#But I cannot cull them

[messtyrion]

kirara :3

[alternia-confessions]

going quirkless for this but i knew a troll who was culled. it was a public execution right in my hivestem's lobby -- i saw her die painfully. the VERY NEXT NIGHT she was knocking on my hive and trying to make plans with me. i looked through the ganderbulb port -- it was definitely the same troll, and she very clearly wasnt dead. she wasnt even injured.

i freaked the fuck out and stayed quiet until she went away. ive seen her since and shes fine. if my neighbors werent freaked out too id think i was going shithive maggots.

•

[beeapocalypse]

torn between making ve-corpsis an isolated island (potential fun to be had with island syndrome and the way that would effect the wildlife in terms of less biodiversity+island gigantism/dwarfism) or making it a massive rainforest (humidity would better suit the drakes and theres a lot to be done with the Massive amounts of biodiversity+the idea of drakes having to compete w that). coughs

[giantkillerjack]

THE BEE QUEEN IS DEAD.

LONG LIVE THE SPIDER KING.

KING OF THE SPIDERS, SPIDER OF KINGS! KING OF THE SPIDERS, SPIDER OF KINGS! KING OF THE SPIDERS, SPIDER OF KINGS! KING OF THE SPIDERS, SPIDER OF KINGS!

[canisbeasts-ooc]

I realize I should actually use this blog to talk more about the critters we got-

Anyway, Beforus Ancestor thoughts, they don’t have names as of right now, sooo. S for Sphinx’s ancestor and R for Respit’s.

S was originally an avid lover and collector of beasts, and it eventually morphed into the sanctuary he runs under Her Altruistic Affirmation (though a bit further removed from her direct command). He tries his best to stay out of the limelight but is quite the supporter for the beforus culling system, even having his own cullee, one the public very rarely sees. R was originally one of his first employees and managers of the sanctuary, specializing in the diet of beasts and their habitats, the flora to S’s fauna. Such a difference in caste, however, may lead to quite a difference in lifespan. And someone with power and a desire? What will they do but abuse it to further their goals? R’s body begins to age and deteriorate over time, something S tries his hardest to prevent. How much of someone can you replace before they are not the same? How can someone so accustomed to the cycle of life and death try their hardest to prevent it?

R always was S’s favorite specimen.

[saphrxn]

holy shit everyone keeps coming onto my they/them druid w huge tits!! Leave me alone I'm saving myself for halsin !!

[nominalnebula]

I cannot tell you how gut wrenching it is to go through the books you have after moving and realize that you got rid of whole sets that were formative to you because you "grew out of them"

I had to have nearly the whole of the redwall series 12, 15 years ago but I got rid of them. my hard copy of the unicorn chronicles? gone. fire bringer, sight, and fell by david clement-davies? gone. these books literally shaped me - I wrote my first stories inspired by the redwall series.

but 10 years ago we moved halfway across the country and I had to cull my book collection because I couldn't take everything with me and I cannot tell you how much of a gut punch it is to sit here 10 years later and realize those were the books I wanted to keep the most. and there's books I don't even remember the names of anymore, just a vague idea of what the series were, and I don't know if I can find them again.

goddamn I miss my books

[thepersonperson]

Why the hell is JJK 270 called Dream's End?

JJK 270 being titled Dream’s End is so fudging ominous. That’s some Umineko type beat. I’m not sure if I should even judge this chapter as presented because of this. In fact, I'm holding off on posting the other analysis I had for today since I no longer am certain of what JJK 268–270 are.

There's two lines of thought I have:

1) Gege suffering from burnout and bad working conditions plus rushing has caused the writing to decline.

2) Gege still has a hidden ace saved for the final chapter and the weird writing is deliberate.

I'm going to humor Option 2, but only because the title of this chapter is called Dream's End.

(The most 'hear me out' discussion under the cut. Using TCB scans and leaks. Click images for captions/citations.)

Preface

"Without love it cannot be seen."

This is a phrase and philosophy I have borrowed from Umineko since I've started these JJK yapfests. It essentially boils down to 'discard your negative biases and try to examine things in good faith.'

JJK 268 & 269 have fudging tested that for me. I've been giving Gege and the characters a pretty hard time with the caveat of knowing how exploitative the manga industry is. I initially rejected the idea that these chapters were to be taken at anything other than face-value because of this. In fact, I cited the JJK 268 chapter title of Finale as a reason I've accepted things as is.

And with that same logic, I'm now doing the opposite... So hear me out! I've got some pretty good reasons to be doing this.

What's wrong with JJK 268–270?

There's a lot of things in these chapters that are fundamentally inconsistent with what's been established in throughout the manga. If we use Option 1 to explain these contradictions, these are last second retcons because Gege forgor.

Option 2? We're about to have the rug pulled the hell out from under us because the last 3 chapters have been delusions.

What first tipped me off to something possibly being wrong on purpose was the fate of the incarnated culling game players in JJK 270. Not too long ago it was established that the souls of non-sorcerers in vessels were unsavable.

The souls are suppressed in a way that distorts them permanently or their consciousness is outright destroyed. They were gambling on Megumi's survival due to him being a sorcerer and Sukuna's incarnation method being unique. 99% of them will die and those who survive will likely be vegetables, so why is there a sudden gamble on their survival in JJK 270?

It's such a neat and fine bow to tie this mess up that goes directly against existing lore. It's so ideal that it has me suspicious.

Brain damage from sorcery on non-sorcerers has been established as extremely taxing. I think about Gojo's Unlimited Void (UV) the most when it comes to this. Non-sorcerers were hit by it for 0.2 seconds and required medical intervention for 2 months to fully heal from it. Sukuna, the absolute strongest, tanked some of it and it affected him for the rest of the battle. ...And then we have Megumi who was under it for about 6 minutes and seems to have very little problems from it.

This is bizarre. Someone who underwent the month long bath and UV without Reverse Curse Technique (RCT) should be struggling to even stand after waking up. Sukuna had RCT and the Gojo brain damage still took him out. This screams of inconsistent writing unless...this is a deliberate hint that something is amiss.

I want to draw attention to the panel Megumi's UV damage is addressed. Just about everyone has been seemingly waiting around in the same spot for him to wake up. It's a bit weird given that sorcerers don't usually do that. They usually get a move on asap. And after the destruction of Shinjuku and the Culling Game Players still running about, why would they take a breather to discuss their plans that worked?

But that's not what started bothering me about that panel after reading JJK 270. It's that characters who aren't in the room, start appearing without warning. Look who is behind Maki and to the left. It's Kusakabe. And to her and Yuta's right? Inumaki. So why is it that Hakari, Kiara, and Ino are in Kusakabe's place while Todo spawns where Inumaki is? (And Yuta is facing the wrong direction too.)

That's pretty fudging weird right? You can chalk it up to Gege forgor but it doesn't stop there. Higuruma enters the discussion in a way that causes Yuji to pause.

Why is Yuji surprised to see him? (And where the fudge did he come from?) Shouldn't he know of his survival by now? And why is he in a cast? Higuruma had learned RCT and fully restored his arms before leaving the battlefield. If he's conscious, then he should be able to heal himself fully no problems.

And that got me thinking... Why is Yuji still missing his fingers?

It was established that he kept his fingers unhealed to help with Yuta's plan. This means that if he won, he has no need to keep them missing. Yuji has fully regenerated missing chunks of his face, including his eye, and stomach. He has RCT just like Higuruma. But it doesn't end there either. Yuji's number of fingers on his left hand keeps changing.

4 fingers, 3 fingers, dubious amount of fingers, 5 fingers. Once again, you can chalk it up to Gege forgor, but JJK 270 came out and the same problem started happening with Megumi's scars.

The same mistake is made within the same set of panels and very big page. That's weird.

ONCE AGAIN, you can chalk it up to Gege forgor, but when these errors occur, like with Yuta mistakenly having his ring on in JJK 251, Gege will note the mistake outright. Gege has made no such comments for Yuji's fingers or the scars. This many “errors” in row when Gege has otherwise been careful with these features could indicate it really is on purpose. (Kind of like Sukuna's everchanging mask. The thing was just moving around and pulsing. That was deliberate not inconsistency.)

What does this mean?

I think it means what we are seeing isn't reality. After all, the most common way to tell if you're dreaming is being unable to count the number of fingers on your hands. Another way to tell is the distortion of faces.

Readers have noticed that something is wrong. The weird timeskips, the lack of lasting consequences, design inconsistencies, characters behaving like similes of themselves, death and pain being glossed over like it's nothing. It all feels so off. But it's still close enough to the original to be somewhat believable. ...Is that not what it's like to dream and not know you are dreaming?

Why is it that the chapter titled Dream's End ends with the hunt for a curse user whose ability is to distort the perception of reality?

Dreams and Delusions in JJK

We already know Gege weaves Buddhist symbolism and ideas heavily into JJK. I'm not an expert in Buddhism at all, so there's a lot of it that goes over my head. I decided to look into if dreams are significant in Buddhism and boy howdy are they. Quoted directly from the source:

"Dreams can be a message from a Bodhisattva, an ancestor, or a god, The intent of the dream may be to test the dreamer’s resolve: is he non-retreating (avaivartika) from Bodhi (enlightenment) even when sleeping? The purpose of the dream visit may be to communicate information vital to the dreamer’s well-being. The Buddha himself had five dreams of catastrophes, falling stars and worlds in collision just before his enlightenment. The dreams were sent to him not by a benevolent Dharma-protector, but by an malevolent sorcerer, intent on disrupting the Buddha’s samadhi and preventing his awakening."

In summary, (correct me if I'm wrong) dreams appear to be seen as another state of being just as valuable and impermanent as reality.

There's also this other bit I'll quote directly.

"The most common use of dreams in the literature of the Mahayana, or “Northern School” of Buddhism in China, Tibet, Japan, Korea, and Vietnam is to see dreams as a simile for sunyata, (emptiness) the hollow core at the heart of all component dharmas (things). For example, in the well-known Vajra (Diamond) Sutra, the Buddha taught that:

“All conditioned dharmas, are like a dream, like an illusion, like a bubble, like a shadow, like a dewdrop, like a lightening flash; you should contemplate them thus.”"

That's starting to sound like what Yuji's Domain does, right? He projects memories that did happen and mixes them with delusions and dreams. Sukuna and Megumi both experience this in full.

It's incredibly suspicious that it hasn't been named yet. Yuji is the son of Kenjaku who has a domain based on the Womb Sutra/Realm...which is paired with the aforementioned Diamond Realm to encompass the entire Dharma. It's very likely this is what Yuji's domain is—a realm of dreams and reality combined as one.

Unreality Runs in the Family

When Sasaki Setsuko "wakes up" as the Culling Games begin, Kenjaku explains her situation with this:

What follows is a sequence that cannot be described as a dream. It seems to be a blend of reality and hallucinations. But that's not anything strange, Sukuna does it too with Kashimo in reverse.

As you can see, both the positions of the characters and even the backgrounds change suddenly from reality to ??? and from sequence to sequence. It's all incredibly dream like.

Another strange thing about this space is Kenjaku creating it as a part of an escape route Binding Vow. You know, the kind Sukuna uses for Malevolent Shrine.

What I want to draw attention to here is this reality-dream state somewhat requires consent (in the loosest possible definition) to appear. The person entering this state has to desire it themself. We see this with Jogo and Gojo who are mutually interested in having a relationship of somekind with Sukuna. (Same with Kashimo.)

(It's also very hard to tell if they are dead or still in the process of dying during this.)

This is where the delusions Yuji projects differ. They are forced onto others when he is near death or severely injured, seemingly as a defense mechanism.

And would you look at that...the syntax is identical for Todo and Choso's Brother Yuji Delusions. "At that moment, a memory was born inside X's brain...of a past event that never happened." It's kind of like how Yuji replaces Gojo in Megumi's memory to reach him. It's also very strange that Sukuna, Choso, and Jogo go "What is this?" to this in-between space.

My point here is that Yuji having access to this space has been hinted at since the start of this manga and that it was inherited it by blood. (Totally Not Kenjaku showing up with Takaba Mr. Reality Warping CT in JJK 270 supports my case too I think.)

What does this mean for JJK 268–270?

The battle ended in JJK 268. Of that I'm certain. What I no longer know is if anyone survived.

A common complaint about Sukuna's death is his lack of an afterlife scene. Everything ended so abruptly. And then Megumi wakes up.

It's so jarring in out of place. ...But that's how all scenes involving the space between dreams and reality begin. Sasaki Setsuko "wakes up" once and then again. Most of us have experienced those kind of dreams right? (They made a whole movie about it called Inception which is based on the movie Paprika.)

There's one other thing I need to draw attention to. Yuji's Domain shattered after Sukuna cast Domain Expansion (DE).

When a sorcerer withdraws their domain voluntarily, it does not shatter. Gojo has demonstrated this for us in quite clearly.

When a domain is broken by force, it will shatter and shards will scatter. When a domain is withdrawn, no shards are left behind. Yuta uses these facts as a part of his plan. In JJK 252, it's revealed by Kusakabe that Yuta shatters his own domain on purpose to trick Sukuna into thinking he won.

What this means is that some kind of violent action needs to be taken to shatter a domain. Yuji's domain is massive and his attacks only targeted Sukuna. What could've shattered his domain all at once? He's not had the time to practice shattering parts of it like Yuta.

Gojo has shown us what a uniform domain shattering looks like—it happens when Malevolent Shrine activates. (Please note that the sfx used for Sukuna breaking Gojo's domain is カシャア. It's the same one used for Yuji's domain shattering.)

I'm proposing that we've been in unreality since the end of JJK 266. Sukuna and Yuji are both severely injured, on the verge of death, and have a connection with each other. These are all conditions that trigger the space between dreams and reality.

And I must remind you that Yuji first triggers this event with Todo after a severe head injury. Right before Sukuna casts his domain, they do this to each other.

Everything that has come after has been perfect for Yuji to a unbelievable degree. Everyone whose death was uncertain is alive and the living are getting exactly what they wanted. The effort behind it and the logistics are all missing. And yes a rushed ending can explain that, but that too can be part of the ruse.

Another massive complaint is that mourning has not occurred. Not for Gojo or Choso despite how much Yuji cherished them. It's like they're being willfully forgotten by the cast despite being crucial to their success in Shinjuku. It feels out of character, especially since Yuji is of the few that showed concern for them no matter what.

But if this is a delusion on the brink of death designed to bring happiness, why would Yuji think of the dead? He's always been so avoidant with it. When his grandpa is dying and trying to talk about his parents, Yuji tells him to shut up. When Nanami dies, he thinks of him then and then never again directly leading up to his talk with Sukuna. When Megumi tries to discuss Nobara's fate, Yuji ends the conversation as quickly as possible.

The only people in this world are the ones who may or may not be dead. He saw Yuta in Gojo's corpse. The only way that can happen is if Gojo is dead. Yuji has no choice but to believe it. Choso burned away before his eyes. Yuji has no choice but to believe it. He went through some of Megumi's memories and saw Tsumiki's corpse. Yuji has no choice but to believe it.

And since Tsumiki is the only person Yuji wasn't close with, she's the only death that has been outright acknowledged. But not for too long! That would make Megumi sad.

Another complaint is that Sukuna really didn't kill anyone in the final battle outside of those two and Kashimo. The dudebros call it Disney Kaisen. But the fairytale-like idea that everyone is ok? Todo was the one who put that idea in Yuji's head.

And Yuji has always been one to fall to story-like logic when things look like they're finally wrapping up.

"And then everything will be just fine." (Yuji before the worst possible outcome for both him and Megumi happens.)

This is similar to the line Gakuganji uses in JJK 270. "Everything is fine." This line is the whole reason I sat down and wrote this all out without stopping. I know Gakuganji. He'd never say that. This man has been in a state of worry over Jujutsu Society since his first appearance. He doesn't even fully believe in Gojo's cause as someone who values tradition. He's a stickler for details and will do everything in his power to ensure stability. For him to toss Sukuna and Tengen's remains in a shrine and call it a day? Who is that? He's changed but not that much.

And so I compared the raws.

It is very much the same 大丈夫 (Daijoubu). These are Yuji's words.

What I'm proposing is that JJK 267–270 are Yuji's delusions of the happiest possible ending. It's a picture perfect little end where all the trauma and death has no effect on the living and people move on like nothing happened. I don't know if this means he's dead or if Megumi's dead or if they're all dead. But what I'm seeing now? I don't think it's real.

Reexamining JJK 269

CW: Brief discussion of suicide.

Even if this turns out to be a part of the smokescreen, I'm always going to hate JJK 269. But I do want to give it some grace under the assumption this chapter titled Examination (which can also be translated as Reflection) is about Yuji's guilt. Both him and Megumi's tbh. I think their feelings for each other and their situations are driving these delusions. That's one thing about this space that's real—the feelings behind them.

Yuji has a lot of guilt surrounding his existence after ingesting Sukuna, Megumi does too. Straight up Yuji has been seeking death over it since JJK 9.

He struggles to forgive himself for being the centerpiece to violence he had little to no control over. The only thing that upsets him more than that is knowing that his death will break Megumi's heart. He doesn't want Megumi to feel any guilt for it whatsoever.

The kicker is, Megumi already knows Yuji is planning to die. And he wants to do everything to rid him of that guilt. Up until they connect inside of Yuji's domain, they were unaware they shared the same goal for each other.

And that's what JJK 269 is. It's a very cold and harsh breakdown that allows them to forgive themselves. Blame is passed around and ultimately pinned on a combination of Gojo and Kenjaku. (It's really weird Sukuna isn't blamed either, but that's not the point of this for now.)

Kusakabe's comment is especially harsh. Telling Yuji point blank he should've died and that both sides on the issue were valid? He may have believed that to an extent, but he made a point of not telling it to his face. Why have a whole chapter discussing how kind he is only to turn around and do this?

If this is all a delusion, a manifestation of Yuji's guilt and trying to absolve himself of it for Megumi's sake, that makes sense. This version of Kusakabe is what Yuji feels guilt over the most—Everyone's lives being better if he died.

In the same breath Kusakabe tells them to solely blame the adults. It's very reminiscent of Nanami telling Yuji that being a child is not a sin.

It should also be noted that every single time Megumi tries to apologize for being possessed, he's stopped. Maki tears into Yuta without checking in on him, but she asks if Megumi is ok and tells him to not blame himself. JJK 270 is full of this too. He tries to apologize to Tsumiki at her grave and Shoko tells him not to sweat it. He tries to apologize to Hana and she hits on him instead.

This delusion is crafted out of love. It allows Megumi to live in a world where he can move on from the guilt surrounding his possession and saving Yuji. It's all Yuji has ever wanted for him. And now that Yuji knows Megumi wants him to forgive himself, he has no choice but to do that too.

It's a perfect ending for Megumi that's too good to be true.

It must be a dream...

There's another thing I can't reconcile about JJK 269 unless it's a delusion—Todo's explanation for Yuta's plan. It's another one of those glaring contradictions.

In JJK 269 Todo claims Boogie Woogie can't target Maki. But in JJK 259? Todo makes plans with Mei Mei knowing that it works with her.

Either Todo lied...or Yuji never fully knew the plan and that Boogie Woogie could target Maki. Otherwise she would be dead. Her surviving Sukuna's flames would be impossible.

I've already talked about how Yuji believing those who may or may not be dead are alive is Todo's doing. He's always been the one to save Yuji from his breakdowns. But let's talk about his speech in Shibuya.

"Looking for meaning or logic in death...can at times defile the memories of those we've lost!"

Everyone who has read these past 3 chapters has really felt the defiling of Gojo's memory. And it was all in service to a strange logic that helped them cope with all this death. Acknowledging how massive Gojo's sacrifice was would riddle both Yuji and Megumi with immense guilt, so it's best to ignore it for Megumi's sake. (And perhaps that's why Yuji replaces Gojo in that memory.)

"What have you been entrusted with? You don't need to answer right now. However... Until you find your answer, never stop moving."

In a way, JJK 269 is an answer to the question Todo proposed. Yuji was entrusted with saving Megumi. Saving Megumi requires Megumi and Yuji forgiving themselves. And Yuji won't stop moving until it's done. All these time jumps and rushed developments are Yuji moving Megumi forward. He's getting that happy ending even if it's to the detriment of everything else.

What about Sukuna?

When Sukuna respects his opponents and they have a connection, he gives others these dreams before they pass. He's been very impressed by Megumi since JJK 9. It's not out of the ballpark for him to allow Megumi to die satisfied in the way Gojo did. Yuji also seems to understand that Sukuna was manipulated by others just as much as he was. I think that's why Sukuna is spared of the blame for the most part.

I don't think Sukuna won. He's probably dead. But he did warn Yuji not to underestimate him. I think the worst absolute last fudge you to Yuji he could give is this happy ending dream before ripping it all away as he dies.

In Conclusion...

I'm not sure that we're going to get that happy ending. Reggie Star warned us not too long ago.

"...it all comes down to a sorcerer's lies."

Reggie is a lot like Sukuna here, outwitted by modern sorcerers and dying to someone he loathes. Sukuna is good at tricking people. He let Gojo think he won before tearing it all away. Yuta did the exact same thing to him. Or did he?

"Can you do me a favor? After all, you've killed me. Let fate toy with you, become a clown, then die."

If the last 3 chapters are delusions...Megumi will be playing the part of a clown.

Gege said the manga would end with either 1/4 or 3/4 of Yuji, Megumi, Nobara, and Gojo surviving. This of course, could be changed throughout its development, but Gege said the manga is ending in its original vision. There's a real chance that it's only Yuji or Nobara surviving.

Remember, Gege is a troll first and foremost. Somehow Gojo was revived, but in the worst way possible (Yujo). Somehow Gojo did tell Megumi about Toji, but in the worst way possible (dead man's final letter).

Gege also said this about the final chapter:

"I am working hard to create a final chapter that will (hopefully) satisfy as many people as possible who have supported Jujutsu Kaisen. So everyone, please bear with me!"

I can't think of a better way to appease everyone than by making the last 3 chapters nothing more than dream.

[lafamilledelioncourt]

The heartbreaking thing about a lot of viewers who haven't consumed the books is they don't completely see is WHY Lestat is near sobbing when he asks "Did you hurt yourself?"

Yes, for general reasons like he loves him and what not. But, don't forget, he also said, "I gave you to Armand. You tell me if that is saving."

In TVL, you get ALOT more of the Lestat/Nicky relationship. You see them bond, fall in love, and then Lestat have to contend with that love once he's kidnapped and turned.

Nicky does not take the vampirism very well. Nicky is a very desolate sort of character. Religious trauma to the max, and then throw in family trauma, gay repression, and then vampirism.

When Lestat leaves Paris with Gabrielle in TVL, he essentially leaves Nicky with Armand. He entrusts him into his care in a way, and Nicky chooses the fire. He can't endure as they call it. Naturally, it breaks Lestat's heart.

One of Armand's jobs as coven leader was to cull weak vampires who can't survive on their own or endure. So there is definitely room for S3 for them to show Armand pushing for Nicky to accept the flame.

With Louis, Lestat doesn't fight back in Paris and lets Louis go with Armand. Once again, he's entrusting someone he loves to Armand. Even if it's very much unwilling, but I'll give it to him for once for respecting a choice.

When Armand calls out to him in San Francisco, it's Lestat's worst nightmare. Louis is hurt, Lestat can't get to him. Armand either has allowed him to be hurt, hurt him himself, or did not protect him as Lestat wants him protected.

It is heavily implied Lestat thinks Louis died in San Francisco. In the books, Armand tells both of them the other died to keep them apart. Once again, the person Lestat loves is dead because of Armand.

Lestat, in his mind, has ultimately failed Louis, and so he falls apart as we see him do in 2x08. When Louis shows up, he cannot believe he's there initially. It's very clear he's only half there mentally. He has to ask him if it was all real and if he'd really been hurt because he has to know if it is really Louis. It's a question you'd ask the ghost of the person you love, but Louis CAN answer him.

Needless to say, please read the books if you're up for it. They are a riot.

[orangeave]

all the places light does not touch

wednesday addams x gn!reader

summary: there are places in wednesday that the light doesn’t touch and she can’t help but to put you in all of them.

words: 4.2k

orange speaks: final part to the great war (part one | part two). damn, it's been a hot minute, huh? apologies for the wait, but i hope y'all will enjoy this last installment.

Gravesoil clings to Wednesday’s nail beds, a desperate plea scratching against her vocal cords that she will never admit to beyond this moment. You are mumbling to yourself, a language she’s never heard of slicing through the quiet; the mother tongue of the beast that lingers in places she cannot reach nor see. Wild, bloodshot eyes survey the empty space in front of you and veins crowd underneath your lashes. There’s a pause before you hunch over, hands reaching up to grasp tightly at your head and – 

Wings ripple out of tearing flesh, blood soaking the floor underneath her former lover’s feet. An ominous, onyx liquid takes over the whites of your eyes, dripping slowly down the apple of your cheeks and leaving dark tear tracks in their wake that trail pass a shuddering throat. 

How foolish she was to forget what lays dormant beneath your skin, waiting to unleash itself upon the world. Control was hard fought and just barely won after each battle, a traumatic fear for the possibility of a blood-curdling outcome hardening the usual soft color of your gaze. 

Wednesday had always been there to placate the darker side of you but times were different now. The consequences of her wrongdoings were forming; in the shape of elongating teeth, in downy feathers expanding to three-times the length of your arm span, and in horns spiralling to reach the sky above them.  

You were horrifyingly marvellous. 

Gone is the fear from before, an innately evil force hunkering down to take its place. Tendrils of hellfire coat your skin in a blaze of heat that Wednesday can starkly feel, wraiths rising from the puddles of crimson ichor that is still shedding and staining ghoulish flesh. A sinister grin warps your features into a gruesome mosaic and she is wary of the scheming tug to your lips.

“Do you feel it?” You rasp, multiple layers of cadence making your voice echo and overlap into something otherworldly. Wednesday’s brows pinch, a frown of incomprehension downturning the corner of her lips. “The inevitable culling of this night, can you feel it?”

“Enough. You’re talking nonsense.” She sneers.

A shiver caresses the curve of her spine when you sigh solemnly in return, the ground trembling beneath your feet as you glide closer to her. Your left hand lifts and fingertips that resemble claws leave behind rivers of blood as you skim her jawline, thumb tucking into her jugular before the entirety of the extremity encloses around her throat. 

The touch is light, there’s no weight in the action but Wednesday chokes all the same. A primal instinct of survival urges her to fight the hold because while running has never been in Wednesday’s repertoire, the need for bodily autonomy will always remain. Personal space is sacred when the world longs to claim and taint everything she’s ever come to own.

Nero; a first companion forcibly taken by the will of another. 

Tyler; a first kiss lost to the lips of a monster. 

You; a first something she’s afraid to name with an end she’s yet to come to terms with.

Each one is a death with its own cause and reaction but they all drive her further away into solitude, into a body built too big for her bones.

There’s a light within her that flickers and spiders which crawl from crevices dug into ivory calcium, seeking the warmth that it offers – it never lasts, they scurry with every faltering glow and Wednesday is left with the echo of an ancestor, of a destiny meant to be spent alone.

Be it by her hand or someone else’s, the truth of her fate lingers. 

Still, the scraps from the before she seldom acknowledges; when words meant to burn were just measly thoughts to create distance and a twin heart still laid next to hers, where a sense of forever was yet to fade and hope, however gross the negligence of it was, was able to reach even the unlit corners of her, craves to forget – just for a moment – that this is who she has to be. 

For everyone’s sake but most especially yours, Wednesday scatters those scraps until they exist in locations that are inaccessible, even to herself, and no one suffers more for it than she does. So, as she swallows back the bile of her desires, her tongue is sour with bitterness and syllables formulate an acrid speech that tries to chase away the taste of all that she wants but cannot have. 

“All I detect is your feeble minded attempt to frighten me. You’re a bleeding heart, Tesoro, we both know you’re too soft to follow through with your meagre threats. You never were tenacious enough to do what was needed to keep me, this is no different.”  

Regret is immediate; acid does not eliminate bitterness, it only serves to make the taste resonate deeper until she’s choking on the foul filth of an inescapable death. The true difference between you, she realizes, is that she’s not capable of being selfless without leaving scars on the ones she’s trying to shelter and that your way of being selfless only leaves you with more. 

A thick smog of shadows gather in the atmosphere, sharpening your features and maniacal laughter washes over the cusps of Wednesday’s eardrums. Her pulse jumps and she just knows that you felt it because your grip on her throat tightens at last, unapologetic nails becoming a barbed wire necklace that itches to splay her tendons for the world to witness. 

“Oh, Mulsa, that’s where you’re wrong.” You tsk with condescension. “Everything is different. I’m finally who I was always meant to be, existing outside of the fear that plagued me, and it’s all thanks to you. I have embraced my destiny, can you say the same?”

Mockery drips from your words and her reality suddenly shifts as she finds herself in a castle that assembles itself with a swish of your wrist. It reigns beautifully decrepit in nature; rotten beams of wood rib the frame, moss rests in divots of cracking stone, and moonlight glints through openings in the ceiling. You casually lean against a gothic throne of skulls that no one sits upon and Wednesday transforms into a court jester, in the presence of a lowly regent who pretends that they do not pull all of the strings behind the scenes.

“How long do you think you’ll last in this kingdom of solitude, Wednesday? Who else will you hurt in your quest for knowledge? And do the answers you find at the end of it all outweigh the expense others have to pay to get you there?” Your voice rumbles, ricocheting off stone walls before striking her exactly where you know it will hurt most.

Color touches her skin for the first time, anger and humiliation mingling to create a red sheen on pale flesh. It’s a sort of wickedness she never thought you to be capable of but perhaps she should have seen it coming. 

“None of that is relevant.” She whispers harshly.

“Isn’t it? Am I not the cataclysm of your choices? Is this not me paying your dues?” Massive charcoal wings beat; once, twice, three times – they propel you upward, high into the air and tree bark horns tilt your jaw back with their weight. Specks of blood rain down from the force, painting the surrounding layout maroon, dousing Wednesday in turn. You bare your arms outward, showcasing your new form to an audience of one.

Crisp, off-white linen hugs the muscles of your torso while the sleeves furl at each elbow. Three buttons are undone, revealing a prominent collarbone and a smooth expanse of skin. Dark beige slacks loosely clutch to long legs – one slightly bent at the knee, toeing the edge of the other as you hover in place. You are all neutral tones with monochromatic undercurrents, eyes drowning in a void of black reeking of judgement, and vibrancy is lost to a death by her own hands.

Wednesday licks her lips, catching droplets of metallic liquid on her tongue. Stagnancy overrules the scent of trees in the foreground and there is no reprieve as she suffocates on nothing but the truth. Her resolve is crumbling; you may not be a ruler of this kingdom but you do have an undeniable deathgrip on her heartstrings. If you were anyone else, that fact would be revolting. 

“Unless,” a pause. “Maybe this is what you wanted. You always did love everything dark and twisted.”

Slowly, you descend in front of her and there’s a soft click as the heels of your dress shoes settle down. Dust kicks up into the air, your wings breezing along the floor, and you wordlessly take four shallow strides around her. You come to stand behind her, breath fanning over the sensitive stretch of her neck. She can see you no longer but just your presence in itself is taunting.

There’s a brush of fingertips against her back, nudging her forward and before long she arrives at a set of steps. You shove her up them; the action makes her stumble and her balance is lost to the last stair. She falls into the vacant throne, which she now realizes belongs to her. Twin knees scrape the edge, making her body twist to relieve the pain and sit properly. 

Indignation rises to the surface at the mistreatment and Wednesday tries to swallow it, to keep away words that will only perpetuate this discourse, but it’s fruitless. “My proclivities aren’t your concern. Up to this point, every decision you have made has been solely yours. I am not to blame for your indiscretions.”

“Perhaps.” You nod, standing resolutely at the incline up to the throne she sits upon. “Truly, I’m not here for placations or reasonings. You are partially correct in assuming that this,” your hand waves around your form, “is not the inner workings of your… machinations.”

“Then why? What is this macabre display for?” Wednesday interrupts.

None of it makes sense; how easily you forfeit your earlier claims. 

“Because, in the end, this was never for you.” You start, something dark creeping along your legs. It rises to dwarf your already tall stature and features are slow to form but when they do, they are wholly monstrous and deeply unsettling. There is absolutely nothing in this world that compares and warning bells screech a dizzying spell of the danger to come should Wednesday choose to misstep in its presence.

Exaggerating steps loosen the hold it has on you, materializing into translucent flesh, and your body is distorted to her as the being stands in front of you. An arm raises, travelling up to your chest, and stuttering in wicked glee before plunging in. You gasp loudly, figure hunching over, and the being forces you straight with its free hand at your shoulder. With a dramatic flair, it rips its fingers out and they do not come back empty. 

Without care or regard, the beast walks away from you, and the sight that greets Wednesday grips her with terror. The facade of power fades to nothing and you are left human but skeletal. Wings, horns, the black void; they’re all gone, and exhaustion coats your dull eyes, your knees buckling to the floor. Falling forward, your shoulders rise, head ducking low as nailbeds of blood trace the cracking stone of the floor. Convulsions attack your spine, driving a body of bones further into the ground. 

“A distraction,” The beast rumbles in glee, an olden accent curling over its words. “To pull you away from the truth.” A bleeding, bruising heart rests in its palm; dark blotches covering the organ and Wednesday finds it disconcerting the way they pulsate, widening with each heavy breath you shudder. “We finally understand now; love is a weakness. For children who still play with toy soldiers, dreaming of the day they will change the world. It’s quite humorous, don’t you think?”

And there, right then, despite your best efforts to play it off as something else, Wednesday finally sees the evil for what it truly is: self-preservation. It is protection, disguising itself as rage. It is guardianship, shouldering all that you cannot and turning it into power. It is the heart in a beast’s hand, with a cage that moulds along its edges that wills itself not to break any further.

Red teeth gleam up at her, a grotesque smile staring straight through her, and dissuading her attention from the creature next to you. “I never wanted to change the world, Wednesday, not really anyway. But I did want you – not just the good parts but also the pieces of you that raged in contempt. I wanted the entirety of you: your doubt, your fear, your selfishness; the thousand-yard stare, the tempered soul, the frostbitten heart. I wanted the girl who despised even the thought of love.”

“No.” Wednesday utters except it’s too quiet, caught in her throat.  

“God, Wednesday, I wanted it all – everything you were willing to part with and nothing more. Yet, you turned your back on us and you didn't even have the decency to give me a valid reason why. I deserved better than a half-assed excuse as to why it had to end. But it’s okay. Blame is a two-way street and I was wrong too. I pushed and ignored every warning sign, dancing along boundaries and fed into your suspicions without a need to prove myself to be on your side.”

“No.” She tries again. 

(Still not enough, still on the cusp of- of-.)

“And I guess, this is all to say that we both had a choice and perhaps we chose wrong, though maybe the cards were always stacked against us. Now here we are, forcing each other to relieve it all over again, and it’s time to put an end to this. We finally get to have what we tried to cheat each other out of. You finally get to be free and I finally get to say goodb-.” 

“No!” The single word rips and tears and mutilates her throat in the effort to leave the confines of her voice box. All her life Wednesday has been toeing the line between devastation and freedom, a weak grip on her inhibitions, always viscerally trying to prove something or another. Until a sick sense of clarity washes over what this all means; one more loss, one more all alone, one final nail in the coffin. 

A death to rewrite all the others. 

Falling in love with you was like falling asleep, gradually then all at once, because it crept along the edges of her vision until it was too late and despite her aversion to it, it was warm. And the days that followed were everything she thought herself to be incapable of; the quiet nights, the sound of rustling sheets as she wrote pages upon pages on her typewriter, the dulcet tones of you humming along to vibrating strings, the laughter without reservation, the eyes full of a home made just for her, the hands that held her softly in the dark. 

And then, of course, the self-sabotage set in. Her wants and desires took a backseat to make room for fear, and somewhere in the midst, the ease of your love made way for her doubt and she swears you both lost something that day. The person she became to combat her loss of control isn’t something she’s proud of but maybe… maybe this is the part where she pleads with you to understand. Where she lays everything on the line; all her misgivings and the lies she tries to tell herself to circumvent all that she does not understand.  

When your eyes cut across her own, you look at her like you know, and the uncaged beast only laughs as your features close themselves off from her once more. The vulnerability seeps out, draining from trembling, bloodsoaked fingers, and replacing itself with indifference before Wednesday even has the chance to rearrange her thoughts into coherency. The pleas building in her throat die, falling into the void of every other thing she’s left unsaid.

How repulsive.  

Wednesday’s jaw clenches at her own inadequacy, teeth clicking in time with her shallow breaths. Hands of ice grasp tightly at each other while she tries to reform the truth she’s been meaning to say. It’s time, she attempts to coax herself. No longer will she bow to her lesser qualms. 

Enough is enough. 

“You were wrong.”

A feigned grace pulls her from the throne, rising up and carrying her down the steps that will lead her to you. Firm resolve weights each footfall to the stone beneath Wednesday, laying the groundwork for an outcome that doesn’t end with ties severed indefinitely. A disgusting amount of trepidation still lingers menacingly, but not for prior reasons. It washes over her because she knows that if she doesn't get this right and you walk away from her once again, it will be for the last time. 

As she reaches you, the beast rears up into the space between you, your heart ducking out of sight with a single movement. Up close, Wednesday can see the second the previous glee renders itself obsolete, paving the way for rage to form in its stead. Translucence melds into mortal flesh in an instant, further providing a barrier to you and it’s features constantly flicker; sweeping into each other, refusing to commit to a lone one. 

All of it is a warning: for you may have never been able to truly hurt her, but this beast holds no such inhibitions. And yet, Wednesday ignores it, skirting around the form with a brief flicker of eye contact. Rolling coals follow the movement, a sneer deepening the gouges at the corners of it’s mouth. Heat steadily rises at her back when she kneels before you, gaining in temperature, and a hearth set ablaze licks the skin of Wednesday’s nape, until sweat lines her hairline.  

“Before,” Wednesdays continues despite the duality of the cold shell holding your gaze captive and the heat at her back, her fingertips fluttering around your body but never settling. “You said you’d never be good enough for me.” A scowl crawls into her features, disdain vaguely clinging to her words. “You were wrong.” 

Confusion briefly overcomes the frost but it’s not enough. You flinch with every syllable, as if her words still burn; like your flesh is a step away from igniting and she’s dousing you in lighter fluid. A battlefield sprawls before her, all of her own making, and each word is a precarious mark upon the earth, hidden with landmines Wednesday tries to sidestep. 

Wednesday thinks this might be part of her destiny that Goody forgot to mention – truth be told, self-loathing is akin to starvation; the hunger pains force you to eat yourself from the inside out until nothing remains. Perhaps that’s the most tragic intricacy of her fate, to commit atrocities for the sake of others' preservation, and to suffer all the more for it. Now, trying to find the medium between the two banks entirely on her willingness to push aside everything she’s ever thought to know about herself. 

As Wednesday gazes upon you; you with the sunrise in your eyes and the red candle wax burning lips, she clings to the notion that it isn’t the dying that scares her, but the insurmountable loneliness that follows in the wake of your departure. It is hollow and damning because you are attempting to leave, in more ways than one, and she is running out of options that will force you to stay. 

Longing breaches through the whisper of her words, “You were too much, in all the soft ways I desire to detest. Too good, too simple; too easy to love. And so, I wanted-” Wednesday’s breath falters, fingers folding to tear at the lines of each palm. “I wanted to make you pay, for forcing these ugly emotions upon me. I never wished to feel the juvenile propensity to need you, in all the foul ways weaker beings fall victim to. Yet, it is those feelings that beg of me to forfeit this charade, because, for however seldom I say it, I do love you.”

Finally, Wednesday reaches for your hand, knuckles scraping along the stone to slot her fingers between your own. “I’m in love with you, and it is all-consuming, vile, and entirely effortless. I may not know how it will end, but I believe there exists a place out there built just for the two of us; one that is otherworldly, and beautiful, and so, so alive. Destiny be damned.”

Wednesday watches as your eyes crawl the length of her face, an unreadable expression marring the expanse of your features. A shudder partly pulls your body away from her, a heavy exhale escaping your lips. She can’t tell whether her words were well received as you hunch your knees under your chin, cradling your elbows around the edges of your calves. Just as she goes to continue, desperation clinging to the fraying ends of her sanity, your free palm craters the ground beneath you. 

Long forgotten wraiths spiral into view and confusion tears her form upwards onto her feet, unwittingly losing the grip she has on you. They begin to chase her and the ground beneath her feet zooms out of focus as she tries to get away. They’re faster, upon Wednesday in mere seconds, and then she’s falling, falling, falling, and for a long moment nothing comes up to catch her.

Yet again, the scenery of the throne room changes and she stumbles to her knees in a foreign land. 

Grass bunches up between her fingers, wet and coarse, and a graveyard looms before her. Each tombstone lining the distance is marked with a name, cementing every loss she’s ever faced; not just of people, but places and emotions too. A beat passes before you appear at her side, steps away from an open casket set six feet in the ground. When she shuffles up to unsteady feet, the body within it looks suspiciously like you. 

Your voice carries on the wind, circling her as you murmur, “What if you’re wrong?”

There’s a slew of answers on the tip of Wednesday’s tongue, but most fall short, never quite encompassing what she truly wants to say. One, though, rises above the rest, so simple it makes her want to scoff. Instead, she pushes the sound down, and in the midst of the words that follow, a part of her realizes that she’s finally learning; understanding. There are things in the world that you need not fight, nor feelings that are too childish to accept. Some things are just simple; easy.

“But what if I’m right?”

Out of the corner of her eye, Wednesday sees you sway slightly in place, her words – honest at last – completely sinking in. With a noticeable limp stuttering your footsteps, you gradually move in front of her. The tips of your dress shoes scratch along the edges of her own boots as you eliminate every ounce of Wednesday’s personal space, your arm rising up in her peripheral vision. Hesitation faults the movement, and she recognizes the doubt for what it is: a fear she never meant to place within you; of her reaction, of her motives, of her.  

With time, she promises to herself to put all of her wrongs right, but for now, she gently latches onto your wrist, bringing your hand down to rest on the underside of her jaw. Your eyes flash with recognition before your forehead descends upon hers, a shaky breath exhaling against her lips that sounds like an okay. Suddenly boneless, your body sags, shoulders loosening as your other arm reaches around the small of her back, tugging her into you. 

You hold onto Wednesday tighter than she ever had the audacity to covet her desires and she cannot deny the sense of home that follows. 

Without fear, her feet lift up, gaining a slight height advantage to place a lingering kiss atop your head, but a figure drifts into focus before her eyes can close. The beast faintly shimmers behind the tombstone with your name on it that fades, a neutral expression on it’s face. It watches Wednesday closely, eyes of coal simmering into ash as it takes in your figure so entwined with her own. Your heart still resides in it’s palm, but even from here, Wednesday can gauge how loosely it’s grip is. A nod of a head and a quirk of lips beckons her, once last time, to take in another truth. 

Love has many faces, and seldom are they seen clearly.

Your heart finds its way back to its home as the beast settles, slowly descending in height, and it’s features melt into a vaguely familiar countenance. It is you, but aged, with laugh lines marking the corners of your eyes, and a nostalgic smile at the cusp of your lips. And it is an echo, of both your and her future, teetering on the edge of a forever that will soon be fully earned. 

( – there are places in wednesday that the light doesn’t touch and she can’t help but to put you in all of them.

but then you learn to become the light, and all the dark places shine.)

[virgobingo]

maki is an interesting character, bc she is generally acknowledged to be one of gege's best written characters in jjk, period. regardless of gender.

but the reason she is so great, is because her arc is centered around her experiences as a girl in a patriarchal society. not one that fits into the standard either.

she's born into a family that is considered misogynistic by other clans' standards. as a twin, no less, which is considered a bad omen. with little to no curse energy to boot.

still, for a large portion of her life, she desired to prove herself to them. in a way that reminds me of the myth of meritocracy? that idea of "if you work hard enough, you can do anything you want and you can prove yourself to the naysayers."

but in her journey she learns it's impossible for her to rise in an institution that actively works against her.

this happens, specifically, when she goes to the zenin clan during the culling games (to simply collect tools). she's confronted by reality in ways that echo momo and nobara's conversation (about the weight of misogyny in their lives).

"A scar on the face can be a good thing for guys. But not for girls. You think the world of Jujutsu Sorcerers is based on skills? [It is] Sure. But only for guys. Even if a girl is skilled, if she's not cute, she is looked down upon. Of course, if she's only cute without any skill, it's the same. Women Jujutsu Sorcerers aren't expected to be skilled. They're expected to be perfect." (Momo, Chapter 40)

the first thing she is told when she visits the compound is "yikes, what a face. that ain't gonna heal. what are you gonna do Maki? [...] all you had going was your face and now it's wrecked. no one will even look in your direction anymore." (Chapter 148, p.2-3)

after that, she crosses paths with her mother, who, at face value, echoes the horror tropes of mothers that "fanatically conform to the institution" (i think her actions later make her more complex).

then, finally, maki comes across her father, who remarks on maki and mai's "worthlessness" to him. he's convinced himself he would be better off in life if they were dead.

maki's continuously told she has no value in this world. for things that are out of her control.

of course, this all leads to the loss of mai, who sacrifices herself in order to essentially push maki forward as a character bc "to gain something, you must offer something," in the world of jujutsu kaisen. this is not exclusive to them. it also leads to mai telling maki something that aligns really well with what "female rage" means to me:

"Destroy… Everything" (Chapter 149, p.12)

why?

i think there is no amount of climbing you can do in a society that is actively pulling you down. no way to become clan head in an institution that wants you dead.

i believe it's this realization that causes maki to embrace her "monstruous femininity" that ultimately results in her ascension (as a person, as a sorcerer).

i know some people criticize her decision to kill the zenin in honor of her sister's memory. but, i think the message here is that some institutions simply cannot be reformed.

also, note that with their destruction, maki's narratively released from their expectations.

anyways, what comes after is honestly hilarious. i think it's a mockery of what gege expected misogynistic readers to say. "you're not toji!" (Chapter 151, 6-19) as if drawing a parallel implies that she's his copy.

another charming detail to maki's character is how sumo helps her find freedom/her groove. considering how, in traditional sumo, "women are considered impure and cannot step into the ring". it's just something so fitting for maki who continually defies gender expectations.

long post to say: i honestly love her and i think ppl often ignore how entrenched her story is in the female experience bc they just see how buff she is.

[hs-transfusion]

> FEFERI PEIXES

HEMO: Jade (#078446) TROLLTAG: compassiveCullture [CC] SIGN: Virpis, Sign of the Nurturing STRIFE: ribbonkind MODUS: Rhyme LUNAR SWAY: Prospit MYTH. ROLE: Maid of Hope LAND: Land of Bells and Ribbons

CC: * You’re gonna be a total *STAR*, I just know it!!!

Of all the jadebloods in the BROODING CAVERNS, Feferi is by far one of the highest achievers when it comes to CARING FOR THE YOUNG. While she'd love basking in the HARSH ALTERNIAN SUN, she instead devotes herself to DOTING ON THE YOUNG, and otherwise holding what little position of AUTHORITY she can over the other jades in her cluster. Her RADIANT SMILE makes it very hard for other people to admit that she perhaps ENJOYS BOSSING PEOPLE AROUND a little too much.

Unbeknownst to others, when looking after grubs, she attempts to SECRETLY IMPLANT THE IDEA of a more COMPASSIONATE SOCIETY where culling doesn't refer to thinning the herd. In her downtime (of which she has very little), she also enjoys both DANCING AND SINGING, dreaming of either becoming an HONORARY EMPRESS, or, more reasonably, an INTERNET INFLUENCER.

Feferi's RHYME Fetch Modus requires her to produce a VALID RHYME for an item she wants to retrieve. The catch is, rhymes CANNOT BE RE-USED. They can, however, simply be made longer by appending UNRELATED WORDS to the start of them (i.e. to retrieve a PLACEMAT, she could rhyme RACERAT, and then BIGGER RACERAT, then GREEN RACERAT, th).

Feferi's lusus is classified as the MATER NATURAE; a virgin mother grub -- highly unusual for its species, it has ABDICATED FROM BROODING and has instead taken Feferi as its charge. This unspoken-of and almost SCANDALOUS happenstance has inspired Feferi's REBELLIOUS ASPIRATIONS.

The LAND OF BELLS AND RIBBONS is a bright, cheery planet, perfect for Feferi. Its crowning monument is a GIANT, RUSTED BELL that has been worn down from EONS OF MISUSE, just begging to be given a good clean and a LOUD RING. Perhaps that would awaken the sour ABRAXAS...

Feferi's ancestor is known as DIRECTOR IRONHEEL. She was essentially the JADEBLOOD PRINCIPAL, maintaining order over her CLUSTERMATES and ensuring a STRICT CURRICULUM for all future hatched trolls.

[greenqueenhightower]

ls it just me, but despite the fantastic fantastic acting from Emma D'arcy and Harry Collet, I couldn't cry? And if there were any tears welling my body wouldn't let them out because I felt like I was being to forced by the writing to care about them? And usually I cry super easily, I'm a sensitive baby. But like I'm just utterly bored of everyone on TB!!!

People compare them to the Starks but I don't see it? The Starks were incredibly interesting! Rhaenyras sons seem to be just culled from a Disney Family Movie.

I initially started leaning TG only because I couldn't find any ounce of sympathy or understanding for Alicent's situation that much, I didn't really even care for her. Now I just can't stand how obviously biased the show runners are with how they fucked up blood and cheese. It also ruined the opportunity to make TB actually interesting! Why are they so afraid to make the greens sympathetic?? I'm sooo utterly bored of TB!!!!!!!!!

Rhaenyra is a plain Mary Sue, I hate when people compare her to Daenerys. None of her children are interesting and I just absolutely despise Daemon and have NO idea why women simp for him.

Every time Alicent and especially her children come up on screen I'm just extremely intrigued. I cannot say the same for any character on TB. The only saving grace for TB is my love for Emma D'arcy but that's about it.

Anon, you expressed my exact thoughts!

I love Emma and Rhaenyra's character could have been so interesting if it was not framed as the character you should be rooting for "just because". Her narrative as a rightful ruler of Westeros is skewed and uninteresting because everything was handed to Rhaenyra on a silver platter.

I ADORE the greens because they are fighting tooth and nail with themselves, their imperfections, their outside influences, society's norms, pressures from centuries of indoctrination, and others' manipulation. Rhaenyra is fighting against what exactly? She would be more interesting to me if she was more flawed like you said, more eager to go out there and claim her rights, and less keen on being miss-goody-two-shoes for the viewers. Daemon is interesting because precisely he is so evil and horrible.

I also did not cry at all at this episode which is a shame because B&C is one of the worst, if not THE WORST event that GRRM has ever written and we got a minute of some reimagination of it. I wasn't at all pleased with how the writers and producers treated it and I was so disappointed at how they portrayed Helaena and did not give way to her grief and suffering. Let's see if they do so in episode 2.

TB are definitely not the Starks, and I'm glad the show does a poor job with TB's revered and immaculate portrayal because it would upset me if they tried to replace or replicate the Starks.

I'm also extremely intrigued by Alicent, Aegon, Aemond, Helaena, Otto, Larys, and Criston, and they are the main reason I will be watching S2 this summer.

[goatyuuji]

AND I AM BACK TO THE FIC REC GRIND BABY...Hope you enjoy them and give love to all the authors <3

Short fics:

he slips in to relieve the pain by weeb_grass (M, 3.3k, Complete)

Yuuji cannot sleep now that he's got another soul picking at him from within his own mind. Megumi keeps replaying the moment Sukuna ripped his friend's heart out. Both find ways to cope with the pain of emotional manipulation. "You stupid boy, Sukuna whispered into the deep crevices of Yuuji’s heart. You stupid, love-sick boy."

My Love Mine All Mine by darlingscurse (T, 8.1k, Complete)

“Not to worry, Yoshino,” Gojo announces brightly and while Megumi can’t see his eyes he feels them flicker to him for the smallest fraction of a second and something in his stomach drops. Oh no. “I just know what to do. Don’t you worry about that, your teacher has it all figured out!” Megumi opens his mouth, impending doom hanging over his head like a storm cloud, but by then it’s already too late, lightning has already struck. Gojo, the biggest ass in human history, flashes thumbs up in the round and then goes: “I’m sure our brightest little shikigami user would love to help you.” (or: Yuji comes back from the dead, comes back from the dead with a shiny new friend and Megumi is totally cool with that. Everything's peachy. Really.) PS: this one for all the people (me) who LOVEE Megumi absolutely loathing Junpei for no reason except the fact Yuuji befriends him (sorry Junpei)

kiss me not him by tamarsilan (T, 9.4k , Complete)

Still, her mouth had nearly hung open in shock at the news. “Junpei and I are dating,” Itadori had said with a smile on her face, holding up her and Yoshino’s intertwined hands. In their shared college dorm, Yoshino’s socked toes had dragged against their carpet, unsure. Fushiguro had been glad that she was sitting at the time. Between her hands the bunny-adorned coffee mug, Itadori had made her, threatened to shatter Or: Fushiguro Megumi and the five stages of grief

Conbini Kisses by Anonymous (T, 2.1k, Complete)

Itadori’s anger, Megumi can deal with. His silence, however, is torture. ————— Now they’ve reconnected, Fushiguro and Itadori have a much needed conversation.

The Brotherly Code by awkwardtypeos (T, 2.8k, Complete)

He sighs heavily, and looks his best friend dead in the eye, and finally delivers the news. “You cannot court Fushiguro. He is not worthy of you. I must ask you to put a stop to this.” Itadori blinks at him once, twice, several times, and then absolutely squawks, high-pitched and certainly not manly, “W-what do you mean? Todo that’s-that’s none of your business!"

sweet disposition by Nicolefrickle (T, 3.1k, Complete)

Itadori needs touched, and Megumi needs to heal

Long Fics:

you may bury my body by movequickly (M, 32.9k, Complete)

In all the worst ways, Yuji is just like Suguru. PS: I could not sleep for 3 whole days after reading this...this fic is intense i won't lie, the gojo and yuuji scenes are hard to swallow, gojo and geto scenes even more but all in all this also feels like a love letter to Yuuji

Saving You by earthtodora (T, 73k, Ongoing)

Yuji dies in the battle against Sukuna in Shinjuku. When he wakes up in the infirmary, he finds that he's in the past, before the events of the Culling Game, and the Shibuya Incident. Yuji must try to avoid making the same mistakes, and find a way to defeat the King of Curses and save the people he cares about. But first, he must find a way to deal with his own trauma and come to terms with the future he left behind. --- "Sensei," Yuji spoke up suddenly, snapping Gojo out of his thoughts. Gojo looked over at him. "Yes, Yuji?" "I want you to kill me."

tears of a tiger (there is no night without dawn) by rugbratz (T, 53.9k, Completed)

Yuuji understands that most people in his situation would be excited for the promise of tomorrow and what it may bring. But that’s not him. Yuuji can’t even begin to explain the conglomeration of emotions that he feels, but he knows that all of them are horrible and that he’s not ready. He never is.

[imsadandindespair]

STOP WHY AM I SUPRISED I'VE READ THE MANGA 😭

I can foresee all the sad, angsty edits and fics. Keep them coming. This man cannot be forgotten.

I have officially lost all my sanity and mental stability to continue living from this point onwards.

(Shibuya needs to be over asap and the culling games should start, I need my honorary dilf no.2 Higuruma😭)

Ah, yes, so this is widow life

And I know for a fact that Mahito the bitch is gonna jump my man from the photobooth first thing next episode 😭😭🤡

[kedreeva]

Sorry about the color mix up. I appreciate the reply and additional info! I guess bc I know nothing about peafowl (and the fact i dont breed any type of animal), I'm having a hard time understanding how being sterile would be unethical. I do somewhat get the shortened life span. I really would like to understand this, I just sometimes need stuff explained like I'm 5.

Up front, there's no "somewhat get" to a shortened lifespan being caused by a mutation in captive populations. If an animal is capable of living 20+ years (and some live 30+ or even 40+!) and some non-essential mutation is causing them to live 7-9 years, it's flat out absolutely unethical to breed that mutation, full stop, regardless of anything else going on. That's indicative of a MAJOR problem in their genetics. There's NO ethical reason to breed that because humans like how it looks. So, even without the sterility, these birds would 100% be unethical to produce.

The short answer on sterility is this: we don't know WHY they are sterile, but they shouldn't be, and that means something has gone wrong. When something goes wrong with an animal, and it's something genetic that can be passed on, the ONLY responsible and ethical thing for a breeder to do is to stop using that animal for breeding and closely monitor any already-produced offspring for signs of the problem, and likely not breed them, either.

The longer more complicated answer is this: sometimes it's possible to separate the problem from the aesthetic when it comes to morphs, like it was for cameo + blindness, but sometimes it's NOT, like it wasn't for spider + head wobble for ball pythons. In those instances, it's... difficult. Because you're LIKELY going to produce animals that suffer the same problem as their parent(s), in the attempt to separate the problem from the aesthetic, and sometimes that's ALL you're going to produce. As a breeder, it's your absolute responsibility to NOT release the offspring into the general population, where the problem may be replicated without control, and to keep or cull the affected individuals if the problem cannot be separated from the aesthetic, or AT BEST find them guaranteed pet-only homes that will NEVER breed them.

Sometimes the problem IS purely aesthetic or harmless, like it was for pied in peafowl, and sometimes it's not, like it was for vitiligo in peafowl. The problem comes when you ASSUME a mutation is the first, and treat it like the first when it's really the second. This has caused FAR reaching consequences in the peafowl community, and I'm sure in others, where now the autoimmune disease that first bronze had has been passed into genpop by folks who thought they were breeding a harmless new variation of pied. Hybrid animals are often sterile (not in peafowl though, hybrid cristatus-muticus birds are fertile) because of a mismatch in chromosome pairing numbers, and often that's harmless. So, in some cases sterility is not an issue because it's the expected result or is otherwise harmless... but in the case of peafowl, it's NOT an expected result and we don't know if it's caused by something harmless or not.

Some species, like mice and horses and cattle and dogs, genetic testing and DNA mapping done with millions of dollars has proven that while some stuff isn't purely aesthetic, it also doesn't cause harm to the animal in a way that affects quality of life or that can be adapted for in captive care. For example, in chickens, the frizzle gene causes curled feathers in single copy and an absence of feathers in double copy. This gene is considered ethical to produce IF the breeding is done responsibly by putting a single copy bird over a zero copy bird, which produces smooth coats and frizzle coats, but it is unethical to produce double frizzles (called "frazzles") because frazzles cannot thermoregulate, can easily sunburn, and easily suffer skin injury during normal chicken activity.

For peafowl, we have NO genetic testing. We do not have the genome mapped. As far as I know there's a research group working on it (mostly for green peafowl though, in conservation efforts), but that's not remotely finished or available to the public to test anything. We don't know where any of the morph mutations sit, or what is causing them or if they do anything beyond just change the color. Sometimes color mutations are the result of malfunctions in enzymes. For charcoal specifically, we don't know what the mutation does, besides what we can observe on the outside- the birds have half or less the lifespan of normal birds, poor feather quality, and the hens are sterile. Is the sterility harmless like it is in some hybrid animals, or is it actually a major organ failing? Is it the only major organ that fails due to this mutation, or is it just the first sign of their shortened lives? Is it some deficiency in something the birds need to be healthy? Does it hurt the bird? We don't know, but we do know the mutation and the problems (multiple, please do NOT forget that this is one OF MORE THAN ONE problems) can't be separated, and so until we do know why and whether it's harmless or not, the ONLY ethical response to seeing a problem in a major organ's function linked inextricably to a mutation in color is to not propagate that mutation. If someone wanted to fork over the millions it takes to sequence and map genomes and then determine exactly what is going on with peafowl, that would be nice and good, but I don't see that happening. When I win the lottery big, I'll be doing it, but til then we can only follow normal breeding guidelines

Also, to put this into perspective... peafowl mature sexually around 3 years old. They are chicks until the turn of the new year following their hatch. They are yearlings that year, and immature 2yo next year. They aren't actually considered fully grown until 6 years old, and should live another 14+ years. Charcoal birds die a 1-3 years after full maturity. Is it a coincidence that they fail to thrive shortly after full sexual maturity, or is it linked? Again, we don't know. We don't know if the sterility is fine or if it's just a symptom of something worse.

Even without the sterility, though, charcoal has enough issues it would be unethical. If it was JUST sterility, with no other deleterious effects, then maybe it would be different. But it's not.