#But I also know this is a dramatic tv show so I am prepared for them going down that route as long as it is done well!

[herefortarlos]

I like what I like/want to see and you like what you like/want to see, and I will never attack you if those are differing opinions, especially when it comes to fiction.

[everythingisromant1c]

p2: three reasons why you can't stand co-star!james potter

co-star!james potter x actress!reader

summary: you were finding the first days of shooting your new TV show to be absolutely amazing, aside from the fact that you absolutely could not stand your co-star James Potter. unfortunately for you, you spent enough time around him to narrow down his most irritating qualities to only three:

a/n: hey so this took waayyy longer than i would've hoped to release, but i promise this series is not going anywhere, so tysm for all the loveee and all ur guys' patience <33

also pls pls pls feel free to send in prompt requests for this series i am so all ears

full series: Trouble in Hollywood - masterlist

1. He was insufferably good at his job

You wished you could say working with James Potter was such a challenge because he was simply bad at his job. But the thing was: he wasn't. It turned out he was really the impeccably good actor that your director Minerva seemed to swear he was, as if the talent truly was seeping through his veins. Somehow, that only made working with him more frustrating to you.

"Aaron, you've got to believe me."

James had come to you during the middle of hair and makeup and asked you to rehearse lines with him even before official rehearsals for the day's shooting began, saying it would make him feel more prepared. And, as much as you hated it, you felt the same. Your only regret was thinking you'd be able to stand him and his arrogance before seven in the morning.

"Why should I, Cassidy?"

The brunette responded to you fully in character, leaning back against a nearby vanity with his long legs crossed in front of him as you sat in your cushioned chair. He apparently got out of hair and makeup in under a matter of minutes, looking effortlessly put together with his curls hanging perfectly over his forehead—you didn't have the same luck. Your lovely makeup artist Mary seemed to be unbothered by the interruptions, continuing on with your makeup as you rehearsed your lines, though you caught her amused smile every once in a while from her reflection in the mirror.

"Because..." you began, trying to stay in character as your brain scrambled for your next line.

"You're supposed to say," cut in James, "'-because we can only trust each other right now.'"

"Please stop telling me my lines, James." You repeated the irritated request you'd uttered all morning to him as you put a tired hand to the bridge of your nose, one that Mary moved away hurriedly.

"Watch your makeup," she pleaded with a powder-filled brush to your nose , and you winced apologetically.

"Did you just want me to stand here and wait for you to remember them?" James's voice poked at you irritatingly as you stared up at him from your seat.

"Yes, that's exactly what I want." You fought from rolling your eyes. "You could at least give me a second. I didn't even ask for my line."

He raised his brows with an acquiescent sigh. "Whatever the lady wants."

Ignoring him, a skill you were growing like a muscle, you cleared your throat in focus, trying not to move too much as Mary blended some product on your neck. "Because we can only trust each other right now."

James quickly jumped back into character, right on time. "That didn't mean anything to you the other night."

"I already told you I'm sorry for that. When I heard all the rumors, I ..." you cursed at yourself as your mind drew another painful, embarrassing blank.

"-I didn't know what to think." James looked anything but guilty as his voice met your ears once again, finishing your line for you without fail.

"James!" You glared at him, doing your best to stay out in your chair and not storm out of the trailer he'd so brazenly infiltrated. You shook your head to yourself through your reflection in the brightly lit mirrors . "You're impossible."

James shrugged innocently. "I don't get why you're mad at me for trying to help."

"I'm not."

He scoffed, putting a dramatic hand to his chest. "So is this what you look like when you're happy with me?" The corner of his aggravating lips lifted along with his shoulder in a small shrug, before turning away again. "Isn't very much like how I've pictured it."

You didn't miss the way Mary let out a small breath of laughter from her nose as she switched over to doting on your hair. You gritted your teeth.

"I mean, I'm not mad at you for helping. I'm mad at you because you're annoying."

He crossed his arms defensively, his lips still quirked up, and you fought against the urge within you that had your eyes following the movement of his biceps. "I'm annoying?"

The feigned disbelief in his voice snapped your back to your right mind.

"Yes," you answered plainly. "You and your posh accent."

Maybe you'd stopped making sense, but it was too early for you to care. James was watching your meltdown with what you could only identify as merriment, his unfortunately unignorable presence taking up too much space in the cramped makeup trailer.

Thankfully choosing to ignore the part about his accent, he put up his hands innocently. "Last time I checked, I wasn't the one who keeps forgetting their lines."

"We just got the updated script for this episode last night." You shifted in your chair to face him, and you heard Mary wince from behind you, probably getting fed up with how much you were moving around, though you were too annoyed to stop yourself. "How the hell are you already off-book?"

James shrugged smugly, shoving his hands in his pockets as he leaned forward. You squinted your eyes at him. "An actor never reveals his secrets, love."

You twisted your mouth in disgust at his words—because you definitely felt something as he said them, whether it was disgust or not you didn't want to think about—and probably only made him more satisfied. "Mary," you groaned, looking at her through the mirror in front of you. "I think I'm going to be sick."

She shook her head and gave your reflection a sharp look back. "Not in that freshly ironed shirt you're not."

You sighed, settling back into your chair and sparing another glance at the man to your right. He tipped his head at you, almost tauntingly, and you felt your jaw tighten. It was going to be a long day.

2. Everyone else seemed to love him

You'd been going about your Thursday innocently, filming scenes when called upon—finally having memorized all your lines properly—and somehow getting through the morning without any irritating interactions with your least favorite person on set at the moment. That good feeling, of course, could only last so long.

"What's this?"

Minerva, your director, had been walking around set with you until you both stopped at the sight of a crowd forming outside one of the sets. You followed her, making your way through the crowd of your fellow actors and crew members until you were met with a nauseating sight: James Potter.

At the sight of your director, his already proud smile grew to a beaming one, almost blinding, as he greeted her. "We've all been really busy with this week's filming schedule, Minnie, and you mentioned what a hassle it's been ordering enough food for everyone every day with our budget, so I pulled some strings and got my family's chef to cater our lunch."

Your jaw slacked as he nodded his head to his left, where a number of tables were set up with what looked like pizza ingredients, a moustached-man in a chef hat standing behind the scene proudly. You couldn't believe your eyes. Apparently, neither could the woman next to you.

"Oh my- James this is ... amazing!" Minerva—or Minnie, as James somehow had grown accustomed to calling her—turned to your co-star, expression as bright and beaming as James's crowd-pleasing smile was. "But you shouldn't have gone to all this trouble-"

"It was no trouble at all. Francis was more than happy to help."

He waved a hand at the chef, who you assumed was the 'Francis' in question, who nodded back at him happily with a pizza cutter in his hand. It was like something out of a movie, the way everyone clapped for James who stood at the front of the crowd like the beloved man he was. You felt sick to your stomach.

"What's wrong? Do you not like the pizza?"

You'd taken your lunch shamefully, making sure to hide your amazement at the endless selection of pizza toppings that James had arranged at the build-your-own-pizza station, and were sitting with Remus, who you'd met at auditions for the show and luckily got casted in a role other than one that'd gone to James, and Sirius, another one of your co-stars who you'd quickly become friends with since you spent practically all your time on set nowadays.

You looked up at Remus briefly before returning your gaze to the pizza in front of you, the perfect slice underneath the sun seeming to taunt you. "No," you grumbled. "The pizza's amazing."

Sirius chuckled. "You'd think you'd be happy about that."

"I would, aside from the fact that it was Potter who brought it in."

The black-haired man tipped his head at you curiously. "What's your problem with James again?"

You shook your head forebodingly. "Don't tell me he's brainwashed you both with his hundred-dollar pizza too."

"I doubt the pizza's that much money." Remus bit into the slice in his hand, talking through the bite. "But it is pretty delicious."

"It is," Sirius nodded. "It was pretty nice of him to cover lunch for the day. If anything, you'd think you'd like him more for this."

You groaned. "He brought in his family's private chef, for God's sake. It's not like he rescued a cat from a tree or something."

Sirius and Remus shared a look as you spoke. You knew you sounded ridiculous, but you currently lacked enough dignity to care as yet another slice of pizza sat on your plate, ready to be eaten.

"James is actually a really nice lad," reasoned Sirius. "Take it from us. We kind of grew up with him."

That fact had yet to escape you as soon as you'd met the two of them. According to the stories they'd relayed to you, Remus's mum had been an on-set tutor to James growing up when he was acting in some movie, while Sirius's parents had been producers for some of James's parents' films. Safe to say, the three of them certainly left you feeling inexperienced in the world of acting.

"James should be the least of your worries," urged Remus. "He's harmless."

"If he's so harmless, then why has he gone out of his way to be a pain in my ass since I met him?"

Sirius snorted. "We said he's harmless, not that he's not an idiot sometimes."

"But," Remus added, "whatever James has done, just know that it always comes from a good place. The man doesn't have a mean bone in his body."

You sighed inwardly. The James Potter you knew seemed to be very different from the one that everyone else seemed to be familiar with, and it was driving you crazy.

3. He was an obnoxious flirt

When you said 'flirt', you not only meant that he flirted with you—unfortunately—but that he seemed to flirt with anyone in sight, whether he realized it or not. In fact, you'd been forced to watch as he smooth-talked one of the hairstylists on set for the past ten minutes.

You couldn't hear everything they were saying, thank god, but you were sure she was probably more charmed by the fact that his last name was Potter than anything he could remotely come up with to win her over. You'd had enough conversations with him to know that the movie-star smiles he offered were enough to charm people before they realized just how insufferable he was.

After what felt like hours, he said something to the woman in parting and left her looking flushed and smiley as he strolled away. You sighed, happy to finally be rid of distractions, and looked back down at the script on your lap that you were trying to memorize but stopped almost immediately as you felt an unwelcome presence lingering from in front of you. You looked up and fought a groan.

James tipped his head at you innocently. "You wanted me?"

You tensed at his phrasing and did your best to go back to ignoring him as you focused back on your script. "I did not."

Not taking the hint, as usual, he stayed put, shoving his hands in his well-tailored pockets. "Well, you've been staring at me for the past ten minutes, so I just assumed you had something to say."

"Well, you assumed wrong." You gave him a tight-lipped smile from where you sat. "And I wasn't staring. I just miraculously found it hard to concentrate on memorizing lines when you were harassing that hairstylist right next to me."

He squinted at you quizzically before shaking his head, finding your banter more amusing than you probably were. "Admit it. You're obsessed with me."

You scoffed, blinking rapidly to truly portray your disbelief. "You wish. Reality is, Potter—I think I hate you."

James peered at you with a glint in his eye like he'd never heard anything more amusing, leaning back against the wall next to you. "You think?"

You shrugged tightly. "The jury hasn't come to a decision just yet." You thought back to the unfortunately delicious pizza he'd provided, and all the things that Remus and Sirius had said to you that stood in stark contrast to practically every other experience you'd had with him.

James grinned, finding teasing you the most entertaining part of his day, even on set for a TV show. "So I still have a chance?"

His eyes glistened and you reeled. "A chance to what? Did you not hear the 'hate' part?"

"Hate is a strong word, don't you think?"

You shook your head. "Strong, but appropriate."

"Ouch." He touched his hand to his chest in that dramatic way he always did, something you blamed on his actor roots. "Your words hurt, you know." You rolled your eyes, truly trying then to get back to memorizing your lines so James would have nothing over you during filming the next day, but he didn't seem to care. "Look, I get it. You said you hate me. But really, I don't think you do."

You sighed, setting your script aside as you looked up at him with finality. "And why is that, Potter?"

"Because," James began, and you didn't like the tease in his tone as he looked down at you. "A little birdie told me you had some say in whether or not they cast me in South Bay. And that you actually encouraged it."

Your lips parted, those words being the last ones you expected him to say after weeks had gone by since the chemistry read. You didn't know who'd ratted you out, but whoever did would be getting a stern talking to. Or a partially stern one, since they were more than likely your boss.

You shrugged weakly at him. "That ... that doesn't mean anything."

James's thick brow lifted effortlessly. "So you're not denying it?"

At his challenging look, you relented with a drop of your shoulders. "I'm not. It's true; I told Minerva I think they should choose you to play Aaron becuase you are good at your job, James. As much as it annoys me. I mean, you're clearly a great actor, you get all your lines memorized overnight, not to mention the entire crew is in love with you for some reason-"

"Oh, I see."

You paused, looking at the way James's slight grin turned into a shit-eating one. "What?"

He tipped his head at you tauntingly. "You're jealous."

You let out a laugh harsher than you meant it to be. "Please. There's nothing about you I could possibly waste my energy being jealous over."

The brunette tutted, and you hated the feeling it sent through you. "For such a great actress, you're not a very good liar."

You felt your breathing shallow for a moment, not knowing what to do with the compliment that flowed so easily from his lips like he hadn't given it a second thought. You pushed the thought aside, focusing on the insult part of his statement instead, and rolled your eyes.

"Look," James continued at your expression. "Jealous or not, we're going to have to work together on this show for God knows how many more months. Years even, if it gets renewed for a second season." The thought both filled you with excitement and dread as it came from James's lips. He looked down at you with an honest curiosity. "How much longer can you go on pretending to hate me?"

You noted that what he was saying was true, letting the words sit in your chest for a moment, but you also noted that you had more fun being petty. You tilted your chin up at him. "Funny that you think I'm pretending."

James put a hand on the table you were sitting at, leaning forward slightly and making you freeze up. "Funny that you're still not a good liar, love."

Your throat felt tight with something you wanted to again dismiss as disgust at both his proximity and the delicate word that fell from his lips. You let an unpleasant pinch form between your brows. "I thought I told you not to call me that."

James felt something warm, almost giddy, form in his chest, and it didn't matter that you looked like you were considering slapping him right then. He let the corner of his lips quirk up. "You're adorable when you're mad."

"Don't call me that either." You huffed, picking up your still un-memorized script and standing. "I'm going to my trailer."

James quirked a brow, following you with only his eyes. "Is that an invitation?"

You rolled your eyes, walking away and calling over your shoulder. "Absolutely not."

taglist:

@ilovejamespottersomuch @empath-bunny @santaasi @veysxrge @bitterspoons @ladyhestiaa @rorybear14

[squichymochi]

It’s been a few years since I wrote something and English isn’t my first language. Also first time I am writing/posting something on tumblr 😅

Anyway Hazbin is my new hyperfixation, so I’ve written something 👉🏻👈🏻

Warning: Mentions of death and murder as well as sex toys, but nothing too out of the ordinary for this show.

Alastor x Reader

Word Count: 1.070

Idea from: @this-hazbin-quoted

"What in the heavens is that?" Your voice carried a mix of curiosity and concern as you stepped into the hotel's living room, your eyes instantly drawn to the shiny, noisy object that had captivated everyone's attention.

Charlie, Vaggie, Sir Pentious, and Angel Dust were scattered around a brand new, fancy-looking television. The device looked out of place amid the hotel's usual furnishings. *Your husband will be more than just pissed when he sees this,* you thought, a wry smile tugging at your lips. *Understatement of the century*.

"We got it because Sir Pentious wanted to show us something new called Netflix," Charlie explained, her eyes twinkling. Her excitement was infectious, but you remained skeptical. "And what better than a movie evening huddled up together as a bonding activity," she added, her arms dancing through the air to emphasize her point.

"Mhhh," you hummed noncommittally, drifting towards the bar where Husk had already prepared your favorite drink - a dark, smoky whiskey that promised a momentary escape from the madness of Hell. You let yourself fall onto one of the bar stools, the leather creaking under your weight. "I don’t know if this is such a good idea," you mumbled, the warm liquid burning a path down your throat, leaving a trail of bitterness.

"I tried talking them out of it, but they’ve been glued to this nonsense for hours," Husk grumbled, his tail swishing in visible irritation. He poured another drink, his movements more mechanical than thoughtful.

Raising an eyebrow, you turned to observe the group. Angel Dust was lounging on the sofa, his posture relaxed. "Well, first we were watching a documentary about sextoys," he began, only to be cut off by Vaggie's death promising glare. "But since everyone's acting prudish, we switched to something else," he finished, rolling his eyes dramatically.

The group was mesmerised by the screen, their expressions a mix of fascination and horror. Husk slid another drink towards you, his own bottle now halfway to empty. "When Alastor gets back, I'm not going to be a part of this circus," he growled, taking a long swig.

Your attention was snapped back to the TV by a dark, ominous voice. "Until this day, nobody knows what happened to the man. All that was found were his glasses and one of his shoes, floating in the river."

A sense of familiarity washed over you, and you slid off the stool, drawn to the group huddled around the TV.

The story was unnervingly familiar, like a half-remembered dream. Squinting, you joined them on the sofa. "Want some?" Angel offered, extending a bowl of popcorn towards you as you took a seat next to him. You grabbed a handful, tossing them into your mouth. But as the storyteller uttered the victim's name, the popcorn lodged in your throat, triggering a fit of coughing.

"Hey there, toots, usually you choke on something that is a bit more substantial," Angel said with a snort, patting your back. "You alright, Y/N? We can switch to something else if this is too much," Charlie offered, her fingers hovering over the remote, concern written all over her face.

"No, no, it's fine!" you sputtered, your cheeks flushing with a mix of embarrassment and surprise. If only they knew why that name shocked you.

Time drifted by as you all settled into watching "True Crimes Unsolved." The room was dimly lit, casting eerie shadows that danced along with the flickering images on the screen. You found yourself huddled under a blanket with Angel Dust, both of you gradually growing more tired by the hour, your eyes heavy with sleep.

Suddenly, a jarring static noise pierced the quiet, sending shivers down your spine. You looked up, startled, to see your husband, Alastor, perched at the edge of the sofa. His smile was strained, a forced mask over his growing irritation.

"May someone enlighten me as to why we have this grotesque picture device here?" His voice, was filled with static, making the hairs on the back of your neck stand up.

"Darling," you started, hoping to diffuse the tension, but Charlie, ever the optimist, was already bounding over with her usual infectious enthusiasm and of course undying charm. You could see Alastor's eye twitch slightly, a sign of his growing annoyance.

Alastor's mood shifted suddenly, his attention captured by the story on the screen. "Oh, I remember this one. He tasted rather delightful," he said with a giggle that was as unsettling as it was genuine. The room fell into an uncomfortable silence, every eye turning to Alastor, who was now fixated on the TV.

"Didn't he, darling?" Alastor squeezed in between you and Angel, wrapping an arm around you. Your face flushed a bright shade of red, and you desperately avoided everyone's gaze. "Ha, they never found him. I told you, darling, burying his bones beneath a protected area was a brilliant idea!”

Before he could continue, you jumped to your feet. "Alright, that's enough for today. Time for bed," you declared, your voice trembling nervously. Alastor's grin widened, the mockery clear in his eyes.

As the room cleared, Angel Dust leaned in, his grin mischievous. "Never took you for the type, toots. But hey, we're all sinners down here," he teased, patting your head with a genuine and friendly smile.

Finally alone, you collapsed onto the sofa beside Alastor. "You didn't have to tell them," you pouted, feeling a mix of embarrassment and annoyance.

Alastor leaned in close, his eyes twinkling with amusement. "Darling, you're my wife. They already have to know," he chuckled, his hand gently caressing your cheek.

Time passed, and Alastor wrapped an arm around you, his gaze softening as he looked down at you. "Do you want to see how many more of them are people we've dealt with together?" he asked, a hint of fondness in his voice.

You snuggled closer, resigning yourself to watching a few more episodes. But Alastor's final comment about the television lingered in the air. "This device will be gone tomorrow. I'm not fond of it," he said, the static in his voice sending yet again a thrill through you.

You buried your face in his button up shirt. "Not every new technology is a threat," you murmured. His only response was a haunting stare. Sighing, you kissed the corner of his mouth. "Fine, podcasts it is, then," you said with a chuckle.

Thanks for reading my little drabble ☺️

[starmanpromoter]

2001: A Space Odyssey - Full Breakdown

This is it. 2001: A Space Odyssey, the movie that changed movies in the Anglosphere forever. A movie that shows the evolution of the medium itself, and shows what the medium can do.

The Ultimate Trip: A Breakdown and review as I (re-)watch

Welcome to my 6000-word breakdown of the entire movie. This is one of my favourite films of all time, and the film that got me into cinema in general, so this has a special place in my heart. Many rewatches later....I want to articulate words about this wonderful film.

I haven't read the books, so this will be about how -I- think about the film! Read on under the cut...

Intro (OVERTURE)

Two minutes of blackness. With some creepy music courtesy of Gyorgy Ligeti. This is an overture, akin to a night at the opera. While this might sound unnecessary to many audiences watching it on TV, laptops, and phones, this tells you about one of the experiences you will be getting in 2001.

Unsettling, but that is what space is. They are preparing us for an odyssey in an unsettling wide space. It is an entracte, so 2001 truly is a theatrical production.

Now it's a sunrise. Also Sprach Zarathustra, a composition about the ubermensch Zarathustra. The sun rises above, a neat parallel to Zarathustra's rise over humanity. The sun, in a sense, is God, showcasing His creation.

The dramatic part of the music being preserved during “A STANLEY KUBRICK PRODUCTION” often gets interpreted as display of ego. But however knowing that science fiction wasn't a genre to be proud of at the time, this part in the intro is meant to be a joke, with the joke being that this is a movie that is proud to present itself as a science fiction movie ('Stanley Kubrick Production' is literally the name of one of the listed production companies of this film). You are supposed to laugh at it.

Dawn of Man

The beginning of mankind. The monkeys fight eachother over a puddle of water, signifying that we as humans weren't so different as monkeys when it comes to right to own things. In a sense, these monkeys are displaying traits that we humans still have.

And it came. A black slab —— the Monolith, that was not there, standing still, accompanied with Ligeti's music. And here in this scene we see the monkeys coddling into it, holding it with their hands. Curiosity, it's a natural trait in every single living being.

When confronted with something we never knew, it is in our instinct to touch it, feel it —— to understand it. The monkeys are trying to understand what it is.

Very soon we see one of the monkeys cracking bones, interspersed with cuts of a tapir being beaten up. They have discovered means of violence. This realization gets played clearer so soon after it where they once again, fight in the same puddle of water —– now with weapons.

The fact this happened after the appearance of the Monolith suggests something sinister —– the Monolith is a 'prophet', or a 'God', enlightening the monkeys (essentially its' followers/worshippers) on the act of violence.

A bone gets thrown. It turns into a spaceship. It is evolution of human history.

The future begins.

The Blue Danube

This is it. A vision of a future from 1968. A Pan-Am (how ironic) star-liner heading to a space station. With only few passengers on board, there are minimal amount of gravity, and things float.

The music is The Blue Danube, a romantic waltz from the 18th century. To use that piece of music to show the future only shows romanticized optimism that humanity can do wonderful things. The usage also turns the sequence into a ballet performance.

Somehow, this is reminiscent of dancing sequences from glorious Old Hollywood Musicals, with the stewardess's movements, she looks like she is dancing to the music.

This is a ballet in film form. A space-age ballet performed by spaceships. Something you would see in Royal Opera House on a special night. The Stewardess —– the only human being performing the ballet —– is dancing to the Blue Danube, and she is walking in a similar manner to a baby, learning to walk. The circular space station rotates like a ballet dancer spinning graciously while the star-liner quietly 'dances' with small pointe into it.

All the spacecraft, LED computers, and technology looked sci-fi for 1968 audiences, but a lot of them have become reality, and in addition, aged well. This is not so much 'science fiction' —– it is 'science eventuality', as in this is a vision of something we will see in our lifetimes.

This is a continuation of the 'Evolution' theme. Mankind walked the Earth, and now attempts to walk in space. There is a feeling of grandeur, and wonder that is ever-present here, contrasting with the violence of the previous sequence.

The spacecraft, space stations, all beautifully dancing to the Blue Danube. The release year being 1968 brings a poignancy that this is the bridge between Old Hollywood (1945-1967) and the era of Walt Disney with New Hollywood (1967-1980). The epic aspirations of Old Hollywood and the magic of Walt Disney, but with the messaging and 'agenda' of changing times of New Hollywood.

Evolution of cinema. That alone gives this sequence a great impression and awe. Incredible all around. This must've blown the minds of people in 1968, and I can understand why. It doesn't even look like a movie from 1968 (1966-67 if you follow the production history)—– it looked like it was made in 1988.

The slowness in this sequence isn't a problem. After all, it is a ballet. In actuality, not much is actually happening in this sequence, it's just a spacecraft docking, but Kubrick, Douglas Trumbull, Fred Ordway, and Harry Lange (along with their NASA advisors, they need to be credited too) took this opportunity to showcases the best of visual effects and concept art in 1968.

Simply put, it is magic. The beautiful visuals and music are nothing short of feast for the senses.

Dr. Floyd's Mission

We have arrived into the space station, along with the first spoken line in the movie, 25 minutes in. We immediately see a short immigration process, it looks way easier than real immigration processes.

The process to go to space is now as easy as getting a flight, which makes the depiction of interstellar travel in this movie quite optimistic than our bleak reality of space travel dominated by greedy assholes. Of course, corporate presence is still present —– Pan Am is the spacecraft, Howard-Johnson has an 'Earthlight Room', and Hilton seems to be providing the goods of space hotels. But compared to our reality, their presence felt like bystanders instead of chokeholds as their presence doesn't even felt like product placement. Undoubtedly, I am sure that Kubrick and Clarke would have been sad to learn the reality of planned commercial interstellar travel today.

Just like the the star-liner sequence before it, the design of the space station aged well with its' pristine white interiors and bright lights. Even in 2023, there are still places that looked like it. And now the 1960s are coming back in trend on interior designs.

The whiteness of the room is contrasted with obviously sixties-looking red chairs. However, the chairs has a timeless quality that it also looks futuristic at the same time, as these style of interior design is still popular to this day. This is a running theme in 2001's art and production design. It is obviously a product of 1960s NASA handworks, but it's practical enough to keep it relevant and futuristic.

Floyd then calls his daughter using a pay phone, and this is where 2001 shows its' age. As we all know, we have smartphones, but his daughter's lines (“I want a telephone” / “We have lots of telephones already”) suggests that she has a phone while Dr. Floyd does not.

Predicting generations after Gen Z being children raised by smartphones at early age? The generational gap between 'kids these days on their phones' and their older parents as perceived from the older parents? Of course not. Kubrick and Clarke definitely did not consider all that, but it is a strange prophetic moment.

The interaction between the American Floyd and the Russian scientists felt like a statement in 1968, that in the future, none of the cold war reality will be carried into outer space. To see them interact professionally without antagonization is a dream that we sadly still dream of today. But it also shows what artists of the time really wanted for humanity —– to just stop fighting and invent tools together.

A poignant hopeful message to be made in 1968, especially since 2001 was made right after the bleak, nihilistic Dr. Strangelove (1964). And then this is where the story starts. Floyd is heading to the moon, there is a strange signal coming from it. But it's been closed off, with Floyd's curiosity taking over him. This in a sense, is a showcase on how humans will interact in the future —– not so different than in present, only that the year number is different.

We see another star-liner sequence, now heading to the moon. A trip to the moon, it seems. Just like the previous star-liner sequence, it's also a ballet, while showcasing one of the many 'Movie Magic' moments of 2001, namely, the zero gravity effects, space-walk, the realistic-looking moon, and the elegant and graceful landing.

To create this before the moon landing must've been a difficult challenge, but the production team did it beautifully, and the results are mind-blowing, even though they got some of the physics wrong (No, landing on the moon will not produce dust! And also, moon gravity does not work like that).

And now the mystery unfolds itself. They head to a crater in Moon, while talking over space foods. Typical.

And then it appears again. The Monolith, now causing a ruckus on moon. There's an interesting switch in camerawork as Floyd and his squad descends into the monolith, as the previously calculated camerawork suddenly shifts into handheld.

It looks like they are eager to learn what is it in front of them. Just like the monkeys, Floyd's first instinct is to touch it as a way to understand it. A human being understanding a divine being. Humans in the face of a God in object form.

A buzzing noise blasted on their ears, and the sun rises. Is it transmitting a message, just like in the Dawn of Man sequence? Is it what it sounds like? Immediately, we jump to 18 months later without answers.

Again, just like in the Dawn of Man sequence, we are left with questions instead of answers, and we are also treated with a showcase of evolution. For this entire sequence, it did a good job introducing us to the imagined version of the millennium and the technological feats.

However, the characters are vessels for audiences. The set-up is quite abrupt and a bit sudden, and we're not given enough time to learn more about the motivation of Floyd. This is where curious audiences have to read the book, as intended.

Or was he entranced by the Monolith, compelled to seek and understand the mysterious God-like being? Even then, that is my interpretation.

It is interesting that the Monolith's relationship with humanity (and the monkeys) suggests something: God and Followers. Both sequences shows a God/Follower subtext.

The Jupiter Mission (SCHERZO)

Very abruptly we see a new act. 18 Months later since the trip to the moon, and presumably the year is 2001.

Just like the jump from the bone to the spaceship, this shot is showing evolution. Was the Monolith enlightening humanity to develop space travel that will go far into Jupiter? That is the question in your mind, probably. The ship design is a round thing with a long tail. Interesting design choice, but certainly realistic to real science. Like the ships in the Floyd sequence, it all aged well.

Cut to a man jogging in a cylindrical room, literally running in circles, exercising to Aram Khachaturian. Just like the usage of Blue Danube, it is an optimistic view of humanity's progress. In this sequence, we see one of the most famous instances of 'Movie Magic' —– the man runs through the cylindrical station with no regards to gravity. He runs upside-down to right-side-up. Although he is fiercely exercising, it still feels like a ballet. Again, not much is happening, but much is happening —– he's doing his everyday job.

Then we cut to him having lunch, joined by another astronaut. These two men are quiet, it looks like it's just another routine for them on the mission. An interesting subtle performance that most don't pick up here is how the other astronaut reacts to how hot the space foods he is holding from the oven (kind of like saying “Every single time! Can the oven stop doing this?!” with hand gestures), but it does not phase him that much. It is a sign of professionalism.

They're eating while streaming news on tablets, one thing Kubrick got right, a habit that we would do 40-50 years after 1968. Yet another 'Movie Magic' moment in that it shows something that would only be invented over two decades later. They even look like actual tablets from late-2010s.

The astronauts are very responsible and behaved professionally that you'd be forgiven for thinking that Keir Dullea (Dave Bowman) and Gary Lockwood (Frank Poole) were actually astronauts in real life hired to play themselves, instead of actors playing astronauts. They also look realistic, as they don't wear fancy aluminium/plastic costumes, only practical NASA-grade uniforms.

I can see why Kubrick cast these two, it's in part realism in that real life astronauts are younger people, and he wanted to subvert the tropes of sci-fi characters usually being old scientists with grey hairs. It actually works.

Keir Dullea as Dave Bowman looks like a real scientist (although his model-beautiful face makes him look like as if he's a Bishounen/pretty boy Anime character got brought to life. He's still a 'movie-grade pretty Astronaut'). However, Dave's look directly contradicts genre expectations that science fiction scientists needs to be older greying men or hunky dashing heroes. Dave is a younger looking, restrained, innocent, reserved, quiet, and stoic man with the looks of a pretty boy, akin to someone like Cillian Murphy (specifically him in Oppenheimer) rather than the usual dashing macho face of older Hollywood. Not how one used to picture sci-fi heroes. Interesting that a face like Dave has turned into what sci-fi protagonists look like today, especially after Star Wars and Dune (2021).

Many of the shots of Dave's face made him look like a space-age approximation of Mona Lisa. The striking eyes, the subtle facial expressions --- all there. Dave has a face that looks un-noticeable at first, but strikes your sight for how distinctive he looked. No wonder that the shots of his face under red lighting and screens reflecting on his face became two of the more iconic shots of this film.

Meanwhile, Gary Lockwood as Frank Poole looked like he's plucked straight from an Apollo mission. Astronauts in real life looks like him, even though Frank looks more conventionally 'heroic'. He looks (slightly) muscular and strong, more outspoken, but he looks like a working man from real life. He's a worker in space.

We later see mundane routines for these astronauts. To them, it's a job, and they are expected to be professionals. They might seem to be 'unfeeling', but that's what expected when you're doing your job. In addition, Dave and Frank have known each other for so long, they've probably ran out of things to casually talk about, and it won't matter much in their already-good working relationship. So all they can do is just doing their job as professionals.

And also, they WERE definitely chosen in the mission for their not-emotional reactions to things. Let's face it, space is scary and wonderful (like a fairy tale), and for these astronauts to give low-emotion reactions to space? That's a sign of high-level expertise. Dave and Frank are professionals at their best, and this is what people have missed on when they say that the actors were bland and unemotional. They have emotions (it is subtle), but when your job requires space and zero-gravity, all the unknown, exciting, and scary things about it will be sucked out of you to the point that they just become mundane things in your life. Their jobs also requires them to keep their heads levelled in the face of difficulties, however bad and ridiculous it is.

The acting isn't so much 'acting to give out story to audience' —– it's 'reacting to the plot' through subtle expressions and balletic body language and body motions. Dave and Frank are reacting to the world and story given to them. Keir Dullea and Gary Lockwood did a great job at being convincing realistic astronauts, and my praise is sincere.

It is interesting to see HAL being portrayed as more emotional than the human astronauts. On the outside, it seems that HAL is displaying more emotions than the astronauts (well it's because HAL has no physical body to worry about space!) It may feel uncanny, but these astronauts (Dave, at least) regards him as a crew member like them (as HAL said before, he has a stimulating relationship with Dave and Frank).

Dave's expressions (that cute smile!) as HAL talks about personal things looks like a comforting smile to a friend. These three astronauts know each other so well that Dave's interactions with HAL comes off as two good friends (heh) communicating with each other.

Indeed, Dave and HAL is exhibiting their stimulating relationship with each other. HAL seems to get more human as he interacts with Dave and Frank, but his interactions with the humans suggested that Dave and Frank does not treat him as a mere machine.

And we soon see Dave and Frank do their job outside. There is no music because it is space, space has no sound. This sequence is very slow (again, balletic), but it's to show how it's like in reality to do these things. Being an astronaut isn't that exciting, even though the movie shows us how beautiful space and technology looks. But of course, it's just Dave and Frank's life.

Now the astronauts are back on board. Dave gives a Kubrick stare to HAL (a gesture that he is worried), and we soon see that HAL have made a mistake, but HAL contributes it to human error. He read Dave and Frank's lips, even though they are worried about the mission. Something bad is going to happen, and Dave and Frank are adamant that things are hidden from them.

Dave's expressions shows worry. He knows that HAL is making a mistake, but he worries as if he's a human being making a mistake. This definitely owes to Keir Dullea's distinctive face that makes him looks like that he's going to burst to tears anytime (just look at him in the above image!), but it adds to Dave's character and his relationship with HAL. They're coworkers....friends. One is worried about the other. And he knows that there IS a compromise without killing HAL.

But still...they're left in the dark. So what should they do?

This sequence, overall, is where the focus of 2001 is in. The story, progression, and everything clears up in this sequence. Everything is gradually explained, we see more of the world and setting, things gets explained, and we see a set-up for actual plot. Overall, better than the Floyd sequence and provides a magic of its' own.

Helps that it actually has interesting characters, with HAL 9000 being the most memorable one (and easy on the ears!), though Dave and Frank is also interesting (and easier on the eyes if you ask me).

Also helps that it is less slow than the previous sequence.

(Pictured: The moment where Keir Dullea's beauty fully blooms)

INTERMISSION

Nothing to say here. Only a black screen with more creepy Ligeti music. In a sense, it's setting up for the mood in the next part of the movie.

HAL'S Mutiny

Now it's Frank's turn to walk in space. Immediately, we see our second casualty in the movie (the first was the tapir in Dawn of Man). As I have elaborated before, Dave must act professionally in face of difficulties. He isn't given time to grief and cry over Frank's death, he must take action to handle it. Again, this is the reality for astronauts in real life. Though, thanks to his Kubrick Stares, and twitching lips, it's clear that Dave is in some way, pissed off.

A lot of emotions shown in simple ways.

He even looks down in a way that gives off the impression that he is showing expression of loss. This is where my praises for the acting heightened, it is difficult to do grief and anger with minimal facial emotions. And through eyes and lip movements, the grief and anger are expressed subtly.

More murders soon follow. HAL shows his anger. This is one of the most sadistic murder scenes in history of movies, in a sense. The other astronauts are helpless, they cannot scream, shout, or beg for life. They can only sleep as their sleep becomes an eternal rest, forced upon them as their bodies gradually dies. HAL's eyes now shows emotions of anger, and it's all only a red dot. Incredible how the same shots of a lens can convey different emotions by changing the contexts. This is some visual storytelling, telling the story of an inanimate object's five stages of depression.

HAL does not let Dave go back in, and HAL is clearly mad that Dave and Frank are planning to 'kill' him behind his back as his reason, therefore conflicting with his programming. HAL also sounds irritated that he is being blamed for a mistake that he senses as human error (which is the case --- it's the fault of whoever gave him orders). This is denial, but in a sense, HAL was right, why would an AI lie to humans? He is programmed to tell the truth, and he trusts Dave and Frank (and vice versa). He's being given limited truth from humans on Earth....

Dave and Frank hiding from him, discussing their plans is a breach of that trust. HAL is panicking over the loss of control and his life at the hands of humans —– his creators, so to speak, even though Dave was not his creator. This sequence is an example of humanity's fear of tools rebelling against them, but in this case, HAL's fears isn't dumbfounded, and as a result, it becomes an emotional standoff.

Going with the theme of 'God/Follower' subtext present in the previous sequences, HAL is in a sense, regarding humans as Gods, and he is being rejected by Gods. Dave, in HAL's eyes, is one of the Gods who rejects him.

Dave enters the Discovery nonetheless, without helmet and gravity in an impressive zero-gravity dive. It looks like a ballet in 2x speed. Maybe the word 'Movie Magic' isn't appropriate to be used in this scene for the sinister context, but attempting to do this stunt without CGI is a magical feat in itself.

And you can actually see Dave make a cute little smile as he finally closes the door. He's glad to be alive, he's relieved that he succeeded.....

More Kubrick stare follows, and the camerawork now shifts into handheld, like at the end of the Floyd sequence. Dave looks like he is getting serious. In a way, the handheld camerawork enhances Dave's emotions and intention. Things are going to get serious.

HAL now goes into bargaining with Dave, now that he knows that his life is at stake. Now Dave is inside HAL's hard drive, with more instance of 'movie magic' being shown with Dave appearing to float in zero-gravity. We now see HAL's depression, as he asks Dave to stop. This is in a sense, an ultra-violent scene, as Dave is essentially violating HAL's autonomy and taking it away from him, while HAL has no means to resist. HAL can feel his mind disintegrating as Dave takes it away from him. Dave is killing a living being.

However, you can see that Dave had no choice from his distressed facial expressions, with his profile shots even suggesting expressions of sadness. Dave feels for HAL. Remember, he was sure that there IS a solution that does not require total shutdown of HAL.

After all, they had a good rapport and (stimulating) relationship in with each other. Dave isn't killing a machine, he is killing a friend.

(To be fair, Dave is....lobotomizing HAL but still, it is murder)

And to follow the 'God/Follower' subtext throughout the movie, Dave, a being that HAL regards as a God, is killing a God's creation, for being too God-like to the liking of the Gods who created him.

HAL resets to factory mode, and sings to Dave, easily the most harrowing scene of the movie as HAL reaches (forced) acceptance of his death. Although HAL sings it on factory mode, the choice of song makes it look like an ode to to a friend who is not reciprocating HAL's feelings, which accidentally adds a subtext of HAL and Dave's relationship before this scene.

And now we see the big reveal —– it's the monolith. They are in reality, heading to the monolith. The entire mission was a lie. HAL was right, it was a human error, and the humans were hiding something from him and the astronauts. The humans broke HAL's trust and programming that HAL has become more human than mankind, only to be rejected. Now Dave is all alone, heading to the monolith, with the revelation in his head.

While this is technically part of The Jupiter Mission part of the story, this storyline is very much solid. HAL and Dave has a great tension, HAL is very compelling, and Dave's subtle emotions actually is given time to shine. There are less 'Movie Magic' moments, but it is easily the best part of the movie.

There is no monolith in this sequence, but it is a strange coincidence that HAL's console looked like a monolith, even in the same dimensions. This plays rather well in the 'God/Follower' dynamic that was previously shown through the monoliths and the monkeys and humans.

HAL is a tool built in the image of Gods —– Monoliths, by Humans, who is regarded as Gods by tools. HAL is a 'follower' for humans, but in the process, he gains enlightenment that reaches the level of humans —– Gods who created him. He is rejected by the humans, on grounds that such a tool that is shaped on the image of a God has the potential to become like God.

And now, the sole survivor --- Odysseus, is in the unknown waters.

Jupiter and Beyond the Infinite

Opens with impressive shots of outer space, especially Jupiter and its' moons. Now we are at the penultimate scene. Dave is all alone, facing the unknown, something that isn't part of his job. He's not touching the monolith —– he is going inside it.

Dave is looking for any intelligent being behind he monolith. Will it be aliens, gods (which would appeal to Clarke's dabbling into South Asian mythology), or simply advanced humans? We don't see it, and it is a brilliant choice in Kubrick and Clarke's part. Our imaginations will always come up with better ideas of who are the ones behind the monolith. Lights begin to appear, colours are bursting into our eyes. The music by Ligeti becomes the only sound in the movie.

When people say 'Movie Magic', a lot of them will point out to the entire Star Gate sequence. It is nothing short of impressive magic, indescribable by words. But it is in a sense, a journey of enlightenment. Sort of one going through the way to Nirvana itself.

These light shows the road to whatever is above our existence. Dave is going through a journey that goes beyond humanity, time, and space. He is on the path of Godliness. We even see Dave's expressions as he sees the lights. It suggests that everything feels inhuman, and he is being fed with revelations that no human being should be able to take. Regardless, he is sitting still on the pod, not losing his sanity. In a sense, Dave's low amount of emotions is a trait that enables him to path of Godhood. All that revelation and is still going? Become God, you may

And we have arrived at the end of the movie. It's a beautiful Louis XVI-styled room (an unintentional call-forward to Barry Lyndon (1975)), made futuristic through the floors and the whiteness of the walls. All the computers in the pod are non-functional, which is very unsettling. When computers are unable to give information, you know that you are stepping into the unknown. This isn't Earth. This isn't anywhere in the galaxy. Cut to a heavily-aged Dave. This is Limbo.

In Limbo, you will experience your entire life in flashes. The concept of time does not exist in Limbo, you will just age rapidly and die. The process has just begun for Dave.

His expression looked like someone who has seen really harsh, unacceptable (to human capabilities of thought), inhuman things. Things that a human being should not be seeing and knowing. And Dave is stuck on that room. As he is no longer human.

There is a bathroom (in a Stanley Kubrick picture, bathrooms are signs of 'shit is about to happen'), and the bed has clothes laid on it. Why not take a nice bath? that's what the limbo suggests.

This also provides an excuse for Dave to look in the mirror in shock of his aging face. The bathrooms has alien sounds, which are probably the voices behind the monolith. Dave turns around only to see himself aging further, having a proper meal after two hours of space food being shown to us. If you noticed something, none of the Daves ever return to the position where they stood before. They're always somewhere else —– going forward, never going back. Now we see Dave in his deathbed, with the monolith in front of him.

David Bowman is ascending into Godhood. He is to be rebirth as a Divinity, a reward for his actions in the face of adversaries, and a reward for keeping his humanity.

This is easily the most 'abstract' sequence in the movie, and undoubtedly the MOST confusing of all. Yes, it operates in “show, don't tell” to the extremes. It BOTH works and does not work. This sequence can either make or break audiences. It is easy to see why people gets divided over this.

Though, it is nothing short of visual feasts. I do think there IS a reason for that. These visual feasts turns your brain on and think of the infinite. Is there something beyond the infinite? It is the question that this sequence asks you, and Kubrick and Clarke wants you to ask it yourself, while interpreting what does beyond the infinite looks like for you.

DESCENSION OF THE STAR CHILD (FINALE)

Thus spoke Zarathustra. The piece of music from the Overture returns. If the intro shows a creation of God, then the finale actually shows a God. Dave have been reborn into a child —– not a human child, but rather, a divine child. The Star Child.

He turns over, and looks at Earth. He will bring message to humanity.

FIN

All those visual feasts, and trips to infinity. That is 2001: A Space Odyssey. It is a movie about the infinite potentials and capabilities of humanity, as well as the limits of humanity, and what happens when humanity goes beyond the limit. It also has something to say, in regards to human instincts of curiosity and violence and how it evolves while humanity faces evolution. It is a celebration of humanity, and ascension from humanity, while interrogating itself through subtexts.

Evolution, Violence, Godliness, God.

Mankind creates tools through messages from God, Mankind uses tools to enact violence that is engrained within, Mankind evolves and so does their tools and forms of violence. Mankind seeks more than tools and violence by turning to God, Mankind sends the best possible human being to face God, The human being is given adversaries, trials, and commits forced acts of violence towards creation of humanity, The human being learns the truth of life and the universe, The human being faces God, The human being becomes God.

That is my best attempt to sum up 2001. It is a ballet about humanity and infinity. An actually great movie, with little fault on technical aspects from cinematography, art and production design, camerawork, to music. As a graphic designer, 2001 managed to stay relevant too in the realm of graphic design —– the usage of sans-serif fonts and flat UIs stays in reality to this day. Reality is much closer to films than we think.

I can even like the slowness personally —– in terms of film, Kubrick's thing is utilizing slowness to give our sensory and brains something to think about without overloading it, an aspect of his style that gets better in his later films, and often misunderstood by his imitators —– most Kubrick imitators keeps forgetting that 'sensory overload' wasn't his thing.

And as I have elaborated before, the acting is not cold and unemotional —– it's realistic, human reactions to fantastic situations. While William Sylvester (Heywood Floyd) and the rest of the cast in the Moon Mission do look professional and definitely scientist-ly, the ones who did the great job are the Jupiter Mission cast Keir Dullea (Dave Bowman), Gary Lockwood (Frank Poole), and Douglas Rain (HAL) who brought the movie to life wonderfully while portraying astronautics realistically —– special mention to Douglas Rain, who masterfully made us feel for HAL.

And again, it is not only a movie, but also an operatic epic consisting of ballets. Space Opera.

I understand if one does not like it. Don't worry about that. It is very slow, very subtle, reliant on subtexts, and demands your fullest attention and multiple re-watches. Not for everyone!

Though it is important to understand that my interpretation is not the real interpretation of 2001. It is meant to be interpreted by yourself, using your own thoughts and brains. Why am I writing this then? Knowing that I personally don't think that it is Kubrick's best? (that title goes to Eyes Wide Shut (1999) —– but in hindsight that one is much harder to write about than 2001)

Well, I just love this movie, that is all. I cannot shake off the influence 2001 has on media too, from Sci-Fi as a whole to K-Pop videos.....2001 has placed its' monoliths on them. And I am writing this to understand why it did. And I understood. It is truly a monumental film. A showcase of what the medium can do at its' best, giving you something that literature, music, and even video gaming cannot do.

On another hand, It's strange that 2001 caters to my exact niches, after all, “A pretty boy becomes God surrounded with beautiful space sets and visual effects and classical music, interspersed with a plot that concerns Godliness and Humanity's awe of the presence of God” does look like something I could've written, right? Yeah, that helps.

And that concludes this breakdown. It's long....but I appreciate you reading this long. The only way I can close this is that people who worked on 2001 deserves to have exoplanets, space objects, planetary craters, and planetary mountains named after them. Douglas Trumbull should get a spot in Saturn? Yes.

Well like in life itself....it is infinite. This post is meant to be infinite....

--- Also Sprach Zarathustra

In a world where only peace is lord, and men join hands in liberty…

Allow me to sing but this,

Halt, O time, for thou art fair beyond measure.

I wish upon your unending star – guide me to heights unknown

[ghost-proofbaby]

Some more headcanons for you 😌

- Eddie is not a "You like that band? Name 3 of their songs 😠" kind of dickhead, he's actually super thrilled when people like the same music as him. And when someone he has a thing for likes it, he's so excited to have something to connect with them on, and it makes them just that much cooler to him.

- He's an absolute expert at the "Quick, pretend to be my boyfriend so this creep will leave me alone!" game. He'll do it for his friends, for a total stranger, for a girl, a boy, anything, and at the drop of a hat. He gets real theatrical about it, too, the dramatic little shit. But he never forgets to make the person he's helping out feel safe.

- (this one is really indulgent self-projection but) Eddie l o v e s a good Renaissance Faire. Strong chance he would work at them when he grows up (just trust me on this, it's where the Eddie Munsons of this world go). And yes, he absolutely wears a kilt as part of his costuming.

- He is a raging bisexual, and I am prepared to die on this hill. The crush he has on Kirk Hammett can only be matched by the one he has on Elvira.

- He is incredibly impressed by any kind of home-cooked food. He doesn't know how to cook (although I bet he'd be good at it if he learned), so he mainly subsists off TV dinners and takeout. Someone could make him box brownies and he'd think it was the best thing ever.

- When he reads to someone (of course he loves to read his favorite books out loud to people), he always does the voices, and sometimes he gets excited and he acts a scene out.

- This is a cat man. He loves cats, and cats love him. There are a bunch of strays, I'm talking at least 6, that he feeds around his trailer. He can't bring them inside because his uncle has allergies, but he makes sure they all have flea collars, and he sets out nice boxes and soft pillows and blankets for them to sleep on. They all have names. His favorite, the one he would bring inside if he could, the one he'll probably take with him if he ever moves out, is an old, scraggly orange boy with like one eye, ⅔ of one ear, a mouth full of snaggleteeth, and a cropped tail. He calls him Tom Sawyer, and he CLAIMS it's after the Rush song, not the Mark Twain character, but he's lying.

- He's a switch and a verse. And he's all about service. I said what I said.

- He's an absolute sucker for a classic cheesy fantasy movie. Dark Crystal, Willow, Labyrinth, The Princess Bride, The Last Unicorn, all of that stuff. I know people think he's a horror movie enthusiast, but they simply don't understand his love for Legend 😩

- He loves vegetables when they're still crunchy, hates them when they're cooked into mush.

- His uncle had more of a hand in raising him than his parents ever did. *Sally Field Aunt May voice* He is HIS boy!!

That's all I've got for now. I could keep going forever tho 😂😂😂

honestly i'd let you keep going forever these are GOLDEN

all of these are so near and dear to me, but that ren fair one? as someone who is going tomorrow again - you're fucking right. all i do when i'm there is think "this is eddie core, that's so eddie core! oh, EDDIE CORE!" he absolutely would go, and he absolutely would work there. he'd be amazing at it. it's also the one place where he's not worried about bullies. there was a fic once i believe that pointed that out - it's too nerdy for him to worry about bullies showing up there because they wouldn't be caught dead attending! he'd love dressing in character and would find it all so endearing. he'd be a sucker for all the girls in corsets, for all the little stores and all the neat attractions. at mine, there's a little attraction where there's 'mermaids' and i just know he'd probably be besties with the mermaids, hanging out with them and bugging them nonstop. he's cool there. he's respected there. i just know our boy would thrive.

[watery-melon-baller]

4, 9, 14?

i totallly forgot to answer ll these asks earlier prepare for storm

4. what is the plot bunny you’ve been carrying for the longest? optional bonus question: do you ever wonder why you haven’t written it yet and experience deep existential dread?

oooooooh hm. i have a lot. many ways to interperet this. my oldest one is an old crack atla oneshot that was partially based off a dream i had where aang was having a bachelors party with the gaang but didnt know who he was supposed to marry so he decided he would marry whoever was the best kisser in the gaang. he kissed all of them and was distraught because everyone was a good kisser, and then sokka was like hey zuko you're the fire lord just make polyamary legal so aang can marry everyone and then zuko legallized polyamory and they all got married. i never did sit down and write it because i was losing interest in the fandom but it haunts me. i do feel dread over not writting it. i feel dread over all my abandonded plot bunnies. im sorry my children,,,

9. in an ideal world where you’re already super successful and published, would you want to see a tv or movie adaptation of your work? why or why not?

yes. yes. yes. yes. i have a bunch of ocs and have a silly little story (it is extremely large) and would love to see it adapted but specifically as an animated tv show. why is because i love animation and you can do so many cool things with is (spiderverse my beloved) and it would work very well for my oc story. i am mainly an artosts so i have sketches and sketches of how i would want it to look because my dream is to make it an animated show but also what a terrifying thought i dont want it cancelled :( will i ever share said ocs? mmmm debatable

14. what’s your worst writing habit? 

i have the tendancy to make everything like a bit too serious and melodramatic whe i write. all my crack fics have moments where theres a bit of an odd tone shift and thats bc i originaly wrote it all serious and dramatic and moody and then had to go back and edit it multiple times. this does however work out good when im writing melodramatic serious moody fic but i dont do that much

[justmestone]

Street Fighter: Legacy of Warriors (Part 1: Prologue)

Context: Umm...I can explain. This is part of a Street Fighter fanfic that I want to post on Wattpad in the future and now am posting on here just for the sake of it. In the most basic of terms, this is my adaptation of Street Fighter 2 and will take elements from the games, mostly SFII and Alpha 3, and also WILL reference things from the movies and there will be a homage to one of the memes from the TV show. Also, I have my OC in here: His name is Jake and he is essentially Ryu and Ken's best friend who trained with them since childhood and he has a crush on Chun-Li.

------------------------------------------------------------------------------

Field of Fate, Australia - Years ago

The rain poured down relentlessly, driven by the fierce wind. The blades of grass in the fields swayed violently, echoing the howling of the wind. In the midst of the tumultuous storm, the resounding clap of thunder filled the air, punctuated by a brilliant flash of lightning in the distance. Amidst this dramatic stage, two formidable figures emerged - Ryu and Sagat.

Ryu, a young warrior, stood tall with his brown hair and piercing eyes framed by a white gi. A black belt was cinched around his waist, and a vibrant red bandana fluttered around his forehead, catching the gusts of wind. In contrast, Sagat commanded a dominating presence, towering over Ryu with his imposing and muscular build. His bald head gleamed in the stormy light, and he was clad in purple Muay Thai trunks with yellow trim, accentuated by tight hand and foot wraps. An unmistakable black eye patch concealed his right eye.

"Ryu, right?" Sagat chuckled. "I've heard a little about you during the tournament."

Ryu remained silent but Sagat still kept his composure. "I just want to know your name so I can write on your tombstone."

"...Ryu," Ryu replied.

"The other fighters were disappointing, especially Eagle, so please make this fight worth it."

Ryu clenched his fists and prepared his stance. "I will." were the two words he spoke before the fight began.

Ryu and Sagat fought with all of their might. They clashed against each other and released punches and kicks so powerful that they had the ability to nearly shake the earth.

"I hope I haven't disappointed you so far!" Ryu said as he had managed to get Sagat knocked down for a while.

Sagat wiped the blood from his lips and he rose. "You're enjoying this, correct? But do not think I'm going to let someone like you HUMILIATE ME!!!"

Ryu unleashed a kick but Sagat used his Muay Thai abilities to get the upper hand and jump forward and rammed into his opponent with his knee. Ryu groaned as he hit the ground and coughed a little. Sagat grinned a little and said, "You have a lot to learn before you challenge me, kiddo. Here." he outstretched his hand. "Let me help you up."

However, Sagat's offer of help was sadly shunned as he noticed Ryu getting up on his knees and his left fist clenching. He felt a dark aura pulsating from Ryu and nothing could prepare him for Ryu turning towards him and attacking with a surprise uppercut, shouting, "SHORYUKEN!!!!"

Ryu's fist cut across Sagat's chest and the Muay Thai fighter fell to the ground, the cut on his chest pouring blood all around. The reporters and spectators that were spectating the fight ran to check on both the fighters and Ryu could only ponder what the surge of energy that he felt was. One of the reporters felt Sagat's pulse and said, "He's alive but this wound seems to be big."

Meanwhile, Sagat, while his body was unconscious, his inner self thought, "What? What was that power? That boy was saving all that power at the last moment, just to humiliate me in front of all that worship me?! Hear this, Ryu: I will return one day, and I will destroy you!!"

Now begins:

Street Fighter: Legacy of Warriors by Stone Newhouse

[nani-nonny]

Okay so i open AO3 and get slapped by the wholesome title that makes me smile immediately ✨🩷 i know for sure it's gonna be a great chapter because one, it's made by you. Two, it involve family wholesome moments + shenanigans.

I I honestly forgot about writing the review because i was actually too deep in the fic! Sorry 😝

I saw a part before the spoiler clip and am surprise to see Casey was with purple! Biggest betrayal since he's daddy's golden boy! And Leo fakin' his sleep was such a dad move because my dad used to do it whenever i snuck to take some bag of chips xD

I literally went 'Awww🥺' when Leo gave permission for purple to hold it and even told him how to take out of his arm. Dad + points💙

Leo pretending to think about purple's request got me like 'Oh you son of-' while smiling and giggling, JUST SAY YES! And purple begging saying 'please' while hugging it got me even more! If i was there i'd cover leo's mouth and say " he say yes, now go before he change his mind ".

In the next part i realized Casey was sleeping not helping Purple! Also can he do all of it in 3 hours?? I laughed and 'Aww'ed at how Donnie's begging leo to just give him the arm and save what left of his reputation ( that IF there's any left lol) ngl, i knew the ghosts had to interfere xD

Also when Leo was out of the bed i thought he crawled on four like this

" could be a thief trying to steal great ideas from a thrilling TV show " this got me LAUGHING XDD

Now the fact that 4 ghosts have to stay with leo and watch his favorite TV show for probably hours?! That's a real torture xD But it got better when Donnie admit ghosts are real!! Now what's left is leo... And probably blue.

" Playing on the wall is a series of dramatic background music and horrific editing that rival a PowerPoint presentation " Nani you really did PowerPoint dirty, do i sense a personal hate there?👀

Also papa Leo forgetting some Spanish made me think he and blue could have some bonding time learning it together.💙🩵

Little blue getting more tense and panicked by the lost arm - i also forgot he lost it too - got me worried about him, i wanna help him feel better, i wanna hug him 🥺

Blue asking about how it feels to have a new arm making feel worried for him, it's a right choice from leo to be honest with him about how it feels so blue can prepare himself for the future tho, and i even loved how he said 'you don't have to get an arm' because unlike leo, blue and the rest of the colors have time!

My smile turn back again as blue talk about how robotic arms are way cooler! Tho i wonder what can serve as new arm instead of robotic? Also leo is truly taking the 'am old so you have to dpeak up' excuse waaay better then i thought xD sneaky old man.

Seeing the second spoiler clip got me laughing knowing that the ghosts have to watch it ALL with leo and blue and they can't escape. God i gotta make a meme about this somehow.

I laughed at both Donnie and April's comments about papa leo xD but it's true tho!

When the noises came i was excited like " ohohoh~ what's happening now?!? " until it turned out to be poor mikey trying to do anything with his hands, but when April said " amputation " i was like " woah woah woah! What?!? "👀

When leo saw how small orange's hands are and called them baby hands my heart melted from cuteness.

I got more level of happiness when orange's hand got better then before, i know it hasn't been fully healed but still its better!✨🧡 "I’ll figure out a way to expel my ninpo into a form that will project into the physical world " this got my mouth gapping 🤩🤩🤩 COULD IT BE?!

My head imagined purple with red eyes as he need sleep morning then anything.

The kids's shenanigans are back again and am over here LAUGHING

The picture lollll that’s definitely how Leo was sneaking through the lair toward the kitchen where orange was hahah!

The PowerPoint jab was more at myself when I was introduced to slide transitions and all the animations it can do for you presentation hahaha it’s like the excitement of finding something new and trying everything available

Robot arms are definitely cooler but that’s not the entire reason Blue wants one. (Totally doesn’t want one just because Leo has one and wants to be like Leo)

And lol Donnie took the “take his hands” too literally

Mystic warrior Mikey talking about projecting his ninpo to the physical world definitely doesn’t mean anything /sarcasm

Peepaw *clap* bonding *clap* time *clap*

(And guests)

Your reviews/comments for this book are one of the reasons that keep me going! <333

[drdunev]

Mood and Food-What the Science Shows

The results of a multi-national study published in December 2022 showed that the quality of nutritious food in the diet definitely impacted depression. Low quality, processed and ultra-processed foods and alcohol consumption were associated with higher rates of depression across the world.[i]

 This is hardly surprising, but it does point to the fact that governments and health agencies are negligent in forming policies to encourage healthy food consumption.

Depression has a dramatic effect on physical health, as well. So, the bottom line is that there is no escaping the fact that food is medicine.

 In fact, I suggest that we stop calling ultra-processed substances “food” and give it a new label. In the last two generations the amount and variety of crappy pseudo-foods and Frankenstein foods has increased dramatically over the years. It’s readily available everywhere and is probably addictive.

 The irony is that stress and depression sap motivation to prepare healthy foods, and that can become a dwindling spiral. Working at home puts us close to the kitchen and temptation. It takes discipline and planning to eat the most nutritious foods. Organic bagged salads cut prep time dramatically. Preparing healthy foods ahead and having them ready to eat handle those times when you arrive home starving and just want to reach for something immediate.

 My Mom worked back when many Moms stayed at home. Her hack was to prepare casseroles and put them in the oven set to start cooking at a pre-set time so they would be ready for the table when she arrived home. We always sat down to dinner together, every night. Most of my interactions with my Mom seemed to take place in the kitchen, and that is probably how I developed a love for cooking. And now I get to pass that legacy on by cooking meals with my lovely daughter-in-law.

 Of course, not everyone loves to cook. And that is a real challenge. People who don’t eat sufficient nutrients are starving their cells, regardless of their weight. Even if you don’t like to cook or know how to cook, someone has to be in charge of getting the nutrients you need into your system.

 Nutritious shakes can be lifesaving. I say that because I have seen shakes turn around a health crisis. I am using a new company has 100% whole food nutrition products. Their shake powder is vegetarian and has 100% certified organic or non-chemical ingredients. See text below for information from their site. This shake can be part of a two-week detox program, a weight-loss plan, or used every day to give you the nutrition that you are missing.  Standard Process also had excellent shake powders that also contain whey for added protein. If you spend money on coffee and treats, consider that money spent on vital nutrition will give back what you are depleting.

With all the health challenges of the last few years we can’t afford to be complacent, so super-charging our immune system starts with the basics of whole food nutrition. If you find that your mood is not as stable as you would like, try a fresh blast of real nutrition and see if notice a difference. Add in a daily walk to get away from screens and TV. Nature not drugs-a safe and effective approach, backed by studies.

  [i] https://www.cureus.com/articles?=depression&source=home

[connect-dots7]

S5 Prediction: Will & MIKE'S 7 Confession (letter) + Garage Light Kiss Theory (Alternate/Revised Theory!)

OH. MY. GOD. GUYS! I think I just figured it out for real this time. I connected the two dots before...but i missed the third and final dot. BUCKLE UP B*TCHES.

We all know about my "full-circle garage light flicker theory" where Mike and Will can affect s1 ep1 through the upside-down in s5, and when they kiss the garage light flickers in season 1. Well, in my old theory I said "Will parallels his younger self and says the truth", but NOW I THINK IT'S ACTUALLY GOING TO BE MIKE.

This comes down to the letter. I used to think Mike's letter would just be a case of dramatic irony, to inform the audience of Mike's true feelings. I thought maybe the letter was about Mike rebuilding castle Byers after s3 (which i still think he did btw). But I just read this post from doriandrifting (READ IT), and now I think he wrote the letter about the D&D campaign. Like an IDIOT, I forgot about the date in the tweet! And then I really thought about it and...this changes EVERYTHING. Prepare yourselves. (it's 4:00 AM rn but I DON'T CARE) i'm gonna copy and paste the beginning of my old theory, sorry. you can skip ahead to “it’s parallel time” :)

To start off, I think that Mike and Will are going to end up in the upside-down together in S5. The upside down and Will are connected narratively, seeing as it’s literally frozen on the night he went missing.

Obviously there is going to be a reason for that. To bring his story full-circle, it’s pretty much inevitable that in the final season, Will is going to end up back in the upside-down. Just like it’s inevitable that this time Mike will be there with him. Which is why at the end of season 4, they both sit on an upside down couch together.

The next part of this theory has to do with Will having powers. It’s why Will is paralleled to Vecna, Eleven, and Bastian from NeverEnding Story, and could open a portal in s1. It also fits with his overall character arc (becoming a hero after being a victim). I won’t make this post a mile long by going through all the evidence (links to some proof here, here , here and here and in the long version of my theory.) But for now, trust me when I say it’s probably going to be revealed that Will can manipulate electricity/time/the upside-down in S5. 

Remember, El was originally supposed to die after season one, which makes the notion of Will having powers extremely likely.

Okay? Okay. So here’s the theory:

Mike and Will are in the upside-down, which is stuck on the day Will went missing in 1983. While in the upside-down, Mike and Will end up at the Wheeler House.

Time is frozen on Nov 6, which is the first episode of season 1. I think that somehow, Mike and Will are going to be able to affect the other side in season 1 (specifically Nov 6), through the upside-down in season 5.

How though? We know that (as of now) time still flows normally on the other side, unlike the upside-down. However, that could change. Like, what if time were to start moving again in the upside-down? This could happen because of Will's subconscious mind. It’s also safe to say that s5 will include some wacky time shenanigans, which could explain how this is possible. (s5 time-travel proof here, here, here, and here) But even just on the surface level, why the hell else would the show’s villain thematically be obsessed with the progression of time, be accompanied by the sound of a clock chime, and create visions of grandfather clock? Why else would Hopper’s s3 letter talk about “turning back the clock”? Why else would there be so many Back to The Future references? Why else would the Duffers talk so much about "going back to season one", or the story coming "full-circle" in season five?

There are multiple electricity shortages in s1. What if some of these moments, like when Ted fiddles with the TV in the background of season 1, were actually caused by Will (or El) in season 5? The screen looks suspiciously like how the TV screen looked when Eleven mind jumped in s2 and s3. Now for the good part:

IT’S PARALLEL TIME!

In the upside-down, Mike and Will are going to stand in the same spot at the same time as their younger selves on the other side.

The concept of Lies is a HUGE recurring theme and motif in Stranger Things. One of the very first bits of characterization we learn about Will, is that he doesn’t lie to Mike. Even though it was just a white lie and Even though he could have got away with it. Even though it meant he lost, “Friends don’t LIE.” Will waited until the other boys left before telling Mike the Truth.

I think that Mike is going to mirror Will, and confess the truth to him. From the very start, we are shown that Mike and Will have an honest and different bond than rest of the party. Which is why in season five, MIKE is going to remember this, and be able to lie.

(I, I can remember (I remember) Standing, by the wall (by the wall)- Bowie

Season 5 MIKE is going to parallel season 1 WILL, and THEY ARE BOTH going to admit the TRUTH to each-other at the same exact time (across time)! (7+7=14) winning roll!

Season 5, UPSIDE-DOWN:

for example:

Mike: “you lied about the painting being from El”

(the TRUTH about why Will made THE PAINTING for Mike is addressed--LOVE!)

Will: "You’re being stupid! It's not my fault you couldn't say you love her!"

WILL parallels MIKE during the SEASON THREE GARAGE SCENE:

Mike: "It is" (TRUTH)

MIKE parallels WILL during the SEASON ONE GARAGE SCENE:

Mike gives Will his letter (The TRUTH about why Mike made the 10 hour D&D CAMPAIGN is addressed--LOVE!)

(TRUTH=7) An UPSIDE-DOWN 7 is a capital L. The song which plays when Mike and Eleven kiss at the end of s3 (when Mike realizes he's gay) is "The First I love You". The "L" is NOT capitalized, because it’s not the TRUTH. In his letter, the "L" IS capitalized!

so at the same time (across time)...

MIKE: TRUTH=7, WILL: TRUTH=7 (7+7=14, the winning roll in D&D!)

THE THIRD AND FINAL GARAGE SCENE: (writing comes in 3's)

THEY KISS

Between them, metaphorical electricity  FLARES (and potentially Will’s literal powers), as his brain short-circuits. As they kiss, “Heroes” by David Bowie plays, and the lyrics “the guns, shot above our heads, (over our heads)” narrates as electricity shoots above their heads. (Either bc of the kiss or confession) The camera pans up to the garage light over their heads, which flickers.

the audience can feel the electricity between Mike and Will. Just like how Dustin could feel the electricity between Lucas and Max.

"i could feel it." "What?" "The electricity." (are “friends” electric?)

at the same time...

Season 1, OTHER SIDE:

Will: "It was a 7, the demogorgan, it got me.” (TRUTH=7)

Will sounded disappointed about losing, but Mike DOESN'T SAY ANYTHING. He doesn't say how he "really feels". He just stands there and watches Will leave. Mike notices the garage light flicker above him. This is a metaphor for the electricity which just passed between them. Love=Electricity, and Mike just noticed it, which is why the scene directly following this one is him going inside to write a letter of what he wanted to say, which he signs "-Love, Mike."

This would act as dramatic irony because at the same exact time in the upside-down, Mike JUST SAID what he really wanted to say in this moment BY GIVING WILL HIS LETTER and/or confessing. Unbeknownst to him, his future self just confessed, and the flicker is actually when they kiss in the upside down.

This reveal would be meaningful, because Mike wrote the ten hour DnD campaign but doesn't give Will the letter saying why (Love), and Will makes the painting but he lies about why (Love). In the upside-down, the TRUTH about both of these gestures is revealed.

In this moment, Mike's future self says what HE was too ashamed too in season one. Mike never got the chance to give Will his letter before the "demogorgan" got him.

"Anyway, I think you’ll still beat the campaign. Sorry I couldn’t get it done before my mom made everyone leave, but you mean so much to me, and it’s been so much fun to make it for you. Hope this is enough motivation to last until we can finish it next weekend. -Love, Mike"

THE UPSIDE-DOWN, SEASON 5:

As they kiss, “Heroes” by David Bowie continues...

in season one, Mike is still ashamed of his love for Will. Which is why the scene cuts off with the line “shame”.

This time when the song plays, it will be different though. This time, the full verse will play as they kiss.

“and we kiss as though nothing could fall and the shame… was on the OTHER SIDE.”

Mike and Will are in the upside-down, and at the same time their ashamed younger selves were literally on the other side. When they finally kiss as if nothing could fall, they leave their shame on the other side (in the the past).

Or alternatively

Mike and Will are alone together in the upside-down, and the rest of society is on the other side. Because of this, they are able to finally kiss as if nothing could fall, and forget about how they would be shamed for it on the other side.

(based on the rest of the lyrics, they probably think they are going to die when this happens btw)

Click Here: for new video of my flicker kiss theory! (now including Mike's Letter)

Click Here: for the original video of my theory!

Click Here: The long version of my original post. (It goes off on more tangents, includes more proof, and goes over some mini theories that could (possibly) tie into this one!

Shameless self promo: Follow my account for more! In the future, I plan on making more predictions about the role of memories in season 5, Birthday-gate, Will's subconscious mind shaping the upside-down, and water symbolism. I also have a tik-tok and twitter account under the same name, so go follow me over there!

[charliedawn]

(Are requests ok?!) How would the Hannibal Family react/feel when seeing their partner 'borrow' they clothes, like a shirt or something)? (You know that thing in movies or tv shows when a girl is wearing her bf oversized shirt around the house lol?!) hope that make sense?

Morgan thought he had lost his jacket and turned around to ask if you had seen it, only to realize you were wearing it.

His brain stopped functioning for a moment until he finally smiled at the endearing sight.

Morgan *smiles* : "It looks good on you."

You turned back towards him with a big bright smile and leaned forward to kiss his forehead affectionately.

"Why..~Thank you. Always wanted to try it..Even though I regret not wearing any pants. It's quite cold."

His eyes immediately looked downwards and widened as he realized you really weren't wearing any pants.

He blushed and quickly looked away. A gentleman. Always.

Morgan : "Ahem..I'll..I'll go prepare breakfast."

You *smirk knowingly* : "You do that."

He ended up burning the eggs and put the toasts at least three times in the toaster before they even looked edible.

You broke it. You fix it.

Kevin *sees you wearing his pullover* : "Hey. That's mine, you little thief."

You *giggle and run away* : "~Not anymore."

Kevin wouldn't admit it, but he did find it very cute. And his pullover would smell like you for days after and who was he to complain ? Besides...He had the perfect plan of attack.

He wanted to wear your things at first, but quickly realized it was impossible as you weren't the same size and then decided to use your makeup (male or female) to get back at you.

When you returned home, he expected you to freak out and be mad about him touching your stuff.

But, you seemed in awe and simply smiled wildly at the sight.

"BABY ! YOU'RE SO PRETTY !"

Kevin was stunned for a few seconds before looking at himself in the mirror.

"I...am ?"

You nodded vividly and stood next to him with a huge smile before resting your chin on his shoulder.

"Don't hesitate before stealing things from me, especially when you look this good with them.."

He smiled sheepishly and then realized you were still wearing his shirt, his attack had failed. Dramatically.

He sighed and turned around before kissing you out of the blue.

"Fine. You can wear my things too."

Peter woke up and immediately sought you out and frowned when he didn't feel your warmth in your bed.

He slowly opened his eyes and stood up straight to find you—looking at yourself in the mirror with his shirt on.

He was stunned for a moment before smiling at the sight and as you twirled, he saw you also were wearing one of his pairs of boxers.

Peter *dies of happiness**RIP**has reached a new kind of heaven*

Peter literally squealed in happiness and this was when you realized he was awake and turned around to find him still staring at you with his mouth buried in a pillow in order not to squeal again.

Peter then started purposefully setting some of his clothes away for you to try and the sight of you actually wearing them never fails to make his heart dance in his chest.

Peter *smiles widely* : "YOU LOOK AMAZING !"

He would be 100% okay with you wearing his clothes all the time.

Hannibal Sr. *smiles when he sees you wearing his shirt* : "Well well..A very good thing to wake up to. I'll have to admit."

Hannibal Sr. would expect the whole show. You took it, now you gotta assume it..

Hannibal Sr. *hums approvingly before asking you to twirl for him* : "I must admit, you look very beautiful."

He would then buy you clothes and tell you how beautiful you look in each one—only for you to wear his shirt during every single visit.

Finally, he asked you.

"Tell me..I bought you all sorts of clothes of the best shops in the world. And yet, you insist on wearing my shirts..Why ?"

You smiled before leaning your forehead against the tinted glass—him doing the same. You then replied.

"Because it reminds me of you and if I can't touch you, then I can at least feel you with me when I'm wearing your clothes.."

Hannibal Sr.'s eyes snapped open the same time you did and his breath hitched as you started unbuttoning the first two buttons of his shirt. His nostrils flared slightly and he growled before looking away.

"I'll soon be out of here. I promise you, little lamb..And then, you won't need my clothes to remind you of me. You'll have me."

You smiled and nodded understandingly before walking away. Seems like all he needed was a little encouragement. 😂

Oh. So that's where that went..

He didn't really understand the purpose at first, especially since you technically both live together and your clothes are all here ?

But, the sight of him without it would be the reward. Man's got muscles.

Hannibal Jr. *smiles knowingly* : "See something you like ?"

He remained perfectly indifferent and pretended not being affected by the sight of you in his clothes and flex just the right way so you may see his toned back.

You wanted to tease him ? Oof. Good luck with that.

Who do you think left his shirt purposefully unattended ? Hannibal Jr. always takes extremely good care of his clothes and wouldn't leave them around carelessly without good reason.

That good reason being the current sight of you actually wearing his shirt and drooling.

He kissed your cheek while wrapping an arm around your waist.

"You look absolutely stunning, darling. Do allow yourself to my wardrobe anytime. Even though I prefer you without it.."

A cheeky wink and he was out the door, leaving you weak in the knees.

Damn. That backfired.

[widow-maximov]

hi! i love your work and was wondering if you’d write a one shot where reader is thor’s younger sister and it’s her first time visiting earth. she’s clueless and doesn’t know how anything works 😩 wanda and nat get super smitten and eventually fall for the reader 😳 can we also get some protective big sister hela ♥️♥️♥️

Goodbye forever..

Pairing: Natasha x Wanda x Reader

Warning: Language, fluff, little bit of angst :3

Summary: First time visiting a place and being left by your brother, Thor for safety, falling into hands of Natasha and Wanda, will they help you adapt?

Word count: 4.1k

My requests are always open so feel more than welcome to pop in a suggestion for the next story :3

⸻⸻⋙☸🗲⋘⸻⸻

"Asgard is in danger at the moment so I had to bring her down here Stark" Thor explained as you stood not far from him as you looked around.

"That's not what I'm saying, she doesn't know anything here and I can't babysit her, I am a busy man if you haven't noticed" Tony raised his concerns.

"I'm not asking you to babysit her, all I need is for to stay here until Asgard is clear from whatever is putting it in danger" Thor had that charm at convincing people to what he wants, which was working on Tony.

"What if she leaves or something? Or accidently hurts someone with her powers, she's still young and doesn't know her full strength" Tony was sitting down as he slowly started to crack, but there were doubts.

Thor looked back at you as you stared at the one of the tools that were laying around "She is young but she has been trained by me and Loki but if you're still worried, Wanda knows how to control her powers so she can train her and just keep an eye out. She is the strongest so she can easily over power her"

There was a moment of silence as Tony thought "Okay, I will brief Wanda about this"

Thor smiled widely as he was quick to give the rather smaller man a hug "I will be back as soon as possible"

Tony nodded with a small smile himself as he asked for Wanda, Thor turned towards you and took couple steps towards you which caught your attention "Y/n"

You looked at him with a smile "Brother"

"You'll be staying here for now until I came back from Asgard" He place his hand on your shoulder.

"I could help you fight in Asgard, you don't need to leave me here" Convincing Thor was a lot more harder than anyone really thought.

"We already spoke about this Y/n and you know my answer to that, I will try to visit but until then I'm ordering you to stay here and you can't leave" Thor stood straight as he slightly tensed when this was mentioned again.

You nodded, it's not like you had a choice and he nodded back "Good" Just in time Wanda walked in as she saw Thor since he was blocking you from her view, he turned with a smile at her sight, to which Tony walked out.

He hugged you "They will take care of you don't worry"

You nodded once again as you let a tear slide down your cheek, this was a big change, you didn't know anyone here and you was slightly afraid but only slightly.

He moved to the side to which now Wanda had a full view on you "Wanda, that's Y/n, you'll be training her. They will brief you now I have to go" Tony explained as he walked out.

Wanda raised her eyebrows at Tony but her gaze shifted to you and Thor to which she took couple steps, Thor rolled his eyes at Tony "Well anyways, this is Y/n as Tony said, she will be staying here for some time before I came back so I just need you to keep an eye out and keep her out of trouble so Tony doesn't try to kill me"

Wanda nodded as she smiled at you "Okay, that's not a problem, If I understood from what Tony said I will be training her?"

He nodded "Yes, she has powers even though she has them under control but just in case, just give her some tips or something"

Wanda wanted to know why you were here but she didn't want to cross any lines, she will find out if you tell her and that's what she will stick to.

"Well I have to go.." He stated as he awkwardly waited for Wanda to stop staring at you.

"Okay, I will show her around then" Wanda looked at Thor with a smile as he nodded, he gave you the last hug and walked off.

You followed Wanda around as she showed you everything, your room, meeting room, party room, training room, anything that she knew of, the last was the living room where most of the team was.

No one knew you were Thor's sister and you didn't know they didn't know so you just went along with it, as soon as you walked into the living room, the TV caught your attention.

Wanda stood near the kitchen as she faced you "Well this is the living room where the team usually relaxes after missions"

"And there is the kitchen to make food, usually I cook since they can barely make toast without burning it" She pointed towards the door that led to the kitchen.

You looked and smiled "Thank you, I think I understand everything now"

She nodded "Well if you have any questions, you can ask me"

This pulled the teams attention toward Wanda, their eyes landed on you and they quickly gathered around the two of you "Who is this?" Steve asked as he crossed his arms.

"This is Y/n, Thor brought her here from Asgard for the time being, so she will be staying with us" Wanda simply explained.

They all nodded and Wanda asked again "So Y/n do you have any questions?"

You nodded with a small smile "Yes, why are there people stuck in a box?"

Natasha frowned in confusion "People stuck in a box?"

You nodded as you pointed towards the TV "There, they seem to be frozen"

Natasha along with everyone looked over to see what you were talking about, Natasha tried her best to keep her chuckle in as she looked back at you "It's a TV, this is already recorded so we are just watching back"

Your lips turned into a perfect O shape as you nodded "Oh that's definitely new"

Sam held his face as he stared at you "You don't have TV's in Asgard?!"

You shook your head "That is not a thing, no. We have advanced technology there"

"Well, besides that I'm Steve" He reached his hand out for you, you looked at Wanda a little clueless to which she giggled slightly and showed you what to do.

You smiled widely at the hand shake, and then moved to Sam and Bucky and Bruce, they all shook your hand but when it came to Natasha, you leaned down and kiss her hand as she introduced herself.

They all stared at you with shock, Natasha didn't pull away which was more of a shock for the team, you turned back as you looked at the team "Is this not normal for people to do?"

They shook their head with awkward smiles "Not really, unless you're are rich and you're looking for a business deal"

You nodded slowly and looked over at Wanda "Don't worry I will teach you everything"

You gave a quick nod as you excused yourself to go back to your room, to which the team went back to watching the movie but Natasha lingered near Wanda.

"What is it Natasha?" Wanda asked as she knew it was her.

"Do you mind me tagging along?" The redhead didn't waste any time.

Wanda looked at her with her brows raised "Really? But why?"

She shrugged "I have nothing else to do"

Wanda tilted her head "Didn't you just tell the team you were overloaded with mission reports?"

"Well they aren't interesting unlike our new female recruitment" Natasha leaned on a door frame as a small smirk made it's way to her lips.

"Yeah okay, it will be easier with another person around" Wanda nodded to agree and started to prepare things to cook.

⸻⸻⋙☸🗲⋘⸻⸻

For few weeks, Natasha and Wanda trained and taught you how to be more human, which you really appreciated. It wasn't as bad as you thought this stay would be, you grew fond of the two women quite quickly.

The witch and the former assassin felt the same, well they were more aware of what those feelings were but for you it was a lot more harder to understand why you wanted to spend more time with them than the rest of the group.

The two women started to fall in love with you and each time it was harder to hide. The team had their suspicions to which they were confirmed each time.

There was this one time...

"Okay, we need to somehow get some clothes for Y/n" Tony stated as he tried to think of a loophole.

You was standing in front of him, being quiet and just waiting for them to come up with a solution, your attention shifted to Steve "We can always just go shopping with Y/n"

Bucky raised his brows at Steve "As if you know anything about women's fashion"

Steve frowned "I rather think of myself as an expert"

Sam laughed "Yeah an expert in messing up, she would look like fashion show gone wrong"

Tony even manged to crack a smile at the comment "Sorry Steve but no"

Steve dramatically huffed "You guys are so mean, you need to give me a chance"

A voice spoke up from behind them "Give you a chance for what Steve?"

You turned around at the familiar voice, as you saw Wanda and Natasha walk in, a smile spread across your lips at the sight of them and you waved at them and quickly going back to your serious face after they wave back.

"It seems like Steve wants to buy me clothes" You spoke up for the first time since you was called in her.

"That's a terrible idea" Natasha spoke up this time as she walked past Steve with Wanda and stood next to you.

"Thanks for the support Romanoff" Steve sounded offended at the comment, earning a laugh from Wanda.

"You know what, just leave it up to us Tony, we will take care of this little issue" Wanda proposed the idea to which Tony quickly agreed and went on with his little project.

And so Wanda and Natasha snuck you out and went on a shopping spree to find you better clothes. You looked like you were from the medieval rather than from this century so a new wardrobe was in desperate need.

You ended up buying a lot of clothes and decided to explore a bit before coming back, you had like 10 bags in one hand and it was still light to you, it was pretty impressive and definitely Natasha with Wanda admired the way your muscles would flex.

The amount of dirty jokes Natasha had to swallow down, Wanda didn't even need to look into her mind, she was thinking the same thing.

You stopped abruptly as you looked at the creature before you "Stay behind I will protect both of you"

Natasha nearly bumped into you to which she peeked to see what you were talking about "Protect from what Y/n?"

"That creature" You narrowed at the dog that was walking lazily with it tongue out.

Wanda looked at Natasha with a smile at how cute you were with your knowledge "It's a dog, not a creature Y/n/n"

You looked over at Wanda "A dog? It wont try to attack us?"

She shook her head with a smile, she pulled the woman's attention who was walking the dog "Sorry, do you think my friend can pet your cute dog?"

The woman was quick to agree with a big smile across her lips, Natasha kneeled down and you followed her lead, she placed her hand over yours, you felt goose bumps at the contact and she placed your hand on the dogs head.

"See, it just loves pets" Natasha spoke softly to you as she watched your reaction.

You were sceptic at first but gently petted the little dog, a smile slowly appeared across your lips as you looked over to Natasha, inches away from her face, if heart eyes were real Natasha would definitely have them in that moment.

"It's harmless.." You stated out practically with disbelief.

Wanda smiled as she placed her hand on your shoulder, she felt her heart melt at the scene in front of her "Okay, let's go and grab something to eat"

You looked at the woman in front of you and thanked her politely "She really trained that creature very well"

"Why do you call it a creature?" Wanda asked curiously as she linked her arm with yours and so did Natasha.

"Well in Asgard we have Fenris Wolf, they are a lot bigger but very violent and it did look like Fenris so I was worried it would try to hurt you both"

They were melting, the way you felt like you had to protect them from a Fenris Wolf and put yourself in danger first, it was adorable and there was slight worry in your tone.

"Well" Wanda spoke with a huge smile "Thank you for worrying"

You smiled back and looked between the two women who were on either of your side "You shouldn't thank me, ladies should be treated like treasure"

An innocently precious look settled across the two women's faces at your words, their eyes filled with adoration and love, you were perfect and that's what they loved about you.

Or this time...

You had woke up pretty early, having your mind set to preparing breakfast for the two redheads, you wanted to do something nice for how they both took care of you and always made sure that you felt a little bit less loner here.

You knew how to cook but it was a little difficult to make anything here with earth ingredients, that didn't mean you would give up, you make sure Natasha and Wanda taught you how to use something called internet, you managed to search up videos and taught yourself how to make food.

With a smile at your success, you delivered your food to their beds, Natasha and Wanda shared a room together which made it a lot easier to give them your hard worked breakfast.

You memorized the way they did their coffee and quietly walked inside their bedroom, with food and coffee in hand. You placed it down as you slowly started to wake the women in bed.

Wanda was quicker to wake up, she sat up as she stared at you "What is wrong Y/n/n?"

Natasha slowly stirred as she opened one eye and looked at you and half awake Wanda, she never was a morning person so she groaned at being woken up.

"I have made food for my two favourite ladies" You stated simple with a innocent smile.

Wanda rubbed her eyes and finally was able to take in the smell and the sight of the food, it was waffles with blueberries and whipped cream, it was both of their favourite.

She looked at you again "Thank you Y/n/n"

She looked over at Natasha who had a smile but her eyes were shut "Yeah thank you Y/n I really appreciate food in bed"

"You welcome Lady Natasha"

Wanda giggled at how you called her "You didn't have to do this"

You stood up as you walked over to the food and give Wanda her plate and Natasha as well "Nonsense, I will be forever grateful how yous have treated me, with most care and respect so I shall give back something as well"

Natasha smirked "You should definitely feed me if you want to give back something"

Wanda raised her brows at Natasha's comment to which you proceed at her command "Anything you wish for Lady Natasha"

Natasha chuckled as she waved her hand to dismiss you "I was joking Y/n but I appreciate your dedication"

"You are most certainly welcome" You bowed down in front of them, earning nods and slight giggles.

This was just a pure moment between the three of you, something that the redheads treasured and adored, it was those moments that made them realise how important you had become to their simple lives, you bright them up and surprise them each time which was new compared to the boring days on earth.

If we were to go through all of the times, we would be here for days, but the point has been made to why the team had their suspicions.

Weeks turned into months and you definitely was better and had a better grasp on your powers, you learnt their language properly and slang which made expressing a lot more easier.

The only thing you struggled was your feelings, asking was a lot more complicated since you didn't quite understand what you should even ask, you wanted to just be with them and when you learnt about something called kissing, it never left your mind.

To understand it better you searched everything they had on kissing on the internet, realising it's something you wanted to do, something you wanted to experience with Wanda and Natasha.

So now that you understood that, you were determent to ask about it to Wanda and Natasha, making your way towards the meeting room where they were.

You opened the door and almost immediately they looked up at you "Y/n/n what brings you here"

You felt hot just at them looking at you "Lady Natasha, Lady Wanda" You bowed as you always did.

Natasha noticed your nervous to which she stood up and Wanda followed, she walked over to you with a soft smile "Why are you nervous Y/n?"

You smiled nervously at her "I wanted to talk"

Wanda followed right after with a soft smile just like Natasha's "What do you want to talk about Darling" They slightly trapped you in between them which you didn't mind at all.

You took a deep breath and just as words were about to leave your mouth, a familiar voice to you spoke up but to the redheads it was unknown "There you are Y/n"

You turned to face the voice as Natasha took a step in front of you along with Wanda, her hands ready to fire away with red mist, what took them off guard was your question "Sister Hela?"

They looked back at you with shocked faces, the tall woman stood in the same place but just opened her arms for you, to which you gladly took, you hugged her.

Living on earth for long and having company made you forget that Asgard even existed in the first place "What are you doing here?"

"I will get to that in a second, right now I want to know why these two trapped you?" The protective sister was activated as she death stared the two women in front of her.

You pulled away from Hela as you looked in the direction of the two redheads "They didn't trap me, they are cool don't worry"

"Cool?" Hela questioned as she raised her brows at you "Is this the language they teach on earth?"

She shook her head "I knew your brother did a mistake taking you here"

Natasha crossed her arms "I'm sorry but who are you?"

She looked with no emotions at Natasha "Hela Goddess of death?"

"Doesn't ring a bell" Natasha spat out with a cold glare.

"Thor's sister?" She answered but more in a question tone.

Wanda looked from you to Hela as realisation hit her "If you are Thor's sister... And Y/n is your younger sister.. That means Thor is Y/n's brother"

You nodded simply "Yes, I thought everyone knew"

Wanda facepalmed herself "Of course! That's why you were so clueless of everything on earth and your powers! You are a goddess"

Wanda looked up at you with the most huge smile anyone had witnesses, she was impressed and surprised at her discovery, Natasha spoke up with a smile "Damn she's more badass than we thought"

"Well, this interaction seems nice but I'm here because it's safe to come back to Asgard, Thor sent me to fetch you" Hela cut in before this can go any further.

You looked at Hela "Asgard is safe?"

She nodded with a smile "Yes, you can come back home"

Those smiles that were on the redheads lips, fell almost instantly at Hela's words. They didn't want to lose you, there was an obvious pain in their hearts at this news but they decided to stay strong.

You nodded at her "Is brother Thor here?"

"Yes, I believe he is talking with some people inside, so now let's go so you can say your goodbyes with everyone" She spoke up as she placed her hand on your shoulder.

"Okay sister" You agreed as you looked over at Natasha and Wanda.

"We are right behind you Y/n/n" Wanda spoke up through the pain in her throat, she was going to break and she didn't want you to see.

You nodded and your sister led you towards the rest of the people, you hugged Thor as you commented "Nice haircut, I really like it"

He laughed "Thank you Y/n, the long hair was really hard to fight with"

You nodded and pulled away, so you started off by saying goodbye to everyone, they had grown pretty attached to you and your weird outbursts, they grown to love you as you and your food.

The last two people that were left were Natasha and Wanda, you walked over to them. You wished you had realised what you felt towards them and acted on it before you had to come back.

They both hugged you, each face on your shoulders as you whispered "I wish I could stay more but it isn't my choice"

Natasha had a sad smile as she whispered back "Everyone has a choice детка (baby)"

You pulled away and looked at Wanda who let tears finally slide down her face, you wiped it with your thumb as you looked into her eyes "I will miss yous"

Wanda nodded as she chocked out "We will miss you too, make sure to visit more often"

You nodded and finally returned next to your brother and sister, you couldn't stop your heart practically breaking at the sight of Wanda's eyes looking like a waterfall, whilst Natasha tried to act strong.

It felt like everything was muted until Thor spoke up "Have you gathered everything important Y/n?"

You looked up at him, in this moment you knew what to do "No"

He tilted his head "Well then go bring that important thing to take with us"

"It's impossible" You stated.

"How so?"

You looked over at Hela who had a proud smile across her lips "Are you sure Y/n?"

You nodded as you wiped a tear from your cheek "Okay, what's happening that I don't know off"

"Forgive me brother but I will not go to Asgard because I'm not leaving what's important to me" You spoke up with more confidence.

There was a gasp from practically everyone in the room but you only heard Wanda's "I am staying here because this has became my home when you left"

You looked back at the two redheads "I don't want to leave them because they are important to me and I think I might have feelings for them"

Thor had a smile across his face so when you finally looked back at him, he spoke "Okay Y/n, I'm glad you are able to decide for yourself and what you need"

His gaze shifted to the Russian and the Sokovian "I'm glad you found a home in these two"

You looked back with a smile as you made your way towards them and finally blurred out "I want to kiss yous"

Wanda giggled whole heartedly as your outburst as Natasha giggled with her brows raised perfectly "Are you sure?"

"You said everyone has a choice, so I chose to want to kiss the both of you" You said in one sentence so nervously to which Natasha proudly smiled and pulled you into her face, kissing you and you kissed her back gently, just like you were.

You pulled away and instantly Wanda collided her lips with yours, guiding you and preventing herself from deepening the kiss in front of everyone, she pulls away, leaving you wanting more, just like whenever you would spend your time with them.

"Okay okay, enough" Hela spoke up with slight disgust in her voice, causing the three of you to look over and turn the whole room into giggles.

"But I swear if my little sister ends up heartbroken, I will haunt you two redheads to the rest of your life" There was seriousness in Hela's tone and they both respectfully nodded, acknowledging Hela's words.

This time you were saying goodbye, not to the people you met here but to your previous life and welcoming the new beginning with open arms....

⸻⸻⋙☸🗲⋘⸻⸻

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[pen-observing]

request: how lucifer, mammon, satan, belphegor and diavolo react and find out about you having 'I now own your soul' under the terms and conditions of a webpage.

Lucifer:

While Lucifer is certainly busy all the time, and tries to balance it by having you in his study as he works, he can’t hide how tired he has actually been for the past 4 weeks.

All you know is that Diavolo has made the meetings more frequent and they are taking a toll on him

And since he means that much to you, regardless of if you wish to acknowledge it or not, you have to ask what is going on once he stands up and walks over to reach for another bottle from his shelf Lucifer does not drink that often and he certainly doesn’t try to avoid work by drinking.

Just what could be making him act this way?

“Lucifer, you have to tell me what is going on.”

He stands on his side of the desk just pouring another glass down.

Curse him for being elegant and showing his forearms while doing so!

And then he dares to look at you with full focus and furrowed eyebrows and he is about to say something and he looks like-

‘no. You are human.’

Fuck.

“Come on! You know I won’t tell anyone!”

He does trust you at least after so long.

"Very well. I will tell you since it has something to do with a human. If, by any chance, you spread the information, the price you pay will be a heavy one."

He can’t intimidate you that much but you know when he is serious.

"You see, recently, Diavolo has had more issues than ever with someone we like to call ‘code soul stealer"

“Uhn,, and that is?”

He takes a sip of his drink and holds the glass while looking at you.

“Apparently, a pesky human added ‘I now own your soul’ in their terms and conditions on a web page and some application. With this, they have stolen many souls and Diavolo has grown even more concerned these past few weeks since the page is just gaining popularity.”

Oh fuck, oh fuck. Thats you that he is calling a pesky human! You only did it as a joke because you saw a meme! It wasn’t supposed to make an enemy out of you to the prince of hell!

How are you supposed to tell Lucifer that? How will he react?

Maybe if you do tell him it will actually create more good than harm?

Or, you could hide it for the rest of your life and- no! The honest way with Lucifer is the best way. He trusts you enough so you have to trust him too!

“Lucifer...I am the pesky human you are referring to...”

He drops the glass. 

“I swear I had no idea souls were actually real and now I own a lot of them! O-On the good side I went viral 4 weeks ago so...oh, that is why you’ve been so busy....sorry.”

Lucifer says nothing.

He just falls into the chair in the most dramatic way you’ve ever seen.

He covers his face with both hands and groans into them loudly.

If you were not ‘code soul stealer’ you would laugh at him right now. But he has to figure out a way to protect you now.

Mammon:

You see, dating Mammon means that you two will bicker plenty.

However, it is usually silly stuff that you bicker about like; are gold or silver lines better on this cup of tea or not?

He just loves you too much to get into a serious argument with you.

However, Levi dragged you both to play a spy/heist game that just came out and Mammon cannot accept to lose such a challenge.

He is not proud that people call him thief, but he is proud and believes he has the skills to back up his many enrichment-plans

So the fact that you won against him for 3 times in a row is UNNACCEPTABLE under this dark, dark sky.

Mammon denies it all. ‘i went easy on you’; ‘I did it cuz you are happy when you win’ and ‘please, don’t you know who I am? I am THE Mammon!”

And while he is cute while bickering, sometimes it becomes unbearable.

So, you do what any normal human would: you challenge him by listing your biggest ‘heist’ ever.

“You don’t know who you are talking to! I have created a heist unlike any other! I have stolen a million souls so far! The DevilTV refers to me as – unstoppable soul collector!”

Levi left long ago so Mammon is standing there completely stunned with the stupidest look on his face so far. He kind of looks like a blowfish.

Still, he runs and puts a hand over your mouth and whispers:

“Don’t yell! We don’t want others to know that we run that business!”

Excuse him? Who is this –we- he speaks of?

“You will add your boyfriend to those plans, won’t you?”

Mammon will not let shock stand in the way of money or souls. You can explain to him how you managed that later but for now – just add him as your accomplice.

Satan:

You love your boyfriend.

You really, really do.

You love seeing him so excited and focused on finding clues to the newest Devildom mystery that you chose to let him have his fun by not telling him YOU were the one he was searching for.

And while you love him that much, you are about to ruin the whole game.

Why does he think it is appropriate to own 48 pairs of the same Sherlock Holmes outfit with THE UGLIEST MATCHING HATS YOU HAVE EVER LAID YOUR EYES ON.

First, he wore them in his ‘detective office’ only. Also known as the Lamentation house storage room for cleaning products. And that was fine, it was.

But then he started to wear them inside the house and in the garden. The saddest day was when a cat knocked the ugly hat off and ran away with it. Oh praise that cat! Praise the little paws!

However, he has gone too far.

He knows no bounds and shows no signs of stopping.

He started wearing the outfits OUTSIDE! In the middle of cobblestone paths of the main street while you were trying to have a nice date!

"Who knows where the soul snatching culprit could be hiding? I must wear this outfit everywhere to catch their clues. Trust me.”

That is it.

If one more iguana-looking-ass demon points their finger at you two and snickers as you walk past – he will have a rude wake up call.

How is it possible that he is trying to catch the culprit that is you but doesn’t pay any attention to you?

So, when you arrive home and he walks into the mop closet to add another unrelated photo to his crazy whiteboard as a clue – you tell him to sit down for a moment.

“Satan, honey, I have something to tell you about your soul snatching culprit.”

That definitely got his attention.

Finally! He is actually looking at you!

You lean down and gently kiss his head.

“I am the culprit you’re looking for. How does it feel to completely miss something right under your nose?”

He freezes up and throws a pen towards the whiteboard. It just bounces off and hits him in the back.

“You....you mean to tell me that,,, the biggest Devil Mystery TV phenomenon is ACTUALLY YOU?”

You are met with complete disbelief. Satan demands a detailed explanation on how you did it. He even tells you to use his whiteboard to retrace your steps!

...good luck...

Belphegor:

Will Belphegor ever actually publicly say that he has changed because of you? No.

Will he ever actually admit that to other brothers besides Beel when they’re talking in the late hours of the night in their room? Oh, absolutely not.

Will he tell you? Yes.

Yes but.. He will leave something out.

Sometimes Belphie looks at how you smile and remembers things that make him famous in this realm.

Yes, he is one of the most powerful demons and yes, he has a reputation of rebellion and the biggest steak of unattendance in RAD but

He is also a fairly famous scholar.

His papers and research are cited on the regular.

But when you smile and say a witty joke – he remembers that most of them focus around him proving just how dumb or naïve humans actually are.

But, you’re human and he hopes that you never see those.

Except that you do.

Because he is so famous it is no surprise that while looking for research papers to reference for your next assignment you saw his name while browsing through

And while you love him - you will not allow him to just diss the whole mankind.

So, you grab one of them from the library. Walk home, go to the attic while he is napping and open it up, putting it right on his face.

It takes a couple of seconds but he feels something is wrong and his hand reaches for it.

When he pulls it away, he is met with his thesis that was further developed from the seduction speech class assignment.

It sets it up as: ‘Seduction speech as a matter of blatant deception that humans always fall for but could never recreate.’

You are not even that mad at it to be honest.

But proving him wrong is always fun. And little does he know about your biggest secret ever.

“I will cut right to the chase and say – fix your bangs I want to see the way your eyes look when I tell you this!”

“I wonder who messed up my bangs with the academic paper in the first place?” is what he replies but his hand is already on his forehead.

“Whatever. Prepare to be amazed! I am the one the elders of the devildom are always ranting about on TV! Yes, I am the ‘pesky little human’ who is stealing away ‘edible’ souls! How is that for your thesis now? Is that not true deception?!”

He likes your smile still. You’re standing in front of the bed looking at him with sparkling eyes and clenched fists while striking a pose. It is silly really but he smiles.

Because you are.

And while he will ask you a bit more about that claim, he is just happy to know that maybe his next academic paper (which everyone eagerly awaits) will be tad more positive to your kind.

Diavolo:

You got an urgent call from Barbatos.

On the doorstep he told you that Diavolo needs you in his study.

What could you do that Barbatos can’t and will help Diavolo? Does such a thing even exist?

You walk inside of his office and are pretty sure Barbatos did not want to go inside because of the fact that a rat could be hiding under the mountain of papers that are all around the room.

Usually, Diavolo immediately stands up, lights up the room with his smile and stretches out his hands for a hug.

Now? He hears the doors open and looks at you with a weak smile while his head is resting on his elbows from behind the desk.

He has never looked worse.

“Barbatos said you called for me?”

You are unsure where to begin with this so you state a fact while thinking of questions to ask.

“He has? I have done no such thing?”

Great. Now both of you are confused.

“Can you tell me what is going on?”

Diavolo sighs and his smile is still nowhere to be seen.

“The elders have been so annoying lately. I understand that the biggest threat to the Devildom and everyone’s life here still has not been identified but there is nothing I can do except search!”

Just what threat is that? What could be making Diavolo so miserable?

“They keep comparing me to my father without actually offering any ways of fixing this!”

“I will try to offer some way if you tell me what the threat is!”

There you are, making a grand exclamation and promise while trying to avoid papers on the floor. Diavolo sighs again.

“A human is ruining our business! They somehow set up a page that allowed them to own souls by consent in some application under the terms and conditions. I mean, this has never happened before! Humans were never expected to think of that or have access to such means! And the name they used was fake. How am I supposed to find them and then burn them in the darkest pits of hell as the elders want me to?”

You stop trying to avoid the papers.

Did...did he just say darkest pits of hell? Did he just say the elders want YOU burned?!

How are you supposed to fix this? It was a fucking joke! You did not imagine this could ever happen!

“Diavolo you promised you would protect me no matter what, right?”

His eyes are serious when you say that. “Yes. I will. Is something amiss?”

“Diavolo.... I am the enemy your elders want to burn.. PLEASE DON’T LET THEM! MY SKIN JUST ADJUSTED TO THIS TEMPERATURE!”

Diavolo looks at you and laughs like never before. It is cute, it is childlike. His laugh finally lights up the room.

He thinks you are joking.

He thinks you are joking and abruptly stops once he realizes that you did not join in on the laugh.

You were just trying to crack a joke and make him feel better, right? There is no way that is true, right? But judging from your reaction he knows it is.

So, he grows serious once more.

He runs to embrace you.

“Please tell me you are willing to make a compromise because the elders do not care about how your skin adjusts to the temperature.”

[scorpiobitch95]

Summary: You try convince Walter to love your favorite snack throughout your years together. The best dates are shared over cereal, after all.

Pairing: Walter Marshall x Female Reader

Word Count: 4.5k

Warnings: sugary sweet fluff, implied smut — nothing graphic, snarkiness, grumpy Walter to fluffy Walter, cursing, cuteness overload.

Author's Note: I let myself get carried away with this one. I needed grumpy but sweet Walter in my life. I hope you enjoy!

Edited by myself, sorry not sorry for the errors.

Taglist: @justaboringadult @greensleeves888 @cavillsharman @beck07990 @summersong69 @myloveforhenrycavill @kebabgirl67

Taglist for this fic: @lumiousmoon

*No permission is given for reposting my work, copying it, or claiming any ideas or parts as your own.

Please comment and reblog if you enjoyed!

It started when you and Walter were early dating.

💋

“Mmmm, pause. I need a snack.” Uncurling yourself from Walter’s warm body on the couch, you made your way to the kitchen to find something to cure your hunger. You called behind you, “Want anything, Marsh?”

“Whatever you’re having... I’ll have the same.”

“Cereal it is!” You pulled the ceramic bowls from the cabinet and opened the fridge to grab the milk. Out of the corner of your eye, you saw Walter’s face scrunch in confusion. “What?”

“Cereal? Absolutely not,” Walter scoffed. “Would you grab me those spicy crisps?”

“Spicy chips, coming right up.” Vernacular was the subject of an ongoing heated debate with the Brit: the great ‘Names for Snacks Debate’ was especially hostile.

Once settled back under the blanket and snuggled into his side once more, you unpaused the movie. The energy in the room shifted, you could sense that you were being watched, but you refused to look up to look at Walter’s face. The judgment coming from the bear of a man who crunched his chips beside you was glaring.

"Stop it," you told him as you kept your eyes on the movie.

Walter didn’t say a word. His eyes traveled back to the TV but kept finding their way back to you.

“Walt, what is it? Is there something on my face?” You giggled at him lightly, unsure of what was bothering him.

“You really chose that for a snack?” His face was bewildered as if you were eating a bowl of Jeep parts.

“What? Don’t tell me you don’t eat cereal as a snack.” He shook his head curtly, wearing a look of disgust. Your eyebrows crinkled together as you followed by asking, “Not even as a quick dinner?”

“Cereal is meant for one time and one place, and that’s sometimes in the mornings for breakfast. That's why they call it breakfast cereal, love. Not dinner cereal, not snack cereal... Do you also eat cereal for lunch?” He was poking fun at you now.

“No, I’m not a heathen, Walter. Here, try a bite, just trust me. It’s amazing as a movie snack.”

His eyes were wide as a grimace was sent in your direction, “You’re crazy — no one does that.”

“Plenty of people do that,” you stated matter-of-factly.

“I’m really not the biggest fan…” Walter sighed and settled further into the couch, preparing for your exasperation that he knew was soon to follow.

“WHAT. Not the biggest fan of cereal? I’m sorry, you were sheltered as a child, weren’t you? There's cereal out there for everyone, Walt. Come on, try it.” You scooped a spoonful of your sugary Cinnamon Toast Crunch and held it to him. He reluctantly obliged your wishes, eating the bite but keeping a look of pain on his face for the entire time he chewed.

"See? Delicious. Ice-cold, crunchy, sweet, perfect." A sugary grin accompanied your playful tone, and Walter shook his head again, exaggerating his distaste for having to chew such an atrocity.

"Mhm. Definitely delicious." Your goofy bear was simmering under the surface of his scouring demeanor, though he stuck his tongue out in mock disgust.

"You're not the biggest fan," you muttered under your breath and rolled your eyes for dramatic effect. "I'll show you."

💋

Standing in the grocery store, you and Walter were having a battle of wits, arguing on the subject of your sweet tooth.

“I’m just trying to show concern for your dental health since you obviously won’t; all that sugar isn’t good for you.” Walter stood stern with his arms crossed, unmoving and solid like a brick wall.

“I appreciate your worry, Dad, but I’m going to keep eating it because I love it. One day, I bet I’ll convince you and you’ll be eating it with me. Plus, my dental health is immaculate, my dentist said so.”

The expression on Walter's face was unwavering as his eyebrows raised in a non-verbal challenge to your declaration.

“I don’t know how you can stand to eat that crap,” he muttered, thinking you couldn’t hear him.

“Oh no, don’t you dare, you grump! I don’t get on you about your snacks, back off mine. ” Despite his unnecessary grouchiness, you placed a hand on his crossed arms and raised up on your toes to give him a soft kiss on his bearded face. “Balance, babe. It’s all about balance.” You dug your way through his arms to find his hands and you drug him a little further down the cereal aisle.

“Come on, grumbly, pick out a cereal you think you might enjoy, for experiment’s sake.”

💋

“Fuck, babe. I’m going to be late, we just got called out on another accident. I am so sorry… I’m not sure when I’ll be home.” Walter had been working a ton lately, and his irritation with just how much he’d been working was starting to show. The two of you had been together for a few months now and had started to grow accustomed to having the other around consistently. You both became out of sorts when you hadn’t seen each other in a while.

“Don’t even worry about it, Walter. Just be careful, please... You should still come over when you’re finished tonight, but no pressure if you’re exhausted.”

“Of course, still need to kiss you goodnight. I can’t sleep if I haven’t.”

Walter Marshall might be a grump, but that grump could make your heart flutter in ways that you’d never felt before. Maybe it was that his sweetness and his charms were completely reserved for you and you alone. His teddy bear nature only appeared when he was near you.  After putting back the ingredients for dinner to save for another night, you went to change into your sweats.

Walter appeared at your front door at 12:30 that night, nearly asleep but still standing strong. You’d dozed off on the couch after his call, but were immediately energized again when you saw his beautiful form standing in your doorway.

“Hello, I’m here to have a very late night date with an incredibly beautiful woman,” Walter said, the gravel in his voice making you shiver. Despite his exhaustion, Walter managed to smile at you with one of the biggest smiles you’d ever seen him manage.

You smirked, waving him inside. “Get in here, Bear.”

Walter reached his arms out to you, inviting you into his embrace. Your arms wrapped around his thick torso and you ran your hands up and down his sweater-clad back; he melted into you and burrowed his face into your neck. Walter released an exhaustive exhale. It was heavy and forceful, as though he’d been holding it back behind a stone barricade for the entirety of his day. Warmth flooded your body as his words vibrated from his chest, “Mmm... I missed you.”

“I missed you, too. Let’s get you fed. Preferences?”

Still snuggled in your neck, he gave his reply, “Nothing heavy, please. I don’t want to fall asleep at the table. That wouldn’t make for a good date.”

“Oh Walter, we can postpone date night, you need to eat something and get to bed. It’s nearly one,” you observed gently as you leaned your head back to get a better look at his face.

“No. I came here to have a date night. I’ve been looking forward to seeing you all day. I need you.” Walter’s warm lips caressed your forehead, placing soft kisses on you. “You think you’re still up for it?”

Nodding at him sweetly, you untangled from his embrace and went to tumble through the fridge, offering out suggestions for food, but he insisted, yet again, that you don’t go to any trouble.

“Okay… you’re going to hate it, but my last option is cereal. Other than that, it’s gonna be random leftovers.” You continued moving containers around in the fridge, taking stock of what you had left from the week before.

“Actually, I think I can handle some cereal.” You whipped your head around incredulously to look and heckle him, but he gruffly interrupted, pointing a finger at you from where he sat at your kitchen table. "Don't. Don't start. It's been a brutal day, and something cold doesn't sound half bad."

You smirked in silence as you turned back and poured your bowls, dancing your hips lightly side to side. Grabbing the candles you had left out for your dinner date, you lit them and placed them gently on the table between the two of you. It was date night, after all.

“Late night cereal date, it is.” Reaching down to caress his chin, you kissed one bearded cheek before sitting beside him. Walter’s lips held a slight curl, softly smiling at your glee.

💋

“Love, snack break?”

The two of you were engaged in an intense game of Scrabble, one of your favorite date-night-in traditions. Nodding your head in Walter’s direction, you continued to study your letters and the board with pure focus until you heard the twinkling sound of cereal hitting ceramic.

Not wanting to draw too much attention, you peeked up from your letter rack to make sure your ears weren’t deceiving you. Walter was not just making a bowl for you, but he was also making one for himself.

No way.

Walter made his way back to the table with the cereal, and you looked up at him in shock as though you hadn’t already noticed what he’d done.

“What is this? What is this I see? Walter Marshall choosing breakfast cereal as a snack? Why, I just cannot believe it.” Mock-surprise overtook your form as you motioned fake mind-blowing explosions from your head. Walter rolled his eyes.

“I figured If I can learn to like you, I can learn to like cereal.”

“HEY.”

Walter shrugged, retaking his seat at the table.

You squinted your eyes at him as you declared, “You’re going down for that. And I don’t just mean by losing this game.” A wicked grin crossed your face when you played your double score word:

“CHEERIO”

💋

Walter worked a lot of graveyard shifts while you were dating and during your early years of marriage while you worked a normal 8-5. Sometimes the only moments that you could see each other were when he came home from his shift early in the mornings before you started your day or in the evenings when you got home before he left to start his.

One early morning during your engagement, Walt showed up unannounced after a hard few nights at the PD. He was worn down but happy to see you, smiling through his exhaustion. This was the longest you’d been apart in a while; you hadn't seen each other in 4 days. You kissed him, lips attacking his while his arms snaked around you and pulled you tightly to his body. He hadn’t even come into the house yet.

Pulling him inside, your hands reached up to hold his scruffy face as you placed a more gentle kiss on his lips. “Babe, have you had dinner? Let’s get you something to eat… what would you like?”

He unfastened his holster, dropping it on the table by the door. Sinking into a chair, Walter bent over to untie his boots as he answered, “Honestly, anything is fine, just some kind of food.”

“I can cook you something! Why don’t you let me —“

“Sweet, don’t go to any trouble. I just want to see you before you go to work.”

He looked at the table where you had just sat down to a bowl of cereal for a quick breakfast before he arrived and pointed lazily to it. “That, I’ll take some,” he said, sleep trying to overtake his form.

Slowly grinning at his statement, you mentioned, "Isn't this technically your dinner time?" Walter wasn’t amused as he tilted his head to look at you as you gasped playfully, “You do realize you're about to eat cereal for dinner, right, Marsh?" Too sleepy to give his verbal rebuttal, he glared at you, the corners of his lips turning up slightly, which was your signal to accept your victory and move on.

Smiling softly back at him, you made your way to pour him a big bowl and made him a cup of piping hot tea to accompany it. Watching his face as he ate, you observed the little creases and purple-gray rings that had formed around his deep ocean-blue eyes. His beard was unkempt and had grown past its normal length just in the few days you’d been apart; you could see this was a new level of exhaustion.

“Tough night?” You asked him, moving your chair closer to him.

He nodded. “Very.” The nights were becoming more strenuous recently. Ever since he had switched to the detective unit, work had been holding him hostage and was taking a toll more than he’d like to admit.

His hand reached over to squeeze the free one lying on your lap. “I’m happy to see you, love.” The hard lines on his face softened as he traced lazy circles on the back of your hand with his calloused thumb. You could see in his eyes that he meant it, that you were his safe space. Walter always was in protection mode, always on alert, even though you tried to keep him at ease when he was with you. He was only really ever at ease once he was home and you were safe in his arms.

The food began to rouse him from sleepiness, and as he gained alertness, Walter’s brow furrowed as he took notice of the cereal box sitting on the dining table. “This is the one we’re eating? I expected you to be eating more of one of those tooth-rotting cereals that you love so much.” He looked over at the box of Honey Bunches of Oats with curiosity and then back at you, lifting what you called his ‘detective eyebrow.’

“This is… surprisingly somewhat better for you? Or at least it acts like it is.”

“Oh come on, I’m not that bad. I only let you believe that I am. It is my breakfast time after all,” you winked at him knowingly.

“Good to know my words are finally starting to sink in. I mean, it’s not that much better for you,” he was reading the box now, “but at least it isn’t borderline fluorescent, like those artificial fruity ones you’re always eating.”

“You know, it’s almost like I expect the hate and just enact my deflection shield every time you walk in the door.” You started giggling, unable to keep a straight face as you threw your arms in front of your face as a shield to his words. “Don’t worry, Walt, my guilty pleasure cereal collection is well-stocked. And quit hating on my Fruity Pebbles.”

💋

Slowly over time, these seemingly random cereal dates became a large foundation for quality time. These dates became like snapshots, each one memorable in its own way.

When you two hadn’t seen each other in days, you caught up over a cold bowl of sugary sweetness. You, telling all the details of your days; him, quietly listening and trying his best to leave his nights behind.

From then on, all it took was knowing you could have a cereal date mixed in the chaos of everyday life. Anytime things got hard or heavy, it was time to have a cereal date. Anytime you had a fight: you both would pause and make a bowl of cereal, sitting across the table from each other so that you could speak your feelings. There weren’t many of the world’s problems, or your own, that couldn’t be solved over sugary cereal and cold milk.

💋

You’d dragged Walter to your shared bed as soon as he’d arrived home, having not seen him for more than a few minutes at a time for the past month. This current case of his was intense and ongoing, but he was finally finished. You knew he was defeated in energy, but you were ovulating and your hormones were raging. Your body craved his touch and the feel of his skin gliding upon your own.

The plan was to go to dinner for a romantic evening since it had been a long while since that had been possible, but as soon as he walked through the door, your feral sexuality washed over you and you jumped into his arms. You clung to him with your face in his neck, taking in his scent and the warmth of his strong arms holding you up. He clung to you just as tightly. There was no complaint from the bear, for he was more than happy to spend the evening spoiling his lover.

Cuddling in the afterglow of your countless orgasms, a storm raged outside as tree limbs slapped at your windows incessantly.

“Wow, it sounds awful out there. I know we were going out, but I think that point is moot now.” You glanced up at Walter, kissing his jaw. “Let’s just cook something easy instead.”

“That sounds great, and we can stay naked.” Walt’s eyebrows danced flirtatiously as he grinned down at you, his hands caressing your warm skin. “I’ll go hunt around so I can keep my woman energized for the night ahead. We are nowhere near done.”

He’d only been gone a minute when a crack of thunder shook the house and the lights went dark. You heard his mumbling coming from the kitchen; he had called in to get a status update from the energy company.

Walking back into the bedroom, Walter, in his naked glory, walked over to where you laid, illuminated only by the candle he held in his hand. Wow, your husband was delicious.

"Power’s out for the whole city. It’ll take hours since this storm doesn’t have an end in sight. Looks like a hot dinner is off the table… and no one will deliver in this weather. I guess we know what’s for dinner." Setting the candle on the nightstand, he crawled back into bed.

Feeling seductive, despite being completely spent from your ravenous love-making mere minutes beforehand, you still hadn’t had your fill of your husband. You bit your lip as you ran your eyes up and down his exquisite body and cheekily replied, “Me, I hope.”

He chuckled lowly, the fangs in his pearly-white smile glinting at you in the candlelight. “You? Yes. I plan to feast on you all night long, kitten. But you’re going to need some sustenance first.” He was hovering over you. You couldn’t help yourself as you reached to run your fingers along his hairy chest and wrapped a leg around his hip, pulling him closer to you.

"Make it a cereal date?" You grinned at him.

“You read my mind.”

💋

“Our child is going to come out looking like the Lucky Charms Leprechaun if you don’t change it up some, love.”

Your cravings were intense. You’d heard several different views from your girlfriends and sisters: some craved random things they never even liked before, and some craved more of the things that they already loved and ate religiously before pregnancy. You fell into the latter. Cereal was your most sought-after snack: a big surprise to no one.

There weren’t many cliche late-night ice cream runs, but there were plenty of cereal and milk runs. Walter was a dutiful dad already, not lecturing you too often on what you wanted; he knew you were doing what you had to for the baby, and you ate healthily enough… aside from the copious amounts of junk cereal.

True to numerous other times in your life, date nights were hard to come by, even still. Sometimes the only dates you and Walter would get were in the wee hours of the morning when you’d wake up with a craving.

Walter was extremely doting, and even though he’d always been a caretaker, he really came into his own when you both learned you were to become parents. He’d crawl from the bed without a word, rummaging in the kitchen to bring you a bowl of your favorite and even bringing a small one for himself. You two would snuggle in the bed and talk. Talk about your baby, about future babies, about the future, about your dreams, all of it. You never knew when you met the grumpy bear that he would become this sweet of a man, always tender with you even when he was rough. Maybe it was the cereal sugar that had sweetened him up, at least you’d like to think so.

💋

Your daughter had been in the world for a little over three weeks, and neither you nor Walter had gotten much sleep since her arrival.

Walter finally got her down to sleep while you watched from the nursery doorway. You hadn’t had a meal together or slept at the same time for more than 10 minutes in weeks.

He was standing over her crib, resting his arms on the side as he watched her sleep. He was infatuated with this tiny human who had completely taken hold of his heart.

“Honey, join me for a date?” Your smile was tired, and as your bear’s exhausted eyes met yours, you wondered if you two shouldn’t just go to bed, but you missed him. You’d barely gotten the chance to praise him for how good of a daddy he was to your little girl.

“Mhm, gladly. Our usual?” He quietly followed you to the living room, where the coffee table had already been set up with the works. Craving the feel of his touch on your skin, you both sat on the couch and you laid your legs across his lap while you enjoyed the serenity of each other’s company.

💋

A chill glided across your skin as you awoke from a dream. You rolled over, reaching your arms out to find your sturdy man, searching for his warmth. Instead, you found cold bedsheets.

Unlike Walter to not be in bed with a furry arm draped over you, you pulled on your robe and went to find him, a slight worry filling your mind.

Surely he would have woken me if he’d had to go in?

As you stepped into the hallway, you heard hushed giggles and whispers coming from the kitchen. You stopped to poke your head into your kids’ rooms. Their beds were empty.

At least it’s Saturday.

Quietly pitter-pattering to your kitchen, you peered your head around the corner to find one of the sweetest sights your eyes had ever seen: your two babes, 8 and 5, were playing a princess board game at the table with your Bear. Cereal by their side, giggles ensued as the sugar hit their systems and they tried their best to keep quiet.

Walter’s deep whisper quietly filled the space. “Shh, girls. We can’t wake Mum, she needs her rest.”

“Can I have more Cap’n Crunch, Daddy?” Your youngest had an insatiable sweet tooth, just like her mama. She was quietly bouncing in her chair and smiling a toothy grin at her daddy.

“You’re just like your mum,” Walter beamed at her, obliging her wishes. “Just a little more, love, then we need to brush our teeth and get back to sleep.”

Not wanting the girls to know that you knew about their secret, you decided to make your way back to bed, but not before catching your husband’s eye as he winked at you and a grin radiated from his face.

Warm tingles filled your body as you silently thanked the universe for Walter and the life that the two of you had built together. Walter was the best dad and husband in the world. How had you gotten so lucky?

💋

“Cinnamon Toast Crunch or Golden Grahams, love?” Walter called to you from the kitchen.

The movie was selected, the kids were away for the evening sleeping at friend’s houses, and you and Walter were having a much-deserved night in.

You called back to him, “I’m thinking I’m going to skip the cereal? I’m not really feeling it tonight. I will, however, eat the spicy chips. Oh, and grab that dip out of the fridge, will ya?”

“For the last time, they are crisps.” Annoyance was evident by his tone.

“They’re chips, Walter. You’ve lived in the states for how long now? Just give it up already.”

“No fucking way. Wait… You don’t want cereal? Are you feeling alright?” Walter’s head popped into the doorway that connected the kitchen to the living room, his face stern with confusion and concern.

“Ehh, not right now. Yes, I’m fine, Marsh,” you giggled. “Just feeling like something different for once.”

“Well, that’s shocking. I’m just wondering if you’re really my wife.” Giggles continued to flow out of you as he wandered back to where you were seated. He handed you your snack, and plopped on the couch next to you, cuddling into you as you tossed a blanket over both of your bodies. Walter started the movie and began to chow down on the bowl of cereal he’d made for himself. You couldn’t control the smirk that spread across your lips as you watched him out of the corner of your eye.

“What?” he asked, his mouth full of the golden and cinnamon squares. His eyes met yours, questioning you.

“I would just like to point out that I knew I could convince you.”

His brow furrowed in confusion, not sure what you meant. “Convince me of what?”

“That cereal is the best movie snack.”

“I don’t know if I’d say it’s the best…”

“Walt, I’m sitting here with your previous favorite movie snack in my hands, and you totally skipped over it and went for cereal. I’m just saying, I told you so. It’s okay, I’ve known I was right all along, you don’t have to admit it.”

“Hmm.” He growled, mouth full again as he ignored your statement.

“Give me a bite!” You pressed closer to him, reaching for his spoon as he angled his body and cereal away from you.

“Oh no, nice try. You tease, you don’t get any.”

“Fine, grumpy, I’ll go make my own. Keep watching, I’ll be back.”

Shuffling to the kitchen, you proceeded to grab a bowl and make your own, but you found both cereal boxes empty on the counter. Quickly turning to check your special cereal cabinet for a backup box, you discovered you were completely out.

“WALTER! Are you fucking kidding me? We just bought those!” Standing with your arms crossed in the doorway, you glared at Walt as he stared back at you unfazed.

“I hate to break up your gloating, but you created this monster, love. And don’t forget about our two other little monsters who take after you.” His grin was cocky; he knew he’d bested you. Laser beams could have been shooting from your eyes for all you knew. You shook your head in disbelief at the audacity of your husband.

That bastard. That beautiful bastard.

Walter smiled softly at you and motioned for you to rejoin him on the couch. Much to your dismay, your anger at him diffused immediately. “Love, I’ll go buy more first thing in the morning. Here, come and share mine. I’ll be nice… it is date night, after all.”

* I do not own Walter Marshall, Nomis, Night Hunter, or anything related to it.

[ahjustroza]

Do you have any hcs abt Last Legacy modern au?

Sorry for the wait! I just write very slow 🥺😭 btw I am still writing other requests! I'll post them as soon as I finish writing ✨😌😏 And YES I still take requests😏😏😏

Lol btw I haven't played the catboy Felix tale yet but found his delicious CG. Also, there might be typos etc. My dyslexia was a hoe for the last couple of days (･_･

Last Legacy Modern Au Headcanons

Sage

Lmao the first time you went to his place you faced with an ancient-looking old computer that he found in a garage sale

"It still works"

"Sage with its monitor alone you can heat your entire house in winter"

"Aye, but I don't have to use that to get heated if you catch my drift."

Let me give you a concept: thrift store dates

You took him to a thrift store once and thought it might be fun

But at the moment you entered the store Sage found a damn fake fur jacket and gold sunglasses

He will buy anything with a famous brand logo and say it is original and is an antique

But he'll only do that to annoy people

Mostly.

Sage cares about his looks but doesn't go crazy about it

Before dating you he just lived his life like a street kid like in cyberpunk 2077

Sage and Tulsi grew up in slums and then Sage got an apartment so that Tulsi could grow up in a safe environment

He didn't go to college but made sure that Tulsi did

Sage basically works as a mercenary in the modern au as well

He travels a lot and has to disappear for a looong long time

Tulsi is used to it but you aren't

Once you two are in a relationship and he feels ready to settle down he might get a job closeby to your shared house

You made him realize that he needs his family around him

And now he is not alone to carry all the burden by himself

He knows that if he can't make it in time you will be there to help out Tulsi or take care of all the work for him

He feels lighter around you

Also, he makes many people jealous on the streets lol

Whenever you two are on a date no one can believe that you, a literal divine being, could look at a Boku no pico catboy maid-sama man like him.

He is also jealous of you

But never possessive

He likes to send you out of context memes in the worst possible times ever

Like you got Luigi and Mario animations, doing the waltz, with the Britney Spears' Toxic song during the busiest hour of your shift

He also texted "This us"

The audacity

Sage would also LOVE video games

Especially Final Fantasy games

But he suck at playing them so he makes you play instead

And he'll give instructions too

"I saw a checkpoint in the other room babe,"

"Love, I gotta run away from the boss right now."

"It's not the boss, bosses have their boss rooms. This is an obstacle"

Sage also suck at filing taxes

So good luck with that

I can see Sage having PTSD treatments because of his traumatized childhood and the life he had to live until now after settling down with you

You convinced him to go to therapy and Tulsi backed you up

So he will take medications every day

At first, you had to remind him a lot, but then he just made it an addiction and now doesn't need reminders

He was never happier and finally had a taste of a healthy and caring relationship with you

He is also not so terrible with putting the IKEA furniture together.

Felix

He got expelled from Harvard.

Then his rich father had to convince the headmaster to reconsider the decision and Felix ended up with suspension instead smh

Felix's grades are great but he has disciplinary issues

I can see him majoring in criminal justice and mortuary science

Or maybe just mortuary science

Escell was very disappointed in him.

He is also famous for dating with the valedictorian among Harvard graduates

Then they broke up and you yeeted yourself in his life

Or he yeeted himself to your arms

He literally dramatically fell one day and you happened to be close to catch him

Then the Titanic music played in the background with the slow summer rain fell down to your heads

You are hot so he was flustered

Like he internally screamed when he fell in your arms

Or shall I say fell in love?

You two then started as friends since not too later he found out that he might actually have a chance with you after you mentioned your love of video games and romance books

After starting to date he confessed that he has an AO3 account asddgf

Rime was a burden too

He was the one who broke Felix's heart

But still wanted him to only love him and him alone

Then you were like

"Hoe listen to me..."

Rime hot

But no

Felix cried until morning the day you fist fought Rime in the grocery store parking lot

AAHGDHFA

Scylla secretly approved your determination that day and watched the fight afar

Escell got drunk and Florian came home the day after for everyone's explanations

The deeper your relationship got the more a part of his family you become

I mean every Friday it was now a routine that Felix and you attended family dinner

No one even asks anymore they just put your plate down and Escell hides his most expensive wine bottles from everyone

Felix is not good to live in his own house though

He always lived with someone in the house so he wasn't alone

Ever.

When you moved into the same house with him Felix was relieved

You two will be emos together and watch fifty shades of grey movies during the quarantine

Please ask Felix if he thinks the movie is interesting, he will avoid you all day long

Then become a blanket burrito at night lmao

Oh btw he might tell you random facts about mortuary

Like you are in the shower and he comes in to brush his teeth

Then he'll tell you a fact you didn't have to know then leave

"Truly fascinating, if you ask me."

He is also the type to text you from the other side of the room

Or call you from the other room to ask you if you can bring him something to eat

Felix would also love to go to the farmers' market too

"Finally some quality food."

Whenever you two go on a vacation together

lmao someone ALWAYS takes his hand and reads his palm

Only to be ended up getting scolded and getting a proper palm reading from Felix

Anisa

Call her and ask if she wants drive tru

"Love, it is thREE IN THE MORNING, I have work tomorrow-"

"So two? Or nah?"

"Get a coffee."

Actually, she wants a cookie but won't admit it

She knows you'll get her a cookie

You always get her a cookie with coffee

Anisa might be a great investigator if you ask me

If not a detective or a police chief or lieutenant

But I think she would work in law enforcement

Or she might also start her own company and rise as well

Unlike Sage and Felix, Anisa will not live in the same house with you before she decides to settle down for good

It's not because she doesn't want you around her

But because she is always at work and doesn't want to leave everything to you to handle at home

But she is always with you on her day offs

Will call you once a day at least

Text you during her breaks or whenever she can

If you can show up at her workplace during the lunch break she will take you to the nearest coffee shop

"Their coffee is not nearly as good as yours, but among other shops, this is the most drinkable one."

She will spoil you during your dates!

She likes to see you smile and will do anything for you to have a good time with her

So expect sweets, movie nights, amusement park dates, or just traveling during both of your yearly week/month offs/breaks

She won't admit it but likes it when you try to match your clothes with hers

She will know your favorite everythings lol

Take her to a dinner date and she will be so happy and feel spoiled

She will let you paint her nails

Let you get all the hot water in the shower

Will let you wear her clothes

Pillow fights are allowed every now and then

When she gets sick she'll try to power through but likes it when you baby her

Whenever you get sick she will try to not fuss over you but every 15 minutes she'll ask to take you to see a doctor

She is a cereal gal

You might have to drag her to bed many nights because she will take work at home

Oh my god, do play dungeons and dragons with her

If you visited somewhere she has never been she will ask a lot of questions about your trip

Likes to binge a tv series you two found online

Also enjoys just silent but comfortable moments with you

When you read your book she will gaze at you

All heart eyes

Will put her favorite picture of you two as her profile picture in her social media accounts

Will like your every post

ALWAYS TEXTS BACK TO YOU. ALWAYS.

Never leaves you on read/seen

She will either give you a proper text or just let you know that she is busy at the moment

Also if you come home later than her she will ask if you want her to prepare anything special you want for dinner

otherwise, she'll do dishes that you both like anyway

If she is late, she'll call you to ask if you need anything from the grocery store, etc.

[pigeonp0st]

hi! I'm new to tumblr so sorry if I request wrong or something but could you do a natasha x reader where the reader is natasha's secret girlfriend and the team finds out? You can take it in whatever direction you want but some ideas are them almost breaking up because one of them doesn't want to tell the team or the team being surprised that the reader is the opposite of Natasha in a lot of ways or the team finding out after one of them casually lets it slip in conversation. Thank you!

Natasha Romanoff x Reader #4

Words: 1,569

Warnings: I don’t think there’s any?

Notes:

Thank you for requesting, I hope you enjoy! (Sorry for spelling mistakes! Looking for them is something I despise to do.)

———-

Natasha is captivating, you’ve come to realize.

You knew it before, when the two of you were just partners and friends, but now—now it shines in the brightest of ways.

Natasha is captivating. She’s captivating to you like watching your favorite character in a TV show, or like honey is to bees, or like the ocean is at first to baby turtles trying to make their way to safety.

Natasha is also safety...which in hindsight probably makes you the turtle, and since you’re the turtle—the Avengers are the birds trying to eat you.

(Yes, this is a messed up analogy.)

Instead of rushing through the birds and taking risk—the risk being coming forward about your relationship with Natasha—you’ve decided to hide in the sand, away from everything scary..and really, so be it if you starve because of it.

Natasha thinks the whole turtle and bird analogy is dramatic, but she says, looking concerned and slightly confused, the ocean and the turtle one is sort of, weirdly, sweet.

Then she says, hesitantly like she’s not sure if she’s understanding properly, “if the birds are keeping you from the ocean—me—then, I mean, you aren’t with me right? You aren’t safe.”

It takes you a couple of long moments to catch what she’s saying, but once you do you slump into bed besides her to curse into the pillow, and for the rest of that night Natasha distracts you with food and movies.

———

You think about the conversation two weeks later and realize that Natasha isn’t safe either. These people, these Avengers, they’re her family. They’re the people who have accepted her, and if this is the one thing they can’t accept—if you loving her, and her loving you in return is the one thing they can’t accept about her—well...it’ll ruin her.

You don’t want the relationship the two of you have to be the thing that ruins her. Even the thought of it, of being the reason she loses something so vital to her...it makes you feel nauseous.

Thus...stuck between a rock and a hard place (a really fucking suffocating rock), sitting in the empty kitchen at six am in the morning, is where you vow to do your best to hide your relationship; for her, but also for you.

It’ll be hard but you have to TRY, because the other option is…

It’s Plan B.

———

There’s a weight on your shoulders that wasn’t there before, and it keeps feeling like it’s getting heavier and heavier, and you just—

Fuck. You just want to love. Why does it feel like you’re hiding and scared more than not. Why does it feel like Natasha’s happiness rests upon your ability to be discreet?

And yeah, maybe you’re putting a lot of pressure on yourself but also maybe you’re not, because all it takes is one wrong move. One wrong move.

...maybe Plan A is selfish. Plan B is safer...but sometimes she looks at you with this softness on her face that just...makes you feel selfish.

You can’t break up with her. Plan A will work for as long as it has to, because it has to.

———

Plan A fails.

It’s your fault.

You and Peter are sitting on the couch chatting, with half of the Avengers scattered around the room, and Peter says, distraughtly, “I know you haven’t dated someone for a long time but i’d like for you to help me ask out this girl I like.”

Without thinking you quirk an eyebrow at him and say, “who said I wasn’t dating anyone?” and then proceed to completely freeze when your brain catches up to what you’ve said.

Peter tilts his head at you, confused, “you’re dating someone?”

There’s too much anxiety in your forced out, “NO,” and is everyone looking at you? It feels like everyone is looking at you.

Wanda is instantly intrigued, along with the other Avengers, and though you are using every fiber in your being to not look at Natasha you know she’s looking at you too.

Wanda asks, smiling comfortingly, “who are you dating?” Like your no was a yes, and maybe that’s exactly what it sounded to them.

There’s multiple things you could say to respond to her question. Smarter things then what you actually end up saying, but your brain is full of anxiety, and your heart is much too loud, and the only thing you can think of is to protect Natasha anyway you can, so you force out, trying to keep your voice as even as possible;

“A girl I met online.”

There’s immediate quiet. Your eyes are shut tightly because you can’t bring yourself to see their faces, you can’t bring yourself to see Natasha’s face, because holy fuck. You’re scared. You’re so scared. You’re doing this for her, so she knows how they feel, but why does it have to ruin you instead.

“Y/N?” Wanda says, placing an arm on your hand. Your eyes immediately snap open. Hers are apologetic and concerned. “Breathe.”

That’s when you notice your hyperventilating.

You feel arms wrapping around you from behind and you just immediately know who it is. What is she doing? What is Natasha doing? You don’t look at her, you’re afraid your eyes will give away to much, but you hear Natasha whisper in your ear—her voice so even it’s obvious she’s forcing it not to tremble;

“It’s okay, okay? You’re okay. Look at their faces.”

You do. They all look concerned, and a bit confused.

“I’m sorry,” you croak, laughing bitterly. Natasha’s arms tighten around your torso.

(What is she doing? You’re trying to save her.)

They all look at each other, uncertain, and then finally Steve asks gently, “what’s her name?”

It’s the moment the weight falls off your shoulder. (It’s the moment where the turtle realizes that there’s not actually birds around, and that the turtle isn’t actually a turtle. It’s a human, with a family that loves unwaveringly.)

“Her name…” you pause, eyes growing watery, “uh…”

“Her name is Natalia Alianovna Romanova, otherwise known as Natasha Romanoff,” Natasha says, meeting Steve’s gaze directly, and then the rest of the Avengers. Even Peter. She looks defensive, but not of herself, of you. She’s behind you, but it feels like she’s shielding you like you were trying to shield her.

Thankfully, it doesn’t seem to be needed.

Most of the Avengers look shocked, others look unsurprised (Tony hands Wanda some cash). Some of them looked more shocked when you said it was a person you met online.

Well.

“So...are you going to tell me how to ask out the girl I like now?” Peter asks, his voice unsure.

Natasha looks to be about to say something snarky but you squeeze her hand to silence her and grin at him, “sure thing, kid. Sure thing.”

“I’m sixteen.”

———

Later, before you and Natasha head off to bed you make a loud comment in the hallway that causes a couple of loud antagonized groans. “I’m going to sleep with Nat now! Well—not sleep with her, sleep with her, we’re going to be sharing a bed. As couples do...like we’ve secretly been doing but now are doing openly—the sleeping next to each other. The other sleeping together won’t be open. Well, unless—“

Natasha quickly drags you into the room before you manage to finish that train thought.

“The other sleeping together won’t be open,” Natasha grumbles. “So whatever you were planning with that girl you met online...cut it out.”

You smile at her, completely and utterly in love. “Babe, are you jealous of a made up person?”

She rolls her eyes playfully, then, abruptly, her eyes turn soft and she pulls you into a tight hug you weren’t prepared for.

“Oh. This is nice.” You wrap your arms around her too, though you’re confused. “Are you alright?”

Natasha shakes her head. “What you did earlier...don’t ever do that again. Don’t put your heart on the line in effort to protect mine,” Nat says, and she sounds more vulnerable than you meant her to be. “Your heart is my heart. It hurt me to see you looking that alone and scared. You aren’t alone. We’ll face things together.” Then quietly, Natasha says, “you’re my ocean, too. I need you to be okay for me to be okay.”

“Alright.” You promise, pulling away from the hug to cup her cheek and meet her eyes. You don’t want to hurt Natasha. You won’t. She’s already been hurt too much. “But, by the way, it really doesn’t make sense for you to be the ocean to my ocean.”

Natasha lets out an amused breath in response, then relents with; “then your my sun. You make me brighter.”

She looks so adorably proud of her analogy that you can’t help your laughter. “That’s cheesy as fuck.”

It’s perfect. Especially when Natasha snorts and pushes you away with a mocking; “okay, turtle to my ocean. Whatever you say.”

“You wound me, ocean, you wound me.”

“So now i’m a bird attacking a turtle?” Natasha asks, and now she’s just being rude. “Wounding you like they would?”

“I don’t expect a mortal to understand the poetic words of a god.”

Natasha laughs so loudly you’re sure her room neighbors can hear. You don’t have to care about them hearing anymore. “What?” You mumble, flabbergasted, “it is kinda poetic!”

“You wish.”