#But I am terrible at expressing myself so like

[greatpoetrychopshop]

About DA:TV ending

My thoughts on the veilguard ending, which might be not in line with most people think of it, in particular on the final scene (but I would very much like your opinion and point of view in replies).

I finished the game yesterday and I didn't stop thinking about the implications of the last Solavellan scene, asking myself many questions and the more I think about it, the less I am happy with the fate of the ship.

I do believe that the Solavellan ending is not as happy as many people thought it would be. To be honest, I think Solavellan's fate is particularly sad, awful. I did not intend to express my opinion about it but I am so troubled by it that I need to write it down.

Let's talk about the thing I liked first; I really loved the fact that Mythal decided to "free Solas from his duties" toward her. It implies that from the very moment Solas took a physical body, he was torn between its nature turned to Wisdom and his proud side growing from his actions dictated by Mythal, showing that the many mistakes he had done are as much Mythal's fault than his, which, in my opinion, calls for a fate made of redemption, and hope in a future where he could finally choose his destiny. As a fan of the Dragon Age saga, from the very beginning we know that forcing a spirit doing things against its nature is a terrible thing, and Solas, as any spirit we saw having the same fate in the franchise, deserves our compassion and his friends forgiveness.

However, what is his fate when he is convinced to make peace with his past mistakes? Going back to the prison (this has been confirmed by Weekes on their social media account BlueSky), and linking his destiny with the Veil and protect it as much as he can. And I insist on it, it's a PRISON, so it is very much implied that he is PUNISHED for his past actions.

Are we talking about the same prison Rook has been stuck ? This place of horrible emptiness and despair, cut from the rest of the world and the Fade itself, the Fade he loves so much ?

That means that Lavellan will live with him yes, but a Lavellan cut from her roots, her family, her Dalish clan, her friends she made while running the Inquisition ?

I don't think this is a deserved fate for any of them.

There is as well the argument that an immortal being must be linked to the Veil for it to not collapse, that feels like a last minute narrative twist to force the ending toward a certain direction, and justifying (again) that Solas cannot choose his fate.

Solas is now bound to the Veil by blood, and the implications of this are SO HUGE, that means that he has now new duties that falls upon him (after spending millenias having duties toward Mythal), after deserving having his own destiny in hand. That means as well he is FORCED to remain alive in order to maintain the Veil and avoid a new cataclysm that would destroy the world.

And what does that mean for both Solas and Lavellan? He is condemned to live forever, again, not choosing his fate, and see Lavellan die, for she is mortal. And THIS, for me, is the coup de grace.

Solas wanted two things : having a simpler life just like the one he had while helping the Inquisition, and not dying alone. Both of them are not resolved, for there is no chance that he could have a simpler life with his life now bound to the Veil, and being left alone in the world as ages pass…

I cannot see it as a good ending for them and I cannot imagine anyone thinking this knowing all those facts.

There could have been such better ending for them, I had that idea that maybe Solas could have known the same fate similar to what Cole had, meaning that there was a possibility for him to become more human, even if its mindset and personality would have been a little altered.

An Ancien immortal Elven, choosing to become mortal, and finally making its own choices with his lover at his side with a death he could have chosen. It would have made a wonderful echo to the discussion Varric and Solas while trying to help Cole during his personal quest, and a last hommage to the character of Varric himself that remain central to the story of Veilguard itself…

I know that every Dragon Age game has its story with a certain bittersweet ending, but what I feel for the Solavellan ship is not bittersweet, it's unfairness, after everything we kown of this two wonderful characters…

As I am writing down right now, I feel so enraged by this ending and non said things about it, leaving us with questions calling only, if we apply logic, for dreadfull answers.

For my part, I will let the Veilguard behind me (even though there are some parts that I enjoyed anyway) go back to DA:I in some time and make my own headcanon for the Solavellan ship, far from the one Bioware decided, unless there is a possibility for both of them in the future to have a better resolution.

Anyway please don't hesitate to comment to tell me what is your opinion about it, if you don't agree I'm very interested.

[threepandas]

Bad End: Century Demons

The steam engine blasted vapor into the air. Cacophonous chatter from the crowds all around us, pressing like a physical weight. I truely did hate traveling. Granted, there was nothing for it, we were needed. Being their Majesty's Special Task Force and all. But STILL! Awful. Just, awful!

It was the pushing, really. The constant shoving. Flashs of insight into lives I wanted nothing to do with. That individual? Marriage was collapsing. This one? Had debts. The girl who just stepped on my foot, thought she was in love, but honestly? Any adult could tell you how badly it was going to end. He was using her.

Frankly, I wish we could walk. At this point? I would honestly take a flipping DONKEY! But nooooo! What has my husband decided to do? "Let's take the TRAIN, darling! It'll be an ADVENTURE! Save so much TIME!"

He's lucky I married him AT ALL. Fuck. I HAD options! Could have been a Baron's wife. Well-to-do! But NO, I wanted to HELP people. Like a FOOL. Gods, my mother was RIGHT! Cute air-heads WOULD be the death of-!

I finally spot Arthur, the sweet idiot, looking lost by our baggage. Map in hand. Like a confused puppy told to do arithmetic or be scolded, his anxiety is palpable. I gather my skirts and shove. Fuck being polite. Everyone ELSE seems to be fine, being stampeding herd animals. Why not I? Move!

"O-Oh thank goodness! Darling!" Arthur gasps, nearly dropping the map as he reaches for me as I get close. His eye are wide and his expression frazzled. Tone as though someone has been compressing his chest. "There are-! There are so many PATHS! I didn't-! And I-! Oh dear. W-what do we do? Darling, I can't-! It's so-!"

Damn it! I KNEW this would happen! This was an awful idea! Reaching for my husband's face, I cup his cheeks, propriety be damned. Pull him close to press his forhead against mine. Match my breath, dear. Focus, darling, just... focus. Close your eyes. You do not See. Curse crowded places and what they do to us. We should have moved to the countryside years ago.

But no, no Arthur would never leave his Sister. And I'll not leave him behind. Damn it all, why? WHY?

Why did she have to pick the Nobility Route?

It was bad enough, remembering this world "wasn't real". That it had a "plot" for Gods sake. Bad ENOUGH to realize that the monster under the bed very much WERE a real and present threat, that I SHOULD be concerned about. But fool that I am? Did I HAVE to fall in love with the Protagonist's brother? Sweet and foolish? A simple, if air headed man? Apparently!

All I could do, now, was try to protect him. Try and protect myself.

Ignore the nasty, judging looks, being sent our way. Piss off! The lot of you! I took no vows to YOU. Stood in no church! There us exactly ONE person in the train station I care about, and it is NONE of you, so keep your snide opinions to yourself! Breathe, Arthur. There we go, dear.

Pulling back slightly, I check his eyes. They flick and track things unseen. He is still unusually pale. He... he will be rather disappointed. He was excited to try the trains. To him? They are a bold new technology.

Maybe once we get farther from the city. Here, at least, he is drowning.

Then, a change. Sudden and swiftly building. Whatever Paths my husband traced were disappearing, narrowing, even as terror sweeped across his face. Only twice I had ever seen this before. Once, was an earthquake. The largest seen in over 400 years. The other? A bombing just before the royal wedding, we had been still engaged then. But the way he had frozen? Mid-sentence?

It is BURNED into my mind. Just like the horror that followed.

Bellowing, I command everyone to get out. Evacuate.

NOW.

But already... it is too late. Down the line of the train, terrible symbols flash into being. Molten red metal, on the side of the train cars themselves, instants before the BLOW. Unspeakable shrapnel bombs. Made of people and metal and MAGIC. The train cars lifted from the tracks by the knock back, smashing into fleeing crowds, even as the next car goes off. And then the next. And the next.

A writhing chain of death.

Like the dying spasms if a great snake.

My husband is frozen. No. As I drag him down? I realize with horror, worse. Seizing. It has NEVER been this bad! What is HAPPENING?! What Path is he SEEING that could cause such OVERLOAD? Terrified, I watch as thin trails of blood, seep from his eyes, his nose. Oh Gods. Oh GODS! Arthur? ARTHUR!

Love! Stay with me! Please! D-Darling, Please! Focus on my voice! You have to let them GO! Close your EYES, Arthur! Don't look! Please, DON'T LOOK! It's KILLING YOU!

"That's rather the point."

I stop. From on the ground, where I crawl. Dragging my unresponsive husband to safety. My gaze finally whips around to ahead of us. Amongst the chaos... stands a conductor. Pressed uniform clean and hair entirely too long. His eyes... oh Gods, his EYES. I do not need to touch him to know. That? THAT is not a human.

Not anymore.

Shrapnel flies harmlessly over us, but comes no where near him. As though where he stands is Forbidden to touch. All around him, those fleeing? Suffering? Do not notice him. Do not SEE. Yet, on instinct alone... avoid him.

Because, of course they do. B-because that?

That Is A Demon.

We weren't even remotely prepared for this. And even if we WERE. Everything is packed away. Pressed to the floor, all I can do? Is drag my husband close. Feel tear begin to fill my eyes and choke my throat, as I curse the Gods. Damn it. D-Damn it! I drag Arthur under me. A-as though... as though we were just... just resting at home. Cuddling, as we so often do.

I-It will be okay, darling. Come back to me. Arthur... Please...

(We promised to go together...)

"He really is useless, isn't he? Can't protect you. Couldn't warn you. Can't even die, where he's supposed to be. Really, how hard is it? To just get on the damned train? Quite inconsiderate, your worthless lump of a first husband. It really won't be hard, no doubt, to surpass him in every way."

I drag Arthur closer. Cradling his head to me chest. You'll have to go through ME, you fucking monster! It's.. it's a laughable defense. I'm tissue paper. We both are. With out supplies and the proper anti-demonics? H-he's going to SHRED us. But... but! I took a VOW.

Married this man.

I... I love him.

Even if he's not awake. Even if he's trapped in his own gifts by this BASTARD of a Demon. That's.. That's okay. I'm still here. W-We're still together. And I love him. Silly, ridiculous, air-headed fool that he is. My quite scholar. M-My best friend. I glare at the damnable creature before us.

"You really do have such lovely eyes." It notes, tilting it's head. "Does he appreciate them? Somehow, I doubt it. He makes you live in squalor, after all. Dresses you in rags and works you like an animal. You were meant for so much... more. I can feel it."

With a boneless grace he squats, bringing him closer even as I try to drag us away, he reaches out. One hand both perfectly human yet tipped with claws. In the distance, I hear doors being forced open. Commanding voices. Prayers and the glimpses of shining light. The Paladins are here.

Too late... I... I fear it is too late.

Demon skin touchs my face and I scream, as I am cast beneath the waves. It is so dark. Oh Gods. OH GODS. IT IS SO DARK. HELP ME. HELP ME! IT HURTS! It HuRtS! HELP M-!

"Shhh, drink deep and sink down, Love. I will be there to catch you. Forget about him. Forget about everything. You are made for so much more. We were meant to be together. Just let go, sweet."

"Just let go..."

[hydrangeapartridge]

My completely biased review and opinion about companions in Veilguard (major spoilers of course)

(Side note : english is not my first langage, I hope I can express myself clearly enough for you all to understand my points)

- Neve

I like Neve, she’s cool. I loved the detail of the noise her metal leg makes when she walks.

Her questline was however a bit bland. We had better portrayals of power hungry blood mages in previous games and Aelia wasn’t that good an antagonist. She lacks charisma and isn’t seen much before the last quest so you don’t really care about her. It could have been more dramatic, like if we had to fight people of Minrathos being controlled, idk. Also not much about slavery.

I get that Bioware tried to make Neve’s quest like detective work, searching for clues and stuff, but for me it wasn’t that exciting, and Venatori are the mobs I like the least, I don’t like the crystals you have to break in order mechanics and stuff.

I chose to make her the hero of Minrathos and it was satisfying.

- Harding

I can’t find it in myself to call her Lace damn it XD

Of course I was happy to see Harding again after Inquisition ! She is a ray of Ferelden sunshine. I really enjoyed her questline with the Titans ; it was mysterious and you really felt the danger in the deep roads, and the potential threat of her newly acquiered magic. I liked the giant oracle and the design of the lyrium caves. It was a nice throwback to the first games.

The end scene of her quest was nicely done, with Rook trying to reach her while the whole cave was collapsing and then a group hug.

I chose the path of compassion.

- Lucanis

His accent was more funny to me than endearing (as is his signature « Mierda ») and I was surprised to find that he was soft instead of suave. I didn’t save Treviso so I feel like I missed a lot of his quest (and the decision at the end) and in the end he was OK but not that interesting to me.

There was also the problem of Illario ; the second he was introduced I smelled the family treason nd so there was no suspense to this quest. It felt like a bad telenovella.

I like that Zara had a literal blood bath in the quest of the same name. It was a cool fight.

I didn’t bring him out much but I enjoyed that he ended up with Neve.

- Bellara

Bellara is adorable. I liked her quirkiness but her dialogues were sometimes terrible. When she talked I felt like she kept repeating the same things phrased differently and sometimes I felt the itch to skip (I usually never skip dialog!).

I had high hopes for her questline because of Anaris and finding that her brother wasn’t dead, but it all flopped in the end when Cyrian got killed by being sent flying away and Anaris didn’t turn out that scary. It felt stupide that Cyrian was not dead and then really dead…

I chose to keep the Archive but that choice felt like the less impactful of all the companion choices.

- Davrin

I didn’t expect Davrin to be so brash ! I enjoyed his banter a lot and the growth of his relationship with Assan. That griffin is an absolute cutie !

His quests were cute for the Arlathan ones and impactful for the one with the Gloom Howler. I enjoyed Isseya’s story and saving the griffins.

I still felt Davrin to be a little too « jock » coded, but his banter with Emmrich and Manfred was perfect ! I enjoyed seeing the wardens again (Antoine and Evka <3) and am glad he was a true Warden this one.

I chose to release the griffin in Arlathan because my Rook was an elven veil jumper.

- Taash

In real life, Taash is the kind of person I would have trouble connecting with. They’re obtuse and a bit rude. I felt like I was intruding during the parts with her mother (it is probably the goal of those moments but it made me uneasy). I wanted to be supportive so I was but I didn’t feel like my Rook and them ended up great friends. The identity crisis wasn’t handled that well I think, but it wasn’t as bad as people make it out to be and maybe I’ll get hate for that but they come out at first more Trans than non binary given their problem is being misgendered as a girl mostly or expected to do girly things? They even say it feels right to be called a man I think I remember? (but I respect whatever pronouns she chose in the end)

I really enjoyed the dragon hunt quests however and their last quest was cool too. Their mother’s death was a sacrifice that made sense and it pained me.

Their romance with Harding was cute (mostly because of Harding’s reactions and that height difference XD)

I chose to push them towards embracing the Rivein life, even if I think they could have made peace with both ?

- Emmrich

Of course my favourite. And not only because he is the handsome older man who swept my Rook off her feet.

To give us a scholar necromancer that was the antithesis of the cliché : a man poised but a tad insecure, nerdy, gentle, kind, a bit posh, extremly elegant and whose favourite colour is lilac ! Genius !

The Necropolis had such a distinct ambiance that every quest there felt special, with amazing details and wonders of finding a wisp, a spirit or hearing a dead’s last words.

To me his personnal quests are the ones with the best handled rythm. The first one in the peace and quiet of the beautiful garden sets the tone : serious but poetic, sad but hopeful, and dares to tackle very real and grave subjects. Death and regret but also life and love are perfectly handled in his story and brought me lots and lots of feels.

There is a great antagonist whose motives are simple but dangerous ; a friend turned rival, similar but so different from dear Emmrich. Johanna is simply iconic (her hand gosh and the fact that you keep her skull in the end, brillant). The fights are well balanced, the cutscenes and dialogues perfect for immersion. And don’t get me started on Manfred… I love this little guy to bits.

I chose to revive Manfred and for Emmrich and Rook to live the rest of his mortality together. In Undying Love

[ghost-bison]

It's no bloody secret I hate ai shit. One thing I'm glad about though, is that I've spent enough time on chat gpt -having it write crossover fics for my own use cause I didn't have the courage to do it myself- to learn about its patterns, its vocabulary (EVEN the premium version cause you get free trial every day).

So if you're out there, posting ai fiction without letting people know it's not an original work, I will know. Also know that while you think you're not hurting anyone when you post that stuff, "because I clearly state that it's written by ai" YES you are.

First and foremost, you are destroying the meaning of art. Art is art because there's someone's pain, someone's joy, someone's ugliness, someone's beauty, someone's experience, someone's talent or lack thereof, someone's flaws behind it. Doesn't matter that it's good or bad so long as someone put something into it and I understand that now. Ai forced me to understand that.

Secondly, know that ai uses a database of words, expressions, jokes, prompts, and sometimes full sentences stolen directly from someone else's work out there on the internet. That clever pun chat gpt came up with that you thought "oh, I love it, I might use that"? Look it up. You've never seen it anywhere because it's someone's clever joke whose work you've never read. If you use it, it's basically like the old and loathed "copy-pasting a paragraph of a fanfic you like into your own fanfic", but with added stupidity, laziness and ignorance.

Please, write your own stuff, draw your own things. I wasn't always as good as I am today at neither of the two. Hell, I used to write a terrible Teen Wolf fanfic on Wattpad where Derek Hale had a lost twin who was prince of France, ffs. 90 chapters of absolute, plotless nonsense. But you know what? The 90th chapter was way better than the 1st one. And quite recently, I spent a few days on a Doctor Who OS and made a few strangers cry.

So what I'm saying is, don't be lazy. Read real books and clever fanfictions, cause as Virginia Woolf said, "read a thousand books and your words will flow like a river."

[rui-ayaki-lower5]

"I will..." *He watches you, looking at you curiously. One could only imagine what sort of sorry state Muzan found him in before turning him into a demon....maybe he will tell you if you ask him?* "Well...Kind of? I was close with one of the former lower sixes and with the upper six duo but they have all since passed on....as for the others I would not exactly say close is the right word....Familiar might be more accurate, We are all well aware of each-other especially since two of the upper moons are neighbors of mine...but all of the remaining moons are grownups and only one of them has any idea how to interact with a kid properly...but there is one I really don't like, upper five; He's a big fat jerk and keeps trying to get me in trouble so he can eat me because i'm a kid..." *he explains, grumbling a bit when he starts talking about upper five, His reasonable detestation for his technical superior evident. He then gets a rather embarrassed expression on his face when you ask your second question* "eh...not exactly either, Something strange happened the last time a group of slayers came to my mountain and it broke the telepathic link between muzan and myself so he can no-longer mentally track my location, read my thoughts or know whether I am dead or alive. Because of this he knew i was in the middle of a fight when the connection broke and assumed I had been killed. However because I was technically the longest lasting lower moon, one of the two demons who had enough strength to hold the position of lower moon one and I am still among one of his favorite demons despite all of the things I have been doing that would definitely get me in big trouble these days; His assumption that I had been killed sent him into a rage which resulted in the deaths of all of the lower moons save for the demon who actually held the title of lower moon one as well as the permanent disbanding of the weaker half of the twelve kizuki. I did not realize this happened until I showed up about an hour later at the usual meeting time and had to explain myself. Since it was all a massive misunderstanding I was allowed to leave with my life but it was decided that re-instating the lower moons was not worth the trouble of finding four replacement moons and as such my mark was allowed to fade..." *He carefully but gracefully hops off the table with your help and readjusts his sleeves back into place, you notice something large, rectangular and oddly book shaped in his sleeve fall back into place near his wrist, what else might he have in those large sleeves of his? He looks down at his kimono which was semi-sticky with sap and generally dirty which is all the more noticeable since his kimono is largely white; this makes him visibly cringe* "If you do not mind to terribly I would appreciate it..."

*One quiet night you happen to get the feeling that you are being observed from somewhere by someone with a strong sense of curiosity. Rui was perched in the branches of a nearby tree, watching you. He had yet to actually even see the infamous flower hashira even through his spiders and had only heard about her from other demons that had only caught fleeting glimpses, which on one hand was a good thing he supposed but on the other it had gotten him a bit more curious that usual and had been bothering him like an unreachable itch. He was already quite terrified of the insect hashira after the last raid and getting so deep into her territory was unnerving enough, but from what Rui could tell, Kanae actually seemed rather nice.*

She listened around for the demon that she felt nearby. She didn’t notice any malicious intent so she hoped that she’d be able to redeem and save it. She quietly wandered through the forest before vanishing and appearing next to Rui. “Hello there little on. Are you looking for me?” She smiles kindly at the young boy and inspects his appearance. He didn’t look too strong but looks can be deceiving.

[girlatrocity]

MAN.

[romolossesit]

The anxiety is setting in god god god

[mom-friendtm]

period blues

[sbrn10]

Me about 50% of the time I am wading through publicly searchable CR-related tags: for the love of god, can people be. Like. Normal about anything?

Also me the rest of the time: *not at all normal about CR*

[weedpicnic]

Tw eating stuff tw eating disorder tw drug use tw sexual assault etc #ok I think I might be finally after 5 fuckign ywars having that HRT weight gain they be talkin about yall I sure fucking hope so given that I have been tightrope walking and repeatedly falling off the line of being under a healthy weight ever since i got raped and then briefly addicted to coke and then was also denied the validity of that assault by multiple people that I cared about including my parents and the rapists best friend who was my childhood best friend who introduced us lol. Let’s fucking #goooo I guess!!!

[malachitezmeyka]

I know it's useless to get mad at the dog, she's just a hyperactive little thing who doesn't know how to behave yet. She's left home alone for at least 6 hours every day and she's bored, I can't blame her for tearing apart her training pads or shitting all over the place. Even if I did, she must have done it hours ago, dogs don't get that actions that happened so long ago have consequences and all me yelling at her will result in is her being scared of me. I know all that, I do

So WHY am I still so angry at her?? Why does it feel satisfying to lash out and see her scurry away??? She doesn't deserve to be treated like that, she doesn't know any better. And I don't know how to teach her to know better, I don't have the patience for it. She deserves better than me

[interpolationz]

help i got a little too silly about something that maybe one should not be silly about and i've been cursed with terrible hiccups for it

[inkskinned]

what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?

i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?

a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?

in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.

girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.

there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.

for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.

something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.

is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.

most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."

a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.

[raigash]

Does anyone else have that fight with their brain where it’s like

Me: this phrase/word conveys that message. It works. Just use that

Brain: no >:(

Me: why the fuck NOT

Brain: wrong vibe >:(

Me: okay but like…do you have a replacement to offer?

Brain: No >:(

Me: then…for the sake of writing the things we want to write…can we please just…use that

Brain: NO! >:(

Me, exhausted: why

Brain: wrong vibe >:(

Or is it just me because I swear to fucking god I have this fight every three hours

[vadlings]

Represention of Autistic Frustration in Laios Dungeon Meshi

Like many other autistic people, I related strongly to Laios Touden while reading Dungeon Meshi. This post isn't going to spend time disputing whether he displays autistic traits or not—while I could do that, I want to focus on why specifically his portrayal struck a chord with me in a way the writing of most other autistic-coded characters has not.

Disclaimer: as the above suggests, this post is strongly informed by my own experiences as an autistic person, as well as the experiences of my neurodivergent friends with whom I have spoken about this subject. I want to clarify that in no way am I asserting my personal experience to be some Universal Autistic Experience. This post is about why Laios' character feels distinct and significant to me in regard to autistic representation, and while I'm at it, I do feel that I have interesting things to say about autistic representation in media generally. This also got a bit long, so I'm sticking it under a read more. Spoilers for up to the end of chapter 88 below.

The thing that stands out most to me in regard to Laios' characterisation is the open anger he displays when someone points out his inability to read other people. This comes up prominently in his interactions with "Shuro" (Toshiro Nakamoto):

The frustration pictured above (Laios continuing to physically tussle with Toshiro, using crude language toward him) becomes even more notable when you remember that this is Laios, who, outside of these interactions, is not easily fazed and often exists as a lighthearted contrast to the rest of the cast. Then we get to Laios' nightmare.

In Falin's words: "Nightmares love emotional wounds. Wounds you hold in your heart. Things that give you stress, or things that were traumatic for you. They aggravate memories like that and cause the dreamer to have terrible dreams." (chapter 42, page 10.) (damn. i'm properly citing for this post and everything.)

Thus, Laios' nightmare establishes an important fact: even if he is unable to recognise social blunders while he's making them, he's at least subconsciously aware that other people operate on a different wavelength to him, and that he's an outsider in many of his social circles (both past and present). His dream-father's disparaging words stress the impact this has had upon his ability to live up to the expectations set out for him, and we also get a panel of kids who smirk at him (presumably former bullies to some degree). Toshiro's appearance only hammers home how much Laios is still both humiliated and angered by his misunderstanding of their relationship.

I've thought a lot about anger as concomitant to the autistic experience. When autistic representation portrays ostracization, it's generally from an angle of the autistic character being upset at how conforming to neurotypical norms doesn't come easily to them; as a result, they express a desire to 'get better' at meeting neurotypical standards, a desire to become more 'normal' (whether the writing implies this is a good thing or not). In contrast, not once does Laios go, "I need to perform better in my social interactions, and try to care less about monsters, because that's what other people find weird." His frustration is directed outward rather than inward, and as a result, it's the people around him who are framed as nonsensical.

The Winged Lion starts delineating Laios' anger, and Laios' reaction is to think to himself, "It can sense all my thoughts, huh?" (chapter 88, page 16.) This is the scene that really resonated with me. I'm not saying I have never felt the desire to conform to neurotypical norms that is borne from insecurity, but primarily, I know that I don't want to work toward becoming 'normal'—I don't want to change myself for people who follow rules I find nonsensical. It's the difference between, "Oh god, why can't I get it," and, "WHY CAN'T YOU GET IT?" (phrasing here courtesy of my friend Miles @dogwoodbite). And for me personally, Dungeon Meshi is the first time I've seen this frustration and the resultant voluntary isolation from other people portrayed in media so candidly. Laios' anger is not downplayed or written to be easily palatable, either.

The culmination of Laios' frustrations in this scene wherein we learn that Laios has fantasised about "a pack of monsters attacking a village" drives home just how alienated he really feels. I need not go into his wish to become a monster himself, redolent of how many autistic people identify/have identified with non-humans to some degree as a result of a percieved disconnect from society (when I was younger, I wanted to be a robot. I still kind of do.)

Obviously, wishing death upon other people is a weighty thing, but the unfiltered nature of this page is what deeply resonated with me. The Winged Lion is laying Laios' deepest and most transgressive desires bare, and they are desires that are a product of lifelong ostracization by others (whether intentional or unintentional). This is the brand of anger I'm familiar with, and that my neurodivergent friends express being familiar with, but that I haven't seen portrayed in writing so explicitly before—in fact, it surprised me because most well-meaning autistic representation I've experienced veers toward infantilisation in trying make the autistic character's struggles easy for neurotypicals to sympathise with.

Let's also not neglect the symbolism inherent to Laios' daydream. "A pack of monsters attacking a village". Functionally, monsters are Laios' special interest—he percieves everything first and foremost through his passion for monsters. His daydream of monsters attacking—killing—humans, is fundamentally a daydream of the world he understands (monsters) overthrowing the world that is so illogical to him, that has repeatedly shunned him (other people). I joked to my friends that it's an autistic power fantasy, and it actually sort of is. And in it, his identity is aligned with that of the monsters, while his anger manifests in a palpable dissociation from the rest of humanity. This is one manga page. It's brief. It's also very, very raw to me. I think about it often.

To conclude, I love Laios Dungeon Meshi. This portrayal of open frustration in an autistic character meant a lot to me, and I hope I've sufficiently outlined why. Also, feel free to recommend media with autistic representation in the notes if you've read this far—I would really like to see if there is more of this nature. Thank you for reading. I'm very tired and should probably sleep now.

[theminecraftbee]

"So, and I can't believe I have to be the guy to point this out," Doc starts hesitantly.

"Terrible start! Go on," Cleo says.

"But you seem to be one of the only sane people left right now," Doc continues.

"Even more terrible, although I appreciate your delusion," Cleo says.

"And I have to--you know, if you're going to make fun of me for bringing you a problem maybe I just won't. I can solve it myself. I basically solved the moon thing myself," Doc says. "I am trying to be responsible before this turns into a whole thing."

"Doc, you came to me. Did you want anything that wasn't me making fun of you? Because you know, if so, I really feel bad for you. I already feel bad enough for you that you think you actually managed to do anything at all about the moon thing."

Doc throws his hands up. "I am trying to warn you the ocean is evil! It's important! This is important!"

"The deep sea being evil isn't new," Cleo starts, "I was building Atlantis last season--"

"It sent, sent, salmon people to kill me!"

Cleo stops. They look Doc in the eyes. They search for any signs of deception at all. It's a little hard to tell, on account of Doc only having one eye even capable of expressiveness, and his face being the opposite of human, but...

"What?" Cleo says dumbly.

"It was like, like, Beef and Skizz, they were crazy! They were talking about a giant fish and how I shouldn't defy it. And I was like, what is a Big Salmon? I don't know, man, but they're ocean mobsters. And then I started looking. It's not just them. It's not just them Cleo, it's everyone. The ocean, man, it's evil, it's getting everyone. I've, I've made a list. Grian. Have you looked at Grian lately?"

"I think if we were worried about every time Grian got possessed then we wouldn't have any free time," Cleo says hesitantly.

"Right, right, but it was supposed to be Demise. The killing each other, all of the killing each other. I thought, oh, that'll get it out of their systems. But it's not just him Cleo! It's--have you seen Gem? She's all, oh, I will build a boat. Oh, I'll provoke the creatures of the deep. And then. Do you know what I saw all of Team ZITS doing? Fishing!"

"Doc," Cleo says, increasingly concerned for him. He looks... disheveled.

"And not just fishing, oh no. They were standing in the water fishing! And Pearl! Have I mentioned that Pearl is dressing up as a salmon? I mentioned that, yes? The salmon Pearl?"

"You hadn't, unless that was the big fish thing," Cleo says.

"No, that was something different, I think Pearl is maybe a different salmon."

"Sure, okay, more than one salmon, that makes sense," Cleo says dryly.

"And everyone, they are fishing each other around the ocean, yes? Etho is in the ocean! XB is in the ocean! I think I saw Joe crawl out of the ocean earlier, he was all wet and haunted! Surely that is a sign the ocean is evil."

"No, he's just like that," Cleo says. "Also, I did the fishing rod thing too. I think it's just... normal fun."

"They're getting you too. My assessment that you're the sane one. I've said too much."

"I think you need sleep," Cleo says. "Doc, there isn't an ocean-based conspiracy. It's the start of the season. You know we're just like this."

"That's the thing, I can't sleep," Doc says. "I can't. I sleep and I see it. I see it, lurking beneath the waves. It's calling for me Cleo. It's calling. And when it calls, it seems so--kind. But then. But then! I wake up, and I remember the shape of it, and..."

Doc shudders and stops talking. Cleo looks at him a moment longer and then, like comforting a nervous animal, takes his shoulder.

"You should take a nap. It's the start of the season. You're over-stressing yourself. Too much too fast?" they say, as soothingly as possible.

"It's coming for us," Doc says. "It's coming. I don't want to ignore it this time, yes? What's coming for us. We should--we should--"

"Even if it is, Doc, I don't think we can fight the ocean. Come on. Maybe sleeping in my base will help reset your brain."

Doc shudders, but lets Cleo guide him inside. They watch until at last he falls asleep fitfully before shaking their head and sighing.

"A giant fish that was trying to kill him. Honestly. I don't know where he gets these things from. Always a conspiracy with him..."

They decide to go to Ren. Ren knows how to humor Doc. Surely they can get in their ridiculous games again, and Doc will forget all about this. Doc would enjoy the Ministry of Ministries. Maybe he can be an anarchist or something. That would be good for him.

Doc cries out in his sleep. Cleo turns to him.

Then again, they have this strange sinking feeling in their stomach. Doc's... awfully worked up.

But it's Doc.

Surely it's nothing.