#Bryce Bordone
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#Spotify#APT#ROSÉ#Bruno Mars#Toni Basil#Amy Allen#Chae Young Park#Christopher “Brody” Brown#Omer Fedi#Henry Walter#Michael Chapman#Nicky Chinn#Rogét Chahayed#Theron Thomas#Cirkut#Bryce Bordone#Philip Lawrence#Alex Resoagli#Robert Palma#Charles Moniz#Julian Vasquez#Chris Gehringer#Serban Ghenea#Pop
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Olivia Rodrigo【Vampire】和訳 自虐的女子.元カレに反撃 詳しく解説 Ex-boyfriend's true nature revealed
Olivia Rodrigo【Vampire】和訳 自虐的女子.元カレに反撃 詳しく解説 Ex-boyfriend's true nature revealed Lyraのブログへ #OliviaRodrigo #Vampire #guts #和訳 #自虐的女子 #元カレ #反撃 #詳しく解説 #Ex #exboyfriend #boyfriend #true #nature #revealed #DanNigro #production #songwriting #vocalproduction #guitar #BenjaminRomans #PaulCartwright #SamStewart #electricguitar #SterlingLaws #SerbanGhenea #BryceBordone #mixingassistance
本当、面白い子だよ Olivia Rodrigo〜♪ 最高だよ Olivia Rodrigo〜♪ ここまで吐き出すなんて潔い 自虐的〜歌詞で勝負なんて素晴らしい こんな最悪な彼氏〜 この世にいるって信じられない〜 まだ18歳〜 ヴァンパイアみたいな元カレに復讐し 貴方はヴァンパイア・ハンターに転生〜♪ (But I can’t figure out the feeling) Continue reading Untitled
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#background vocals#Bass Guitar#Benjamin Romans#boyfriend#Bryce Bordone#dan nigro#drum programming#electric guitar#ex#ex boyfried#guitar#guts 自虐的女子。元カレ#mixing#mixing assistance#olivia rodrigo#Olivia Rodrigo lyrics#olivia rodrigo lyrics meanings#Olivia Rodrigo music videos#Olivia Rodrigo mv#Olivia Rodrigo 和訳 解説#Olivia Rodrigo【Vampire】和訳 自虐的女子、元カレに反撃 詳しく解説 Ex-boyfriend&039;s true nature revealed#Olivia Rodrigo【Vampire】和訳 自虐的女子の元カレバッシング詳しく解説#OliviaRodrigo#oliviarodrigo vampire#Paul Cartwright#percussion#piano#production#revealed#Sam Stewart
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Anthology Credits
THE BLACK DOG
© 2023 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI) / All Rights Reserved. Used By Permission. // Produced by Jack Antonoff and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Laura Sisk and Oli Jacobs at Electric Lady Studios (New York, NY) and Conway Recording Studios (Los Angeles, CA) / Assistant Engineered by Jon Sher and Jack Manning / Sean Hutchinson’s performance recorded by Sean Hutchinson and Michael Riddleberger at Hutchinson Sound (Brooklyn, NY) / Bobby Hawk's performance recorded by Jack Manning at Electric Lady Studios (New York, NY) / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Drums, Bass, Juno, Acoustic and Electric Guitars, Programming, Piano, M1, Polysix, Mellotron, Cello, Rhodes, Vocoder by Jack Antonoff / Drums by Sean Hutchinson / Strings by Bobby Hawk / Lead Vocals, Background Vocals, Piano by Taylor Swift
IMGONNAGETYOUBACK
© 2023 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI) / All Rights Reserved. Used By Permission. // Produced by Jack Antonoff and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Laura Sisk and Oli Jacobs at Electric Lady Studios (New York, NY) / Assistant Engineered by Jack Manning, Joey Miller and Jozef Caldwell // Percussion, Drums, Programming, Juno 60, Prophet 5, M1 Keyboard, Piano, Acoustic Guitars by Jack Antonoff / Piano by Jack Manning / Lead Vocals by Taylor Swift
THE ALBATROSS
© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Arrangements by Bryce Dessner (Biarritz, FR) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Benjamin Lanz’s performance recorded by Benjamin Lanz (Paris, FR) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Acoustic Guitar, Bass Guitar, Drum Machine Programming, Electric Guitar, High Strung by Aaron Dessner / Drums and Percussion by Glenn Kotche / Drum Machine Programming by James McAlister / Modular Synth by Benjamin Lanz / Lead Vocals by Taylor Swift // London Contemporary Orchestra: … // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds
CHLOE OR SAM OR SOPHIA OR MARCUS
© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Rob Moose at Long Pond (Hudson Valley, NY) / Taylor Swift's performance recorded by Christopher Rowe at Prime Recording (Nashville, TN) / Assistant Engineered by Derek Garten / Aaaron Dessner's performance recorded by Maryam Qudus at Long Pond (Hudson Valley, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / Benjamin Lanz’s performance recorded by Benjamin Lanz (Paris, FR) // Acoustic Guitar, Bass Guitar, Drum Machine Programming, Electric Guitar, Keyboard, Mandolin, Piano and Synthesizer by Aaron Dessner / Drums by JT Bates / Drums and Percussion by Glenn Kotche / Modular Synth and Trombone by Benjamin Lanz / Lead Vocals by Taylor Swift
HOW DID IT END?
© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Bryce Dessner (Biarritz, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass, Synth, Drum Machine Programming, Electric Guitar, Keyboards, Piano and Synthesizers by Aaron Dessner / Bass Drum, Keyboards, Omnichord and Synthesizers by James McAlister / Drums by JT Bates / Drums and Percussion by Glenn Kotche / Keyboards, Piano and Synthesizers by Thomas Bartlett / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Galya Bisengalieva (Leader) / Eloisa-Fleur Thom / Sophie Mather / Marianne Haynes / Alicia Berendse / Agata Daraskaite / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman / Matthew Kettle / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // French Horn / David McQueen// Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds
SO HIGH SCHOOL
© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / James McAlister's performance recorded by Bella Blasko at Long Pond (Hudson Valley, NY) and James McAlister (Los Angeles, CA) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / Benjamin Lanz’s performance recorded by Benjamin Lanz (Paris, FR) / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass Guitar, Bass Synth, Drum Machine Programming, Electric Guitar, Keyboards, Percussion, Piano and Synthesizers by Aaron Dessner / Drums, Drum Machine Programming, Electric Guitar and Synthesizers by James McAlister / Modular Synth and Synthesizer by Benjamin Lanz / Lead Vocals by Taylor Swift
I HATE IT HERE
© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Bryce Dessner (Biarritz, FR) / Aaron Dessner's Banjo, Mandolin and Synthesizer recorded by Maryam Qudus at Long Pond (Hudson Valley, NY) / Benjamin Lanz’s performance recorded by Benjamin Lanz (Paris, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Acoustic Guitar, Banjo, Bass Guitar, Drum Machine Programming, Electric Guitar, High Strung Guitar, Mandolin, Percussion, Piano and Synthesizer by Aaron Dessner / Acoustic Guitar, Bass Guitar, Bass Synth, Percussion and Synthesizer by James McAlister / Keyboards, Piano and Synthesizers by Thomas Bartlett / Modular Synth by Benjamin Lanz / Drums and Percussion by Glenn Kotche / Lead Vocals by Taylor Swift
THANK YOU AIMEE
© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Jack Antonoff, Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) and by Laura Sisk and Oli Jacobs at Sharp Sonic Studios (Los Angeles, CA) /Assistant Engineered by Jozef Caldwell / Orchestration by Bryce Dessner (Biarritz, FR) / Aaron Dessner's Banjo and Mandolin recorded by Maryam Qudus at Long Pond (Hudson Valley, NY) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Acoustic Guitar, Banjo, Bass Synth, Drum Machine Programming, Keyboard, Mandolin, Percussion and Synthesizer by Aaron Dessner / Drums and Percussion by Glenn Kotche / Keyboards, Piano and Synthesizers by Thomas Bartlett / Programming, Cello, Percussion, Drums, Electric Guitar, Background Vocals by Jack Antonoff / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Galya Bisengalieva (Soloist & Leader) / Eloisa-Fleur Thom/ Sophie Mather / Marianne Haynes / Alicia Berendse / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman/ Matthew Kettle / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // French Horn / David McQueen / Paul Cott / Jonathan Farey // Percussion // George Barton // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds
I LOOK IN PEOPLE'S WINDOWS
© 2023 Taylor Swift Music (BMI) administer by Songs Of Universal, Inc. / Sony/ATV Songs LLC / Ducky Donath Music (BMI) / Indiscipline AB (STIM), administered by Kobalt Music / All Rights Reserved. Used By Permission. // Produced by Jack Antonoff, Patrick Berger and Taylor Swift | Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer for Mix - Bryce Bordone / Recorded by Laura Sisk and Jack Antonoff at Electric Lady Studios (New York, NY) and Conway Recording Studios (Los Angeles, CA) / Assistant Engineer Jon Sher and Jack Manning // Acoustic Guitars, Juno, Cello, Programming by Jack Antonoff / Acoustic Guitar by Patrick Berger Lead Vocals by Taylor Swift
THE PROPHECY
© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Bryce Dessner (Biarritz, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Acoustic Guitar, Drum Machine Programming, Programming and Electric Guitar by Aaron Dessner / Autoharp, Drum Machine Programming, Omnichord, Percussion and Synthesizer by James McAlister / Piano and Synthesizers by Thomas Bartlett / Drums and Percussion by Glenn Kotche / Drums by JT Bates / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Galya Bisengalieva (Soloist & Leader) / Eloisa-Fleur Thom/ Sophie Mather / Agata Daraskaite / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue / Julian Azkoul // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman / Matthew Kettle / Amy Swain / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // Bass Clarinet / Max Welford // Percussion // George Barton // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds
CASSANDRA
© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Bryce Dessner (Biarritz, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass Synth, Electric Guitar, Keyboards, Percussion, Piano and Synthesizer by Aaron Dessner / Drum Machine Programming, Keyboards, Modular Synth, Percussion and Synthesizers by James McAlister / Modular Synth and Trombone by Benjamin Lanz / Snare Drums and Vibraphones by Glenn Kotche / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Eloisa-Fleur Thom (Leader) / Sophie Mather / Marianne Haynes / Agata Daraskaite / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue / Julian Azkoul // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman / Matthew Kettle / Amy Swain / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // French Horn / David McQueen / Paul Cott / Jonathan Farey // Percussion // George Barton // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds
PETER
© 2023 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass Guitar, Drum Machine Programming, Keyboards, Piano and Synthesizers by Aaron Dessner / Lead Vocals by Taylor Swift
THE BOLTER
© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Arrangements by Bryce Dessner (Biarritz, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Acoustic Guitar, Bass Guitar, Drum Machine Programming, Electric Guitar, High Strung, Percussion, Piano and Synthesizers by Aaron Dessner / Omnichord, Percussion and Synthesizers by James McAlister / Keyboards, Piano and Synthesizer by Thomas Bartlett / Drums and Percussion by Glenn Kotche / Violin and Viola by Rob Moose / Lead Vocals by Taylor Swift
ROBIN
© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Bryce Dessner (Biarritz, FR) / Aaron Dessner's Drums and Synthesizer recorded by Maryam Qudus at Long Pond (Hudson Valley, NY) / Benjamin Lanz’s performance recorded by Benjamin Lanz (Paris, FR) / James McAlister's performance recorded by Bella Blasko at Long Pond (Hudson Valley, NY) and James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass Guitar, Drum Machine Programming, Drums, Electric Guitar, Keyboards, Percussion, Pianos and Synthesizer by Aaron Dessner / Buchla, Clava, Percussion and Synthesizer by James McAlister / Keyboards, Piano and Synthesizers by Thomas Bartlett / Modular Synth and Synthsizer by Benjamin Lanz / Drums and Percussion by Glenn Kotche / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Galya Bisengalieva (Co-Leader) / Eloisa-Fleur Thom (Co-Leader) / Sophie Mather / Marianne Haynes / Agata Daraskaite / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue / Julian Azkoul // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman / Matthew Kettle / Amy Swain / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // French Horn / David McQueen / Paul Cott / Jonathan Farey // Percussion & Timpani // George Barton // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds
THE MANUSCRIPT
© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Arrangements by Bryce Dessner (Biarritz, FR) / Bryce Dessner's performance recorded by Bryce Dessner (Biarritz, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass Synth, Piano and Synthesizers by Aaron Dessner / Drum Machine Programming, Filtered Brass and Winds, Piano and Synthesizer by Bryce Dessner / Drum Machine Programming and Synthesizers by James McAlister / Synthesizer by Thomas Bartlett / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Eloisa-Fleur Thom (Leader) / Sophie Mather / Marianne Haynes / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue / Natasha Humpries // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman / Matthew Kettle / Meghan Cassidy / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // French Horn / David McQueen / Paul Cott / Jonathan Farey // Percussion // George Barton // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds
#chloe et al recorded in Nashville#KMS!!!#the albatross and the bolter don't have the LCO credits bc i couldn't be bothered sorry#taylor swift#ttpd: anthology
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Grammy Awards 2024 Winners:
Album Of The Year: Midnights, Taylor Swift; Jack Antonoff & Taylor Swift, producers; Jack Antonoff, Bryce Bordone, Zem Audu, Serban Ghenea, David Hart, Mikey Freedom Hart, Sean Hutchinson, Ken Lewis, Michael Riddleberger, Laura Sisk & Evan Smith, engineers/mixers; Jack Antonoff & Taylor Swift, songwriters; Randy Merrill, mastering engineer
Record Of The Year: “Flowers,” Miley Cyrus; Kid Harpoon & Tyler Johnson, producers; Michael Pollack, Brian Rajaratnam & Mark “Spike” Stent, engineers/mixers; Joe LaPorta, mastering engineer
Best New Artist: Victoria Monét
Song Of The Year: “What Was I Made For? [From The Motion Picture Barbie],” Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)
Best Pop Vocal Album: Midnights, Taylor Swift
Best R&B Song: “Snooze,” Kenny B. Edmonds, Blair Ferguson, Khris Riddick-Tynes, Solána Rowe & Leon Thomas, songwriters (SZA)
Best Country Album: Bell Bottom Country, Lainey Wilson
Best Musica Urbana Album: MAÑANA SERÁ BONITO, Karol G
Best Pop Solo Performance: “Flowers,” Miley Cyrus
Dr. Dre Global Impact Award: Jay-Z
#Grammys#Grammys 2024#Taylor Swift#Miley Cyrus#SZA#Phoebe Bridgers#Boygenius#Killer Mike#Victoria Monet#Fred Again#Andre 3000#Jack Antonoff#Billie Eilish#Bela Fleck#Jason Isbell#Lecrae#Finneas O' Connell#Paramore#Karol G#Lainey Wilson#music#awards#long post
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2024 GRAMMY WINNERS
Record Of The Year
Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.
Flowers Miley Cyrus Kid Harpoon & Tyler Johnson, producers; Michael Pollack, Brian Rajaratnam & Mark "Spike" Stent, engineers/mixers; Joe LaPorta, mastering engineer
Album Of The Year
Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.
Midnights Taylor Swift Jack Antonoff & Taylor Swift, producers; Jack Antonoff, Zem Audu, Bryce Bordone, Serban Ghenea, David Hart, Mikey Freedom Hart, Sean Hutchinson, Ken Lewis, Michael Riddleberger, Laura Sisk & Evan Smith, engineers/mixers; Jack Antonoff & Taylor Swift, songwriters; Randy Merrill, mastering engineer
Song Of The Year
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
What Was I Made For? [From The Motion Picture "Barbie"] Billie Eilish Billie Eilish O'Connell & Finneas O'Connell, songwriters
Producer Of The Year, Non-Classical
A Producer's Award. (Artists names appear in parentheses.)
Jack Antonoff • Being Funny In A Foreign Language (The 1975) • Did You Know That There's A Tunnel Under Ocean Blvd (Lana Del Rey) • Midnights (Taylor Swift)
Best Pop Solo Performance
For new vocal or instrumental pop recordings. Singles or Tracks only.
Flowers Miley Cyrus
Best Pop Duo/Group Performance
For new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.
Ghost In The Machine SZA Featuring Phoebe Bridgers
Best Pop Vocal Album
For albums containing greater than 75% playing time of new pop vocal recordings.
Midnights Taylor Swift
Best Pop Dance Recording
For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.
Padam Padam Kylie Minogue Lostboy, producer; Guy Massey, mixer
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Album a Day: Grammys Album of the Year Addition!
January 11: GUTS
Olivia Rorigo
(nominee)
September 8, 2023
Producer: Dan Nigro
Label: Geffen
-Pop, alternative rock, indie rock, pop rock-
Writers: Olivia Rodrigo, Dan Nigro, Julia Michaels, Amy Allen, Annie Clark
Engineers: Dan Nigro, Dave Schiffman, Jasmine Chen, Sterling Laws, Sam Stewart, Ryan Linvill, Dan Viafore, Michael Harris, Chris Kasych, Dani Perez, Alexander 23, Ian Kirkpatrick
Assistant Engineers: Austen Healey
Mixers: Mark "spike" Stent, Dan Nigro, Serban Ghenea, Mitch McCarthy
Assistant Mix Engineers: Matt Wolach and Bryce Bordon
Masterer: Randy Merrill
Lead Vocals: Olivia Rodrigo
Instruments: Daniel Nigro, Sterling Laws, Sam Stewart, Ryan Linvill, Benjamin Romans, Paul Cartwright, Erick Serna, Alexander 23, Ian Kirkpatrick, Garrett Ray, and Derek Stein
Backing Vocals: Olivia Rodrigo, Dan Nigro, Ryan Linvill, Chappell Roan, and Alexander 23
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Dylan O'Brien is credited as drummer on "Snow on the Beach" and as crowd applause on "Question…?" on Taylor Swift’s new album “Midnights".
04 Snow on the Beach [ft. Lana Del Rey]
Written by Taylor Swift, Jack Antonoff and Lana Del Rey
© 2022 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI). Lana Del Rey Publishing Designee / EMI April Music, obo EMI Music Publishing Germany GmbH. All Rights Reserved. Used By Permission.
Produced by Jack Antonoff and Taylor Swift Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) Assistant Mix Engineer – Bryce Bordone Recorded by Laura Sisk and Jack Antonoff Assistant Engineered by Megan Searl, Jon Sher, John Rooney, Jacob Spitzer Recorded at Rough Customer Studio (Brooklyn, NY), Electric Lady Studios (New York, NY), Henson Recording Studios (Los Angeles, CA) Bobby Hawk’s performance recorded by Dave Gross at Blue Plate Records (Hayworth, New Jersey) Evan Smith’s performance recorded by Evan Smith at Pleasure Hill Recording (Portland, Maine) Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ)
Taylor Swift – Vocals Lana Del Rey - Vocals Jack Antonoff - Drums, Programming, Percussion, Juno 6, Mellotron, Acoustic and Electric Guitars, Bass, Background Vocals Evan Smith – Synths Bobby Hawk – Violin Dylan O’Brien - Drums
07 Question...?
Written by Taylor Swift and Jack Antonoff
© 2022 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI). All Rights Reserved. Used By Permission.
Produced by Jack Antonoff and Taylor Swift Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) Assistant Mix Engineer – Bryce Bordone Recorded by Laura Sisk and Jack Antonoff Assistant Engineered by Megan Searl, Jon Sher, John Rooney, Jonathan Garcia Recorded at Rough Customer Studio (Brooklyn, NY), Electric Lady Studios (New York, NY) Dominik Rivinius’ performance recorded by Ken Lewis at Neon Wave Studio (Pirmasens, Germany) Evan Smith’s performance recorded by Evan Smith at Pleasure Hill Recording (Portland, Maine) Sean Hutchinson’s performance recorded by Sean Hutchinson at Hutchinson Sound (Brooklyn, NY) Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ)
Taylor Swift - Vocals Jack Antonoff - Programming, Percussion, Juno 6, Mellotron, Background Vocals Dominik Rivinius - Drums Evan Smith - Synths Sean Hutchinson - Drums and Percussion Rachel Antonoff, Austin Swift, Jack Antonoff, Dylan O’Brien - Crowd Applause
A few songs later is "Snow on the Beach," an ethereal track about realizing that you're falling for someone at the same time they are falling in love with you. Swift co-wrote the ditty with Del Rey and Antonoff (who also co-wrote 10 other songs on the album). But there's also a famous face playing the drums: Dylan O'Brien.
The Teen Wolf actor previously starred in Swift's All Too Well: The Short Film, which released last November alongside the re-recorded version of Swift's album, Red.
The collaboration of sorts doesn't end there, though. Later on Midnights, in the track "Question…?" Swift sings the lyrics, "Did you ever have someone kiss you in a crowded room, and every single one of your friends was making fun of you? But 15 seconds later they were clapping, too?"
A crowd can be heard clapping at this point, and turns out, that group is made up of actual Swift friends in a fun bit of art imitating life. The album's credits reveal that Antonoff, his sister Rachel, Swift's brother Austin, and O'Brien provided the sound effect.
Midnights is available to buy and stream now.
Sources: pitchfork.com & ew.com
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“About Adele on ‘30′”
Reaction/Review paper written by Marie Rosalina Valencia (Grade 12 HUMSS Quartz)
Famous English singer and songwriter Adele Laurie Blue Adkins (just known as Adele) has returned to the studio and has recorded her new album “30”-her fourth studio album released after six years. Her album was released on November 19, 2021-a month after she released her single “Easy on Me”. According to Genius, other than Adele herself, the writers of the songs from the album were Erroll Garner, musicians Inflo, Ludwig Göransson, producers Greg Kurstin, Max Martin, Tobias Jesso Jr. and Shellback. Other musicians include Chris Dave, Joey Pecoraro, David Campbell and Serena Göransson. The sound engineers who worked on her album were also Inflo, Riley Mackin, Shawn Everett, Steve Churchyard, Tom Campbell, Alex Pasco, Brian Rajaratnam, Julian Berg, Randy Merrill, Bryce Bordone, Todd Monfalcone, Șerban Ghenea, John Hanes, Matt Scatchell, and Tom Elmhirst.
The “30” album includes twelve hits on the tracklist if not looking at the Target Exclusive tracklist. The first song is “Stranger’s By Nature”, second song is “Easy on Me”, third song is “My Little Love”, fourth song is “Cry Your Heart Out”, fifth song is “Oh My God”, sixth song is “Can I Get It”, seventh song is “I Drink Wine”, eighth song is “All Night Parking” where Erroll Garner was featured with his great piano skills, ninth song is “Woman Like Me”, tenth song is “Hold On”, eleventh song is “To Be Loved” and the twelfth and last song is “Love is a Game”. On the Target Exclusive tracklist, the order of the twelve hits is the same-the songs that follow after considering the album as the deluxe version already in order are “Wild Wild West”, “Can’t Be Together”, and the duet version of “Easy on me” that featured Chris Stapleton-consisting a total of fifteen hits.
Each of the songs have their own meaning based on how the listener interprets the message or the lyrics of it-although the official meaning of the songs can be found on Genius some annotated by the fans and followers of the singer, and some annotated by Adele herself through interviews. Adele expresses her sincerity by being open to the listeners about the experiences and problems she has been facing recently-about her divorce with her ex-husband Simon Konecki, being famous, being a mother raising a child despite being famous, and having to deal with the pain of heartache and heartbreak and how she was able to get through it all.
As a music lover, I have heard some of Adele’s previous albums with the help of my mother since she was the one who was mostly interested to hear Adele’s work. I was glad to know that Adele was back after a while on hiatus and I have listened to “30” alone twice on SoundCloud and Spotify and after hearing all of the songs the second time, I have realized how there are three songs on the album I was able to relate to and would play on repeat in a single day. The three songs I liked listening to are as follows-first song I liked is “Cry Your Heart Out” because of the lyrics “When I walk in a room I’m invisible, I feel like a ghost”, “I created this storm, it’s only fair I have to sit in its rain” and “When you’re in doubt, go at your own pace”, second and third songs I liked are from the deluxe version of the album “Wild Wild West”’s lyrics “From LA to San Francisco, I lost my mind in San Bernardino, even Chula Vista and Modesto, I break my heart wherever I go” and “Can’t Be Together”’s bridge “Since we were together everybody's change, our reflections in the mirror no longer look the same. And we're only just beginning to live the lives we'll make, but I will always miss you at the end of each day” and the outro “But we can't be together.. no, we won't be together”. I love how Adele was experimenting with her sound in music by changing her style a bit compared to her other albums. I would rate the album 9/10, mainly because only these three songs stood out to me even though the other songs sound great, some of the songs on the album sound a bit repetitive with the music-but that’s just my opinion and critique on it.
Anyone can listen to Adele’s brand new album “30” as long as the songs stay uploaded for free on various music applications and websites.
Photo from Billboard
#reactionpaper#reviewpaper#reactionandreviewpaper#cnf#aboutadeleon30#adele#stream30#originalwork#byrie
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Midnights Late Nights official credits
THE GREAT WAR
Published by Songs Of Universal, Inc./ Sony/ATV Times LLC
Produced by Taylor Swift and Aaron Dessner / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Assistant Mix Engineer- Bryce Bordone / Recorded by Bella Blasko, Jonathan Low and Aaron Dessner at Long Pond (Hudson Valley, NY) / Additional recording by Thomas Bartlett at The Dwelling (New York, NY) and Kyle Resnick (Buffalo, NY) / Taylor Swift Vocals recorded by Laura Sisk and Jack Antonoff at Rough Customer Studio (Brooklyn, NY) / Orchestration by Bryce Dosanor (Biarritz, FR) / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ)
Taylor Swift - Lead Vocals / Aaron Dessner - Drum Machine Programming, Electric Guitar, Keyboards, Percussion, Piano, Synth Bass and Synths / James McAlister - Drum Machine Programming and Percussion / Thomas Bartlett - Piano and Synths / Yuki Namara Resnick - Violin / Kyle Resnick - Trumpet
BIGGER THAN THE WHOLE SKY
Published by Songs Of Universal, Inc.
Produced by Jack Antonoff and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Assistant Mix Engineer - Bryce Bordone / Recorded by Laura Sisk and Jack Antonoff at Electric Lady Studios (New York, NY), Rough Customer Studio (Brooklyn, NY), Conway Recording Studios (Los Angeles, CA), Sharp Sonics Studios (Los Angeles, CA) / Assistant Engineering by Jon Sher, John Rooney, Lauren Marquez, Megan Searl / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ)
Taylor Swift - Lead Vocals / Jack Antonoff - Programming, Bass, Synths, Slide Guitar, Acoustic Guitar, Electric Guitars and Piano
HIGH INFIDELITY
Published by Songs Of Universal, Inc. / Sony/ATV Tunes LLC
Produced by Aaron Dessner and Taylor Swift / Mixed by Jonathan Low at Long Pond (Hudson Valley, NY) / Recorded by Bella Blasko, Jonathan Low and Aaron Dessner at Long Pond (Hudson Valley, NY) / Additional recording by James McAlister (Los Angeles, CA), Thomas Bartlett at The Dwelling (New York, NY) and Benjamin Lanz (Paris, FR) / Taylor Swift vocals recorded by Jonathan Low at Kitty Committee Studio (Los Angeles, CA) / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ)
Taylor Swift - Lead Vocals / Aaron Dessner - Acoustic Guitar, Drum Kit, Drum Machine Programming. Electric Guitar, Keyboards, Percussion. Piano and Synths / James McAlister - Drum Machine Programming, Percussion and Synths / James Krivchenia - Drum Kit / Thomas Bartlett - Synths / Benjamin Lanz - Drums and Trombone
WOULD'VE COULD'VE SHOULD'VE
Published by Songs Of Universal, Inc. / Sony/ATV Tunes LLC
Produced by Aaron Dessner and Taylor Swift / Mixed by Jonathan Low at Long Pond (Hudson Valley, NY) / Recorded by Bella Blasko, Jonathan Low and Aaron Dessner at Long Pond (Hudson Valley, NY) / Additional recording by Justin Vernon at April Base (Fall Creek, WI), James McAlister (Los Angeles, CA) and Thomas Bartlett at The Dwelling (New York, NY) / Taylor Swift vocals recorded by Jonathan Low at Kitty Committee Studio (Los Angeles, CA) / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ)
Taylor Swift - Vocals / Aaron Dessner - Bass Guitar. Drum Machine Programming, Electric Guitar, Harmonica, High Strung Guitar, Piano, Slice and Synths / Justin Vernon -Slice /James McAlister - Drum Kit, Drum Machine Programming and Synths / Bryan Devendorf - Drums / Thomas Bartlett - Keyboard and Synths / Stu Tenold - Slice / Bryce Dessner - Electric Guitars
DEAR READER
Published by Songs Of Universal. Inc. / Sony/ATV Songs LLC
Produced by Jack Antonoff and Taylor Swift /Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Assistant Mix Engineer - Bryce Bordone / Recorded by Laura Sisk and Jack Antonoff at Electric Lady Studios (New York, NY), Rough Customer Studio (Brooklyn, NY), Conway Recording Studios (Los Angeles, CA), Sharp Sonics Studios (Los Angeles, CA) / Assistant Engineering by Jon Sher, John Rooney, Lauren Marquez, Megan Searl / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ)
Taylor Swift - Lead Vocals / Jack Antonoff - Programming, Bass, Synths, Electric Guitar and Piano
HITS DIFFERENT
© 2022 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by Sony/ATV Tunes LLC (ASCAP),Sony/ATV Songs LLC/Ducky Donath Music (BMI). All Rights Reserved. Used By Permission.
Produced by Jack Antonoff, Aaron Dessner & Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Assistant Mix Engineer - Bryce Bordone / Recorded by Jonathan Low, Aaron Dessner, Laura Sisk and Jack Antonoff / Assistant Engineered by Jon Sher, Megan Searl, Lauren Marquez, John Rooney, Bella Blasko / Recorded at Long Pond (Hudson Valley, NY), Electric Lady Studios (New York, NY), Rough Customer Studio (Brooklyn, NY), Conway Recording Studios (Los Angeles, CA) and Sharp Sonics Studios (Los Angeles, CA) / Sean Hutchinson's performance recorded by Sean Hutchinson at Hutchinson Sound (Brooklyn, NY) / Evan Smith's performance recorded by Evan Smith at Pleasure Hill Recording (Portland, Maine) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ)
Taylor Swift - Vocals / Aaron Dessner - Electric Guitar, Prophet X Synth, Electric Guitar 2, Bass Guitar, Yamaha Synth, MS20, Juno Synth / Jack Antonoff - Programming, Percussion, Bass Acoustic and Electric Guitars, Synths and Piano /James McAlister - Drum Kit, Synth Sequencing (Modular) / Evan Smith - Synths / Sean Hutchinson - Drums, Percussion / Thomas Bartlett - Prophet X Synth, OP1
YOU'RE LOSING ME
Published by Songs Of Universal, Inc. / Sony/ATV Songs LLC / Produced by Jack Antonoff and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach. VA) / Assistant Mix Engineer - Bryce Bordone / Recorded by Jack Antonoff and Laura Sisk and Oli Jacobs / Assistant Engineering by Jack Manning, Jon Sher, Megan Searl, Remy Dumelz, Daniel Cayotte, Joey Miller. Jozef Caklwell / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) / Recorded at Rue Boyer (Paris, France), Rough Customer Studio (Brooklyn, NY), Sharp Sonics Studios (Los Angeles, CA), Conway Recording (Los Angeles, CA), Electric Lady Studios (New York, NY)
Jack Antonoff - Cello, Programming, Drums. Percussion, DX100. Juno6, Piano, Wurlitzer, Mellotron, PolySix / Bobby Hawk - Violin / Taylor Swift - Vocals
SNOW ON THE BEACH (MORE LANA)
Published by Songs Of Universal, Inc. /Sony/ATV Songs LLC /Universal Music Corp. Produced by Jack Antonoff and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Assistant Mix Engineer - Bryce Bordone / Recorded by Laura Sisk and Jack Antonoff / Assistant Engineered by Megan Searl, Jon Sher, John Rooney, Jacob Spitzer / Bobby Hawk performance recorded by Dave Gross at Blue Plate Records (Hayworth, New Jersey) / Evan Smith performance recorded by Evan Smith at Pleasure Hill Recording (Portland, Maine) / Mastered by Randy Merrill at Sterling Sound (Edtiewater, NJ) / Recorded at Rough Customer Studio (Brooklyn, NY), Electric Lady Studios (New York, NY), Henson Recording Studios (Los Angeles, CA)
Taylor Swift - Vocals / Lana Del Rey - Vocals / Jack Antonoff - Drums, Programming, Percussion, Juno 6, Mellotron, Acoustic and Electric Guitars, Bass, Background Vocals / Evan Smith - Synths / Bobby Hawk - Violin / Dylan O'Brien - Drums
KARMA FT ICE SPICE
© 2022 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Sony/ATVSongs LLC/Ducky Donath Music (BMI), Sony/ATV Allegro/Beat Bully Spears (ASCAP), Keanu Torres (APRA) /Keanu Beats Publishing/Sony/ATVSongs (BMI). Jahaan Akil Sweet. published by The Sweet Life, LLC (BMI), administered by Songs ofKobalt Music Publishing (BMI) Dolo Publishing (BMI). administered by Songs of Universal, Inc. (BMD/Ephrem Lopez Publishing Designee (BMI) administered by Warner-Tamerlane Publishing Corp. (BMI). All Rights Reserved. Used By Permission.
Produced by Jack Antonoff, Taylor Swift, Sounwave, Keanu Beats / Co-Produced by Jahaan Sweet / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Assistant Mix Engineer - Bryce Bordone / Recorded by Laura Sisk and Jack Antonoff / Assistant Engineered by Megan Searl, Jon Sher, John Rooney, Mark Aguilar / Sounwave performance recorded by Sounwave at Sound of Waves Studios (Los Angeles, CA) / Jahaan Sweet performance recorded by Jahaan Sweet at The Sweet Spot (Los Angeles, CA) / Keanu Beats performance recorded by Keanu Beats (Melbourne. AU) / Mastered by Randy Merrill at Sterling Sound (Edgewater. NJ) / Recorded at Rough Customer Studio (Brooklyn, NY), Electric Lady Studios (New York, NY), Henson Recording Studios (Los Angeles, CA), Conway Studios (Los Angeles, CA)
Taylor Swift - Vocals / Ice Spice - Vocals / Jack Antonoff - Drums, Programming. Percussion, Juno, Omnichord / Sounwave - Programming / Jahaan Sweet - Keys, Pad / Keanu Beats - Synths
Ice Spice appears courtesy of Capitol Records/10k Projects.
#taylor swift#midnights#midnights late nights#idk why hits different and karma havea different layouts#and obv paris and glitch are missing rip#these were transcribed with ocr so if you see a typo that's why
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