice Forgotten - Listen to this show if you like stories about PIRATES! Or if you're into shows with incredible soundtracks, intrigue, immersive soundscapes, and women sword fighting each other.

The White Vault - Long-form found footage horror about scientists dealing with paranormal happenings while trapped at a research base in the snow. Very technical and linguistic, so if you're into that, then you should give this show a try!

Fawx and Stallion - If you hate the Sherlock Holmes books then this show is for you, because this is about a different mystery solving team in Victorian London. It's a comedy about the neighbors of literature's most famous detective having to solve a major mystery as, essentially, the backup team. This show is very fun, and I look forward to the next season. You should definitely give it a listen!

New Year’s Day - This show releases one episode per year, on New Year's Day. Two magicians agree to meet up and talk every thirteen years since a performance stunt left them both immortal. There's only three episodes of this out at this point, so come back in a couple decades and let me know how it turns out! It's already really good!]

Made a quiz :DD -

[askganon]

Sav'aaq Your Highness. This is the bloodied survivor here again, though I do not show my face it is not out of disrespect but because I have no return address, I am simply a regular of your blog. I appreciate the wound you gave me and even more so the salt, a scar made of respect and advice from the great king himself is a badge of honor in my eyes, though I admit your response had arrived a tad too late. By the time I had sent my first message I had already reflected and recognized the majority of my own failings echoing from my past abusers, parents included. But majority is not completely and I believe such a task is one that is never finished for anyone so long as the goddess of time still breathes. While one can be abandoned by many for no fault of their own, it tells a story if one is abandoned by all. Having realized this and making any attempt to improve is the only reason by those that did come back do so at all, even if they aren't ready or willing to cherish me yet. I believe, while a task that is never finished, I had grown past most of my sins that led to solitude after much struggle and training. Still, one eluded me expertly that for the life of me I could not find no matter how hard I searched that kept me at a distance from others. In the time after my message was sent but before your response, I did a lot more self reflecting and managed to find many of the demons hiding deep in the shadows behind my smile and begin the task of exterminating them. I recognize now while I was not pushing others away or running from them, I had locked myself unreachable to them and would make no attempt to approach them myself. For someone who has always championed themself an activist and vilify those who do nothing, I see now that I am the very picture of inaction. I started the training to defeat the hidden beast finally and accidentally landed a fatal blow right away by chance. Someone I considered a friend banished me without consulting the rest of our group and another who I considered my greatest companion, and whom I still do and have a stronger bond with then ever currently, who was acting as the mediator then fed the rest lies and slander due to issue regarding their own traumas leading them to believe I had thrown them away the same way I believed they had done to me. After properly communicating with them our bonds have never held more power. After reflecting on my own inaction and with its place at the center of this conflict I even reached out to past friends I haven't spoken too in many moons and have since reconnected. My connections have never been more plentiful or bountiful! I have also found work perfectly suited to me and my needs perfectly that pays respectfully to boot. Many things are still a trial, poverty's firm grip still chokes me, my abusers (though not my parents) are still close and at large and it will be many moons, possibly years, before I have accrued enough wealth to gain distance from either let alone any sort of comfort or respite. While it is a distance away greater than a dozen Death Mountains, I can see the light at the end of the tunnel for the first time in my life after multiple decades and my resolve not just to survive, but to live is stronger then its ever been. I now know what hope feels like. In short Great Demon King Ganondorf: you were correct, as you often are, and though I only just now received your wisdom I have already followed it through. Though I did not need it I am honored to receive the wound and pain you have given me. I tremble to think how much I and my life will have improved by the time your response to this message arrives. I can only hope yours takes a similar turn as well and I get to hear the response at your coronation in Hyrule! Though I am still deathly tired of everything and know not how, when or if I'll get the chance to rest before I reach the light... Any other advice, encouragement or even wounds you have to give I will gladly bare.

While it is not always difficult to admit there is a problem, it can be quite the challenge to recognize the true source of the problem. You seem to have correctly identified your enemies and engaged them accordingly.

Listen and listen well to this testimony, my subjects. Here is one, a grey face at that, who has taken it upon themself to wage their own battles. They have done so with courage; understanding the need for change and finding the will to act, wisdom: taking the time necessary to learn how best to combat this threat, and power; amassing the correct weapons needed for their battles.

What is more impressive, is that you accomplished all of this before my advice was given. As such, I will take no credit for your victories, for I had no hand on them.

All your achievements were accomplished alone by your hands. Your will, knowledge, and strength were your tools, forged and used by yourself without my aid, making this victory yours by right.

Be proud in what you have done, and know that it was by your own two feet that you are able to stand.

From one warrior to another, there is respect.

[compassionatereminders]

hi Kat! I have to get this off my chest because I can't talk about this to anyone in my real life.

My flatmates (two sisters) cornered me the other day to tell me about how I need to take better care of my hygiene, that I smell essentially, that I need to learn how to "take proper baths", etc etc etc and that they're only bringing this up after 6 months of living together cause we're going on a trip where we'll be sharing a room. They went off about it for 10-15 minutes while I just sat there and nodded. And then brought it up again the next day two more times. I am irritated, upset, and beyond humiliated. I don't understand what to do because I think it's my fault? I know trying to live somewhat functionally (I'm in college full time) with depression means these are things that need to be considered as well and I don't want to "use" my depression as an excuse. But we're on a trip right now and this became a whole thing about how it's "disrespectful" to our guests because you smell and you should've done a better job at washing your clothes. And idk what can I even do at this point. It's horrifying just bringing this up in the first place and I just want to cry and curl up in a corner and never leave.

This is a horrible thing to do. If your mental health is so bad that you struggle with basic hygiene, they should be genuinely concerned about how you're doing - and they definitely shouldn't be cornering you to shame you into doing better. This is so not okay and I'm really sorry they put you through this.

[jp600fox]

After thinking for a bit about this, I am ready to share my opinion on this question (because this is a good question)

Connor's character, depending on how you play, is cold, toxic, manipulative. He's not sweet and innocent like everyone wants to portray him as (I myself am guilty). To him, violence can be a means to an end. He has a mission, and he states that he will do whatever it takes to accomplish that mission. If he has to sacrifice some people along the way, he will. This can be seen in The Hostage (you can save or abandon the injured officer), The Nest (you can risk Hank in order to catch the deviant), and even when he breaks into Cyberlife (sacrifice Hank to free other androids). There's so many more, but those are ones I thought of immediately. To Connor, violence is a faster way to get things done. No beating around the bush. He wants results and he wants them now.

Kara is different. To me, she is on the same spectrum (NOT THE SAME LEVEL AT ALL) as North. North hates humans because of her experience (which is hundred percent understandable). In a way, Kara might feel this as well. She knows Todd broke her before. She saw the drawing where Alice was bleeding. The logical connection is that Todd abused/still abuses Alice and her as well. She has the option to shoot Todd out of self-defense, for herself and Alice. Her whole goal now is to keep Alice safe, but at the same time she can totally disregard Alice. Depending on how you play, you can be a doting mother or just another abuser. I think because of the "Battered woman syndrome" or whatever she might be experiencing, Kara is looking out for number one. In the end, she doesn't want anyone to break her again and she will do whatever it takes in order to stay alive, even if it means sacrificing others.

And then there's Markus. This one is tricky. He can be peaceful or violent, like the other two. He has good enough reason to be violent. He was misunderstood and shot, sees the way humans treat androids, and wants his people to live in peace. So why does everyone hate that option for him when Connor and Kara can be embraced in their violence? Markus has more reason to be angry and violent and destructive, so why be peaceful? I don't think it's because of Carl, or just because he's the deviant leader. He even states in a peaceful route that his people's sacrifice will help them. So, he's clearly willing to sacrifice others to reach his end goal.

But, if we think real-world, we can find a pattern. Waco, Ruby Ridge, and others. What do they have in common? Violence vs. Violence which ended in massacres. More people perished than should have, but the government had the support of the people until after everything happened. And, in the game, if that happened, there would be no more androids left to live in peace and freedom. Meanwhile, peaceful protests like the civil rights movement and women's rights movements, were met with more gratuity. They succeeded where violence did not.

In Markus's mind, peace was statically a better option. However, you do always have the option to change routes. He can still choose violence at any point. He can get tired and fed up with losing his people with no result. He can fight. But "an eye for an eye and the world goes blind." Players understand this and want peace. No one wants to see protesters harmed or see all out warfare. It happens, but we don't want to see it. We all understand that if an innocent, unarmed protester is harmed, we will sympathize with the cause of the protester. It's happened time and time again. So, while violence is an option for Markus and while it does work, most won't play that route because Markus and the player feel as though they will be more successful if they are the innocent, unarmed protester being harmed. That is what sways public opinion.

Now, this is all just me blabbering about what I see and feel. This is my opinion, crucify me if anyone wants to. This was my thought, my feeling. This isn't the fandom, or anything else, just a cooped-up person with an opinion.

I want a simple, quick and in the face answer.

Why is "violence" ok with Kara and Connor (also always justified by something) but Markus not? Cuz he's the android leader? Cuz of his bias towards Carl?

I won't accept "plot convenience" or "Cuz the writer is dumb" type of answer.

[teardropwolf]

I got merrymaker Weardrop done. I can start working on the thing I want to do :D (hopefullyi'llcompleteit)

Also that "quote" is temporary for this year. Should another year pass I'll be redrawing it with their new, actual quote.

[pilonciillo]

lol didn’t think someone giving money would give me anxiety

[icewindandboringhorror]

... why he sit like this