#But! I did draw every month and i think that is an achievement in itself 🙂‍↕️

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2024 art summary

[mrghostrat]

Okay I cant -- I need to say it out loud.

I am 100% sure, at this point, you are my favourite artist so far. And I have to honestly thank you for a lot of stuff so let me get to the point before my anxiety takes me back --

I came across you less than a month ago. I don't remember if I saw your art before reading your fictions (Mon Horrible Cherì was my first) or the other way around, but both inspired me so much I can't describe it properly. Art itself is my absolute weak spot. In my past years I always struggled working on that, I was never happy with my results, and mostly had drawn to pay bills than for my own happyness. In the end I hated it at the point that every line I drew was a cut on my hand instead of a moment of joy. And that was horrendous.

But then I came across your art, at some point - and I was amazed. Your style is something I wished to achieve years ago, or very similar to that at least, so I was totally into looking for more, and more, and more. I can't produce art of that quality, but for the first time I wasn't envious of another artist's ability and talent, I was just... Amazed. I felt very happy, can't say why, but your style totally fascinated me. It still do. Anytime you post something new it gives me a shot of serotonine, it makes me feel happy and inspires me to get back on my Huion and draw something too. I started to push it through everyday, and in less than a month I grew a lot. You don't know that, but you pushed me into art with a passion I didn't had since I was 16, and I turned 30 couple months ago. Now it gives me joy everytime I draw. It doesn't matter if the art I produce is no good, or if I change my style everytime (I'm trying a lot of styles right now), the only thing that matter is the way I feel when I sit here and just let my inspiration go. And I feel happy. Happy to draw. Happy to experiment. Happy to share. Somehow I don't feel ashamed of my art anymore, and I was for a long time. I improved so much in these weeks. I watched carefully almost all of your timelapses (I am in love with all of them btw) and followed your tutorials more than once. Your examples, the way you work, is just inspirational for me. I've seen someone was thankful to you for the way you use references and says people out there to do it too: I want to thank you for that too. References was a taboo until last month for me, and I was SO wrong! Those helps so much!

So, well. I am not sure I wrote this all correctly, english is not my native language (I'm italian) and I may have done some mistakes, well, I do not care. I just hope I was able to express you my gratitude for all you did for me - I had to let you know how much this means to me everyday.

Oh also: I love every part of your art, but I could stare at your linearts for days and never get bored by that. And the way you color! Don't make me start on that. I could speak for hours. Not sure you'll want that, believe me.

So, thank you. Thank you from the bottom of my heart. Thank you for making me believe in myself again. Thank you for giving me back my passion. Thank you for reminding me everyday I can draw for myself, for my own happyness. And thank you for making me happy.

You are a great artist.

Thank you! <3

i put off replying to this because i wanted to draw you something, but i just haven't had the energy after work and dont want u to think im ignoring you 😭

but i dont have WORDS. i'm so fucking proud of you. i'm so happy for you. browsing your blog and seeing the sheer amount of art and AUs you're making is so inspiring. your happiness is contagious and i hope you only continue to grow, and continue to foster all that joy for art.

thank you <3

[thewebcomicsreview]

See, this is a good submission, because the comic's only five pages and I can read and review it quickly.

So, two things immediately jump out at me

I'm not at all a fan of a giant "The Rusty Owl" logo in the middle of a tense execution scene. Not only is it distracting, it's not even useful as a watermark. Just put the URL at the bottom of the page, or even the gutter between panels. Or, if it's meant to be a title drop, have the dad's blood spell it out or something.

I'm also not a big fan of these Ninja Info Cards on every page. This stuff should be on the cast page (also, you should have a cast page). These profile panels seem to be a bit of a trend now in some comics, but they're just an extremely weak way of doing exposition. "Show, don't tell", as they say. This is especially true of your first few pages, which are so critical for hooking the reader. It's like I'm reading about your comic instead of reading your comic.

Compare and contrast the first page of Saffron and Sage. We know Saffron's the one with the axe, and Sage is the Fox. We know what Saffron' is trying to do, we know how she plans to achieve that goal, we know her personality, we know this other girl's personality and role, and we have a joke. Bing-bang-boom, no need for a card explaining anything. This is an in media res opening, but there are other ways of showing personality even in quieter waking up scenes.

Also, hiatus announcements should be under the comic, not in it. You can add a second image if you have to (I think? I don't know ComicFury), and then remove it later so archive readers don't see the 4th-wall breaking hiatus announcement months or years after it's needed. It just makes the comic look unprofessional. I guess in this case the "Crash" panel is just a sound effect on a black border so you just edit the page to extend black border, but...bluh.

Anyway, let's look at the comic proper, but that doesn't mean I'm not going to stop nitpicking!

First off, "Neb Honey" should probably be "Neb, honey?", and "Well, I mean, my plan was to find the bad guy, and shoot" doesn't need that comma after "bad guy". Secondly, the serif font looks kind of MS Word-y, which is even more notable because the text is left-justified instead of centered. Thirdly, you've shaded the tail of the word balloon in the first panel, as if it's a physical object. Fourthly, the tail is separated from the balloon itself by a line. Fifthly, the tail is ginormous wide compared to the balloon itself.

It's a little hard to explain what I mean by that in text, but google "Shouting word balloon" and look at the tails and you'll see what I'm trying to say.

Finally, the actual words are generic enough that it requires a another panel on the next page to explain it.

Like, this lettering is still not great, I did it in literally three minutes on MS paint using the free Anime Ace font, but the slight dialogue change goes a long way here at increasing the information density of the page. You don't need that extra panel in the next page, and can find a better use for that precious space. Also, this page is now more specific and thus more likely to grab the audience's attention. It's not "an excursion" with no plan, they're trying to stop a Portian who can teleport and they intend to shoot him. That's more exciting! Lead with that!

The good news here is that most of these things I'm picking on are relatively easy to fix (which is why I'm picking on them!). My recommendations are

Find a nicer font. I linked Anime Ace above, which is the font Saffron and Sage uses, but there's a ton out there better suited for comics.

Center your text when adding it to the comic

Add the text, then draw the balloon around it

Try and get a bit more information into those text boxes (while still keeping it natural). Getting a personality off and then expositing is fine and good, but can you do both in one panel? In one line? Could Neb have gone "Hey, Doc" in panel 1 there, greeting Stella while letting us know she was the Doctor? Or, could she have gone "Hello, Doctor Luna" while rolling her eyes, which would establish a relationship between them (probably not the one they're meant to have, but as as example). Asking yourself "Can I do more with this line" a lot will make you a better writer, and also save you a lot of unnecessary drawing.

[katieqnmr]

Camera for St Cats 😵‍💫😁

As I’ve said before, I was really nervous about doing camera for the first time ever (basically) I had made Orla promise me a beautiful camera team, and now I had to do the work. The thing is, I was scared that even doing all the preparation I possibly could wouldn’t ensure that I would feel ready to film…

But I had to get over the fear and once I instead began to be excited about what the project would look like I was able to delve into researching what I wanted the camera to tell about the characters I’d written. I almost think camera and writing is a god-level combo, it’s perhaps too much power(?) but I would be lying if I said I didn’t enjoy having so much input into the characters I had spent so much time with the previous months. Also orla kept me in check ;)…

In part of my preparation for camera, I browsed a ton of film stills on shotdeck, which I had to get a free trial for. Shotdeck is really great. The stills are super high-quality and feel like they pulled from a range of films. I still think they’re lacking a few but for what I needed, it did a great job. Even though I love drawing, I’m not a huge fan of storyboards, because I feel like I just get lost in all the details and take so long to do them that they don’t serve as a useful reference point anymore. I can’t seem to be able to hand in half completed work, and stick figures would never satisfy the desire I have for detail.

So? The solution is to find as many screenshots as can explain what I was thinking. My first port of call was Normal People, because Orla had found some shots of it when we were discussing the moods of each scene, and I was just taken immediately. It had the exact kind of realism but beauty that I wanted to capture. I loved the use of lens lengths too. It felt really personal but didn’t stray into documentary territory.

Confession: I still haven’t watched Normal People (neither has Orla!) but I don’t think I had to to understand the shots. The fact that I didn’t know what each scene was saying, yet I could feel so much and get so much character depth means that they did a really good job.

I used stills from other films as well, especially scene 3 I was always referring back to this 4 shot from Waves, (DOP Drew Daniels). ^ but Normal People formed the bulk of my inspiration for this exercise specifically. There were also plenty of scenes where I came up with shots with no inspiration, except for the medley of whatever stuff is in my brain (hard to find a source for that). I was able to visualise exactly what I wanted without having to storyboard it, and it also gave me a really good idea for the lighting of each scene. I could adapt each to be personal to what I wanted. There were no shots that were exactly mirrored in Saint Catherine‘s, because I obviously wanted to use my own creativity. There is one shot (6.1) that is very inspired by normal people, but we changed the focus to be on her other eye in Saint Cat’s.

Seeing the shots already existing made me feel less nervous, and I think as a beginner allowed me to begin to be confident in what I was going to create. I also found this incredibly specific shot from a music video that had the softness of light that I wanted from Scene 7.

I also really enjoyed the chats I had about lighting with Alex who is clearly the most passionate and talented gaffer I’ve had the pleasure of working with haha - he had such good ideas about how we could achieve each shot. When I had questions about where we would light from or what kind of light we would use, he had an answer. Alex is just incredibly knowledgeable and adaptable, and I felt like I was in very safe hands.

As the shoot went by, I felt like I was able to really imbue the film with my own creativity and perspective. I feel so happy that I was given the freedom to explore what I wanted to. The shoot itself was so calm and days just flew by…we were finishing early or on time every day, and everything felt like it was going a very easy pace! The Saint Cat’s shoot is definitely the one I felt most at home and most inspired by. :) I loved doing the cinematography for Saint Cats, and I wish I had found the confidence to do it earlier.

[kaiserouo]

Hi.

This is a rambling post because i'm sick. Somehow turned into a post about my history about art. Kinda spent too much time on this that i don't really wanna delete this now. Oh well.

More below.

Yeah okay. You might think why i'm rambling in an art blog. It's because english isn't my native language and i kinda think differently with english. I've complained enough on plurk with chinese today so, uh, i'm here now lol.

I am so sick right now i don't even know if it's food poisoning or normal cough / fever. Anyway, i stared at a blank canvas in csp for >4 hours and cannot even do anything because of all the migraines i have.

The pain kinda took away the little inspiration and creativity i had, even though i have like a full idea list with detailed and concrete comic plot attached to almost every single item on the list.

So i'm gonna post the second hound i've ever drawn, probably because i have just lost the capability to make proper decisions. Also being sick and cannot physically do anything made my mind flew to who knows where.

2022/02/12

I mean, it kinda sucks. I know i also didn't achieve anything important now but oh man.

You know, it's kinda a miracle why i'm here doing art stuff almost every single day, and why this piece is in my phone in the first place. If you've seen my stuff a lot (for whatever reason) you might already know i...don't like myself very much. Not until recently when i'm reading a book did i realize i'm a perfectionist type of person. Like, i don't like failure, i don't like being...not able to do stuff. When i try something i think i can achieve and realize that i actually just...don't have the ability to do the stuff to my standards, i'd very likely just quit.

I was not capable of drawing anything. You might be thinking "oh no art is not about being capable or making masterpiece first try it's for fun you can do whatever." I kinda got it, like i understand the point this sentence is trying to convey, but my brain just...doesn't work like that. I think perfectionist is just an inherent bad habit of mine. Especially that i've been lurking on social media watching actual masterpiece level of fanart (at least to me) since i was like, 12. My taste of art and what i perceive as "good" did not match my ability to draw, and very likely never will.

It's basically a death sentence, because if you can't really achieve something to your standards then why do you even try? I mean, objectively speaking it's very illogical to say that and you can probably deduce a lot of contradictions from that, maybe like "masters were once a noob too they weren't born with all the skills they have" or something like that. But that's why i said i'm a perfectionist and it's my inherent bad habit. My brain just defaults to...whatever illogical thinking i said. Until that piece of Bloodhound i've already tried to draw many characters years before, but those attempts just...never last.

But that time, when i tried to draw Bloodhound, i recalled an advice that you should put all your work on the internet. Just, literally all of them, no matter how bad it was. It kinda makes sense to me actually. To keep the progress for future inspections; to give myself a pressure to draw something every day; to put what i was thinking into words, knowing that i will forget all the struggle i had once i became good enough (if that ever happens).

So i made a new plurk account. Nice platform, only taiwanese use that, very little people, even less will see my art months into the cause so that's nice for an introvert like me. But the pressure i gave myself to post everyday is very real, and i despise my art every single day. Old habits die hard, even for now.

Everything kinda flows natually after i got into the habit of posting things everyday. I must stress that this habit itself is a miracle. I'm an introvert that can't really talk with strangers, let alone shouting out loud (i.e., posting) on the internet. Anyway, this changed things. I started to actually draw, like, almost every day. There's never anything i did in my life that i actually made into a habit, or, uh, just generally do everyday without much obstacles in my heart. I usually just play games after school and watch youtube and daydream about all kinds of plot about the game, that'd be all i do.

I can get through a lot of details about the progress thanks to the post i was making, but to put it simply: i think i'm trash at making art, and my art is also trash, so i tried to learn things to make it…less trash. Most art post i've done i wrote about what i tried and what i've learned. Not actual research and book reading, just a bit of observation i made to make my hound look better.

At roughly 2023/2 i saw a post about learning art in 100 days. Ignoring all the thoughts thinking i was trash and achieved way less in a year, i actually started borrowing books about art. Spent like 2 months on stonehouse's anatomy, also a bit on perspective. I'm kinda a nerd so i'm completely fine with the biology and perspective related math (like most properties are 10 seconds easy proof after all). But the memorizing part of anatomy and the intuition part of perspective i'm still trying to get familiar with. Well that all comes down to practice and practice and more practice, which i do way less than i should to be honest.

At 2023/7 i made this account. That time i just got into destiny 2. Fun fact, that banner of cayde + bloodhound + omen was made in ~2023/6 and i didn't even know which games cayde and omen are from until i actually look it up.

And…yeah. This post kinda turns into my history of drawing but this is it. Still learning, still making my daydreams into art. i think the only thing that changed this year is that i kinda enjoy my own art now. I still think some of them are bad, especially as the art gets older, but it's not completely unbearable now. Like, i often go back to some old posts and think "oh yeah i drew this idea, still hilarious to me lol." Crazy, huh?

Okay i'm tired. I think this should have some kind of ending or conclusion...

Yeah, so why it's a miracle i'm here? I started to make art, i kinda made it a habit, i posted about my art even if i'm an introvert irl, i look down upon my own art because i'm a perfectionist, i still make art despite of that, i post enough stuff on the internet before and i plucked up my courage to post on english platforms (i.e., tumblr), and i'm still making art till this day.

I didn't meant it as some kind of art learning advice because you shouldn't even listen to me in that case. It's just me mesmerized by how i even ended up here. Tend to do that when i'm sick on bed doing nothing.

C'est la vie, am i right?

[klappert-art]

It's my 5 year anniversary on Tumblr 🥳 --- Wow it's been 5 years since I tried to learn to draw properly and post them here 😅

Long rambling under the cut

Honestly it was pretty challenging for me because my study (when I started this blog) was pretty intense, also I live at home, commute every day to go to class so finding time & energy to draw is out of the window. I'm always amazed that most of my fav artists are real university students too, who probably have it even harder than me but they can draw a lot better... So why can't I??

The thing that I learned over time is, I improved faster when I draw fan arts. Because I have real and strict references to follow, unlike when I do OC where I usually just random bullshit go. That's why you see me posted fan arts more here. I just do my favorite fandom to motivate myself lol.

I am a picky person regarding fandom because mentally I can't handle so many heartbreaks (HAHA). And I need a fandom with diverse things to draw. Fate series is very perfect for me. I really like their ideas and the characters are just challenging. I've been into it since 2016-2017 and my pre-Fate art compared to today is... dkgeagwefgwk. I owe my skill growth to this fandom. My first post here was a Tomoe Gozen fan art 😂

I got into radar twice (which is still weird and unbelievable) because of a Noragami FA and my first A:TLA FA ever posted. Which was funny, because I don't draw them that much. But then again, my first "exposure" was from a random Taylor Swift ink art for a random inktober in 2019. That was so surreal lol.

Maybe you notice another fandom I draw a lot too, yes the game of all people in this world: Genshin Impact. Man, I started the game in release and thought "I have to make at least one fan art with the scenery of the game, and maybe this gonna be my first and last GI fan art." And look where we are now. I didn't expect this game would blow up, I believe the first FA I posted was one of the earliest Genshin post on tumblr 😂.I started doing GI FA also because I am mesmerized by the landscape and want to draw landscapes better. You see, there's this kind of reason in EVERY media I'm involving myself into. I simply like pretty and cool things. Sadly at some point the fandom is hell, so I like to take a step back sometimes.

Few months ago I also did some vtubers FA. Although mostly HoloID only, simply because I'm proud of them. Vtuber community has this unique relationship between Vtubers and derivative works, so you can feel real accomplishment when you showed your work to them.

Still, I still highly prefer to make real good original art and story someday. For now, I guess I have to grind first, because my current level is still not where I want to be yet to achieve that.

I use tumblr to post because I like the blogging and tagging system, however this site isn't popular in my country and my marketing for local cons isn't effective if I only use tumblr. I have IG, but I don't like it, thinking I should make twitter or something. AAaaA. My wish for now is to make many money with art lol (at least to supply my disposable income).

And some little things about myself, I'm working now, but not in creating art/design field. It's more of a history and research field (I do still interested in design... if I have the chance--yes I graduated from design thingy school). This blog is like... my creative outlet. The girl on my avatar is my OC Klappy, a gjinka of klappertaart. Klappertaart is the name of an Indonesian dessert (well, the name itself is dutch I guess) made from coconut topped with raisins. Dalr is an acronym from my real name. Thanks for reading, have a good day.

[thommi-tomate]

Interview with Phili about the DFB pt 1

Mr. Lahm, you are the tournament director of Uefa Euro 2024, the European Championship here in Germany, how do you view the turbulent last few weeks of the national team with the dismissal of Hansi Flick?

The balance of the last few months allows me to draw only one conclusion: it didn't work out between Hansi Flick and the team. The players were not able to reach their full potential. That's why the DFB decided to part ways with Hansi Flick.

Things started well with Flick, there were eight wins in a row. Did he lack a clear idea, a line after that?

After the World Cup, there was a lot of trial and error, a lot of rotation. Even before the tournament, it was basically similar. It wasn't recognizable: Who is really our team? So far, every generation of German soccer has produced outstanding players, but they also have to adapt a bit. Because a national team has to find itself. In my opinion, that hasn't happened.

What does it mean exactly?

Before the successful tournaments, we almost always had a framework of six or seven players who were in charge. That is the task of the new national coach: to find a core, a team in which a hierarchy develops.

What do you think of the new national coach, Julian Nagelsmann? and can he master the mammoth task of the national team, especially in such a short time?

We'll see how he handles it. The mission is clear: Julian Nagelsmann has to get it right! The example of Morocco shows that it is possible. There, Walid Regragui was appointed coach about three months before the 2022 World Cup and managed to get the team to play with passion and enthusiasm, every team member to work for each other and together they even made it to the semifinals. So, in principle, it is possible to achieve something like that even at such short notice! But Julian Nagelsmann has to find this core of the team as soon as possible. I can't judge whether he will be able to do that: He's relatively young, he doesn't have that experience yet. I'm curious.

Does a core of Bayern players help him?

That should not have any influence. Julian Nagelsmann must take on this job without prejudice. The best players in the country must play in the national team. He has to find a hierarchy and put together a team. The players on the pitch have to perform and fit in well. None of us can say at this moment: Who is our national team, on what framework do we build it? But I am firmly convinced: We have the players to play successful football.

What kind of football do you think Germany can play? and what is the team capable of?

You have to develop a style of play, and for that you first have to give it a clear name. Take Bayer Leverkusen, for example. There, Xabi Alonso provides a clear structure with certain freedoms: You have to find a mix of possession and switching play. And you have to define it clearly: Where do I attack, how do I move around the pitch? In recent years, we have lost the idea of how we want to play. We had an identity, but it has disappeared. It's completely different in England or Spain.

What was that identity?

The objective was always to be very orderly and structured. Not only through possession, but also by moving into attack from defensive control, and with a clear strategy.

Can Nagelsmann add to the euphoria?

When I think back to the fairy tale of the summer of 2006, I realize that it was the team's job then to ignite that euphoria.

When a team acts with passion and euphoria, the spark can fly very quickly. When we beat France in Dortmund last time, we saw how quickly it can happen. That gives me hope for Euro 2024, here, in my own country, in front of my own fans.

[kalinakalinakalina]

Learning Outcomes and Reflection

- What did you enjoy most about CAS? I enjoyed each and every part of CAS - learning computer animation for Creativity, going to the gym for Activity, and helping out the local communities as in walking dogs at the shelter and helping our school science community prepare an exhibition for the science picnic!

- What was your greatest challenge and how did you overcome this? I think the greatest challenge was doing everything systematically. There was a lot of times I either didn't have the energy to do something, lacked motivation or managed my time poorly. However, I've managed to overcome this challenge by planning my time better and either finding the right motivation for each of the CAS activities or finding a community that would help motivate me. It turns out that teamwork not only helps to do the work itself but also motivates you do to more and improve yourself!

- What abilities and skills did you develop most significantly in CAS?  The skill I developed most is definitely time management, which led to having more energy to do the things I wanted to, being able to do them more systematically, and not to procrastinate. Also, I've learned and developed a lot of new skills for each of the CAS activities separately. During the Creativity part of CAS I have learned a lot as a computer animator, and during Activity, I have improved a lot at the gym. As for service, I've never really been the one to do voluntary work, so one of the skills I've learned is how to help the local communities!

- Which learning outcomes did you find challenging to achieve? I think the most challenging thing to do was time management. I had to fit into my schedule going once a week to the gym, drawing some computer animations once every two or three days, and helping out at the shelter twice a month. However, after much struggle and trial and error, I managed to fit everything and find the right motivation to do so. I only hope that it will hold up during the summer and in the next school year!

[todoscript]

prompt 100, todoroki, smut? first time/confession?

Always You.

Prompt | “All I know is that if you don’t tell me to stop I’m going to kiss you.”

Genre | SMUT. Fluff.

Pairing | Todoroki Shouto x Fem!Reader

Words | 5.2K+

Warnings | 18+. Smut. Oral. Penetration. Semi-public sex. Body worship. Characters are aged up. Feelings Revealed. Cuddling. 

Summary | Hearing your troubled thoughts about the daunting future ahead of you, Shouto finally realizes what you meant to him all this time.

A/N | I’ve been wanting to dabble with smut, so thank you Anon for this request (also I’m assuming you requested the prompt based on this list from my past drabble event). This is my first time posting e/xplicit content so beware of all the warnings. Other than that, please let me know your thoughts!

Big thank you to @sadistiks and @shoutogepi for beta reading! I really appreciate it! <3

For the longest time, since the very first year of his high school journey to becoming a hero, Todoroki Shouto knew that you were special to him. But he didn’t realize what these emotions meant.

At first, the feelings bombarded his thoughts like a haze—a screen of smoke he couldn’t see past. He initially discerned it as an affliction down his path, blocking his sight from the light at the end of his heroic odyssey. Yet even when he waved the murk away, he felt your spirit was still somehow manifested within him.

The darkness of the dim first floor greeted him when he arrived down from the elevator, the agony of no sleep pestering mind. The light shuddered back inside as he stepped out, a ding echoing throughout the quiet atmosphere that was the dead of the night. He trekked down the halls, past the kitchen, and into the common space where only a single flicker of candlelight met his vision.

However, when he approached closer, he noticed the fire wasn’t alone. There you were, sat on the couch with warm, soothing tea nestled in your hands.

“Y/n,” he called out, and you heard his voice quickly in the silence. You turned around, knowing well it was Shouto from the distinct husk in his tone and not your teacher Aizawa coming to reproach you for still being up so late.

“Oh Shouto, couldn’t sleep either?” you asked. He replied with a nod, which compelled you to pat the cushions on the couch. He took your offer and established himself into the light, sitting next to you.

For a moment, a gentle lull instilled itself into the atmosphere. You didn’t say anything to each other, but your presences were enough to soothe the strain in your bodies and release any disturbing thoughts plaguing your minds. It was an unspoken form of affirmation between you two that Shouto was oddly fond of. When you perched your cup of tea onto the coffee table, you finally cut the silence.

“I’ve been… thinking…” Your words drifted off, and Shouto removed his sight from the candle’s dancing fire to turn to you.

“About?” He poked the remark further.

“Our class. Our journey to becoming heroes,” you answered, folding your legs into you on the couch with your chin propped against your knees. “Soon, it’ll all be over.”

Your words lingered with distraught at the thought that within a few months left in your third year, the next step in your path will open forward, leaving a curtain to draw close on the current one you’ve walked upon for nearly three years now. It was unsettling. Realizing the habits you’ve established, and the faces you’ve been accustomed to throughout each day, will suddenly vanish within the instant you approached life after high school. It scared you as much as it did the boy by your side, which to him was strange.

It shouldn’t bother him as much. He’s worked himself up since he was a child, grinding sweat and rigor through his bones to achieve this goal. He’s known across his entire life that he’d eventually end up at this point and move further toward that dream of becoming a Pro Hero. Yet when you addressed the troubling notions out loud, he grew conflicted.

“That’s right. We’ll be walking on our different paths after,” Shouto said. It was then he realized the weight amassed in that single statement. That once the year is over, you won’t be ingrained into each other’s lives anymore. He wouldn’t get to see your smiling face greeting him every morning or engage in the compelling conversations you enacted between classes. His life would be different from then on out, and the idea of the emptiness carved into it after your departure left an ache in him, making him hollow.

“A-Are you ready for it? To move on and leave everything behind?” you stuttered as if anxious to receive his answer. Deep down, you wanted to believe the boy still desired to hang onto the present and the relationships woven into this fabric of time, rather than cut them off and start a new seam. However, you could not forget about his achievements and hard work, forged through sheer will and determination. He was amongst the top in your entire year, and you couldn’t neglect that he was destined for bigger and better things after. It would be selfish of you to anchor him down with these chilling notions of yours.

Yet as Shouto thought over the questions, he envisioned his trudge down this long winding road, and then remembered everything. He remembered all the times his eyes lingered on you, and the silent, reassuring exchanges you sent each other between infinitesimal moments. He remembered all the words you spoke to him when his spirits were down, recalling whenever he willingly sought out your presence just to be near you—next to you. And he remembered the heat on his body and the confliction he dealt with whenever he craved your touch as every thought of you ignited a blaze he wished you could douse out, lest his sense of reason be incinerated. 

It’s when he reached the end of this path, and the light peaked in its brightest form that he ultimately realized. The light was you. It was always you from the beginning. You were never the haze obscuring his journey, but the luminosity that guided his way, showing him to who he truly was and helping him experience all the joys on this path.

Shouto snuck a glance over to you while your eyes still lined downward at the quivering reflection of the cup of chamomile tea next to the candle. The single light source illuminated every crest beautified on your face, and he beheld the vulnerability within the moment as if you were the only thing on this earth. You made him happy and filled that void in his existence that plagued him before he arrived at U.A., like the missing piece of an incomplete puzzle. He could not fathom the world around him without you.

Shouto breathed a heavy sigh from his lips. Despite your doubt and suspense, his answer felt all too obvious to him.

“No, I don’t think I’m ready to move on just yet,” he conclusively admitted. When you perceived his answer, you loosened your legs clutched to your chest, and met his eyes with an astonished expression.

“Shouto, what are you saying?” You tried to urge him to rethink his words again, understand what they meant. Shouto, out of the majority of everyone in your year, should be more than prepared for the future to come. You’ve known the boy so closely throughout your three years together, but you couldn’t discern whatever could be troubling his mind for him to be afraid of taking that leap forward.

“There’s… something in this life that I’m not willing to let go of yet,” he cast his gaze to the small flit of the candle before shifting it to the glow of your irises. His hands reached out and entwined with yours, and the comforting touch of your warm skin gave him the fortitude to continue.

“You. I don’t think I’m ready to leave you yet, Y/n,” he told you, and in the quiet, the words nearly echo through your mind. Initially, you’re speechless at the confession, but you don’t pull away. In fact, you gripped his hands tighter, like maybe the Shouto in front of you was a mirage conjured by your lack of sleep. However, he’s real. The unwavering stare, the altering sensations clasped against his calloused palms, the resolute composure on his handsome features. They were all real. 

“Sh-Shouto… I—”

“I realized what you meant to me. You’re always on my mind because you’re the one thing in this life I can’t go without, the one person I won’t and can’t move on from.” Though a man of few words, he mustered the strength to utter this unyielding declaration. 

“I’m in love with you, Y/n,” he imparted the words he’s been meaning to tell you—the words that finally answered the confusion he felt all this time and lifted the veil that clouded him.

Your eyes shimmered, hearing the heart behind his affirmation. Your face shifted from a mien of confliction to one of acceptance, allowing yourself to wholeheartedly welcome the emotions he finally unshackled from the depths of his soul.

“Shouto, I… I love you. I think deep down, I’ve always felt the same, I just never knew if it was right for us to be together,” you said, and it obliged him to return an enlightened look while he slowly inched closer.

“But… What does this mean from here on out?” you tried to ask through a whisper, but the ceasing proximity between you two blanks your mind to only the attention of Shouto’s face drawing near, his cold breath tickling your lips.

“I don’t know. All I know is that if you don’t tell me to stop, I’m going to kiss you,” he warned yet didn’t stop to pause as his eager lips finally met yours in a searing sensation of emotions. Your mind adjusted to the caress of his lips, soon melding perfectly into his with a simple tilt of your head.

Shouto brought a hand up to hold your jaw while his other gripped underneath your thigh to adjust your position, now straddling him on the couch to allow your bodies to press together intimately. Naturally, your arms found their way around his neck while you continued mingling your lips for kiss after kiss in the empty common space, tongues dancing together. He palmed at every inch of your skin, traveling from the expanse of your naked legs to your ass, and then up to your clothed breasts. Through these motions, you grounded yourself against him and felt the growing shape beneath his sweatpants form against your covered cunt.

Your lips detached for a second. You stared into the evident lustful haze fogged in his fraternal twin irises, a playful grin on your swollen lips. “Are you sure all you want to do is kiss?”

He mirrored your smirk, hands lightly grazing your thighs teasingly. “Not even close, love.”

Hearing the endearing name caused a heat to pool in your lower-half, which continued to grow desperately hot while he embarked his mouth on a journey across the expanse of your neck. You winced at the array of fervent kisses left in his wake and noticed his hands busied themselves by rubbing circles against your torso to your hips underneath your sleeping clothes. He brushed up against your breasts, unrestricted due to an absence of a bra. His touch felt like fire, and sent you into dizzying desire. It wasn’t long until he finally tugged on the hem of your shirt. Taking the hint, you moved your arms up to allow him to pull the article of clothing off.

“Fuck, you’re so pretty,” he muttered and wasted no time in admiring your bare upper body, tossing your shirt to the side. Though he only spoke of beautifying praises, he noticed your hesitance when you hovered your arms in front of him, cheeks growing vividly hot. At this, he took your hands in his and moved them away from obscuring the beautiful sight before his adamant, loving gaze.

“I mean it. You’re the prettiest thing on this earth, Y/n,” he assured, planting a kiss against each of your palms then settling them on his shoulders.

“And I’m going to make sure—” His words paused as his mouth attached to your skin once more.

“That your beautiful body—” He molded his lips against the underside of one mound, traveling upward.

“Knows all the things—” it eventually made its way to your nip that shivered and hardened through the exposure to the cold air, “I’ll be doing to it.”

Hearing those sensual words leave the mouth of a man usually so composed and calm made your mind scatter in a hazy daze that drenched you from your panties to the thin material of your shorts, undoubtedly wetting his sweatpants in the process.

“Mm… Ahh…” you breathed out a sigh of moans next to his ear thanks to his methodical movements, which sounded like a melody he would repeat over and over in his head for years to come. One of his large hands slipped behind you down your shorts to grip your ass, ignoring the clothing, and the other wandered to your breast that wasn’t occupied by the heated presses of his mouth. You tried to keep yourself anchored to reality and not drift off in the hot air of lust by gripping behind his head and weaving your fingers in his dual-colored tresses. Unknowingly, you pressed him further into you, and he gladly continued to indulge in his simulations.

Eventually, he parted from your body to sit back and admire his handy work, which were the marks adorned on your skin and the needy look on your face left in his wake. The glimmer of the candlelight behind you accentuated the outline of your figure, and he wanted to ingrain this pretty image into his head so badly.

“Sh-Shouto…” you whined, and his eyes perked up.

“What is it, love?” he asked, though his hands continued caressing your waist and thighs almost tauntingly, discerning the desire in your voice.

“I want…”

“Want what?” he pried on.

“You know what I want...” You bashfully eyed down his lap, fingers tracing below his shirt to the waistband of his pants, tugging.

“Hm, do I?” he jeered, and you cursed at how he dragged out your desires while falling further into his mischief from the way he resumed stroking the fever of your skin.

“Yes, you do,” you ground against his erection once more, hoping to spark a reaction. And in the end, you received one in the form of his hands gripping your hips to still your movements. 

“Fuck…” His brows narrowed tightly together from the shift that caused blood to spike through his cock. “Don’t worry, I’ll give you what you want, love—what you need,” he finally assured, softly touching your cheek with the back of his hand before planting a peck.

“But first, I want a taste. Hands on the couch,” he ordered in the husky timbre of his voice, and you didn’t disobey, lest he draw out your pleasure toward a nerve-wracking pace your body couldn’t handle anymore. You moved off his lap and crawled to the furthest end to perch yourself against the couch’s arm, knees on the cushions, and bottoms faced toward Shouto.

He awarded your immediate compliance with his hands, dragging themselves down the skin of your back and descending toward the waistband of your shorts. However, to your chagrin, he only pulled off the first layer.

His eyes beheld the color of red while he jerked the clothing down your thighs, now met and widened at the sight of your rose-hued panties. He watched as you slowly turned your head to catch his amorous expression, the man kneeled behind you from the view of your ass emphasized by the flimsy, lace fabric. He admired how you glowed from the candle, and how the moonlight filtered through the windows of the common room, cascaded on the expanse of skin the firelight couldn’t reach, while your body was arched, ready, and willing for his and his eyes only. If you were a goddess, he’d worship you and visit your shrine for the rest of his life. No, scratch that, in Shouto’s eyes, no goddess or deity could ever compare to you.

“God, how is everything about you so perfect…” he breathed out, tone laced in utter affection. Your face blossomed crimson from his praises.

The candle at his side still offered him enough light to see the evident damp spot on the crotch of your panties. When he pulled them down, your slick strung from the lacey material to your lower glistening lips, which made him release a strained groan. You helped him remove the tainted articles of clothing by lifting your knees as he slid them down your legs, letting them pile in a heap on the floor.

“Even your pussy’s pretty…” he spoke the obscene words like they were second nature, but you couldn’t conjure anything in reply except a whimper when he dragged his fingers across your sex. He smeared your wetness on his fingertips, not even offering their full length into your heat.

“F-Fuck… please,” you begged, fidgeting in your spot to usher him to do anything more to stop the ache in your body.

“Don’t worry, baby, I’m not going anywhere,” he promised, leaning over you and tossing your hair to the side to smother kisses on the nape of your neck. He then trailed his mouth down your back at an agonizing pace while his fingers continued to toy with your wet cunt using touches that could never climb you to the peak of your high. Soon his lips arrived at your asscheek, melding the smooches against your flesh while he dipped toward his desired destination.

Shouto leveled his gaze to your ass, grasping it firmly in his hands and spreading you open. The scent of your arousal invaded his senses. Your exposure to his intimate eyes made your cunt twitch in front of him, slick gathering and sticking to your thighs.

“Mm, so so pretty...”

However, as much as he wanted to dive right in and drink all your nectar, your cute whimpers drove him to tease you once more, only granting you the sensations of his breath fanned on your dripping sex.

“Baby, what do you want?” You couldn’t believe he had the nerve to ask. Still, you played along, albeit not nearly as patient as the man behind you.

“Y-Your mouth,” you answered, and you felt the thin smirk on his lips when he kissed your ass one last time.

“A nice answer,” is all he muttered before his tongue finally reached your aching entrance. He licked around you, his hold on your flesh tightened to bare your pussy to his entering appendage. At the feeling of his muscle along your silky walls, your nails started digging into the arm of the green couch, voice singing out unhinged.

“Careful, love, everyone’s still sleeping. We wouldn’t want them to hear now, would we?” he warned when he detached from your sex, yet was quick to dive in again. Clasping your hand over your mouth to mute the airy noises emitting from your lips, you remembered where you were—in an open and publicly used space. It especially became very apparent when the squelch of his mouth against you reverberated in the vast, empty area due to Shouto becoming a man unshackled by his passionate desires for the woman he loved. The last thing you wanted was for the boys on the second floor to wake up. Or worse, accidentally alert Mr. Aizawa.

As Shouto continued tasting your cunt, the heat coursing through your body was slowly boiling and longing to burst, your mewls edging to heavy moans past your hand. When your pussy started grappling around his tongue, he realized you inched closer and closer to release.

“Are you going to cum for me? Soak my tongue with everything you got?”

You hissed a squeal of a yes, along with a speedy succession of nods that was enough of a response for Shouto to help you reach your high. His motions transcended faster, and he added to the revelry by inserting a long finger into you, easily touching the particular spongy area inside that made you quiver. The overflowing sensations hollowed the sounds in your throat to mere hoarse throes of pleasure. His bind on your flesh grew firmer, like his feast on your cunt was the ambrosia he needed to revitalize his body. 

“Ah, f-fuck Shouto, I’m— I’m—”

“Do it, baby. Cum all over my face.”

The weighty lust in his words was the last fuel you needed to attain your peak. At last, your sex clenched across Shouto’s tongue, covering his mouth in your juices as your screams were suppressed against the couch arm you buried your face into, knowing your hand was too weak of a barrier to contain your loud, wanton cries. With you soon becoming limp due to the mind-blowing orgasm that coursed your body, you braced yourself on the couch’s arm. Turning your head, you observed the glistened sheen covering the lower half of Shouto’s face that he earnestly licked and then rubbed against his forearm. The heady sight resulted in your body growing hot and bothered all over again.

“Mm, you taste so delicious, love,” he told you before he eased forward across your form and captured your mouth for another searing kiss that allowed you to taste your flavor on his tongue. Shouto’s arms readily wove around your naked body, positioning you to lay comfortably flat beneath him on the couch while never leaving the fervid lip-lock. You hung an arm over his back, and a hand settled into his hair.

“Ah.. wait,” you managed to voice between the wistful union of your tongues, letting Shouto lean his forehead against yours to peer into your eyes.

“What is it?”

“You’ve been doing all the work tonight. The least I should do to repay you is give you some pleasure, right?” you said, attempting to reach lower toward the bulge keen on his sweats. Yet Shouto halted you with a quick hand on your wrist.

“It’s alright, Y/n. I want to use this night to appreciate and love you,” he stated, bringing your hand to his lips as his gaze never moved from yours. “And besides, we can do that next time.”

Next time? You wordlessly repeated the phrase, mind trying to fathom what this passionate night would spark in the aftermath for you two.

Even with everything ahead of him, he still desired to be with you—to love and cherish you. Now that you’ve both admitted to the feelings concealed within yourselves for so long, there wasn’t any way Shouto could just let you go. One way or another, he’d carve another path down his odyssey where you two would walk together, and he could forever bask in your light.

But for now, he needed to tend to you and satiate his lust that has thoroughly built up throughout the heaty progression of the night, his cock painfully taut in the bounds of his clothing. At last, he granted his body the small bit of freedom it craved by removing his shirt and sweatpants, leaving his skin bare to the air like yours. Raking your eyes over his form scrupulously, you bit into your lower lip at the expanse of firm muscle lining every inch of his frame. The light beside you seemed only to enhance every marbled crest delved across his features. Those three years of fierce hero training committed wonders on his body, and you were eager to put your hands all over him.

However, your mind was blanketed into a haze when he pulled down his briefs—soiled by a blotch of his precum—allotting you with an unhindered view of his cock standing to attention. Shouto lowly chuckled, noticing the speechless expression taking over your face. His hand wholly stroked his stout manhood.

“Like what you see, baby?”

Your response is reduced to a quick nod, still dumbstruck by the length of his dick and generous girth when knowing he was soon to be inside you in mere moments. Shouto took his position in front of you again. He spread you out with as much room as the green couch of the common room could offer you two. You kept resonating out whimpers from your lips, and he reveled in those sounds while preparing to align himself to your entrance, his eyes fogged with unrivaled yearning for you. To say he’s dreamt of this day—where you’re hot, needy, and naked in the wake of his lustful desires—would be an understatement. No kind of imagination could beat the real thing, with the genuine noises you produced and the way your slick felt against the head of cock as he slowly pushed himself forward. Watching each inch of his dick gradually slide inside and experiencing the tightness of him and his love coming together did many things to him. The sensation was beyond incredible.

“Mm! Fuck!” you cried out in a whisper of a yell, immediately anchoring yourself by wrapping your arms around him when he lowered his upper-body to you. The stretch of his girth induced a pleasurable burn in your stomach that threatened to seize your entire being. 

“Argh… Love, I’m right here— Fuck, you’re so tight—” he cursed at your warmth firmly enveloping his cock, struggling not to let the heat of the moment devour his reasoning and just plow away at your body. No, he needed to go slow and not hurt you, let you adjust to his size. Thankfully the wetness simulated when he ate you out aided the process, and soon his entire length was sheathed inside you.

You laid there trembling over the deep sensation, but the pain managed to diffuse quickly. “I-It’s OK… I’m alright now,” you murmured to him, the circles he rubbed into your skin soothing a bit of the tension harrowed in your body. You tilted your head so your lips were sheer centimeters from his ear, whispering out in a soft, heady tone that was breaking his rationale.

“Please fuck me.”

That was all he needed to begin his hard succession of thrusts. His cock felt along all the crevices of your walls. He grunted out praises and affections for you in between each drive into your core. Fuck, every part of you was like heaven and he wanted—no—needed to indulge in all you could give him. You struggled to find your words, voice hoarse and diminished to frail moans that he heard every trace of from the proximity between you, practically instilling the harmonies into his mind.

“I love you, Y/n, fuck I love you so much.” His bewitching utterances spilled from his lips without a second thought for all he’s thinking about is you.

“You were always the light that— ah— guided me... Always the one I could come to…” His thrusts continued relentlessly even as he bent toward your neck to meld his mouth on it for a second. “You were always the one, Y/n. It was always you.”

At all his love rained down upon you, your grip on his body grew tighter while you attempted to muster out some coherent words, despite each deep impulse of his cock making you envision stars.

“Mm, ah, l-love you too— Mmph—” You cut off with a scream that was luckily muted by Shouto joining his mouth to yours the moment he reached your pleasurable spongy area again. He continued his onslaught in that spot, knowing it was the erogenous zone in your body that made you writhe and shriek for him. White began to shroud your sight every time he pounded there. It wouldn’t be long until the simmer you built to a boil would be ready to burst again, your pussy starting to clench around his length desperately.

“Shouto, I’m gonna c-cum..!”

“Fuck, me too,” he replied to your frantic pleas and savored the sting of your nails raked down his back, tightening his hold on your spread legs. “Together, baby. Cum with me.”

With you both teetered toward the edge of release, he began pistoning his hips forward at an unbridled pace, the smack of your skins echoing so vividly in the space. Spit gathered in the back of your throat as Shouto did his very best to snatch every mewl and moan resounding from your lips. The noises vibrated across his tongue while he groaned back, thrusting forward in each succession. Eventually, the final scream tore from your throat, ripping into his mouth. Your body convulsed in a fit of overwhelming pleasure across every nerve and your intense orgasm was the catalyst he needed to cum.

In a single deep, quick thrust following your peak, his climax surged through him, and he came undone. A low grunt reverberated in him as he buried himself in you and coated your walls in hot spurts of white, the lip-lock remaining fervent throughout his orgasm and his hand seeking yours at the last minute to twine together in love and passion.

Through the whirlwind of your fucking, the candle on the coffee table eventually blew itself out while you both came down from your highs with ragged breaths and sweaty bodies. Shouto lovingly kissed your temple, caressing down your sides in calming motions. You returned the gesture by pecking his chest and rubbing the muscles of his broad back. The two of you simply laid there, tangled together, basked in the glow from the intensity, with nothing but the glimmering moonlight descending your naked bodies.

“Mm, Shouto?” your voice is only a hushed murmur in the tranquil atmosphere.

“What is it, love?” His caring touch did not cease when he whispered a question back, eyes pinpointing your own despite the darkness.

“As much as I just want to lay here and cuddle with you, we can’t stay here mister,” you admonished, thankful that you recalled where you were before you ended up drifting off into sleep on this couch. It would be an absolute nightmare had you awoke the next morning from the screams of your classmates at the sight of you both naked.

He let out a deep chuckle, likely conjuring the same thought as you though not acting nearly as frantic as he should be. He lifted his upper body off the cushions. “Shall we go to my room then?”

You nodded. At that you both gathered your clothes that were thrown carelessly in heaps on the floor and got dressed. You made sure no suspicious traces of you remained, then silently took to the elevators to ascend to the fifth floor.

It’s in the confines of Shouto’s room that you reunited your bodies again underneath the comfortable blankets of his futon. His left side provided just the right amount of warmth to lull your nerves. You relished in his particular musky scent with him so close and being surrounded by all his familiarities, cuddling into him.

Perceiving the rhythm of your even breaths against him imbued Shouto with a sense of peace. He couldn’t help but pull you toward him to softly kiss your forehead. At the tickling sensation, you giggled and exchanged a delicate kiss of your own on his jawline. For a brief period of time, that calming silence you two were far too familiar with enveloped the mood as you wordlessly traded placid touches across each other’s arms and backs. Ultimately, the quiet is interrupted when you speak up.

“Are you.. still scared about the future?” You brought back the query that set off the steamy chain of events. Shouto didn’t speak for a moment, inhaling a breath until you indicated his resolution through his hold on you growing stronger.

“No. No, I’m not scared,” he told you, continuing without a single hint of uncertainty in his voice, “Because even when we move onto the future, we’ll find each other again. You’re my light, Y/n, and I’ll always come back to you.”

At his conviction, you finally let the weight of those harrowing notions lift themselves from your body that night, letting you sleep soundlessly in the arms of the man you loved.

[kalzoni]

Thank you so much to the crew and fandom, you made something absolutely incredible!

I really can’t express how much I love this show and this crazy family

When Rise of the TMNT ended and I cried, I don't really think I've ever cried at a show ending before. So I wanted to write some stuff from the heart, because no show has ever impacted me the way this show has:

This show itself has such a beautiful focus on family, Family is the people you choose, whether biological or not. Platonic and Familial relationships are so hugely important in a child’s life and I’m so happy the show put such a hard focus on it, I don't think enough shows put this level of care into it. The show handled the idea of family beautifully in such a healthy and wholesome way. There’s no such thing as an average family. The world we live in is diverse. And the people we love come from all sorts of places. Family isn't defined by your blood relation, it's defined by your love for each other.

The show also had some really progressive views on its characters, with male characters being emotionally vulnerable and open and female characters being total badasses and written realistically to how a lot of girls actual act. And Splinter as dad? Man, his whole arc was just fantastic! He is a really genuine character, all the characters are! And the way sibling dynamics are written are so realistic and hilarious! The characters are all just written with so much care and I love it!

The crew of Rise are INSANELY TALENTED and PASSIONATE people who put so much love into this show, and you can see it in every single frame! The colours are vibrant, the character animation is excellent and the fight scenes are just PHENOMENAL and genuinely JAW-DROPPING! The show was visually amazing and just and totally out there! The love and care put into the show by every crew member is unlike anything I've ever seen before. The show is absolutely fantastic and is the very definition of passion project, from the first episode to the last. It’s absolutely stunning to watch and a pure inspiration.

Perfect is an understatement.

I really can’t fully express just how much this show meant to me and how much it impacted my life.

I discovered Rise of the TMNT two years ago totally on accident during a pretty low point in my life. I saw an article for this show and checked out the trailer and I was totally blown away by the animation. I loved the art style, I loved the animation style, just everything about it! It was like a group of people sat down and made a show just for me. I would just watch the promos frame by frame and animate alongside it for hours on end. I felt like a little kid! The only thing I would talk about was this show (and tbh that hasn’t stopped haha) This show reignited my passion for my future and my animation and gave the drive to push forward and keep trying my best. This led me to dropping out everything else around me and putting all of my focus into my portfolio to my dream course (mostly full of turtle drawings haha), and about 5 months after the first episode premiered I got accepted!

And it's not just the show alone that’s important to me, the Rise fandom has been the most welcoming and kind fandom I’ve ever had the pleasure to be a part off. You guys are absolutely amazing. When I first started posting two years ago I didn’t expect to get more than a couple of likes, but this fandom gave me such an overwhelming amount of support and kindness I really didn’t expect. You guys gave me so much confidence in myself and in my art and just made me so incredibly happy. I remember I used to purposely post late at night just so I would be able to wake up to your responses first thing in the morning, it always made my day. Every fandom I’ve been in a part of in the past has been purely for the sake of talking about content, but you guys have been so much more than that for me. You mean the world to me and I really can’t express just how much your kind words and support have impacted my life. <3

I am currently the happiest I’ve ever been in my life and I thank this show and fandom hugely for it. This show has continually been my inspiration as an artist to work hard to achieve my animation industry dreams. When I felt the lowest of lows this show pushed me forward and gave me the drive to work hard and get where I wanted to go. This show has been my comfort for the past two years. Whenever things weren’t going my way, I knew I could always pop on an episode or check out the tags and watch this funky family do their thing. This show and fandom just bring me so much joy and are so incredibly important to me.

This show has gone too early, but I’m so grateful it came into my life when it did.

I think this is the kind of media we need more of. Media made by people who genuinely LOVE what their making and who's inspiration comes from the heart. Media that’s spreads strong messages of family and love that the creators really believe in. 

Shows made with love and passion reflect on the audience watching it. We can see it, and we love it.

The crew that worked on this show are all amazing, and I have the absolute highest respect for them.

They had a story and a message they wanted to tell and they stuck by it till the very end. I honestly think the children currently growing up with this kind of content have to be some of the luckiest kids in the world.

The show may be over but it had such a huge impact on me that it will forever and always be one of the most important and special shows in my life.

To the fandom, and to the entire crew and creators of Rise of the TMNT.

You’ve made something absolutely incredible and I love you all for it

Thank you all so much

#Anatawa Hitorijanai #SaveRottmnt

[doublerainebow]

Artist Resources (Part 1?)

This is basically just going to be a bunch of resources I have found to be useful. I can’t say that I’ve used all of them, but I’m sure they’re all worth checking out.

I’m also gonna try to put a detailed description for most of the links so you have a better idea of what you’re getting. I apologize in advance if some of them are redundant lol

(I put “Part 1″ if in the case I make another one)

~Links to Tutorials, Tips, Resources, etc~

Another Resource List -- Leads to another Tumblr post. Apparently, the post isn’t mobile-friendly, so it’s suggested to view this on Tumblr browser. Has a bunch of other links. I’ve checked out a few of them (mainly the copyright stuff lol), and it seems that some of the links may be a bit outdated. Still, it doesn’t hurt to check out the links.

Arms and Legs -- Leads to another Tumblr post. A handy tutorial on elbow and knee placement.

Art & Game Dev -- This leads to my personal playlist of a bunch of YouTube videos. Has a bunch of tutorials and interesting videos that I’ve collected over the course of a few years lol.

Blamblot -- A website that contains resources and tutorials on comic lettering. This is primarily in reference to western comics, but it doesn’t help to take a looksie.

Commission Calculator -- Leads to another Tumblr post. Helps artists to stop selling themselves short.

Comparing Heights (hikaku-sitatter) -- A height comparer for centimeters.

Comparing Heights -- A height comparer for feet and inches.

Mouth Shapes and Lip-Syncing -- Leads to another Tumblr post. Useful for... drawing mouth shapes.

Reference Angle -- Useful for when you’re trying to map out a face from an odd angle.

Soft Proofing for Printing -- Leads to another Tumblr post. Helps when you’re trying to make prints of your artwork.

Textures -- A website full of different and mostly free textures. While this website is made for 3D texturing, it can also be useful for 2D drawings. Signing up gives you 15 free credits everyday, and you can use those credits to download some textures for free.

The Models Resource -- A website of models ripped from a wide array of games.

The Spriters Resource -- A website of sprites ripped from a wide array of games.

The Textures Resource -- A websites of textures ripped from a wide array of games. 

~Links to Stock Images~

Please check out whatever policies they may have for their images before using them!

(not sure if any of them are active anymore as I followed some of these accounts a long time ago when I used to be more active on Deviant Art lol)

adorkastock (formerly senshistock)

anatoref -- Leads to another Tumblr post. Has a bunch of hand photo references

charligal-stock

HumanAnatomy4Artist -- Does contain nudity

null-entity

PhelanDavion

RobynRose

~Links to Other Artists~

Akihito Yoshitomi -- Yoshitomi is a mangaka who has tutorials on manga making. He also has an insightful series in which he drafts and draws a 30-page manga in 18 days. Remember that every artist works differently and his process may be different from another’s.

Drawfee -- Drawfee is an improv drawing show of four artists: Nathan Yaffe, Jacob Andrews, Julia Lepetit, and Karina Farek. While they don’t have tutorials in a sense, their videos explain the different processes they go through as they draw. They also occasionally provide tips, tricks, and resources in their videos. They do have another channel and a Twitch channel where they host drawing classes in addition to other fun shenanigans.

EtheringtonBrothers -- Has a bunch of useful and eye-catching tutorials called “How to Think When You Draw”.

Mark Crilley -- Mark is a comic artist, specializing in manga, who has a bunch of tutorials about anatomy, perspective, comic making, and other things.

Miyuli -- Miyuli is an artist who posts tutorials on their Twitter. Their tutorials range from anatomy to clothing to other things. They even have a few books of art tips. Currently (as of the time of posting this), their 2018 version is free for download, so I highly recommend you download that. Some tips may be outdated, but they should still be helpful.

Whyt Manga (Twitter/YouTube) -- Odunze is a comic artist, specializing in manga, that has a bunch of tutorials on manga making and drawing characters of color.

~Links to Free Programs~

Blender -- A free 3D program if you’re into 3D modeling and such. I also personally haven’t used Blender (I use Maya lol), but I know it’s a respectable program.

Krita -- A free painting program if you can’t afford Photoshop or Clip Studio Paint. I personally haven’t used Krita, but I have recommended it to a few friends and they have positive reviews about it.

Paint Tool SAI -- Okay, this one isn’t free, but it’s a significantly cheaper painting program where you don’t have to pay a subscription. It’s 5,500JPY (~50 USD). I’m not sure how well it still works on modern computers (the last update was 2016), but I still use it here and there because I love the pen tool feature it has, and it still works like a charm for me.

~General Tips From Raine~

Raine admits that she’s guilty of not following her own advice, but Raine hopes that the tips that she does know will be beneficial to someone who will follow them. She’s also going to keep all her tips under the cut so as to not make this post a huge wall of text (even though it technically already is lol)

Also, if you have some resources, tutorials, tips yourself, please feel free to send them to me and maybe I’ll make a part 2 to this post!

ALWAYS LOOK FOR REFERENCE. This should really go without saying. You can’t draw from life if you refuse to observe life itself.

If you can’t find the exact thing you need, MAKE YOUR OWN REFERENCE. Time and time again, I can’t find something exactly that I need. So instead, what I do is that I take pictures of my own reference. Sometimes I even grab a friend and take pictures of them doing whatever it is I need.

Have a mirror handy when you’re drawing. Sometimes what you need is actually right there in front of you.

Having trouble drawing something? Do some studies. Take the time to understand what it is you’re drawing. I can’t remember the exact story, but I heard that the people who were working on Tarzan were having a hard time drawing his hands. So, what they did was spend a few hours looking at hands to try and understand how they work.

IT’S OKAY TO STUDY THE ART OF OTHER ARTISTS. Just as we look to the old masters as a reference, it’s definitely okay to look at modern-day artists for reference. Just don’t go copying exactly everything that they do, or worse, trace what they do. Just don’t do it... at all.

Not every line needs to be realized. The viewer of your work will automatically connect the dots.

DO NOT TRASH YOUR OLD DRAWINGS. Please, never ever do this. Your old drawings have value to them, even if they look terrible to you. Old drawings may hold ideas for things you could do for the future. They also serve as a way to see how far you’ve come as an artist.

GETTING BETTER AT DRAWING TAKES TIME AND EFFORT. You’re not gonna get better overnight. It’ll take months, or even years, to feel like you’re a competent artist, and even then, you’ll still have room for improvement.

DON’T LOOK DOWN ON YOURSELF IF YOU’RE TAKING A LONG TIME TO GET BETTER. It’ll be better for your mental health in the long run.

Alternatively, DON'T LOOK DOWN ON OTHER ARTISTS EITHER, ESPECIALLY TO MAKE YOURSELF FEEL BETTER. You know the struggles it took for you to get where you are, so don’t go putting down other people when you’ve been in their shoes once.

KEEP DRAWING. If you’re not making an effort to get better, then you’re not going to be better. I get that it’s hard to find the inspiration to draw (I’m very guilty of this), but just keep trying. It doesn’t have to be big or spectacular. You don’t even have to post it if you’re the type who likes to post their art stuff.

Try to find references from real-life. It’ll help you better understand form, lighting, shadows, etc., especially if you’re going for a more realistic kind of art style. Otherwise, finding reference from things like cartoons, anime, comics, etc. are just as good.

Try new things. Try new art mediums. Try a different art style. Switch up the way you do things. Maybe you’ll hate it, maybe you’ll like it. Who knows if you don’t try.

Watch time-lapses (or speed draws/speed paints) of other artists!

Pinterest and Google are your friends if you need tutorials or references or whatever.

If you’re offering commissions, DO NOT WORK UNDER YOUR LOCAL MINIMUM WAGE. You are literally devaluing the work you actually put into a piece.

I like to think I’m an aficionado of Photoshop, so feel free to ask me questions on how to achieve something! I’ve used Photoshop for about 11 years now and know my way around the program. On another note, I do recommend setting custom keyboard shortcuts in Photoshop because the default shortcuts are terrible (in my opinion), and because having custom shortcuts increases the speed of your workflow.

Because I’ve been seeing this a lot lately in Twitter, you’re never too old to start in art. Art is just one of those things that anyone can pick up at any age because the only thing you really need to get good in art is time, diligence, and patience.

Try not to post hi-res images of your artwork to prevent art stealers from selling your artwork in high resolution.

Always, always, always add your signature and watermark on your artwork. I like to add my signatures and watermarks in places that’ll be hard to erase or crop out. I’ve also seen people add their signatures and watermarks in creative ways (ex. on a character’s shirt). You need to protect your work in an era where people will just blatantly steal it and make profit off your work.

Tag List

@reality-is-often-disappointing

[bookwyrminspiration]

hello! just curious, how do you plot out your stories? (for example, what have you done to plan out the wings au? do you have it all in your head? do you plan it out on paper or in a doc specifically for it? do you just go with the flow? sorry if this is a lot of questions lol i'm just trying to convey my point-)

hello, synonym!! lovely to see you again! I'd love to share my process!

as I explain my personal methods (again, personal, just how I do things!), I'll use the wings au as an example because i know you've read it and it'll just be easier over all. but essentially, yes to all of the above, just with different parts of the story!

my progression is: chaotic doc, background (as needed), basic written plot, expansion on the plot, any other details needed, and then just write things! but don't worry, I'll provide more detail, i say as if i'm capable of being concise

(putting below a readmore for simplicity)

chaotic doc: so, the very first thing I do when i have a story is open up a doc, and write down everything i know about it in little bullet points and rambling sentences, just basic information with no organization. the organizing can come later, right now I just want to get as much of what's in my head onto the paper as possible.

I type out the basic premise of the story or the few things I know about how I want it to go, the things I know I want to remember later, things I'd need to think about to set it up, etc. for the wings au, this was details like everyone's wings (things to remember later), how they got those wings and a sentence or two about what the world was like now (things I needed to think about to set it up), a little blurb about where the story would start. this is less writing details about the story, and more noting down the details I want to figure out later in the expansion. i find it works best to type this out because i'm a much faster typer than I am at physical writing, which allows me to follow the flow of my thoughts a lot better and go back and change things.

background: background prepares me for the next step, but the amount of effort I put into this section depends on how complex my story is. it basically means write down (we've moved to pencil and paper now, but this could be digital too if you prefer) anything you need to know in order to set up the rest of your story. what do you need to know in order to tell the story you need to and to get you where you want to be? for the wings au, the background was that the world had been overrun with monsters and everyone was living underground now. the neverseen had been defeated, or so they thought, coming back later. all these things that essentially prepared me to get to the plot. it told me where the story was happening and the emotional/physical environment everything else would happen under. if you have a more worldbuilding heavy world, this step might be a little more complex, or if there's something very specific with the characters you need as context beforehand.

sometimes the readers will be aware of pieces of the background, and it's even necessary for them to know--for example, you all knowing the elven world is in the middle of a monster apocalypse and living underground; if you didn't know, the rest of the story wouldn't make any sense. but there may be things you write down that are just for you to know, personal notes. for example, I have notes written about how the monsters came to be, more specifically, that you all haven't been made aware of and may never be. planning this out is for you, so if there's something you want to remind yourself to keep in mind while writing, this could be a good place. but now that we know the world we're writing in, we can move on

basic plot: for me, I struggle to figure out where to take a story, and if I don't have the basic concept laid out before I start writing, I ended up with really weird stories that completely deviate from what i wanted (I say this from experience). so I break it down into the bare essentials. literally as basic as I can be. there are five crucial parts of a plot: exposition, rising action, climax, falling action, and resolution. just those five. for each of those, i write--writing, because it takes more time (allows me to think) and feels more organized to me, but you can do it differently--just the general idea I have for each section. just as few words as possible. detail comes later. for the wings au I literally wrote "they get wings" for rising action. having read the wings au, you know just how simplified that is.

one things that might help is consider how you would explain this idea to someone in one or two sentences. you just want to make sure you have a beginning, middle, end, and the transition between them. from there you've got the skeleton of your story, and everything else can fit itself into this idea.

expansion: now that you have the skeleton, it's time to fill in some of the more essential anatomy. this is where you add the specifics. for me, i write this physically in bullet points in a journal of some kind. I take the first section, and write down how the story is going to start. where am I going to begin this journey. for the wings au I wrote "beginning: sneaking into breeding facility to destroy monsters. problem: caught/monster breaks loose." if you remember this is essentially the events of the first chapter but in two sentences. I'm giving enough detail that I know what I'm going to write, but not so much it's going to be stifling to follow my exact notes when I actually get to writing. this will be different for different people, so you may want more or less detail than I provided, I'm just giving an example of how I did it.

I continue this for the rest of the plot, but that doesn't mean every single little detail that will ever happen is planned out. I'm not patient enough to be super thorough with every little thing, so I go long enough until I have a solid understanding of what I'm going to start with when I'm writing, or just until I'm bored and can't deal with planning anymore. for me, that meant I was more detailed when planning from the mission in the facility to them getting to the abandoned gnomish village, as those would be some of the first things I would be writing about. after that, I got more vague and just touched on some of the key part of each of those five sections. I take those two/three words and turn them into two/three bullet points. I also didn't want to be too specific with the later details, because I knew i'd be influenced by things as I wrote and would be inspired to fill that out.

any other details: this is kind of any afterthoughts you might have or details you need to keep i mind that aren't necessarily plot. you may have a lot of these, or you may have none. for me, this was where I wrote down what kinds of wings and other animalistic traits each of the characters had (yes, I wrote them down again). it's not strictly plot, but it does affect the rest of the story. this is also where I write anything I forgot to when going through the first time, and then i can draw a little arrow pointing towards where it fits in to the rest of the story or is relevant (which is part of why I like the writing aspect, but this is entirely achievable on a doc). another example from the au is me writing "domestic" to the side and pointing it back to my notes about the gnomish village, because while it wasn't essential to moving the plot forward, i wanted to touch on some aspects of domestic live with the ten of them while they were there.

just write things: now that you have all this planning done (good job, you!) you can get into the writing aspect. you've already decided your beginning and know where you want to go, so this is the part where you just starting putting words on the page. it can be pretty daunting to just look at a blank page, so if you'd like, start a paragraph in. skip the first paragraph and just start in the middle of something else--you can add back what's missing later. I personally note things that I want to come back to inside [brackets like this], and that can be words, sentences, entire paragraphs. i use the square ones specifically because I don't use them in my writing unlike (these parentheses), and then I can search the document for them all at once and see all the places I need to go back.

this is also where the "just in my head" and "make it up as I go" part comes into place. you have a pretty good idea of what you're doing, but you're going to have ideas as you write, so sometimes you just follow the flow of your brain and write things you could've never even planned for. and if you're interacting with others as you're going (like I'm talking about theories with you all while writing future chapters) then you may be inspired by them to add things to the story. originally, I wasn't going to even have any messages from Bronte or Oralie, but now because I saw what some of the people reading it were picking up on, I realized the potential there and added them in on a whim

and sometimes when you get stuck, the best way to get yourself out of that is to just add something random, which can spiral off and affect the rest of the story. I've said it before, but the dragons were not planned. I'd actually seen a piece of writing advice months ago that if you're stuck, change the weather. so I was stuck and made a sudden rainstorm, but then I needed an explanation as to how things got so wet so fast because I'd mentioned clear skies earlier. so in my attempt to explain it, dragons came to exist. writing is a process, so don't limit yourself to everything you've written. you'll be inspired along the way, so try to take it in stride.

one final note: as much as you plan, this is not going to be a definite map for how the story will go. maybe something makes sense as you're planning it out, but when you get to actually writing it makes no sense as all and you need to change things. that's fine! this kind of a plan is just to get you prepared and keep you afloat amongst this ocean of words trapped in your head that you want to transcribe. if something isn't working, change it! in my original written plan for the wings au they weren't going to run away for a few weeks, instead sneaking out for an hour or two at a time over those few weeks because they couldn't stand being underground anymore, until Linh was actually the first one to make contact with a creature and realize it didn't immediately want to kill her. but because she's not the narrator of this story, I couldn't write it the way i wanted, so I gave that to sophie in the tree.

this is just my approach to my more complicated stories! for some of the really quick ones, I just open a doc and start going. this kind of thinking keeps me organized so that I'm doing the idea the most justice. but just because it works for me doesn't mean it'll work for everyone. if it does work for you, great! but if there are parts you need to modify for yourself, you are more than encouraged to do so. personally, if I could only chose one part of this process to rely on, it would be the basic plot. that's the key to everything for me, but for others it might be something different.

I hope this helps with whatever it is you're writing!! I wish you luck and look forward to seeing whatever it is (should you chose to share it, no pressure)!! if you'd like more of my process on how I write it consistently and update on a schedule, I'd be more than happy to talk about that too!

[firebrands]

the square root of infinity | stevetony

2.7k, established relationship, first fight angst | on ao3 | for @maguna-stxrk

***

Tony finds out with his hands deep in JARVIS’ code. Former-JARVIS, actual-JARVIS, he hasn’t really decided on what to refer to the mess of numbers of letters that formed his former AI, and now, well—Vision, too. It’s all a mess, really, and Tony wanted something simple to do with his hands, minimal focus, low-risk.

He should have known better, really. Nothing about him, his work, his life, has ever been low-risk.

It’s a command from Steve with a privacy protocol. Search, identify, and surveil Sergeant James “Bucky” Barnes, also known as The Winter Soldier. Missing, found, and missing again as of six months ago. Tony frowns at the monitor. He knows he hasn’t read it wrong, but can’t believe it; he reads it again.

Somehow, in the span of time of Steve coming back from Washington, of them settling in together, he’d done this. He’d asked JARVIS to do this for him, and keep it from Tony.

Tony leans back against his chair. “FRI,” he says.

His new AI chirps to life. “Boss?”

“Gimme everything JARVIS found on this.”

“It’s on your phone now, boss.” In front of him, a hologram materializes as well, displaying hundreds of photos, grainy and filtered, and copies of reports on sightings. Tony stands up, takes a step back and frowns some more. He opens his mouth a few times, borne of his need to verbalize even without anyone listening; he’s angry. He’s more shocked than angry, but the anger is there, low and simmering.

Beneath it, though, is a grain of doubt: Why? Why did he keep it hidden? Especially now—after all the truth came spilling out of them, crystallizing into something Tony held dear. And after all Steve had said, about keeping secrets, about trust. He briefly considers asking FRIDAY to print it all out, just so he can throw the sheaf of paper in front of Steve and demand: what the fuck, but he’s better now, more mature. Or so he likes to tell himself.

So instead, he walks to the penthouse and finds Steve reading.

Tony clears his throat.

Steve looks up. “Hey,” he says, setting his book down. “You done working?”

Tony smiles, pained and tight. “So,” he says, sitting at the foot of the bed. “Bucky.”

Steve’s eyebrows meet, looking concerned. “What about him?”

Tony shuts his eyes and counts backward from five. “Why didn’t you just tell me?”

Steve inches closer to him and rests his hand on Tony’s knee. Tony doesn’t open his eyes.

“I didn’t want to worry you,” Steve says very quietly.

Tony’s eyes fly open, the anger now boiling over. “Oh is that it?” He asks sarcastically. “So you decided to use JARVIS—without my permission, to look for him?”

Steve’s mouth works, and he looks genuinely shocked. “You said I could talk to JARVIS.”

“That’s not the point!” He pushes Steve’s hand off him and stands. “Why would you keep that a secret?”

“I—I didn’t,” Steve says haltingly. “I wasn’t thinking. I just wanted to know if JARVIS could find him, but I knew it was almost impossible anyway, so there was no real point—”

“If there was no point,” Tony says, voice lowering, “then why’d you do it?”

“Tony,” Steve stands now, too, tries to reach out and touch Tony’s elbow, to disentangle Tony’s arms that have crossed over his chest on their own volition. “He’s my best friend. I’m worried about him. I just thought it was something I should do myself.”

Tony nods, not really listening. His head is swimming with what he thinks could be actual reasons why Steve had kept this from him. A tangled mess of fear and insecurity, then shock at his ability to be aware of it. Is this maturity? He doesn’t like it much. Better if it stayed Steve’s fault—and it is Steve’s fault, it is. But maybe Tony doesn’t need to work himself up like this. But then again, Tony’s already worked up. “Stop,” Tony grinds out.

So Steve stops, a foot away from Tony, looking more scared than Tony’s ever seen him.

“I’m going to go.”

“Don’t.”

Tony looks up at Steve. He hadn’t even realized he’d looked away. Steve takes a deep breath, closes the space between them, and takes Tony’s hands in his.

Tony sighs.

Steve threads their fingers together, squeezes Tony’s palms. “Hey.”

“Hi.”

“Do you want to talk about it?”

“No.”

“Want to say more than one syllable, maybe?”

A joke? Now? Tony feels his frown deepen.

“No.”

“Is this a fight?”

Tony looks up at him. “A fight means you don’t think you should be sorry.”

“Now, hold on a second,” Steve says, a small frown beginning to form on his face. Barely perceptible, if you didn’t know the signs. “I already explained why—”

“And that’s supposed to make it okay?”

“Where is this coming from?” Steve asks, letting go of Tony’s hands, which means he’s mad too, which drives Tony insane.

“Are you fucking kidding me?”

“There’s no need to raise your tone—”

“Don’t fucking use your de-escalation tactics on me.” Tony hisses, turns on his heel, and walks out the door. He gives himself the satisfaction of slamming it shut.

***

The next few days are filled with small acts of penitence: a cup of coffee on the bedside table when Tony wakes, a sandwich in the workshop, a completed report for a day-old mishap. It’s on Thursday that Tony’s heart finally softens. Over nothing, really, just a small doodle on his desk. He realizes, in that moment, that of all his achievements, perhaps learning to understand Steve Rogers should rank highest. Right up there with being understood by him, too.

Tony’s lying in bed, reading a report on his tablet, when Steve peeks in.

“Hey.” He sounds tentative.

Tony sighs, sets his tablet aside, and takes off his glasses. “Well, come in.”

Steve’s barely able to hide his grin, and nearly bowls Tony over when he hugs him. “Hi,” Steve says, burying his nose against Tony’s neck.

“Hello to you too, you overgrown labrador,” Tony laughs, pushing Steve away a little lest he be crushed under all combined weight of supersoldier and three bowls of pasta that Clint prepared for dinner.

“I missed you,” Steve says, hugging Tony closer to him. He looks up at Tony, resting his chin right on Tony’s sternum. “Was that our first fight?”

Tony snorts. “Unlikely to be our last,” he says.

“Hey,” Steve chides, leaning up and brushing Tony’s nose with his. “Don’t say that.”

“It’s true. Anyway,” Tony leans closer, brushes their lips together. “Make it up to me.”

Steve arches an eyebrow.

“Don’t start,” Tony warns.

Steve huffs out a laugh, tips them over until they’re lying down, and makes it up to him.

***

As a man of science, it behooves Tony to conduct experiments and to test hypotheses.

First, identify the problem.

Second, conduct research.

Third, develop a hypothesis: follow if / then structure.

Fourth, test through experiments: ensure factors are varied one at a time.

Fifth and final, draw a conclusion.

Tony’s tapping the tip of a screwdriver against his bottom lip as he thinks, and then two strong arms wrap around his waist and just like that, the problem has identified itself.

(One frustrating blind spot in Tony’s life: relationships. Which isn’t to say he hasn’t tried to make sense of them, sped read through self-help books and trawled through Reddit. Unlike everything else, research pales in comparison to experience, and there’s only so much he can do to make sure this one precious thing in his life is perfect.)

“Busy?” Steve presses a small kiss on the back of Tony’s neck. Tony can barely suppress a shiver.

He wants to say, I was, until you showed up. It doesn’t just apply to this moment. That fact shouldn’t hurt.

Instead, Tony says: “Yeah, kinda.”

“Okay,” Steve says easily, pulling away. He comes back to press a quick kiss to Tony’s cheek. “See you later?”

“Yup,” Tony says, and okay. Maybe he needs to spend a day or two really figuring out who the problem is, here. (It’s him. He knows this. He’s always the problem.)

 Two days later, Tony settles on having to review related literature. In this case, this means sitting alone in the workshop as he relives every moment when Steve was distracted. Was that a sign? In a brief moment of clarity, Tony asks: “Fri, am I crazy?”

“Signs point to no, boss. But I can pull up recent results on the search engines?”

“I’d rather not hear what the general public thinks, thanks,” Tony says, sighing. He rests his face in his hands. It’s not like he meant to think of this—what is wrong with his brain, that the intrusive thoughts come in the form of the few moments he’d asked Steve what was on his mind, only to be brushed off?

What did that mean?

Did it matter?

Step three: if that was a sign, then there was a problem.

If that wasn’t a sign, then there wasn’t a problem.

If Tony didn’t figure this out, then there would definitely be a problem.

This isn’t how a hypothesis is meant to sound. Tony’s a terrible scientist.

“Fri, call Bruce.”

“Tony?” Bruce’s voice is rough. He sounds annoyed.

“Hey, seven PhDs, how do I form a proper hypothesis?”

“Fuck you, Stark.” The line clicks off.

Tony turns his wrist, checks his watch. Three AM? Figures.

He stretches out his back. “Friday,” he says, standing up. “The search functions for Barnes.”

“On it, boss.”

“Atta girl.”

***

Try as Tony might—and he’s trying, which in itself feels like a failure, because Tony stark does or does not and there is no need to attempt—he feels like something has shifted between them, and he doesn’t know how to fix it.

Maybe he’s just making it all up in his head. That’s the easy solution, isn’t it? And that’s usually the answer: start with the easiest answer and work your way up. He can already see Natasha rolling her eyes at him. Maybe the solution is to stop treating your relationship like it’s quantum theory.

Steve’s hand is on his lower back, steering him inside a restaurant. He thinks only of what Steve said, all those weeks ago: I had to do it myself.

Tony wants to argue, right this moment. But how can he? It’s awful that they can be so alike. The only reason he keeps his mouth shut is because he knows that Tony’s used that argument before. Maybe this is growth, to know when to back down from a fight. Or to avoid one totally.

Steve reaches over the table, brushes his fingers over Tony’s wrist. “You okay?”

There are a lot of answers to that. Tony settles on the truth. “Not really.”

Steve’s brow creases with worry. “What’s wrong?”

Again: an infinite multiverse of answers to answer a question that simple. With this, Tony does struggle for a moment, and the next words are much harder to say—they almost feel caught in his throat, like a lump of meat. “I don’t know.”

“You can tell me anything, you know,” Steve says gently. So gentle, it almost breaks him; Tony doesn’t deserve this. Steve doesn’t deserve this.

“I know,” Tony says, and this is him lying through his teeth, and this is what he’s good at, and maybe this is why he’ll never know how relationships are. It’s a trust issue, probably. He doesn’t know if the issue is with Steve, or with himself. “Don’t worry about it.”

Tony tries harder, now: smiles more, eats with gusto. He knocks Steve’s thigh with his knee, looks up at him from under his lashes. This is what life is like for Tony Stark: it’s acting. He knows the approximations to get his point across. As their evening goes on, the small wrinkle on Steve’s forehead smooths out, and maybe Tony wishes he wasn’t so good at pretending.

Maybe he wishes that Steve read him better.

***

The moment of epiphany is often described as transcendental.

This one hits like a ton of bricks—literally, because Tony does know what that feels like, and the suit is shock proof, sure, but that shit still fucking hurts, and even in moments of epiphany, somehow he still manages to go off on a tangent. The point remains: Steve’s hand is on his hip, and they’re in bed, and epiphanies usually equate clarity, peace.

Tony freezes up.

“Tony?” Steve murmurs, sliding his hand up Tony’s side.

“I’m sorry,” Tony says, sitting up. “I know I’m being difficult.”

“I didn’t say you were.” Steve sits up beside him, rests his hand on Tony’s shoulder, and turns Tony to look at him. “Who said you were being difficult?”

“Me, I’m saying it,” Tony says. Panic is beginning to bubble in his belly, slowly rising up his throat. Typical of him to mistake a eureka moment with a panic attack. Par for the fucking course for Tony Stark. “I’m being difficult right now.”

“No you’re not,” Steve says, rubbing up and down his arms. “Tony. Look at me.”

Tony breathes out through his mouth, then in through his nose. Steve tips his chin up and meets his gaze.

“Here are the variables,” Tony breathes out, is afraid of what he’ll say next, his brain is fogged over and full of static. “I love you, and I don’t know what to do with that.”

Steve takes a deep breath, takes Tony’s face in his hands. “Here’s a constant,” he whispers, breath warm on Tony’s cheek. “I love you. I love you. You, Tony Stark. I love you.” He kisses Tony, hard and close lipped, more aggressive reminder than affection.

“Okay,” Tony says, because there’s a wild part of him that still thinks—there was a problem, there was a problem and if this is love, then what comes next? If this is constant, then what variable will arrive to change all of that?

Steve kisses Tony again, almost desperate, this time. “Is this about Bucky?” Tony sucks in a breath at the question, horrified at being discovered. Steve hums, then he runs one hand down Tony’s back, up his arm, down his side. A reminder of his presence. Tony is suddenly grateful for it.

“And if it is?” he murmurs.

“Tony,” and somehow, Steve sounds fond, which throws a wrench in this whole debacle, and deep in the recesses of Tony’s brain, rationality begins to take root. “He’s my best friend. You’re the love of my life.”

Tony breathes.

“Did you hear me? You. You’re the love of my life. Please don’t make me compare,” Steve huffs out a small laugh, and it warms Tony all over, like sunshine peeking through the clouds after a strong rain. “And maybe you don’t believe me just yet,” Steve touches their foreheads together, then rubs his nose against Tony’s, the affection plain and chaste. It makes Tony feel more loved than he’s ever felt in his life—not that there were many moments to compare against, but still.

“I feel a little crazy,” Tony says, finding it in himself to smile up at Steve.

“A little crazy in love?” Steve asks, grinning.

“I can’t believe you just made a Beyonce reference. In the middle of my panic attack.”

Steve bites his bottom lip, a poor attempt at stopping himself from laughing. Tony flicks his forehead. “Say it again,” Tony says, and his smile still feels a little wobbly, but it’s a step.

“Crazy in Love?” Steve asks, pulling Tony close and wrapping his arms around Tony’s waist.

It’s an odd angle, and eventually Steve shifts to lift Tony up onto his lap. “Ass,” Tony says. “You know what I meant.”

Steve smiles again, right before pressing a kiss to Tony’s shoulder. “Step one,” he says. “The problem is you’re afraid I don’t love you. Step two: find out how to show you that I do.” He pauses, and Tony feels breathless as he presses another kiss to Tony’s bare skin. “Step three. Hypothesis? If I show Tony I love him all the time, then eventually he’ll believe me.”

“Sounds like a shaky hypothesis,” Tony says, but his voice quivers a little as he says it. He can’t explain how he feels, other than warm in Steve’s embrace.

Steve tuts. “Step four, experimentation. Small gestures, date nights.” Steve rubs Tony’s back as he speaks, and stops to tilt Tony’s head up to face him. “Am I getting this right?”

Tony smiles. “I don’t know, what’s the conclusion?”

Steve wraps his arms around Tony’s waist once more. “You’re here. I’m here. I love you.” He leans up, brushes their lips together. “Is that enough?”

[whatifyoulivelikethat]

about hobbies and passion

Sometimes I feel really dumb. I mean, I know I'm not. But I feel as if I am not really... good? Like, hobbies. I tried so many different activities during the years. Painting, sewing, drawing, writing, playing the guitar, dancing, editing. I even tried cosplaying once. And I'm just not good at anything. You know that rush you get when you feel like something is right for you? I don't have that. I don't know if I ever will. I want it. I am just tired of feeling unsufficient and stupid.

I am finishing grad school and I have no idea what my passion is. I just wanted to feel good doing things for me and not to attend a purpose (such as making money). I am sick of trying and trying and trying and just feeling bad all the time. Believe me, I tried. I don't quit when things get hard. I just get sick of spending months, even years, doing things that I don't connect to, and that makes me feel like a potato.

Hobbies are hobbies because doing them brings you joy. If you go into a hobby thinking that you need to be good at it in order to enjoy it, you won't maintain your interest in it for very long because you're not going into it not for the hobby itself, but to find a passion. Did you try all those activities because you had an interest in them and were happy doing them? Or did you do it so you could have something to call your passion, to find your "thing"?

When I enjoy my hobbies, it is a feeling of desire. I want to do it. It is how I want to spend my time. Some might find it not "productive" or "useful", but for me hobbies are for fun. Even if I am frustrated or annoyed (maybe if something isn't turning out as intended), I simply put it down and move onto something else for the day. It's unrealistic to think that every time you will enjoy every single second of your hobby. Some days you won't enjoy it and that is okay. You can always change it up and try a different variation of said hobby. You can stop at any time and leave a hobby for any length of time if it no longer feels like it brings you happiness.

What does it mean to be good at things? Is it when others tell you that you are good at it? Is it when you feel that you are better than others at doing that thing? Or is it when you feel satisfied in what you have done, because of the end product or because the process you went through was efficient? Or is it something else?

And

Why do we feel any need at all to be "good" at something?

The things that are "right" for me, I picked them to be the "right" things. I was shit at writing when I started. Absolute hot garbage. I'm glad I lost all those files so I never have to be ashamed rereading them LMAO I had years when I wrote a lot, years where I didn't write at all. The first couple years I had sex? In comparision to now, probably trash. XD I always had a high sex drive (lol) but I didn't always have the chance or right partner to improve with. Been gaming for years. I'm not a "pro" at any of the games I'm interested in.

In all three things, people would say I'm "good". I would say I have things to improve on in every one of them. I invest a lot of time (and in some cases money) into them. I like doing them. I don't always "succeed" but that's okay with me. Life isn't about success, achievements, milestones.

Life is about getting there, about living, to focus on...

(enjoying every moment. XD)

A passion in life... It's strange, this word has been used by companies for many years now to create an "ideal lifestyle" that one must have passion for something in order to be fulfilled in life. But passion does not necessarily mean being good at your passion. And that's okay. Perhaps the best way to look at it is to have passion for life itself rather than in anything in particular. After all, the person you should be good to, no, the best to is yourself.

You are ending a chapter in your life and entering a new one. Life is changing rather dramatically for you. It can be exciting and frightening at the same time. Search for the small happinesses in your everyday life. Focus on activities you enjoy doing just because. The connection you are looking for is memories of happily doing something you like, doing simply for the sake of doing it.

also

Potatoes can become a lot of things, fries, chips, hashbrowns, croquettes, baked, masshed, etc. All delicious. I have never met a potato I did not like. :)

[ladynestaarcheron]

Fears All the Way Down - Chapter Five

ao3 - masterpost

hello, my dears. here's chapter five, without too much fanfare. enjoy<3

---

The morning of her first self-defense lesson with Cassian, Nesta awakes to a cool breeze blowing in the scent of roses from her open window.

"Good morning," Nesta says, smiling slightly. "I guess you liked my gift."

She had finished it yesterday, in the jewelry-making session. It had taken her the better part of the day. A sort of cover for the cracked, broken part of the walls the Illyrians had destroyed. Golden and gleaming and prettier than the beige paint around it, but complementing all the same.

And now the House, apparently, is showing her affection for it: a new rose bush outside of her room, fat flowers dangling down over the top of her window. A very pretty frame for her already spectacular view of the city.

The House gives her different clothes today, too. A fitted shirt, and a knee-length loose skirt, with leggings underneath. As close to pants as she'll wear. By Cassian's slight approving nod when she meets him after breakfast, he approves.

"We'll be starting on the roof," he says, in lieu of a greeting.

She nods once. She remembers hearing him, back in that awful first week here-goodness, but it's not yet been a full month since then, and it feels so long ago-hearing him up there, throwing knives around or whatever it was he did. She guesses she'll soon find out.

The crispness of the morning mountain air hits her in full force, but Cassian doesn't act like it fazes him at all. In fact, judging by the way his wings spread slightly wider, he likes it.

"All right," he says. "Let's begin."

The hour ticks by, slowing and speeding up depending on moments when Cassian touches her. There's none of his usual chatter or teasing; he's serious and unsmiling. The training ring is probably sacred to him.

Serious and unsmiling, but not discouraging. He's generous with his praise when she achieves his simple tasks-too generous, she thinks, but perhaps he has some ulterior motive.

Or perhaps, a small voice inside her head says, he's relieved you'll finally know how to defend yourself, and he means it.

It's not as daunting as it had seemed at first, this self defense. He's good for their agreement; this isn't training. He takes all her weaknesses and her proposed attacker's strengths into consideration and shows her how to maneuver past it all. How to cause an assailant-even one as big and strong as he is-to let her go when they grab her arms tightly in front, how to move her legs when she's caught in a chokehold, and how to break free when someone grabs her from behind.

"I guess no one will be able to pull onto your hair, though," he muses, more to himself than to her. "Keep your arms at your sides; you don't want them to get in the way of this one," he adds, mercifully changing the subject too quickly before he can notice her expression.

No one can pull on her hair now, that's the whole point. But they had, they had, rough enough that strands came out and she had no way to escape. What if she had known these tricks then? Would she have had a prayer? Would she still be human? Elain? And what of Father, would he still be alive? Or would it not have mattered; only delayed her certain torture and death, because she had been human, and they had been Fae, and in the end, that was all-

"Arms like this, Nesta," Cassian says, switching from mock-assailant to instructor as he gently tucks her arms against her sides, and drawing her out of her head to the sound of his voice and the feel of his hands on hers, his body behind her. His wings block out the wind, and she can feel the warmth radiating from him to her core. "Because you don't want them to get in the way of when you break out...and why else?"

"So I don't use them to hurt myself," she says, repeating his words from earlier.

"Right...good. Let's do this one again. One last time."

She takes a deep breath.

"Ready?"

"Yes." She doesn't hesitate. She doesn't need to. He doesn't let her feel trapped.

"All right, I'm grabbing you now-good!"

For she is ready for him, this time. He wraps his arms around her from behind, his arms trapping hers at her elbows, and she instantly draws them in like he instructed. Without waiting for his prompting, she gathers her strength and throws her head upwards and backwards, like he had shown her, and then leaps away as his arms fly open.

"Good, Nesta!" he says, eyes shining as she turns around. He isn't hurt; he keeps moving away for this one so she doesn't do any real damage. "You would've hit his neck there...normally, I'd say go for the chin, but neck's really good...at that speed, with that force, really good..." He grins broadly at her, his first smile of the morning, and after an hour of being in instructor-Cassian's presence, she blinks at the easy switch.

"You did really well," he says, after handing her a glass of water. "Did you...how was it for you?"

She shrugs slightly. "All right." It wasn't fun. But it was hardly suffering. And the movements, following Cassian's instructions...a good way to keep herself focused.

"Would you...do you want to continue?" His voice is casual, but from the careful way he does not meet her eyes, she can tell he is tense.

"Yes," she says, trying to keep her voice casual too.

He brightens, and something inside her dims automatically. His...elation, relief, whatever this spark is, at seeing her agree to do this...it feels, somehow, as though she is doing something wrong. She is cheating or lying. She does not deserve this, is not worthy of his joy. Of him.

"It's not healthy to do workouts every day," he says, "especially...when you're in recovery."

When you're weak, he means. When one is ill and emaciated-even if she is getting better, and trying, it's not going to be enough-never enough-

"So I think...Mondays and Tuesdays...and Thursdays and Fridays? If you'd like to do this long term, I mean."

Nesta blinks. "How long-term?"

He shrugs. "Till you want to stop, I guess."

She purses her lips slightly. "Don't you have...I mean, will you be able to do this four times a week, indefinitely? Don't you have..." An occupation, she wants to say. Running the strongest military on their island, maybe one of the strongest in the world. "You don't have the time," she decides on instead.

He does it again. His deep hazel eyes latch onto hers and don't let her go. She doesn't have a prayer of looking away until he lets her. There's not enough self-defense lessons in the world for her to be strong enough to fight this off.

"I always have time for you, Nesta."

She shivers, and it doesn't have anything to do with the crisp wind under the weak October sun.

He moves his head, and lets her go.

"So tomorrow, then," he says.

"Tomorrow," she echoes. She doesn't stay to watch him fly off.

---

Nesta had done incredibly well. Spectacularly. And she had looked even better.

He had stayed up half the night before, wondering if she was going to show up in pants. She hadn't, but the skirt she had worn had gone only to her knees. The shortest he'd seen her in by far. And her black top...like a second skin. A healthier skin, almost normal. Not translucent any longer. Covering a softer body. More curves, like she used to have. Bones not protruding so much. Golden hair shining in the dim light, coiled and braided like a princess', like a queen's. She even has it up when she goes to sleep, he'd learned during her first week here. Does she ever wear it down? Only to bathe, probably. And what does she look like then, with this slight new weight, this perfect skin, this beautiful hair reaching he doesn't even know how far down...He'd only allowed himself a few moments of ogling her before violently shoving out all thoughts anywhere near the realm of lust from his mind. The training ring was not for this.

Feyre and Elain are beside themselves with happiness, as he knew they would be, when he tells them how it went.

"She agreed to more lessons," Feyre says in wonderment.

"It can only be a good thing," Elain says, tugging on a stray lock of hair.

"Yes," Feyre agrees. "But...maybe, considering...you know. Your history." She shoots him an apologetic look. "Maybe it'd be best if..."

Cassian's heart rate picks up. "You think someone else should teach her?" No, his instincts tell him. She had asked him. She wants him to do it.

But he knows he'll give in. If her sisters think it would be better...because it's her that matters. Not what he wants. What matters is her getting better.

Oh, but he knows he can be the person to help her. Or one of the people, at least. If she just lets him.

Mercifully, Feyre says, "No, no, not that. Just...maybe you could do with a chaperone? Azriel or-well, no, not Rhys. But maybe it would be good for Az to drop by occasionally...what do you think?"

"That's not a bad idea," he admits. A buffer. He could do with one.

"So, what are you teaching her, exactly?" Elain asks.

"Just some self defense. Breaking away from an assailant, today." But maybe, in time, he can convince her to do more. More general exercise, maybe even some offensive techniques. "There was something at the House," he adds. "On the wall where the Illyrians attacked."

"What?"

"This gold...thing. Covering the damage the Illyrians did to it." He clenches his jaw at the memory.

"I thought the House was magic now," Elain says. "Couldn't it have fixed itself up."

"Nesta made it," he says. "She told it she was going to fix it, so..."

The wall had been as fine as any other in the House, in any one of Rhys' homes, before the attack. Painted well, a warm beige, and decorated with any number of ornate pictures and mirrors and shelves for vases and whatnot. But now, the wall was white and bare but for the swirling metal covering the cracks and craters.

Cassian understands. If Nesta had made something for him, he'd want it to be the only thing people saw when they looked at him.

"She made something?" Feyre asks, eyes widening slightly.

"She did say she had that jewelery thing...she said she liked it."

"I never thought of Nesta as an artist before," Feyre says, quieter. "She never had any patience for painting when I showed her."

"Well, I'm sure she doesn't think of herself as an artist...I got the impression she liked it as a way to calm herself down."

"Do you think? What does she need calming down from? Is she-is she angry, do you think?"

Feyre and Elain continue to discuss Nesta and guess at her thoughts and motives while Cassian sits and desperately wishes he could only ask her.

---

Thalia asks to see her as soon as she's available, so Nesta tells Gwyn she'll see her after lunch and heads down to her office.

"Good morning," Thalia says, smiling up at her from her couch.

Nesta sits opposite her. "Hello."

"You're looking refreshed."

"I started...some self-defense. Just a little. With, um, Cassian." Does she know Cassian, Nesta wonders. Probably. He's the kind of person everyone knows.

"Really?" Thalia says, sounding impressed. "How wonderful!"

Nesta shrugs a little.

"Well, I think that comes at a perfect time, actually."

Nesta's eyes shoot up. "Why?" she asks, wary.

"I think I've settled on an idea to help you tackle your goals. I wanted to know what you think."

"All right," Nesta says, after a beat. "What is it?"

Thalia tilts her head back slightly, chin set. Oh, this should be good. "What do you think about keeping a log and schedule of trying new things?"

She sucks in her bottom lip before saying, "Trying new things? How does that help me with my goals?" It seems like Thalia is trying to push her own agenda over actually helping Nesta achieve hers.

"It'll get you in the habit of doing things you aren't used to," Thalia says, patient. "It'll keep you focused on something. It might bring new joys or interests into your life, perhaps personally, or perhaps by bonding with others. And it'll greatly increase your confidence and self-esteem."

Nesta blinks. "That's not one of my goals."

"I know, dear. It's one of mine."

Nesta looks down. "It's..." She forces herself to say the words she would normally just drown in inside her own mind. "Just hard to remember sometimes."

"What's hard to remember?" Gentle, not prodding.

She swallows hard. It sounds so stupid inside her head. How will it sound out loud? "That I'm actually supposed to...get better. Sometimes it feels like that's the wrong thing to do." She bites her tongue-she hadn't meant for that part to come out.

But Thalia never acts like what she's saying is pathetic, even if it is.

"How does it feel wrong?"

Nesta sighs. Not out of irritation over the question, just because she isn't quite sure how to answer. "It's...I don't know. Sometimes one just knows a thing is wrong."

"Hm," Thalia says. Considering, thoughtful. "Well, at any rate, your self-defense lesson today can count as your new thing for the day."

"Well-wait, for the day? You want me to do one new thing per day?"

Thalia's lip quirk. "How often did you think I was asking you?"

"I don't know. A week, maybe."

"I don't think so. Once a day, please. Don't forget to track them all. Write them down. Run along, now, Nesta, and if you could take these books with you? Thank you."

Gwyn finds her putting Thalia's books back on the fifth level. "So, how did it go with Thalia? And with your training session with Lord Cassian?"

Lord Cassian. She'll never get used to that. "News travels fast, I see," she says primly.

"You know it does. How did it go?"

"It went...all right."

"Which one?" Gwyn takes a book from Nesta's hands and puts it on a shelf over her head.

"Both of them. Actually, I think the lesson with Cassian went better," she says in surprise, after reflecting. "And it wasn't training. It was just some self-defense."

"Same difference. What happened with Thalia?"

"She's making me try one new thing a day."

"One per day? Every day?" Gwyn shudders. "I can't believe you go along with everything she says. All her meetings and exercises and now this self-defense...You must be four times as brave as I am, at least."

Nesta winces.

"What are you going to do?" Gwyn continues, either not noticing Nesta's discomfort or respectfully ignoring it. "For your new things, I mean."

"I don't know," Nesta says, weighing two books, as if debating between her options for tomorrow and all the tomorrows after. "I guess...try every fruit I haven't?" Gwyn laughs. "I don't know what she expects me to do."

"I'm sure you'll think of things. You're...you'll do better than the rest of us. You do better than the rest of us. It's so obvious, how much you want to live." She says it confidently, assuredly, her teal eyes set.

Nesta bites her lip. "I did really want to live," she says quietly. That night in Hybern. She had fought with everything she had. The whole way to the Cauldron, and even after, inside it. She hadn't stopped. "I...can't..."

"I know," Gwyn says, voice soft as Nesta's. "You can't remember why. It's all right. You will. I can tell."

Nesta blinks rapidly. She's not about to cry. She's not. She just...she doesn't know what she is.

"I can't believe it's not even noon," she mumbles.

Gwyn chuckles. "Hate to be the bearer of bad news, but your day's hardly going to be a quiet one. Calliope wants you all afternoon."

She likes Calliope, generally, so that's not so awful. "For what?"

Gwyn shrugs. "Sorting through her papers, probably. Maybe she wants you as an assistant."

If Nesta gets assigned to a High Priestess, than she doesn't have to do these menial tasks anymore. Of course, there's no promise that the priestess she'll be assisting won't have her own miserable things for her to do...Merrill, Gwyn's priestess, is a royal pain, Nesta knows...

"So I guess I'll see you tomorrow, then," Gwyn says. "Wearing your dress backwards or eating starfruit."

"Ha," Nesta says flatly.

Gwyn laughs once more before going, unbound copper hair flowing behind her.

She's wrong, Nesta knows, about her being braver than anyone else. About her being brave at all. All she's doing now is what other people are telling her. Go see Calliope in her office, Nesta. Come sit with Thalia on the third level, Nesta. Tell Clotho if you liked Daphne's lecture, Nesta. Simple motions, simple movements. Nothing brave about it.

"Now again on the left, Nesta. Good. Good."

It's Thursday morning, and Cassian is the one ordering her about. Sometimes she thinks he sounds like any one of the priestess, with how he talks to her in these lessons, which makes her feel...she isn't sure. It's odd, certainly. Considering all the ways they used to talk to each other. Barbed insults, right in the House, to the other end of the spectrum. The words that cycle in her head some nights, the newest among them being I always have time for you, Nesta...and, of course, intermittent praises from when she does well.

"Excellent. Keep your torso just like that...now with your arms just as I-yes!"

There's really not any bravery required, Nesta decides. Not when the priestesses are all eager to do anything that encourages the girls to, well, do anything, and not when Cassian is...himself. Even now that Azriel, the member of her sister's circle Nesta is wont to consider her favorite if only because he never talks to her, has started showing up for a few minutes every session. Even he, with his face more closed off than Amren's (back when they were on speaking terms), and those dark shadows of his...even he does not discourage her.

Their hour ends, and he watches her drink two glasses of water-discreetly, drinking some himself, too-before turning to leave.

"Um," she says, voice slightly louder than it needs to be.

He pauses. Turns. Waits.

She can't look away again-his eyes-but she has to say something, doesn't she? What was it she was going to say?

"I seem to be doing well," she blurts out. Then flushes crimson.

He grins. "You're doing very well, Nesta."

She smooths her skirt, as if that'll somehow help her regain composure. "What I mean is," she says, voice hopefully not wobbly, "these...lessons...seem to be doing me good."

His grin gets smaller, but his eyes grow soft. "I...am very glad to hear that."

"I mean they help me feel...better. I feel better. Stronger. And I don't get so distracted all the time. And I...don't think about drinking so much." That's true, she realizes. In fact, she hasn't wanted a drink since...Monday? Sunday? She can't even be sure.

Cassian inhales sharply. "Good," he says, rather faint. "That's...that's so good, Nesta."

"So I was wondering if maybe you thought that...because I thought...well, I-I don't know, but maybe..." Stammering, tripping over her own words, it's just-

I have never in my life thought you were pathetic.

She nearly gasps, the words playing in her mind so clear in his eyes it's almost as though she can hear him saying them aloud.

"I thought maybe some other girls would like to join. If you don't mind. Having some more of us."

Cassian blinks. "I...I don't. I don't mind at all. I think that's a great idea, actually."

"Well, I also thought," Nesta starts, encouraged, "that since, you know, you've wanted that female Illyrian legion for so long-" he blinks again, evidently unaware that she knows that-"maybe you could also see if some Illyrian girls wanted to join. Just to see if they have a taste for...any of this."

Cassian's mouth falls open slightly and his hand goes to his forehead. "I...can't believe I never thought of this myself, actually," he admits. "Self-defense as a sort of gateway...that's actually really fucking brilliant, Nesta."

She huffs a sound of amusement at his swearing; it's been so long since she's heard any curse, as the priestesses are all so pious and proper. He starts at the sound.

"Well," she says, ducking her head to busy herself with her skirt so he doesn't see her color again. "I have to go bathe and..."

"Oh, yeah. All right. Well...so Monday? With some other girls?"

"If they want," Nesta says. "I don't know if anyone will want..."

"Well, you just let them know. Maybe ask Clotho..."

"I will. And...will you go to that camp? Windhaven?"

"Windhaven?" he asks.

"I met a shopkeeper..."

"Emerie?"

"Oh," she says. "You know her."

"She's the only female shopkeeper," he says. "We've met."

"I talked to her a little. I think she might be interested. I think she has some friends who might like it, too."

"Oh," he says, surprised. "I didn't know...I assumed-well, never mind. All right, Nesta. Goodbye, then. And great idea, really. And..." he trails off. She looks up to see him smiling. "You did really well. I mean it."

She nods, just once. But then she says, "Thank you."

She can't quite believe she said that. But judging by the way his grin widens enough to show all his teeth, it's something he's been waiting a while to hear.

[satansjit]

Reflections on the Color of My Skin

By Neil DeGrasse Tyson

Wednesday, June 3, 2020

My colleague had other encounters with the law that he shared later that night, but his first story started a chain reaction among us. One by one we each recalled multiple incidents of being stopped by the police. None of the accounts were particularly violent or life-threatening, although it was easy to extrapolate to highly publicized cases that were. One of my colleagues had been stopped for driving too slowly. He was admiring the local flora as he drove through a New England town in the autumn. Another had been stopped because he was speeding, but only by five miles per hour. He was questioned and then released without getting a ticket. Still another colleague had been stopped and questioned for jogging down the street late at night.

As for me, I had a dozen different encounters to draw from. There was the time I was stopped late at night at an underpass on an empty road in New Jersey for having changed lanes without signaling. The officer told me to get out of my car and questioned me for ten minutes around back with the headlights of his squad car brightly illuminating my face. Is this your car? Yes. Who is the woman in the passenger seat? My wife. Where are you coming from? My parent’s house. Where are you going? Home. What do you do for a living? I am an astrophysicist at Princeton University. What’s in your trunk? A spare tire, and a lot of other greasy junk. He went on to say that the “real reason” why he stopped me was because my car’s license plates were much newer and shinier than the 17-year-old Ford that I was driving. The officer was just making sure that neither the car nor the plates were stolen.

Among my other stories, I had been stopped by campus police while transporting my home supply of physics textbooks into my newly assigned office in graduate school. They had stopped me at the entrance to the physics building where they asked accusatory questions about what I was doing. It was 11:30 p.m. Open-topped boxes of graduate math and physics textbooks filled the trunk. And I was transporting them into the building, which left me wondering how often that scenario shows up in police training videos.

We went on for two more hours. But before we retired for the night we searched for common denominators among the stories. We had all driven different cars—some were old, others were new, some were undistinguished, others were high performance imports. Some police stops were in the daytime, others were at night. Taken one-by-one, each encounter with the law could be explained as an isolated incident where, in modern times, we all must forfeit some freedoms to ensure a safer society for us all. Taken collectively, however, you would think the cops had a vendetta against physicists because that was the only profile we all had in common. In this parade of automotive stop-and-frisks, one thing was for sure, the stories were not singular, novel moments playfully recounted. They were common, recurring episodes. How could this assembly of highly educated scientists, each in possession of the PhD—the highest academic degree in the land—be so vulnerable to police inquiry in their lives? Maybe the police cued on something else. Maybe it was the color of our skin. The conference I had been attending was the 23rd meeting of the National Society of Black Physicists. We were guilty not of DWI (Driving While Intoxicated), but of other violations none of us knew were on the books: DWB (Driving While Black), WWB (Walking While Black), and of course, JBB (Just Being Black).

None of us were beaten senseless. None of us were shot. But what does it take for a police encounter to turn lethal? On average, police in America kill more than 100 unarmed black people per year. Who never made it to our circle? I suspect our multi-hour conversation would be rare among most groups of law-abiding people.

As I compose this, about 10,000 chanting protestors are filing past my window in Manhattan. And because of the intermittent looting and related violence, the curfew for this evening has been pushed earlier, to 8 p.m., from 11 p.m. in the preceding days. The most common placard was “Black Lives Matter.” Many others simply displayed the name George Floyd, who was handcuffed face-down on the street with a police officer’s knee on the back of his neck, applied with a force of at least half the officer’s body weight, resulting in his death. Curious irony that NFL star Colin Kaepernick offered a simple demonstration of care and concern for the fate of black people in the custody of police officers, by taking a knee during the Star Spangled Banner before football games. (One media outlet mangled the moment by describing him as protesting the national anthem.) The outrage against his silent act of concern for a national problem persisted through the 2017 season when, as a free agent, he went unsigned by any team to continue his livelihood.

So, we went from a peaceful knee to the ground to a fatal knee to the neck.

The way peaceful protesters and the press are being shoved, maced, tear-gassed, pepper-sprayed, and tackled in the streets of our cities (when the police should have focused on arresting the looters) you would think the protestors were doing something illegal or un-American. But, of course, the U.S. Constitution has something to say about it:

Congress shall make no law … abridging the freedom … of the press; or the right of the people peaceably to assemble, and to petition the government for a redress of grievances.

Which amendment was that? The First Amendment. So, the founders of this nation felt quite strongly about it, empowering one to declare that protesting for redress of grievances is one of the most American things you can do. If you are the police, pause and reflect how great is the country whose Constitution endorses peaceful protests.

What do we actually expect from our police officers? To protect the peace and arrest the bad guys, I presume. But also, to be armed with lethal force that they can use when necessary. That part clearly requires training on how and when to use (and not use) the power of your weapons. The rigorous Minneapolis Police Academy training lasts 4 months. The slightly more rigorous NYC Police Academy lasts 6 months.

Yet to become a certified pastry chef at a prestigious culinary academy requires 8 months. The perfect croissant demands it. So maybe, just maybe, police recruits could benefit from a bit more training before becoming officers.

In 1991, Rodney King (age 25) was struck dozens of times, while on the ground, by four LAPD officers, with their batons, after being tased. The grainy 1990s video of that went media-viral, inducing shock and dismay to any viewer.

But I wasn’t shocked at all.

Based on what I already knew of the world, my first thought was, “We finally got one of those on tape.” Followed by, “Maybe justice will be served this time.” Yes, that’s precisely my first thought. Why? Since childhood my parents instilled in me and my siblings, via monthly, sometimes weekly lessons, rules of conduct to avoid getting shot by the police. “Make sure that when you get stopped, the officer can always see both of your hands.” “No sudden movements.” “Don’t reach into your pockets for anything without announcing this in advance.” “When you move at all, tell the officer what you are about to do.” At the time, I am a budding scientist in middle school, just trying to learn all I can about the universe. I hardly ever think about the color of my skin—it never comes up when contemplating the universe. Yet when I exit my front door, I’m a crime suspect. Add to this the recently coined “White Caller Crime,” where scared white people call the police because they think an innocent black person is doing something non-innocent, and it’s a marvel that any of us achieve at all.

The rate of abuse? Between one and five skin-color-instigated incidents per week, for every week of my life. White people must have known explicitly if not implicitly of this struggle. Why else would the infamous phrase, “I’m free, white, and 21” even exist? Here is a compilation of that line used in films across the decades. Yes, it’s offensive. But in America, it’s also truthful. Today’s often-denied “white privilege” accusation was, back then, openly declared.

The deadly LA riots associated with the Rodney King incident are often remembered as a response to the beating. But no. Los Angeles was quiet for 13 months afterward. Everyone had confidence, as did I, that the video was just the kind of evidence needed to finally bring about a conviction in the abuse of power. But that’s not what came to pass. The riots were a response to the acquittal of the four officers in the incident, and not to the incident itself. And what is a riot if not the last act of helpless desperation.

The 1989 film by Spike Lee “Do the Right Thing,” which explored 1980s black-white-police tensions in Brooklyn, New York, ends with a dedication to the families of six people. Eleanor Bumpers (age 66), Michael Griffith (age 23), Arthur Miller (age 30), Edmund Perry (age 17), Yvonne Smallwood (age 28), and Michael Stewart (age 25). All are black. One was killed by a white mob. The rest were unarmed and shot by police or otherwise died while in police custody. All deaths occurred within the 10 years preceding film, and all occurred in New York City. None of the police-induced deaths resulted in convictions, as continues to be true for 99% of all police killings.

We know of these events because they each ended in death. But even so, back then, it was just local news. Was this just NYC’s problem? I asked myself. But for every police-related death anywhere, how many unarmed victims are shot by police and don’t die, or are wrongfully maimed or injured? Most of those cases didn’t even make the local news. But if you lived there, you knew. We all knew. For what it’s worth, NYC now has the lowest police-caused death rate per capita among the sixty largest cities in the US. Is it that extra two months training in the Police Academy?

The corrosion and ultimate erosion of our confidence in the legal system in cases such as these, even in the face of video evidence, has spawned a tsunami of protests. With sympathetic demonstrations across the United States and around the world. If the threat of prison time for this behavior does not exist—acting as a possible deterrent—then the behavior must somehow stop on its own.

Some studies show that the risk of death for an unarmed person at the hands of the police is approximately the same no matter the demographics of who gets arrested. Okay. But if your demographic gets stopped ten times more than others, then your demographic will die at ten times the rate. I suppose we first have to get the bias factor down to zero, but then there’s still the matter of police killing unarmed suspects, white people included.

I talk a lot. But I don’t talk much about any of this, or the events along this path-of-most-resistance that have shaped me. Why? Because throughout my life I’ve used these occasions as launch-points to succeed even more. Yes, I parlayed the persistent rejections of society, which today might be called micro-aggressions, into reservoirs of energy to achieve. I learned that from my father, himself active in the Civil Rights Movement during the 1950s and 1960s.

In a way, I am who I am precisely because countless people, by their actions or inactions, said I could never be what I am. But what if you don’t have this deep supply of fuel? What becomes of you? Who from historically disenfranchised communities, including women, LGBTQ+, and anybody of color, are missing—falling shy of their full potential because they ran out of energy and gave up trying.

Are things better today than yesterday? Yes. But one measure of this truth is a bit perverse. Decades ago, unarmed black people getting beaten or killed by the police barely merited the local news. But now it’s national news—even breaking news—no matter where in the country it occurs.

So how to change all this? Organizations have surely assembled demands for police departments. Here, I offer a list of my own, for policy experts to consider:

Extend police academies to include months of cultural awareness and sensitivity training that also includes how not to use lethal force.

Police officers should all be tested for any implicit bias they carry, with established thresholds of acceptance and rejection from the police academy. We all carry bias. But most of us do not hold the breathing lives of others in our hands when influenced by it.

During protests, protect property and lives. If you attack nonviolent protesters you are being un-American. And you wouldn’t need curfews if police arrested looters and not protesters.

If fellow officers are behaving in a way that is clearly unethical or excessively violent, and you witness this, please stop them. Someone will get that on video, and it will give the rest of us confidence that you can police yourselves. In these cases, our trust in you matters more to a civil society than how much you stick up for each other.

And here’s a radical idea for the Minneapolis Police Department—why not give George Floyd the kind of full-dress funeral you give each other for dying in the line of duty? And vow that such a death will never happen again.

Lastly, when you see black kids, think of what they can be rather than what you think they are.

Respectfully Submitted

Neil deGrasse Tyson — trying hard to Keep Looking Up.

Copyright © 2018 Neil deGrasse Tyson