#Brian Postman

[makeminebronze]

The Angel pt 2

[ultradude13]

Spider-Woman #49 Cover Recreation 2012 by Brian Postman, in shaun clancy's Cover Recreations #3 Comic Art Gallery Room

[browsethestacks]

Spider-Woman (1983)

Art by Brian Postman And Sam de la Rosa / Bob Larkin And Elliot Brown (Photography)

[abs0luteb4stard]

W A T C H I N G

[estavionpira]

Worm character Stand names

Yes, this post exists because I can't stop myself from attaching songs to fictional characters.

The Undersiders as a whole get [Cops and Robbers]

Taylor Hebert - [Control] - Yeah yeah, we've all watched the AMV.

Lisa Wilbourn - [Do I Wanna Know?]

Brian Laborn - [Fuegos Artificiales]

Alec Vasil - [Moves Like Jagger]

Rachel Lindt - [Walk the Dinosaur]

Aisha Laborn - [Teenagers]

Sabah - [Eleanor Rigby]

Lily - [Six Shooter]

Rest under cut.

The Slaughterhouse 9 as a whole get [Sirens]

Jack Slash - [No One Lives Forever] - Watch the AMV, etcetera, etcetera.

Bonesaw - [Rät Act 1]

Riley Grace Davis - [Rät Act 2]

Siberian - [Animal Skin] - Such a good song. Listen to it. Now.

Shatterbird - [Empires]

Crawler - [Stronger]

Cherish - [Doo Doo Doo Doo Doo (Heartbreaker)]

Cauldron as a whole gets [Impress Your Creators]

Doctor Mother - [Turn the Lights Off]

Contessa - [You're Gonna Go Far, Kid]

Numbers Man - [We Didn't Start the Fire]

Legend - [Rocket Man]

Alexandria - [Unstoppable]

Eidolon - [Ruler of Everything]

The Endbringers as a whole get [Annihilate]

Behemoth - [Uranium Fever]

Leviathan - [Ocean Man]

Simurgh - [99 Luftballoons]

Khonsu - [Centuries]

Tohu - [COPYCAT]

Bohu - [Paint it, Black]

Ok these are gonna be less organized because I can't bring myself to care about Marissa or Luke.

Krouse - [Please Mister Postman] - Just a great song. Krouseposting on main.

Noelle - [Girl Anachronism] - Hey you all should watch the AMV for this too.

Armsmaster - [Technologic Act 1]

Defiant - [Technologic Act 2]

Coil - [Wires]

Heartbreaker - [Runaway Baby]

Canary - [Copacabana]

Butcher - [Venom]

Bakuda - [Bodies]

[longliverockback]

The Beatles 1964 US Albums in Mono [Box Set] 2024 Apple ————————————————— Tracks LP One: Meet the Beatles! 01. I Want to Hold Your Hand 02. I Saw Her Standing There 03. This Boy 04. It Won’t Be Long 05. All I’ve Got to Do 06. All My Loving 07. Don’t Bother Me 08. Little Child 09. Till There Was You 10. Hold Me Tight 11. I Wanna Be Your Man 12. Not a Second Time

Tracks LP Two: The Beatles’ Second Album 01. Roll over Beethoven 02. Thank You Girl 03. You Really Got a Hold on Me 04. Devil in Her Heart 05. Money (That’s What I Want) 06. You Can’t Do That 07. Long Tall Sally 08. I Call Your Name 09. Please Mr. Postman 10. I’ll Get You 11. She Loves You

Tracks LP Three: A Hard Day’s Night 01. A Hard Day’s Night 02. Tell Me Why 03. I’ll Cry Instead 04. I Should Have Known Better [instrumental] 05. I’m Happy Just to Dance with You 06. And I Love Her  [instrumental] 07. I Should Have Known Better 08. If I Fell 09. And I Love Her 10. This Boy (Ringo’s Theme) [instrumental] 11. Can’t Buy Me Love 12. A Hard Day’s Night [instrumental]

Tracks LP Four: Something New 01. I’ll Cry Instead 02. Things We Said Today 03. Any Time at All 04. When I Get Home 05. Slow Down 06. Matchbox 07. Tell Me Why 08. And I Love Her 09. I’m Happy Just to Dance with You 10. If I Fell 11. Komm Gib Mir Deine Hand

Tracks LP Five: Beatles′65 01. No Reply 02. I’m a Loser 03. Baby’s in Black 04. Rock and Roll Music 05. I’ll Follow the Sun 06. Mr. Moonlight 07. Honey Don’t 08. I’ll Be Back 09. She’s a Woman 10. I Feel Fine 11. Everybody’s Trying to Be My Baby

Tracks LP Six: The Early Beatles01. Love Me Do 02. Twist and Shout 03. Anna (Go to Him) 04. Chains 05. Boys 06. Ask Me Why 07. Please Please Me 08. P.S. I Love You 09. Baby It’s You 10. A Taste of Honey11. Do You Want to Know a Secret

Tracks LP Seven: The Beatles’ Story 01. On stage with the Beatles 02. How Beatlemania began 03. Beatlemania in action 04. Man behind the Beatles - Brian Epstein 05. John Lennon 06. Who’s a millionaire? 07. Beatles will be Beatles 08. Man behind the music - George Martin 09. George Harrison 10. A Hard Day’s Night - Their First Movie 11. Paul McCartney 12. Sneaky haircuts and more about Paul 13. The Beatles look at life 14. Victims of Beatlemania 15. Beatle medley 16. Ringo Starr 17. Liverpool and all the world —————————————————

* Long Live Rock Archive

[krispyweiss]

Pete Best Band with the Cyrkle at Valley Dale Ballroom, Columbus, Ohio, July 28, 2024

Pete Best says his four-show American swing is designed to take audiences “back to the days I played with four guys named John Lennon, Paul McCartney, George Harrison and Stuart Sutcliffe.”

That it did. Though the crystal chandeliers that hung from the ceiling of Columbus, Ohio’s 1920s-era Valley Dale Ballroom likely didn’t remind Best of the dingy U.K. and European clubs in which he put the backbeat in the Beatles from 1960-’62.

Best made the comment after his eponymous Band’s opening salvo of “Rock and Roll Music,” “What I’d Say,” “One after 909” and “Chains,” which were played on a stage bookended by screens that showed images of the Best-era Beatles together on- and off-stage.

It was the one time on July 28 the 82-year-old, black-clad Best would emerge from behind his white Gretsch drum set, from which he, alongside brother Roag on an adjacent kit, drove the all-Liverpudlian quintet though 23 songs and 90 minutes of authentically rendered, pre-Fab Beatles music.

Recreating Beatles tracks is a ridiculously difficult proposition, as Best’s tour mates, the Cyrkle, demonstrated during their hourlong opening set. The Brian Epstein-managed group, which has two members remaining from the lineup that played on the Fabs’ ’66 tour, offered such selections as “If I Needed Someone,” “Eight Days a Week” and “While My Guitar Gently Weeps;” numbers by the Ides of March (“Vehicle”) and Ohio Express (“Chewy Chewy”); and its own two hits, “Turn Down Day” and “Red Rubber Ball.” The musicianship was shaky; the set list often beyond the Cyrkle’s grasp, particularly on the Beatles songs and McCartney’s “Maybe I’m Amazed.”

But where the Cyrkle stumbled, the PBB soared, reigniting a 60-plus-year-old jumble of energy on Beatles numbers both mostly forgotten (the Lennon-Harrison instrumental “Cry for a Shadow,” Lennon-McCartney’s “Hello Little Girl”) and still-beloved as with “P.S. I Love You” and “I Saw Her Standing There.”

Best’s wisdom lay in his sticking with his era and avoiding songs with which he wasn’t involved. Tony Flynn, who proved his Britishness by praising the virtues of Olive Garden’s Italian food, was particularly adept on throat-shredding numbers such as “Please Mr. Postman” and “Mr. Moonlight,” yet softer fare, including “Besame Mucho,” “Till There was You” and “Like Dreamers Do” fared just as well, sounding right at home in America in 2024.

And by the time the Pete Best Band said cheerio with the pairing of “Kansas City/Hey Hey Hey,” fans could only be grateful Best returned to music in the 1980s and continues to share the fruits of his truncated career with Beatlemaniacs who are better off for his musical generosity.

Sound Bites still isn’t sure what he expected from Best. But it surely wasn’t an exceptional gig such as this.

Pete Best Band setlist: “Rock and Roll Music;” “What I’d Say;” “One after 909;” “Chains;” “Please Mr. Postman;” “Hello Little Girl;” “Mr. Moonlight;” “P.S. I Love You;” “Roll over Beethoven;” “Besame Mucho;” “Cry for a Shadow;” “Till there Was You;” “Slow Down;” “Money (That’s What I Want);” “Like Dreamers Do;” “Ain’t She Sweet;” “My Bonnie;” “Lucille;” “Memphis, Tennessee;” “Some other Guy;” “I Saw Her Standing There;” “Twist and Shout;” “Kansas City/Hey Hey Hey”

Grade card: Pete Best Band with the Cyrkle at Valley Dale Ballroom - 7/28/24 - A/C-

7/29/24

[marivoid]

Entry 35

Day 228

After I spent a few hours walking the streets of the revived city, my attention had been drawn to an odd store.

"Pearl's Emperium Of Endless Knick-Knacks"

I like knick-knacks. And I was sure at the time Brian would like something shiny as well. (Birds do like shiny things after all with how often they crash into glass to get said shiny thing.) So I went inside!

And oh. Oh my goodness. The way I could write a whole novel about this place. It's just... Breathtaking. Walls that seem to never end, filled with all sorts of items that one couldn't find just wandering about. No, these items had to be discovered through intensive searching and scavenging. Hell, there was a whole section dedicated to books BEFORE the Crash!

(Even as I'm making this entry it still shocks me. How did they even manage to save those books?? From what the G.U.I.D.Es had to say, most were destroyed from the Meteor!)

Brian and I spent a decent hour just getting lost in the place. Could you blame us? The place was never ending! I even snagged a few items for myself (and Brian, by demand of loud caws and angry pokes.)

It was right around there when an arm threw itself around my shoulder and yanked me down.

"Jimmy! You shoulda told me you were comin' early! I would've been down here a lot sooner! Goodness you've gone and grown a couple inches! And befriending Brian, that's one skilled move right there-"

"Uhm... I'm not. I'm not Jimmy."

That poor woman jumped away from me like she had just touched acid. And I had gotten a look at her. She was... Definitely something I'd yet to see (Not all that shocking these days. May as well see somebody new every other day!)

The entire left side of her face was covered by a large, moon-shaped panel that had a bright red eye. The other side of her face was more human, tanned skin with freckles and a natural blue eye. Something odd yet... Not the oddest I've seen. Her outfit was also something nostalgic. An old postman's shirt, dirt stained overalls (-At least I hoped it was dirt as of writing this. Maybe not-) covered in hand-stitched sunflowers and a hooded cloak that seemed to be made up of a few different fabrics. Definitely... Odd. But somewhat refreshing to see.

"Sorry! You look a lot like my friend! Really sorry about that!" Her face was a comical shade of red when she extended her arm out to me. "Let's try this again, shall we mate? I'm Pearl! Pearlescent Moon! Proud owner of this Imperium you see before your very eyes! I hope you're enjoyin' it!"

She was a very cheerful spirit. And even I can admit now that her smile was infectious. "67." Her hand was rather cold when I shook it. "I'm enjoying it." A peck. "We. We are enjoying it. Lots of stuff to be found in such a huge place like this. I mean, three floors of just different items? Goodness!"

"Well isn't that an odd name for yourself? 67? Naming yourself after a number. New one on me... But yes! Either that or the CPCs bring all sorts of goodies for me to stock the shelves with!"

Another term I was rather unfamiliar with. "CPC?"

"Canaries, Parrots and Crows! You really do know nothing about the Crashlands do ya?"

"I-I would beg to differ." Did I stick out like a sore thumb back then? Yes. Do I still stick out like a sore thumb as of now? Yep. But to admit that in front of this Pearl woman? Nope. Not gonna happen.

"Uh huh. Anyways, I should get going and leave you be! I have a friend I'm waiting on!"

"Jimmy, I assume?"

Another nod tossed my way. "Jimmy. He's the Canary of the CPC. Lives here a lot with his body guard!"

That caught my interest back then. I look back at it now and wish I'd never even asked. "Who's his bodyguard? Are they hiring, perhaps?"

"Well his body guard is unofficial- We just call-"

"PEAAARL!"

A flash of yellow feathers and blue cloth whizzed past me. It tackled Pearl into the ground and only then did it click. "Ohhh. That's Jimmy."

"Yep-"

"You two were talking about me?!" His voice was much higher pitched than my own (I can still hear it now, screaming in my ears.) as he ranted on about how "I've told you that I've been busy..." Or something along those lines. I was a bit too busy staring at the person standing in the midst of the chaos.

Somebody I thought was dead.

The same man that I shared my first kiss with.

The same, freckled faced, blue haired male that used to make a fuss over my hair looking somewhat decent in the morning.

Scott.

[consanguinitatum]

David Tennant's Early Work: the short film 'Bite'

My normal David Tennant thread heads in a new direction: to one of his rare first performances on film as opposed to TV and theatre: the short film Bite. I've got personal history with this short, so it's dear to my heart.

Bite is one of DT's long-lost gems. Most of his fans know it exists, but few have seen it. It was produced by Su Bainbridge and written by Andrea Gibb, who DT fans may recognize as the author of the brilliant DT audio Sunburst Finish. Paddy Cunneen, who also wrote the music for The Pillowman, was its musical composer. Directed by Brian Ross and with a running time of 6:58, Bite was produced on 16mm film and screened at the Edinburgh Film Festival in 1997. It was broadcast in Nov 1997 as part of an STV arts program called Don’t Look Down.

But what is Bite about? "Bite is a film about Alistair Galbraith, a passive postman who tires of being a spectator in his own life and decides to take control. When Alistair’s wife, Alison, commits adultery on their wedding day and shortly afterwards he is savaged by a ferocious dog, Alistair hits rock bottom, unable to cope with even the most undemanding of life’s tasks. From the depths of despair, he is galvanized into action and in true anti-hero style sets out to take revenge on those who have wronged him. Through taking this action, he is re-born."

David played Alastair Galbraith and his wife, Alison, was played by Sharon Small, who recently reunited with David onstage in the play, Good.

At this juncture everyone usually asks, "Can I see it?" Yep! You can reserve a viewing time if you're close to the Moving Image Archive in Glasgow, as a copy is held for private and research viewing only. And I'm pretty sure it's available, either directly or indirectly, because of me!

But before I get into that (it's the personal aspect I talked about earlier) here’s a bit of Bite you can see. The film's editor, Gary Scott, has a :44 extract of the film online right here!

ALSO - SPOILER ALERT - If you're interested in a blow-by-blow spoilery summation of 'Bite' because you can't visit Glasgow to see the short, here's a detailed plot summation.

And now: how I wheedled it so Bite became available to view.

When I discovered back in 2014 that a copy of Bite was archived at the Scottish Screen Archive (now the Moving Image Archive) but not available - while his earlier short film SPACES was? - it made me wonder why, so I made inquiries at the archive to see why. It turned out SPACES had a viewable copy, but the copy of Bite in the archive was still on 16mm.

Now, this would've stopped any ordinary human being.

I am not an ordinary human being.

I was not a professional archivist then but I am now. The decision to become one this late in my life is partially due to my love of knowledge, organization and research, but also to my experiences since becoming - basically - an archivist and researcher with regards to DT's body of work. These things combined makes me rather dogged when there’s something I wish to attain.

I learned Bite was on 16mm and they couldn't make a viewing copy. Why? Because it was in copyright. And even funnier? They didn't know who held the rights! But I thought it should be available, so - even though I'm in the US and everyone else was in the UK - I decided to try and make that happen.

Archive personnel suggested I ask Creative Scotland about the rights, who suggested I ask the film’s production company. I was told it was rumored they had a VHS/beta copy of the film. I contacted each and every one of them to find out if this was true.

After months of back-and-forth emailing with the production company and soldiering on even through staffing rotations and I had to retell my entire story of the hunt again and again, I was still in a state of limbo. Finally the production company said they for sure did not have a copy of it but they could begin to negotiate with the National Library of Scotland for one. A few months later they learned they'd be able to procure a copy, but it would cost them X amount for a post-production company to digitize the 16mm, etc., etc.

Progress, right? Frankly, it felt like a scene in a comedy, as each thread in this chain of people needed to make their own copy in this format by this company for this archive or that person or...you get the gist. And no one could tell me if it would actually get done. So I kept reaching out. To make a ridiculously long story short, one full YEAR afterwards, the archive finally managed to obtain a copy that was viewable for others to view onsite!

That was a reward in and of itself. An obscure piece of David's body of work had been pulled from its original 16mm - where it might have languished forever - and preserved on a format available to us today. But I got a few tangible rewards, too. One, an email from the production company's owner that made me laugh harder than I'd laughed for a while: "Feck my old tin boots! I’ve just looked at who we cast in that film!"

Yes, sir. You DID cast David Tennant! Indeed you did!

And two, my very own copy of Bite (which, of course, I had to sign my life away for!) I got permission to release some screen shots, but that was it. And while it felt like an acknowledgement, I'm really just pleased we rescued it.

I took my copy to a convention DT was attending, and when I laid it down, he immediately looked up at me. "How - and where - did you get THAT?"

I laughed. "Persistence?"

He laughed and shook his head. "I hadn't thought of that one in a while. I remember that dog."

"You were a great postman."

And he was.

Lastly, I thought I should post some new screenshots. Sorry they're not great quality, but neither is my copy.

[hellomystraightlacedfriend]

Spider-Woman (1978) #50

Ann Nocenti/Brian Postman

[singeratlarge]

HAPPY BIRTHDAY to Paul Badura-Skoda, singer-songwriter Bruce Barr, composer-guitarist Glenn Branca, William Butler (Arcade Fire), Roseanne Cash’s 2009 album THE LIST, Le Corbusier, Kevin Cronin, Britt Ekland, my cousin Daniel Ertel, The Fisk Jubilee Singers (1871), Ioan Gruffudd, Fannie Lou Hamer, Thor Heyerdahl, David Hidalgo (Los Lobos), the 1929 film THE JAZZ SINGER (the first major “talkie”), Mylon LeFevre, “Swedish Nightingale” Jenny Lind (she filled concert halls before microphones were invented), Carole Lombard, Thomas McClary (Commodores), The Monkees 1969 appearance on the LAUGH-IN TV show, Meg Myers, producer Jim Pierson, Shostakovich’s 6th Iron Quartet (1956), Fay Spain, Millie Small, Matthew Sweet, Karol Szymanowski, George Westinghouse, and the 1965 single by The Supremes, “I Hear a Symphony.” The song is a romantic idyll for the wonders of a lover, and it was the 6th #1 hit single for The Supremes. It was composed by the incomparable Motown Records songwriting team of Brian Holland, his brother Eddie, and Lamont Dozier. They’d been writing since they were teenagers and wrote hits for The 4 Tops, Marvin Gaye, Martha Reeves, and others. Dozier said, “We were keeping up not only with what was going on at Motown, but in the world, meaning The Beatles, The Beach Boys…There was definitely a standard…Everything that came out had a signature as well as it had to sound like a hit.” Dozier said they’d regularly go to chamber, opera, and symphony concerts “for song concepts.” Baroque, electronic, ethnic, and orchestral influences became part of “the Motown sound.”

“I Hear a Symphony” was a turning point. Early Motown hits like “Money” and “Please Mr. Postman” were rooted in r’n’b, rock’n’roll, and gospel, and they sold mostly to teens, but Motown President Berry Gordy envisioned a broader audience. Ray Charles had already merged “strings with soul,” but his audience was older. The Beach Boys, Phil Spector, The Beatles, and other British Invasion pop acts cherry-picked ideas from musicals, classical, and the avant-garde (perhaps prophesying the “progressive rock era” when Keith Emerson would do Bartok, Bernstein, and boogie-woogie in one flash). By comparison, Motown was even more pro-active about marrying classical, jazz, and pop/rock to “soul music.” Motown arrangers (Paul Riser, etc.), were inspired by Broadway and the jazz orchestrations of Duke Ellington and George Gershwin. They hired musicians from the Detroit Symphony to connect elegance with The Funk Brothers, the Motown house band. “I Hear a Symphony” features the muscular drumming of Benny Benjamin and the distinctive baritone sax solo of Mike Terry. 

Singing it demanded an exuberance that stretched the vocal abilities of then-22 year old Diana Ross. She still claims it’s one of her favorite Supremes songs to do, and it’s on my list of 12 pieces of music that changed my life. https://www.youtube.com/watch?v=bpL1TTxffO0

#birthday #dianaross #supremes #symphony #motion

[mappingthemoon]

Movies/TV Watched 2023

The Postman Always Rings Twice / Bob Rafelson (1981)

Secretary* / Steven Shainberg (2002)

Spirited Away* / Hayao Miyazaki (2001)

Watcher / Chloe Okuno (2022)

The Talented Mr. Ripley / Anthony Minghella (1999)

Pride & Prejudice / Joe Wright (2005)

Moonage Daydream / Brett Morgan (2022)

Volver / Pedro Almodóvar (2006)

Belfast / Kenneth Branagh (2021)

The Last Picture Show / Peter Bogdanovich (1971)

I, Tonya / Craig Gillespie (2017)

The Postman Always Rings Twice / Tay Garnett (1946)

Rocketman / Dexter Fletcher (2019)

The Unholy / Evan Spiliotopoulos (2021)

Mara / Clive Tonge (2018)

Frogs / George McCowan (1972)

Prometheus / Ridley Scott (2012)

Men / Alex Garland (2022)

All the Right Moves / Michael Chapman (1983)

Poseidon / Wolfgang Petersen (2006)

Saint Maud / Rose Glass (2019)

Monstrous / Chris Sivertson (2022)

Wander Darkly / Tara Miele (2020)

Howl’s Moving Castle / Hayao Miyazaki (2004)

Iris / Albert Maysles (2014)

Lamb / Valdimar Jóhannsson (2021)

In Fabric / Peter Strickland (2018)

The Elephant 6 Recording Co. / C.B. Stockfleth (2022)

The Visitor / Justin P. Lange (2022)

Smile / Parker Finn (2022)

Yellowjackets [szn 1-2] (2021-2022)

It Comes at Night / Trey Edward Shults (2017)

Everything Everywhere All at Once / Daniel Kwan, Daniel Scheinert (2022)

Black Bear / Lawrence Michael Levine (2020)

mother! / Darren Aronofsky (2017)

Weird: The Al Yankovic Story / Eric Appel (2022)

X / Ti West (2022)

I Heart Huckabees* / David O. Russell (2004)

The Right Stuff / Philip Kaufman (1983)

Goliath Awaits / Kevin Connor (1981)

Poltergeist* / Tobe Hooper (1982)

Doctor Who [TV Movie]* / Geoffrey Sax (1996)

Earthstorm / Terry Cunningham (2006)

Lake Eerie / Chris Majors (2016)

Fantastic Planet* / René Laloux (1973)

Synecdoche, New York* / Charlie Kaufman (2008)

Flight of the Navigator* / Randal Kleiser (1986)

NOPE / Jordan Peele (2022)

Women Talking / Sarah Polley (2022)

Striking Distance / Rowdy Herrington (1993)

Vivarium / Lorcan Finnegan (2019)

Saw* / James Wan (2004)

A Peculiar Noise / Jorge Torres-Torres (2016)

In the Earth / Ben Wheatley (2021)

Cats 2 / Jake Jones (2023)

Bringing Out the Dead* / Martin Scorsese (1999)

The Last Blockbuster / Taylor Morden (2020)

The Dance of Reality / Alejandro Jodorowsky (2013)

In the Mouth of Madness / John Carpenter (1994)

The Chamber / Ben Parker (2016)

Tenet / Christopher Nolan (2020)

Synchronic / Justin Benson, Aaron Moorhead (2019)

Paprika / Satoshi Kon (2006)

The Menu / Mark Mylod (2022)

Sunshine / Danny Boyle (2007)

Devil’s Island / Sean King, Taylor King (2021)

Benedetta / Paul Verhoeven (2021)

Scotland, PA* / Billy Morrissette (2001)

The Cook, the Thief, His Wife & Her Lover / Peter Greenaway (1989)

The Color of Pomegranates* / Sergei Parajanov (1969)

Face/Off* / John Woo (1997)

E.T. the Extra-Terrestrial / Steven Spielberg (1982)

The Gilded Age (PBS American Experience) / Sarah Colt (2018)

Aniara / Pella Kågerman, Hugo Lilja (2018)

How the Grinch Stole Christmas* / Chuck Jones, Ben Washam (1966)

The Quake / John Andreas Andersen (2018)

The Guilty / Gustav Möller (2018)

The Muppet Christmas Carol* [VHS] / Brian Henson (1992)

M3GAN / Gerard Johnstone (2022)

Caught / Jamie Patterson (2017)

Shot / Jeremy Kagan (2017)

A Charlie Brown Christmas* / Bill Melendez (1965)

Body at Brighton Rock / Roxanne Benjamin (2019)

Trancers / Charles Band (1984)

Higher Power / Matthew Charles Santoro (2018)

*Asterisk = rewatch

Favorites first watched in 2023: Men, In Fabric, Yellowjackets, Everything Everywhere All at Once, mother!, NOPE, The Dance of Reality. (ETA: Vivarium and Aniara, which I wouldn't necessarily call "favorites" but they've stuck with me.)

Favorite rewatches: Secretary, I Heart Huckabees, Poltergeist, Bringing Out the Dead

[ultradude13]

Spider-Woman #47 Cover Recreation 2012 by Brian Postman, in shaun clancy's Cover Recreations #3 Comic Art Gallery Room

[browsethestacks]

Spider-Woman (1982-1983)

Art by Brian Postman And Joe Rubinstein / Brian Postman And Brett Breeding

[tonto-splace]

18.02.2024 | 16:04

I've started to work on a backend project which was actually a home task for .NET Backend Dev position with aim of developing REST API. Also started to read 'An Introduction to APIs' by Brian Cooksey'(I wish I discovered this while I was still studying, clear explanation for absolute beginners) because I figured that my C# and web skills got rusty a bit since I was using Python for a long time for both Flask projects and autonomous robot development. Application works fine right now, I tested via Postman but wanna try testing via Swagger one more time to learn what it is because the company I applied was using that. I am also planning to apply JWT authentication today and we will see how it will go.

[tomoleary]

“Mark Gruenwald, Brian Postman, and Joe Rubinstein Official Handbook of the Marvel Universe #2 Circus of Crime Illustration Original Art (Marvel, 1983). Although obviously inspired by the art of Steve Ditko (and even credited to him in the published issue), this piece was actually created after editor Mark Gruenwald rejected the piece that Steve Ditko turned in. Gruenwald then used the image of some of the characters from Amazing Spider-Man Annual #2 (by Steve Ditko) to create the linework for this piece. Brian Postman added some figures, and then Joe Rubinstein inked the Ditko-Homage.”

https://comics.ha.com/itm/original-comic-art/illustrations/mark-gruenwald-brian-postman-and-joe-rubinstein-official-handbook-of-the-marvel-universe-2-circus-of/a/7244-95224.s