#Brittany Smith

[robynsassenmyview]

Follow this rainbow!

"Follow this rainbow!", a review of 'The Sound of Music', at Montecasino, directed by Steven Stead.

RAINDROPS on noses and other favourite things: Maria (Brittany Smith), surrounded by the von Trapp children, in The Sound of Music directed by Steven Stead. Photograph by Nardus Engelbrecht. IN OUR WORLD of cynicism and hate, of virulent social media and rapidly shifting technology, you may find it hard to believe that Rodgers and Hammerstein’s great 1959 musical The Sound of Music is a total…

[brendanfraserss]

BRITTANY MURPHY

by Brian Smith 1998

[whencartoonsruletheworld]

need everyone to shut up and look at this new official art by Brittany L. Smith

[ravenncouture]

[newwavesylviaplath]

why have i been flopping so hard on here

[nymphaearie]

forever young, i want to be forever young ♡

[out-of-body-xperience]

Nicky Hilton & Paris Hilton

[adankrivervalleynearyou]

glee mean girls AU

Rachel Berry as Cady Heron

Quinn Fabray as Regina George

Santana Lopez as Gretchen Weiners

Brittany S. Pierce as Karen Smith

Tina Cohen-Chang as Janis Ian

Kurt Hummel as Damian ????

Finn Hudson as Aaron Samuels

[vivianbernadetteaurora]

PICK YOUR IT OG GIRL, WHAT ARE YOU? WHICH ONE FITS YOU PICK A FRIEND OR CHOOSE YOURSELF.

I’m going with

Anna Nicole Smith

Libra Taurus and Gemini

Brittany Murphy

Cancer, Virgo Pisces

Winona rider

Scorpio Sagittarius and Aquarius

Angelina Jolie

Leo , Aries Capricorn



[fictionbish]

[bellarosemoss]

Dark But Just A Game

[curiousb]

The Smith Family Album: Volume XVIII

Zippy's new friend does not look like he'll be a good influence on him - he really doesn’t need an excuse to pick up any more bad habits!

He doesn't like Willoughby's sister Anna though. But to be honest, he's not a big fan of Sims in general. 😕

Dorian also has a new pal, in Philippa.

And Annemarie is getting to know Augustus - big brother of her good friend Anthony - although how she feels about him remains to be seen. So far, the only Sim outside his family (and even some of them don't like him) who doesn't find him objectionable is his Townie girlfriend Brittany!

With Margaret's credibility within the scientific community in tatters, and her employability at zero, Willoughby has had to become the breadwinner in the family, and has found himself a job as a paramedic.

Meanwhile, financial independence beckons for Annemarie!

If her other new acquaintance Emma - from her new high school - thinks that Annemarie looks faintly ridiculous, she's far too polite to say.

Anyway, who cares, as long as it's lucrative!

And look who's unexpectedly expecting again!

And starving hungry in the middle of the night.

There's something reassuring about having a paramedic in the house, when she goes into labour.

It's another boy!

Welcome to Merybury, Josiah! Despite having a tiny house, Willoughby had been quietly hoping to become a father again - just once more - even if Margaret will be the stay-at-home parent this time, rather than him.

And happy birthday too! (Phew, that was a whirlwind.)

~ Scorpio 3 / 3 / 5 / 3 / 3

~ Diva / Genius

~ OTH: Arts & Crafts

[torturedcoveydepartment]

Movie recommendations from an amateur cinephile who does enjoy a broad range of different genres, techniques and feels on a movie. I made sure to get as far away as possible from eventual spoilers, yet describe the arts in capturing ways :)

Stalker (1979), directed by Andrei Tarkovsky, is a haunting and visually poetic exploration of human longing, belief, and existential mystery. Set in a dystopian world, the story follows three men as they venture into the enigmatic “Zone,” a forbidden area rumored to grant one’s deepest desires. With its deliberate pacing and profound atmosphere, the film immerses viewers in a metaphysical journey, challenging perceptions of reality and the human spirit.

Oldboy (2003), directed by Park Chan-wook, is a gripping and intense mindfucking thriller that delves into themes of revenge, identity, and the darkness of the human psyche. The film follows a man mysteriously imprisoned for 15 years without explanation, who is suddenly released and given just days to uncover the truth behind his captivity. Stylish, shocking, and deeply emotional, it is a masterful exploration of vengeance and its consequences. Left me speechless.

The Killing of a Sacred Deer (2017), directed by Yorgos Lanthimos, is a chilling psychological thriller that weaves a tale of guilt, sacrifice, and moral reckoning. When a charismatic surgeon befriends a troubled teenager, their connection takes a dark and unsettling turn of direct threat to his family. With its unnerving atmosphere and stark, deliberate style, the film is a haunting exploration of human vulnerability and consequence. Must add a warning for a particular singing scene of Burn by Ellie Goulding.

Uptown Girls (2003) is a rollercoaster comedy-drama about a carefree young woman whose life takes an unexpected turn from the meeting of a precocious and damn witty 8-year-old girl. As their contrasting worlds collide, both learn valuable lessons about responsibility, friendship, and finding their true selves. With humor, heart, and unexpected moments of growth, this film offers a charming look at how sometimes the most unlikely relationships can change your life.

The Magician (1958) or ‘Ansiktet’ is a captivating psychological thriller directed by Ingmar Bergman. Set in the 19th century, it follows a traveling magician and his troupe as they perform elaborate illusions. When they arrive in a small town, they are met with suspicion, leading to a tense exploration of deception, identity, and the fine line between reality and fantasy. With its beautiful storytelling, striking visuals, and thought-provoking themes, the film delves into the human desire for control and the complexities of the mind.

Marcel the Shell with Shoes On (2021) is a whimsical mockumentary on the tiny adventures of Marcel, a one-inch-tall shell with shoes, a face, and other great qualities. Living with his grandmother in a cozy yet quirky existence, Marcel becomes the subject of a filmmaker’s documentary, leading to a journey of connection, humor, and discovery. With its gentle humor, poignant storytelling, and a charm to capture anyone, the film celebrates the power of community and finding joy in the small things.

Christopher and His Kind (2011) is a compelling biographical drama based on Christopher Isherwood’s memoir, chronicling his transformative years in 1930s Berlin. The film explores Christopher’s search for love, identity, and artistic inspiration amidst the rise of an awfully fascistic society. With its rich period detail and powerful performances, the story captures a personal journey of self-discovery while reflecting the broader tensions of the real events of Germany’s national socialism.

[theriverspath]

When you get this, list 5 songs you like to listen to, publish them, and send this ask to the last 10 people in your notifs! 🎵

Eep! How fun! Here's a bit of what the inside of my head sounds like at any given moment. I've kept this at a PG rating. If you're curious about music with more mature themes and language, please know that artists like Chappell Roan, Realxman, and Genesis Owusu currently live in there, too.

[krispyweiss]

Hardly Strictly Bluegrass Day Three, Golden Gate Park, San Francisco, Calif., Oct. 6, 2024

The good folks who put on Hardly Strictly Bluegrass created an epic conundrum of good musical fortune by booking the Wood Brothers, the Infamous Stringdusters and Emmylou Harris in simultaneous, festival-closing slots. This, of course, created high anxiety as all three acts are high on any music lover’s gotta-hear list.

But more on that later. Because first, Miko Marks began the day at the Rooster stage with some Sunday soul music before 93-year-old Ramblin’ Jack Elliott, accompanied by mandolin and bass, came out yodeling on Jimmie Rodgers’ “Waiting for a Rain.” He then dug into Woody Guthrie’s “The 1913 Massacre,” got a bit uptempo on “The Cuckoo” and nodded to the Hardly Strictly atmosphere of a super-heated Golden Gate Park (on Oct. 6!) with Jesse Fuller’s “San Francisco Bay Blues.” Between numbers, Elliott regaled the squeezed-into-shady-areas fans with tales from 70 years of music making. Steve Earle then emerged to tell an overly long story over soft picking leaving Elliott to try, unsuccessfully, to get a word in as time ran down on his 40-minute allotment.

So … off to the Banjo stage where Tony Trischka’s Earl Jam was finishing “Brown’s Ferry Blues” and launching into “Lady Madonna” - strictly bluegrass style. Brittany Haas, who would appear later with Aoife O’Donovan and Hawktail, then entered the fray for double fiddling with Shad Cobb on “You Got to Die,” and putting the blues in the grass.

Peter Case, Teddy Thompson, Melissa Carper and Carsie Blanton hit the Rooster next for a Songwriter’s Circle/guitar pull with truth as the refreshing theme. A delightful exercise in the power of folk music.

But there was also blues at Hardly Strictly Bluegrass because: “If you don’t like the blues, you probably don’t like your mama.”

So said Bobby Rush on the Banjo, where the 91-year-old - “If I’m not the oldest, I’m the ugliest,” he cracked - and his big band got down and dirty in flashy sequins as they spanned 70 years of Rush originals and covers like “Hoochie Coochie Man.” Rush blew harp with the lungs of a young man, danced around the stage with the body of a young man and rapped like the OG he is, proving yet again the magic of music - even when you’re singing of your woman leaving you “for the damn garbage man.”

After a public soundcheck that signaled sublimity to come, O’Donovan, Hawktail and the San Francisco Girls Chorus - who joined one-third of the way through the 60-minute set - spanned O’Donovan’s solo discography rearranged to fit Hawktail’s musical tapestry woven of classical, jazz and bluegrass. The Chorus voices soared across Golden Gate as O’Donovan led them through songs about the battle to pass the 19th Amendment from All My Friends.

It was a stirring performance that provided some hope in an era that sometimes feels hopeless and earned a standing ovation from the Banjo stage listeners.

Down the road at Towers of Gold, Patti Smith played to a crowd so humongous people were turned away to listen to her cover Bob Dylan’s “Man in the Long Black Coat” and Nirvana’s “Smells Like Teen Spirit,” read poetry and and play such songs as “Cash” and “People Have the Power” at the adjacent Swan stage, which was also rammed with festivalgoers, where the Wood Brothers were to play next and Smith’s set benefitted from stellar sound piped in from next door.

Even from behind the Towers, Smith’s performance was deeply affecting - a penetrating mix of soft-edged emotion and hard-edged aggression.

“Use your voice,” she said after using hers for 65 minutes and fans on both sides of the stage exploded in applause when she finished her gig.

Now to address the daylong conundrum, splitting up three must-see acts.

And so it transpired that Mr. and Mrs. Sound Bites caught the Woods (Hardly) playing “Little Bit Broken,” “Tried and Tempted,” “Pilgram” and “A Little Bit Sweet;” the ’Dusters (Strictly) on “Gravity” and “Rise Sun” at the Rooster; and Harris’ (country, not Bluegrass) homestretch at the Banjo, which included a rambunctious “Luxury Liner” and a mournful “Together Again.”

And then it was over …

Read Sound Bites’ coverage of Day One and Day Two at the hyperlinks.

10/7/24

[carmenlove21]

How is it possible to miss someone you never knew?