#But I do think that 'romance = happiness and belonging' is a theme present in the season

[caligvlasaqvarivm]

How do you analyze so good I'm really impressed and honestly wonder if I can learn from you

It's a skill, so the good news is, you can practice and get better at it!

Read A Lot/Gain Context

Analysis often means making comparisons or drawing from external context - one of the best things you can do if you want to be better at analysis is to try to cram your head with as much knowledge as possible. The time period, culture of origin, and where the author slots into those are usually major influences on a work (in Homestuck's case, much of it is a direct commentary on the internet culture it emerged from, and missing that part of it can drastically influence how the story reads).

Also important are the works the author themselves are inspired by. You've likely heard some variation of "nothing is original." We're actually really lucky with Homestuck in that regard, as the work is highly referential, and you can glean a lot by looking at what it references (for example, if you watch Serendipity, one of Karkat's favorite movies, which is titledropped during the troll romance explanation, you will understand Karkat so much better). This applies to things like mythological allusions - you'll hardly know why it matters that Karkat is a Christ figure if you don't know what the general outline of the Christ story is, nor will you pick up on the Rapture elements of Gamzee's religion or the fact that Doc Scratch is The Devil, etc. The key to picking up a lot of symbolism is being aware that the symbols exist.

And last, it helps to read a lot of media and media analysis so you can get a better understanding of how media "works" - how tropes are used, what effect language has, what other entries into the genre/works with similar themes/etc. have already done to explore the same things as the piece being analyzed is doing - and what other people have already gleaned and interpreted. I've mentioned before that many people seem to find Homestuck's storytelling bizarre and unique when it's actually quite standard for postmodernism, the genre it belongs to. But you're not going to know that if you've never read anything postmodern, y'know? I also often prepare for long character essays by reading other peoples' character essays - sometimes people pick up on things I miss, and sometimes people have interpretations I vehemently disagree with; both of these help me to refine my take on the matter.

Try to Discard Biases/Meet the Work Where It Is

Many will carry into reading media an expectation of what they want to get out of it. For example, one generally goes into a standard hetero romance book expecting a female lead, a male love interest, romance (of course), and a happy ending for the happy couple. If the book fails to deliver these things, a reader will often walk away thinking it was a bad book, even if the story told instead is objectively good and interesting. We actually see this a lot with Wuthering Heights, which receives very polarizing reviews because people go into it expecting a gothic romance, when it's really more like a gossip Youtube video spilling the tea on some shitty rich people (and it's really good at being that).

There's nothing necessarily wrong with this when reading for pleasure and personal enjoyment, but it presents a problem when attempting to analyze something. There's a concept called the "Procrustean bed," named after a mythological bandit who used to stretch people or cut off their limbs to fit them to a bed, that describes "an arbitrary standard to which exact conformity is forced." Going into a media reading with expectations and biases often results in a very Procrustean reading - I'm sure we've all seen posts complaining about how fanfic often forces canon characters to fit certain archetypes while discarding their actual character traits, etc.

Therefore, when reading for analysis, it's generally a good idea to try and discard as much bias and expectation as possible (obviously, we are never fully free of bias, but the effort counts) - or, perhaps even better, to compartmentalize those biases for comparison while reading. For example, Hussie talks at length about what they INTENDED Homestuck to be, and, while reading, I like to keep Hussie's words to the side while I try to experience the comic fresh, seeing what choices were made in accordance with Hussie's intentions, or where I think Hussie may have fumbled the messaging. At the same time, I try to let the work stand on its own, set in its proper context.

I'd say this is the number-one problem in fandom analysis. For example, people hear from the fandom that Eridan is an incel or a nice guy, so they interpret everything he says and does to fit that belief, or ignore any contradictory evidence. Or they fall for the character's façade that's meant to be dismantled by the viewer. Some works are fairly shallow and accessible, wearing all their meaning on their sleeve (or are Not That Deep, if you prefer meme-talk), and problems arise when a work is, in fact, That Deep, because someone biased towards the former will discard evidence that a work is the latter. This isn't exclusive to HS - it's happened in basically all of my fandoms - which is a statement to how easy it is to fall into this way of thinking.

Even without knowing that Hussie had coming-of-age themes in mind, for example, characters will talk about being kids and growing up. Knowing that Hussie has explicitly said that that's one of HS's themes serves as extra evidence for that interpretation, but the work itself tells you what it's about - if you're willing to listen to it.

Even If the Curtains are Just Blue, That Still Means Something

This is the next biggest fandom stumbling block - thr insinuation that when things in a work are put into the work without more explicit symbolism, that that means they're a discardable detail. This one is more about making a mindset shift - details aren't discardable, even if they don't appear to have been made with the explicit intention to mean something. Everything kind of means something.

First of all, whether or not the curtains are Just Blue is often highly dependent on the work. For example, in something made in large quantities with little time, staff, and budget - say, for example, one of the entries into the MCU's TV shows - there likely isn't too much meaning behind a choice of blue curtains in a shot (although you'd be surprised how often choices in these constrained environments are still very deliberately made). In a work like Homestuck, however, so terribly dense with symbolism and allegory, chances are, the blue curtains DO hold some special meaning, even if it's not readily apparent.

However, even in cases where a choice is made arbitrarily, it still usually ends up revealing something about the work's creative process. Going back to our MCU example, perhaps the blue curtains were chosen because the shot is cool-toned and they fit the color grading. Perhaps they were chosen because the director really likes blue. Perhaps the shot was filmed at an actual location and the blue curtains were already there. Or, even, perhaps the blue curtains were just what they had on hand, and the show was made too quickly and cheaply to bother sourcing something that would fit the tone or lend extra meaning. These all, to varying degrees, say something about the work - maybe not anything so significant that it would come up in an analysis, but they still contribute to a greater understanding of what the work is, what it's trying to say, and how successful it is at saying it.

And this applies to things with much higher stakes. For example, Hussie being a white US citizen likely had an effect on the B1 kids being mostly US citizens, and there was discourse surrounding how, even though they were ostensibly aracial, references were made to Dave's pale skin. Do I think these were deliberate choices made to push some sort of US superiority; no, obviously not. But they still end up revealing things about the creation of the work - that Hussie had certain biases as a result of being who they were.

Your Brain is Designed to Recognize Patterns, So Put That to Use

So with "establish context" and "discard expectations" out of the way, we can start getting into the nitty-gritty of what should be jumping out at you when attempting to understand a work. One of the most prominent things that you should be looking for is PATTERNS.

Writing is a highly conscious effort, which draws from highly unconscious places. Naturally, whether these patterns are intentional or unintentional is dependent on the author (see again why reading up on a work's context is so important), but you can generally bet that anything that IS a pattern is something that holds significance.

For example, Karkat consistently shows that he's very distraught when any of his friends get hurt, that he misses his friends, even the murderous assholes, that he's willing to sit them down and intervene on their behalf, despite all his grandstanding to the contrary. We are supposed to notice that Karkat actually loves his friends, and that he's lying when he says he doesn't care about them.

Homestuck is very carefully and deliberately crafted; if something comes up more than once, it's a safe bet to assume that you're supposed to notice, or at least feel, it. Don't take my word for it:

Basically, [reusing elements is] about building an extremely dense interior vocabulary to tell a story with, and continue to build and expand that vocabulary by revisiting its components often, combining them, extending them and so on. A vocabulary can be (and usually is) simple, consisting of single words, but in this case it extends to entire sentences and paragraph structures and visual forms and even entire scenes like the one linked above. Sometimes the purpose for reiteration is clear, and sometimes there really is no purpose other than to hit a familiar note, and for me that's all that needs to happen for it to be worthwhile. Triggering recognition is a powerful tool for a storyteller to use. Recognition is a powerful experience for a reader. It promotes alertness, at the very least. And in a lot of cases here, I think it promotes levity (humor! this is mostly a work of comedy, remember.) Controlling a reader's recognition faculty is one way to manipulate the reader's reactions as desired to advance the creative agenda.

But this applies to less deliberately-crafted work, too; for example, if an author consistently writes women as shallow, cruel, and manipulative, then we can glean that the author probably has some sort of issue with women. Villains often being queer-coded suggests that the culture they come from has problems with the gays. Etc. etc.

This is how I reached my conclusion that Pale EriKar is heavily foreshadowed - the two are CONSTANTLY kind to each other, sharing secrets, providing emotional support, etc. etc. It's why that part of my Eridan essay is structured the way that it is - by showing you first how consistently the two interact in suspiciously pale-coded ways, the fact that a crab is shown in both Eridan's first appearance AND his appearance on the moirallegiance "hatched for each other" page becomes the cincher of a PATTERN of the two being set up to shoosh-pap each other.

A work will tell you about itself if you listen. If it tells you something over and over, then it's basically begging you to pay attention.

Contrast is Important, Too

Patterns are also significant when they're broken. For example, say a villain is constantly beating up the protagonist. Here's our pattern: the hero is physically weaker than the villain. In a straight fight, the hero will always lose.

And then, at the mid-season two-parter, the hero WINS. Since we've set up this long pattern of the hero always losing to this villain, the fact that this pattern was disrupted means that this moment is extremely important for the work. Let's say the hero wins using guile - in this case, we walk away with the message that the work is saying that insurmountable obstacles may have workarounds, and adaptability and flexibility are good, heroic traits. Now let's say the hero won using physical strength, after a whole season of training and practicing - in this case, we say that the work says hard work and effort are heroic, and will pay off in the end.

In Homestuck, as an example, we set up a long pattern of Vriska being an awful, manipulative bitch, and a fairly remorseless killer. And then, after killing Tavros, she talks to John and admits that she's freaking out because she feels really bad about it. This vulnerability is hinted at by some of her earlier actions/dialogue, which is itself a pattern to notice, but it's not really explicit until it's set up to be in direct contrast to the ultimate spider8itch move of killing Tavros. This contrast is intended to draw our attention, to point out something significant - hey, Vriska feels bad! She's a product of her terrible society and awful lusus! While it's shitty that she killed Tavros, she's also meant to be tragic and sympathetic herself!

Hussie even talks about how patterns and surprises are used in tandem:

Prior to Eridan's entrance into the room, and even during, the deaths were completely unguessable. After Feferi's death, Kanaya's becomes considerably more so, but still quite uncertain. After her death, all bets are off. Not only do all deaths thereafter become guessable, but in some cases, "predictable". That's because it was the line between a series of shocking events, and the establishment of an actual story pattern. The new pattern serves a purpose, as a sort of announcement that the story is shifting gears, that we're drifting into these mock-survival horror, mock-crime drama segments, driven by suspense more than usual. The suspense has more authority because of all the collateral of unpredictability built up over time, as well as all the typical stuff that helps like long term characterization. But now that the pattern is out in the open, following through with more deaths no longer qualifies as unpredictability. Just the opposite, it would now be playing into expectations, which as I said, can be important too. This gear we've switched to is the new normal, and any unpredictability to arise thereafter will necessarily be a departure from whatever current patterns would indicate.

Patterns are important because they tell you what baselines the work is setting - what's normal, what's standard, what this or that generally "means." Contrast is important because it means something has changed, or some significant point is being made. They work in tandem to provide the reader with points of focus in the story, things to keep in mind as they read, consciously or unconsciously.

Theme

I'm talking about this stuff in pretty broad and open terms because stories are so malleable, and so myriad, and can say so many things. There are stories where horrible cruelties are painted as good things - propoganda is the big one, but consider all the discourse around romance books that paint abusive/toxic relationships as ideal. There are stories where the protagonist is actually the villain, and their actions are not aspirational, and works where everyone sucks and nobody is aspirational, and works where everybody is essentially a good person, if sometimes misguided.

This is, again, why outside context is so important, and biases need to be left at the door. For example, generally speaking, one can assume that the protagonist of a children's cartoon is going to be an aspirational hero, or at least a conflicted character who must learn to do the right thing. However, there are even exceptions to this! Invader Zim, for example, features an outright villain protagonist - a proud servant of a fascist empire - and for a lower-stakes example, the Eds of Ed, Edd, n' Eddy are the neighborhood scammers, constantly causing problems for the other characters with their schemes.

Thus, how do we determine what any particular narrative's stance on a given topic is? It's a difficult question to answer because every narrative is different. If I say something like, "the things that bring the protagonists success in their goals are what the narrative says are good," then we run into the issue of villain/gray morality protagonists. To use moral terms like "hero" and "villain" instead runs into the problem of defining morality within a narrative in the first place. But you have to draw the line somewhere.

So that brings us to themes.

Now, as with a lot of artistic terms, "theme" isn't necessarily well-defined (this isn't helped by the way the word is used colloquially to mean things like aesthetic, moral of the story, or symbolism). Wikipedia says: "In contemporary literary studies, a theme is a central topic, subject, or message within a narrative," but this is still very broad and hard to work with, so I'll give it a shot.

A theme is what a work says, beyond the literal series of events. Sometimes a theme is obvious - the theme of Boy Who Cried Wolf is that if you become famous for lying, you won't be believed when you tell the truth. Sometimes a theme is one of many - for example, Disney's Cinderalla says that kindness and virtue will eventually be recognized and rewarded, and that cruelty is interlinked with ugliness. Sometimes a theme is unintentional - for example, how Disney's body of work tends to villainize queer-coded characters. Sometimes context and the passage of time changes the theme - for example, Snow White originally held a message of hope for wartime families that domestic normalcy would one day return, but is now seen as anti-feminist as it appears to insinuate that a woman's place is in the kitchen, and her happiness is in marriage to a man. And sometimes a theme is not something you agree with.

In any case, a theme is a meaning to be gleaned from the text, more broad and universally applicable than the text itself. After all, we humans have traditionally always used story to impart meaning; our oldest epic, The Epic of Gilgamesh, contains within it several themes, most famously that of accepting one's mortality. It's startling, really, how applicable the story is to this day, even if specific details have become obtuse or unsavory to a modern reader.

This is, again, why it's so important to engage with a text on its own terms, in its own context, with as little bias as possible. A story's themes are not necessarily apparent, and commonly implied rather than stated outright, and approaching the story with expectations can easily lead to a Procrustean twisting of the facts to fit those expectations. A theme should emerge to the analyzer out of the reading, not the other way around.

Identifying theme gets easier with practice, and largely comes down to identifying patterns within the narrative (alongside looking at context and symbolism, of course). What does the narrative consistently touch base on? Are there any references; is there any symbolism? What does the story deem "normal," "good," or "bad"? How are ideas developed, and why? Why did these events happen, and are those motivations echoed anywhere else?

Homestuck is very complex and tackles many topics at once, and explaining why it's a coming-of-age would basically require a whole second essay, so I'll use a simpler and more popular example (like I've been trying to do) - let's say, Shrek.

The most obvious theme of Shrek is that beauty does not equate goodness, that one mustn't judge a book by its cover. The opening sequence is LITERALLY Shrek ripping out pages of a fairy tale book to use as toilet paper, and the movie ends with Fiona finding that her happiest, truest self IS as an ugly ogre. Shrek's main character conflict is that people immediately judge him as cruel and evil because he's ugly, and the characters' lowest points occur because Fiona is similarly insecure about her ogre half, considering it unlovable.

But there's other stuff in there, too. For example, if you know that Dreamworks and Shrek were founded after a falling out with Disney, then the beautiful, sanitized city of Dulac, with its switchback queue and singing animatronics add to this theme of a direct refutation of traditional Disney fairytale values, mocking them as manufactured, inhuman, and even cruel in the way that they marginalize those who don't fit an ideal of beauty. Again we see the opening sequence - defacing a fairytale - as support for this, but also the way that Dulac is displacing fairytale creatures. There's a moment where Gepetto literally sells Pinocchio, which can easily be read as a commentary on the crass commercialization and exploitation of fairy tales Disney likes to do.

And then, of course, there are lesser, supplementary themes. Love being a powerful positive force is one - Donkey is able to rally Shrek after he truly reciprocates Dragon's love for him (which echoes the theme of not equating goodness with beauty, as Dragon is still big and scary), and it's true love's kiss that grants Fiona her happy ending.

And then there's stuff that's unintentional. There's all this work done about how beauty =/= goodness, but then they made the villain incredibly short, which is a traditionally unattractive physical feature. So, does that mean that ugly things can be beautiful unless that ugliness is specifically height?

Sometimes, authorial intent does not match up with result - but in those instances, I think the most is revealed about the author. Modern Disney products tend to be very cowardly about going anti-corporation and pro-weirdness, despite their usual feel-good tones and uplifting themes - and that says a lot about Disney, doesn't it. That's why I think it's still important to keep authorial intent in mind, if possible, even if they fumble what they say they've set out to do.

Obviously, Lord Fuckwad being short doesn't REALLY detract from the overall message - but it's still a weird hitch in the themes, which I think is interesting to talk about, so you can see where personal judgement and biases DO have to be applied. There are two options here, more or less - either one believes that Shrek is making an exception for short people, who are of the Devil, or one believes that the filmmakers did a bit of an oopsie. Barring an outright statement from the filmmakers, there's no way to know for sure.

We can say a work has very complex themes when it intentionally explores multiple ideas very deeply. We can say a work has shallow themes when it doesn't have much intentional meaning, and/or that meaning is explored very lightly. The labyrinthine storytelling of Homestuck, with its forays into mortality, morality, and growing up, chock full of symbolism and pastiche and allusions, is a work with complex themes - especially as compared to the average newspaper comic strip, although they ostensibly share a genre.

We can say a work has very unified themes when these themes serve to compliment each other - the refutation of Disney-esque values, and love as a positive driving force, compliment the main theme in Shrek of not judging books by their covers, of beauty not equating to goodness. Ugly things are worthy of love, and those who push standards of beauty are evil and suck.

Similarly, we can say a work has unfocused or messy themes when the themes it includes - intentionally or not - contradict, distract, and/or detract from each other. Beauty has no correlation to goodness... unless you're short, in which case, you are closer to Hell and therefore of evil blood. To get a little controversial, this is actually why I didn't like Last Wish very much - there are approximately three separate storylines, with three separate thematic arcs, going on in the same movie, none of which particularly compliment each other - so the experience was very messy to me, story-wise, even though it was pretty and the wolf was hot. This is why we feel weird about Disney pushing anti-corporate messages, when they're a big corporate machine, or why it's easy to assume Homestuck was written poorly if you don't like Hussie - we want themes to be coherent, we want context to be unified with output.

Tone

Tone is somehow even harder to define than theme. It's like, the "vibe" of a work. For example, you generally don't expect something lighthearted to deal with the realistic, brutal tragedies of war. Maybe it'll touch on them in light, optimistic ways, but it isn't about to go All Quiet on the Western Front on the reader. By the same token, you don't expect fully happy endings out of the melodrama of opera, or frivolous slice of life from something grimdark.

Tone, too, is something people often wind up Procrusteanizing, which makes discussion difficult if two people disagree. If I read Homestuck as unwaveringly optimistic, with its downer ending the result of an author fumble, I'm pretty much going to irreconcileably disagree with somebody who reads Homestuck as though it's always been a kind of tragedy where things don't work out for the characters. Since it's even more difficult to define than theme, I'm not even really going to bother; I just felt like I had to bring it up because, despite its nebulosity, it's vital to how one reads and interprets a text. Sometimes I don't have a better answer for why I dislike a certain interpretation other than that it doesn't suit the work's tone. I generally try to avoid saying that, though, because it winds up smacking of subjective preference.

In summary... analysis is about keeping everything in mind all the time! But i swear, it gets easier the more you do it. Happy reading!

[hazbinhappy]

hi, there! i hope that you are doing well and that you are having a lovely day. ♡ i really enjoy your writing, and i thought that i might request some general (romantic) headcanons for vox?

i really love him, and i think it would be very sweet and interesting to see how he might feel and interact with someone (the reader) he has genuine feelings for?

i understand that this man is a villain and well.. it’s vox - however, it would make me so happy to see him painted in a softer light. some people may enjoy darker themes, but, for me, it’s really upsetting to read sometimes.

i don’t really want him written as non-canon compliant because i still want it to feel like him.. but maybe, this could be the one person he has this soft spot for? like.. i want to see this man IN LOVE 😭💗

as for the reader, they’re gender-neutral but with feminine leaning presentation? and maybe, they’re also an angel and have this really sweet demeanor? maybe i’m just projecting. but i love the grumpy/sunshine dynamic.

and of course, thank you for listening to my request/ramble. if you can’t get to mine or it takes a while, that’s okay and no pressure !!

A/N: I know you wanted an Angel reader but I just couldn’t find a reason for an Angel to be in Hell so I made them a really sweet demon and they have a somewhat ethereal look, like they don’t look like they belong in Hell! Also don’t worry I get your feeling with Vox idk why I like him in a softer light maybe because I think he’s a loser too sorry

So for general Vox romance I look back to when he was alive!

I know he upgrades his body to whatever is modern (imagine a hologram Vox that’d be funny), but there are just some things from your past that stick to your core you know?

So I think he died in the 50s? I don’t know, but we know that he definitely had a box TV as a head at one point and we all know that has existed for like forever

I think he’d have the mindset that he has to be the “man”/”wear the pants” in the relationship instead of being equal

It would take a bit of arguing to get to a standpoint to where you’re equal (moreso you guys agree on receiving equal treatment and love, but you’ll take turns with responsibilities though to be honest that man is busy so sorry for the massive homework load you have if you don’t hire a cleaner)

I think he’d actually start off with a mask of sweetness trying to impress you, but he then lets it down and starts to seem more genuine with his affections

He starts off with generalized gifts at calculated times and it moves to more personalized gifts at random times

He does watch you through the cameras, love the common thought

Though I don’t think he’ll stalk you unless he’s bored or worried; he usually uses it to keep up with you occasionally

He’s not big on PDA unless there is paparazzi, but he doesn’t mind cuddling in private (though it is a bit tough because he is has a TV head, please become an android bro don’t you have the technology-)

His love languages are words of affirmation and acts of service! Help the dude out and inflate his ego! Easy win for this dude

If we want to be specific on looks: he was attracted to how you looked so out of place. He actually thought you were a fallen angel until you just explain that you were just an sinner who had a more innocent look (I think the look would be due to you potentially tricking people in life)

He initially seeked to take advantage, but he didn’t and saw you as an ally even if you didn’t have any or many souls

The lighter colors bounce off of his darker scheme nicely

TDLR: I think it’d take a lot of communication and trial and error to get him to a nice balance, he’s not romantic publicly, and he likes how you look so out of place it fits the public image of wanting to be trustworthy

[missparker]

I know it's not your current fandom, but I am always ready to hear literally any DVD commentary about Beauty and Nothing More It is a fic I hold so close to my heart, even after all these years. It set the bar so high for all the fic that came after. It's the fic that makes me go, "Hmm, this story is good, but...it's no Beauty and Nothing More. It didn't challenge me and make me think and reconsider everything I knew about these characters and come out the side loving them even more in spite of and because of their flaws." 💛

[Bestie, can you believe that this fic is 12 years old? ANYWAY, I like this scene a lot because while the love story belongs to Sam and Jack, the overall more enduring love story is and always has been SG-1. Part of why SG-1 even exists is this really terrible trauma Jack endured when he lost his son which led him to meeting Daniel which led to the Stargate program, so for me, the theme of Jack and the trauma of his son was always ever present and informed a lot about this story.]

At Cam’s, everyone else is already there, and Jack is greeted with hugs and slaps on the back like an old friend. He and Daniel disappear almost immediately into the back bedroom and Sam doesn’t pretend to understand their relationship after all this time. Some days she isn’t sure Jack even likes Daniel, but she knows that he also can’t live without him.

[Jack and Daniel. Daniel and Jack. What do they do when they’re alone? What’s the real romance of this story? Jack and Sam or the way Daniel slots in so perfectly? What are they doing in that back room?]

“Hey Mama,” Cam says, kissing her cheek. He hands her a bottle of water and his house is all opened up too. Somewhere rockabilly plays from a sound system and she can see Vala in the backyard, bouncing all around Teal’c. “So, what did he say?”

“About what?” she asks.

“About that volleyball you’re smuggling under there,” Cam says, reaching out to her stomach but not quite touching it. She steps back half a step not because she minds Cam touching her, but because the feeling of Jack’s hand there is still so fresh in her mind.

“Oh,” she says. “Well, he’s done this before so...”

[I think as far as emotional awareness and maturity goes, Sam is sort of middling. She’s not totally oblivious, but she’s extremely military and so she sort of willfully overlooks things and compartmentalizes things away. She’s so certain about her job and about science, but she’s stumbled into a situation where she’s not the expert and doesn’t have a lot of experience to fall back on, so she’s as unsure as you ever see her.]

“Sam,” Cam says. “He’s excited.”

“Are you guys phone friends and I’m unaware?” she asks.

“Daniel,” he says by way of explanation.

“What?” Daniel asks, coming out of the hallway with Jack. Daniel puts his arm around her shoulders. “What’s up, preggo? Haven’t seen much of you this week.”

[I always like Daniel best when he’s just a little bit of an asshole.]

“You were off-world,” she says. “You don’t call, you don’t write.”

Daniel touches her easily and without hesitation, his hand warm on her back. It’s like that with all of the original members of SG-1 and though she suspected that they might back off after her thing with Jack, whatever it is, came out in the open, they haven’t and she’s grateful. She leans into Daniel, happy to let him share her weight.

[I love Cam but you know he’s tortured by the familiarity he can’t seem to accomplish like the OGs.]

Vala seems both repulsed and enthralled by Sam’s pregnancy now that she’s showing. She sees Vala watching her all the time, but it’s like Vala makes it a point not to talk about babies or anything related when they speak. Jack seems to think it’s because her own pregnancy failed so spectacularly but Sam thinks maybe part of it she’s just as scared of change as the rest of them.

“It’s just a baby,” Sam says into the phone and she can hear Jack think that she doesn’t know what she’s talking about, even if he doesn’t say it.

[Not only does Sam not know, not only does she know that she doesn’t know, but she knows Jack knows she doesn’t know, speaking of feeling tortured.]

Today, Vala grins and waves at her, but does not touch her. Does not offer her a seat, does not bring her food, does not finger her hair or ask about names or smile in that way that women smile at one another, knowing and ever-so-slightly superior. Jack doesn’t crowd her but he stays close. He watches her a lot.

“He’s done this before,” Sam says to Daniel, later, cutting the brownies that Teal’c had brought. “It might be hard for him.”

“You don’t have to make excuses for him,” Daniel says, pulling forks out of a drawer.

“I’m not,” she says.

“It’s not Charlie in there, Sam,” Daniel says, looking at her stomach.

“God, Daniel,” Sam says.

[The shock of Daniel just casually saying what she’s been whispering to herself. Just saying it like any sentence. Sam is shooketh. Daniel just rolls in, cigarette hanging out of his mouth, hair slicked back, leather jacket and he’s like “I know you” and she’s like Jesus Christ.]

“Jack knows it, but I don’t know if you do,” Daniel says.

She sighs, sets the knife in the sink and starts prying the brownies out of the glass dish with a fork. 

They’re quiet for a couple minutes, plating the dessert. Finally, she blurts it out before she can stop herself. “I’m not good at everything, you know.”

[Ultimate Sam shame unlocked. She’s not perfect!]

She licks the chocolate off of her fingers. When she finally meets his eyes, he smiles softly at her, little wrinkles high on his cheeks. Somewhere along the way, they’ve all gotten old. She worries, constantly, that she is way too old for all of this.

“You’re good at the stuff that counts,” Daniel says. “And you’re good at Jack.”

“Yeah,” she says. Jack feels like a thing that she finally got right.

[This series spans from Sam’s first pregnancy all the way to her children being grown and having children, so if you want to read that, check it out here!]

[stitching-in-time]

So the World Figure Skating Championships are over, and I have many things I have to flail about, so here they are! First of all, ice dance!

Ice dance is usually my fave, and it did not disappoint this year. Chock & Bates are better than they've ever been, I love both their programs this year. They def have my fave rhythm dance this year, and I LOVED the 80s theme for this year's rhythm dance, it's been so much fun seeing what all the teams come up with. (This is the only year I've watched every single team in the rhythm dance because they've all made such fun routines.) I really love how Maddie & Evan have been finding new and different movement in their skating this year, and they have this swagger that's so cool and just says 'look at us, we're confident, we're champions'. I'm really glad they were able to win a world title with a clean skate this time, since they were obviously disappointed about not having that last year.

But for me, Gilles & Poirier were the champions of my heart. Their Wuthering Heights freedance is a masterpiece, and as an english literature nerd, I especially appreciated that they brought out the tension and conflict of the book characters in their dance, as well as the beauty and romance. They really, really got it, in a way a lot of people don't. I wish they would have won the gold, but silver is still a step up from last year, and I think they can still do it next year if they keep getting better and better like they have been. Honestly I didn't love their free dance when I first saw it, but it's grown on me throughout the season, and they've been doing it a little better each time. I finally fell in love with it at Four Continents, it was absolutely breathtaking and they totally blew me away. Even with almost no one in the audience to really give them a reaction at that event, they fucking brought it, and I felt like they were really gonna contend for the title at Worlds after that. I was a little disappointed when they placed third in the rhythm dance, but I knew they would kill in the free, and they totally did. I'm so happy they had such an amazing skate in front of a home crowd at Worlds, and they so utterly deserved to win that free dance! I used to think of them as the weirdos who always did campy stuff, but they've really matured and brought that storytelling sense to deeper, more interesting stuff, and I'm very excited to see what they'll do next.

While I feel that Piper & Paul's freedance at worlds was the performance of the season, my actual favorite freedance in general belongs to Julia Turkkila & Matthias Versluis. It's every bit as much of a masterpiece as Piper and Paul's. So many new, interesting shapes, so perfectly executed, it's modern and ethereal and ugh!! So good!! I really do think Turkkila and Versluis are undermarked most of the time, they have the most perfect posture and carriage and extension of any team out there, and they make their lifts seem to defy gravity and float, that one they open their freedance with is insane, they make it look so effortless, like she doesn't weigh anything, and he's just like, lifting a feather. The cynical part of me wonders if they'd be ranked higher if they were Ice Academy skaters, since it seems like all the Ice Academy teams move up really quickly, regardless of if they've improved that quickly or not. Most of them are very good, but there are a few that don't have the polish of Turkkila & Versluis that ended up ahead of them with pretty similar technical content, so I wonder how much of it is political. But I won't dwell on negatives, because there was a lot of good to be celebrated!

Honestly I used to find Guignard & Fabbri boring to watch, but the last two seasons they've really gotten much better in terms of presentation, and now they've finally got the whole package of being artists as well as technicians. They definitely had an unfortunate worlds freedance, with too many little things going wrong, but in general I like both their programs this year, and good for them hanging on to bronze.

I'm really disappointed that my other faves Hawayek & Baker decided not to compete this year, I would have loved to have seen their programs in competition, they would have slayed. (They posted their rhythm and freedances they were working on this year on their instagrams, def go watch if you haven't seen yet, they are AMAZING!) And apparently Kaitlyn was dj for Worlds this year, so at least she's still there in some capacity and not abandoned the skating world entirely. I really hope they decided to come back next year!

All in all it was very exciting and fun to watch, there were some great younger teams like Lim & Quan and Mrazkova & Mrazek that did really well who I'll be interested to see progress in the future.

All in all, it was a great Worlds and I think it's shaping up to be a great field for the next Olympics!

[archer3-13]

Maybe it's just an optical delusion on my part but i noticed that many works that had a tendancy to have rather dark topic where more written by women than men. In general shounen written by men are more light hearted than those written by women and even shoujo manga tends to talks about darker theme than shounen. (seinen are not taken into account here)

i mean, my fun prodding of it aside theres plenty of mindless happy go lucky shojo fluff out there as well. were all human, we all enjoy a good slice of mindless comfort food. and on the other end of the spectrum their are some really messed up shonen out there.

i think what your touching on here anon, is a much wider discussion in both casual and academic circles on "the society", the arts, art institutions and cultural expectations, and especially how women fit into those both now and historically. and thats a bit much for me to touch in a single post.

but. for my part. I would say broadly speaking theres a tendency for works helmed by female authors or creators to take a more critical approach or view of the world for a couple of reasons.

intersectionality of power dynamics in society, women often being in the disadvantaged position compared to men in terms of power in society more often touch on and interact with other oppressed groups compared to men of similar class or stations. this isn't an 'all men are bastards' or anything or a 'no men can speak on matters of oppression' either, buuuuut historically and contemporarily speaking a white man [or whatever majority or power holding group of a nation that man belongs to] is going to have access to more levers to pull then a white woman [or as said above] will have less. and similarly a gay white man will have more levers to pull on compared to a black gay man or a white gay woman [in the western context anyways]. thats the simplest way i can think of describing it, and i wanna emphasize im not trying to attack anyone here. just explaining how societal hierarchies tend to work. but to the point at hand, women tend to have more intersectionality with oppressed groups, and oppressed groups by their nature have a lot more reason to be more critical of society. thus as creatives they're going to create works that are more often then not, critical of the world which have a tendency to not be as light hearted as something thats uncritical of the world.

historically speaking woman creatives have tended to need to meet certain expectations from society on how they present that creative output. a good example i can think of on that would be jane austin. austins works are when you dig into the text of her work are effectively critiques or observations on the society of her time, pride and prejudice for instance being a critique on the strict social hierarchies/lack of social mobility of the georgian period as well as a critique on marriage culture and expectations/social rules of the time. They are however, also romance novels and dressed up as such as opposed to emphasizing their social critique, and that is because for the time it was written women were expected to write only romance novels [from what i remember anyways], and so jane would have to had write within that format to get her work published. which to bring this to a point, is to say in the context of a wider societal/cultural view theres a tendency to specifically classify/expect female authors to 'keep to their lane' so to speak. and well that lanes definitely grown wider over the years, thats not to say its gone away. male authors by comparison have a lot more freedom of movement between genre and conventions. What do i mean by all this? i mean shonen and its like tend to be a lot more specific in what it covers compared to shojo which tends to cover a lot broader of a body of work because its also the 'female writers' lane as opposed to just being romance/slice of life works. so a lot more stuff gets crammed into/classified under it compared to shonen.

[scientific-tricorder]

An uncharitable grumpy aromantic reading of Star Trek: Picard's second season:

This season states that, in order to have a happy life and feel complete and at peace with one's self, one must have a romantic partner.

The most obvious example of this is in Jean-Luc Picard. His primary arc is to overcome his buried childhood trauma - in order to be able to enter a romantic relationship with Laris. Q even explicitly states that he set the story of the season up so that Picard would be forced to confront and come to terms with what happened when he was a child so that he doesn't have to die alone like Q. The season defines 'not dying alone' as not having a romantic partner by introducing Picard's trauma during his aborted kiss with Laris (thing prevents romance) and showing him and Laris together at the end (thing gone, thus romance).

We also see this theme rather blatantly expressed in Ríos's arc. He feels out of place in the 25th century, and so at home in the 21st century that he's willing to drop his entire life in the 25th, never to see any of his friends or relatives ever again, to live out the rest of his life in the 21st, where he's been arrested for existing, doesn't understand the rules of society, has to learn how to deal with money, will have to find a career when there's no equivalent to what he's been trained in (yes, okay, one can argue plane pilot, but those are flown very differently to La Sirena, and good luck getting a license with zero documentation), etc. What's so different between the two that he's willing to make this major life decision after only a few days? A romance with Teresa.

We see this theme continue to our leading ladies. Seven and Raffi's main storyline is the two of them cementing their relationship with each other. Jurati's might not seem to fit the pattern, and while it doesn't exactly, but she gets her happy ending by merging with (or getting together with) the Borg Queen - a relationship that had some pretty heavy sexual coding (and arguably to an extent romantic coding, if only due to a cultural conflation of the two). The fact that Borg Queen/Jurati became a ship very early into the season demonstrates that.

Rounding out the main cast, we have Elnor (no romantic storyline for him since he's dead for most of the season, so), Tallinn (doesn't fit the pattern unless one really stretches to argue her relationship with Renée), Kore (no romantic storylines), and Soong. Soong also doesn't have a romantic relationship, but his lack of such is more emphasized by the story. See the scene wherein Kore discovers her true origins and we get this from Soong: "Anyone can procreate. You exist because I willed it!" I.e. He rejected normal procreation to instead pursue science gone mad - something portrayed rather unequivocally as bad. If we associate normal procreation with a romantic relationship (as it often is), we see the rejection of romance associated with villainy.

The only other regularly recurring characters are Ricardo (he's literally a kid), Guinan (no romantic storylines), Renée (no romantic storylines), and Q (one can argue romantic tones to his relationship with Picard).

Overall, the most central characters all have character arcs that end with them finding their happy ending in some sort of romantic(-ish) relationship, and the two characters who seem to reject romance (Picard and Soong) either overcome an obstacle to achieve romance or become villainous. The character arc of the namesake of the show is even explicitly linked to achieving romance as an end goal for a good life and death.

-

Please note that this is only one possible reading, and, as stated at the beginning, a rather uncharitable one coming from an aro person who's feeling rather grumpy about, annoyed at, and tired of romance in stories. Mostly, I'm here to highlight how the season (hopefully unintentionally) pushes amatonormative ideas, and to express some of my own frustrations.

[rumblelibrary]

Okay this may sound like an oddly detailed request but can you do a Laszlo x reader where Laszlo has been courting the reader for a while and has never met her father, because her father is dead or abandoned her at a young age or something like that and she never told Laszlo, but Laszlo is instant on meeting him for some reason or something like that?

Sorry if thats a weird request

Unofficial Meeting [Dr Laszlo Kreizler x Fem!Reader]

Word count: 1.8k

Warnings: a bit angsty, mention of old fashioned ideas

Author’s note: I hope you will like it and I respected your wishes <3

"Miss?"

The voice of your chamber maid called you distracting you from answering some correspondence.

"Yes?"

She smiled so widely as a bouquet of white roses and peonies was presented in front of you. She giggled as she was just so happy for you. You have been courted by Dr Laszlo Kreizler for some time now, but he never missed to send you flowers on a Saturday morning, it was his ritual since you two became serious.

"Those are so beautiful, miss"

She said excitedly before leaving you to read the note, she was probably living the romance through you which was quite weird but cute to witness.

You opened the card, Laszlo usually was a brief but intense poet, but this time the message was clear. Can I tempt you with a lunch at Delmonico's?

You frowned lightly before looking out of your window, his dark clothing making him strikingly visible in the greenery of the park in front of your house, he raised his hat for you and smiled.

Damn him and his top level courting.

You put your letters away and got ready spraying some perfume on you before going out, your maid helping you with your coat and hat.

When you stepped out of the front Door Laszlo was waiting in front of your gate.

"You could have called"

He smirked at you "it wouldn't have been a surprise" he concluded simply.

You smirked as it was true and you have also learned to admire the extent of Laszlo'd courtship. He was attentive and respectful, he knew when to trace a line to forbid any kind of bad talks. He was already famous for being a maverick and he didn't want to put that stigma on you too.

You obliged him as you walked your way together to the restaurant, he never failed to ask you about your day and your plans. he was very attentive and you reserved him the same tenderness asking him about his patients or latest articles.

Once you arrived at the restaurant you were brought to one of the best tables, Laszlo taking upon himself the honour to move your chair back behind you and then back toward you for you to sit comfortably.

"Thank you Laszlo"

He smiled proudly taking it as a compliment, but he looked rather stiff and tense for his usual mannerism toward you.

Once you ordered your meal he toyed with his glass of wine a bit attracting inevitably your attention.

"What is wrong?"

He looked at you surprised by your question, but he smiled because you sort of alleviated him from the weight of beginning what he wanted to ask.

"I was just wondering when I will be able to meet your father" he said just as directly as your question was "I met your grandmother and your uncles and aunts, I am missing somebody"

He said it quite easily as your mother had left this earth early for the standard and you regret she won't be able to see what an amazing man you met.

"You don't need to meet him"

He stared at you puzzled, what really concerned him wasn't your refusal, but more the hardness you showed into expressing it.

"I think I do"

You glared at him, your conversation briefly interrupted by the waiters landing the plates in front of the two of you.

He thanked them before looking back at you, your stern look still there.

You had discussions before but never of this size and also as much as he tried before to hint the theme of your father he wasn't acknowledged at all.

He also noticed how the rest of your family followed that same guideline, acting like they found you under a tree.

"I think it is something I have to do sooner or later"

You glared at him again.

"Stop it"

It was hard for him to stop. He was already launched on the theme and he was worse than a wild animal when he got fixated over a theme in particular.

You pushed some common ground theme while you ate. Like John or Sara's agency or other mundane things, but you hated to see the intensity in his look.

That question over and over into his mind.

You never hated to be with him as much as you did now.

You declined the offer of a dessert pretty quickly just wanting to go away.

Laszlo obliged and lead you back outside escorting you to your place.

"I don't mean to be invasive.."

"But you're" you confirmed to him "thank you for the lunch, I can walk myself home on my own”

You left him there moving after your house's gate.

He stood there biting the inside of his cheek nervously.

You didn't contact him any further on that day or the ones that followed, to be honest you avoided him and his flowers and attentions. You even stayed at home instead of attending places you were supposed to be, but where he also might find you.

Until your grandmother called you and you furiously ordered your maid to call the doctor and make him come at your place.

He arrived quicker than you expected. He was worried something happened, maybe you were ill and nobody told him.

When your maid showed him the way to your study and closed the door behind him he tried immediately to politely ask you about your state but your eyes burned holes like bullets in him.

“How dare you?” You growled at him. He stood still in front of you, his back straight even if you didn’t fail to notice the frown on his forehead.

“How dare you to call my grandmother? To ask her something I specifically told you I don’t want to share or talk or even mention? What is s hard about it? What makes you rightful to come bashing into my life asking for answers? “Y/N”

“No, no Y/N, you doctor, should learn to put a line between when you’re an alienist and when you’re a decent human being” you were being extra hard on him, but just earring your grandmother worried voice was enough to make you snap his neck.

He took your rage like a champion, even if he clearly was suffering it.

“Why is so important Laszlo? Why to see your mind at ease? It is just a man, somebody that doesn’t belong to my life, why you have to push it? Why you always have to push it?” “I just hoped..” “Hoped what? Hoped that a man that abandoned a pregnant woman while courting her was worth my time and thoughts? That I need to share my own life with somebody that wasn’t there? That never asked to meet me, or even see the woman he swore to every wind that he loved? That put my mother in the position of being considered a whore? How my grandma had to pretend I was hers to try give my mother a good shot at life?”

All those truths hit Laszlo like a bag of bricks, he was overwhelmed and saddened. Those situations were the ugliest in those times. Women always paying off the debts of the lust of men. The simple promise of a marriage just to gain something that could be tasted forever with a little more of wait. Just the human need to break a rule, just one, that revolutionary feeling that only losers at heart have. Because nobody makes a revolution over the expenses of a loved one.

“I had no idea” he concluded

“I hope you are satisfied now, your scientific mind has now all the puzzle pieces, now leave and let my family alone”

You could see his shoulders fall as you said that to him, his face paling in fear and sadness. He pressed his lips tight against each other, his jaw hurting as he didn’t know if at this point was really worth it to explain why he insisted so much. He ruined it, he tried to treat you with the white gloves and instead he hurt you even more.

“I apologise” he said staring at you, you letting him speak for the first time “I never meant to put you in such a position, I really just meant to be close to your family and I couldn’t see the fault in my own desires”

He admitted it but you didn’t wince, he crossed the line, he went too far and he needed to learn to respect the limits of others, not everyone needed to be under his care.

“I said you may leave”

He looked out of your window searching for words. Your anger was waving down as he looked so upset, and he should be.

“I am also a victim of our society in my own means, even if my behaviour is not excusable in any way, I stupidly fixated on the idea of doing things right with you and some things… Well, they teach us boys some things have to be asked to a father first”

You looked at him with a frown, you shook lightly your head as you didn’t understand his point and you were five seconds away from throwing him the vase with the latest flowers he sent you when you looked at him pul out a little velvet box from his inner pocket.

“The times are modern now, it was silly of me to try move past you like that” he leaned the box on your desk. He nodded at you respectfully leaving. You were left alone with that little box, you stared at it for a moment before moving closer to it.

You looked out of the window as you heard the gates closing and you watched Laszlo’s figure walk away.

Your eyes darted from his back to the box in front of you slowly opening it to find the ring of the dreams of any girl.

Tagged @cazzyimagines @lieutenantn @handmaiden-of-mischief@thesunflowersutra @zemomybeloved @fictionlandslanddreams @charistory @greeneyedblondie44 @apparrio @hb8301 @whatawildone @rhymerhymerhyme  @thehuiabird @lilith-blackrose @unbeatablecurlgirl @obsidianlaszlo @alindeluce @zemosimp05 @baronesszemo-blackwood @nocapesdahling

Let me know if you want to get tagged to my publications too <3

[arrowjaeger]

TMNT Christmas Headcanons

i probably should’ve started writing these way earlier but ok- here we are- this is mostly based on the 2012 version of the show but it can apply to most universes.

merry (late) christmas to those who celebrate it! (better late than never ig)

here are my headcanons about the Hamato clan on Christmas. i hope you enjoy.

warnings: some 18+ themes

not really a warning- but i ship apritello- xD

also, for reasons, don’t ask where they get these gifts from- it’s magic

Splinter

was planning on starting to celebrate christmas when he moved to NYC but after the mutation, he decided not to.

after a few years with the turtles, Mikey found a picture of Santa in a magazine and asked Splinter about it

told them about Christmas, Santa Claus and the elves as well as the Christmas story in the bible

told them it was a time to give gifts and celebrate

Mikey showed particular interest in it, he didn’t ask if they could celebrate it, but it was highly understood amongst his brothers

it was the first holiday they started celebrating together as a family (other than their mutation day)

he likes christmas most when all of his sons are together and happy

it’s the only thing he ever asks for

even though he doesn’t want gifts in return, he makes an effort to find gifts for his sons

gets Leo anything that has to do with Japan. he’s always had a very high interest in Splinter’s culture and always wants to learn more. he’s gotten him manga, japanese snacks, and more traditional things like a japanese tea set as well as some teas.

for Splinter, Raph is the hardest to shop for. he has asked him what he wanted before and he asked for a turtle (hence Spike) since then, he had gotten him things Spike would like. Ever since he got Chompy, he tried to get him more things for Raph. He didn’t know how much longer he would have with his sons…

gets Donnie anything that has to do with science. he has given him anything electronic. he has been gifted his tool box, his microscope, and, as weird as it sounds, many broken appliances. he fixed their toaster then quickly asked for a coffee maker, blender, or mixer so he could fix them too

gets Mikey anything that has to do with cooking/baking, he senses a talent in him (that he doesn’t quite use to its fullest potential yet-) he’s gotten him cook books, cookie cutters, most of the stuff in their kitchen had been gifted to Mikey whether it was christmas or not. he definitely enjoys the gifts regardless of what it is. (he also gets mikey plenty of snacks)

gets April anything that he would’ve picked out for Miwa. She gladly took the role, feeling only a little bit unworthy. She’s gotten several pieces of jewelry and a kimono (Leo was suuuper jealous but it’s fine-)

gets Casey anything that has to do with sports. he knows the least about Casey but he hears him talking about the Boston Bruins enough for Splinter to pick up that it is his favorite hockey team, so he gets him one of their jerseys unknowingly gifting him the one which happens to belong to his favorite player on the team

Leonardo

believes that christmas is a time to spend with family and lowkey gets pissed when Raph or Donnie spend time away from the family at all in december-

ideal gift would be a Hakama (go tell Splinter for him-)

thinks the idea of Santa Claus is terrifying-

“why would you want a fat man to break into your house and steal your cookies??”

is incredibly glad he is not real

eats one of the cookies Mikey leaves out for Santa

wants tea before they start opening presents

is more excited for christmas than he makes it seem. but he’s only excited AFTER his tea

gets Splinter his favorite kind of tea every year. like- just a giant box of tea leaves- it’s honestly tradition at this point. one year he got him a few english teas to try. he didn’t end up with a new favorite but is always willing to try new teas

gets Raph a YUNGBLUD or My Chemical Romance CD they get tired of hearing ‘the freak show’ or ‘welcome to the black parade’ by the next day. needless to say, he likes the gift.

gets Donnie different kinds of coffee. he even tried to slip in some decaf but Don swears he can taste the difference.

gets Mikey some new wheels for his skate board. “they reminded me of Ice Cream Kitty so i figured you’d like them.”

he doesn’t necessarily get April anything… he told her that he would help her learn some of his fighting techniques. she normally trains with Splinter or Donnie so she would enjoy having someone else to show her some moves. it counts as a present in her book.

gets Casey new hockey pucks. he genuinely didn’t know what to get him and figured he could always use more-

Raphael

started being a grinch ever since that one christmas when they were 7 and mikey unwrapped his present for him without asking

never really forgave him

convinced Mikey to leave out four cookies for Santa so he could either save some for later (or so he could share with his three brothers *wink*)

when they were younger, he stayed up with Mikey to see Santa so he could punch him for eating their cookies and drinking their milk but ended up finding out that Santa knew Splinter’s Kata-

later realized that it was just Splinter.

but it took him maybe a little too long…. “it was dark, ok?”

hates christmas movies

LOATHES hallmark movies-

like he will smash the tv if he doesn’t get adequate warning that they’ll be watching one (‘they’ as in Donnie and April ofc-)

gets Splinter cheese as suggested by Mikey. like a huge cheese plate with most kinds of cheese on it. he was very impressed by the diversity and was surprised by nacho cheese-

gets Leo Star Wars comics on purpose as a joke. Leo was not amused but he actually enjoyed them.

gives Donnie relationship advice- it’s not received very well.

gets Mikey grip tape to go with the skateboard Casey told him he was getting Mikey.

tells April where Donnie’s off switch is- “if he started rambling about something super boring just slap him on the back of the head” “oh- i normally just kiss him. i think it has the same affect.”

gets Casey a variety of spray paint colors. he pretended he didn’t support his graffiti style when Splinter reminded Casey not to vandalize with it-

Donatello

believes christmas can start being anticipated AFTER thanksgiving, and here’s his list of reasons why-

made a master plan of how to end up with April under the mistletoe

it totally worked

finessed his way into making out with her

it was totally awesome

watches hallmark movies with April. they cry the whole time

“Zach is obviously the better pick! come on Marilee!!!”

“ok- but hear me out, Miles has a dope haircut- i’d stay with him for the haircut..”

uses the holidays as an excuse to cuddle with April

uses the cold weather as an excuse to cuddle with April

he will use literally any excuse possible so he can cuddle with April-

makes most of his gifts

makes Splinter a batch of retro mutagen. it took him months to make and Splinter knows it. he keeps it safely in his room while he tries to decide what is the best decision for he and his family…

makes his brothers all new tPhones. new and improved! with better cameras, more sleek design, and better processors. he ended up having to make April and Casey phones too (they got jealous)

makes April an entire PC- ok, most of it is made from recycled parts- but it is one of the coolest things he has made. he is convinced once he gets her all of the right equipment, she’ll game with him. they play overwatch together- but Casey crashes their party…..

fixes Casey’s roller blades- he told him several times that the idea was great but he feels like he could’ve carried it out better… so he pretty much makes them way better

Michelangelo

keeps reminding his brothers that he is the reason they celebrate christmas

starts singing christmas carols right after halloween

puts waaaayyy too many marshmallows in his hot chocolate but everyone has given up on trying to stop him

bakes DOZENS of christmas cookies. every kind possible.

frosts gingerbread men to look like he and his brothers

makes Splinter a book of coupons- like, a coupon for a hug or a coupon for him to clean his room

makes his brothers coupons as well- things like get out of the dojo, get out of my room, and get out of the lab. he’s really using his annoying-ness to get out of actually going out and getting presents

gets April minecraft for her PC so they can play together. they own 26 cats-

gets Casey a new hockey mask. it’s a lot like his older one but he paints it for him. not exactly sure what it’s supposed to look like, but Casey and Mikey think it’s super dope

April

always has the guys over for christmas eve

they have hot chocolate and sticky buns. and occasionally alcohol we are looking at you raph it leads to a nasty christmas for the rest of them

tries to catch each of the turtles under the mistletoe to see how they would react

is extra careful when Casey is under the mistletoe though….

only eats the ‘Donnie’ gingerbread men Mikey makes

she ate a ‘Raph’ once and- “why are you eating Raph? i don’t want him in your mouth- i want to be in your mouth…”

they just stared at each other while Donnie’s face got redder and redder

gets Splinter a ‘worlds best sensei’ mug. it’s one of his favorites, not because it’s his style, but because she sought it out to get it for him. Leo definitely has used it more than once

gets Leo a limited edition Space Heroes action figure. it is his most valuable possession. he doesn’t even let his brothers look at it..

gets Raph anything to do with fitness. back at the farm house, they both would work out together a lot. she learned what he liked the most and got him weights accordingly. she adopts his old ones as he upgrades.

gets Donnie lingerie- it’s not for him- technically… it’s purple and it’s April’s size.. she accidentally gave him that present in front of everyone- his head looked like a tomato in a matter of seconds. Raph choked on his eggnog and nearly died

gets Mikey a cat stuffed animal with matching blanket. he is obsessed with it. she would’ve got him a real cat.. but after what happened to his last cat- let’s just say Donnie talked her out of it… she also got him a Domino’s gift card

gets Casey tickets to a hockey game. she was almost sure he would invite her to go with him but he actually when with his sister (Donnie was very thankful)

Casey

likes christmas more than Raph but pretends to be a grinch/scrooge with him

accidentally got caught under the mistletoe with Raph and it was the worst experience of his gd life

April made them stay there till they at least hugged

always tries to spike the eggnog

gets Splinter a block of cheese. that’s all. he accepts it gratefully

gets Leo a super dope Space Heroes comic. he’s pretty sure it came from Casey’s dad’s basement but it’s super rare and he doesn’t want to tell anyone-

has the most potential to get Raph a gift that he loves buuuut opts for a hilarious gift instead. he gives him a figure of sailor moon. Casey nearly died that day.

gets Donnie an Einstein poster or like a periodic table of elements poster both of which he already has but it’s the thought that counts ig-

gets Mikey a new skateboard. he really needed a new one…

gets April a necklace. it was actually really thoughtful- it was sterling silver shaped as a turtle with several amethyst stones making up its carapace. Donnie even thought it was a great gift and has no problem with her wearing it (which is great cuz she wears it 24/7 now) he doesn’t seem to mind that it’s from Casey

[soobmint]

paper hearts | choi soobin [f] ; [c] 80s! au, 9.6k words

s u m m a r y ; if there was one thing you wanted to avoid on valentine’s day, it was running into your ex best friend, choi soobin. but when a series of unfortunate events involving too much purple eyeshadow, drunken punches, and one stolen bicycle leads you right back to his side, you begin to realize that maybe you truly belonged with him all along.

c o n t e n t s ; soobin x fem!reader, 80s! au, valentine’s day, ex best friend! soobin, rich boy! soobin, but he’s a major dweeb and the biggest softie, yeonjun is a major prick (i’m so sorry junnie), reader is a part time worker, soobin is best friends with lee felix of stray kids, some themes of social classes, roughly inspired by the 80s movie “pretty in pink,” mentions drugs, alcohol, and single parent households, mostly just fluff, fluff, and more fluff, with a hint of crack/humor

n o t e ; hello friends! this was a very quickly planned, last minute valentine’s day idea, and it’s actually a collab with one of my dearest friends, @chanluster ! she posted her piece of the collab as well, you can check it out by going to the collab masterlist here! this was so much fun to write and i think that 80s! soobin was just too good of a concept to pass up! anyways, happy valentine’s day, i hope you enjoy this oneshot! do leave a like, reblog, or comment if you could, it really helps so much <3

[back to my masterlist] [oneshot playlist]

IF ONE MORE CUT-OUT, CRAFT-PAPER HEART HIT YOU IN THE FACE, YOU WERE GOING TO QUIT YOUR JOB.

Of course you would never actually quit. With your mother out of the picture and your father working nonstop overtime just to barely have enough cash to put food on the table for the both of you, you had come to rely on your minimum wage part-time hours more than you liked to admit. However, the handmade strings of paper hearts that hung from wall to wall throughout the entirety of the record shop you were employed at was enough to make you consider it; not to mention the Phil Collins record that had been spinning all day, filling your ears with melodies embodying the very air of romance, and the embarrassing pink sweater your boss had forced you to wear. You mumbled curses beneath your breath as you pulled at the collar, itching away at your neck.

When you made a step towards a crate full of records, ready to tidy it up after a customer had rummaged through it leaving it a mess, you were met with another face full of cheap red construction paper. With a large growl of exasperation, you swatted at the hearts and accidentally caused the entire string of them to fall to the ground. You cleared your throat, glad that no customers were present to see your little outburst.

Your boss, Jen, still saw it all.

“That’s not very festive of you, kid,” She said, taking a drag on her cigarette. “It’s Valentine’s Day! Lighten up.”

“Ah, my bad. I forgot that I was supposed to be overjoyed on the day honoring the execution of St. Valentine,” You said as you gave her a sarcastic smile. “I’ll make sure to smile at the next couple that walks in and ask them how they plan to contribute to the commercialization of a martyr’s death.”

“You must be real fun at parties,” Jen mumbled. She shook her cigarette at you from behind the counter. “You’re just bitter because you don’t have a valentine. I can’t blame anyone for giving you the cold shoulder with that attitude of yours.”

You scowled, picking up the string of hearts that you had sent crashing to the floor. “I’m not bitter, and I don’t want a date. Also, I told you to stop smoking inside! It smells awful.”

“Last I checked, this was my shop, not yours.” You rolled your eyes as you approached the counter, handing the discarded string to Jen so she could throw it in the trash. “Now you’re making me do chores for you too? You’ve got some nerve, I’ll give you that.”

“Jen, please, I’m really not in the mood for this today.”

Jen shrugged, bending towards the trash can to throw away the string of hearts when she paused and pulled something from the bin. You glanced over your shoulder and gasped when you saw what she held in her hand—a small red envelope with your name scrawled across the front and a pink heart-shaped sticker stuck on the back.

“What’s this?” Jen asked, opening the envelope and shaking out the contents. A single slip of paper fell out, landing atop the counter. You rushed to grab it, but Jen snatched it up just before your fingers reached the countertop.

“Give me that,” You insisted, face growing warm. “I threw it away for a reason!”

“It’s an invitation to a party?” She seemed beyond surprised, glancing back and forth between you and the paper several times. “You got invited to a Valentine’s Day party, and instead of going, you asked me to give you extra hours? Why?”

You looked down at your feet, digging the toe of your sneaker into the blue carpet. There were, in fact, many reasons why you did not want to go to that party. They were as follows:

One: Choi Yeonjun was the one who had invited you. After you had rejected his offer when he asked to take you to a basketball game a month before, you could barely make eye contact with him in the school hallway without feeling guilty. That and the fact that he was one of the richest preps in the school, you knew he had just been asking you out for some sort of prank or dare that you preferred to not potentially fall victim to.

Two: you needed to work as much as you could. Money, as always, was tight for you and your father. There was no way you would sacrifice precious hours to go to a party full of rich kids where nothing but humiliation was sure to await you.

Three: your old childhood friend and the one person you couldn’t bear to see was probably going to be there—Choi Soobin.

You had barely spoken to Soobin in the four years you had been in high school. Crossing paths with him in the cafeteria, turning down the same aisle of books as him in the library, all those tiny stolen glances and accidental encounters were the only bits of interaction you had kept throughout all that time. The worst part was, he hadn’t done anything wrong.

It was nothing but your own cowardice that had driven the two of you apart, and you were still too afraid to own up to it.

Instead of explaining all of this to Jen, you simply shrugged and said, “I dunno. It just sounds lame.”

Your boss sighed, holding the invitation out towards you. “Okay, I’m letting you off early. Go to the party.”

With wide eyes, you shook your head immediately. “Absolutely not. Why in the world would I go?”

“Well, first of all, it’s a once in a lifetime opportunity for you. Who knows when your next chance to go to a party will be.”

You couldn’t help but roll your eyes at that.

“Second, it’s a holiday! The only reason I even opened today was because you were begging me for hours. I thought it was because you were bummed about having no plans, but clearly it’s because you wanted an excuse to be a recluse.”

“Hey, I’m not a recluse.”

“Clearly.” She shook the invitation at you once more, brows raised. “If you go, I’ll raise your pay by fifty cents for the next month.”

Your ears perked up at that.

“Well?” She asked, well aware that she had hit the jackpot. “What'd ya say?”

Weighing the risks against the benefits, you bit the inside of your cheek.

“Make it a dollar and you’ve got a deal.” 

-

“HAPPY VALENTINE’S, CHOI.”

When Soobin heard the sarcastic remark coming from his best friend, Felix, he had to fight back the urge to burst into tears then and there. He still wasn’t quite sure how Felix had convinced him to come, but he was already regretting it. The last thing he wanted to do to celebrate the day dedicated to love was spend it at a house party—or, as Soobin preferred to call them, any outcast high school kid’s version of hell on earth.

With a quick peek between his fingers, which he had used to cover his eyes immediately upon arriving at the site of the Valentine’s party, Soobin caught another eye-full of couples getting all too familiar with one another out in the open. He gulped, letting his hands grip the handles of the bike as he averted his gaze, choosing to cast his best glare at Felix, who was busy adjusting his ever-present beanie.

“Shut up,” he murmured, slowly sliding off the seat of his bike. He dusted off the worn, tearing cushion, glancing around the area. “Now quick, we gotta put our stuff somewhere safe.”

Felix looked aghast, making no moves to help Soobin in his search for a hiding spot. “What are you doing?”

“Tryna find a safe place for my bike?” He thought the answer to be somewhat obvious, but clearly Felix wasn’t on the same track of thinking. “You don’t know today’s world! Anyone is willing to steal nowadays.”

“Soobin, your bike is coughing up oil from its chains. It should be in its own care home at this rate.”

“I don’t wanna hear your slander, skater boy,” Soobin retorted, eyeing Felix’s ebony skateboard that he refused to be seen without. As if on cue, when he pushed his bike forward, the chains squealed, drawing the attention of a pair of particularly passionate individuals who had been wrapped up with one another moments before. Soobin ignored their annoyed stares, feeling his ears burn from embarrassment. He glanced back to Felix. “Help me find a hiding spot.”

Felix was anything but enthusiastic, but he began to help Soobin search nonetheless.

“Slide it in here, Soobs,” Felix called a few moments later. He was pointed to an empty space between the home’s perfectly trimmed bushes. Soobin pursed his lips together, pushing his large glasses further up the bridge of his nose—a nervous tick of his. Felix groaned, rolling his eyes. “Or you can leave it out in the open so it’ll spit more oil on the passersby? Is that what you want?”

“Fine, fine!” Soobin huffed, wheeling his bike over to the shrubbery, chains squeaking all the way. He carefully laid it beneath the brush and moved a few branches to cover it up nicely. He stood up straight, dusting his hands on the front of his loose blue jeans. “What about your skateboard?”

Felix gave the board a pat, awarding his most prized possession a dazzling smile one would expect to see a proud father giving his beloved son. But in reality, it was the school’s stoner grinning ear to ear at his old, dusty skateboard. “Nightrider stays with me.”

Soobin scrunched his nose, cringing on instinct. He still calls that thing by that stupid name?

Felix clapped him on the shoulder before he could make a remark, catching him off guard when he said, “Right. Let’s go and get your girl.”

There was nothing Soobin could do to stop the flush that rushed to his cheeks right away. Images of you, his ex-best friend and the only reason he had even come to this party in the first place, flashed through his mind. Had he not overheard Yeonjun invite you earlier that morning and then casually mention the encounter to Felix, there was no way he would have even stepped foot out of his house that night. Part of him was peeved, wishing he had never uttered a single word about you to his overbearing friend. Yet, deep down, there was hope within him—the tiniest sliver.

If there was even the slightest chance that he could talk to you that night, he would do anything. Even if it meant dealing with a stupid party, and the never-ceasing teasing he was bound to continue receiving from Felix.

“Don’t even say that,” He said, emphasizing each word as they walked up the front steps. Soobin had to glance down at his much shorter friend to see the devious grin on his freckled face.

“Say what? That she’s your girl, your woman, your one and only?”

The blush must have been creeping to his neck by that point. He could feel it. “I. . .” There were many things Soobin wished to say; angry words that would hopefully shut the blonde skater boy up real quick. But he couldn’t bring himself to say a single harsh word, so he sighed in defeat. “I can’t even say it.”

“That you hate me?” Felix only grinned even bigger, and Soobin couldn’t help the tiny defeated smile that slipped over his features. “Oh, I know. It’s because I’m too good of a best friend.”

They stepped into the house then, instantly being overwhelmed by loud music, boisterous laughter, and drunken yells echoing throughout the halls. Soobin latched onto Felix right away, gripping his friend’s sleeve as someone stumbled into him, a bit of beer spilling from their cup. He pushed his glasses up, only for them to slide right back down as he began to sweat.

“Maybe we should go home, Lix!” Soobin shouted to be heard over the noise as they travelled further into the house. “We can always try next year!”

“Stop being a scaredy-cat!” Felix shouted back, and Soobin thought he might actually begin to cry as they squeezed their way into the living room. Soobin nearly gagged at the strong smell of alcohol as it burned in his nose. The scene was nothing short of a nightmare to Soobin—loud voices, smoke rising in the air, vodka assaulting his nose and sweat beading on the back of his neck. He had never been one to drink, and he didn’t plan on starting that night; but he was beginning to understand what Felix meant when he had once told him it was nearly impossible to get through one of these parties sober.

He was about to make another complaint and beg to leave when someone from the crowd hollered his name, causing him to wince when he recognized that voice as the one that belonged to none other than Choi Yeonjun.

“Soobin! Where you been?”

Soobin smiled nervously at the school’s heartthrob—and textbook snobby rich kid—before he turned back to Felix. He didn’t want to leave his friend, but he knew that he would never hear the end of it if he ignored Yeonjun’s persistent calls. “I’ll be right back,” He promised Felix, still holding onto his sleeve.

“No, no,” Felix assured. “You go. You’ll probably find her around that place anyway.”

Soobin wasn’t so sure of that. You were definitely not of the right social standing to be caught amongst the circle of the school’s rich boys—which was why it had surprised Soobin that Yeonjun had invited you to the party in the first place. Your high school had its own caste system, and you were near the bottom of it.

And, as much as it pained him to admit it, Soobin was stuck at the very top with all the other rich snobs who cared about nothing more than their daily allowances that came straight from their daddy’s bank account.

“What about you, buddy?” He asked Felix, desperate for any excuse to remain by his friend’s side. He would have tried to bring Felix with him, but his friend was in an even worse social standing than you were—he was poor, and he was most known for being the school’s pothead. There was no way Soobin would willingly drag him into a situation where nothing but slander and torment awaited him.

“Me?” Felix shrugged, gripping his board tighter. “I’ll just smoke away the night.”

Soobin pouted, glancing back at the group of preps as they called for him once again. He sighed, clapping Felix on the shoulder. “Just make sure you won’t smell too much of it when I come back.”

Submitting himself to his doom then, he turned on his heel and slowly made his way to where the group of  boys sat near the sofa, giving them a half-hearted wave.

“Why were you hanging around that Felix guy?” Yeonjun asked once Soobin had reached their circle. “Did he blackmail you or something?”

Soobin frowned, pushing his hands into the pockets of his jeans. “He’s my friend.”

Yeonjun rolled his eyes, brushing a hand through his perfectly-straightened ebony locks. “Sure he is. Tell me, do you see every kid you find on the streets as some sort of personal charity project? Or is it just Felix and—what was her name—” He snapped his fingers then before he said, “Y/N, right?”

Soobin didn’t respond—well, it was more like he couldn’t respond. By nature he was a very passive being, but nothing drew him closer to bouts of anger than when the people he cared about were being insulted right before him.

Especially when it came to you.

Yet, as much as he wanted to tell Yeonjun off or give him a nice shove into the smoke-stained walls, words failed him. They always did. Perhaps this was why you had abandoned him all those years ago. Nobody knew him better than you did, so of course you were able to see what he truly was beneath all the expensive clothes and nervous laughter—a coward.

He figured that he’d probably have left himself too.

“Drink up, buttercup.” The chipper voice that belonged to the other Choi in the small gathering of socialites, Choi Beomgyu, thrust a plastic red cup towards Soobin’s chest. 

He shook his head, throwing another wavering smile in his direction. “No thanks. I don’t drink.”

Yeonjun rolled his eyes. “Of course you don’t. Why are you even here then?”

Once again, Soobin chose silence as his only response. He swallowed, patting the front pocket of his denim jacket. As the group of boys began conversing once more, he couldn’t help but let his eyes wander around the room, searching every drunken face for the features that belonged to you, trying to hear your name in every conversation, desperate for your voice to break through the blasting music and shouting voices.

“Who ya looking for there, Big Choi?” Soobin grimaced at the nickname. He was skinny, but incredibly tall, and nobody would let him forget that. “Big Choi” was one of his most common nicknames among the elitists. He despised it, but of course, he would never voice that aloud.

He glanced at Beomgyu and smiled nervously again, shaking his head. “Nobody.”

His eyes met Yeonjun’s and he gulped yet again as the latter eyed him with suspicion. It wasn’t as though he had anything to hide, but something about Yeonjun’s calculating gaze made his skin crawl.

He needed to escape. Just for a moment, at least.

“I’ll be right back. Going to find some water.”

He slipped out of the living room then, apologizing profusely to each couple he accidentally bumped into, bowing in remorse to each person’s toes his big feet happened to stumble over. He ached to be by Felix’s side—the stoned skateboarder had become somewhat of a security blanket to the taller of the duo—but his blonde friend was nowhere to be seen.

After snagging a bottle of water from the kitchen, Soobin managed to slip into an empty bathroom. He slammed the door shut and wasted no time in locking it. Letting out the biggest sigh of relief, he closed his eyes and leaned his head back against the door, taking a big gulp of the ice cold water.

He set the bottle on the counter and carefully reached into the front pocket of his jacket, his fingers finding the piece of paper he had been storing there all evening. He pulled it out and let his eyes wander over his middle school creation. It was a big heart, cut out from a scrap piece of red construction paper. Scrawled across it in his eight-grade handwriting were the words, Be mine this Valentine’s! His name was etched at the bottom, and at the very top, delicately printed in hot pink glitter glue, your name was written as well.

He had planned to give this to you four years ago on Valentine’s day. Everything had been planned out perfectly; he was to pick you up on his old, trusty bike. It wasn’t really made for two people, but the two of you had fashioned a makeshift extra seat for you to sit upon whenever you went places together. 

He wanted to take you to the Dairy Shack, which was the local ice cream shop where the two of you spent the most time together. You always got a large chocolate shake to share, playing a quick game of rock, paper, scissors to decide who got to eat the cherry on top. He was going to order a shake and specially ask for two cherries that time, and planned to give both of them to you before he would bravely present you with the handmade card he had spent all day working on.

However, when he waited for you outside your house that day, the red dusk turned to pitch black night, and you never stepped foot out your door.

He had even gone up to your door a few times and knocked, but there was no answer. Eventually he pedalled off into the night, back to his house. He was disappointed, of course, but more worried than anything else. He had hoped you weren’t sick.

But when he saw you at school the next day, he knew that hadn’t been the case.

And when you ignored him calling your name as you passed by him in the hallways, he knew that something had drastically changed.

For weeks, Soobin was in great turmoil as he replayed your last few encounters together before you had stood him up. Perhaps you were angry that he had won the last few games of rock, paper, scissors? If he had known, he would have given you all the cherries for the rest of time if it meant you would still talk to him. He didn’t care about them—he cared about you.

He missed you.

And as weeks turned to months, and months turned to years, you still barely spoke to him, and he missed you more and more. The best friend he had wanted to take a step closer to had taken a thousand steps back from him, and he still had no idea why.

But that night, he was determined to find out.

Well, if he could muster up the courage to get a single word out, of course.

He folded the heart back up and stuck it back in his pocket, taking a deep breath as he observed himself in the fogged-up mirror. He fixed his bright blue hair that Felix had helped him bleach and dye, making sure the pieces fell over the corners of his eyes just right. He straightened his white turtleneck and cuffed the sleeves of his denim jacket until he was at least somewhat content with his appearance.

“You can do this, Soobs,” He told himself, adjusting his big round glasses further up the bridge of his nose. “That’s what Felix would say.”

“Hey, rich boy!” A loud scream came from outside the bathroom door, accompanied by harsh knocking that sent Soobin stumbling backwards until he fell in the shower, pulling the curtains down with him.

“Hurry up in there! I’m about to piss myself!”

Soobin let out a shaky sigh, scrambling to his feet as he rushed to fix the curtain he had torn down with his clumsiness. “Sorry,” he mumbled, though he doubted the person on the other side of the door could hear him.

He realized then with an ever growing dread that it would be a miracle if he survived the night long enough to even find you, but it would take the work of God himself for him to actually speak to you.

He figured it was time for him to start praying.

- 

YOU KNEW IT WAS A MISTAKE TO LET JEN DO YOUR MAKEUP.

When she had stopped you on your way out the door with a compact of bright purple eyeshadow, you had turned her down right away. No way in all of creation were you walking in a party with such an atrocious color caked up to your brow bone.

“How can you say it’s gonna look bad if you haven’t even let me try?” Jen had asked.

You had given her a once-over, your lips pressed into a thin line. “If it’s gonna look anything like the way you do your own makeup, I’m gonna have to pass.”

After that snide remark, she had threatened to fire you if you didn’t let her apply the makeup. And so you obliged, though you didn’t have much of a choice.

The booming sounds of the party hit your ears before you had even reached the lawn. Screaming teens—well, there were probably some adults thrown in there as well—and the sound of music spilled through the open windows of the home. Couples and singles alike were scattered throughout the perfectly kept lawn that was now littered with empty cups and other assortments of garbage.

You looked down at your patchwork jeans and pink sweater, certain that you would be underdressed compared to the rest of the partygoers. But from the looks of things, as you carefully squeezed your way through the front door and into the home, everyone was probably too wasted to even notice your arrival, let alone care about your looks.

You caught a glimpse of your face in the hallway mirror, cringing at the sight of your eyeshadow. You had tried to wipe some of it away before arriving, but it simply smudged, giving you quite the shocking smoky, purple eye look. For someone who didn’t even know the difference between a paintbrush and a makeup brush, it was a bold look, to say the least.

If Soobin saw you looking like this, he’d probably have a heart attack.

Soobin.

In the midst of all your frantic preparation, you had nearly forgotten about the main reason why you had planned to avoid this party at all costs. With a quick glance around the room, you realized that he was nowhere to be seen. You wouldn’t have been surprised if he hadn’t shown up at all. He was never a fan of parties, anyway.

You crossed your arms over your chest and slowly slipped past the couples crowding the hallway with their limbs intertwined, mouths practically swallowing one another whole, until you reached the living room. Surprisingly, it was less crowded in here than you thought it might be. A few minglers were scattered about the room’s perimeter, but they all kept away from the center of the room, which was occupied by none other than Choi Yeonjun and all his brainless, rich-boy worshippers. You quickly scanned the group, not able to make out Soobin among them. When you realized he wasn’t there, you were partly relieved and partly disappointed. If was to be anywhere at this party, it would probably be with these guys.

With a quick turn on your heel, you planned to make your way out of the living room before Yeonjun could see you. The last thing you wanted was for the boy with a bruised ego to see you, regardless of whether or not he had been the one to invite you.

“Y/N? You came?”

Too late.

Plastering a forced grin to your face, you slowly turned to face Yeonjun, who had just called your name. He was eyeing you with slight surprise, but soon, a smirk slipped across his lips as he motioned for you to come over. You had to hold back your sigh, wishing there was some way for you to get out of this situation. It was all Jen’s fault that you had to show up in the first place. You decided you were going to demand an extra ten cents be added to your raise the next time you saw your pushy boss.

“Hey Yeonjun,” you said once you had walked over to him. “I figured I’d stop by for a minute or two, since you were kind enough to invite me.”

He smirked, glancing at a few of his friends. They shared a knowing laugh with one another, but the meaning of it was lost to you. You wanted nothing more than to get away from them, but that wasn’t an option.

“You’re too busy to go out with me to a basketball game but free enough to come to a party, huh?” He asked.

You blinked, digging your nails into your arms. “I’m sorry?”

“It’s fine, really,” He drawled, swirling his plastic cup of beer in his hand. “You didn’t think I’d be upset or anything did you? I only asked you out because I was dared to shack up with you. But I’m guessing you already knew that, since you’re so smart and all.”

Your eyes went wide, but you managed to control the rest of your expression. It was just like you had guessed—Yeonjun had invited you to the party with the sole purpose of making a scene.

If you survived the night, Jen was never going to hear the end of it.

“You’re not gonna say anything?” He asked, pushing himself to his feet. You could tell by the slight stumble in his step and his hooded eyes that he had quite a bit to drink. He took a step towards you, causing you to back up immediately. Your back hit the wall, and you placed your palms against it as Yeonjun towered over you. 

“It’s okay, sweetheart. I know why you’re here anyways.” He leaned forward, his lips hovering near your ear. “You’re here to see Soobin, aren’t you? Since he’s the only one here willing to waste his time on filth like you.”

Your blood boiled, and you had to clench your fists at your sides to control your anger.

“Don’t,” You seethed, “Call me that.”

“Call you what? Filth? Or sweetheart? Why, is that something good old Binnie used to call you—”

He never got to finish that sentence, because with one big burst of anger, you stomped on his toe as hard as you could with your worn-out platform sneaker.

“What the hell!” He screeched, drawing the attention of several others in the room. His outburst even caused a few of the couples to pull away from each other’s faces long enough to eavesdrop.

Before you could even say anything back, lukewarm liquid was splashed up in your face, burning your eyes and nose. You gasped, running your hands over your eyes to see Yeonjun with his now empty cup of beer pointed towards you.

“Think twice before you act out against me next time, sweetheart. Never forget your place.”

Tears of anger burned in your eyes, and you scanned the room to see several people exchanging whispers and giggles as they glanced in your direction. You pushed past Yeonjun and quickly made your way out the back door of the house, unable to stand the humiliation for a moment longer.

Soobin arrived in the living room just in time to see you leave.

He wasted no time in rushing towards Yeonjun, grabbing hold of his arm. “Yeonjun, was that Y/N?” He asked, eyes quickly taking in the puddle of alcohol on the floor and the empty cup in Yeonjun’s hand. “What happened?”

“Nothing you need to worry your pretty blue head about, Big Choi. I just put her in her place is all.”

Soobin’s eyes narrowed. “What do you mean you ‘put her in her place?’”

Yeonjun laughed, giving Soobin a nonchalant pat on the back. “Just drop it, would you? It has nothing to do with you.”

“What did you say, Yeonjun?”

Yeonjun was growing irritated now. He huffed out a breath, crossing his arms over his chest. “I said it has nothing to do with you, Soobin. I know you like to hang around people like that pothead Felix, but the rest of us live in the real world, where we’d rather not waste our time with those who have no future anyways. I bet he’s the one that got you to dye your hair that god awful blue, isn’t he?”

Soobin bit the inside of his cheek. He so badly wished to rip Yeonjun to shreds then and there. If he had Felix’s courage, the cocky bastard would have been knocked to the ground ages ago. But if there was one thing Soobin was sure he could never be, it was brave. And so, despite his rage, he remained silent, his eyes practically burning a hole through Yeonjun’s chest from how intently he was glaring.

It seemed as though Yeonjun was about to say something, but his eyes landed on the bit of red that peeked through the front pocket of Soobin’s denim jacket. Before Soobin had time to defend himself, Yeonjun had reached forward and snatched it from his pocket, revealing the large paper heart—his valentine for you.

“So this is why you care so much,” Yeonjun said, laughing as his eyes scanned the glittery words that decorated the page. “You want her to be your valentine.”

“Give that back,” Soobin said quietly, his hands beginning to shake.

Yeonjun instead lifted his eyes to Soobin, gave him a sickly sweet grin, and ripped the heart straight down the middle. He let the two pieces fall from his hands to the ground, and with them Soobin’s heart went also.

“You’re really willing to try and go against me, and for what? For the sake of a girl who can’t even afford a new pair of jeans and a boy that smokes his life away in the bathroom stalls?” Yeonjun took a slow step towards Soobin, his eyes glinting with a sinister determination. “You may be rich, Soobin, but if you choose to lower yourself to their standards, you may as well be dirt poor just like they are.”

With his hands clenched into tight fists, his glasses sliding down his nose, and his heart quite literally in two pieces on the floor below him, Soobin decided that he had had enough.

“I’d much rather be associated with people who are kind and have actual depth to their character than be lumped together with a bunch of pricks like you with no real personality—because that’s something you can’t buy with daddy’s paycheck.”

He had to physically restrain himself from slapping his hand across his own mouth in shock. It was as if the spirit of Felix himself had possessed him to say such harsh things. He wondered where Felix was then, wishing more than ever before to have his best friend by his side as he began to tremble from either the rush of adrenaline that coursed through his veins, or from fear. Or perhaps it was both.

He didn’t have time to ponder it any longer before Yeonjun’s fist collided with his nose, resulting in a sickening crack as pain echoed throughout his face in tidal waves.

He stumbled backward as people began to shout, raising his hand to his nose and gasping when he saw that his palm was covered in blood. 

Beomgyu had his arms wrapped around Yeonjun, who was desperately trying to lunge towards Soobin once again.

“Knock it off, Yeonjun!” Beomgyu shouted, pushing the elder back. “His dad is on the school board! Are you trying to get expelled?”

Beomgyu looked over his shoulder at the still stunned Soobin, who was gaping at the blood that now stained his once white turtleneck. 

“Get lost, Soobin,” Beomgyu said, to which Soobin only blinked in reply, his ears ringing.

“Now!”

Head spinning, Soobin picked up the two halves of his paper heart, stuffed them into his jeans, and stumbled out the same door he had seen you go through just minutes before. After checking to make sure his glasses were still intact—they were, thankfully—he shook his head in an effort to clear his mind of the static, eyes scanning the front lawn looking for any trace of you.

It didn’t take long for his eyes to spot you among the now dwindling crowd of partygoers. Your bright pink sweater stood out against the darkness, so he was able to recognize you even with your back towards him. He sniffed, wiping the back of his hand against his dripping nose as he slowly made his way to where you sat on the curb, your feet planted on the asphalt street. He wished that he looked a bit more presentable—when he played this scene out in his head over the years in which he would finally reunite with you, he never imagined himself dazed and covered in blood.

Desperate times called for desperate measures, he supposed.

When he reached you, he simply stood beside you in silence for a moment, unsure of what to say. He could tell that you sensed his presence, but you refused to look up at him as you kept your face buried in your hands. He could have sworn he heard a few muffled sobs slip through your fingers, but of course, he wasn’t going to bring that up.

Eventually he decided to slip his jacket off of his shoulders, leaning down to drape it over you. You still kept your head down as he sat beside you on the curb, but he watched you grip the jacket and pull it tighter around your body. He smiled a bit, holding the collar of his turtleneck against his throbbing nose.

“Thank you,” you muttered, wiping your hand across your eyes. You finally looked over at him, and when you did, you couldn’t hold back your gasp. “My God Soobin, what happened to your face?”

“Oh, well, I might have gotten punched,” He said quickly, trying to wave off your concern. “Don’t worry about it.”

“Punched? By who?”

He looked down at the ground, sniffing as a drop of blood hit the pavement. “Yeonjun,” he muttered under his breath.

“I’m sorry, did you just say Yeonjun? Are you insane? Why on earth would you butt heads with the Choi Yeonjun?”

Soobin didn’t say anything in response, he simply stared at you, eyes wide with beer dripping off the ends of your hair, makeup smeared across your face, your sweater stained down the front. It didn’t seem to take long for you to put the pieces together, as the shock left your face and was replaced with something akin to guilt.

“Oh,” You said, looking back down at your shoes.

“So she knows that I did it all for her,” Soobin thought.

For some reason, the idea of that both terrified and excited him.

A second later, he glanced over to see you ripping one of the hand-sewed patches of fabric off your jeans, leaving a square of your skin exposed to the chilly night air. You leaned towards him, pushing his hand away from his nose so you could use the patch to clean up some of the blood on and around his puffy red nose.

“Y/N, your pants!” He exclaimed, trying to push your hand away. “They’re ruined!”

“I’m not worried about my pants, you idiot,” You said, swatting his hand away as you continued to press the cloth against his skin. “You got punched in the face because of me, this is the least I could do.”

“That was my choice though,” He muttered, although he stopped trying to resist your touch. He ignored the way his heart thrummed harder in his chest, hoping that you couldn’t hear.

“Well, this is my choice too.” Your eyes flicked to his for a brief moment, your bottom lip pulled between your teeth. “Why did you do it, by the way?”

“Do what?”

“Stand up to Yeonjun for me and get a nasty nosebleed as a result.”

“Oh.” He blinked slowly, keeping his eyes fixed on yours. “Just ‘cause.”

“Because . . . ?”

“Because of you.” He blurted, causing your hand to go still against him. He swallowed his fear, braving the best smile that he could. “Just you. That was my only reason.”

You didn’t say anything as your hand fell from his face, the cloth clutched between your fingers. The anxiety he had tried his best to suppress came rushing up all at once, and he was surprised that his ears didn’t begin to squeal like a tea kettle from all the pressure. 

“Y/N,” He said, gently placing his hand over yours despite how his fingers trembled. “Why did you pull away from me?”

“What?”

“Four years ago. Why did you stop talking to me?”

You were quiet for a moment, digging into the ground with the toe of your sneaker. Soobin held his breath until you finally replied with, “I was afraid.”

“Afraid? Of what?”

“We were getting older, Binnie,” You said, and his heart skipped at the use of your old nickname for him. “You and I, we’re from very different walks of life. You get to hang out with people like Yeonjun, whereas I get a cup of beer poured all over my face just for existing, and you get a fist to the nose for trying to stand up for me. We’re from different sides of the track, one might say.”

“So?” Soobin asked, his hand tightening around yours. “Did you really think that would affect us that much, Y/N?”

You frowned, glancing down at his hand over yours.

“I thought you’d be embarrassed of me,” You said, your voice barely above a whisper.

“Embarrassed?” Soobin’s eyes went wide as he gripped your hand tighter still, pulling it into his lap. “Y/N, I would never, ever be embarrassed of you. Besides, have you seen my best friend? He’s on a first name basis with the principal because of how often he gets written up for smoking behind the school. If I’m not embarrassed of him, why would I ever be embarrassed of you?”

You laughed, wiping the back of your hand across your eyes once more. “I guess I was worried about nothing, huh?” You sniffed, giving his hand a squeeze. “I’m sorry, Soobin.”

He shook his head, squeezing your hand right back. “Don’t apologize. You’re here now, that’s what matters. Do think we could—you know—”

“Pick up where we left off?” You smiled, nodding vigorously. “I’d like that very much, Binnie.”

He beamed then, almost pinching himself to be sure that he was not dreaming, but the pain in his nose was real enough to remind him of that on its own. He jumped to his feet, pulling you right up with him.

“In that case, how about we finally go on that Valentine’s date I had planned all the way back then?”

“Date?” You asked, a brow raised. “Is it really considered a date if two friends are just hanging out?”

He didn’t respond as he pulled you along behind him towards the bushes where he and Felix had hidden his bike. He crouched down and moved the branches aside, feeling his heart drop to his stomach when he realized that his bike was, in fact, no longer there.

He shot up, turning to face you with eyes wide. “Felix—that bastard took my bike!”

You were quiet for a moment, but then, you burst into boisterous laughter, leaving Soobin utterly confused.

“It’s not funny, Y/N!” He whined, shoving your shoulder lightly. “I was supposed to take you to the Dairy Shack on my bike!”

“It is funny,” You said between bursts of laughter. “Only you would get such a rusty old piece of metal stolen from you.”

He pushed his lips out in a pout, sliding his glasses up his sore nose. “It’s a good bike, don’t make fun of it.”

You grinned, interlocking his fingers with yours, which was enough to instantly wipe the pout right off his face. 

“Let’s just walk, Binnie. The Dairy Shack isn’t that far anyways.”

You were right; the walk to your favorite milkshake place was very close to the house where the party had occurred. Although Felix stealing his bike had thrown an obvious wrench in his plans, it was a minor hiccup, and one he could most definitely handle. Besides, he wouldn’t have to see Felix until the next day anyways. He could deal with his frustration then.

At least, that’s what he thought anyways, until the two of you spotted Felix at the skatepark on your way to the dairy shack.

Soobin’s eyes took in the deplorable sight before him—from where he stood on the dimly lit sidewalk, he could see Felix and a girl he had never seen before, their faces nearly pressed together, and most importantly, with his bike discarded a few yards away from them.

“Soobin,” You said, tugging on his arm. “They look like they’re busy, let’s just go—”

But Soobin, who had little patience when it came to Felix messing up his plans, didn’t let you finish before he screamed, “Give me back my freaking bike!”

You had to hold back your snort of laughter at his choice of words. Even when he was trying to sound angry, he was undeniably adorable.

Soobin watched as Felix startled, clutching his spliff between his fingers as he glared daggers back at his friend. Soobin gulped, trying not to let his fear show on his face. What did he have to be afraid of, anyways? He was the victim of thievery, and his best friend was the offender.

Felix took a big step towards him, but he paused, his eyes landing on your interlocked hands. Soobin glanced down as well, his face growing furiously warm as he realized the situation he had gotten himself into. 

He decided to divert the subject before it could even be brought up by saying, “I can’t believe you stole my bike! All this time I was trying to hide it from strangers, but you, my best friend! I should’ve been hiding it from you!”

Soobin noticed Felix’s female companion step off the skateboard and walk over in his direction, and for a second he felt bad for possibly ruining her night with his best friend. However, his frustration was more prominent in the moment as he fixed his gaze back on his best friend, who had fixed a mischievous smirk upon his face that made warning sirens blare in Soobin’s head right away.

“Now, now, buddy,” Felix said, his voice calm and carefree as ever. It probably had something to do with what he had just smoked, but Soobin didn’t care all that much. “You’re just gonna have to let me borrow it for a little longer.”

Soobin nearly laughed at the audacity of such a statement. “You are gonna give me the bike, or—”

“How about this, Soobs?” Soobin’s lips clamped shut at his friend’s interruption, as the thief in question gestured with his joint to where Soobin’s fingers were locked with yours. “You let me keep your bike for the night, and I don’t tell your dad about you hanging out with the opposite gender.”

Unable to control yourself, you let out a big laugh. Soobin would have felt betrayed, but he was more terrified than anything else at the idea of his father finding out that he was taking a girl out without his permission. He would be grounded for weeks—no, months.

“You wouldn’t.”

Felix’s lips curled up even more into a twisted grin that Soobin wished he had the guts to slap off his face. “God, just imagine the look on Mr. Choi’s face. Imagine him finding out about your premarital hand holding.”

No. Not the hand holding.

Soobin almost felt faint, but he steeled himself to the best of his abilities as he cleared his throat. “One night, Lix,” he warned. “If I don’t see it on my porch in the morning, you’ll be sorry!”

“Oh, I’m so scared,” Felix teased. His expression changed a moment later though, when he finally noticed Soobin’s swollen nose and blood-stained turtleneck. “Wait, Soobs, the hell happened to you?”

Soobin, however, had already taken his first steps away from the skatepark, pulling you along behind him. “I’ll tell you later, bud. Enjoy your spliff with that kind girl who you probably don’t deserve!”

“Hey!”

Soobin couldn’t help but laugh as he swung your interlocked hands together, grinning as you let out a laugh as well. The anger that had seeped through him seemed to melt away in an instant as the two of you continued your journey to the Dairy Shack.

“Would your dad really be that upset if he found out about this?” You asked.

Soobin grimaced. “We should probably wait til next year to tell him about this outing. Or maybe the year after that.”

When the two of you had finally reached the Dairy Shack, you waited outside for him while he went in to order your drink. A large chocolate milkshake, with two straws, just like you used to get every time before.

When he had the drink in hand, he walked back outside and sat down beside you on the curb, smiling as you wrapped his jacket tighter around your shoulders. You smiled back up at him, your eyes creasing from the expression. Your smile had always struck him right to his core; he had missed seeing it every day.

He hoped he could see it every morning and every night from that day onward. There was no way he would let you go this time.

He just had to muster up the courage to grab hold of you first.

“You know what, Binnie, you turned out to be a lot taller than I thought you ever would be,” you said as you took one of the straws from his hands. “You’re actually enormous. It’s shocking.”

“Should I find that offensive? It sounds kinda like an insult.”

“Take it however you will,” You teased, leaning over as he popped the plastic lid off the milkshake. He grabbed the cherry by the stem and held it towards you.

“What are you doing?” You asked, holding out your fist. “We have to rock, paper, scissors for it. Remember?”

Soobin laughed as he shook his head. “I’m giving it to you this time. It’s what I planned to do all those years ago, when I asked you to hang out on Valentine’s.”

You seemed to be taken aback, but you simply shrugged as you plucked the cherry from his hand and pulled it from the stem with your teeth, glancing back over at him. It was silent for a moment, but then your eyes landed on the pocket of his jeans, where you could see a bit of red paper poking out. You leaned over even further, reaching your hand out to snatch the paper.

“What are you—hey! Give that back!”

Soobin desperately tried to take his Valentine back from you, but it was too late. You held both halves of what used to be a whole in your hands, your eyes scanning the words as you pieced them together.

“Soobin . . .”

He held his breath. Had his act of young love left you completely speechless? Were you so touched that you would burst into tears?

“This looks like a middle schooler made it.”

He let out the breath in the form of a long, long sigh.

“That’s because it was made by a middle schooler,” He said as he set the milkshake down beside him. “I made it back in the eighth grade. I planned to give it to you that Valentine’s.”

“Oh.” You ran your finger along the card’s surface, the smallest smile creeping across your lips. “Well in that case, it’s not half bad. Why’s it ripped though?”

“Ah—well, Yeonjun . . .”

You nodded, taking another glance at his swollen nose. “No need to elaborate. It seems you had a lot planned for our Valentine’s Day back then. Is there anything else you wanted to do?”

His mouth went dry at that, and he wished that you couldn’t see his face because he was sure that his expression was quite comical. All the way back then, four years prior, he had in fact planned the perfect, ideal day in his head. Picking you up on his bike, giving you the cherry from his milkshake, and presenting you with his hand made card.

There was only one thing left on his list.

He didn’t move at first, willing himself to have enough courage to even look back in your direction. But when he finally did allow his eyes to meet yours, he felt his shoulders relax and his heart rate became more manageable.

He took a deep breath, leaned forward, and pressed his lips against your cheek.

He lingered there for only a moment before he pulled back, daring to pry one of his eyes open to take in the look on your face.

The disappointment was palpable—from the way your brows furrowed together and the way you pursed your lips. His stomach dropped, and he scooted the tiniest bit away from you.

“I’m sorry,” He blurt out, his face growing warmer by the second. “I shouldn’t have done that, I just—”

“Is that all?”

Your question stopped him mid-ramble, his eyes growing wide. “Huh?”

“Is that all?” You repeated, closing the distance between you that he had created. “It’s Valentine’s Day, Soobin. I think we can do better than a peck on the cheek.”

The implications of what you were saying didn’t register with him right away, but when it finally did, he could have sworn his heart began to beat loud enough for the entire town to hear. His hand curled into a fist as he gripped the denim of his jeans. He leaned forward, keeping his eyes open just enough to watch you as he brought his lips closer to yours. He could feel your eyes on him all the while, causing his heart to pound fiercer still within him.

When he was just a breath away, he whispered, “Can you close your eyes?”

“Hm?”

He lifted his hand, gently placing it over your eyes. He leaned closer then, filling the space between you both as his lips met yours. You tasted vaguely of cherry and strawberry slice soda, and he found it quite nice the way his lips seemed to fit perfectly against your own. As the seconds drew on, your hands slipped around his neck, pulling him closer. He slowly let his hand fall from your eyes, tracing lines with the tips of his fingers down your cheek before he cradled your jaw, letting his lips part just enough to taste the sweet sugar on your lips once more.

He thought in a haze that it was a good thing he didn’t drink anything at the party, as kissing you was proving to be intoxicating enough on its own.

When you finally pulled away, leaving your forehead resting against his, he let his eyes flutter open enough to see the euphoric smile that adorned your features. He grinned as well, gently running his thumb against your cheek.

“I think that back then, I had planned to ask you this before kissing you,” He whispered, “But Y/N, will you be my Valentine?”

Instead of a spoken answer, you laughed, leaning forward to capture his lips with yours once again, and that was the only answer Choi Soobin would ever need.

-

WHEN SOOBIN ARRIVED HOME THAT NIGHT, HE WENT STRAIGHT FOR THE TELEPHONE.

It was kept upstairs at night right outside his parent’s door, to keep himself and his brother from using it in the late hours. Of course, this never stopped Soobin from sneaking it downstairs to his room in the basement to make late night calls to Felix.

And that particular evening, he really needed to give Felix an update.

He grabbed the phone from the small table in the hallway, carefully tiptoeing towards the basement stairs. Before he had even taken the first step down, the bathroom door creaked open. Soobin whipped his head around to see his brother Kai standing there, rubbing the sleep from his eyes as he raised a brow at his older brother.

Soobin froze, blinking slowly as he realized the incriminating situation he found himself in.

“Please don’t tell mom,” He whispered, his eyes pleading with his younger brother.

Kai nodded, although Soobin wasn’t quite convinced that the boy was even coherent enough to understand what was going on. Soobin offered a rushed thank you, and ventured his first step down the stairs.

Well, he tried, anyways, and ended up missing the first step. He tumbled down the rest of the stairs, landing on his butt at the very end.

He winced in pain, glad to see that the phone was still intact in his hands. He glanced over his shoulders to see Kai staring down the stairway with wide eyes, his lips parted in shock. Soobin quickly put a finger to his lips, begging his brother for silence.

Kai simply shook his head and walked away, allowing Soobin the freedom to breathe out a sigh of relief.

He quickly ran to his bedroom and shut the door, collapsing onto his bed with the phone as his breaths came in ragged gasps as an aftereffect from his tumble down the stairs. He figured he should have dialed Felix’s number right away, but he couldn’t help but brush his fingers against his lips, remembering the feeling and taste of having yours pressed against them.

He was so caught up in his daze that he didn’t notice Felix calling until the third ring.

He picked it up, breathing heavily into the speaker as he rubbed a sore spot on his lower back. 

“Please tell me that panting is from running a marathon, and not what I think you’ve successfully tried.”

Soobin nearly gagged, holding the phone away from his face as he coughed, flustered by his friend's crude words. He brought the phone back to his face and said, “No, you sicko, I just fell down the stairs.”

“How the hell did you manage that with those long legs?”

“That’s not important, Lix!” He laid back onto his pillows then, twirling the phone cord in his hands as he stared up at his ceiling, the memories of his adventure with you that night flooding his mind once more. He couldn’t help but smile from ear to ear as he said, “Look, I need to tell you something important.”

If he didn’t know any better, he would have thought that he could hear the smile in Felix’s voice too as his friend replied.

“Well buddy, I got something to tell you too.”

[bonny-kookoo]

Bunny Boy (JJK x Reader)☁️⚠️🔪(💜)🔞 Part 1

Pairing: Jeon Jungkook x Reader

Genre: Angst, Yandere!AU, Stalker!AU, questionable romance, smut, Oneshot

Warnings: (oh boy) Stalking, Obsession, Yandere themes, cute Koo but aggressive, he ready to fight, graphic description of violence, blood, very twisted JK, oblivious! Reader, kinda Stockholm-syndrome Reader?, soft romantic lovemaking, body worship, Dom! Jungkook, Sub! Reader, Handjob (fem. receiving), oral (fem. receiving), protected sex because even with your mind scrambled up in a frying pan we still wrap it before tapping it y’all hear me STDs ain’t cute Susan

Summary: It all started with a hello kitty charm.

A/N:(IMPORTANT) I’d like to note here that I do not condone nor romanticize any of the things depicted in this. This is purely fictional, and only to be seen as a work of art, not as a depiction of real life relationships. For short: if he a creep, kick his balls, don’t kiss. Thank you.

Part 1 | Part 2 | Part?

Whenever you slept, he had to think of an angel portrayed in an old painting displayed in a museum he'd seen when he had been a kid, years ago. He remembers its features, flawless and so carefully drawn that it edged on perfection. It couldn't have been however, he knew that much. Because the painting wasn't of you.

The sheets had fallen all over the place during the night- you sometimes moved during your period of unconsciousness he'd noticed, which wasn't unusual for you. It had been more often and severe these days however; probably because of the stress you experienced at work nowadays. It was okay though, he though to himself. He'd taken care of that for you, just so you could finally rest in peace again. Just like he'd decided almost a year ago.

"You lost this, I think.." A voice spoke behind you, as you turned around, eyes looking straight at some american writing on a black t-shirt, then a jean-jacket thrown over, until your eyes raised, spotting a silver chain necklace- not one of those large ones guys wore to impress, but a rather delicate looking one. Your eyes found soft looking lips, the upper one smaller than the lower, slightly parted like a doll frozen in time, before you saw a prominent nose, a slight scar on his cheek, and eyes wide open; a dark chocolate brown, reflecting the artificial lights of the grocery store, shining all around you as they tried to advertise several products to the people browsing the isles. His hair was a bit curly, dark and only mildly styled you assumed. He stood way taller than you did, the main reason you had first made eye contact with his chest rather than his face-

He was handsome.

You stuttered a bit as you looked at the hello kitty charm, a simple one you'd hung on your phonecase, for the aesthetic and sole reason that you liked the cat character a lot. "T-Thanks.." You said, and your voice made his eyes widen even further, before he flashed you a bright smile, bunny like teeth giving him a charm that completely contradicted his entire punk-like attire he wore, combat boots stepping back a bit to give you a bit more space, sensing how his close presence made you feel pressured.

What a nice gesture.

"Jungkook." He said, and you nodded, giving him your name as an exchange.

Unknowing where this would lead.

His phone chimed with the familiar tune of his alarm, making him simply tap away at the screen without breaking eye contact with you. This was his favorite moment of the start of his day.

You moved around a bit more, the screen of your phone bright and annoying, just how you intended it to be. He knew that you were quite the sleepyhead, cherishing your dreams and cozy blankets like no other around him he knew. That's why your phone had an extra obnoxious tune to it to wake you up, screen as bright as possible to drown the entire room in its glow, so you had to move around. Your eyes opened slightly, pout ever so endearingly present on your lips as you sat up, raising your arms to stretch them above, making him swallow his saliva as he saw how your shirt raised up, revealing the soft skin of your belly, and the slight peak of your cotton underwear. He loved how you always put comfort over visual appearance- you didn't need fancy clothing to look absolutely divine in his eyes, after all.

He had to remember his task at hand however, grabbing his phone with a bit of hectic, before he dialed a number, waiting until your screen lit up. You instantly took on the call, not looking at who's calling.

Did you know it was him? Or is were you so careless all the time?

"Goo'mornin' Kookie.." You drawled into your phone, and his entire previous thoughts flew out his window, his eyes closing at the sound of your slightly raspy voice, his nerves instantly soothed at the fact that for another day he'd managed to become the first person you would talk to.

"Good morning angel." He said, voice low and smooth, just how you always told him you liked it. He watched as the corners of your lips turned upwards, a smile only dedicated to him, even if he technically wasn't supposed to see it. It made it the more special to see. "Did you sleep well?" He asked, and you nodded. Silly girl he thought. You noticed your mistake before sleepily giggling to yourself, yawning before answering him verbally. He cooed at you internally. You were so cute.

"Hmhm. Had a bad dream though." You said, and his heart clenched at the way your lips lowered a bit with the remembrance of whatever had happened during your slumber. He wished he could invade your very thoughts, keep even your own demons tormenting your precious time of rest at bay, kill them off with a shot straight to their cores, just to have you safe. "but you were there 'n fought the monsters." You said with a smile, and his eyes widened. Maybe he really was invading your thoughts just like you did with his. Was your connection really already that strong? He watched the clock on the very corner of his laptop, keeping an eye on the time. He didn't want you to be late, after all.

"That's right, I'm always keeping you safe." He hummed, and you sleepily replied with a confirmation of his statement. "Now get ready, or you're gonna be late baby." He said, the nicknames still foreign yet oh so sweet on his tongue whenever he said them. He could finally speak them out loud, finally give them to you regularly, and it had been a firework of emotions ever since. He could never get tired of the way it made you squirm, giving him a teaser of what you could look like underneath him, bare and ready for his taking. Just the thought alone made his pants tighten around him, making him force composure down his throat- at least for the moment. "I know you're still in bed. Go and get dressed, don't make your coworkers wait. Love you angel." He said, and waited for you to say the same words to him again, as a form of farewell and confirmation alike.

"Hmhm, love you too, Kook." You said, and disconnected the call, giving him finally freedom to groan out loud, hands scrambling with his pants, fingers working on the button and fly with desperation as he pulled his half hard length out of his underwear, moving his fingers around as his eyes never left your form on his screen, bare legs softly walking up to your dresser. As you discarded your shirt, leaving you bare, his grasp tightened a bit, air coming out in gasps as you stretched yourself so deliciously like a feline did- your back arching enticingly, breasts on full display for him, before you started to bend down, looking for something to cover them, probably.

His mind started to come up with visions of you, arching your back underneath him like that, speared on his cock, mewling alluringly, delicate hands frantically searching for something to hold onto as he would push himself inside you again and again, your name falling from your lips in a manner he couldn't even imagine yet.

Would your voice raise in pitch? Would you only huff, gasping without a tune? Or were you a screamer?

He didn't know yet, but he knew he was close to making these mere dreams a reality with you. He'd finally managed to show you his love for you after all, finally making you see how you belonged to him and him only- you had finally accepted him and your destiny at his side. When he'd first met you, you were so sweet yet so.. dumb. You didn't notice, didn't feel the connection- but he was patient. He was able to wait, to hint you at it the best he could, to softly lead you into his awaiting arms, to serve you and worship you like the goddess you were. You had started to finally connect the obvious strings of fate to him, kissing his lips in such a shy manner that he still felt his veins buzz from the euphoria he'd felt that day.

The day he got kissed by an angel, by his soulmate, his other missing part.

He spied on you as you worked away, busy like a bee, ever so hardworking he thought. You didn't deserve to work at all in his opinion, your hands too delicate to be endangered by maybe scolding yourself on hot water or coffee that you made every day for absolute strangers or regular costumers; yet you were so happy at your job that he had to be gentle at slowly showing you that this wasn't where you were supposed to be. The amount of people looking at you every day made bile rise in his throat, making him feel like vomiting every time he saw the way you smiled at another man.

It was even with woman, he'd noticed recently. He didn't care much about the elderly, but he could sometimes spot girls your age eyeing you down like you were a rare diamond behind glass, admiring you like they shouldn't be allowed to. He understood them to an extend, he'd admit that much; your visuals were magical, absolutely breathtaking, making him almost sympathize with the people being drawn towards you. Your soul was so soft and gentle that people naturally felt comfortable around you- too comfortable, if anyone would ask Jungkook himself for his opinion on that matter.

Just like right now; the guy you once went to school with as he'd found out after photographing his face and running a google search on him, finding his facebook and other social media accounts on his hunt. He hadn't really tried to stay in contact with you after you both graduated, dating girls left and right like he was a 12-year old collecting pokemon cards, posting disgusting things such as post workout pictures, bathing in attention of strangers who'd never really met him. It was disgusting, really; Jungkook himself had given himself away to others before as well, but his counter was standing at a number easily displayed on one hand. With this guy however, that was way more difficult to portray. He'd collected information on his past affairs as well, after all. He wondered what you would say if you knew he even slept with men in his freetime, selling himself like a whore just for animalistic pleasures and his own satisfaction. He almost felt himself gag at the thought of you possibly falling into this man's trap.

Thank the heavens he'd found you first.

He saw how uncomfortable you felt around that guy however, even your naive self sensing something malicious behind his attention seeking behavior towards you. He'd overheard you telling him multiple times how happy you were with Jungkook, yet the guy simple did not take the hint, speaking over your words as if they didn't hold any significance at all, uncaring of how you hated not being taken seriously by others.

How nauseating.

Jungkook looked at the passenger seat next to him, cold eyes gazing at the silvery tape and plastic bag, his glove clothed hands gripping the steering wheel in determination as he turned his face again, patiently waiting as that demon payed for his coffee, finally leaving the cafe after sending you another look. Jungkook cracked his neck. He had to do it.

He was doing it for you.

You'd understand.

Seoul's nights were mostly starless, due to the amounts of artificial lights blending out the galaxies above everyone's head's. It was quite tragic to him, really, because as he watched the colourfully lit up Bridge blend into the distance behind him as he drove further and further away from the city, the nightsky above him got clearer and clearer, as if the earth was revealing itself with every kilometer he brought between himself and the buzzing citylife.

He'd bring you out to a trip far away one day. Maybe camping, you always told him how you found these things quite romantic- roasting marshmallows over a small fire, stargazing, and sleeping in each others arms to converse heat in stuffy sleeping bags. Oh, he loved this already. He'd work a little overtime at his job to get enough money together so he could maybe even rent a small van. Or would his small car suffice for you? Maybe it was better to use the smaller space of his own vehicle- the less space meaning being closer to you, after all.

As he opened his window a bit, he breathed in the almost icy air from the outside, not much sound heard apart from his car's engine and wheels on the road, monotonous sound making him feel less concentrated than he should be. But he knew these roads, thankfully. Luckily for him the air inside his car was waking him up a little bit, as he turned around a corner, Jungkook clicked his tongue in annoyance as he felt something on the backseat of his car tumble down behind the seats. Hopefully the bag didn't rip. He had a spare one with him though.

He was organized, after all.

It was something that you always praised about him, making his chest feel all warm and fuzzy inside. He loved whenever you told him how handsome he was, how you always felt so appreciated whenever he held the door for you or helped you with simply mundane things. He didn't care about anyone else's comments about him; when you were happy with him, he was happy with himself as well. Your opinion of him mattered most- everyone else's only served as a safety cushion if you will.

He knew you would probably feel a bit upset with the tragedy that befell your former classmate- but he was insignificant. He had no good intentions, he knew that much, and now, he'd ridden the world of such a nuisance, cleansing it from another rotting soul. In a way he felt like he'd done a great job, as if he'd done something important. If ghosts existed, Jungkook hoped that this young man's was thankful for finally being freed of it's miserable existence. Even though he have had all the rights to make him suffer, he'd made it quick and simple, keeping things clean and sharply cut.

Pulling on the parking break in his car, he shut down the engine, before he opened his car door, stepping outside and stretching his arms. He'd definitely pulled a muscle carrying this dudes body into his car- the weight much more heavy than he'd initially thought. But that would pass. Maybe it was his punishment for not acting sooner, not getting things done immediately. His dad had always slapped that part of his neck too whenever he messed things up. He still remembered that to this day.

The memory made him shudder.

Sighing, he opened the door to the backseats, part of the plastic-wrapped body falling a bit out, making Jungkook huff a bit in frustration. He pulled on it, assuming it was his head, letting the weight fall down onto the ground, a low thud and a bit of dust covering his black sweatpants and combat boots.

He'd clean them up at home.

Heaving the body onto his back as to not rip the well made covering, he began to collect rocks nearby, stuffing them into the bag carefully, adding weight as much as he could, while still making it possible for him to shove the body over the banisters placed on the edge of the cliffs before finally securing more tape around the bag to make sure the rocks couldn't simply tumble out and leave their destined place inside. Jungkooks gaze was still cold, icy, as he finished his work with an almost bored expression, finally hefting the heavy weight over the metal bars, before he let it fall with a groan on his side, Neck still hurting. He watched as the body hit the water's surface, white splatters shooting in circle formations around the bullet-like hole in the waves before the darkness swallowed it whole, leaving nothing behind but a few air bubbles.

Jungkook took a deep breath, watching for a moment before turning his gaze to the stars above, clouds slowly shielding the nightsky from his vision as if the heavens above closed their eyes- not looking at his actions.

His phone buzzed in his pocket, making him remove his black glove, unlocking it with his fingerprint skillfully, smile already on his lips. 'I'm gonna be done in half an hour. Do you wanna get some late night Ramen with me and eat it at my place?' you wrote, silly emojis making him imagine the pink hue on your cheeks as you wrote these lines to him.

Now that he thought about it, he was quite hungry.

"Jungkookie, here!" You said, waving at him as he spotted you, bunny grin sent your war as he walked over, immediately pulling you into his open arms, his nose nuzzling your neck as if he needed to claim you like an animal. It tickled you a bit and you giggled, making him chuckle as well as he kissed your cheek, before he took your hand into his, walking you to his car as he looked at the plastic bags in your hand.

"Why did you buy them yourself angel? You could've waited and I could've payed." He whined, and you scoffed a bit, blushing at the way he seemed to be pouty over the fact that he couldn't be all gentlemanly like he always said he wanted to. Having told him how it made you feel so special inside whenever he did these things, he made sure to do them for you as much as possible. He shuddered at the fact that you'd once told him that your ex boyfriend never did these things such as holding the door for you or help you grocery shopping. The same night however you thankfully told him that you were still pure; having never been touched intimately before, a piece of information that had made his pants tighten embarrassingly fast, the simple revelation that you were still untainted and his for the taking making him feel starved. Yet he had controlled himself, not wanting to rush things. You were a bit skittish, easily overwhelmed with things, so he knew not to push anything too fast too far.

Loosing you could be fatal for the both of you, after all.

"Ah, but its fine Kookie." You said, thanking him after he'd opened the car door for you, closing it after you had gotten inside the passenger seat after you with a smile. Jungkook really was a special guy; he seemed to cherish the old ways of courting a girl- something that had made him be seen as a 'softie' in your group of friends, the girls constantly making fun of the way he acted around you. It made you feel more and more upset the more time went by; after all you really loved Jungkook and the way he made you feel. You both were happy- why did they need to make fun of that?

"Angel?" He asked, and you snapped your head towards him, humming an answer and proving to him that you weren't paying any attention. His eyebrows furrowed a bit, and for a split second you thought he was mad, but his voice didn't hold any bad feelings at all- only slight concern. "Is everything okay? If you're tired I can drive you home-" He said, stopping at a red light and using that moment to look at you. You didn't look physically sick to him, yet your face told him how something was bothering you inside. He'd studied your features for longer than he'd like to admit, making it impossible for you to hide anything from him at all. "Or is something troubling you?" He said lowly, his eyes suddenly fogging over with a look you could not quite describe.

It made your spine tingle and your skin shudder, however.

"I just.." You said, trying to figure out what to say concerning this topic. Jungkook was emotionally very easily affected, you knew that; something that made it even more difficult to bring that topic up. You didn't want to hurt his pride or his ego concerning his manliness. "The girls at work they uhm.. they were making fun of you a little bit for being so, you know, soft and sweet to me-" you said, making him raise his brows and open his eyes more, his innocent doe-look returning into his face as he looked forwards to continue driving. You immediately raised your voice a bit, hand instinctively touching the one not on the steering wheel as a form of confirmation for your next words. "But I don't think that at all, I think you're really nice, and strong, and you know, manly and all that.." you said, ears slowly turning red as you noticed how that sounded. Jungkook simply smiled, his eyes reflecting the traffic lights like mirrors.

It made him seem almost ethereal to you.

"So you think I'm hot?" He asked, and you sunk down in your seat, fiddling with your fingers as you nodded, making him giggle a bit, and ruffle your hair playfully, before interlacing his fingers with yours, holding them towards his lips to kiss the back of your hand. "Thank you Angel. So that's what you were worried about? That I'd feel hurt by the words of your friends?" He asked, glancing your way for a split second before looking forward again. He wished he could look both ways at the same time; the short image he'd gotten of your form so shy and adorable sitting right next to him looking like a scene out of a movie he'd never stop watching. You nodded again, and he parked in front of your apartment complex, grinning your way as he turned off the engine. "You're so sweet, angel." He said, while you whined, opening the door to escape his laughter-

While failing to wipe your own smile off of your lips, uncaring on how his car had smelled a bit weird.

You were still so oblivious to everything around you.

When he'd left after your last dinner together, you'd again refused to let him drive you to work. You had a split shift during the week, working in the mornings for a few hours before continuing your shift later that evening. It made him feel uneasy knowing that you had to get out of the house so early, and coming home so late at night- yet you still trusted your own driving skills enough to not let him help you with these things. He knew this was okay, but it didn't make the fact less frustrating for him.

He needed to keep your trust. He needed you to be scared of things. He needed to keep you needing him.

The only way to do that would be to show you what could happen when you didn't trust his judgement enough. He knew that you were just so fast at giving away important things such as trust to others; even to yourself. Yet Jungkook knew that he knew better- he knew best what was the best for you.

Even better than yourself.

He knew it would hurt, but you would understand. In the end, he was only showing you what would happen if you didn’t listen, if you didn’t trust him, didn’t do what he said- he needed you to feel your mistake, needed you to get scarred so you would always remember to stay at his side loyal like a dog, never to leave his sight ever again. He thought about this dream like vision, your hand in his, desperately seeking his attention, as his oil stained hands cut through the proper cables underneath your admittedly old car.

He never liked you driving by yourself anyways.

You were still so innocent, so stupidly oblivious to the dirt underneath everyone’s fingernails around you that it made his blood boil. But that was okay. Angels were naive creatures, he knew that. He would teach you how disgusting the world was to untainted beings like you, and afterwards he would keep you safe, keep your hand in his at all times, so no one could ever touch you again and blemish your skin. No one but him was allowed to corrupt you, to feel you, to have you lay in his arms as he filled you up and became one with your physical form at night.

And also;

Who said that you would ever find out that he was at fault?

"The breaks aren't working Jungkook, what am I supposed to do?!" You sobbed through the speaker of his phone, the one which he held calmly in his hand, his own vehicle parked at the sidelines of a road a bit further down your typical route, waiting. "I can't slow down- I'm so scared Jungkook what should I do-!" You whimpered again, and he closed his eyes for a moment, praying to the heavens above that they would forgive him for hurting one of their most precious fallen doves. But it was for the greater good- they'd understand, he was sure of it.

"Don't worry angel, you're gonna be okay-!" He said acting as if he was hurrying as well, even though he was still sitting peacefully inside his car, watching as the sun slowly turned the skies into twilight shades. Quite beautiful, really. "Can you slow down, somehow?!" He said, his voice cracking a bit as he got into his role, your voice telling him that you couldn't- the only way would be to drive into the woods and maybe try and crash the car. "Angel no, there's gotta be another way-" He sobbed, as he suddenly heard the line go silent.

He sniffled a bit, drying his eyes with the sleeve of his sweater, before he turned on his car, his phone showing the location of yours just a few meters away from him.

And there you were.

You car was a wreck, yet it seemed like it took most of the blow- you had actually taken the wood-option, using the bushes, foliage and brushwood as a form of emergency break before hitting a tree, which had split a bit from the impact, mushing your car against it like a piece of gum onto the underside of a shoe.

He carefully got out of his car, walking up to the drivers side, opening the door with a bit of difficulty- but he'd always loved working out, so in the end, his strength succeeded in opening the bent metal. He immediately caught your falling body, his heart breaking at the small cut over your eye, marks on your bare shoulder from where the seatbelt had pulled on your skin too roughly. Your arm looked like it was swollen, your leg bent in a direction it naturally wasn't supposed to as he pulled you out of the wreck, laying you down onto his lap as he sat down on the grassy ground, softly brushing the hairs away that had formed groups of single hairs stuck together by the blood that was already clogging and turning a bit darker. Oh how his soul hurt seeing you like this.

But this had needed to happen.

And as he called the ambulance with his phone, careful to sound as desperate as possible over the line, he failed to notice how your eyes weren't fully closed.

You were still conscious.

[my-bated-breath]

Wants vs Need - A Comparison Between Kataang, Taang, and Zutara

A common source of conflict and theme developments within stories stems from the idea of Want vs Need, which effectively describes the difference in substance between ships like Kata/ang and ships like Zutara and Taang.

As so many meta have analyzed before, Kata/ang, as a relationship, places the emotional burden on Katara. More specifically, it forces her to be responsible for Aang’s happiness and well-being when he barely acknowledges Katara’s inner conflicts or desires. Even more than that, Katara is the embodiment of everything Aang believes he wants (compassion, kindness, peace) when refuses to see the more human parts of Katara (anger, grief, force), all of which I dissect in “On Ideals and Idealization.” Thus, rather than embracing the nuance in the divide between past and present, between war and peace, between justice and revenge, Aang stubbornly clings onto his perception of the Air Nomads’ beliefs - beliefs that he only shallowly understands.

The show itself even sets up a Want vs Need conflict for Aang in “The Guru” when he has to choose to let go of his selfish attachment of Katara to master the Avatar State, which can be interpreted to represent his need to let go of his blinding biases so that he can see the world’s truths and understand his responsibility to it (expanded upon in this ask).

It’s true that in the episodes “The Desert” and “The Serpent’s Pass” Katara and Aang find themselves in a state of conflict, but it is resolved in a way that only shallowly emulates a Want vs Need story. In both, Katara’s compassion serves as an anchor for Aang when his anger and grief threatens to overwhelm him, allowing him to remain hopeful even while Appa, his last living tether to the Air Nomads, is missing. These two episodes encapsulate Aang’s struggle as an Air Nomad as it shows him struggling to come to terms with the Air Nomad’s disappearance (symbolized by Appa’s disappearance) by recognizing the potential for a cultural revival (symbolized by Hope’s birth). However, Aang’s identity as an airbender in a world that has forgotten the Air Nomads is never fully realized, and so the effects of this conflict resolution never manifest in his character - Aang at the end of the series finale is not much wiser than Aang at “The Desert”/”The Serpent’s Pass,” so Katara’s role is reduced from the catalyst in extending Aang’s worldviews to someone who calms him down during a wrathful relapse of his usually sunshine-smiley self.

As for Katara herself? Her relationship with Aang pigeonholes her into one facet of her character - her kind and loving side - which is regressive rather than progressive in her series-wide character arc. In her confrontation against the Northern Water Tribe’s sexist norms, against Hama and the legacy of bloodbending, and against her mother’s killer and the implications of Fire Nation imperialism, Aang’s personal beliefs do not influence Katara’s in any constructive way. The most Aang ever provides to Katara as himself is a vehicle to achieve her goals, as his Avatar status allows her to travel the world with him. And so Katara fosters her agency and autonomy, expands her role in the world, and validates the importance of her feelings - all for what? For the last ten minutes of the finale to turn a light switch on her feelings for Aang and have them kiss without even a conversation beforehand.

Kata/aang is all about want. But Taang and Zutara are all about need.

Character conflict is not always necessary to write a compelling romance, and focusing solely on generating conflict often leads to the badly written melodrama and misunderstandings that often plague the romance genre today. So rather than focus on creating interest based on drama, the most captivating fictional relationships I’ve seen show how characters support each other’s needs over their wants.

The initial conflict between Toph and Aang delves into the essence of their characters and forces them to grow out of a stagnant viewpoint. From Toph’s introduction in “The Blind Bandit,” Aang and Toph clash because Aang wants Toph as an earthbending teacher while Toph doesn’t want to upset the delicate balance of her double life. But in his persistence, Aang has broken both the illusion of the unshakable Earth Rumbler and the fragile noblewoman to uncover the true Toph that exists in the space between her two identities. Unsurprisingly, Toph’s determination in upholding her current life is reflective of the element she bends and the downfalls of an earthbender’s philosophy - determination can become rigid and stagnant. So though she claims she doesn’t want Aang interfering in her life, underneath all her stubbornness lies a need for freedom, and fittingly enough, it is Aang who recognizes this and grants it to her. Aang is much more than a vehicle in this case - he’s the one who changes Toph’s mind.

More obviously, in the episode “Hard Work,” Aang and Toph reach an impasse again as Aang struggles both with learning earthbending and with working with his earthbending master. It’s quite telling that Katara’s suggestion - to be gentle and encouraging with Aang - is regressive to Aang’s progress while portraying Katara’s personality rather one dimensionally. In other words, she gives into Aang’s wants. What he needs, however, is as Toph says: to face his problems head on. So she forces Aang to solve his problems not the way he wants to solve it - with evasion and clever-thinking - but the way he needs to solve it - only then is he able to master earthbending.

While Toph and Aang have a significant impact on each other within the second season, Zuko and Katara’s complementary stories span the entire series. As I’ve said (too many times) before, Zuko and Katara are pivotal to each other’s character arcs while remaining autonomous from one another. Although Iroh’s influence on Zuko’s redemption cannot be emphasized enough, Katara’s offer to heal Zuko in the Crystal Catacombs holds the most symbolic weight in the series, especially because it is an offer extended by a formerly irreconcilable enemy. Beyond his desire to please his father and beyond his former attempts to capture Aang, through common ground Katara is able to recognize the need for Zuko to move on and a chance for him to redeem himself. Katara plants a seed of doubt in his mind, as well as elicits a small spark of hope within him. Then, after changing sides, Zuko wants to belong with the Gaang, but Katara affirms that he first needs to accept the responsibility of his legacy and to prove that he will make amends.

As for Katara, Zuko represents the possibility of peace between the Fire Nation and the Water Tribes, which is first realized in the Crystal Catacombs. Then, in the Southern Raiders, Katara wants to hold onto her resentment against Zuko and the Fire Nation, but what Zuko recognizes is that she needs to find closure over her mother’s death.

What is truly incredible is that their importance to each other does not diminish with their conflict - outside his uncle’s tent the night before Sozin’s Comet, it is Katara who recognizes what Zuko needs to hear (that he has earned his forgiveness) before he can chase after what he wants (to reunite with Iroh). Zuko and Katara clearly have an impact on each other’s character arcs, and by recognizing each other’s needs under a facade of wants, they demonstrate bone-deep compatibility and understanding.

So, once again - Kata/ang’s conflicts are destructive, but Taang and Zutara’s conflicts are constructive. Kata/ang never challenge each other, but Taang and Zutara do. Kata/aang is all about want, but Taang and Zutara are all about need.

[nugnthopkns]

find somewhere to grow

word count: 23.1k

warnings: fem!oc, platonic relationships (romance is not a central theme but there is some pining!), divergence from original movie plot, cursing, smoking, implied catholicism, strenuous parental relationships

recommended listening: it's a good life if you don't weaken' | the tragically hip

a/n: hi @ya-pucking-nerd!! the secret is out – i'm your partner for the summer fic exchange 🥰 this is an incredibly niche story but as soon as i found out you loved dead poets society i knew i had to do it!! it's half au half retelling with all of my dumbassery included but i hope you enjoy anyways. the biggest of thanks goes out to @antoineroussel for organizing this event, generally being amazing, and providing feedback to make this story the best it could be 💛

The only thing separating Fran from freedom is ten months at Hell-ton.

As soon as May comes she’ll be as far away as possible, hopefully somewhere in Europe, with no plans to ever return. Her parents agreed that she could spend the summer after graduation travelling the world if she maintained her straight A average at the best preparatory school in the country. Welton Academy is located on the edge of a small north-eastern town, with the only other building within walking distance being its sister school. It’s incredibly isolating, but luckily Fran has her friends to keep the loneliness at bay.

As her dad rounds the final corner of the school’s obnoxiously long private road, Fran’s stomach flutters with excitement. It’s been nearly two months since she’s seen anyone – Nate, Cale, and Tyson scattered like dust in the wind to various accounting firms across the country and Charlotte returned to England to spend time with her family. An eight week internship at a law firm kept her busy throughout the break, and Fran’s beyond happy it’s over. She has no interest in being a legal secretary, but her father is adamant. The car engine cuts off and Fran opens the door, running ahead of her parents into the auditorium. If she’s lucky one of her friends will appear and she’ll be able to sneak in a quick hello, hopefully losing her parents for good in the crowd.

“Francesca, that’s enough. Quit gallivanting around and walk beside us,” Fran’s father barks. A stern man overly concerned with appearances, he opens the car door for her mother and watches as the teenager sulk back to them.

Her mother shakes her head and tries to reason with him. “Oh Conrad, give the poor girl a break. She spent the entire summer cooped up at your brother’s firm. She just wants to see her friends.”

“She can reunite with them at the appropriate time. Right now she’s to sit with us at the ceremony. What kind of message does it send if we let her run about willy-nilly?”

The conversation ends right there, and the three of them enter the school in silence. Inside the auditorium the first three rows are reserved for senior students and family, so everyone finds seats in the middle. Fran begins to crane her neck to look behind them for a glimpse of her friends, but a swift elbow from her father has Fran facing forward in a millisecond.

Mr. Pratt’s bagpiping troupe comes bursting through the doors, and the sound echoes off the vaulted ceiling. Fran pinches her forehead in hopes of dispelling the oncoming headache she feels and prays to god and the saints above that this goes by fast. The countdown to graduation starts now. Headmaster Sakic struts up the aisle, robe swishing from the movement. The other teachers follow dutifully behind and once everyone is seated the address starts.

“Welcome back to another year at Welton, and if you’re new here we are pleased to have you,” the ancient-looking man drawls. Nate always insists that he’s a ghost, and from the angle she’s seated at Fran kind of sees it. Sakic looks about as old as dirt, and the rest of the faculty looks comparable. She sees one new face – younger than the rest with a slightly mischievous glint in his eye. Perhaps he’s the new English teacher, Fran thinks.

The speech continues, addressing parents about expectations and rankings within the country, but Fran loses interest rather quickly. It’s been the same thing since she enrolled in the sixth grade, surely they would have come up with a new format or something. Her father seems to be enjoying himself, beaming when the headmaster mentions that over half the graduating class will go on to attend an Ivy League. “That will be you,” he whispers. Fran isn’t quite sure how to tell him she doesn't plan on applying to any of them.

After what feels like a million years the ceremony is over, and she follows her folks out of the room. Headmaster Sakic stops the family on the way out. “Francesca,” he greets. “We’ll be sad to see you leave at the end of the year. Hopefully you’ll finish your time at Welton on a high note.”

She thought a simple nod of her head would suffice, but the glare Fran receives from her father says otherwise. “Yes sir,” she sputters.

The administrator quickly exchanges pleasantries with her parents before moving on to the next family. Thankfully no one speaks of Fran’s ‘disrespect’ as luggage full of her belongings are taken from the trunk and carried to the dormitory, but she imagines her mother will hear an earful on the way home. Fran can’t find the energy in her to care, even though she does feel bad about leaving her mother to deal with the monster that can be her father. Reuniting with her friends is the only thing she can think about, and besides, her father thoroughly enjoys having something to complain about.

Pushing the door of her room open, she sees Charlotte with her back to the door unpacking her clothes. Before Fran can help it, a squeal is falling from her lips and she drops her bags, immediately running into her friend’s arms for a hug.

“Fran!” she shrieks, just as happy to see the auburn haired girl with emerald eyes. “I’m so glad to be back, the weather in England was downright dreadful.” At the sight of Fran’s parents Charlotte backs away, offering them a tight-lipped smile. “Mr. and Mrs. Winters.”

They return the favour, nodding their heads in her direction before giving their daughter a final hug. After making her promise to call once a week, they leave Fran in peace. Charlotte flops on her bed, tie going askew, and Fran is quick to follow.

“Can you believe it’s our last year?” she asks, kicking her feet into the air and letting them bounce off the mattress when they come down.

Fran answers earnestly. “No. It seems like just yesterday we were moving in for the first time.”

Charlotte spills the details about how Tyson secretly came to visit her in the summer, and Fran gushes over their blossoming romance. The rest of the group clued into their feelings years ago, but she’s just happy they finally figured it out themselves and got together. Cale now owes Fran twenty dollars since he lost the bet.

Wanting to go and see her other friends as quickly as possible, Fran shoves clothes into random drawers and haphazardly makes her bed. She doesn’t even bother to set up her typewriter. Charlotte chuckles at the eagerness but she just shrugs. “Ready?”

The walk to the boys’ dormitory is a quick one. Located two floors above their own, the girls are there in no time. Finding their friends is the challenge, as neither Fran nor Charlotte have any idea what rooms they’re in. Fran hears them before she sees them, with Cale shouting as he chases Nate down the hall.

“Get back here you asshole! And give me back my book!”

Nate laughs and speeds up. “Never in a million years. I didn’t even know you could read Calesy.” The broad rascal sees Fran approaching and tosses her the object he’s holding. “Fran, catch!”

Feeling sorry for Cale, she sticks the book out for him to retrieve. “Thanks,” he huffs, slightly out of breath. “You ladies settle in alright?”

“Settle? Do you know our dear Francesca at all? As soon as her parents were back in the car she was practically dragging me here,” Charlotte says matter-of-factly, poking her friend in the ribs to continue the teasing.

Fran doesn't even try to refute the statement or defend herself by saying she let her spill some secrets before itching to get out. “What can I say? I missed my boys.”

It’s then the other young man comes into view. Stepping into the hallway, Tyson quickly jogs to where the rest of the group is chatting. Fran’s swept into a bone crushing hug by the Albertan and her feet lift an inch or two off the ground. A summer of training for the upcoming hockey season has Tyson extra muscular, though she isn’t complaining. He’ll now be able to boost her into the taller trees in order to win the stupid compitions Nate insists on having. Once he lets go, Fran waves hello to his roommate Ryan. He gives a quick hug followed by a pat on the head because he hit a growth spurt in the summer and is now a comfortable couple inches taller than her. The five of them leave Ryan in the hall and head back in the direction of the boys’ rooms, conveniently located beside each other.

One look at Charlotte has Fran realizing she’s itching for a proper reunion with her lover. “Nathan, would you care to join me for another installment of ‘Bed Jumpers’?” she asks, praying he won’t be able to turn the opportunity down. He’s always game for causing a ruckus and it’s one of the things that she loves most about him.

He shoots her a mischievous grin and does his best radio announcer impression. “On this week’s programme we’re taking a deep dive into the bed of Mr. Cale Makar. Will it pass the tests and get the bed jumpers seal of approval? We’re about to find out.” Nate grabs Fran’s hand and starts sprinting, hoping to get to the destination before his much faster friend. Out of nowhere butterflies appear in the girl’s stomach, and she can’t decide whether they’re present because she missed Nate or if they’re lingering from the former crush she had on the boy.

“Why does it have to be my bed?” Cale groans, following dejectedly. Only Tyson and Charlotte hesitate to follow, and Fran shoots them a quick wink over her shoulder as a ‘you’re welcome’ gesture.

The other two don’t notice their absence, and truthfully Fran doesn’t feel it for long. It’s so nice to share space again with the ones she cares about most. She tries not to focus on the fact that this is the last time she’ll be able to do this, insteading honing in on Nate’s laughter as he does a ridiculous dance with the sole intention of messing up Cale’s sheets. Eventually he stops reprimanding the two of them and climbs up – Fran offers her hand and Cale eagerly accepts. They’re still jumping when Charlotte and Tyson return, singing horribly off key to the Buddy Holly song that’s been atop the charts recently.

“I really thought you guys would have been over this by now,” Charlotte sighs, rolling her eyes. Her boyfriend just shrugs, not knowing exactly what to say.

She’s the first to stop jumping, plopping down in the middle of the bed. Everyone else quickly follows suit, and though it’s a tight squeeze, they all sit side-by-side. The twin bed frame groans in protest but no one pays it any mind. It’s as though everyone knows each moment together is precious, and they’re running out of time together. Nate and Tyson are set to become Wall Street investors, Charlotte will be going into nursing, and Cale is staying at Welton to assume a junior teaching position. It seems that only Fran’s future is uncertain – parents urging her to go into the legal field but she wants to do nothing more than write. Creatively, journalistically, it doesn’t matter to her. Fran finds the act of writing to be freeing, but her father has made it clear it will not be a fulfilling career. As if being cooped up in an office staring at court reports is any better.

“It’s too nice a day to waste inside,” Nate groans, “Let’s go to the lake.”

The lake in question is a glorified pond, but it provides a picturesque backdrop for Welton’s recruitment brochures. Located behind the main building, it houses a small dock where several row boats are stored. Crew rowing is quite a popular sport, and Welton has one of the best rowing teams along the Eastern Seaboard, second in prestige only to the school’s hockey program. The group isn’t the only one with the bright idea to soak up the sun’s rays on the last truly calm day, and the lawn is packed with students. The area they’ve inhabited for as long as Fran can remember is free, and the five of them race to claim it. An ancient weeping willow provides shade and cover from nosy teachers, but there’s also good access to the water to dip their feet in. Swimming is strictly prohibited, however most teachers would look the other way if the sun was being particularly cruel. Hours pass like seconds in the safe haven of the willow, and before Fran knows it all the students are being summoned for dinner.

“Hope they’ve got at least one good meal in them this year,” Cale grumbles. The rosy-cheeked boy has a point — Welton’s kitchen staff are notorious for providing lackluster nutrition. Everyone seems to be in agreement, and chats idly about potential food choices all the way to the dining hall.

The chefs must have decided to ease into the grim selection of overcooked meat and vegetables this year, because tonight they’re serving roast beef. Plate in hand, Fran waves goodbye to the boys and follows Charlotte to the table. For reasons unbeknownst to her, the dining situation is separated. It doesn’t make sense to anyone since classes are all integrated, but she supposes it’s the administration’s feeble attempt to maintain order. Too much contact with the opposite sex could detract from studies – Fran imagines the rule is in place for the benefit of the boys.

From dinner everyone is sequestered directly to their rooms. Charlotte quickly sneaks a final kiss from Tyson’s lips before the rest of the friend group continues to climb the staircase. Fran teases her relentlessly once inside the confines of their shared room. “God, you’re like a lovesick puppy!” The comment earns her a swat to the head with a pair of stockings.

“Shut up. You’d be the exact same way.”

She supposes Charlotte’s right. Perhaps she would be as loopy with love if there was someone to share it with. However, she has no intention of getting a boyfriend, even though sometimes she lays awake at night thinking about what it would be like, and several times Nate has been the object of those daydreams. Nothing is going to get in the way of making every last memory possible with her friends.

Sleep comes easy. She’s exhausted from the hustle and bustle of moving, but also from the content she feels being back at school. Though it isn’t always easy, Welton has become more of a home to her than the house she grew up in. This is largely in part to her friends but she wouldn’t change it for the world. That night she dreams of a life where the five of them are never separated.

Morning comes much too quickly for Fran’s liking. If it were up to her, classes wouldn’t start until at least ten. The ringing of Charlotte’s alarm clock jolts her awake, and she squints through the darkness to see it reads 6:45. There’s exactly half an hour before she has to be downstairs for breakfast.

“Ugh, why must we get up so early,” Fran groans, looking over to see that Charlotte is pulling on her sweater, already dressed for the day.

She laughs at her roommate’s sluggishness. “I’ve been up for ages. Suppose my body still isn’t used to the time change.”

“You think by now it would be.”

Charlotte just shrugs, not having an answer. She may be a science student, but even that knowledge evades her. The two of them finish getting dressed and rush to the bathroom. If they don’t get there before everyone else, the line to brush their teeth becomes unbearable. A few other girls are moving around, but the floor is mostly quiet. Fran doubts the boys’ floor is the same – they’re always jumping around and giving the Head Boy more grief than he deserves. The bell rings, signaling the dining hall is ready for students. Fran and Charlotte head for the stairs, and meet up with Cale.

“Where’s everyone else?” she asks.

He rolls his eyes and Fran knows he’s already had to deal with a handful. “It seems they’re a little slow this morning,” he sighs. “Oh, before I forget, we’ve got a table booked tonight for a study group. Eight sharp, don’t be late.”

After getting a verbal confirmation that both girls will be in attendance, Cale splits from them to sit with the other senior boys. Breakfast today is simple: eggs and toast, but it will keep them going until lunch. Charlotte chats excitedly about the new biology curriculum and Fran half listens. The only reason she’s still in science is because it’s mandatory. If she had the choice her timetable would be filled with English courses, but alas, Welton only offers standard English as opposed to additional creative writing courses. It’s not as though her father would let her take them anyways. Instead, Fran’s day is spent in a bunch of courses she could care less about.

Biology, Chemistry, and Latin pass without incident. Every class has the same spiel: students are to do well in order to get into Ivy Leagues and to keep Welton in the top spot of all preparatory academies in the country. The teaching staff don’t care if they learn anything — everything is all about keeping up appearances. Homework is piled on to maintain the rigorous academic schedule supported by the administration, and by the time lunch rolls around Fran’s collected a solid three hours of work. It’s all due the next day because doesn’t believe in easing students back into the swing of things.

“This is all so mindless,” she complains to her friends during the noon break.

Cale immediately comes to the defense of his future colleagues. “It isn’t them,” he explains. “The system is deeply flawed and needs an overhaul.”

“Shut up Calesy, you’re literally less than a year away from becoming one of them,” Nate pipes in. “I agree with Fran. Everything about this place sucks.”

“Except for us,” Tyson chimes.

Nate shoots his friend a toothy grin. “Right you are Tys.”

The five of them joke around until the bell rings, signalling the end of break and the start of the second half of the day. Trigonometry, Geography, and History are the same as every other class. The constant reminder of what they have to achieve is becoming unbearable, and by the time English starts Fran is so sick of hearing the same three sentences. It’s bad enough she’ll be letting down her parents with her decision to attend a publicly funded college, but now she’ll be letting her school down as well.

Fran shuffles into her seat behind Tyson and waits for the teacher to arrive. “I heard he’s new, fresh out of a post-doctorate program from Oxford,” he whispers.

“Maybe he’ll teach us something interesting,” she huffs. Tyson laughs, but knows she’s serious. The lack of originality in the English department has been a thorn in Fran’s side since ninth grade.

Without warning the overhead lights cut out, leaving everyone in the dark. Murmurs of what could have happened erupt but they’re turned back on just as quickly. Searching for the culprit, Fran turns in her seat to see the doorway and comes face to face with an exuberant man. He winks when they lock eyes, like the two of them are sharing a secret. “Follow me,” he cheers, and exits just as fast as he appeared.

The students look hesitantly between each other. No one knows what to do – teachers at Welton aren’t like this. They don’t spontaneously host lessons someplace else and certainly don’t get their pupils’ attention by rattling a lightswitch.

“Something about this doesn’t sit quite right,” Charlotte whispers, and others nod in agreement. Everyone stays firmly planted in their seats. Fran thought that Nate might follow, since he typically does things in reckless abandon, but even he looks uneasy. A knot in her stomach says that the man, whoever he was, is the teacher and everyone is putting themselves in a risky position by not following his orders.

Before she can commit to leaving the room he comes back. “Don’t you want today’s lesson? You’ll be awfully behind otherwise.”

It’s settled. With a bit more coaxing, everyone picks up their books and files out of the room. The whispers only increase as the students follow the teacher, wondering where he could be taking them. “This is how we die,” Cale mutters, stuffing his hands into his pockets in frustration.

“We aren’t going to die Cale,” Tyson reasons. “Perhaps the lesson is better suited for outside.”

The rosy-cheeked boy isn’t convinced. “He’s taking us to a secondary location, Tys! That’s standard procedure for murders.”

“No one is dying,” Fran sighs, grabbing them both by the elbows in an effort to keep up to the rest of the class. “I think we’re just heading to the library. Makes sense for an English class, don’t you think?”

Sure enough, the group of teenagers grinds to a halt outside the library’s double doors. It’s silent as they wait for new instructions. Nothing comes – instead everyone is ushered into the room. Winding through the aisles and statue replicas, the front of the group stops at a section of study tables. The library is deserted so the class chatters freely, unable to disturb anyone. The still unidentified man clears his throat to get everyone’s attention. “My sincerest apologies for the kerfuffle. I just wanted us to talk in a bit more of a natural setting. I’m Mr. Bednar, though I also respond to ‘O Captain, my Captain’. We’ll be spending the year together. This is my first teaching position in a few years, but I’m very excited to learn together. Who wants to introduce themselves first?”

It’s silent. Despite all the curveballs Mr. Bednar has thrown today, it’s clear no one was expecting this. The other teachers don’t make attempts to know their students – all interactions are sterile and removed. Eventually the silence becomes too much and Nate speaks up. “Hello, I’m Nathan MacKinnon, but please call me Nate,” he says. Fran is glad he’s fearless because there was no way she was speaking first.

“Thank you for taking the first leap Mr. MacKinnon,” the teacher laughs. “Anyone else?”

One by one, each student rhymed off their name. Fran falls somewhere in the middle, not wanting to seem too eager but also not wanting to be seen as a slacker. English is the subject she enjoys the most, and she wants to develop a good relationship with the teacher. “Francesca Winters,” she sputters nervously, and Cale tries to cover up a laugh with a cough. Fran jabs him in the ribs in retaliation, and swears she sees the teacher’s eyes crinkle, hinting at a smile.

“Pleasure to have you, Miss Winters. I heard from some of the other teachers that you have quite the knack for writing.”

Fran blushes profusely and her friends snicker beside her. Charlotte whispers something in her ear, but Fran doesn’t hear, too focussed on trying not to curl into a ball from embarrassment. The last thing she wants is for someone to have high expectations of her and not be able to live up to them. Mr. Bednar talks for a bit about the structure of the course and it seems entertaining. Classes are to be discussions, not lectures, and she’s excited because it’s like no other course at Welton. The typical pressure of scoring high on tests is gone, allowing Fran and the others to focus on enjoying the content. Mr. Bednar makes it very clear that his sole purpose is to help them learn to think for themselves and expand their literary horizons. When the bell rings, signalling the end of day, Fran can’t help but be a little upset. At least there will be one class she won’t dread.

☼☼☼☼

By the time Fran and Charlotte get to the fourth floor common room, the boys look like they’ve already given up on work. Nate is deeply invested in building a transistor radio from scratch, Tyson is aimlessly looking at the ceiling, and Cale is pinching his brow in frustration. At the arrival of his girlfriend Tyson seems to gain more life, sitting up straight and offering her a bright smile. “Study group, eh?” Fran smirks as she sets her books down, shoving Cale’s shoulder slightly. He offers her a tense smile that looks more like a grimace and returns to his book.

“Calesy’s just upset that he’s the only one who doesn’t understand the trig problem,” Nate sing-songs. A death glare is sent his way by the other boy, and a snarky comment rolls off Cale’s tongue.

“At least I give enough fucks to try and figure it out instead of copying Tyson’s answer like you did,” he huffs. “Some of us actually care about getting an education.”

A scuffle breaks out amongst the two of them when Nate lunges at Cale, forgetting it’s no longer a fair fight. Though in good shape, Cale’s athleticism pales in comparison to his friend’s. Too tired to break up the fight, Fran opens her chemistry textbook and begins working on the problem set. Dr. Sakic, in charge of patrolling the floor tonight, hears the racket the boys are causing and rushes into the room.

“Mr. MacKinnon and Mr. Makar,” he booms, voice echoing off the vaulted ceilings. The horse play ends immediately, and both of them sink into their seats. “I expected better from you both.”

“Sorry Sir,” they apologize in tandem, too afraid to meet the man’s gaze.

The headmaster gives them a sharp nod. “Any more nonsense this week and I’ll keep you here for the break. You’ll have a wonderful time cleaning the chalk brushes.” Without another word, he turns on his heel to exit the room, but spins around when a sound comes from the speaker that had hastily been shoved into Tyson’s lap to protect it during the scuffle. “That better not be a radio in your hands Mr. Jost,” Dr. Sakic says pointedly. “You know they’re forbidden at Welton.”

“Of course it’s not Sir,” Tyson stammers. “It’s a science project. A radar. Just want to get an early start.”

The old man nods in approval and leaves the room, but not before giving it another sweep with his hawk-like eyes.

Silence overtakes the table out of fear, and by the grace of god Fran doesn’t struggle with the problem set. Nate gets her to help explain the one question he doesn’t understand, and once the work is done they all relax for the last half hour before curfew. No one really talks, enjoying the silence that rarely overtakes the group. Tyson and Charlotte cuddle into the large armchair in the corner and talk in hushed tones, leaving the rest of them to their own devices.

Fran tries her hardest to commit every detail to memory. Sounds, sights, smells – anything to help her remember the joy and contentment she feels. Come this time next year things will be vastly different and she wants to have a bank of memories to escape to when things get tough.

☼☼☼☼

Routine paints Fran’s life a dull shade of grey. There isn’t much she can do to combat it – Welton prides itself on a rigorous schedule that leaves no room for imagination. All extracurriculars besides the annual yearbook club are professional and promote the school’s code of conduct. The school newspaper was to be her magnum opus, her lasting impression upon Welton, but she was forced to resign as editor-in-chief by her father. The phone call had been filled with tears as Fran tried to argue with him, to make him see reason. It was no use because he was convinced the paper was a waste of time and wouldn’t make her college applications stand out. Fran’s mother said nothing, choosing not to insert herself into the matter. There was nothing she could do except sign the resignation paper and clear out her desk.

September passes by in a blur. Homework keeps Fran busy and her friends do the best they can to keep the sadness of losing the editorial position at bay. Charlotte is at her side nearly around the clock, always with a smile and a shoulder to confide in. Cale keeps her mind active by giving book recommendations once a week, and the other two help in any way they know how, whether that’s stealing snacks from the kitchen or letting Fran borrow sweaters when she gets cold. The year would be much more challenging and lonely if she didn’t have them.

The only place she truly feels joy is Mr. Bednar’s English class. Unlike the other teachers at Welton, he allows her to think for herself and express different viewpoints. Classes are spent reciting passages from novels and dancing around the classroom. It’s a Friday before a long weekend and Fran’s expecting to be assigned a lot of homework. She grumbles with Nate as they step into the room, and to her surprise the desks are all pushed to the side.

“Place your stuff on a desk and then huddle around,” Mr. Bednar shouts gleefully, sitting on his own. Eager to see what he has in store, she and the other students follow his directions. Nearly a month with the unconventional teacher has them used to these random class setups, and Fran imagines there will be a useful lesson at the end.

“Today’s class is all about realizing what you want in life,” he explains. “Each of you has ten minutes to envision what you hope your life looks like in ten years. Then you’ll act it out to your peers.”

“Sir, what does this have to do with English?” Tyson asks.

“Ah Mr. Jost, always asking the important questions,” the teacher chuckles. “You’ll have to write me a paper about your realizations of course. Just a small one, one page will suffice. The purpose of this exercise is to help you think outside the academic lens. None of you will be in school forever, and I think it will be beneficial for you to start to think about your futures outside an academic context.”

Mr. Bendar whistles loudly, and the brainstorming time begins. Shrugging her shoulders in compliance to her friends’ anxious stares, Fran screws her eyes shut and lets her mind wander. Almost immediately something comes to mind: she hopes to be at a book signing for her latest bestseller with her friends in the audience. Her parents couldn’t make it, but that’s okay – she doesn’t talk to them often anymore. After the event she brings everyone back to her apartment on the top floor of a swanky building and they enjoy each other’s company until the early hours of the morning. Fran feels warm and content and wants to stay in the daydream forever, but another whistle jostles her free and reality makes its unfortunate return.

“Any volunteers to go first?” Mr. Bednar asks with a smile on his face. A boy who looks far too small to be in twelfth grade timidly sticks up his hand. Fran recognizes him to be one of the few transfer students the school accepted this year, and gives him a thumbs up in encouragement. He introduces himself as Nico and depicts a fantasy where he’s the youngest senator in the country’s history and has everyone betting he’ll be president once he reaches the age requirement. It seems like an awful lot of work to her, but at least he has a dream his parents approve of. Other students follow, but Fran zones out. It dawns on her that Welton sends monthly reports home and if her father finds out she’s propecizing about being an author he’ll pull her out of school without a second thought. She begins to brainstorm an acceptable answer, something about being a legal secretary.

Eventually everyone has gone but Fran. “Miss Winters, would you do the honours of closing out the exercise?”

A lump forms in the back of her throat, and it’s all she can do to push it down. “Of course Captain,” she stumbled over the words. Charlotte squeezes Fran’s hand to ground her, and she sends her friend a thankful glance. Her legs tremble slightly as she moves to the center of the room – she really has to sell this. “When I look ten years into the future,” she began, “I see myself balancing a successful career in law and having a family. Of course I’ll only be working part time, as the kids will come first. I’ll live in a quaint little house in my hometown and spend a lot of time helping my aging parents. It will be a wonderful life.” Fran picks her brain quickly for any other aspirations her father might have, but can’t think of any, so she begins to return to her spot on the floor.

“Why are you lying to us?”

Fran’s shocked – she thought she had done a good job at selling the fantasy she detests more than anything in the world. “I beg your pardon?”

Mr. Bednar gestures for her to return to the spotlight, and she dejectedly shuffles backwards. “Franecsca, I asked you to share your hopes and dreams, not those of your parents. Do you really think Nico’s dad wants him to become a crooked politician? Of course not, they want him to become a doctor! We all have our own desires, so what are yours?”

A quick glance at her friends lets her know they’re cheering her on, and Fran recounts everything she saw when she first closed her eyes. The signing, the party, the unbridled joy she felt – nothing is held back. At some point Mr. Bednar encourages her to share what the book will be about, and before Fran can stop herself she’s reciting lines from a novel that hasn’t even been written. It’s exhilarating to picture a life that’s completely her own, and she doesn't know if she’ll be able to stop. Once she’s exhausted every possible plot line and characterization, Fran sinks to the floor in a proud exhaustion. Her teacher sends a charming wink her way before speaking. “Well, that just about does it for today. I have nothing else planned. Want to go play a game of soccer?”

On the way to the field, Fran’s friends shower her with compliments and praise. “That was fantastic darling,” Charlotte gushes. Tyson agrees with her, applauding Fran’s bravery for being true to herself.

Nate chimes in. “You have to write that book! I won’t stop hounding you until it’s done.”

“I don’t know Nate,” she sighs. “It was just a dream. We all have a life planned out for us in the real world.”

“But that could be your real world, Fran!” Tyson argues. “You sound so in love with the idea, and you’re the only one I know who could pull it off.”

Fran’s cheeks blush rose at her friend’s words. Only Cale is yet to say anything, so she shoots him a quizzical look. “What do you think Calesy?”

“I think,” he states, a broad smile across his features, “That you’ve already sold five copies of that novel of yours.”

☼☼☼☼

A few weeks later, Tyson knocks ferociously on the girls’ dorm room door after the annual club meeting. He’s junior supervisor, second in command only to Mr. Arthur, the Latin teacher. It’s a Thursday night, and their room is the designated spot for unwinding because the matron, Nancy, is kind and lets the boys stay a few minutes after curfew, telling their supervisor they were assisting her. “Look what I found!” he says excitedly, flipping an old book open to a specific page that doesn’t make sense to anyone but him. Tyson softens once he sees Charlotte, kissing her gently on the forehead. “Hello dear,” he whispers tenderly.

His girlfriend giggles before pointing to the annual. “Tell us what this is about!”

“Ah yes,” Tyson says, finally getting on track. “This is the annual from 1943. Guess who was in the graduating class?”

The rest of the group studies the pictures and all shout the answer at the same time. “Mr. Bednar!”

“Yep. And look right under his name, which I didn’t peg him to be a Adam, there’s a club I’ve never seen before. The Society For Banned and Burned Books, what is that?”

No one has an answer. “We should ask him tomorrow,” Nate suggests. “Find him outside during the afternoon break. I’m sure he’d tell us what it’s about.”

A knock rings out for the second time that night. Nancy peeks her head in and waves the boys to hurry up. “I’ve kept you out later than normal,” she says kindly, “but it’s time you return to your own dormitories.” Goodbyes are said and a makeshift plan is hatched. Sleep doesn’t come easy as Fran is too excited to find out about the club that is no longer offered at Welton.

The Society for Banned and Burned Books is all Fran can think of. The name is so vague – it could mean a million different things. How is she to know the truth? She’s distracted the entire morning, losing focus as her mind wanders through the different possibilities. In chemistry she almost ruins the experiment because she isn’t paying attention, and the titration would have been ruined if Tyson hadn’t caught it in time. Judging by the absent stares that Fran occasionally catches, the rest of the group isn’t doing much better. The question is eating everyone alive.

After what feels like three years, the bell that signals the start of break chimes. Fran’s out of her seat in an instant, and the others are close on her heels. Once outside, she notices no one is there yet, and they all take refuge under the willow tree by the lake. Slowly students and staff trickle into the yard but Mr. Bednar still doesn’t appear. Cale has the genius idea that he might be supervising a different part of the grounds, and the five of them make the trek up the hill. The man in question is sitting on a bench near the edge of the property, watching a group of elementary kids play in the sandpit.

“Mr. Bednar,” Nate shouts, even though the group is still a hundred and fifty yards away from him, “We have a question!”

There’s no response. The older man doesn’t give them the time of day, instead focusing on a particular patch of flowers that seem to be dwindling in health. Tyson tries this time to get his attention. “O Captain, my Captain!”

The English teacher waves them over enthusiastically, chuckling to himself as he watches the boys race each other to see who gets there first. Charlotte and Fran are hot on their heels, not wanting to miss any information that might be vital.

“What’s going on?” The older man asks, looking for a reason to explain the sudden outburst of five students approaching him on the break.

Tyson pulls the annual out from his jacket and flips it to the page he marked with a piece of Fran’s stationary kit. “What’s the Society for Banned and Burned Books? None of us have ever seen the club offered at Welton?”

Suddenly, everyone is being pulled closer and Mr. Bednar is speaking in hushed tones. “Don’t you dare mention it to anyone,” he says, and the look in his eyes tells Fran he means business. “That little club nearly got me expelled, and if the administration catches whiff of it again my goose will be cooked. What fun it was, though, to sneak out under the cover of darkness and read things that actually expanded our minds.” When he realizes none of the children in front of him understand what he’s going on about, Mr. Bednar clarifies. “The name implies what we were all about. We’d read books that had been banned by the school board or things European regimes set ablaze. It was thrilling. I have a feeling I wouldn’t be the scholar I am today if it hadn't been for the Society.”

The bell rings again, signalling the return of classes. Everyone thanks the teacher for his honesty, and with a heavy sigh begins the trek back to the school building. When the group is almost within earshot of other staff they hear Mr. Bednar shout, “It met twice a month!”

Later in the evening, at dinner, a folded up piece of paper makes its way to the table where the girls were eating dinner. Charlotte opens it quickly, knowing it’s from the boys, and Fran presses against her side to read it. We’re resurrecting the Society tonight. You guys in? it says in Nate’s chicken scratch. Fran looks up to see them staring at her, waiting for an answer. Charlotte looks at her friend in silent deliberation, and a second later they’ve both made up their minds. Three nods, the group’s secret code for yes, is thrown in the boys’ direction, and she catches Tyson fist pumping out of the corner of her eye.

“How are we doing this?” Fran asks Cale as everyone exits the dining hall. “We barely know what it’s even about.”

He just shrugs. “There was a package on Tys’s desk when he got back from class. It had a bunch of books and a note signed J.B. We all just assumed it was from Mr. Bednar.”

It seems to be the only explanation Fran’s going to get. Honestly, the idea of breaking the rules for once in her life is incredibly enticing, so there’s no way she’s letting the boys carry on without her. There’s no doubt that Charlotte is already planning the escape route to the small cave just off Welton’s property, so it seems her fate is decided. As Fran climbs the stairs she discusses logistics with Cale and learns that Tyson has it all figured out – after all the staff have gone to sleep, everyone will sneak out of bed and meet in the dormitory’s west stairwell before running across the yard to avoid being caught. It will be easy enough and Fran isn't worried. As long as she brings a treat to distract Spot, Dr. Sakic’s dog, things should go off without a hitch. At the landing for her floor she says her goodbyes to Cale before skipping down the hallway.

Fran spends the next few hours pacing the length of her bed. Charlotte tries to calm her nerves, but it’s no use. She’s just as excited and keyed-up as Fran, so together they pass the time by making up silly songs. It takes them to lights out in the blink of an eye, and when Nancy comes in to give a final warning there’s a full blown concert in the works, complete with hairbrush microphones.

“Good night girls,” she says, a knowing smile on her face. She definitely notices the electric excitement running through the room, bouncing rapidly between the two girls, but doesn’t say anything.

Charlotte says good night for the both of them as Fran slips into the hall to use the bathroom. When she returns, her roommate is perched on the windowsill, book in hand. The pair of them have to find quiet ways to distract from the slow passage of time, not wanting to risk staff members staying up to check on them if they’re too loud. Sighing gently as she flops onto her bed, Fran begins to daydream about what it would be like to live the life she truly dreams of, the one prophesied in Mr. Bednar’s exercise. Apparently she spends longer than anticipated in the fantasy because Charlotte is trying desperately to get her attention.

“It’s been hours, everyone has to be asleep,” she whispers. “The boys are probably waiting for us. Come on.”

A quick peek out the door confirms Charlotte’s suspicions – slumber has overtaken the residents of Welton Academy. The pair of them slip on school issued coats and boots, and do their best to silence the door’s creaking hinges. Luckily they were given a room at the end of the corridor and they leave with little issue. Cale and Tyson are waiting in the stairwell as planned, but Nate is nowhere to be found.

“Where’s Nate?” Charlotte asks, pecking Tyson on the cheek in greeting.

“He went ahead to do reconnaissance,” Cale explains.

That makes sense, especially for Nate, and without another moment’s hesitation the group departs. They grab Nate on the ground floor and scurry through the darkness. No one speaks until the school grounds are well behind them, too anxious the plan would fail if even a peep was uttered. The woods offer a sound barrier and the friends chat freely, fretting about upcoming midterm examinations and the looming Ivy League application deadline. Fran’s insides twist slightly when Cale brings it up, worried about how her father will respond to her lack of applications, but the thought is thrown to the back of her mind when everyone screeches to a halt outside the final destination.

The cave they decided to sneak to is more of a large rock pile, but it will do the trick. It’s quite spacious – the five of them will fit without any issue. Nate’s the first one in, followed by Tyson. Charlotte and Fran scuttle in soon after, and Cale brings up the rear, rolling a small boulder over the ‘door’ to hopefully keep out animals interested in intruding. Once the dust settles and the group is comfortable to the best of their abilities, Tyson pulls the package left for him from his jacket and clears his throat.

“Welcome to the inaugural meeting of the reinvisioned Society for Banned and Burned Books.”

The words send shivers down Fran’s spine. It’s thrilling to be here with her friends, doing something frowned upon by mainstream society. They’ll all be dead if anyone at Welton ever figures out what is going on, but she’d gladly sink all of her life prospects if it meant spending time with her friends. She can’t wait to see what the adventure brings.

Nate snickers from beside Fran. “You don’t have to be so dramatic about it, Tys, just get on with it. We don’t have all night.”

The comment earns him a death glare, but Tyson continues with less performative lustre. “We were given this package, presumably by Mr. Bednar, to expand our minds and create memories that will last long after we leave Welton.” Sad smiles are shared, none of them wanting to think about the end of an era that’s drawing closer. There’s a slight voice crack as he speaks again, and it echoes off the stone walls. “Is everyone willing to take the oath so we can begin?”

“Jesus Christ, are we joining a cult?” Charlotte quips, but the smile on her face gives away the giddiness she’s feeling. Head nods come from the rest of the group, and the unofficial officiant gets started.

“It says to put up your right hand,” Tyson says, “And repeat after me. I solemnly swear to protect the secrecy of the Society. I swear to come in with an open mind, and let my potential flourish. I will use the Society to make lasting memories and to become a multi-dimensional person who thinks for themselves. The world is mine.”

Everyone repeats the words, voices mixing together until they’re indistinguishable from one another. With the first order of business out of the way, Tyson sits down and takes a deeper look at what was dropped on his desk – a worn paper explaining how the club works, a reading list, and a few books to get them started. Titles include The Grapes of Wrath, The Catcher in the Rye, Ulysses, and Animal Farm. Fran notices that all the books have been banned or burned in at least two countries: it seems the name of The Society is very literal. It also seems that Mr. Bednar hoped they would stay true to form as the club moulds to fit their needs and desires.

“Let’s get this show on the road,” Cale insists. “We have to be back before everyone starts waking up. Sakic is an early riser.”

They spend the next couple of hours reading aloud and laughing together. After a quick vote it is decided the inaugural book will be The Catcher in the Rye since it seemed interesting, and then they will work their way through the others. Whenever it’s Nate’s turn to read he speaks in different voices and overextends his hand motions; it keeps everyone in stitches.

Before Fran can register how long it’s truly been, Cale checks his watch and alerts the group that it’s nearing three. If they want to get at least a few hours of sleep they need to return to Welton now. Reluctantly, everyone packs up. The trip back to school is silent, exhaustion seeping into their bones and making it hard to think about anything else besides sleep. By the time Fran climbs the stairs to her dormitory floor she can barely keep her eyes open. Charlotte says goodbye to the boys on her behalf, and Fran’s asleep before the other girl slips into their shared room.

A sluggishness encapsulates the group for the entirety of the next day. It seems that no one slept well, all tired eyes and slow movements. Strange looks are given by other students but they’re fairly easy to ignore – Fran is just desperately trying to get through the day so she can crash again. The years of strict, regimented routine at Welton have her circadian rhythm working in a particular way, and staying up late certainly did a number on her. Charlotte is faring better than everyone else– her body used to sleep deprivation on account of time change. It’s all Fran can do to stay awake during English, her final class of the day. If Mr. Bednar notices her wavering consciousness, he doesn’t say anything. In fact, Fran thinks she catches him winking at Tyson, as though he knows just what they were up to last night. Today’s lesson flies right over her head, and as soon as the bell rings she’s scrambling to pick up her books.

“Feeling a little bit under the weather today, Miss Winters?” he asks, closing his lesson plan.

Fran searches his face for any sign that he might snitch on her for being unresponsive in class but finds nothing. “Just a bit tired, Captain,” she quips. “Was up terribly late trying to get comfortable. My mattress has been giving me issues.”

“I’ll be sure to alert Nancy of your troubles. She’ll hate to know you’ve been uncomfortable.”

She knows damn well he won’t say anything, and that he truly knows the reason for her fatigue. However, she appreciates the game he’s playing. That way, if things don’t go to plan and the group gets busted by the administration, his hands will be clean. Fran would hate to see his teaching career blown apart by a group of raucous teens like her own dear friends.

As soon as she’s back in her room Fran crashes onto the bed with a thud. Muttering a jumbled package of words to Charlotte that resemble a request to wake her up for dinner, she climbs under the covers and falls asleep for the second time of the day.

☼☼☼☼

Fran’s body adjusts to the deficit in rest after the second meeting. It’s shorter, with Cale keeping a much closer eye on the time, but still fun. They’re nearly halfway through the novel, and votes are already being cast for what to read next. It’s getting easier for Fran to balance school and the club. The term has picked up, but despite the homework mounting on her desk she’s happy. Her grades are flawless, more than adequate for admission to an Ivy League, but she could care less. No one besides her friends know of her decision to only apply to other institutions, so Fran’s academic success gives her father enough false hope to let her live a mostly uninterrupted life at Welton. Things are good, and she often forgets that in a matter of months everything she knows will be completely turned on its head.

When Fran gets to Mr. Bednar’s classroom one afternoon, she’s surprised to find it empty. There’s no sign he’s been there for hours and worry fills her brain. What if someone saw the group sneaking out last night and is planting the blame on Mr. Bednar because he’s unconventional? Fran isn’t sure what she’d do if that happens, as he’s one of the only reasons she still shows an interest in school.

“Where’s Captain?” Charlotte asks the group, but no one has an answer for him. Tyson and Cale shrug indifferently, and Nate is too busy trying to catch the attention of a girl he’s been crushing on to pay any attention to the blonde. Fran rolls her eyes in disgust, upset Nate doesn’t seem to care about their missing teaching, and tries not to focus on the sting of him paying attention to someone that isn’t her

“I hope he’s alright,” she frets quietly.

As if Cale can sense how much worry is in her words, he places a hand on Fran’s shoulder in a comforting manner. “He’s fine, Fran. Probably just late returning from the bathroom.”

On cue, the eccentric English teacher peeks his head through the open door. “Well, come on! It’s one of the last nice days out,” Mr. Bednar chirps happily. “We’re outside today. No need to bring your books.”

No one even bats an eye at the instruction. Lessons like this occur at least twice a week, and Fran and all the other students look forward to them. It’s an invigorating and refreshing way to use their brains. The teacher leads everyone to the small courtyard that’s adjacent to the humanities wing, and stops in the middle. On instinct, the class huddles around him.

“I need three students to help demonstrate,” Mr. Bednar begins. “Mr. Makar, Mr. Jost, and Miss Tennant, care to do the honours?”

The three of them erupt into a chorus of yeses, eager to please their favourite instructor, though Charlotte shies away at the use of her last name.

“Well then, that settles it. Everyone else, please move to the sides,” he says, waiting patiently for any stragglers to follow instruction. “Now, you three, I want you to walk around the courtyard until I tell you to stop.”

On his signal, Fran’s friends set off, and she watches in confusion. At first, all three are walking in sync: turning corners at the same time and taking equal paces. Tyson is the first to break the pattern, widening his gait and letting his arms swing. Charlotte takes note of his divergence and begins to do her own thing. She twirls and skips about, giggling the entire time. Only Cale stays on the original route, looking every so often towards Mr. Bednar in hopes of positive feedback.

“That’s quite enough,” the older man says. “Thank you. Now can anyone tell me what happened?” It’s silent, his voice echoing off the stone walls and arches. “No one? Alright. What happened was an experiment on conformity. Our subjects started off the same, but soon after Mr. Jost got a little bored and became more relaxed. He walked like he didn’t have a care in the world. Ms. Tennant threw caution to the wind completely, dancing around. One could hardly call it walking. Only Mr. Makar stayed within what he thought were the parameters of the assignment. He was timid, searching for approval.”

The lesson continues, and Mr. Bednar makes a point of explaining that conformity makes things extremely boring, both in literature and life. Fran understands immediately and takes the message to heart. It would be so much better to live life on her terms, and from this moment forward she’s determined to put her happiness first. Near the end of class, everyone is unleashed to do their own walking. The class walks at varying paces, and Fran joins her roommate in skipping around in a circle. Only Nate refuses to walk, and when asked about it he shrugs.

“Exercising my right not to walk, Captain,” he says, which earns an eye roll and a smirk from the teacher.

“You’re certainly illustrating the point, Mr. MacKinnon.”

Later that night at the meeting, over pages of The Grapes of Wrath, Fran gushes about how Mr. Bednar’s lessons make her truly feel alive. Her friends agree, all particularly inspired by the passionate teacher. However, they share looks amongst themselves – proud Fran finally feels secure enough in what she wants to think about sticking up to her father. Although almost double in length than the previous novel, the group is making solid progress and is on track to finish the book before the holiday break.

Tonight Nate brought a saxophone, and after reading some of his own prose he breaks into song. The tune isn’t distinguishable because he isn’t much of a musician, but it still makes Fran laugh hysterically. Tyson joins in, crooning some words over the melody. Soon an impromptu jam session is in full effect: Cale works out a beat on a steel drum found just outside of their secret hideaway, and Charlotte and Fran provide handclaps and harmonies. The number ends in a fit of giggles tumbling from everyone’s lips, and Fran has trouble stifling them once she reaches Welton's property again. Sleep comes easy once back in her room, and Fran dreams of creating a lifetime of adventures with her friends.

☼☼☼☼

It’s a bright Tuesday when Fran spots the flyer on the bulletin board in the lobby. There, handwritten in large scrawling script, are the words Writing Seminar for Young Authors. She’s intrigued and reads all the information available on the sheet of paper. It seems to be taking place at Henley Hall, Welton’s sister school, and will run for nearly the rest of the year. Fran copies the contact information into her pocketbook and heads upstairs to compose a piece of literature worthy of admission.

Charlotte finds her there, several hours later, surrounded in a large pile of crumpled paper.

“What on earth are you doing?”

Fran slams her pen down on her notebook a smidge too aggressively, causing the other girl to flinch slightly. “Sorry,” she apologizes. “I’m just trying to get this submission perfect before I drop it off in the morning.”

“Oh!” Charlotte chirps excitedly. “Your dad is letting you write articles in the school paper again?”

A silence covers the room like a thick blanket. “Uh, not exactly,” Fran murmurs. “Henley is doing a writing seminar and I’m going to apply. My father doesn’t know.”

Her roommate and closest friend of nearly ten years shoots Fran a nervous glance. “What are you going to do when he finds out?”

Frustrated, Fan pushes the desk chair out and tug at the roots of her hair. “Goddamnit, Lottie, can’t you just be excited for me? I’m finally doing something I want to do and not caring about what anyone else thinks. Who’s side are you even on? You gonna call up my folks, let them know my plans, and have me shipped off to a refining school? Huh?”

“Calm down, Fran. It was just a question,” she sighs. “I’d never fink. Just thought you should consider what would happen. What are you writing?”

She gestures to the scraps littering the ground, and allows Charlotte to read one of her many drafts. She studies the words intently before darting out of the room, most likely to read it to a crowd of students and embarrass Fran. She likes to keep her writing a secret.

“Charlotte Tennant! Get back here!” Fran screeches, tearing after her.

The blonde’s giggles echo off the walls. “Help! I’m being chased by Agatha Christie!”

Cale narrowly avoids a collision with Charlotte as he rounds the corner, and Tyson can’t get out of the way fast enough. She runs right into her boyfriend’s chest, knocking them both over. After explaining why she was running and urging the rest of her friends to read the piece, everyone returns to Fran and Charlotte’s room for a study group. They insist Fran has to submit the very version Charlotte read, saying it was the best one. Fran lets them flatter her, and decides to drop it off in the morning. After all, Henley Hall is just down the road. The rest of the night is spent collaborating on Latin and laughing at Nate’s antics. When Nancy comes in to remind them of lights out, she finds all five teenagers huddled at the small window, looking out at the small flakes of snow that are falling.

“Look Nancy, it’s the first snowfall,” Charlotte says as she beckons her over.

The older woman smiles fondly at the group before nodding her head. “Beautiful isn’t it?” she muses. “Now, the boys better scurry out of here before they get caught.”

With a chorus of jovial goodbyes and plans to make a snowman tomorrow at break, they leave to avoid getting in trouble from their floor monitor. Fran and Charlotte tidy up before turning the light out, and both fall asleep feeling hopeful for what’s to come.

The next morning before classes start, Fran runs to Mr. Bednar’s office to get permission to visit Henley Hall at lunch. Welton requires staff permission for students to leave campus, but it doesn’t have to be from the headmaster. There’s no doubt in her mind that if she goes to Dr. Sakic he’ll alert her parents of Fran’s newfound extracurricular activity and it will be kiboshed before she can even begin. The beloved English teacher is enthusiastic in his approval, and kindly demands that Fran keeps him updated. She sits the rest of the morning with a mixture of anxiety and excitement bubbling in her stomach.

As soon as the bell signifying lunch rings, Fran’s throat goes dry. What if her writing is terrible and the coordinator laughs in her face? She’s not sure she could handle the rejection.

“Don’t worry about it, Franny,” Tyson comforts. “They’d be stupid not to accept you.”

“You’re the best writer I’ve ever seen,” Cale chimes in.

Nate turns around and ruffles her hair. “Who’s F. Scott Fitzgerald? I only know Francesca Winters.”

The praise boosts her confidence, and by the time Fran waves them farewell at the gates she’s walking with her head up. As long as she gives it her best shot, Fran decides she’ll be happy with the results. The short walk is idyllic – freshly fallen snow coats the trees, and it doesn’t look as though anyone has driven down the road. Even Henley Hall looks nice. It’s smaller than Welton, and in Fran’s opinion uglier, but also has high academic standards for its students. From what she’s heard though, the staff members are kinder. Perhaps it wouldn’t be a terrible place to receive an education.

Once inside, Fran looks around aimlessly, trying to find a clue that would lead her in the direction of where she needs to go. A middle-aged woman, far younger than most of her teachers, approaches Fran with a kind smile. “Are you lost dear?” she asks, waiting patiently for a response.

“I’m afraid so,” Fran says, “Could you point me in the direction of Ms. Robertson’s office? I have a submission for her seminar to drop off.”

The woman laughs heartily, and it echoes slightly in the emptiness of the entryway. “You must be from Welton.” When Fran nods your head, she wraps an arm around the girl’s shoulder and begins walking. “I’m Ms. Robertson, and I’m pleased to say you’re the first from Welton to show any interest.”

Fran isn’t surprised by this. Headmaster Sakic assigns all extracurriculars, and she lets the teacher know this as she follows her. Ms. Robertson nods in understanding, but her lips are pursed in disapproval. It’s only then that Fran realizes Welton’s practices might not be as common as she once assumed.

The teacher’s office is tucked in behind her empty classroom, and Fran pauses to examine how she chose to decorate the space. Pictures of Walt Whitman line the walls, along with other notable poets. “I primarily teach poetry,” Ms. Robertson explains. Fran can’t help but think that she’s the Mr. Bednar of Henley, even though she hardly knows her. The teacher just exudes the same kind of energy.

Once inside, Fran tentatively hands her the paper – even though she seems friendly Fran is still nervous. She’s the first adult to read any of her creative writing.

“This is good. Really good,” Ms. Robertson praises. “You’re in.”

Fran is dumbfounded. Sure, there was a good chance she would have gotten in anyways because she isn't the world’s worst author, but to have someone other than her friends say she’s good at writing is affirming. “Th-thank you,” she stutters.

“No, thank you for bringing this to me. I can’t wait to see what else you’re capable of. The first meeting is on Monday, and when you come I need to see letters from your parents and Dr. Sakic saying you’re allowed to participate.”

Fuck. It slipped her mind that they might need permission from guardians. Fran will just have to figure something out, some way of getting around it. If her father ever found out she is doing something expressly against his orders he’d disown her. Oh well – now that she’s had a taste of success Fran is determined to see this through.

She explains that it won’t be a problem, and that she’s excited to be a part of this. After getting instructions on how to find the exit Fran leaves with a pep in her step. Once outside, she skips the entire way back to Welton.

☼☼☼☼

Somehow Fran manages to make it through nearly the entire weekend without someone bursting her bubble. It’s Sunday afternoon, and she’s planning how to forge the letter of permission from her father. She can’t risk sounding too youthful, but also doesn't want to appear too formal. Getting to work, Fran loads the typewriter and begins writing. Imitating her father is easier than she thought, and when Cale pokes his head through the open door she’s almost done.

“You coming to today’s meeting?” he asks, entering the room to sit at the foot of Fran’s bed.

She continues to clack at the keys of the machine. “Of course,” Fran replies. “Just need to finish this up.”

The pair of them sit in silence as she works, and a few minutes later Fran is placing the letter in an envelope. “Do you mind if we stop at Dr. Sakic’s office? I have to get a letter of permission from him.”

“Sure. How’d you get your father to say yes? He practically kicked you off the paper.” Cale’s question is legitimate, but surely he had to know Fran didn’t ask her father. That would have been an automatic rejection.

“I didn’t,” she sighs. “I wrote the letter myself. Sakic won’t call to double check with him. Besides, my parents live just too far away to want to make the trip here unless they have to.

Fran doesn’t miss the pointed look her friend gives. Cale’s a stickler for the rules, sure, but Fran knows he’s worried for her. If her father finds out she disrespected him like this, on top of not applying to any Ivy Leagues, she’ll be in a lot of trouble. Cale stays quiet while Fran chats with the headmaster, only offering a polite farewell. As the two of them walk to the cave to meet the others, he speaks.

“You better not get caught.”

The five words send chills down her spine. He’s right and Fran knows it. If she doesn't play her cards right it could end badly. Fran begins to regret her decision, but then she remembers how Mr. Bednar constantly encourages her classmates to be their people and do what they want. Whatever happens, she’ll never go back to living anything other than the life she wants to lead.

Conversation pivots when Fran doesn't respond, and the pair discuss what Tyson will bring to this week’s meeting. He’s tonight’s moderator and is known for picking obscure short stories to read after everyone has gotten through the assigned chapters. Cale bets nothing will be in English, and Fran can’t help but agree, because Tyson likes to expand everyone’s perceptions while being a little ridiculous. It’s good though – without him Fran would have a much harder time being exposed to new things. Between him and Mr. Bednar she’s doing a pretty good job learning about the world outside the traditional American viewpoint.

The meeting lasts a few hours, long enough for the sun to have disappeared and the moon to peak up from the shadows. The five of them have a grand time laughing and reading. Welton has a relatively relaxed weekend schedule, so Fran isn’t worried about being caught off school grounds. In fact, most of the staff members travel home if they can, leaving only essential personnel. Society meetings never fail to put Fran in a better mood, and she leaves feeling hopeful about the week to come. Besides, tomorrow she starts learning how to make her dreams a reality with the start of the writing seminar. When she bids everyone but Charlotte goodnight, pep returns to her step. The Brit sees it but chooses not to comment, secretly excited to see Fran unlock her potential.

☼☼☼☼

With the addition of Henley Hall’s writing seminar into Fran’s schedule, things change slightly. She manages to stay up-to-date on coursework, still excelling in all of her classes. What free time she has is now split between working on the rough draft of her novel and attending Society meetings with friends. It’s challenging at times, but there’s no other way she’d rather spend her last year of secondary school.

Mr. Bednar continues to provide thoughtful lessons that inspire. He is, by far, Fran’s favourite teacher at Welton, and she’s a tad upset she won’t get another year with him. It doesn’t matter much though, because Fran is positive he’ll stick with her for the rest of her life.

☼☼☼☼

December is approaching fast, and it’s now pitch black when Fran returns from Henley Hall. Other students are returning from their extracurricular endeavors or using the evening free time to play in the snow so at least she isn’t alone in the dark. As she approaches Welton’s dormitory wing Fran pushes her hands deeper into her pockets. It’s chilly – much colder than any other night this year. Just as she reaches to open the door, Fran hears sniffles from just around the corner. The culprit is a curly-haired brunette she could recognize from a mile away.

“Tys?”

He looks up, eyes brimmed with tears. Fran racks her mind to remember why he would be out so late, and she recalls Tyson saying there was an extra practice tonight before the tournament on the weekend. Despite how her joints seize from the cold, Fran drops to sit beside her friend. Tyson leans closer, resting his head on her shoulder. “What’s the matter?” she asks, pulling his much larger body closer to wrap in a tight hug.

“My parents don’t even care about me enough to send me an original birthday gift,” he chokes out. “The got me the same fucking desk set as last year.”

Her heart breaks for her friend. The Jost’s have always been detached, but this is an entirely new phenomenon for them. How could they not remember what they got their only son for his birthday last year? This is a whole new level of not caring. Fran had celebrated his special day at lunch with the rest of the group, and had plans to give Gwilym his gift after she got back from the seminar.

Hoping to find something to improve her friend’s mood, Fran stands and pulls him to his feet. “Well you know,” she says, tapping her fingers on her chin in faux thought. “This deskset looks extremely aerodynamic.”

“Yeah?”

“Yeah. In fact, it looks like it was destined to fly.”

Tyson looks at her like she has three heads. “Go on,” Fran urges, “I present to you, Tyson Jost, the world’s first unmanned flying desk set.”

With a scream that verges on primal, Tyson throws the package over the edge of the walkway with fervor. The two of them watch as its contents spill onto the ground, both shocked he actually completed the task. A sideways glance at the boy standing beside her lets Fran know he feels better. They both head inside then, laughing once she remembers how Nate nearly singed his eyebrows off in chemistry earlier in the day. The rest of the night is surprisingly relaxed, with Fran making sure to properly celebrate her friend and catching up on the study hall she missed while at Henley. Nate is still working on that godforsaken radio, and his obsession with it is becoming concerning. He chimes in when something gets particularly interesting, but otherwise doesn’t say much, too concerned with rerouting the contraption’s cabinet wires.

The next morning, at the daily assembly, Dr. Sakic lets it be known that the first round of Ivy League acceptances have been released. A majority of Fran’s classmates have their names called, some of them multiple times, and her stomach sinks slightly. She isn’t upset that she didn’t apply. No, she’s upset because it means she’s going to have to start dodging the topic around her parents. None of Fran’s friends are mentioned, but that’s because they all have jobs lined up for after graduation.

As she shuffles out of the chapel, Mr. Pratt, the spry music teacher, pulls Fran aside. “There’s a call for you,” he explains. “It’s your parents. They’re on line three, so you can tell that to Sylvia.”

Fran’s hands shake and she climbs the stairs to the main office as slowly as possible. What could they possibly want? After repeating the information Mr. MacInnis told her, Fran is given a phone receiver with instructions to keep it under ten minutes.

“Hello?”

The deep boom of her father greets Fran’s ears. “Francesca,” he says, not nearly as cheery as she hoped he would sound. “I was speaking to some friends of mine and they informed me the first round of Ivy acceptance notices were released. Did you hear anything?”

She sucks in a breath, letting it burn her lungs. “I didn’t,” Fran admits. It isn’t technically a lie, but it also isn’t the whole truth. “Not many people did though. I’m sure they just haven’t gotten to my application yet.”

Her father lets out a noise that’s a mixture between a hum and a rumble. “With your grades I’m sure you’ll hear soon. Which did you apply to again? I’m not sure you ever told your mother and I.”

All the moisture leaves Fran’s throat. “All of them sir,” she croaks, praying he doesn’t catch her in the lie.

“That’s my girl. Bet you’ve got your eyes set on Harvard.”

“Of course sir.”

The phone call ends a few moments later when Fran hears the bell signalling the start of class. She’ll get a slip from the secretary to excuse her tardiness, but Fran doesn't want to listen to her father gloat about how she’ll be the first child in the family to attend a prestigious university for another second. After saying goodbye Fran is left with a bitter taste in your mouth. Eventually he’s going to find out, and she isn't sure what will happen then.

By the time the weekend rolls around Fran is exhausted. Though she’s handling everything well, sleep is pretty far down the list of priorities and she definitely isn't getting enough of it. She sleeps well into the morning, only being woken up when Charlotte whacks her with a pillow.

“Get up you lame duck, we have to be at the cave in fifteen minutes.”

Fran groans, a strangled sound that bounces off the furniture. “Can I just skip this one meeting?” she asks. “I’ll attend the next six in a row.”

Charlotte sees right through the ruse. “Fran, we attend every meeting,” she sighs. “Besides, you’re the moderator today. What kind of meeting will it be if you don’t show up?”

Begrudgingly, Fran shuffles out of bed. With help from Charlotte, who tidies her space while she gets ready, the pair are only a few minutes late. Had she been by herself it would have been well over thirty minutes before Fran made an appearance.

Everyone else is already there, smoking the pipes Nate smuggled from his father’s collection the last time he visited home. “Look who finally decided to show up,” Tyson quips, coughing as he exhales.

“Shut the fuck up, Jost,” Fran huffs, stepping over the boy to sit in her regular seat, only to find it occupied.

A girl she’s never seen before is sitting beside Nate, gripping his arm excitedly and hanging on every word he says. The sight makes her stomach twist into an intricate knot, and looking at the two of them cuddled against one another makes Fran realize her feelings towards Nate might not be strictly platonic for the second time in their relationship. She shoots a questioning glance at Tyson, who just shrugs. On the other side of him, Cale’s got a girl with strawberry blonde hair perched on his lap. Neither of them look like they attend Welton or Henley, as they’re dressed very casually, in clothing that would never pass inspection at the boarding schools.

“Oh! Am I sitting in your seat?” Nate’s girl asks. “Nathan said it was alright.”

“Don’t worry about it,” Fran grits, turning her attention to the tall boy who strives to make her life as difficult as possible. “Want to tell me what this is about MacKinnon? You’ve got a lot of gall co-opting my meeting.”

Nate stands dramatically, tossing his scarf over his shoulder and getting giggles from the newcomers. “This,” he begins, “is my attempt at breaking down the barriers between public and private schools. Marjorie and Annabelle are from Ridgeway High, and Cale and I thought they might like to see what life at Hell-ton was really like.”

“Plus,” the one Fran assumes is Annabelle says, “We might be joining The Society.”

The comment causes quite the upheaval among the group. Tyson stands up immediately, furious with both Nate and Cale. “You didn’t think to let us know?” He seethes, arms failing as he speaks, and Fran feels a little smug that he’s defending her meeting with such fervor.

Charlotte stands gingerly beside him, guiding him to sit back down. “Tys is right, boys,” she says gently, ever the peacekeeper. “You should have brought this up beforehand. We can’t have anyone really knowing of this little club we have going on.”

The other one, Cale’s current object of affection, goes to speak but Fran cuts her off. “Please don’t say you won’t tell,” she sighs, “Because there are a million other ways it could get out. And I for one don’t want my father to pull me out of Welton and ship me off to refinery school because he found out I was reading unauthorized books.”

Everyone agrees with her. It’s agreed upon that the girls will leave after the meeting and never return. They’re to pretend as though they have never met a single member of the Society, regardless of how friendly they’ve become with Cale and Nate. The boys look sad, but Fran can’t find it in her to be sorry for them. Adding members was never discussed, and the two boys most certainly shouldn’t have been so reckless. Word travels fast in the real world.

After the sudden housekeeping issue Fran leads one of the funnest society meetings yet. Ignoring the framework the group had originally set, no chapters of a published book are read. Instead, each member takes turns coming up with bits of prose on the fly. Eventually the girls get tired of the group’s antics and leave, once again swearing they won’t tell anyone. The five original members continue on for a while longer, making sure to head back to campus early. Tonight the kitchen staff are serving spaghetti and meatballs, and Fran will be damned if she misses out.

Fran awakes the next morning to find that all students are to report to the auditorium for an emergency meeting. A throng of tired teenagers follow the much more alert group of young kids. She shuffles into a row of seats with Charlotte and tries to search for the boys. Due to the suddenness of everything, the roommates couldn’t meet up with them, and find the spots they would usually sit quickly occupied. It doesn’t matter much though because if any of them were caught talking there would be serious repercussions.

“Good morning everyone,” Headmaster Sakic addresses the crowd. “It was brought to my attention yesterday evening that there is an unauthorized club of sorts here at Welton. Known as the Society for Banned and Burned Books, its sole purpose is to disobey the rules and curriculum. Anyone who knows about it or is associated with it is to report to my office immediately and turn themselves in. A thorough investigation will be conducted, so it is advised you heed this warning carefully.”

“Those fucking bitches,” Fran seethes. “I’m going to murder Nate.”

Though just as pissed off as her friend, Charlotte handles her emotions with much more grace. “Relax Fran, and don’t go doing anything stupid. We just have to think about what we’re going to do next.”

Fran knows exactly what she’s going to do. The next time she sees Nathan MacKinnon and Cale Makar she’s going to punch them in the teeth. Somehow Charlotte talks her down, but she’s still irate. How dare they be so careless? Fran spends the rest of the day ignoring them. No one goes to turn themselves in to Dr. Sakic, but she almost does it out of spite so she can implicate Cale and Nate. Fran decides against it of course, knowing it would only hurt her, but she’s definitely going to spend the next few days thinking of how to get them back.

It turns out she doesn’t have to find a way to make them feel bad about their actions. Mr. Bednar comes and finds them in the afternoon and expresses his disappointment in them. After a short lecture on how they put their friends, and themselves, at risk, the teacher leaves them to reflect on how to apologize. They show up on the girl’s dormitory floor later in the evening with a plate of cookies.

“The chef supervised us in the kitchen,” Cale explains. “We’re really sorry. It was dumb of us to invite those girls. Will you be able to forgive us?”

Nate nods, tacking his own statement on to the end of his friend’s. “We never wanted to put you guys in danger, especially you Fran. I don’t want anything to get in the way of those fancy author dreams of yours.”

Fran blushes at the comment, but lets them come inside. Their apology is sincere, and all is forgiven with laughs over milk and chocolate cookies. Nothing comes of Dr. Sakic’s threat in the coming days, so clearly the investigation was not thorough. Perhaps the girls were better at keeping their mouths shut than Fran previously thought. Wanting to still play it safe, the group decides to not host any more meetings until after the holiday break.

☼☼☼☼

It’s a lonely break for Fran, spent mostly alone in her bedroom. At every opportunity her father is boasting about her academic achievements to anyone who will listen through the various holiday parties he corrals the rest of the family to. The whole town seems quite impressed that Fran is poised to attend an Ivy League, though it’s a ruse. No one knows that of course, and they all except she’ll be making an announcement on which school she’ll attend shortly. The holidays pass slowly, and Fran eats more than her fair share of mashed potatoes and gravy. Since her father must still work throughout her time at home, Fran is left to her own devices throughout the day. Though her mother loves Fran she’s docile, and often doesn’t talk to Fran unless she has to.

Fran spends an enormous amount of time writing. When she returns to school there’s only three weeks before she has to turn in the first draft of her novel. Hours are spent crafting scenes in painstaking detail – writing and rewriting until she’s happy with the quality of her work. At night Fran plays board games with her family, and makes up lies for her father’s questions. He’s becoming more creative, asking ones that demand specific answers. However she’s able to manage, mostly thanks to Cale’s insane wealth of knowledge on countless educational institutions. Without him she’d be lost at sea.

She’s extremely happy to be back at Welton, so much so she rushes ahead of her parents, not heeding her father’s warnings. Once sequestered into the auditorium, Fran tries to get permission to sit with Charlotte, but is immediately rejected.

“Sir, why can’t I? Other students are sitting together,” she states, and the glare you receive from her father could pierce a soul.

“After the stunt you just pulled?” he grits. “You’re lucky I don’t wheel you out of here and take you home. You will sit beside us. That’s final.”

The call of his name has him put his focus elsewhere, and Fran’s mother gives her a sympathetic smile. “He means well, dear,” she says. “After all, your father is right. We have certain appearances we must keep up since we aren’t of such high status.”

Before Fran can try and make a rebuttal, the procession enters the auditorium. Headed by her three male best friends and Tyson’s roommate Ryan, who have been tasked with carrying the banners, the teaching and administrative staff shuffle into the room. It’s silent – everyone not-so-patiently waiting for this assembly to be over. Undoubtedly Fran’s least favourite part of attending Welton, the term's opening assemblies are extremely dull and have made her consider leaving on multiple occasions.

“Welcome back to another term at Welton,” Dr. Sakic preaches. “We’ll be sure to have an excellent time. Now students, I must ask you the most pertinent of questions, one that’s asked at the start of every academic season. What are the four pillars?”

The voices of hundreds of children mingle together. “Tradition, honour, discipline, excellence,” Fran mumbles, slouching slightly. A swift nudge to the ribs from her father has her standing straighter than a board. She cannot wait to be rid of him.

After what feels like two hours of listening to Dr. Sakic and other distinguished staff members speak, everyone is finally allowed to leave. Bidding her parents a quick farewell, Fran clambers up the stairs to reach her room before Charlotte. Though she loves her dearly and the blonde never fails to lift your spirits, Fran needs alone time to quickly cry. It seems no matter what she does she’ll always be a disappointment to her father. The only thing he attributes to her is receiving acceptance to a prestigious school, and she refuses to give him that.

The reunion between the group of friends is much more relaxed this time around. Everyone had only been separated for a few weeks, not months. There’s still a small level of dramatics of course. When Nate sees Fran in the hallway he tackles her to the ground in a hug.

“Nathan, get off of me!” she squeaks, words punctuated by giggles. No one seems to notice, too caught up in their own reunions and settling in for another term, but Fran catches the way his eyes soften when he looks at her and it causes heat to rise to the top of her skin. She thought the weeks spent apart would help her silly crush go away, but it’s reared its head in full force and Fran doesn’t know what to do about it.

“Never,” he shouts, dragging Fran to her feet and sequestering her up the stairs. When they arrive in his dorm room, the rest of the group is already there. Details of holidays are shared, as are hopes for the school semester. It’s their final one at Welton, and Fran wants to make it count.

In just over five months she’ll graduate, leaving behind every comfort she’s known for the past six years. “Hell-ton has been our home for so long,” Fran sighs as she rests her head on Tyson’s shoulder. “What are we going to do once we’re gone?”

“Do whatever the fuck we want without teachers breathing down our necks.”

He has a point. For so long they’ve all been forced to act in a certain way that it will be nice to do as one pleases.

Charlotte hums in agreement, standing to stretch her legs. “Come on Fran, we should get back to our room. You’ve got to finish writing that one scene.”

Begrudgingly she untangles herself from Nate’s covers. She’s right, but Fran would rather not think about it. “Char, it’s killing me,” she whines. “Can I just not think about it for a while?”

She carefully reminds her of your deadline, and it’s enough to have Fran bounding down the flight of stairs. She really does need to get to work. The rest of the night has her stooping over her typewriter, clicking at the keys incessantly. By the time she falls asleep Fran has finished the scene and written at least three more, pushing her even closer to the finish line.

She finishes her draft a few days early, and hands it to Ms. Robertson after the workshop one night. She’s thoroughly impressed and is sure to let Fran know. The girl preens under her compliments, sure to downplay how happy she truly is. When she lets Mr. Bednar read the corrected version, he too showers Fran in praise.

“This is phenomenal, Miss Winters.”

Once again Fran is blushing, cheeks feeling much too warm for the cold winter afternoon. “Thank you Captain. It isn’t much though,” she says softly.

“Nonsense. It’s a masterpiece. Do you think I could commission you to bind me my own copy once it’s finished? I’d love to have it on my shelves.”

Fran is dumbfounded. “You want a copy of my book? But you read the greats like Twain and Fitzgerald!”

“You’re destined to be one of them, and I want to commemorate it.”

It’s then that she invites him to the final workshop in a few months' time. All participants will have their finished published works, and will take turns reading excerpts and answering questions. It’s supposed to be a mock book signing, and Fran is beyond excited. There’s nothing she wants more than for him to be there.

☼☼☼☼

Life begins to pick up speed, and Fran feels as though she’s running around like a chicken with its head cut off. Between academics, licensed extracurriculars, and society meetings she barely has enough time to sleep. It’s exhausting, but Fran feels completely satisfied. Not everyone gets the same experiences she’s been afforded, and she’s determined to make the most of it.

Mr. Bednar’s classes are still her favourite. This term the class is focussing on poetry, since the prose units were completed before the break, and every day Fran craves more. She finally learns the origin of the nickname ‘Captain’ with the reading of a particular poem, and everyone in the class increases their use of the term exponentially. Classes are spent reciting giants like Whitman and Frost, but also so-called ‘beat poets’ like Ginsberg and Kerouac. It’s easy to lose the stresses of life in their fantasies, and Fran always feels lighter when she leaves the room.

Some of her favourite lessons of the year have happened recently – namely the one on perspective. Ever the revolutionary, Mr. Bednar had everyone take turns standing on his desk, surveying the room before jumping down. A handful of students didn’t understand, but Fran found it incredibly eye-opening. Suddenly she understands why writing is so powerful – it can mean a million different things to a thousand people.

The Society for Banned and Burned Books starts to become less structured, and truthfully Fran doesn't mind. Most of the time everyone sits in the cave and discusses the ideas Mr. Bednar plants in their heads. Not many books are being read, but she’s glad. They were beginning to become a bit dull and the group was running out of titles – authors are being much more careful these days so as not to offend governing bodies. No matter what lens the club has taken, Fran is glad it exists. She’s spent countless hours fooling around with her dearest friends while enriching their minds. What more could she ask for?

Her novel is coming along swell. It passed the first and second revisions with flying colours and is now off at the printers. When Fran asks if she can print two copies, and that she doesn't mind paying the extra, Ms. Robertson is shocked.

“There’s no way you’re footing that bill! Especially because you’re giving it to someone,” she says, putting a cork in the matter. “Mr. Bednar will be delighted.”

The young mentor knows of Fran’s beloved English teacher, and is touched that she wants to do something so special for him. No one else in the group is as excited as Fran. Most of them are involved simply to pass the time or stand out on college applications, but not her. Fran is in the seminar because her soul yearns to write and she’d be a fool to deny its wishes. Writing is what she wants to do for the rest of her life, and she’ll be damned if she doesn’t seriously pursue it.

☼☼☼☼

The day Fran gets her book back from the publishing house, the final round of Ivy League admissions is sent out. Her name is, of course, not on it. However, Ms. Robertson got in touch with a friend who teaches at Bryn Mawr college, and they’ve extended an offer into their creative writing program. Fran is delighted, and accepts almost immediately. The school is prestigious enough that hopefully her father can overlook the fact it’s not an Ivy.

Life goes as usual, with the day passing slowly. Tonight is the first time she’ll get to see her finished work, and will prepare for the showcase tomorrow night. She’s ecstatic, practically bouncing off the walls the entire day.

“Slow down,” Cale huffs, trying desperately to keep up with the jovial pace Fran has set.

She turns around to flash him the biggest smile she’s ever mustered. “I simply cannot, my dearest Cale, because I’m now a published author. My joy knows no limits.”

“You better not get a big head and a terrible ego,” Nate pipes in, joining the both of them in walking to the willow by the lake. He ruffles Fran’s hair and she swats his arm away.

“Shut up!”

The three of them join the other members of the group, who were able to weave through the crowds faster to claim the best spot on the grounds. Everyone spends the break joking around and chattering about tomorrow night. They’ll all be in attendance, along with Mr. Bednar. Somehow Fran has managed to keep her admittance to the seminar a secret to anyone outside of Welton and she’s quite proud of herself.

At Henley Hall, she feels electric. Seeing words that she wrote on a page, bound in leather, puts butterflies in her stomach. For possibly the first time in her life Fran feels like she’s on the right path. Reading a piece of the story out loud is exhilarating, and she can’t wait to see how the crowd responds. The question and answer section allows her to really delve into the creative process, immersing audience members in the story even more. It’s an evening spent having the time of her life, but something feels the tiniest bit off. Fran’s brain tells her something is going to go wrong when she returns to Welton.

How right she was. When she finally reaches her dormitory floor after swimming against the current of hungry teenagers, Charlotte is standing anxiously at the end of the hall.

“Your father is inside our room, and he looks absolutely peeved,” she whispers, hugging Fran tightly before running to join the others downstairs. If she’s caught loitering, detention will be her home for the next few weeks.

Taking a deep breath, Fran does her best to mask her anxiety before stepping into the room. He’s sitting at her desk, tapping his foot impatiently, and sporting a grimace that makes Fran’s stomach contract.

“Father, what are you doing here?”

It’s a dumb question – she knows exactly why he’s here. Her father doesn’t buy the weak question and chooses to ignore it completely.

“How dare you,” he broods, “Defy me and then lie about it?”

There’s no beating around the bush tonight, and Fran wishes she could be anywhere but here. “Sir, I can explain –”

“There’s nothing to explain! You made me look like a fool, telling everyone in town that my daughter, my Francesca, was going to attend an Ivy and study to become the best legal secretary in the goddamn county. That she had the pick of litter and would choose whichever offered her the biggest scholarship. Do you know how I stupid I look?”

Tears prick at the corner of Fran’s eyes, but she will them away. “Father, please,” she whispers, trying to stay strong but her voice betrays how she truly feels.

He doesn’t let up, continuing the rather one-sided argument. “And then I hear from old Mrs. Perkins that her granddaughter is coaching you in a writing seminar at Henley Hall? I told her she must have confused you with someone else because writing is a waste of time. She was incessant, and showed me the letter her granddaughter had mailed her, detailing how wonderful your novel was and she was so excited to get you a spot in a creative program at a women’s college. I was appalled.”

Now is the one chance Fran has to defend herself. “I never wanted to attend an Ivy, Sir,” she tries to explain as calmly as possible. “That’s what you wanted for me. Bryn Mawr is just as prestigious, one of the Seven Sisters. I’ll be happier there, doing what I love. I want to be a writer, Father.”

“Nonsense, Francesca. You’re seventeen, you don’t know what the hell you want.”

It goes like that, back and forth, for a while as she tries to make her father see reason. He isn’t having any of it.

“Did that new teacher, Mr. Bednar, put you up to this?”

Where her father got that notion Fran isn’t sure. “Of course not, Sir,” she exclaims, “I’m simply doing what’s best for myself.”

“What is best for yourself, huh?” he seethes. “You don’t know what’s best for you, but I’ll tell you. You’re going to drop out of the little writing program and tell Bryn Mawr you’re reneging your acceptance. Next fall you can apply for Harvard.”

Fran tries to explain to him that she can’t do what he’s ordering, that the signing is tomorrow night and they’re counting on her to be there. Her father simply does not care and after screaming at Fran some more leaves her dorm room in a flurry of anger, slamming the door behind him.

As if she is Atlas and the weight of the world has crushed Fran, she curls into a ball on her bed and sobs in pain. She’s absolutely heartbroken. Why can’t he just let her do what she wants? Too tired to eat, Fran stays in her room and eventually cries herself into a fitful sleep.

Fran is in the same position hours later when her friends peek through the door to check in. Without a word, the four of them surround her in a group hug. Nate’s hands find a way to her back and rub soothing circles in an attempt to calm Fran down. It helps slightly, and she eventually gets the sniffles to stop. No one speaks, but it’s comforting for Fran to not be alone. She knows that when she does want to talk about what happened they’ll be there with open ears.

At the urging of Tyson and Charlotte, Fran travels to the teachers’ quarters and knocks timidly at Mr. Bednar’s door. “Come in,” he says breezily, and she carefully steps around the pile of worn novels on the floor.

“Captain, I’m really sorry to bother you,” she says earnestly, “But I really could use some advice.”

He ushers her to sit down, and pours a cup of tea that he sets gently in Fran’s hands. She explains the entire situation, sparing no detail. Any memory that vaguely relates to her terse parental relations is also brought into the mix – if this man is going to know anything, he’s going to know everything. The conversation then moves into how much Fran loves writing, and how she feels as though she’s nothing without it. Mr. Bednar sits quietly and nods as she talks, not speaking until Fran winds herself.

“Can you tell him what you just told me?” he asks, leaning over to refill her cup and pass the sugar.

Fran scoffs, though the tears threatening to spill after sharing her heart show that she isn’t as aloof as she hopes to be. “Absolutely not. I can’t talk to him like this.”

“Why not?”

“Because he doesn’t see me as a person! To him I’m just a canvas he can project his dreams onto. There’s nothing I could say to make him see that he doesn’t always know what’s best for me.”

The room goes quiet. It isn’t uncomfortable, but Fran is waiting for the older man to speak again. Mr. Bednar stands and walks to the small window beside his desk. “I think you should try,” he theorizes.

“Yeah?”

“Yeah,” he says confidently. “If you tell him everything you just told me, your father will see the passion you have for writing, and will let you stay enrolled in both the workshop and Bryn Mawr.”

She stays with the teacher a little while longer, discussing poetry and prose. It’s nice to talk to someone without them having preconceived notions of how she’s meant to behave and who she’s supposed to become. When Fran walks back to her dormitory she still doesn't feel as light as she hoped. There’s absolutely no way she can try and convince her father to let you stick with writing. Fran’s only hope is to disobey his direct orders. If memory serves her correctly, Fran’s father will be leaving for a three day business trip to Chicago in the morning. What he doesn’t know won’t kill him.

The rest of the night is spent with her friends doing everything in their power to keep Fran’s mind off the situation. At the suggestion of Cale, everyone dresses in their robes and sneaks to the cave, having an impromptu Society meeting. It’s nothing serious or official, just the group telling ghost stories and poking fun at each other.

After an hour or so of enjoying each others’ company, Nate abruptly stands. “I think everyone knows what time it is,” he grins.

Everyone else looks at him as if he has three heads, but then Tyson suddenly remembers something and joins the taller boy in towering over the group. He then turns around to pick up a small bundle of mangled wires and boxes and passes it to Nate. “I present to you all our now fully functional backyard radio!”

“Holy shit, you fucking did it,” Cale exclaims, profusely shocked. Charlotte just lets her jaw drop open in astonishment. Fran is speechless too, unable to believe her friends were actually able to pull their crazy invention scheme off.

No one speaks for a few beats, astounded, but Charlotte breaks the silence. “Well, are you going to turn it on you tossers?”

After a speedy setup that doesn’t look particularly safe, Nate sticks the antenna out the hole in the cave’s roof while Tyson fiddles with the dials. It takes a second, but soon enough music flits through the speaker. The voice of Elvis Presley meets everyone’s ears and Fran’s foot involuntarily taps along to the beat. Laughter and shouts of encouragement echo off the stones until it’s so loud she can no longer hear the music. No one seems to care, and Cale doesn’t refuse when Fran grabs his hand and invites him to dance. At some point Nate sweeps her into his arms to do a ridiculous step pattern, and Fran giggles loudly at the gesture. Despite everything that happened earlier in the evening, she ends the night feeling genuinely happy.

☼☼☼☼

There’s about ten minutes until Fran has to leave for Henley Hall. Charlotte has her practically tied to the desk chair and is in the process of taking the rollers out of Fran’s hair. Honestly, Fran doesn't care too much about her appearance since the event is nothing official, but her best friend insists she look the part of a glamorous novelist.

“Stop moving your bloody head,” the blonde grumbles.

“Sorry Lottie,” she apologizes sincerely. “Just a little antsy.”

It isn’t a lie. Fran has been a jittery mess all day. Not one of the lessons given stuck in her brain, and her left knee has been constantly bouncing.

Charlotte places her hand comfortingly on your shoulder. “I know darling.”

She gets back to work setting the curls, and Fran takes a second to look at herself in her small desk mirror. Charlotte has completed the seemingly impossible task of making her look elegant – painting her lips a beautiful cherry red and ironing the prettiest dress in their combined closets so there wouldn’t be any misplaced creases. A few spritzes of hairspray and she’s done, letting Fran stand up to see the finished product for the first time.

She looks herself up and down, trying to recognize the person staring back at her. It isn’t that she looks like a completely different person. In fact, Fran looks like a more sophisticated, well travelled version of a seventeen year old. She can picture herself employing Charlotte to help her get ready before any other major event she might have in the future – perhaps she’d prefer styling to nursing.

Before Fran can say anything a low whistle comes from the doorway. “You sure clean up nice, Francesca,” Nate grins, using the girl’s full name in an attempt to make her squirm.

“You don’t look so bad yourself, MacKinnon,” she says, walking breezily over to him and straightening out his bowtie. Everyone in the group is travelling to Henley in Mr. Bednar’s car. The audience doesn’t need to be there for nearly forty-five minutes after the call time, but Fran’s entourage wants to get good seats.

The other boys round the corner then, and compliment her profusely. It makes Fran blush, if only because they’re being uncharacteristically sincere. No comedic jabs follow, and she feels incredibly loved. The four of them sit patiently while Charlotte finishes her makeup, chatting amongst themselves. As soon as she’s done the door is shut quietly and the group tomps down the stairs to meet their teacher in the lobby.

“Looking sharp, kids,” Mr. Bednar exclaims jovially. “Like proper literature enthusiasts. Shall we go?”

Henley Hall isn’t a far walk, perhaps ten minutes, but riding in the back of her teacher’s car makes Fran feel important. He makes pleasant small talk with Charlotte and shares crude jokes with the boys, but asks Fran an earnest question.

“Did you tell your father what you told me Fran?”

She gulps. Of course she hadn’t called her father, not wanting to make matters worse. “I did, this morning,” she stutters. “He won’t be able to attend though, left for Chicago as I called. I think he’s going to let me stick with it.”

In the rearview mirror Mr. Bednar smiles brightly. “Glad to hear it.”

After parking the car out front of the building, the group walks into the theatre together, and Fran leaves them to slip backstage. No one else is, unsurprisingly, in the audience, but they’re more than content talking amongst themselves.

Ms. Robertson quickly goes over the speaking order and answers everyone’s questions before allowing time to practice answering questions one last time. It’s fun for Fran to chat with her fellow writers, who over the past few months have become friends, and hang out with them one last time. No one else from Welton ever joined, making her the lone outsider, but they took her in with open arms. It will be sad to leave them, though once she leaves for Bryn Mawr – if her father allows her to stay enrolled – some of the girls will be joining you.

A quick glance at the clock lets Fran know it’s go time. At the cue of the stage manager, she and the other participants file onto the stage. The one nice thing is that she isn’t out there alone and can lean on the support of her fellow creatives if need be.

“Hello everyone, and welcome to our annual Writer’s Showcase,” Ms. Robertson announces. Applause and cheers erupt from the crowd, with Fran’s little group making the most noise. She waves shyly and sits down, awaiting the prompt to begin speaking. When it’s finally her turn it takes a second for Fran to gain her voice, so petrified that something will go wrong, she mumbles the first few words of her introduction. After a second she’s fine, and continues speaking with ease and zeal.

Presenting her work to everyone important to her is the best moment of Fran’s entire life. The entire audience is on the edge of their seat, hanging off her every word. It’s empowering – for the first time in her life Fran feels special. She reads a short passage to much acclaim, ending with a deafening roar of applause. A broad smile finds its way onto her features and it seems as though it will be permanent.

The rest of the students finish their readings and the group move on to the question and answer section. This exercise is open, but each participant gets the same number of questions so as not to upstage anyone. However, it’s clear that Fran is the one most people are interested in. She ponders the questions and gives thoughtful answers. After a particularly tricky one, she hears Cale shout encouragement in her direction.

“That’s it Fran!” he yells through cupped hands, adding a whistle for extra effect. Her other friends join in, and soon so has the entire auditorium. Fran stands up and awkwardly bows before allowing another person to answer a question.

Everything is going well until she watches her father slip through the doors. He’s wearing a wicked scowl and has his brows knitted together. Whatever is about to happen won’t be pretty. Instead of causing a scene, he perches against the back wall and folds his arms over his chest. Fran gulps. Jeremy, the last boy to answer a question, finishes up. Everyone stands and bows, but she’s in such a daze that she has to be pulled up by those on either side of her. The noise is overwhelming and Fran is beginning to find it hard to breathe. As soon as it’s possible, she darts off the stage and out of view.

“Fran? What’s wrong?” Ms. Robertson asks, concern lacing her voice.

“Nothing,” she lies through her teeth. “Just a little overwhelmed by it all.”

She smiles and wraps her arms around Fran’s shoulder in a hug. “I know. Come on, let’s go celebrate.” Much to her chagrin, Fran is pulled into the crowd of people waiting to see their loved ones in the lobby. Sifting through the mass, she tries her hardest to find her friends before her father finds where she is. Unfortunately, it doesn't work.

“Francesca,” he shouts, reaching through the crowd to grab Fran by the wrist. “We’re going home right this minute.”

“But I have to return to Welton, Sir,” she protests.

Fran’s father sends her a look that could turn Medusa to stone. “Car. Now.”

It’s a hassle to keep up with his blistering pace, but Fran knows things will be worse if she keeps him waiting. The walls seem to cave in around her and tears flow without regard to who could see. Fran is legitimately terrified.

She hears her name being called as she reaches the door. Charlotte spots her and ducks under a man’s arm to catch up. Fran shoots her a warning look but she either doesn’t see it or pays it no mind. The rest of the group follows her. Too scared to look at them, Fran remains mute as they call out to her.

“That was simply wonderful, Miss Winters,” Mr. Bednar exclaims. “You’ve got a real talent for writing.” Fran blushes at his words, and hopes it conveys how much they mean to her.

Knowing this is probably going to be her only chance, Fran shoves the copy of her novel into the teacher’s chest. It’s got his initials embossed on the front cover and includes a handwritten dedication explaining how much his encouragement means to her. “Take this,” Fran mumbles, unable to look him or her friends in the eye.

Her father doesn’t miss the interaction. “Get in the car,” he orders. Fran follows the directions and presses your face against the glass, worried for her teacher. When he wants to, her father can unleash his wicked temper with unyielding cruelty.

“Stay away from my daughter, Bednar,” he seethes, grabbing the other man by the collar of his sweater. “You’re the one that put her up to all this nonsense.”

“He didn’t!” Nate protests, preparing to give Fran’s father a piece of his mind but Mr. Bednar stops him.

“That’s enough, Nathan, we don’t need to make it worse.”

With nothing else to say, Fran’s father storms to his side of the vehicle and slams the door. Turning the engine on rather aggressively he zips out the parking lot, leaving Fran to stare out the back window and watch her friends shrink and disappear. It’s so tense the air between the two of them could be cut with a dull kitchen knife. The silence is deafening and Fran wishes he’d just start screaming now to get it over with. Instead, he doesn’t speak or look at her, focussing on the road ahead of him. Though she doesn't live terribly far from Welton and Henley, the ride is long enough to spike Fran’s anxiety.

Fran’s mother is standing on the porch when the car pulls into the driveway. She pushes off the column to meet her family at the car, but stops in her tracks when her husband breezes past her. Fran hasn't even had time to open the passenger door.

“Conrad,” her mother sighs, following him into the house and trying to calm him down.

“No, Barbra, she’s gone too far this time.”

If driving away wouldn’t make it worse, Fran would be halfway to Welton by now. Her father had taught her to drive in the evenings during the summer, and it’s late enough that no police would be patrolling. Besides, if she told them the truth they might let her off the hook.

Instead, she rises out of the car with shaking knees. The front door is still open, so Fran slinks through and shuts it quietly. In the office beside the entryway her parents are arguing, though it’s mostly her father doing the talking. He often overpowers her mom and she’s too fragile to speak up for herself. That door is open too, which Fran finds strange. Normally their arguments happen in private.

“Come in,” her father says gruffly.

Fran enters cautiously, not knowing what to expect. Considering he almost assaulted her English teacher it probably won’t be very good. The chair directly across from her father is open, and she sinks into it, refusing to meet his gaze. Across the room her mother is perched delicately on the edge of the desk, chain smoking cigarettes and twirling the pearls of her necklace around her thumb.

“We’re trying very hard to understand why you insist on defying us, defying me.” His voice is eerily calm, and truthfully that upsets Fran more than if he were to scream at her. “And though I suspect that no good, idyllic teacher is behind it, we aren’t going to let you ruin your life. You’ll no longer be attending Welton. Starting first thing in the morning you’ll be enrolled at Balthasar’s Refining Academy, where you’ll finish the year and study to become a legal secretary.”

“But Father, that’s a lifetime of unhappiness,” Fran protests. “I don’t want to be a secretary.”

“Well that’s too fucking bad!” he screeches. “Because that’s what you’re going to be. It’s not a death sentence.”

Her mother says nothing, just sits and stares blankly. Fran can tell she’s afraid of him, her father, but won’t ever leave. That’s simply not the way things work.

“You don’t understand, Francesca” he continues, “You have opportunities your mother and I could never have even dreamt of. I can’t let you waste them.” With a sharp turn on his heel he faces the window, his back to Fran signaling the conversation is finished.

Adrenaline courses through her veins, and Fran seizes the only opportunity shemight ever get to tell her father how she truly feels. “I need you to know what I feel!”

Not appreciating the young girl’s challenge to his authority, Fran’s father turns on her with a wicked gleam in his eye. “What is it that you feel?” he snarls. “What is it!”

Facing him diminishes her newfound confidence. There’s no doubt he’ll pick the argument apart, berate her for having aspirations based on passion instead of security. It’s a fight Fran won’t win, so she backs down entirely.

“Nothing.”

“Nothing?”

“It’s nothing,” she whispers.

A triumphant smirk appears on her father’s face. “That settles it then,” he exclaims, and promptly strides out of the room to get ready for bed.

Fran falls back in the armchair feeling incredibly defeated. Tears begin to fall, and soon sobs are wracking her body. In an effort to be of some comfort her mother places a hand on her shoulder, but it doesn’t help. She’s just as much to blame for Fran’s sorrow as he is.

“I was really good out there. I truly felt happy for the first time.” Fran’s voice breaks as she speaks, unable to continue for fear of breaking down completely.

Her mother stands and finishes the rest of her cigarette in a single drag. “It’s been a long night, let’s get some sleep.”

There’s no way Fran will be able to sleep. The events of the past few hours replay in her head on a loop, and she tries to find things she could have done that would have made the outcome different. She didn’t even get to say goodbye to her friends or Mr. Bednar, and that’s what stings the most.

She stares at the ceiling for a few hours, and when that doesn’t settle anything Fran gets out of bed to stare out the window. The night looks peaceful and quiet, unlike the sea of sadness swimming in her soul. In an attempt to find a solution to the swirling of her mind, she opens the window and allows the air to flow in. It’s warm, a tad bit sticky for April, but it calms her down for a split second. There’s a moment when Fran feels free, when the moonlight hits her skin just right and she’s glistening like Selene herself, before the weight of everything settles on her shoulders again. Fran is unhappy, and she will be unhappy for the rest of her life.

There’s only one thing left for her to do.

She slips into actual clothes and grabs a jacket from the small wardrobe in the corner of her room. Propping open the window with a piece of wood she found on the floor – her parents are in the middle of remodelling the house – and slipping on shoes, Fran looks around the room for a final time. If she plays her cards right, this will be the last time she’s ever in the building.

Carefully, Fran slips out the window and perches on the large branch. It’s strong enough to hold her weight if she wanted to close the window, but she doesn’t bother to hide the escape from her parents. They’ll know as soon as they wake up anyways. She quickly scurries down to ground level and takes off without a look over her shoulder. Sprinting as fast as she can, Fran makes it down the road and into the nearby village rather fast. The darkness of the night covers her tracks, and besides, no one is out at this time anyways.

There’s a payphone on the corner across from the post office, and Fran steps into the booth as soon as she possibly can. Her hands shake as she picks up the receiver. Thankfully the telephone operators won’t be able to tell who she is and alert her parents, since Fran’s calling from a public line.

“Operator,” the woman says flatly.

“Hello,” Fran rushes the introduction, skipping over a few formalities. “I need to speak to Mr. Jared Bednar of Welton Academy.”

With an unamused grunt the operator switches the phone over to his line. The dial tone begins to ring, and Fran feels anxiety settle into her bones. What if he decides not to help?

“Who is calling at such an ungodly hour?” he yawns, and she feels bad for waking him.

“Mr. Bednar, I ran away from home,” Fran cries, finally allowing tears to escape and too upset to use the nickname she often calls him by. “Can you come pick me up?”

His response is immediate. “Of course, child. Where are you?”

She explains to him where she is and, after promising not to move, hangs up. There’s a bench beside the phone booth, so Fran sits patiently and waits for the teacher to arrive. The wind no longer feels warm, and she curls the light jacket she brought tighter around her shoulders. Thankfully, no one approaches her while she sits alone. Fran is in a very precarious situation, and doesn't know how she would survive a kidnapping attempt.

Mr. Bednar’s car pulls up alongside the curb and he jumps up before the gearshift settles into park. His arms are around Fran in a nanosecond, comforting her and leading her to the warmth of the vehicle. Once out of the elements Fran feels slightly better, but is still exhausted from the roller coaster that has been the past few hours.

“Let’s get you back home,” he says, and she begins to panic. “To Hell-ton.”

Her heart rate steadies, and Fran finds enough energy to half-heartedly laugh at the use of Welton’s absurd nickname. This drive is also silent, but extremely comfortable. Eventually Mr. Bednar reaches over and turns the radio on, and she falls asleep to the voice of Sam Cooke.

When Fran arrives at Welton, she doesn’t go back to her dorm. Instead, Mr. Bednar sequesters her into the teachers’ quarters. “Your father will be here in the morning to try and find you and it will be the first place they look,” he explains. “You’re safe up here.” At Fran’s request he grabs Charlotte, and she collapses into the blonde’s arms when she steps in the room.

“Shh Fran, it’s alright,” she soothes. “You’re okay. And you’re safe.”

The two girls sleep curled together on the small couch in Mr. Bednar’s living room while he paces back and forth trying to figure out what to do. He should report the incident to the administration, but he knows that Dr. Sakic will allow Fran to go back into a dangerous situation without care for her safety. There’s nothing he would want less in the world, he decides, and doesn’t care if his credibility is ruined while trying to protect her. He doesn’t sleep a wink, keeping an eye on the door in case someone saw him bring Fran in – Welton’s staff is full of greedy opportunists who will do anything to get ahead.

He was right. The next morning Fran’s father is at Welton, demanding she return home with him. She’s nowhere to be found of course, tucked safely away in Mr. Bednar’s room, but Fran watches him stomp around the grounds from the window. It’s terrifying, knowing he could find her at any second. Never has she been more scared in her life.

Fran’s friends come to see her whenever they can spare a moment, though never all together. Cale comes the most frequently, but that’s because he’s positioned to be a staff member in a few months and the old men don’t mind him being in their quarters. He brings with him sweets and stories of other students misbehaving in class – most of the time it’s Nate. Since she’s technically a fugitive and can’t attend lessons, her friends take turns breaking down the material so Fran doesn’t get too far behind. When the anxiety of getting found out gets to be too much, Charlotte comes to braid Fran’s hair and shares fantastical tales of her European adventures. Nate stops by as often as he can, letting Fran know he’s there for her in every sense of the word, and she feels herself yearning for him once again.

After three days her father stops coming to Welton. Fran assumes he’s moved on to looking in other places, and becomes a bit freer in her movements. Late at night she sneaks out to join her friends at the regularly scheduled Society meetings. Mr. Bednar doesn’t say anything, sometimes helping Fran escape by distracting those who might see her in the hallways. This works for a week, but eventually she’s found out.

Fellow student Nico Sturm finds Fran sneaking back into Mr. Bednar’s quarters one evening. Nico is in that section of the school for chemistry tutoring, and sees her pass by in a flash. Immediately after realizing it was the missing girl teachers have encouraged students to look for, he travels to Dr. Sakic’s office, where the old man works until well into the night. The young man takes the opportunity to also reveal the names of the other students involved in the Society for Banned and Burned Books. Apparently he’s been watching the group for quite some time, waiting until the time was right to present the information. He’ll make a great politician indeed.

Three raps at the door are followed by Sakic’s booming voice. “Jared, open this door or so help me god.”

Fran looks at her teacher with an absolutely petrified gaze. “What do we do?” she asks, voice small.

“Whatever we can to minimize the damage,” he replies grimly.

Dr. Sakic stands in the doorway, broad shoulders making it so much of the space isn’t empty. He invites himself in, peering around the room for Fran. When he spots her he speaks. “Christ Jared, you can’t kidnap children.”

The English teacher calmly explains that he had not kidnapped Fran, but that she had called him for help after running away from home. Apparently that wasn’t the answer Sakic was looking for. The older man explains that Fran’s parents are on their way to the school and that the three of them should make the journey to his office.

The entire time Fran waits for her parents to arrive she’s a nervous wreck. Her teacher does his best to comfort her from a distance – it was made very clear that the two of them were to be separated. Both men let Fran cry freely, which she appreciates, because once her father enters the room she’ll be forced to show no emotion.

He’s a force to be reckoned with when he arrives, arms flying and tongue lashing. It’s all Fran’s mother and Dr. Sakic can do to stop him from tearing Mr. Bednar’s throat out. “You no good son of a bitch,” he screams. “You kidnapped my daughter!”

“Lower your voice, Conrad,” Dr. Sakic advises. “It’s better if we solve this matter privately. We don’t want a scandal.”

Her father huffs gruffly before agreeing. Fran doesn't dare look him in the eye and he pays her no mind. Though her mother does come over to quietly ask if Fran was safe, she’s quickly called to her husband’s side.

The adults deliberate for hours, never once stopping to bring Fran into the conversation. Mr. Bednar gives her a look that says he would if possible, but she knows he can’t ask for her input on the matter at hand. His career is already on the brink. Fran’s father is adamant on having Mr. Bednar fired and pulling her out of Welton.

“It’s clearly not safe for her here,” he argues. “So it’s best we put her someplace else.”

Dr. Sakic disagrees completely. “You’ll never be able to find a school to take her for a month. Plus she’s graduating. Let her remain here, and then send her wherever you’d like.”

Fran’s parents deliberate for a short time. It’s mostly her father arguing that she must leave and your mother agreeing with the headmaster. “He’s right dear, it would be detrimental to her education if we send her someplace else,” she says quietly. He mulls it over for a minute before conceding.

“Fine. But Bednar is gone.”

Fran can’t help her face from falling into a frown. It isn’t fair he gets punished for trying to help her. “Father –” she begins, but he cuts her off.

“I advise you not to speak unless called upon, Francesca,” he says cooly. “When asked, you will verbally confirm that Mr. Bednar kidnapped you and held you hostage. You’ll also sign a paper saying that he encouraged you to enter into unauthorized extra curriculars.”

The tone of his voice tells Fran those orders are final and she’d be a fool to try and defy them. Left with no other option she agrees, though Fran hopes the fingers you have crossed behind her back will help to lessen the guilt. “I don’t see that I have any other choice,” she sighs. “So I have one request.”

“You’re not in a place to be asking for anything,” her father spits.

Dr. Sakic stops him from continuing. “Mr. Winters, we try to keep this school as democratic as possible. Let her speak.”

The floor is hers and Fran’s throat goes drier than a desert. “I don’t want Mr. Bednar in the room when I say these things,” she stammers, heart pounding in her ears. She’d rather not say them at all, but her hand is being forced.

The request is granted, and Fran’s beloved English teacher nods his head once before slipping out of the room. Tears stain her cheeks and blouse as she repeats the words she’s prompted to. Her voice is barely above a whisper and riddled with hiccups, but they don’t let Fran stop. Eventually the excruciating process is done, and it feels like her soul has been crushed. In a way it has – Mr. Bednar gave Fran the tools to feel like her life had purpose and now he’s gone.

Without acknowledging her parents, Fran turns on her heel to return to the dormitory wing. They’ll stay for a while longer, discussing with the headmaster on how they want to proceed legally. At the last second she decides to turn around, speaking to them for what will hopefully be the last time.

“I never want to see either of you ever again.”

Charlotte is waiting for her with open arms. She lets Fran cry herself to sleep, and even then she doesn’t dare move a muscle. The other girl needs her to provide love and stability, even in an unconscious state, and she understands. Sleep doesn’t come easy, or for long, but Charlotte’s there with Fran every step of the way.

☼☼☼☼

Fran is empty. Everything feels like it’s underwater, and she spends most of the morning distant from almost everything. Her friends are there, cracking small jokes and offering comforting touches. It’s much appreciated and Fran hopes they know this, because she’s too exhausted to tell them herself. The events of last night, and the weeks and months before, play on loop in her head. She feels personally responsible for the destruction of Mr. Bednar’s career, and though she knows he doesn’t blame you, Fran can’t help but blame herself.

No one pushes her much, which Fran appreciates. The other teachers know what happened last night, and don’t call on her for answers. Other students whisper but she does her best to ignore them, and when they get a little too rowdy Nate quiets them down with a quick-witted insult. Fran never liked most of them anyways. Nico is nowhere to be found, but she’d be the last person to get your hands on him. Nate, Tyson, and Cale have already said fighting him is worth the risk of getting expelled.

Luckily none of Fran’s friends get punished for The Society. The school administration places all the blame on Mr. Bednar, though that isn’t much of a conciliation. Everyone feels terrible, but the others are keeping their spirits up as much as possible for Fran.

“Look at this origami swan,” Tyson says, dropping it into Fran’s hands. “I figured out how to do it in trigonometry.”

It’s obvious he’s trying to distract her from the fact the pair of them are entering the English classroom. For the first time all year Mr. Bednar won’t be waiting, encouraging everyone to go after their dreams while talking about literature. Fran is grateful for the effort Tyson’s putting in, especially because today has been difficult for him too.

When she slides into her seat behind him, she notices that Dr. Sakic is writing on the blackboard. Once everyone is in their seats and the bell rings he addresses everyone. “I’ll be teaching you for the rest of the year, and we’ll hire a replacement in the summer,” he says. “Though, I suspect the only person in here who will care is Mr. Makar. Perhaps the position will be yours, young man.”

“Possibly Sir,” Cale says shyly, blush creeping onto his cheeks.

The lesson the headmaster turned substitute teacher gives is boring. Apparently very little Mr. Bednar taught was in the curriculum, so he plays catch up as quickly as possible. Fran barely pays attention, wondering what her old teacher is doing at the very moment. Could he already be out of the state, driven out by shame? A knock at the door pulls her from the daydream.

“I left some personal belongings in my office. Should I collect them after class?”

The voice of Mr. Bednar rings out through the room, and Fran whips around in her seat. There he is, looking like he hadn’t slept a wink, but still here and present. He lets the class have a small smile, informing them all he would be okay without having to say anything.

Dr. Sakic doesn’t look thrilled. “It’s fine Bednar, grab them now,” he sighs, corralling the class’s attention back to him.

Too afraid to meet his gaze, Fran stares at her textbook while he passes by. There’s some rustling in the small room behind the main classroom, and then her former teacher emerges. Knowing it’s the last time she’ll ever see the man, and that the guilt will eat her alive if she doesn’t, Fran speaks.

“Mr. Bednar, they made me sign those papers. Made all of us sign them,” she explains, words so rushed they jumble together.

He smiles kindly. “I know.”

“Miss Winters, that’s enough,” Dr. Sakic shouts before narrowing his eyes at the other man. “Your time has expired Mr. Bednar. It’s time for you to leave.”

Mr. Bednar heads for the door. No one else looks at him, too afraid of getting reprimanded by their new teacher. The lesson continues around her but Fran isn't paying attention. Suddenly there’s more rustling, and Tyson is standing on top of his desk.

“Oh Captain, my Captain,” he yells, completely disrupting the studious atmosphere.

The phrase stops Mr. Bednar in his tracks, and he turns around.

“Mr. Jost, get down this instant,” Sakic screeches.

Nate follows his friend’s lead, popping up and repeating the words. “Oh Captain, my Captain,” he says, adding a small salute for flair.

The courage of her friends nestles inside Fran’s stomach and pushes her to act. She rises in solidarity with them, and Charlotte and Cale follow suit. Dr. Sakic yells at the group repeatedly, threatening disciplinary measures that won’t be fun, but Fran could care less. All that matters to her in the moment is letting Mr. Bednar know that she’ll never stop caring about him or forget everything he did for her.

“Thank you kids,” he whispers, a single tear rolling down his left cheek.

Only the five of them stand in sendoff, but it feels like the entire world is on their side. Fran realizes that this is her world – her friends, her idol, and the wealth of memories and possibilities made possible because of them. That will always be enough.

[miraculouscontent]

Didn’t Need Burrow (April 24th-May 3rd)

Anonymous said:

Didn't Need Burrow: Marinette is exposed to the world as Ladybug by the end of the series. This is largely so Adrien gets to bask in everyone knowing that HE ended up with Paris' protector on his arm, emphasizing her status as a trophy that he won.

This feels too likely, I hate it.

Anonymous said:

Didn't Need Burrow: After being badgered into trusting her with the Fox, Marinette tries to convince Alya that she can't expose herself as Rena Rouge any further, and should take advantage of the Fox's long-range capabilities to stay hidden. Alya dismisses the danger; if she tries hiding at all, it doesn't take long to reveal herself, claiming it's unheroic to hide. Shadowmoth then targets her personally, with Marinette taking the blame.

I WOULD EXCUSE THE FOX THING IF IT STAYED LONG RANGE BUT I’M WAITING FOR THEM TO RUIN IT

Anonymous said:

Didn't Need Burrow: Rather than outing Ladybug, Alya reveals *herself* as Rena Rouge. She claims that this is fine since Hawkmoth already knows her secret identity... and besides, it gives the LadyBlog more cred!

Because why not I guess, the bar for her is already so low.

Anonymous said:

Didn't Need Burrow: Marinette will be forced to give up Guardianship/go through the memory wipe... but continue as Ladybug. This is mined for Sadrien AND resets LadyNoir; she no longer recalls all the annoying shit he's pulled, offering a fresh start. May lead into Reversed Rectangular Romance with Chat Noir pining after the old Ladybug while she develops a crush on her brooding partner. He's so ~dark~ and ~mysterious~ and gives her such ~wistful looks~!

Marinette gets to give up guardianship but at what cost. (also, that last line about Chat being dark and brooding)

Anonymous said:

Didn't Need Burrow: In a Shocking Twist, Emilie is revealed to have been evil and manipulative like Chloe/Lila, and presented as solely responsible for her husband's jerkassery. This sets up GabNath as endgame with Gabriel absolved for all his misdeeds. (Any similarities between Emilie and her son's behavior are summarily ignored.)

Because Adrien is male, obviously. He gets a pass.

Anonymous said:

Didn't need the Burrow: A lot of Adrien's supposed childhood friendship with Chloe was actually with Zoe. Which is supposed to give the new character some instant connections and serves as another proof of Chloe being irredeemable. Bonus: Marinette finds out and whether or not she spills the beans, it will be something she'll get called out for.

So, either a retcon or Adrien comes off as even more of a liar in “Origins.”

Anonymous said:

Didn't Need Burrow: Su-Han will tell Marinette outright that her responsibilities mean she's not allowed to be happy. This is used to garner sympathy for HIM - Isn't it sad how his duties have completely consumed his life? Clearly he needs help learning how to unwind and relax! Meanwhile Mari's drowning in the background, but this isn't about HER, now is it?

I’M SO SAD

WHYYY

Anonymous said:

Didn't Need Burrow: Adrien discovers Gabriel's secret and hides the truth, forbidding Plagg from telling anyone. Not just to protect his father/family, but because he's not ready to stop being Chat Noir. No villains means no reason for heroes, and he doesn't even know his lady's secret identity yet--! Naturally, his reasoning is treated as totally understandable and sympathetic, even as he enables the conflict to continue indefinitely.

“CHAT BLANC” VERSION 2.0 I HATE IT DX

Anonymous said:

Didn't Need Burrow: Hawk/Shadowmoth starts aiming to *kill* the exposed/temp heroes in order to prevent them from potentially joining battles. This only happens during akuma fights (so that it falls upon Ladybug to 'set things right' with her powers). Chat Noir makes minimal (if any) effort to protect them, relying upon his 'partner' to carry the day instead and bring them back.

Ladybug: *trying to save everyone*

Chat Noir: *filing his claws in the background*

Anonymous said:

Didn't Need Burrow: Marinette will be pressured to make others permanent heroes and let them have their Miraculi full-time. This sets up for Hawkmoth to eventually get his hands on the Miracle Box, meaning any Miraculi that haven't been distributed are now in the villains' clutches. Not only does this dramatically cut down her pool of allies, Marinette gets to be guilt-stricken over failing all her duties and not listening to their demands while she had the chance.

Marinette, you’re such a fAilUrE as guardian!!

Anonymous said:

Didn't Need Burrow: Zoe will turn out to be another love interest for Adrien - only it's as the New-Bee with *Chat Noir*, enabling the dreaded Reversed Romo-Rhombus dynamic with Ladybug becoming jealous of their chemistry.

girls are such jealous types, haven’t you guys heard? :)

Anonymous said:

Didn't Need Burrow: Ladybug gets a new default look (for the sake of selling more ML merch in Real Life), trading the spotted onesie for another form-fitting spandex suit that 'highlights her feminine charms' even more. This is treated as a sign of her 'growing up'.

wow i hate it

Anonymous said:

Didn't Need Burrow: Alya shipping Marinette with both Adrien and Chat Noir after finding out her identity.

I am 100% not here for shipping shenanigans.

Anonymous said:

Didn't Need Burrow: Alya will be responsible for leading Lila to suspect that Marinette and Ladybug are connected. Though Alya may actually *realize* that she slipped up, she won't warn Marinette about the potential security breach, not wanting her to get upset/any more paranoid than she already is.

And of course, this will be used to make people “sympathize” with her. See, she cAreS about Marinette’s feelings, how can you be mad at her for this??

Anonymous said:

Didn't Need Burrow: There will be more plots where Marinette's 'lesson of the week' is that she must learn how to better control and suppress her emotions, and that she is literally not ALLOWED to be upset because Hawk/Shadowmoth will win if she does. At the same time, Adrien is encouraged to marinate in his own unhappiness over Ladybug not giving in to his advances. If the danger involved ever comes up, it's presented as purely Ladybug/Marinette's fault for rejecting him.

I’m starting to think some of you are ZAG insiders because wow that sounds likely. DX

Anonymous said:

Didn't Need Burrow: A recurring theme in episodes featuring the 'girl squad' will be Marinette meddling too much, as her efforts to help them cross boundaries THEY aren't comfortable with. If she dares to bring up their past insistence that friends don't keep secrets, they'll call her out as a hypocrite while refusing to acknowledge their own hypocrisies.

“Marinette’s boundaries? Who??? No, Marinette, what about THEIR boundaries???” - the writers

Anonymous said:

Didn't Need Burrow: Adrien will feel sorry for Chloe and regret the role he played in her losing her Miraculous. This is mainly a vehicle to help explain why everything that went wrong with her/Queen Bee is totally, 100% Marinette/Ladybug's fault, along with showing how forgiving Adrien is and how he 'sees the best in everyone', and is clearly right to do so. Bonus: this is combined with him distrusting the NewBee for not being Chloe/making her jealous.

*sigh*

Anonymous said:

Didn't Need Burrow: Chloe will get akumatized out of anger over the New Bee, and Ladybug is blamed for her insensitivity/forced to apologize to her.

I’m still stunned at the mental gymnastics they go through to make Marinette/Ladybug apologize to people.

Anonymous said:

Didn't Need Burrow: Su-Han will confirm the popular fan claim that Ladybug and Black Cat bearers are, in fact, soulmates/bound together by destiny. Chat Noir gleefully rubs this in Ladybug's face; her disbelief and horror is played entirely for laughs at her expense. Adrien's behavior escalates further afterwards, bolstered by the knowledge that it doesn't matter how shitty he gets, as she belongs to him regardless.

Anonymous said:

Didn't Need Burrow: In addition to confirming the notion that Ladybugs and Black Cats are 'meant to be', it's revealed that other Miracli are destined soulmates, like Foxes and Turtles or Butterflies and Peacocks, and other random Miraculi pairings that 'coincidentally' align with various official ships.

brb, need to step away to scream on my porch

Anonymous said:

Didn't Need Burrow: At least one episode will have Marinette mess up a potion, preventing her and the other heroes from enjoying its benefits during a big fight. This is blamed either on her anxiety causing her to overthink it or on her being a poor student, lamenting the fact that she didn't have more time with Master Fu. (Bonus if Su-Han takes advantage of this to slam Fu; extra bonus points if Mari defends him by insisting *she* was the one who screwed up, not her master.)

It’s like a main course of Marinette blame, oh my god.

Anonymous said:

Didn't Need Burrow: Su-Han will make various sexist comments about Marinette and the other heroines, implying that they were all poor choices Because Girl. Since nothing says 'Girl Power' like insisting they must prove themselves to doubtful men who will never fully accept them. After all, Marinette is the only one who ever learns lessons; therefore, Su-Han will never grow out of his 'old-fashioned views'.

And when the writers are called out, they’ll go, “bUt hE’s jUst oLd fAshiOned”

Anonymous said:

Didn't Need Burrow: Adrien gets his Ring revoked by Su-Han for misbehavior. This is depicted as a terrible miscarriage of justice, and Marinette must convince Su-Han to return the Ring without learning who Chat Noir is. The more terrible the inciting act, the bigger the bonus points; did he skip another battle like Glaciator? Pull another Syren-level stunt? Cataclysm another innocent? Who cares? Sadrien is Sad, and that's the biggest crisis of all...

Anonymous said:

Didn't Need Burrow: Adrien pulls another Syren-level stunt (or worse); rather than holding him responsible, Su-Han berates Marinette for her poor leadership and failure to keep him in line. Bonus if she confides/vents to Alya afterwards only for Alya to AGREE with Su-Han that she's failed at being a good partner to Chat Noir. Fever Mode activates if Alya implies Marinette's failure is due to her inability to admit her feelings for Chat Noir and/or confess to Adrien.

I don’t know whether to laugh or cry.

Anonymous said:

Didn't Need Burrow: Alya will pull an Adrien re: Lila, refusing to openly support Marinette against her. She'll claim that they need to 'gather evidence' first before exposing her to everyone. In practice, this means that Alya is willing to continue feigning ignorance, pretending that she's taken in by Lila's lies, while Marinette continues to suffer since she won't play along. Any evidence-gathering we see Alya engaging in is minimal, if she's shown doing it at all.

This is 150% one of the most accurate Alya-Lila confrontations I’ve seen from these predictions.

I hate it.

Anonymous said:

Didn't Need Burrow: When confronting Lila, Alya will insist that 'Ladybug told me herself' that they aren't friends. Lila attempts to convince her that Ladybug is lying to try and protect her; this either works or spurs Alya to declare that LB 'hates liars', making her suspicious of Marinette's potential connections to the superheroine.

Alya

Alya why

Anonymous said:

Didn't Need Burrow: Alya will only treat Marinette with anything approaching a veneer of respect while she's Ladybug. (As in 'Transformed/wearing the spotted suit/actively superheroing'.) Her behavior towards her 'regular BFF', meanwhile, will continue to degrade.

and, as a alternative:

Anonymous said:

Didn't Need Burrow: Having learned that Marinette = Ladybug, Alya shows less and less respect towards the superheroine. (Not that she displayed much in the first place, but you know what they say: familiarity breeds contempt. And Alya's convinced that she knows her SO WELL, despite all signs to the contrary...)

Thanks. Hate them both. T_T

Anonymous said:

Didn't Need Burrow: Alya will end up outing Ladybug in a moment of anger. Though this is treated as impulsive and spur-of-the-moment, the act itself hints otherwise. (For example, she posts it on the LadyBlog; that post had to be *written up* first, and she likely had to think about what evidence she'd use to back up her claim... Not to mention if she includes pictures or video. Showing that Alya thought about it well before her 'tipping point', no matter how she claims otherwise.)

okay but you missed the part where Marinette is blamed for it--

Anonymous said:

Didn't Need Burrow: Tikki's comments about kwamis not understanding love are foreshadowing that they will later claim that Ladybug and Chat Noir's relationship has shown them what true love is. Because none of the other relationships they've ever seen or experienced in their long, looooooong history compare to the Four-Cornered F**kery.

Tikki sure knew a lot about love when she commented on all of Marinette’s love issues.

Anonymous said:

Didn't Need Burrow: Kagami will come to regret 'impulsively' breaking up with Adrien for being a lying jerkface, while Luka moves on and finds happiness with somebody else with relative ease. Because guys are allowed to move on with their lives while girls have to wallow in the miserable mires of wish-you-were-(still)-mine. Woes--!

no but see Adrien is “worthy” of love while Marinette isn’t

Anonymous said:

Didn't Need Burrow: Marinette is either responsible for the secret Juleka's keeping (such as trusting her with a Miraculous) or inadvertently sets Rose on its scent in the first place, making her *supposedly* responsible for the strife which follows.

We already know that it’s not Juleka’s secret at least but Marinette could absolutely still set Rose off.

Anonymous said:

Didn't Need Burrow: Marinette will be taught techniques/given a power-up that shuts off her emotions completely, or simply reaches the point where she figures out how to do so on her own. This is ultimately shown to be a bad thing/another mistake not because of the toll it takes on her psyche, but because the fully repressed Marinette/Ladybug no longer has any interest whatsoever in Adrien, and *we can't have THAT!*

Us getting to see Marinette not crushing on Adrien... but at what cost?

Anonymous said:

Didn't Need Burrow: Alya posts more embarrassing content on the LadyBlog, making it look like Ladybug keeps screwing up/making mistakes. Marinette asks her to stop, worried that she's undermining people's faith in her; Alya blows off her concerns and accuses her of getting a swelled head/becoming a 'control freak' about her image, insisting it's no big deal if people see she's human while refusing to treat her as such. (Meanwhile none of Chat Noir's mistakes/misbehavior make it onto the blog.)

“Bonus” if Alya gets particularly huffy because it’s jOunrAliSm and she’d be bIAsEd if she took down something that made her fRiEnD uNComOFTablE.

elflynns-horde-of-stuff said:

Don't need a burrow: The upcoming episode "Guiltrip" is gonna be 50% Sadrien. And we won't even get any new developments on his character for it.

so the usual

Anonymous said:

Didn't Need Burrow: It's revealed that Ladybug holders are 'natural good luck charms' for everybody around them, but are punished by karmic backlash for even the *slightest* hint of selfishness (or self-consideration). Hence Marinette's whole plight, which is still presented as her fault for not being able to reach an impossibly perfect ideal. (Anything we learn about Black Cat holders, meanwhile, is purely for Agrestangst and has no bearing on anything observable within the show itself.)

Honestly, with the bad luck Marinette had in “Origins,” you’d think she’d be meant for the cat and been taught about the values of destruction and just being able to Go Off on people, or how to spin her bad luck into something good (or the black cat miraculous in general helps her channel her bad luck, such as making her Cataclysm stronger or being able to give her bad luck to others).

Anonymous said:

Didn't Need Burrow: The show ends with Marinette and Adrien getting together, with Marinette declaring that everything she went through was worth it and that she's 'incredibly lucky' -- that the fact fate brought them together is 'nothing short of Miraculous!'

The sheer level at which I just cringed in immeasurable.

Anonymous said:

Didn't need the Burrow: A S5 episode will drop before S4 is finished.

Oh! Ahaha, we’ve got a wavelength, anon! I actually already added that one at some point.

Anonymous said:

Didn't need the Burrow: The series will not really make Rose/Juleka canon. They will imply it but the official language used in the episode will be "best friends". Yet on Twitter the creators will pat themselves on the back repeatedly for it

I mean, this already partially happened in “Reflekdoll” so--

Anonymous said:

Didn't Need Burrow: It'll be confirmed beyond any reasonable doubt that Adrien 100% knows about Marinette's crush when he uses it to manipulate her. Plagg comments on it, and Adrien affirms that he knows, but her feelings don't compare to his own for Ladybug. ('And aren't worth sparing' goes unsaid, but is naturally implied.) Naturally, his manipulation of her is treated as 'clever', and any pain or mortification she feels as a result is just gravy.

Anonymous said:

Didn't Need Burrow: Adrien reveals to Plagg (and the audience) that he's fully aware of Marinette's crush, but refuses to acknowledge it because he doesn't want to 'crush her dreams', comparing it to how Ladybug keeps rejecting him. Making the situation entirely about HIM and how HE feels, even showing some resentment towards her for HAVING that crush for HIM to deal with. Marinette and her feelings are painted as just an ANNOYANCE that he's ignoring, heedless of the impact upon her.

wow i hate them both

thank you, both of you

</3

[janiedean]

@seethemflying I think Sansa is in the next bracket down of important characters (with Jaime). In the outline, they weren't named as one of the big five, but in the process of writing have grown more important. No way is Sansa's ending going to be anything like Show Sansa's, though (and same with Jaime tbh).

agreed but lemme take a second from cramming to rant about this because I honestly have An Issue

in the sense: I 100% agree that both jaime and sansa are next bracket/secondary main (speaking as someone whose top five is made by ppl who are either secondary main or tertiary main if they have a pov like.... I'm not gonna argue that theon is a main fiver bc he's in my top three) but like what I can't deal with is the following as in that the main five are the main five bc they have in between them all the main themes george wants to tackle + the main plot stuff except for the 'romance is my #1 sense of existing in the plot', as in:

jon is azor ahai + has the chosen one deconstruction trope going on + most likely has the 'I never wanted to be Important™/have a throne but I'll have to for duty' ending + identity arc ie if he's not jon snow first of his name i'm eating my hat

dany has the dragons + the targ ancestry deal + 'I thought I wanted to rule but actually I don't I just want to help ppl' storyline (which is the hill i'm dying on)

bran has the oH WAIT fisher king deconstruction going on + the magic™ storyline + he's most likely kitn + he's tied to uh the literal rebirth of the continent so + how to deal with disability storyline

arya has the I NEED TO REALIZE WHO I AM storyline + the learning to be yourself as a gnc woman storyline + revenge is shit storyline + I'll become a skilled assassin and choose not to act on it unless absolutely necessary storyline + trauma/ptsd storyline tied to losing your own identity

tyrion has the shakesperean hero thing going on as in I have to make peace with the fact that I killed my father/did mistakes + overcoming the societal issues/problems/the prejudice most ppl have for him that’s caused by his disability storyline + he's the only one of these five who doesn't have any magical stuff in his background/only has his brain to rely on + overcoming his family's legacy and making it better storyline

now: a bunch of other minor/secondary characters have all of this (I mean idk theon and jaime have identity + learning to deal with/overcoming societal scorn given by them being disabled/having become disabled in various ways + ptsd, brienne has the gnc woman thing etc) but like each single one of these characters only lacks the OH I HAVE A BIGASS GREAT ROMANCE WITH MY BACKGROUND (I mean gendry exists to be arya's LI but idt it's gonna be important in her future storyline the way it'll be in brienne's to say one).. which oh wait SANSA JAIME AND BRIENNE HAVE, because guess what that's the next secondary bracket where those three characters have it as a main part of the story which is exempt from the politics angle (bc none of them is tied to the iron trap by the plot no none of them jaime doesn't want it, brienne isn't a contender and sansa was supposed to be queen in the beginning so she's obviously not going to be that later no not even qitn that's gonna be bran) and here falls the entire shebang because what half of this fandom doesn't seem to get is that *drumroll* george's favorite angle to tackle when it comes to romance is... THAT EXTERNAL BEAUTY IS NOT WHAT YOU SHOULD BE LOOKING AT IN PEOPLE AT THE END OF IT AND GUESS WHAT THAT'S THE MAIN POINT OF ALL OF THEM PLUS THE KNIGHTHOOD DECONSTRUCTION THING and with that I mean:

not counting that sansa's reaction to trauma is written to be specular and opposite to arya's as in arya tends to lose sight of herself/becomes someone else/resorts to violence to survive sansa never loses track of herself/her innate kindness which... is smth I wish dnd remembered, the thing is: sansa is presented in the beginning as 'i'm a twelve year old with all the issues with shallowness a 12yo brought up like me can have and everything I want from life is a good love story', which... guess what she's 100% going to get except

characters need to have an evolution, if sansa wants a handsome pretty guy who'll make her queen in the beginning and she has to realize joffrey was The Worst, do we really think her endgame is being queen of a handsome nice king when her entire schtick is liking songs about knights and wanting true love and someone gentle and brave blah blah? no, and that's exceedingly obvious when the text throws at you in the face that her only two actually viable choices for LI - sandor and tyrion - are.. guys who are either disfigured or disabled or traumatized or all three of them but are actually good people and she has to learn to see beyond looks, and no one else fits that bill period - sansa isn't getting with a pretty guy who'll make her queen, sansa will find love with a guy who's nowhere near pretty or handsome but will love her for who she is and that she will see the good behind the not-handsomeness dot and she'll prob go back north with him and be happy advising bran bc she learned stuff in court at most and I'm dying on that hill, bc again the entire point of her sl is having the nice good love story where she sees beyond external beauty which has been clear from page five of her first pov imvho

never mind that again she wants to be a queen in the beginning and then she realizes it's shit so why would she be one in the end? like not to be that asshole but george isn't exactly pro monarchy and it's obvious he's not going to paint it as an inherently positive thing

this attaches back to the fact that there's a whole knighthood deconstruction happening for which sansa has to realize that the gallant/true knights are not the ones who seem that/look like it/flaunt it around

which brings us to the fact that oh wait sandor and jaime in themselves are true knights in spite of the fact that sandor refuses to even consider himself one and jaime thinks he fucked it up and no one sees them as such

and that the truest knight in westeros who will get recognized as such is brienne

who doesn't look standard hot either

and has the love story with jaime right on page

and jaime also has the love story right on page where he has to realize he's into people that aren't c. especially brienne and so on which is what's happening right now like jb recognizing themselves as true knights™ is part of their whole thing like... it's... important

(this counting that san/san is beauty and the beast played straight with sansa as the beauty while jb is the same trope except reversed on itself five times because both j and b are both of them)

and this would also like make utter sense if oh, wait, jb weren't in the riverlands where sandor also is and if oh wait who has sworn a vow to find sansa like again I'm dying on the hill that brienne kills stoneheart, they go on the quiet isle to recover, sandor is like AH YOU'RE LOOKING FOR SANSA and sansa gets rescued in the vale by the only three true knights in these series including the one that's her actual love interest at least the way I see it and where do you think that's going to end yeah exactly

as in: she'll have the umpteenth proof that all the true knights in these books don't look like the songs and she'll get the one she wanted

(also brienne is way more like sansa than arya in personality so like... parallelism of two girls into romantic stuff getting with the guys they like? except that for b. it's relevant bc she's ugly and she gets with hot guy who's into her and for s. it's relevant bc she's hot and she goes with guy-everyone-considers-a-lost-cause showing that they're not exactly a lost cause)

like sansa is there to a) have half of the main love story plot b) as the resident song expert witness what knighthood actually means, jaime is the resident person doing things for love and finding ways to do it that aren't toxic/finds someone who'll actually love him and not what he represents, brienne is the resident 'I never thought anyone would be into me and I'm pursuing my dreams without a shred of hope they'll go well' and she gets all of that and sandor is there to be sansa's LI and to tell ppl that you can go to rehab and have a decent life even if you were used and abused to hell and back (jaime too tbh) and like none of that has to do with the iron trap, the magic, the zombies and whatnot but it's okay because it's their point in the plot and is2g I just wish people would take characters for what they represent instead of shoehorning them into others's themes/stories just because it's what they want for them, the end

(I could rant about the third bracket of characters ie theon & co & getting over trauma/ptsd without the Love Story™ but I have to get back to study if I wanna fill some prompts later so it's not gonna happen for now but... sorry for the rant I'm just really tired of the whole sansastark will get the iron trap and the north and be the ymbq and get with a guy that looks good for her depending on what we ship not considering the overall reaching plot or her book plot and everyone else will have zero relevance in the story because we said so especially when it means giving all of that to a character who is uh not belonging to any of the categories represented by the main five which are actually kiiindaaaa relevant rep but I'mma just gonna shut up here)

[juseki-taisen]

How about how the 12 warriors celebrate V-Day? (Bonus challenge being Doudecuple and Navi)

Thank you for the request @gale-dragon-writer

This was a long one! I hope you guys like!

Inounoshishi

Without S/O

This wouldn’t happen, let’s be real. If it did she planned this by choice, so she’s probably busy kicking ass and taking names...and numbers

Probably prowls bars for lonely men/women/they’s ect to buy her drinks.

Never pays for any food or drink of Valentines. She’s hot af and knows it

It’s 50/50 if she’s going to go home with someone

With S/O

Expects to be spoiled. Please spoil her

Despite her immense wealth, she doesn’t expect you to buy her expensive things. She can do that herself. What she’d really like is for a gift that’s full of thought.

If you make her a gift, she’ll play it off but she secretly loves it. It doesn’t matter how shitty it is. If you make her a cute boar figure out of clay and it’s lopsided, but you tried hard and painted it her favorite color, it’s going on her mantel in the living room.

Spoils you too. You will drown in gifts and kisses. Don’t worry, she uses amazing lipstick and it doesn’t stick to your face.

Dotsuku

Without S/O

Spends the day giving candy to the children.

Secretly gives his daughter a secret admirer letter, her confidence SKY ROCKETS

Decorates his classroom

This man is great at help kids learn about consent. No pulling pigtails, and if a boy likes a girl and she tells him no, he makes sure he knows not to keep bugging her. Same thing with the girls. If a boy doesn’t like them they’re not allowed to keep bugging them either.

Watches cute love movies with his daughter. He’s her prince charming.

With S/O

You better believe he has you help decorate his classroom

You make cute paper hearts and pick out candy

The kids leave you valentines

He takes you to dinner. His daughter comes too. You guys have a lot of fun. He buys you and his daughter a dessert. Somehow she eats here and half of yours

Snuggles on the couch and a cute movie.

Niwatori

Without an S/O

Doesn’t celebrate

She doesn’t understand why it’s a big deal

Indulges the day after on discount candy

With an S/O

Help her

She wants to celebrate but she’s in Ushii level awkward when it comes to doing anything

Picks the most popular movie out, watches it, and THAT is the basis for her whole idea

Gets you candy. Wears a cute dress. Picks a place to eat. Buys you roses, or do you get her roses? She’ll get them for you...just in case

Candy? Candy. Lots of candy.

Any small thing you get her she’s going to love. She never has really gotten gifts, and one out of love is a gift she’ll treasure forever

If you do get her flowers, she’s going to press them or dry them and keep them forever

Sharyu

Without an S/O

She had a fiancé for what seemed like forever, so a day without one is kind of difficult for her

She’s happy she’s alone, because she’s happy with who she is and now doesn’t have anyone to try and fit her into a mold that she didn’t belong

Kind of mopes though. She wants romance and someone who loves her for who she is and everything she does

Drinks hot coco and eats an ungodly amount of chocolate

With an S/O

So. Excited.

She cooks all day and makes cake, dinner, and everything else from scratch

You get her gifts and feel like it’s still not enough

Honestly? It doesn’t matter what you get her. She just love shaving you around and knowing how much you care for her for who she is

PLEASE slow dance with her in the kitchen while you’re doing the dishes. She’ll remember it forever

Hitsujii

Without an S/O

Hangs out at home

Waiting for the candy to go on sale

Babysits for his child so they can have a romantic evening

Watches random shows on TV, but avoids romance stuff

With an S/O

Still wants to hang out at home, but will go out if you want

Uses this as an excuse to DESTROY the candy aisle

Gets you flowers, they’re not red roses because that’s pretty expensive, but he gets cute ones...and a bear

Snuggles and falling asleep to bad rom coms on TV

Uuma

Without an S/O

Spends it alone

He wishes he had someone, but he’s alright for the most part

Okay he’s not

He’s a big softie inside and somewhat romanticizes the holiday more than he should

Eats cake...and chocolate 

With an S/O

The man goes WILD

Roses everywhere

Candlelight 

A romantic dinner he made meticulously after practicing for weeks

Remakes the titanic ship in a bottle, with you two as the figures on the front of the ship

He loves any gift you get him. He cries. He tries not to, but he does. 

He writes you a poem he gets to embarrassed to read. You get it in a card. 

Takeyasu

Without an S/O

Steals everything with his brother

Necklaces, candy, and even flowers just so he can light them on fire

Doesn’t think much of the holiday, never has. It’s stupid. 

With an S/O

He’s awkward. He doesn’t know how to celebrate the holiday

He gets you the basics, candy, a bear, and flowers. That’s it right? 

Oh wait, you wanna do something? Uh, can a theme park be romantic?

You have a lot of fun actually, and when inevitably he lights part of it on fire, he has stuff for smores. 

You save the picture from the tunnel of love. You managed to snap it before he lit it on fire. The tunnel was the point of origin. 

Later on down the road he plans more stuff. He may also use fireworks to do your name in the air or something

Steals you a car. 

Nagayuki

Without an S/O

Steals stuff with his brother

Gets entirely to many snacks

Does anything but Holiday stuff

With an S/O

Doesn’t want to do anything, but will because you ask him

Takes you for dinner, and he enjoys spending time with you, but because social convention is making him he’s grumpy about it 

If you’re the kind of person who is easily embarrassed, he may send you cheesy emails with stupid valentines cards

Chocolate and all KINDS of snacks

Later on down the line he’ll plan more romantic stuff, and buy you nice things with real money so you know he cares

Usagi

Without an S/O

He likes the Holiday and wants someone to do it with SOOOO BAD

Watches all those cute movies and cheesy rom coms

Has a “Friend” he takes out on a date

It doesn’t go well

With an S/O

Oh boy. He’s SO HAPPY

He gets you everything. Flower, roses (ignore the blood it’s fine), and he lets you know he’s arrived to pick you up by having his friends hold him high while he has a boom box playing your favorite song. Even if it’s metal. Even if he thinks the holiday begins at midnight. Your neighbors wont care, right?

You will go to ALL the cheesy stuff. Cute rides at a theme park, which somehow gets burned down later on thanks to someone (Takeyasu)

 A dinner and flowers, chocolate. SO MUCH CANDY. He even likes the terrible heart ones. He made you a box filled with ones that have saying that remind him of you

Cuddles, kisses, and smooches that just...don’t stop. Even in public. You gotta tell him to tone it down. 

Tora

Without an S/O

Drinks, and mopes

She doesn’t really want to date, but seeing other people happy kinda rubs it in when you’re single

Partakes in day after candy sales

She actually avoids the bars, to many couples being happy and cute

Angrily eats snacks

With an S/O

She doesn’t expect much, other than maybe being one of those annoying couples who steals Every. Booth. In. The. Restaurant. 

Please get her presents. Please. She’ll get really happy and flustered

This girl will actually try and make you chocolate from scratch. Sharyu helps. She even wraps them in a cute wrapping paper she draws herself

It’s pretty casual and after bar hopping you spend it at home. You’re with her so she cuts back so she’s not sloshed. She wants to remember being with you. 

So many cute kisses. 

Hand holding. It still gets her flustered. 

Please get your picture taken at some point. She’ll put it by her bed and fall asleep smiling

Ushii

Without an S/O

There’s a Holiday? 

He guess he noticed it was harder than normal to get a table for his favorite restaurant

Doesn’t really like sweets so the holiday just annoys him

So many people confess to him and he’s just like “Okay. Cool. Thanks” 

With an S/O

He’s not great with the holiday. He’s smart though, so he tries  to research what to do

Googles top ten most romantic gesture, luckily has the sense not to propose

Gets you candy, roses, and all the stereotypical stuff

You have to tell him to relax, because all the stuff he’s saying is regurgitated rom com lines

When he does relax, he’s actually really sweet. Stupidly sweet actually. 

“I don’t need a holiday to tell me you’re important, you’re already always on my mind, but the candy is nice I guess”

Will watch whatever you want. Is always confused by romance movies, but oh BOY does he love going out to eat with you. Hell. Yes. The desserts are amazing and now he gets to share them with you

Care you a card. It’s ugly, but he tries

Gets you a really cute necklace. It has a small ox on it, so he can always be with you. 

Nezumi

Without an S/O

Eats candy and sleeps. It’s no different than any other day, other than people piss him off more.

He doesn’t like how weird people get 

They also made out on his locker...and he needed his textbook. Please....Let him get his books

With an S/O

Uses his paths so much that he passes out and HARD CORE NAPS before you go out

Has the perfect gift.

Plays co op video games with you

He doesn’t like people, so you get take out and stay home

You watch movies, but they’re movies like Princess Bride, Warm Bodies, and love stories that aren’t so normal and are more fun

If you’re LGBT he goes out of his way to find a good movie ahead of time, because he loves and supports you and this day is about you two damn it! (The other’s would try to do this for their S/O, but would have a harder time. since most of them are not great with technology like Nezumi is)

So much candy and snacks

Selfies and filters

You fall asleep together and nap

get him a gift. He’ll know it’s coming but it still makes him happy

BONUS CHALLENGE 

Doudecuple

Without an S/O

Doesn’t do a whole lot. Has wine and watches the mortals below

Maybe messes with people just a bit to amuse himself

Does his own thing. He really doesn’t care for the holiday

With an S/O

Wine and a dessert charcuterie board

Gets you an expensive gift, but practical. A coat, a scarf. Something to keep you warm and cozy you can use everyday and think of him.

Makes the impossible possible. A romantic setting with only a few people

Getting the tickets for some play or show the last minute

Please do something cheesy, it’ll amuse him, and he’ll secretly keep it

ON THE FLIP SIDE

He may get a gift from you, then anyone who goes in his office will see it. 

“Look what my Love got me. Have you beheld it?”

It doesn’t matter if it’s stupid. He’s keeping it forever 

Navi

Without and S/O

Stays home and has snacks and chocolates

Maybe organizes his hat collection

Watches fun game shows or anything without romance

With S/O

Has a special hat he wears for the occasion

Gets you one too

Gets you candy and a single rose, as well as a teddy bear

Uses his tablet to find the best places to go with the best rating. Uses his ability to multiply to hold your place in line so you can actually do other stuff

Ferris wheel. He has to hold his hat on but you guys get an AMAZING picture together. It’s his screensaver. He texts it to Nezumi. Nezumi and him start having a couple picture off. Next year, double date. 

[qianoir]

After Midnight 3 - Stars

𝐏𝐚𝐢𝐫𝐢𝐧𝐠: college dropout!Ten (WayV) x fem!reader

𝐆𝐞𝐧𝐫𝐞: non-idol au, angst with fluff on top

𝐑𝐚𝐭𝐢𝐧𝐠: 13+

𝐖𝐚𝐫𝐧𝐢𝐧𝐠𝐬: cursing (censored), lying, family problems, mentions death of reader's father, romance

♡ 𝐖𝐨𝐫𝐝 𝐂𝐨𝐮𝐧𝐭: 1.9K

𝐓𝐚𝐠 𝐋𝐢𝐬𝐭: @staysstrays

Preview < 1 < 2 < 3

Your head was pounding from your ears drinking in the tantrum of a 3 year old boy, the cries diving straight into your ringing eardrums. A young couple showed up with their child who started offing himself about your café not having some made up hybrid cake he wanted for the last 10 minutes.

The boy started flailing around and knocked his mother's iced Americano out of her hand in the process, landing the freezing and pungent liquid all over you.

The LED clock above you flickered with a new hour, freeing you from the café’s dark roasted chains. You ripped the soaked apron over your head and stuffed it into the back room’s washing machine before taking hold of your belongings and rushing out of the building after saying a quick “good-bye” to your mother- who was not about to deal with the coddled boy and you leaving all at once, so she kicked the spoiled family out, them following your irritated trail on the way through the doors.

You were walking fast to have a little costume change before meeting up with Ten and his friends, 5 o’clock coming within the next 20 minutes.

Y/N

Heyyo I had a little accident at work so I'm going to stop by my place to clean up before heading over to yours.

Once you were in your own space, you peeled the rest of the coffee soaked clothing off of your body, sticking the wet collection into the washer to cold soak after dressing up nicely.

TEN

d.amn it y/n you are too old to be soiling yourself

???

Y/N

That’s not what I meant!

TEN

Whatever ;p

Stepping out into the bright evening air, you realized you don't even know where the hell to go. The napkin with the address was in the pocket of your apron washing back at the café.

You recognized the street that leads to Décalcomanie, the street that leads to Myeongdong, and one leading to a duck shop.

Admitting defeat, you texted Ten.

Y/N

hey so I left the napkin with your address in my apron.. which I don't have would you mind sending it to me?

TEN

such a handful~

You followed the GPS to his address. His apartment building was on the other side of your school you usually metro to, so it was a pretty tiring walk. Arriving fashionably late, you knocked on door number 117.

There was a lot of commotion and screaming, as you were previously informed. Finally, Ten opened the door and waved for you to come in.

Taking your shoes off at the entrance, you saw three guys tackling each other, two others playing video games, and one really fine looking man behind an island in the kitchen.

"Hello!!" One of the guys being tackled shouted and waved at you which got him punched in the back by the guy orchestrating the tackling. You hesitantly waved back "Hi Y/N!!" The boy in the kitchen said with a charming smile.

"Lovely place." You said to Ten with a giggle as he closed the door with an annoyed look on his face. "Y/N, these are my friends,"

He took you over to the couch where the two players were. "This is Sicheng and Xuxi," The two boys playing Mario Kart threw a glance your way and waved with a smile. "these fools are Hendery, Xiaojun, and Yangyang.."

Hendery strained to wave again under the two boys with a big smile on his face, as did the two others. Ten swayed you into the kitchen and introduced you to the last man. This guy was so handsome, like the Asian bachelor. "I'm Kun." The man greeted, kindly.

"It's nice to finally meet you, Y/N. Our Ten always talks about you." Yangyang says walking towards you two. Ten sent him a glare. "Is that so?"

"At least I'm not blind from having my head up my ass all day, Yangyang shut up!" His voice cracked, making you and Yangyang erupt in laughter.

"Anyways, if you'll excuse us- I invited Y/N here for us to be alone." He took your wrist in his grasp and led you to a room.

Ten pet a space on the bed for you to sit down while he leaned over his desk, searching on his laptop. A slow beat filled the room. You recognized this song- the song your dad would play for your mom in the car on long road trips: Something by The Beatles.

Something in the way she moves

attracts me like no other lover

Something in her style that shows me

I don’t want to leave her now

you know I believe and how.

Your parents were so in love. When your father first heard this song, he had made it their special theme to portray their love. They had both become big fans of The Beatles and always had this song pop up at least once in every holiday or event playlist or could be caught quoting it occasionally when the timing was right. Your heart sank in your chest at the memory.

You hadn't realized that the song had ended or that Ten was at your side watching you intently. You looked up at him and he offered a small smile.

"My parents used to listen to this song all the time."

"Really? Are you guys close?"

Your mouth felt sour hearing the inevitable question. “My dad died from pneumonia when I was younger. My mom tries to be present for me, but I know she misses him.” Tears puddled at your waterline as you forced yourself not to cry. “Sometimes I think she only keeps trying because she thinks I’m studying premed when I really hide pointe shoes in my closet. I don’t have the heart to tell her what I’m really majoring in.. because I’m terrified of us losing each other completely and frankly, she would never forgive me of my dishonesty if she would stay.”

"It's not wrong.. following your passion" Ten announced after a whole note of silence, "I'm sorry for making you bring up such a past, but I’m happy I can at least sympathize with you..” He looked away from you to recall his memories clearly.

“My parents didn't agree with me wanting to study dance either. And they certainly did not agree with me leaving my hometown in Thailand and dropping out of college to come here for the best art opportunities. Mine and the rest of the guys outside; all of us are a little more distant from our family than usual just because we are passionate." Ten confessed.

"I'm sorry." You weakly rasped.

"I'm not." Ten smiled at you.

"My friends and I are doing what we love without anyone holding us back and one day it's going to all pay off.. I know it will.. If it wouldn't I would have never dropped out."

You could understand where he was coming from. He is really passionate and faithful to his dreams, it is a little inspiring.

"And you seem to be doing good on your own, too. You're studying dance, which I'm sure you're amazing at, and working at the café to help your mom, letting people make a mess of you that you always undoubtedly pick yourself up from." You laughed, the sad tears rolling down your cheeks and turning to bittersweet tears of joy.

"Thank you, Ten."

"Anytime, Y/N." He handed you a napkin for your eyes.

A cough was heard outside the closed door, along with faint whispers.

"Lucas, shut the HELL up!"

Ten got up and opened the door, making four boys come tumbling inside the room.

All rushing to get up, Lucas stayed laying on the floor, "Uh, hi guys." he offered a charming smile. "We were just coming to tell you that dinner is ready?" Yangyang shrugged obviously.

Ten snickered.

"Nice try, guys-"

"Dinner is ready!" Kun yelled from the kitchen.

"What did I tell you?" Yangyang stuck out his tongue, cockily. Ten rolled his eyes and looked over at you,

"Would you like to stay for dinner?"

"Uhm-"

"She is staying, I already made her a plate!" Kun yelled once again from the kitchen. The other boys ran out of the doorway to the kitchen.

"I guess it's settled then..." Ten sighed and reached his hand out to you, which you took. You were led into the dining room where the other boys sat. Ten placed you in a chair next to his and Kun’s.

Kun had made zhajiangmian, a Chinese traditional celebration/comfort food aka Chinese spaghetti. It tasted so much better than the bread pastries and milk teas you had been living off of in the past year.

Everyone was very talkative during dinner, you even found out that Ten choreographs his own dances for himself and the others to perform and learned that Kun has a degree in music from a prestigious university in Beijing. The boys you had dinner with were really fun to be around and gave you lots of energy after the intricate start to the new semester.

You didn't realize how lonely your little apartment was until now, even when sharing it with your mother most nights. They made you feel so comfortable and content after lacking companionship since your high school days. Also the food was really good, thanks to Kun.

Everybody finished their food but still continued the little chat at the dinner table "And this one time, Ten ate butter thinking it was ice cream! Who does that!?" Yangyang finished off his story punching the table with laughter.

You glanced at the time on your phone. It was almost 10 o'clock and you had to get to sleep early for your new 8 AM class.

Ten turned to you when he felt short tugs at his hoodie. "Cinderella has to get home?"

The room got quiet with Ten’s words, but quickly exploded in a swarm of whines and begs for you to stay. You gave them an apologetic smile.

Ten stood up, pulling me with him, "I'll walk you home." He was already at the door, kicking on his shoes. Everyone bid you good-bye as you waved to all of them before you and Ten were out the door.

"It's this way." You motioned in the direction of your apartments. Ten nodded and followed your path. It was silent the whole way, but it was a nice silence. It was peaceful with just you two. Arriving soon, you  stopped in front of the entrance and turned around to look at Ten.

"Thank you for having me over, I really enjoyed it. Your friends are really nice."

"Of course. I’m really glad you came. I like spending time with you and I think my friends do as well."

Smiles were exchanged and hearts skipped, both of your breathing patterns were evident in each other’s dialogue. "Do you have any last lyrics before we end the night?"

Your building never shines like the others in its distance. The only light around you is the one that blooms in space and allows the stars to twinkle down to where you stand. Ten took your chin is his hand and created perfect eye contact:

"Look at the stars. Look how they shine for you. And all the things that you do.”

He tossed your chin up before walking off into the night.

To Be Continued…

Something by The Beatles

Yellow by Coldplay

𝘲𝘪𝘢𝘯𝘰𝘪𝘳