#Brandon Scullion
Explore tagged Tumblr posts
Text
THE NEW HANDS (2021) Sally Kirkland, Felissa Rose horror - trailer and release news
‘Your life is in his hands’ The New Hands is a 2021 American horror film about a man who believes cutting off his recently mangled hands and replacing them with a new set he’s constructed from the pieces of his victims will bring his ex-girlfriend back to him. Written and directed by Brandon Scullion based on his short of the same name. Produced by John R. Blythe, Alexander T. Hwang and Pat…
View On WordPress
#2021#Brandon Scullion#Felissa Rose#film#horror#Lexi Graboski#movie#Sally Kirkland#Stephen Wu#The New Hands#trailer
0 notes
Text
Jon & Theon parallels
This isn't comprehensive but I wanted to do a post on moments of convergence between Jon & his literary foil Theon. Their place of origin in the series is the same: outcasts in Winterfell. Jon has love from his family, but no title. Theon has a title, but no true family. In opposing order they both undergo a ruling arc (Theon in ACOK, Jon in ASOS/ADWD) and one in which they have to assume another identity in order to survive (Reek, Jon in Mance's camp). In ADWD, both of them encounter a false Arya and deal with themes of ruin/resurrection.
Jon & Theon's relationship to each other isn't friendship, although they both seem able to recognize themselves through the other.
He had never truly been a Stark, only Lord Eddard's motherless bastard, with no more place at Winterfell than Theon Greyjoy.
-ASOS, Jon III
As if ten years in Winterfell could make a Stark. Lord Eddard had raised him among his own children, but Theon had never been one of them. The whole castle, from Lady Stark to the lowliest kitchen scullion, knew he was hostage to his father's good behavior, and treated him accordingly. Even the bastard Jon Snow had been accorded more honor than he had.
-ACOK, Theon I
WINTERFELL DREAMS
I've talked about this before but Theon & Jon experience complementary dreams of Winterfell. They're two halves of the same: Theon in the feast hall, with the risen dead. Jon in the crypts below, with the rising dead. In each case, they're the only person alive. Theon's is touched by guilt because many of those seated are people he killed/had killed. Jon's is recurring and seizes on his feelings of not belonging.
Up above he heard drums. They are feasting in the Great Hall, but I am not welcome there. I am no Stark, and this is not my place.
-AGOT, Jon VII
Last night he had dreamed the Winterfell dream again. He was wandering the empty castle, searching for his father, descending into the crypts. Only this time the dream had gone further than before. In the dark he’d heard the scrape of stone on stone. When he turned he saw that the vaults were opening, one after the other. As the dead kings came stumbling from their cold black graves, Jon had woken in pitch-dark, his heart hammering.
-ASOS, Jon VIII
King Robert sat with his guts spilling out on the table from the great gash in his belly, and Lord Eddard was headless beside him. Corpses lined the benches below, grey-brown flesh sloughing off their bones as they raised their cups to toast, worms crawling in and out of the holes that were their eyes. He knew them, every one; Jory Cassel and Fat Tom, Porther and Cayn and Hullen the master of horse, and all the others who had ridden south to King’s Landing never to return. Mikken and Chayle sat together, one dripping blood and the other water. Benfred Tallhart and his Wild Hares filled most of a table. The miller’s wife was there as well, and Farlen, even the wildling Theon had killed in the wolfswood the day he had saved Bran’s life.
But there were others with faces he had never known in life, faces he had seen only in stone. The slim, sad girl who wore a crown of pale blue roses and a white gown spattered with gore could only be Lyanna. Her brother Brandon stood beside her, and their father Lord Rickard just behind. Along the walls figures half-seen moved through the shadows, pale shades with long grim faces. The sight of them sent fear shivering through Theon sharp as a knife.
-ACOK, Theon V
UNLIKELY MENTOR FIGURE
"Some great lord was he, this Donal Noye? One of your shiny knights in their steel smallclothes?"
"A blacksmith. He only had one arm."
-ASOS, Jon X
Dagmer grinned more often and more broadly than Lord Balon ever had.
Ugly as it was, that smile brought back a hundred memories. Theon had seen it often as a boy, when he'd jumped a horse over a mossy wall, or flung an axe and split a target square. He'd seen it when he blocked a blow from Dagmer's sword, when he put an arrow through a seagull on the wing, when he took the tiller in hand and guided a longship safely through a snarl of foaming rocks. He gave me more smiles than my father and Eddard Stark together. [...]"You and I must talk, Uncle," Theon said. Dagmer was no true uncle, only a sworn man with perhaps a pinch of Greyjoy blood four or five lives back, and that from the wrong side of the blanket. Yet Theon had always called him uncle nonetheless.
-ACOK, Theon III
I HAD TO PROVE MYSELF
"I've told you the truth. Our garrons were failing, and Rattleshirt was close behind us. Qhorin told me to pretend to join the wildlings. 'You must not balk, whatever is asked of you,' he said. He knew they would make me kill him. Rattleshirt was going to kill him anyway, he knew that too."
-ASOS, Jon IX
Iron Emmett pulled his battered helm off. "Was there some part of yield you could not comprehend, Lord Snow?" It was said amiably, though. Emmett was an amiable man, and he loved the song of swords. "Warrior defend me," he groaned, "now I know how Qhorin Halfhand must have felt."
That was too much. Jon wrenched free of his friends and retreated to the armory, alone.
-ASOS, Jon XII
Ned Stark's sons are all dead, Reek thought. Robb was murdered at the Twins, and Bran and Rickon… we dipped the heads in tar… His own head was pounding. He did not want to think about anything that had happened before he knew his name. There were things too hurtful to remember, thoughts almost as painful as Ramsay's flaying knife…
-ADWD, Reek III
It was not Bran we killed. It was not Rickon. They were only miller's sons, from the mill by the Acorn Water. "I had to have two heads, else they would have mocked me… laughed at me… they…"
-ADWD, A Ghost in Winterfell
RULERS HAVE THEIR WAYS
This is a foil, but interesting to me because while Jon does "the right thing" by making Melisandre come to him, he doesn't heed her advice and ultimately gets stabbed just like she told him he would be. Theon also doesn't take Asha's advice and remains in Winterfell + gets captured + L + ratio etc etc.
Melisandre had seen his danger before, had tried to warn the boy of it. Enemies all around him, daggers in the dark. He would not listen. [...]
The boy was not entirely naive, however. He knew better than to come to Melisandre's chambers like a supplicant, insisting she come to him instead should she have need of words with him. And oft as not, when she did come, he would keep her waiting or refuse to see her. That much, at least, was shrewd.
-ADWD, Melisandre I
"Come, let us go somewhere we can speak more privily."
She was right, he knew, though it galled him that she would make that decision. I should never have come to the hall, he realized belatedly. I should have summoned her to me. [...]
Theon adjusted his crown. "I took this castle and I mean to hold it."
His sister looked at him a long time. "Then hold it you shall," she said, "for the rest of your life."
-ACOK, Theon V
THE CLOTHES MAKE THE MAN
Jon's breath misted the air. If I lie to him, he'll know. He looked Mance Rayder in the eyes, opened and closed his burned hand. "I wear the [sheepskin] cloak you gave me, Your Grace."
-ASOS, Jon II
When they saw who the Watch had sent, Harma turned her head and spat, and one of Varamyr's wolves bared its teeth and growled. "You must be very brave or very stupid, Jon Snow," Mance Rayder said, "to come back to us wearing a black cloak."
"What else would a man of the Night's Watch wear?"
-ASOS, Jon IX
"A bath?" Reek felt a clenching in his guts. "I… I would sooner not, m'lord. Please. I have… wounds, I… and these clothes, Lord Ramsay gave them to me, he… he said that I was never to take them off, save at his command…"
"You are wearing rags," Lord Bolton said, quite patiently. "Filthy things, torn and stained and stinking of blood and urine. And thin. You must be cold. We'll put you in lambswool, soft and warm. Perhaps a fur-lined cloak. Would you like that?"
"No." He could not let them take the clothes Lord Ramsay gave him. He could not let them see him.
-ADWD, Reek III
They are using me to cloak their deception, putting mine own face on their lie. That was why Roose Bolton had clothed him as a lord again, to play his part in this mummer's farce. Once that was done, once their false Arya had been wedded and bedded, Bolton would have no more use for Theon Turncloak.
-ADWD, The Prince of Winterfell
SHE HAUNTS ME
Jon wondered where Ghost was now. Had he gone to Castle Black, or was he was running with some wolfpack in the woods? He had no sense of the direwolf, not even in his dreams. It made him feel as if part of himself had been cut off. Even with Ygritte sleeping beside him, he felt alone. He did not want to die alone.
-ASOS, Jon V
You know nothing, Jon Snow, Ygritte used to say, but he had learned.
-ADWD, Jon I
Kyra nestled against him, one arm draped lightly over his, her breasts brushing his back. He could hear her breathing, soft and steady. The sheet was tangled about them. It was the black of night. The bedchamber was dark and still. [...] All's well, Greyjoy. Hear the quiet? You ought to be drunk with joy. You took Winterfell with fewer than thirty men, a feat to sing of. Theon started back to bed. He'd roll Kyra on her back and fuck her again, that ought to banish these phantoms. Her gasps and giggles would make a welcome respite from this silence.
He stopped. He had grown so used to the howling of the direwolves that he scarcely heard it anymore. . . but some part of him, some hunter's instinct, heard its absence.
-ACOK, Theon IV
Last night, unable to sleep, Theon had found himself brooding on escape, of slipping away unseen whilst Ramsay and his lord father had their attention elsewhere. Every gate was closed and barred and heavily guarded, though; no one was allowed to enter or depart the castle without Lord Bolton's leave. Even if he found some secret way out, Theon would not have trusted it. He had not forgotten Kyra and her keys.
-ADWD, The Turncloak
Point of note that both Theon & Jon have their sleep/peace disturbed by the absence of a direwolf.
I don't want to simplify this to Jon's feelings towards Ygritte = Theon's feelings towards Kyra, nor are they inversed. They're not the same situation, and ultimately Theon does rape Kyra. She turns to him in the Dreadfort because she feels she has no other choice, and in their escape attempt Theon is quick to suggest they split. Of course doing that would have raised her chances of survival from 0% to 50% but she wasn't in the mental space to be able to do that. She's isn't a warrior while Ygritte is, isn't prepared for death the way Ygritte claims to be.
But Kyra put her trust in Theon, and he hurt her in Winterfell/was unable to save her running from Ramsay. The latter wasn't his fault but it is what haunts Theon, to the point that it discourages his own escape fantasies. Ygritte similarly trusted Jon as a turncloak in his own right, saves his life, and dies in his arms because he was able to warn the Watch of the Thenns coming.
Jon thinks of her often afterwards. He learns. Which leads me to this:
FALSE ARYA STARK
Alys knelt before him, clutching the black cloak. "You are my only hope, Lord Snow. In your father's name, I beg you. Protect me."
-ADWD, Jon IX
"Help me." She clutched at him. "Please. I used to watch you in the yard, playing with your swords. You were so handsome." She squeezed his arm. "If we ran away, I could be your wife, or your… your whore… whatever you wanted. You could be my man."
-ADWD, The Prince in Winterfell
Both Jon & Theon oversee two snowy weddings in ADWD, one happy-ish and one miserable. They give away the respective brides and with that gesture, help to consolidate Northern power (Alys over Karhold & Roose/Ramsay over Winterfell). Both of them do end up saving Alys & Jeyne respectively, although Theon only later and at much more risk of harm than Jon. Once again, they're the same yet opposite - Jon helps Alys by making her a marriage with an enemy of the Starks (free folk), allowing her to step into her true rights. Theon helps Jeyne by rescuing her from a marriage with an enemy of the Starks (House Bolton), relying on her false identity to do so. Both of them cause a blow to the Lannister agenda in the North. And both of them are completely unaware of the other.
This is the sort of storytelling I enjoy for several reasons, but mainly that last part. Theon & Jon often run in tandem but they are so disconnected from each other/in such different contexts that their parallels still offer completely unique insights. Theon and Jon could exist without each other but juxtaposed together they add another layer.
63 LIVES IN THE BALANCE
"The choice is yours," Jon Snow told them. "Those who want to help us hold the Wall, return to Castle Black with me and I'll see you armed and fed. The rest of you, get your turnips and your onions and crawl back inside your holes."[...] By the time the last withered apple had been handed out, the wagons were crowded with wildlings, and they were sixty-three stronger than when the column had set out from Castle Black that morning.
-ADWD, Jon V
He is drunk, Reek realized. The ale is speaking. "Believe what you want. I have brought Lord Ramsay's message. Now I must return to him. We'll sup on wild boar and neeps, washed down with strong red wine. Those who come with me will be welcome at the feast. The rest of you will die within a day."
[...] Along the rotting-plank road, wooden stakes were driven deep into the boggy ground; there the corpses festered, red and dripping. Sixty-three, he knew, there are sixty-three of them. One was short half an arm. Another had a parchment shoved between its teeth, its wax seal still unbroken.
-ADWD, Reek II
Basically Theon and Jon both threaten starvation against the wildlings & the ironborn in Moat Cailin respectively, offering safety to those who join them instead. Jon does this for the purpose of manning the Wall; Theon does this to open the Neck for Ramsay. The same yet opposite.
THE TREES KNOW ME
A weirwood.
It seemed to sprout from solid rock, its pale roots twisting up from a myriad of fissures and hairline cracks. The tree was slender compared to other weirwoods he had seen, no more than a sapling, yet it was growing as he watched, its limbs thickening as they reached for the sky. Wary, he circled the smooth white trunk until he came to the face. Red eyes looked at him. Fierce eyes they were, yet glad to see him. The weirwood had his brother's face. Had his brother always had three eyes?
[...]He sniffed at the bark, smelled wolf and tree and boy, but behind that there were other scents, the rich brown smell of warm earth and the hard grey smell of stone and something else, something terrible. Death, he knew. He was smelling death. He cringed back, his hair bristling, and bared his fangs.
-ACOK, Jon VII
The old gods, he thought. They know me. They know my name. I was Theon of House Greyjoy. I was a ward of Eddard Stark, a friend and brother to his children. "Please." He fell to his knees. "A sword, that's all I ask. Let me die as Theon, not as Reek." Tears trickled down his cheeks, impossibly warm. "I was ironborn. A son… a son of Pyke, of the islands."
A leaf drifted down from above, brushed his brow, and landed in the pool. It floated on the water, red, five-fingered, like a bloody hand. "…Bran," the tree murmured.
They know. The gods know. They saw what I did. And for one strange moment it seemed as if it were Bran's face carved into the pale trunk of the weirwood, staring down at him with eyes red and wise and sad. Bran's ghost, he thought, but that was madness. Why should Bran want to haunt him?
-ADWD, The Prince in Winterfell
In Jon's vision following the above quote, it is actually Bran speaking to him (Bran has an analogous dream) while he's in the crypts. Jon thinks he smells of death although the tree with his face on it is still growing. Alive yet dead, sort of like a ghost!
This intrigues me because arguably Arya is also contacted by Bran through the weirwoodnet in several places yet she doesn't have an experience like this. Bran isn't just reaching out to anyone he can, he chooses Jon & Theon specifically. Possibly.
DEAD MAN WALKING
The smells are stronger in my wolf dreams, he reflected, and food tastes richer too. Ghost is more alive than I am. He left the empty cup upon the forge.
-ADWD, Jon II
Theon wondered if he would ever see the Drowned God's watery halls, or if his ghost would linger here at Winterfell. Dead is dead. Better dead than Reek.
-ADWD, Theon I
It's funny because Jon actually will likely become Ghost for a time and Theon is immediately sentenced to death upon reclaiming his identity (you have to know your name).
...and finally:
THE SWORD OF DAMOCLES
Where their literary relationship really comes together is in the fact that they wind up embodying each other's dreams. Jon has always dreamed of being Lord of Winterfell, earning a name, of serving & saving Starks.
When Jon had been Bran's age, he had dreamed of doing great deeds, as boys always did. The details of his feats changed with every dreaming, but quite often he imagined saving his father's life. Afterward Lord Eddard would declare that Jon had proved himself a true Stark, and place Ice in his hand.
-AGOT, Jon VIII
"It is a dream for spring, though," Lord Eddard had said. "Even the promise of land will not lure men north with a winter coming on."
If winter had come and gone more quickly and spring had followed in its turn, I might have been chosen to hold one of these towers in my father's name. Lord Eddard was dead, however, his brother Benjen lost; the shield they dreamt together would never be forged.
-ASOS, Jon V
He wanted it, Jon knew then. He wanted it as much as he had ever wanted anything. I have always wanted it, he thought, guiltily. May the gods forgive me. It was a hunger inside him, sharp as a dragonglass blade.
-ASOS, Jon XII
Theon gets to fight in Robb's campaign. Theon is trusted with the message to Pyke. Theon carries his father's name and Theon is the briefly Prince of Winterfell in ACOK + has a chapter "The Prince of Winterfell" in ADWD. And what does that do for him? Nothing.
Meanwhile, Theon desires the love/respect of family. Theon imagines a future where he's Lord Commander when his back is against the Wall. In the ruins of Winterfell, Theon wishes to be and die ironborn.
I have black garb aplenty, once I tear the krakens off. Even my horse is black. I could rise high in the Watch—chief of rangers, likely even Lord Commander. Let Asha keep the bloody islands, they're as dreary as she is. If I served at Eastwatch, I could command my own ship, and there's fine hunting beyond the Wall. As for women, what wildling woman wouldn't want a prince in her bed? A slow smile crept across his face. A black cloak can't be turned. I'd be as good as any man. . .
-ACOK, Theon VI
He remembered a time when he had thought that Lord Eddard Stark might marry him to Sansa and claim him for a son, but that had only been a child's fancy.
-ADWD, Reek I
"A sword, that's all I ask. Let me die as Theon, not as Reek." Tears trickled down his cheeks, impossibly warm. "I was ironborn. A son… a son of Pyke, of the islands."
-ADWD, The Prince in Winterfell
It's Jon who rises to the high command. It's Jon whose family motivates him (compare Jon leaving the Watch for Arya to Theon's flimsy excuse of killing Bran & Rickon for Rodrik & Maron). And it's Jon who will be resurrected from death. And what sort of life is that?
Where am I going? What am I doing? Castle Black was still and silent, its halls and towers dark. My seat, Jon Snow reflected. My hall, my home, my command. A ruin.
-ADWD, Jon VI
Despite his bastard birth, or perhaps because of it, Jon Snow had dreamed of leading men to glory just as King Daeron had, of growing up to be a conqueror. Now he was a man grown and the Wall was his, yet all he had were doubts. He could not even seem to conquer those.
-ADWD, Jon VII
Equally incomplete.
#jon snow#theon greyjoy#jonsnowmonth2022#asoiaf#valyrianscrolls#text#putting under a line cause it's long oops#rape mention
84 notes
·
View notes
Text
Fantasy Guide to Royal Households and How they Work
When I say Households, I mean the entourage that follows around the royal family. The household went everywhere with them to care for their needs from the people who would empty their chamber pots to their noble companions. Most royal households are basically the same as noble ones, only on grander scale. Every royal had a household and an entourage as well as every noble at court.
Palace Personnel ~ The Commons
The commons were an intregal part of every household. They made up perhaps 80% of the work force. Royal courts were often on the road and never spent more than a few months at every palace. The court was constantly moving. Some positions were not permanent, meaning certain servants did not travel with the court because they were employed at the palace only. They would be paid by the Monarch's paymaster.
Scullion: The scullion was a relatively easy position to fill so they were often changed as the court went from palace to palace. They would be responsible for scrubbing and cleaning the servants quarters and the kitchens. They would scrub floors with lye, scour pots with sand, sweep put the fireplace and clean up after the other servants. They were the first to rise in a castle and tasked to light all the fires in the kitchens. Scullions would just be employed to the palace and serve a multitude of chambers
Laundress: The laundress was responsible for the cleaning of anything made of fabric in the household. Since they are handling unmentionables, they knew what happened behind closed bedchamber doors. They knew when the King visited the Queen or hadn't, they knew when marriages were consummated or not and they knew when the Queen and royal women were not pregnant. They often sold secrets to pad their pockets. Laundresses might be permanent staff but sometimes not.
Minstrels: The minstrel was a commoner hired to play an instrument or sing for the entertainment of the royal. A royal might staff a few at a time but they would always have one on hand. The minstrel would likely come with their masters as they travelled. The minstrel might serve the main royal household but a royal might retain their own.
Cook: The cook was one of the most important servants in the household. They would have the task of overseeing the running of the kitchens and keeping supplies in order. They would likely be on call at all times. Henry VIII's cook was often woken in the night because his royal master wanted a midnight snack. The cook was a valued member of the household and would have been highly sought after if they were a very skilled cook. They would have travelled with the joint. Cooks were apart of the greater royal household but often royals retained private cooks for their own use.
Maidservant: The maidservant cleans the castle. She would sweep the floors, scrub them, empty the chamberpots, get rid of the ashes from the fire and ready the fire for later. She would make up the bed or strip it for the laundresses. She would wash anything that needed washing including furniture and ornaments. She was likely not a travelling servant and would be strictly employed at a single palace.
Jester: The jester was the hired entertainer. Working under the master of revels, the jester had the daunting task of making the monarch and their family laugh. They would tell jokes, tell stories, cause havoc in the court for laughs and lighten the mood. The most successful jester of all time was Will Somers, jester to Henry VIII. Will broke bad news to the infamously bad tempered monarch and got away with things that would have sent others to the block. Will survived most of Henry's reign, his head intact. Jesters would be apart of the main household though each royal might have one of their own.
Positions within the Royal Household ~ Noble
Nobility were always welcomed at court. They eat at court, slept at court and were cared for by the monarch. Some nobles had to sing for their supper and most were hired as royal servants. They weren't exactly scrubbing floors and would be paid handsomely with land that would generate wealth for them
The Steward/Seneschal: This person was the head of the royal's staff. They would have the task of running the lands and servants their master or mistress. The steward served as a backup and assistant in all the tasks even representing their master or mistress when they were unavailable. Would be a high ranking noble. Each royal household would have them.
Treasurer of the Household: The treasurer was the accountant and pay master. They would be in charge of ensuring debts were settled, wages were paid and the household was running within the budget. This was a coveted position because it gave the treasurer insight into the financial situations of the royals. Such info was wroth its weight in gold. Each royal would have one.
Usher: The Gentleman Usher would be in charge of escorting guests into the royal chambers and into the royal presence. They would act as a go between their royal master/mistress and the guest often going back and forth with messages. It was just as coveted as the position of chamberlain but with less responsibilities.
Master of Horse: The Master of Horse was in charge of seeing to the horses of their master. They would oversee the grooms or the stableboy/hands who were employed at the stables to actually care for the horses. The master of horse would ensure that the stables were in order and the horses were up to parr in order to bear royalty across the kingdom. Each royal would have one but there would a main one who acted as overseer.
Master of the Wardrobe/Mistress of the Robes: These are the nobility who are employed to look after the clothes of the royal they serve. This would mainly involve a managerial position, overseeing the inventory of the royal wardrobe (a warehouse like building that housed the clothing) and placing orders for new clothes. It was a tidy job that rarely involved getting the hands dirty. Each royal would have one.
Chamberlain/Valet: The chamberlain is employed to look after the Lord's bedchamber. This was the most sought out position as they effectively were the gateway into the royal presence. Their main task was making sure their boss was comfortable and happy. Could be a well born commoner or a noble. Each royal would have one.
The Page: All royal households had pages. They would be a young noble boy about seven years old sent to their royal master. He would be in charge of tidying up after the lord, carrying messages to other servants and occupants of the castle and serving him at meals. Unlike others on the list, the page would not be paid. His experience was his payment as he would learn the running of a court and how to be courtier. Each royal would have one.
Squires: Squires were like pages though they only served the men. They would accompany their royal master to battle, look after his armour and mail, ensure that his lord's horse was saddled, caring for their master's weapons. The squire would always be a young nobleman on the cusp of becoming a knight.
Governess: The governess is a noblewoman woman employed to oversee the Monarch's children's household. She would be the first teacher a royal child would have and would oversee the nursemaids who would have care of the physical person of the child. She would be appointed when the child was four or five. Notable governesses include Katherine Swynford (wife of John of Gaunt and mother to the Beaufort line), Margaret Pole (wife of Tudor Loyal Sir Richard Pole, sister of the last York heir Edward of Warwick, daughter of George Duke of Clarence and niece to King Edward VI and Richard III), Kat Ashley, Margaret Bryan, Madame de Maintenon and Baroness Lehzen. Most unmarried Princesses retained their governesses while Princes generally outgrew their governesses after they were breeched.
Gentlemen of the Privy Chamber: They were the male companions of a King or Prince, sort of like ladies in waiting but manly. They would accompany the King or Prince everywhere they would go and shared duties with Groom of the Stool (royal toilet paper dispenser) and the Chief Gentleman of the Chamber (overseeing the staff and maintaining the chamber). They would help their master get ready, serve him at the table and organize hunting and games to keep him entertained. Gentlemen and companions where often chosen for their connections as well as their master's own opinion. Henry VIII's gentlemen included: Sir William Compton (ward of Henry VII and heir to rich lands), Sir Henry Norris (the grandson of William Norris who fought with Henry's father at Stroke and a relation to the Yorkists Lovells), Sir Anthony Denny (son of Sir Edmund Denny Baron of the Exchequer) Sir Michael Stanhope (brother in law to Edward Seymour, Duke of Somerset), Charles Brandon (ward of Henry VII and son of Tudor Loyalists)
Ladies in Waiting and Maids in Waiting or Maids of Honour: These are the female attendants to the Queen or Princess. Ladies in Waiting were married while the Maids were unmarried. They would have to attend their mistress wherever she went, help her get ready, keep her chambers in order, write letters for the Queen and maintaining her honour. They were chosen for their connections. Using Katherine of Aragon as an example, her Ladies in Waiting included: Maria de Salinas (daughter of Juan Sancriz de Salinas secretary to Isabella, Princess of Portugal and a Spanish courtier in the service to Katherine's parents, wife of Baron Willoughby de Ersby), Elizabeth Howard (the daughter of Thomas Howard, 2nd Duke of Norfolk, sister to Thomas Howard, 3rd Duke of Norfolk and wife to Thomas Boleyn, ambassador to France), Anne Hastings (daughter of William Hastings, 1st Baron Hastings, wife to George Talbot, Earl of Shrewsbury and Lord Steward.), Agnes Tilney (wife to Thomas Howard, Earl of and 2nd Duke of Norfolk.), Elizabeth Scrope (wife of John de Vere, Earl of Oxford, a loyal Tudor lord), Margaret Scrope (wife of Sir Edmund de la Pole, Earl of Suffolk cousin to the King), Anne Stafford (sister of the Duke of Buckingham, married Sir George Hastings, Earl of Huntington and daughter of Henry Stafford, 2nd Duke of Buckingham (cousin to the King) and Lady Katherine Woodville (sister of King Henry VIII's grandmother and his great aunt by her marriage), Elizabeth Stafford (sister to Anne Stafford wife Robert Radcliffe, Lord Fitzwalter and Earl of Sussex around). Their connections are what got them their places and you can see why they were chosen.
Accommodation
Accommodation can be a difficult thing to sort both as a writer and a steward. You might have a palace of 200+ bedchambers in which you must house a staff of 500-/+, a varying amount of nobles, the royal family (of a varying amount) and their own households. When assigning rooms it is best to think of a Russian nesting doll. Start from the inside and work your way to the outside.
The best rooms go to the monarch, their consort and their children/siblings/parent(s). These chambers would include the bedroom, a drawing room/ common area, a privy, a closet (a small chamber that can be used for prayer or work). They would be furnished with the best cloth, the best candles and whatever furniture brought by the resident since most royal courts travelled from palace to palace. They will also have chambers for their personal servants such as ladies in waiting and grooms.
The second best set of rooms would go to the highest ranking nobles/people in the court. These rooms would be less fancy and a little smaller. These would be given to from titled nobility descending from those of Ducal rank (Dukes/Duchesses) or even members of the council such as Thomas Cromwell in Tudor times.
The next set would be considerably smaller, perhaps minus a closet or a drawing room. Given to lower nobility.
The next level of chambers would be smaller perhaps only the bedroom and a common area given to minor nobles.
The last set of rooms would be small and only hold enough room for a bedroom. Servants would have to sleep on the ground on pallets beside their masters.
Any other guests at court would have to stay at off-site locations around the palace in the city. Some nobles at houses around major palaces just in case they arrived late or were kicked out of court.
#Fantasy Guide#Households#royal courts#royal households#request#courtiers#nobility#Nobles#royal palaces#writing#writing resources#writing reference#writing advice#writer#writeblr#writer's problems#spilled words#writer's life#characters#writing advice writing resources#writing advice writing reference#writing reference writing resources
17K notes
·
View notes
Link
Written and directed by Brandon Scullion, the horror film “The New Hands” premieres at Silicon Beach Film Festival.
0 notes
Text
DVD Review - Consumption (2016)
DVD Review – Consumption (2016)
Consumption – 18 released from the incredible Left films who brought the delightfully chilling Classroom 6 and the Irish blood bathDevil’s Woods. Consumption will be released on UK DVD on October 10th 2016.
Four friends head up to the mountains for a getaway weekend. But secrets become revealed and blood will shed as this fun vacation with friends becomes a nightmare.
Going into this film I…
View On WordPress
#2016#Arielle Brachfeld#Brandon Scullion#Consumption#David Lautman#Left FIlms#Live-In Fear#Maria Olsen
0 notes
Photo
O Mal É Eterno Neste Cartaz No Trailer De 'Consumption'
A WildEye Releasing liberou o trailer e um cartaz para o filme de terror sobrenatural independente Consumption, anteriormente chamado de Live-In Fear e que trouxemos até vocês há dois anos atrás quando a produção apresentou o seu primeiro trailer teaser. O filme se passa em uma cabana na floresta
Veja mais: http://terrorama.net/uncategorized/o-mal-e-eterno-neste-cartaz-no-trailer-de-consumption/
#Arielle Brachfeld#Brandon Scullion#cabana na floresta#Consumption#culto#culto satânico#David Lautman#espírito#Live-In Fear#ocultismo#possessão#poster#trailer#video#WildEye Releasing
0 notes
Text
THE NEW HANDS (2021) Preview of horror movie with trailer and premiere news
THE NEW HANDS (2021) Preview of horror movie with trailer and premiere news
‘Your life is in his hands’ The New Hands is 2021 American horror film about a man who believes cutting off his recently mangled hands and replacing them with a new set he’s constructed from the pieces of his victims will bring his ex-girlfriend back to him. Written and directed by Brandon Scullion based on his short of the same name. Produced by John R. Blythe, Alexander T. Hwang and Pat…
View On WordPress
#2021#Brandon Scullion#Felissa Rose#film#horror#Lexi Graboski#movie#Sally Kirkland#Stephen Wu#The New Hands#trailer
0 notes