#Botanical Pattern Silk Rugs

[globalfloor]

To have Custom made Botanical Silk Rugs Carpets, in hand-tufted or hand-knotted or other handmade patterns, you may contact us at info@surekasgroup.com or whats ap at +91-9839141651 or visit at http://www.surekasgroup.com

[serenaisavillain]

The Veiled Serenade - II

Summary: Prince Aemond and his brother Aegon traverse amidst the murky depths of Flea Bottom, where darkness reigns supreme. A web of intrigue is woven, fraught with forbidden desires and veiled intentions. As alliances shift and secrets unravel, the stage is set for an ardent tale of power, betrayal, and illicit love affairs in the heart of King's Landing.

Warnings: Contains sensitive themes, including imagery of graphic violence, as well as depictions of sexual assault and harassment. The story contains explicit language and mature themes, including substance abuse and addiction. Word Count: 1.4k Series: I Authors Note: I'd love to hear your thoughts on the fic.

"WHAT IS THE MEANING OF THIS?!" the Queen boomed through the threshold of her second son's chamber.

The prince swore the candles that hung above their heads flickered at his mother's sudden outburst.

Aemond swallowed.

His toes clawed into the Sunspear rug below him as his eye focused on the ridges of the stone behind his mother's auburn head, her face turning scarlet.

"Aemond?!" She grabbed a fist of his small clothes.

"Mother?" His tone fell flat, his pale lilac eye trained to hers.

Her lips fell agape.

"You are not even listening! Of course not! No one listens to me!" She muttered to herself.

The boy exhaled through his nose.

"Why? Why must you encourage him?" She asked with glassy eyes, her eyebrows knit together.

His mother was always on the verge of tears, it had grown quite predictable, quite a bore.

"He is the oldest..." She began, shaking his shoulders with her frigid hands.

"And you are the wisest..." they said in unison.

The Queen dowager blinked rapidly, her brown eyes searching his for any semblance of remorse, instead, she found something darker, something that broke her gaze.

"I went with him to make sure he did not drown in his cups and soil himself in Flea Bottom... again." Aemond huffed.

"And well?..." she folded her arms.

The prince sighed.

"He got drunk and taunted a rhymester…”

KING'S LANDING was alive under the dim light of heaven's stars. Y/N traipsed along the dirt road, lifting her silk gown, its gold color glimmering. She often walked before a performance to scare the spirit of cowardice from her heart, but, tonight she was finding it quite the arduous task.

Two pale hands pulled her out of the road and into an alley knocking the breath out of her lungs.

THE DAY WAS SPENT at The Crimson Lotus, a bath house in the bustling market district. Renowned for its exotic offerings; specialty baths infused with fragrant oils, rare botanicals from across the Narrow Sea and especially noted for the Dornish ladies who worked their glamor magic.

It was an unfamiliar place for the girl, but Fin had spared no expense, ensuring that every aspect of her grooming was attended to with the utmost care. He was well aware that the more alluring his songstress appeared, the more coin they would earn.

Before the grooming began, she was brought a chalice of a spiced Dornish red. She brought it to her lips, humming in satisfaction.

Her hair was meticulously washed and styled, mimicking Sunspear women. They took their time twisting and creating intricate patterns. Sandalwood and vanilla musk oil were added to the bathwater, before slices of blood orange were added along with cinnamon and clove. Once submerged in the steaming bath she soaked for a time, her skin becoming soft. The women gently cleansed her skin with a traditional herbal scrub leaving it radiant and smooth.

After she was rinsed, she was dried and laid out on a wooden table where several women tended to her. Every stray hair expertly plucked or shaved. Finally, floral oils were applied to her skin, leaving her glowing and fragrant.

Y/N emerged from the bathhouse a newborn doe, legs knocking together without grace.

"I see you enjoyed the Dornish red I paid for." Fin laughed.

The girl only nodded in response.

The two strolled to their dwelling. Fin stealing the occasional glance.

"You are staring..." the girl hummed.

Fin felt his face warm and scratched the back of his neck.

When they arrived, the girl's amber eyes trained on their humble surroundings; a bucket, a bath, a mattress, and a chair. Fin always slept in the chair despite the protest of Y/N. The girl collapsed face-first on the lumpy mattress and groaned.

"How long do we have?" she mumbled between inhales.

"A time," the man laughed, taking off his boots.

He rose quickly, reaching what was left of their water to bring to her.

"We can get drunk later. I cannot have you slurring your songs on stage,"

Y/N hummed in response before sitting up and eagerly bringing the bottle to her lips. The man grinned. Fin was always smiling in Y/N's company.

THE DARKNESS OF THE ALLEY was all-consuming, and the stench of piss and horse dung wafted through the damp air. Y/N let out a muffled scream behind the rough palm of her assailant. Her legs kicked at his, hoping to shake his balance.

"Shh..." he whispered, his hot breath fanning over her ear.

"I am going to uncover your mouth. Do not scream," he said, his voice steady.

The girl nodded.

"I do not have any coin I-" she began whimpering.

The figure grabbed her shoulders and turned her around. Under his hood, she spotted the flow of his Targaryen locks, the shape of his punchable jaw, and that pleased expression he wore as if it were his birthright.

"You!" she scoffed, her finger jutting at his chin.

"I knew not of other ways to attain your attention…" he mumbled, his gaze dropping to the floor as scarlet dusted his long face.

His eye flickered to her strange ensemble, the way the garment hung on her frame; the fabric cinched at her waist and flowing past her legs.

Y/N let out a long, weary breath, her shoulders sagging slightly.

"I... wish to apologize... for yesterday..." he croaked.

The girl let out a dry laugh.

"And I suppose I am to forgive you now? After you have dragged me into a filthy alley against my will?..." she sneered.

The girl looked down at her dress now stained with godsknew what.

"I came here to apologize! You should be grateful... not many can say they have heard such words fall from my lips..." he spat.

"Thank you, my Prince..." she bowed, "what great honor you have bestowed upon me. I think I will be going now." She smiled politely.

Y/N stepped from the alleyway with caution, so as to not spoil the garment's fabric much further.

Aemond closed his eye, letting his head fall back against a wall. The Seven, if they truly existed like his mother preached, clearly despised him.

Fin's brown eyes widened when he saw his friend's state.

"What... what happened to you?" He asked, rushing to her side.

Y/N's eyes filled with water.

"I ruined your dress..." she sobbed.

Fin cupped her cheeks. Her tears spilling into the wrinkles of his fingers.

"Shhh Y/N... it is just fabric and dye... it is okay..."

Unbeknownst to the pair, the pale-faced prince prowled in the shadows.

The tavern was filled to the brim. Lords sat among sellswords and whores alike. T'was a rare sight. Y/N felt as though the entire kingdom had come to see her perform. Fin had one of the barmaids scrub the dress as well as she could and re-apply what little makeup Y/N had worn. Rouge coated her lips, and Kohl graced her eyes.

The candles shone extra brightly that eve, illuminating the stage on which she and Fin stood firmly planted. He began plucking an upbeat tune as the girl began clapping, the crowd following suit. The tavern shook with the thundering clasp of palms.

"What is good for the goose

is good for the gander,

But I am no man,

I sit and wonder,

when it will be I am asked for my hand

When will I see the love of a man" She began.

A few chuckles rose from the audience.

Prince Aemond lurked from the corner of the room, still enveloped by his dark cloak.

The crowd swayed as she continued singing. Aemond eyed the pleased faces of women and the awestruck faces of men, their expressions changing with every clever lyric, every high note that Y/N whistled out of her mouth.

When Fin's thick fingers plucked the last string of his mandolin the room filled with applause. Y/N bowed, her unruly curls falling forward. The bard walked through the crowd with his satchel open collecting coin from eager patrons.

The one-eyed prince had seen enough, slinking through the crowd, making his way out of the tavern and slithered his way back into The Red Keep.

He knocked before entering his mother’s chambers.

“The songstress denied me an audience… however she sang for all of King’s Landing,” Aemond sighed.

Alicent mused, thinking behind her pretty red head of hair what to do next.

She swallowed the wine from her chalice, “Make her an offer she cannot refuse…”

[stardust-swan]

My Dream Home

aka where I'd live if I was rich and had time to maintain all of this

Outside

Powder blue, with murals painted on the side

There will be roses, violets, lavender, petunias, marigolds, peonies, mayflowers, and a cherry blossom tree in the front garden

And tomatoes, potatoes, strawberries, blueberries, onions, mint, courgettes, garlic, sage, thyme, basil, lettuce, peas, carrots, and cucumber in the back

Pretty birdbath

A wrought iron bench

Lanterns and string lights to light up the garden at night

A marble or bronze statue of Aphrodite

A calm fountain

Bonsai trees

Bedroom

Satin and silk bedsheets in ballet pink, lavender, baby blue, and duck egg green, and floral quilts and duvet covers

Beaded clothes hangers on the clothes rack

Fluffy fur rugs on the floor

An illuminated vanity with my favourite makeup, perfume, and Pandora charm bracelet on display

A nook for a shrine to Aphrodite

A clothesline of theatre programmes I've gone to on the wall

A large shelf for my collector barbies

A light up shoe rack big enough for my (vast) collection of shoes

Plushies on the bed

My closet and drawers will have sachets of potpourri and scented soaps in them so that my clothes will smell beautiful

A velvet headboard

Heavy drapes on the bed

Kitchen

Delicate floral ceramics in the kitchen

There will always be fresh-baked cookies and pastries for when guests drop in

A cupboard stocked full of herbal teas

Will always have a soup cooking on the stove and a pie cooling on the windowsill

The fridge will be stocked with vegetables and berries from my garden, fresh eggs, whole milk and good butter and cheese, cured meats, smoked salmon, macarons, homemade limoncello and cider, jam made from my own berries, and jugs of water with cucumber, lemon slices, and springs of homemade mint

Other foods will include: an array of spices and herbs, fresh bread, olive oil, balsamic vinegar, green and black olives, brown rice, veg that I canned and pickled myself, kimchi, almond milk, rice milk, mochi, marzipan, white chocolate with raspberries, dried fruits and nuts, honey, and fresh pastries

A six burner stove

Marble countertops

Elegant silverware

Living Room

Homemade throws on the chairs

A large bookshelf and more books on the windowsill

Will always smell delicious because of the candles I burn every evening

Will always be filled with the sound of classical music or jazz

Lots of cushions on the sofas

Sconces with frilled shades on the walls

A dining table with a beautiful centrepiece and elegant table settings

A comfy armchair for me to sit on while reading and crocheting

Bathroom

Jurlique rose handcream and fancy rose-pink soaps by the sink

Fluffy, thick, soft towels in white, pale pink, baby blue, lavender, and mint green

A vanity which has a mirror with soft pink lights, and enough storage space for my creams, body butter, exfoliater, face masks, toner, body mist, etc

Patterned toilet paper

Shower curtains made of silk or satin

Sea salt scented diffusers and a potted plant to make it feel fresh, and aromatherapy candles to make it feel calm

A bidet!

Mosaic tile walls and marble flooring and countertops

A clawfoot bathtub with elegant curves and gold accents

Plush rug next to the bath and a pretty toilet seat cover

Antique bathroom accessories, like a silver soap dish and crystal toothbrush holder

Maritime and botanical themed artwork on the walls

A built in sound system to play relaxing music while I bathe, like classical music, Native American flute music, or my Aphrodite playlist (on days where I'm having a long pampering session).

A large mirror with an ornate frame

A stained glass mirror so nobody can look in

Multiple Rooms/Other

Gilded framed pictures of my loved ones throughout the house

A potted houseplant on the side of each step of the staircase

Wide windows with velvet or satin curtains that let in lots of natural light

Prints by local artists on the walls

Vases of flowers taken from my garden in each room, even on the bathroom counter

Deep, plush carpets on the floor

Soft lighting from salt lamps and fairy lights

South-facing windows, so that the house will be full of light

The walls will be painted in pastel colours or will have a delicate wallpaper

Lots of pretty trinkets on the surfaces

Sapphic artworks that portrays lovers or the female form

Crystal handles on the cabinets and cupboards in the house

Lavender incense

Lace doilies on the side tables

Ribbons and bows everywhere

[influencermarketing1234]

5 Biggest Home Decor Ideas That Will Define 2024

As we move further into 2024, the world of interior design is buzzing with fresh ideas and innovative trends that promise to redefine our living spaces. Whether you're planning a complete home makeover or just looking to update a few key pieces, these top five home decor ideas will inspire you to create a stylish and comfortable environment that reflects the latest in interior design.

1. Sustainable and Eco-Friendly Materials

One of the most prominent trends in 2024 is the shift towards sustainability. Homeowners are increasingly conscious of their environmental impact and are seeking eco-friendly options for their home interiors.

This trend is reflected in the use of sustainable materials such as reclaimed wood, bamboo, and recycled metals. Interior design companies are offering a wide range of eco-friendly furniture and home furnishing options that not only look beautiful but also help reduce your carbon footprint.

Key Elements:

Reclaimed wood furniture

Bamboo flooring and decor

Recycled metal fixtures

Natural fiber textiles (e.g., organic cotton, linen)

2. Biophilic Design

Biophilic design, which emphasizes the connection between humans and nature, continues to gain popularity in 2024. This design philosophy incorporates natural elements into the home, creating a soothing and invigorating atmosphere. Interior designers are using elements like indoor plants, water features, and natural light to bring the outdoors inside.

Key Elements:

Large indoor plants

Living walls (vertical gardens)

Natural light optimization

Water features (indoor fountains, aquariums)

3. Bold Colors and Patterns

Gone are the days of neutral palettes dominating interior design. In 2024, bold colours and patterns are making a strong comeback. Vibrant hues such as deep blues, rich greens, and warm terracottas are being used to create dynamic and engaging spaces. Patterns, ranging from geometric designs to botanical prints, are also being incorporated to add depth and personality to home interiors.

Key Elements:

Statement walls with bold colors

Patterned rugs and upholstery

Colorful accent pieces (pillows, throws, artwork)

Mix-and-match patterns for a eclectic look

4. Multifunctional Spaces

With the rise of remote work and flexible living arrangements, multifunctional spaces are becoming essential in modern homes. Interior design services are increasingly focusing on creating versatile rooms that can serve multiple purposes.

This trend includes the use of modular furniture, built-in storage solutions, and innovative room dividers to maximize space and functionality.

Key Elements:

Modular sofas and sectionals

Built-in desks and shelving units

Convertible furniture (e.g., sofa beds, fold-out tables)

Room dividers and sliding doors

5. Minimalist Luxury

Minimalism continues to evolve, and in 2024, it is being paired with elements of luxury to create spaces that are both simple and opulent. This trend focuses on clean lines, high-quality materials, and a curated selection of decor pieces. The goal is to achieve a look that is both uncluttered and sophisticated, with a focus on functionality and aesthetic appeal.

Key Elements:

High-quality, minimalist furniture

Luxurious textiles (e.g., velvet, silk)

Statement lighting fixtures

Carefully curated decor pieces

Conclusion

The home decor trends of 2024 are all about creating spaces that are sustainable, functional, and aesthetically pleasing. Whether you’re looking to revamp your entire home interior or just update a few key areas, these trends offer plenty of inspiration.

As an interior design company, staying ahead of these trends can help you provide cutting-edge interior design services that meet the evolving needs of your clients. Embrace these ideas to transform your home into a stylish and comfortable haven that reflects the latest interior design.

For more inspiration and professional guidance, consider reaching out to experienced interior designers who can help bring your vision to life with personalized and innovative solutions.

[ultra-maha-us]

How to Decorate a Boutique in Your Own Creative Ways

Opening a boutique is probably a dream come true for most boutique owners, including you. It is an opportunity to invest on beautiful or assorted clothing you gets personally selected. You may perhaps crave to select merchandise that provides greatest the extent of versatility.

The disposition of the store itself must reveal and complement the design of your merchandise. You can simply manipulate this tone by knowing how to decorate a boutique and furnishing it as you desired. Ideas in lieu of decorating your boutique can be as extensive as your unique boutique idea.

Extra Touches

Boutiques are stylish (while I often say "chic") shops. They commonly offer items that are a bit more expensive than those you would obtain in a general department store. For that basis, your customers will expect a more luxurious shopping sherwani fabric experience. To provide this experience, you will need to take additional steps to decorate boutique in a creative and unique way. For an example, you can use an alternative to regular plastic blinds on your windows; dress them in lace or silk curtain panels with roman shades. Instead of leaving your floor bare, cover it with various area rugs in gorgeous patterns and insignia. Instead of painting the walls in a boring neutral shade, consider wall-papering them with a delicate but elegant pattern. Switch out canned lighting with pendants and even a chandelier in the center of the store.

Furnishings

The subsequent step you may consider is to add furnishings. Making your customers comfortable while shopping in your boutique store is a cool way to give confidence to them to stick around and look closer. You may consider decorating boutique by sub-sectioning the area. For an example, one area can be used for a companion to relax while their counterpart is trying on clothing. Find a nook in your store, perhaps close to a window or dressing area to set a few comfortable chairs and a small desk. Add to the desk a quantity of magazines for reading at leisure. You may perhaps need furnishings to show your items. Tables and shelves can be painted or refurbished to blend in with your theme. Remember, these furnishings are like a frame displaying the artwork of your goods. Paint tiny designs on them intended for a fine touch and luxury feel.

Artwork

While it may be tempting to fill the walls with shelves displaying your product lines, please do not forget to add some artwork to the boutique, even if you do not expect to market it. Art can identify a space, whether it creates conversation or evokes a feeling of contentment. Avoid controversial works of art, and make sure your artwork is nicely framed. Try framing great black and white photos that have been colorized in avant-garde boutique. If your boutique is more old-fashioned, hang old botanical prints or even framed pieces of antique flowery wallpaper that has been cut and matted.

[hometoursandotherstuff]

Jen & Matt’s Brooklyn, New York City 1899 row house is a home where cozy meets whimsical and local meets global. 

Vintage rugs and a 1930s mirror reinforce the sense of history.

The living room was curated over time. The coffee table is custom made and the slipper chairs are from an antique shop.

The dining room pine farm table was painted bright red and doubles as Matt’s office. A midcentury chest of drawers stands next to a white Hollywood Regency cabinet.

The dining room's toile drapery fabric echoes the ornate patterns of the antique Minton china.

The cute breakfast nook has a display of vintage Jade ware and vintage wallpaper, plus a cute worn antique table.

The streamlined kitchen still retains some nostalgia.

They repainted an old chandelier and kept the brick wall, painting it white.

Botanical illustrations reinforce the quaint mood established by a retro light fixture and a rotary phone in tangerine. A pair of Balinese wedding figures that they picked up on their honeymoon is in the niche on the stairs.

There’s a serene mood in the master bedroom, counteracted with "joyful pops of color," as Jen puts it.

The Lucite lamps on each side of the bed were garage-sale finds that Jen paired with custom-made cotton-and-silk pleated shades.

Vintage girls' dresses hang in a cupboard that Matt painted,

Daughter Esme's bedroom conveys a fairytale quality without a single princess in sight. The antique bed "has imagery that I believe will still be wondrous to her as she grows," says Jen. Vintage girls' dresses hang in a cupboard that Dawson painted

With its brass fittings and handmade tiles from India, the master bath combines classic 19th-century brownstone features with a dash of Turkish. The marble sink is custom-made with unlacquered-brass fittings.

https://www.lonny.com/Home+Tours+2014/articles/oxdQoObqwOM/A+Row+House+Reinvented

[thesweetblossoms]

Floating Marigolds

🌵Today we hiked Tom Thumb trail, which is a beautiful and intoxicating walk on the McDowell Mountains, a half hour away from our apartment in Scottsdale. My memories of the walk are raw and ethereal, steeped in natural wonder and energy, as potent as the fresh snowy white, shimmering morsels of quartz stone, I found on the trail and as delicate as the many clementine orange, tiny, charming butterflies I saw flitting, gliding, rising and falling in gentle waves along the pink sandy earth, the butterflies, appearing like floating marigolds, twirling through jojobas, acacias, teddy bear chollas, prickly pear cactus and the gatherings of many dried scarlet, amethyst, bleached gold and chocolate tinted grasses. We walked along an uncultivated and wild desert with the shadows and sparkles dancing off the ridge of steely gray mountains, the light catapulting from wiry, needle embedded, hardy succulents and feathery clumps of grasses, trailing cautiously over the stumps of dried ocotillos, as the rushed breezes joined nature as it conducted the nimbus clouds, early October sunlight, far off late summer hurricane winds, nectar gathering bees and palpable dust into a beguiling symphony. Rattlesnakes, tarantulas, javelinas, scorpions and other desert dwellers are spotted on this trail. While, I was curious to see the natural inhabitants of such a cosmically and scenically charged terrain, I was grateful not to encounter any lethal fauna. While hiking along, I felt a slightly sinister energy, a nuance and awareness that the groves of chollas, slumbering mesquite trees, the serpentine and the web weaving habitué of the land, did not appreciate, humans ascending to their territory. Yet, being in uninimitable and unhindered natural manifestations, away from man made structures, traffic lights and manicured landscapes, in an open area, has a consciousness altering quality of change, or shifting borders between reality and illusions, of time moving and shaping the physical world, of the future cascading closer and of sudden insights and visions. As my husband trotted ahead, always a few stretches before me, yet close enough so we do not lose each other, I called out as he entreated me to hurry along. “I’m only a few steps behind.”, the words echoing through mystical, mysterious and impenetrable time and space.

Heretofore, my style has been predictable, often veering into the realm of slightly boring, thus, I am attempting to define it, such that it might inspire novel ways to translate my emotions, personality and subtle consciousness, into the way I present my self, with attire and jewelry. As I was born on the seventh of July, the number seven holds immense luck and possibility, and I consider it a charm and constant reminder of the magical nature of reality. The seven elements of my style would include romantic, feminine, mysterious, bohemian, poetic, classic and simple.

I tend to reach timelessly for white, nude or pale pink shirts, blouses and tops with skinny blue/black jeans, or black or navy shorts, I possess a cast of navy, emerald, white, camel, misty gray, mustard yellow, varied hues of pink and a few royal purple tinted dresses, I vary these, by sprinkling in a few petite floral patterned or striped pieces. My jewelry, consists of pearl, emerald or diamond studs or a pair of very thin gold hoops, I wear my engagement ring every day, with a combinations of a simple pearl ring I inherited from my grandmother, a minimal rose quartz band, or a ring with seven, small Zambian emeralds, I also wear my black Hermès watch, with pearl or brass bracelets. I tend to wear either nude high-heel sandals or pink, navy blue or leopard print ballet flats. In the mornings, dressing myself is a cherished ritual, I enjoy the unplanned nature and the momentous act of going through my collection of apparel, scarfs, shoes, belts and purses to help me gauge both the mood of the day and my own particular sensibility. I remind myself often, to look more carefully at the contents of my closet, rather then to miss details that might highlight a look, idea, or expression more powerfully and clearly, perhaps noting how one of my pink cardigans may be worn with thin spaghetti strapped dresses for work, or how a black piece with pearls would be both appealing and require scant thought on the days I am running late.

Here are a few insights into the elements of my style:

Romantic ambiances include, slowly opening cosmos petals, smoky Egyptian musk incense, a slow whirling fan and a window open with white curtains flapping softly, carrying notes of honeysuckle and jasmine. On days that I skew particularly romantic, I might leave my hair in loose waves, wear a pink dress as pale as a flushed cream rose and eat an almond croissant with dark vanilla coffee.

While, the feminine energies permeate my experience of reality, with attenuating garden blossoms, of noticing the golden light on miniature ivory roses, or of creating a handmade avocado toast with extra squeezes of lime and pink salt drifting like dawn mist on the pale green sea crowned with freshly torn basil, or of a tying a pleasingly floral patterned black and white silk scarf around a high ponytail.

The elements of mystery, heighten the charm and increase curiosity, such as when I deliberately button up my white cotton shirt, over a peach pink bralette, or when I move to reveal, the glimmering sparkles of minimal pearl or brass bracelets, under the long sleeves of a nude toned chiffon dress. The nuances of mystery linger especially poignantly, in the study of contrasts, of wearing a tight bun with a free, flowing, unrestricted dress or styling long, loose, tresses with a tight, caramel lacy blouse and charcoal skinny jeans. In evoking mystery, I try to imagine a poetess in a summer garden, listening to the songs of the pastel nectarine, dawn pink and blood orange stained dahlias that only she can hear, or of the perfume of blossoming foamy white roses, drifting quietly from the garden, on a night of a charged secret, rendezvous by a rollicking, capricious and lighthearted sea.

My bohemian temperament stems from my desire to grow wildflowers, to cut a few for a tiny vintage vase, to wear vibrant coral, burnt sienna, incanted jade green and white cotton dresses with gold hoops, to spray rose and jasmine mist, to burn palo santo, to light a few tea light candles to saturate darkened rooms with pools of starlight, to dwell among old books, houseplants and fairy lights, to read French literature, to dance on a frayed lilac and silver Persian carpet, write about light, memories, emotions and flowers, drink chamomile tea, remain awake dangerously late to read, do yoga, to traipse into reveries, of Paris in the rain, of picnics with artists in a field of poppies and of carelessly swimming in a painterly vanilla and frangipani grove by the sea.

A poetic nature stems from an inclination to glimpse at the heart rendering pain and beauty in any moment, of the perfume of the tuberose strung canopy on a wedding night on a lush hill overlooking a misty winter bay, of an accidental snapping on a beloved string of pearls on the road to California, of ink stained hands and gardeners nails, of rubbing coconut, jasmine and ylang ylang oil over freshly lavender soaped skin, of never having too many lace, silk or chiffon dresses, or of enthusiastically wearing scarfs and wraps during pumpkin spice latte season in the desert.

Classic elements evoke a timeless sensibility and appeal, it appears in my life when I choose objects and pieces that occur whimsically and beguilingly in nature, such as by wearing pearls, turquoise, or rose quartz, from wearing natural fabrics such as silk or cotton, or choosing the cuts of cloth that have yet to be rendered dated, such as shift dresses, pea coats, white button down shirts, shirt dresses accompanied with brightly hued ballet slippers or nude wedges. It translates into the style of my home in the faint whispers from my collection of old English literature books by M. Somerset Maugham, Oscar Wilde, Daphne Du Maurier and more, or in my curated blue and white china collections, or a massive hoard of natural linen napkins, in piles of soft, cashmere, kanthas or Turkish blankets, in botanical and seaside art and paintings, in natural, raw wood furniture, lambs wool rugs, hand made ceramics and more.

The charm of simplicity is noticing the details, so that one may curate and disregard extraneous elements that diminish the purest forms and shapes. Nature is often my muse when I attempt to simplify my thoughts, ideas, design, fashion or lifestyle; for nature reminds us that most beautiful things are generally free, indelible in our memories, is measured in joy rather than in time, yet often taken for granted, such as the unadorned blue and white of the sky, or the emerald light in a green forest, or the rows or ivory roses, mixed with pots of lavender and faded pink geraniums lining a driveway, or of the dual purposes of perfume and glow inherent in a single bottle of coconut oil, in pearl earrings and a blush pink silk dress, or of the wondrous ecstasy of a storm halfway between midnight and the first light, with the windows open, the hurried gales, intense strikes of lightning, lashing rain and felonious thunder, carrying us though the night like a ship in a tempest ridden sea, the earth rollicking and dancing through myriad reveries, while our souls are set adamantly free in way that only occurs while we sleep, the unexplainable darkness of reality, temporarily stayed, by the poetic grace and shimmering excitement of the desert during a rainstorm many hours before the sunrise. Very often, I try to renegotiate my desire for variety, complexity and maximalism with an equally painful inclination for those entities that exult in plainness, such as crisp toast with butter, or a French braid with red lips, or of seashell, poetry book and rose quartz collections, or of rosewater mist and candle lit yoga, or the tantalizing pairing of a cup of green tea and a blanket.

The most salient concern in armoring myself for date nights, errands, visiting garden stores, bookstores, coffee shops or to the law firm, is how a garment makes me feel; how a vivid peach dress with a lilac cardigan may help ameliorate anxiety on Monday, or how a midnight blue shirt dress might assist me on days, I need to refocus my energies on my ongoing projects or how a white peasant blouse, dangling earrings and faintly pink jeans, anoints a lighter mood and gypsy vibes to a mellow Wednesday. Yet, another lens to view my style is through the experiences I hope to have, so I might collect a scandalous amount of pale pink chiffon dresses, for dancing as the clock strikes midnight in a lantern scattered garden in Marrakech, dewy with the perfume of orange blossoms, thick groves of tuberose, calla lilies, cypresses and palms, or a camel sheath with pearls for investor meetings in steely fortresses, or a emerald silk mini dress for an afternoon of visiting art galleries and antique stores while visiting by husbands family home in Connecticut. But the truest way we adorn ourselves are through the little pinpricks of gathered light, accumulated fires and entrapped breezes that we patiently fasten, insert or slide on as final, lingering touches, maybe it is the the diamond tear shaped earrings given by your mothers best friend for your engagement, a delicate lavender rice pearl bracelet found on a trip to Sedona, opal stud earrings reminding you of the ones your parents gave you as a gift on your 12th birthday, the original opals likely in safe in a bank deposit box in Toronto or Dhaka, or the vintage emerald ring you brought for yourself to break the webs of ennui in those mind numbingly plebeian routines annotated by the music of tiny silver anklet bells. For, there is yet explained magic and deeply alchemical poetry impressed upon the gems, stones and minerals that we find along our journey, some inherited, others gifted and a few collected on our own, these are mesmerizing and solid reminders that we linger among stars, that we are as fragile as plum blossoms in the path of an impatient may gale, that the light entrances even the most sleeping entities, that the cracks make the gem even more beautiful, that strength arises from beauty and vice versa and that there are memories, whispers, passionate entreaties, unanswered prayers, surreptitious reveries, twinkling laughter and bespoke tears embedded in the earthly realm, translated so bewilderingly and delightfully into our bracelets and other charms.

I noticed that when a pillar candle burns down so that the wick dances incandescently in a hollow grove, flickering hypnotically in a cave of melted wax with the tower edged and traced by times retreat, the color of the candle is revealed through the fire, as it jumps, scales and tongues the darkened room, it pulses like heartbeats from another realm, it rhymes, riddles and casts the space with a forgotten memory, a distant wish, or an unknown song, it heightens the emotion, of the bitterness of our dwindling lease on time and of the sweetness of its term. The glow reminds us to notice the light impressions whenever we have a chance, for even when the moonlight hits the blossoming Texas sage it reveals further regarding beauty, magic, fragility, impermanence and joy. The candle flame is starlight lingering in our midst, intoxicating in its danger, eviscerating in its power and captivating as it burns the dust, the unheard music and the reality veiling air to offer us its light.

I realize that perhaps the small butterflies I mentioned at the beginning of this piece, written a week ago, may have already travelled along their wild desert mountain paths, imbibing honey from the prickliest-flowering succulents, seeping in the orchestra of sun light chased by the moon, having ecstatically ridden the autumnal breezes, on their way to appearing again far away as earthly marigolds. The same way every tear turns into a leaf and every joy into a flower. 🦋

[jeremystrele]

Celebrate Christmas With Kip&Co’s New ‘Golden Hour’ Collection + WIN A $1,000 Voucher!

Celebrate Christmas With Kip&Co’s New ‘Golden Hour’ Collection + WIN A $1,000 Voucher!

Shopping

by Lucy Feagins, Editor

The new ‘Golden Hour’ collection from Kip&Co is all about bright summer colours and the best EVER festive table setting! ‘Paradise Found’ candle. ‘No Man’s Land’ candle. Glamour Velvet eye mask. Native silk eye mask. Candy Cane napkin 6p set. Abundance linen tablecloth. Carnivale cutlery set. ‘Pink Marble’ cutlery set. Island life salt dish. Rajastan enamel plate set. Fish brass napkin ring. Palm Tree brass napkin ring. Photo – Marc Buckner.

‘Paradise Found’ candle. ‘No Man’s Land’ candle. Glamour Velvet eye mask. Candy Cane napkin 6p set. Abundance linen tablecloth. Carnivale cutlery set. ‘Pink Marble’ cutlery set. Island life salt dish. Tuscan enamel plate set. Fish brass napkin ring. Palm Tree brass napkin ring. Photo – Marc Buckner.

‘Paradise Found’ candle. ‘No Man’s Land’ candle. Glamour Velvet eye mask. Field of Dreams silk eye mask. Candy Cane napkin 6p set. Abundance linen tablecloth. Carnivale cutlery set. ‘Pink Marble’ cutlery set. Island life salt dish. Tuscan enamel plate set. Fish brass napkin ring. Palm Tree brass napkin ring. Photo – Marc Buckner.

The Kip&Co team held a festive lunch at their brand new HQ in one of Fitzroy’s most iconic warehouse buildings to out all the pieces in the Golden Hour collection on show. Native silk eye mask. Kissable velvet eye mask. Rajastan enamel plate set.  Photo – Marc Buckner.

Christmas Harlequin velvet stocking. Paradise Magic rug. Jade green velvet Santa sack. Candy Cane linen Santa sack. Kip&Co x Flower Fairies Christmas Angel Velvet Santa Sack. Photo – Marc Buckner.

These new collections from Kip&Co signal one thing – brilliant Christmas tablescaping! ‘Paradise Found’ candle. ‘No Man’s Land’ candle. Glamour Velvet eye mask. Native silk eye mask. Candy Cane napkin 6p set. Abundance linen tablecloth. Carnivale cutlery set. ‘Pink Marble’ cutlery set. Island life salt dish. Rajastan enamel plate set. Fish brass napkin ring. Palm Tree brass napkin ring. Photo – Marc Buckner.

The Kip&Co x Flower Fairies collaboration sees the iconic children’s illustrations printed onto homewares, kids apparel and bedding. Kip&Co x Flower Fairies Fairy Garden Cotton. Kip&Co x Flower Fairies Make A Wish Cotton Pillowcase. Kip&Co x Flower Fairies Tiny Daisy Dancer Cotton Pillowcase. Photo – Caitlin Mills.

Smokey Amber cutlery set. Kip&Co x Flower Fairies Angel Fairy Linen napkin set. Kip&Co x Flower Fairies Angel Fairy Linen Tablecloth. Photo – Caitlin Mills.

To celebrate these two new collections and the opening of Kip&Co’s new digs, we are giving away a $1,000 voucher to spend online with the brand! Smokey Amber cutlery set. Kip&Co x Flower Fairies Angel Fairy Linen napkin set. Kip&Co x Flower Fairies Angel Fairy Linen Tablecloth. Photo – Caitlin Mills.

As the old saying goes: go big, or go home. Two new collections from one of our all-time fave homewares brands Kip&Co does both!

Centred on buttery warm hues and the brand’s signature floral motifs, the Golden Hour range is an explosion of warm colour and texture. Their staple offering of bedding, towels and cushions is complemented by table setting pieces, including napkins, napkin rings, enamelware, eye-mask bonbons and candles – all in bright colours and patterns (we particularly love the sea shell print).

It’s time to go all out on the Christmas dining set-up this year, this is the stuff tablescaping dreams are made of!

On the more subtle side, Kip&Co’s magical new collaboration with classic kids books, Flower Fairies, is a nod to nostalgia. The new collection features the vintage botanical illustrations by Cecily May Walker (first published nearly a century ago in 1923!) as prints on organic bedding, kids apparel and table linens.

To celebrate the launch of these two new collections (plus the return of outdoor dining season where these summery goodies can be put to excellent use), we’re giving away $1,000 to spend on Kip&Co goodness. To enter, describe your ideal festive table setting in 25 words or less in the form below!

The competition runs from Tuesday 10th October to midnight on Sunday 7th November, 2021. The winner will be drawn and notified on Tuesday 9th November via email. Check out T+Cs for the competition here.

[liza174]

Effective Ways to Layer Bedding Like A Pro

Bedrooms in catalogues and magazines always tend to be the epitome of comfort—they're always so opulent and fluffy. Layering is the key to achieving this look. This sumptuous look is achieved with sheets, blankets, duvets, quilts, and throws, as well as layers of pillows, but it might not be practical for you to buy all of that matching bedding or maintain a perfectly made bed—especially if you have children or pets.

Fortunately, there is an easy fix: begin with white bedding. Aliexpress offers the beedings so you can throw on (or take off) extra layers to suit the weather and the season by starting with white sheets and a white duvet, which still look clean and crisp. When it comes to having your bed ready for cooler weather, Donna Garlough, the style director for Joss & Main, a successful flash-sale shopping site, has this to say:

"In the summer, a bed dressed in breezy white linens is so beautiful, but in the fall, thicker sheets, fluffy quilts, and cosy throws are the way to go. That doesn't mean you have to get a whole new set of sheets for the fall; white sheets are the ideal foundation for a cosy bed. Here's how to draw on them for a seasonal, sleep-friendly look."

The Top 10 Sheet Sets for 2021

Add any colour

"Over your sheets, a plain, mid-weight knit blanket will add warmth and is a perfect way to introduce a fall colour to your bed. Autumn colours like earthy taupe, creamy ivory, and goldenrod are natural choices, but rich charcoal or moody navy can also be dramatic."

If your duvet is already warm enough, simply folding a throw blanket in an autumnal hue at the foot of the bed will add a splash of colour and texture, as well as a layer of warmth that you can pull up as required.

A decorative pillow or two is another way to add some colour. Two white pillow shams with a pretty bolster in front or a pair of square toss pillows should suffice. You can switch them out seasonally or keep some on your bed all year long.

Make a Pattern

"The top layer is the ideal place to add a rich pattern, whether you prefer the simplicity of a quilt or the plushness of a feather comforter-filled duvet. Look for a botanical, plaid, paisley, or ikat pattern that matches the colour of your solid-colored blanket for a unified look. If you prefer a solid on this layer, go for a lighter or darker shade of your blanket colour for a layered (rather than too-matched) look, and add a small amount of pattern to your bed with an accent pillow."

It's really easy to change the entire look of your bed with just a blanket if you start with an all-white base for your bedding. There are beds with all-white bedding and a blanket pulled almost to the top of the bed for pattern and colour, such as a traditional wool plaid blanket or even a Mexican serape.

Folding a blanket, quilt, or even a patterned sheet over your headboard is another perfect way to add to the pattern on your bed without committing to it.

Texture is essential.

"Accent pillows and end-of-bed blankets are excellent ways to introduce a comfortable fall texture. Chunky knits, nubby silk, and fluffy faux fur are all good choices. Soft pops of these textures will give the look more dimension."

Decorate the Floor

Finally, here's one more piece of advice from Garlough: "The bed linens aren't the only thing that contributes to a relaxing night's sleep. On a chilly morning, put a high-pile or shag rug underneath your bed to provide a soft landing for your feet."

[anisanews]

A Tour Through The 2021 Kips Bay Decorator Show House Palm Beach

The living room by Kentucky-based Benjamin Deaton is full of color and p[attern

Nickolas Sargent

The fourth annual Kips Bay Decorator Show House in Palm Beach is all about color, pattern, whimsey, drama and personality. If we follow the lead of the 20 designers whose work is showcased in the 4,400 square foot Mediterranean villa located at 7417 South Flagler Drive, we will reach for saturated color, big patterns, wallpaper and fabrics that are scalloped, fringed and tasseled. Lighting fixtures will be the dramatic jewels to a room’s décor; floors and ceilings will be fifth and sixth walls, to be decorated with as much abandon as the four walls enclosing a room.

The Show House is open to the public April 8- May 9, 2021. Due to the Corona virus, this year’s Show House is a hybrid event, offering both first-hand and virtual experiences. For those visiting in person, the Show House is implementing precautions to protect participating designers and guests, including limiting the number of attendees. Admission tickets will be sold for specific dates and times to ensure that guest count allows for ample social distancing. In addition, all guests and employees of the house will be required to wear masks and health screenings will be conducted for all staff, as well as increased cleaning and sanitation throughout the house. 

Entering by way of Palm Beach-based Fernando Wong’s Hollywood-inspired front motor court and pool terrace, we step into a two-story foyer, staircase and hallway designed to evoke a Colonial hothouse by Casa Gusto of West Palm Beach. Vines wreathe along the walls between ceramics, and colorful mosaics frame antique botanicals.

The living room by Kentucky’s Benjamin Deaton has azure walls, a chocolate lacquered fireplace mantel and an inviting bar. Lorna Gross, a DC-based designer, made the dining room lush with a décor based on a gorgeous silk rug populated by whimsical, colorful critters. A step to the rear courtyard and garden is hardly a step down: SMI Landscape Architecture, a local firm, pays homage to the historic Palm Beach slat house of the Hotel Royal Poinciana with teal vine-patterned lattice, a pebble mosaic koi pond, a limestone and gravel checkerboard floor, potted maho trees and, hung on the walls, masses of yellow orchids.

The primary bedroom nods to the Palm Beach location

Nickolas Sargent

The kitchen designed by Atlanta-based Mark Williams is the only neutral room in the house. With traditional tiled walls, white oak cabinets and marble-hued Consentino countertops, the room has a horizontal orientation that makes for a sense of luxurious calm and ease.

A dramatic, botanicals-inspired bedroom

Nickolas Sargent

Laundry meets luxury in the utility room, reached via a pair of custom walnut and brass barn doors. HW Interiors installed a dramatic onyx floor backlit with LED bulbs, an extravagant counterpoint to the very practical dog shower. Another small space with huge impact is the powder room designed by Atlanta-based Forbes+Masters, where gray marble-like tiles tinged with pink and cream line the walls.

New York City’s Mikel Walsh created a primitive, modern family room furnished with his own Cradle Chairs and crowned with a tasseled chandelier. Next door, the vestibule leading from the public family room to the private bedroom is called “Flock Hall” by designer Harry Heissmann, also of NYC. 

Afro-chic glam in a closet by Nicole White

Nickolas Sargent

The primary bedroom, by Courtney Giles of Atlanta, is all about the Palm Beach location with palm tree wallpaper and a beachy vibe. The primary bathroom was designed by Miami-based Nicole White with dark, moody colors; the adjoining closet showcases Afro-chic glam with dramatic art and lighting. 

A tropical bathroom in blue

Nickolas Sargent

The guest bedroom by local design firm Kemble Interiors is a stunner with larger-than-life hand-painted flora and fauna on the walls and a metal bed that mimics a bougainvillea vine. No less colorful and dramatic, the adjoining guest bath and closet by Ontario-based Alexandra Naranjo is a symphony of blues and tropical vegetation. Another guest room evokes a modern European sensibility as interpreted by Houston designer Nina Magon. A guest suite by Amy Morris of Atlanta has a bed placed in a corner and a pale blue painted floor. Westchester-based Brittany Bromley treated another guest room to hand painted scenic wallpaper and classic French elements. The adjoining bathroom is drama itself, mirrored with Mercury glass.

Mally Skok’s cheerful upstairs sitting room

Nickolas Sargent

A second-floor seating area is lively and sunny, yet serene. Massachusetts designer Mally Skok, who is also a fabric and wallpaper designer, lined the walls with her latest botanically-based wall covering, while the ceiling and trim wear a sunny shade of terra cotta. 

The house is blessed with a number of outdoor spaces, including a loggia off the guest bedrooms designed by Atlanta-based Anna Braund and featuring a custom banquette, as well as an awning-covered balcony designed to evoke Caribbean chickee huts by Ellen Kavanaugh of Palm Beach.

Tickets for the Kips Bay Decorator Show House Palm Beach must be purchased on line at www.kipsbaydecoratorshowhouse.org/palmbeach. General admission hours are Monday through Sunday,10a.m.-4p.m. All proceeds will benefit Kips Bay Boys & Girls Club in the Bronx, New York and Boys & Girls Clubs of Palm Beach County, who together serve 20,000 youth, ages six through 18.

from Anisa News https://ift.tt/3s4mrVU

[cessanderson]

Decorating With Olive Green: 30 Ideas For Fall And Beyond https://ift.tt/2CXW8eJ

Olive green is on-trend – and it appears it will be one of the topmost stylish colors for the next few years. It varies greatly in hue and saturation from cool to warm tones, giving you plenty of flexibility when decorating with olive green. Also known as cargo, sage and even chartreuse, the color is quite versatile. It’s the perfect shade to add to your living space this fall.

Here are some beautiful interiors to inspire you to try decorating with olive green. Update your space with olive to add a warm, modern fall feel to your home.

Add Olive Green Window Treatments

When decorating with olive green around your windows, go with a richer, bolder shade or pattern since you’ll only be seeing a small area of the curtain.

A floral setting featuring violet-colored flowers ties in the elegant olive silk curtains. Image: Scott Weston Architecture

A cool, grey neutral bedroom goes seasonal with a bright olive color featured on the windows, headboard and throw pillows. Image: Shake The Sky Interior Design

Add Accent Furniture In Olive Green For Fall

The olive tone works well with nearly any color and manages to warm up a room for fall. If you’re not ready to commit to an olive green sofa permanently, add an olive-colored slipcover to your dining chairs, sofa or ottoman to bring the tone in when you’re in the mood.

The striking leather chairs in this contemporary dining room add a warm, fall vibe to the space. Image: Mendelson Group

The olive-colored sofas flow well with the natural beiges, greys and splashes of orange in this modern living room. Image: Stressless Sofas

A patterned olive textile is used in the curtains and draped over the headboard. The chaise in the room is covered in an olive green slipcover. Image: DeFrances and Associates

Dress Up Your Dining Room Table With Olive This Fall

The color olive works very well with other traditional fall tones like reds, oranges and golds. Add a touch of olive to your dining room or table to modernize your current space.

Small olive-colored details like seat cushions, napkins and glasses add a touch of fall to this table setting. Image: Robertson Lindsay

An open living space features a monochromatic color theme with olive green textiles, tableware and upholstery. Image: Susan Venn

Olive green is an excellent color accent when you’re working with warm neutrals like ivory, beige and white. Image: McAlpine House

Paint A Focal Wall Olive Green

For a fast, bold way to add your favorite olive green tone to your home, paint a single wall in olive. Don’t forget to accessorize the room with the focal color to pull the look together.

This bedroom wall is painted in a rich, saturated olive color. The throw blanket ties in the focal wall color with the bed. Image: Kennedy Design Group

The small stripe created by painting the TV wall in a rich olive creates a bold focal point in the den. Image: Elad Gonen

A rich olive wall is combined with Scandinavian-style blond wood furniture and touches of warm rust, as shown on the seat cushions. Image: Snell David

Or Paint The Whole Room In Olive Green

Paint your room in a darker, more neutral tone of olive green or a light, cool version for a warm and peaceful setting. The color olive complements all wood tones and natural stone materials quite well, making decorating with olive green walls simple.

Change out the boring white walls in your living room and warm up the space for the colder days of the year with a rich olive green tone. Image: Brett Weber Architects

A lighter, cooler olive tone creates a peaceful, airy bedroom environment. Image: Richman Interiors

Wallpaper A Wall With A Pattern Featuring Olive

Add life to your walls (and room) with a textured or patterned wallpaper featuring olive. The latest wallpapers are easy to clean and easy to remove if you rent.

A Nordic-style home features a fun, graphic wallpaper pattern in shades of olive and sage. Image: Brewster Wallcovering

You’ll find a great variety of botanical print wallpapers in olive green that would accent your room. Image: Richman Interiors

The rich olive wallpaper adds texture and depth to the headboard wall of this olive-themed master bedroom. Image: Jigsaw Interior Design

Pair Olive Green With Other Warm Fall Tones

Rust, terracotta, pumpkin and orange are natural partners to the color olive. Other warm fall tones that look great with the green include golds and reds like wines and burgundies.

A kitchen featuring a striking copper backsplash was painted with a cool olive tone to add a strong design element to the room. Image: Fontana Art And Design

Terracotta and olive are both on-trend colors at the moment and work well together for fall. Image: Cream And Black

This room, featuring an olive focal wall, can be accessorized year round according to the season. For fall, the throw pillows were changed out to pumpkin spice and terracotta tones. Image: Magnolia

Decorating With Olive Green Accents

There are many ways you can accessorize with olive green, including wall art, throw pillows and blankets, vases and other objects. Add a few in your favorite olive green shade to a neutral room.

If you feel your room is a bit too neutral, add splashes of bright olive tones to liven up the space. Image: AMW Design Group

When decorating with olive green, don’t be afraid to layer variations of the color, as shown here. You’ll notice designers added light sage, chartreuse and deep olive to this modern open living room. Image: Annette English

This restful bedroom was painted in a pale olive pastel and accessorized with olive accents like an ottoman and throw pillows. Image: Cyndi Parker Interiors

Add An Olive Green Rug To Your Room Setting

The walls are often the go-to place to add an accent color. But beyond the walls, your floors offer lots of square footage ready to be personalized. An area rug in olive green could be the perfect way to add the color to your room for fall.

A floral botanical wallpaper brings the outdoors in. So does the coordinating olive area rug. Image: Douglas Graneto Design

The chair and area rug add the fashion-forward color to the room, as well as the feeling of an expansive space that flows out into the outdoors. Image: Katie Leede & Co.

For A Fresh Look, Pair Olive Green With Yellow Or Turquoise

The 60s and 70s are hot in home decor. Which means you’ll see a lot of combinations of vintage colors (even for fall and the holidays) that add a smile to your face, like olive and bright yellow or olive and turquoise.

A kids’ bedroom featuring bright yellow, turquoise and olive is fresh and cheerful. Image: Amy Lau Design

Olive green works very well with aqua, teals and gold, as you can see by the pale olive wool throw blanket in this bedroom. Image: High Fashion Home

A vibrant, modern living room in olives, teals and turquoise. Image: Markatos Design

Greens repeat throughout the room with turquoise as the accent color. Image: James Rixner

This modern bedroom has a 70s vibe featuring olive and bright yellow textiles. White accents provide contrast against the deep olive grasscloth wallpaper. Image: Amy Lau Design

Are you attracted to the more vibrant, invigorating shade of olive? Or do you like the soft, restful cooler tone of olive green? If you love them both, mix and match the popular color in your home.

The post Decorating With Olive Green: 30 Ideas For Fall And Beyond appeared first on Freshome.com.

Cynthia Bowman

[morrisbrokaw]

When a Change of Season Calls for a Beautiful Room Refresh

Autumn has always been my favorite time of year. Every August, just like clockwork, I find myself anxiously anticipating the change in season. It prompts me to refresh my wardrobe with yummy sweaters and find new and innovative ways to redecorate my home in preparation for the chilly yet cozier months of the year.

When Sherwin-Williams shared their 2019 Color of the Year, Cavern Clay SW 7701, Kate and I both agreed we loved the look and feel of this color tone and we jumped at the thought of doing a beautiful redesign story around it. I was drawn to the warm terracotta color because of its ancient, elemental roots and mostly by the way it made me feel. Cavern Clay is a blend of midcentury modern style and the rich and earthy American Southwest, which together create a kind of desert modern aesthetic vibe. Because I love and live in all things boho, Kate asked me to take on this makeover story, and if you know me just a little bit, you know I absolutely LOVE anything interiors related, especially if it’s bohemian. So, I couldn’t wait to get started.

Because I’m currently living in a rental unfortunately my bedroom was off limits for painting. So I quickly reached out to good friends Jenny Jorgensen and Kate Worum, the local mavens of She She, a hand-painted print and pattern design studio, to see if they were interested in receiving a little room refresh and luckily Kate Worum was all in! Kate, a local Minneapolis illustrator who recently turned 30, was looking for a fresh start and a little change of scenery in her life. We were happy to provide that to her with a fresh wall of paint in her bedroom, and we thought, why not help a girl out with a full-on room refresh! After kicking off the project I went over to her place right away and we began brainstorming how we could transform her sunny little apartment bedroom into a relaxing bohemian bungalow.

Before sitting down to paint, I worked with our designer Raquel to put together a little mood board inspo that really embodied my vision for this redesign project. I selected a handful of beautiful textiles from my personal shop Arden Trading Co. I then put together a collection of eclectic yet complimentary plants and planned to insert earthy elements into the space whenever I could. Which I think you’ll find a lot of that earthy feel in the Cavern Clay color itself. I also made a note of how important it is to include a little bit of cream, sand and ivory tones in with the darker/brighter pops of color. The lighter tones make the room feel fresh and clean; they balance the space out and don’t weigh the color scheme down with a heavy, dark feel.

This is Kate’s beautiful and busy room before we painted a fresh coat of Cavern Clay over this bluesy tropical She She landscape. To be safe we added a coat of primer first and because the whole W&D team was there painting the wall was done in a jiff.

We were thrilled to find the Emerald Interior paint by Sherwin-Williams went on smooth and thick. We only needed two coats of Cavern Clay to complete the look.

Cavern Clay, embodies renewal, simplicity and a free-spirited, bohemian flair, which seemed like the perfect way to start out a fresh season of life this fall.

When the W&D team got together at Kate’s house to paint her bedroom wall Cavern Clay, the She She girls were already dreaming up a whimsical and feminine pattern to paint over the Cavern Clay color to give the room a little more dimension, duality, and softness. They decided to accent the wall with a beautiful Origami White SW 7636 and Dark Clove SW 9183 paint by Sherwin-Williams. Jenny and Kate painted their designs in a free-flowing pattern that celebrates the strength and beauty of women and botanicals.

Next, Kate was in dire need of a new bed frame so she decided to purchase the Drommen Wood Bed from CB2 that complimented the room so nicely. I then brought in one of my baby blue cactus silk Moroccan rugs to give the room that true wanderlust feel. Kate had just visited New Mexico and I had recently visited Morocco so a lot of the inspiration you’ll find in her room refresh was based around our previous travels.

Toward the right of the bed, we created a little dreamy plant oasis. Kate and I went to a few different plant stores to find a wide array of greenery that felt unique yet still cohesive. We decided on a few little succulents, an Arboricola, a Ficus Decora, and a little Fiddle-leaf fig, we also added in a tall Marginata Dracaena that I loved because it reminds me of a Dr. Suess character in that book Oh, the Places You’ll Go!

To the left of the bed, we stacked quite a few large art books and I styled the nightstand with a few brass trinkets I picked up in Morocco, like that bookshelf-worthy golden camel and horse figurine. We finished this look off with a batch of white hydrangea picked fresh from Jenny’s garden that morning. The flowers made the room feel very Better Homes & Gardens which I loved.

We selected a sand-colored linen duvet cover for the bed which looked amazing. I bought this on clearance at Macy’s! It’s surprisingly soft and cozy. I then styled a handful of my Turkish kilim pillows near the bed frame to give the room that colorful pop of texture on top of the neutral-duvet base. Kate and I were so happy with how the final look came together. It truly felt like a brand-new space that was warm, tranquil, cultured and sophisticated! And we did this all in a matter of a couple days!

What do you think of the room refresh and the Sherwin-Williams 2019 Color of the Year? And curious minds are inquiring – what paint trends or colors are catching your eye lately?!

Photography by 2nd Truth  Art Direction by Judith Marilyn Styling by Stefani Hodzic

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Ed. note: This post was sponsored by Sherwin-Williams®. The compensation received in exchange for placement on Wit & Delight is used to purchase props, hire a photographer, write/edit the blog post and support the larger team behind Wit & Delight.

While compensation was received in exchange for coverage, all thoughts and opinions are always my own. Sponsored posts like these allow for the development of additional dynamic content to be produced, unsponsored. Thank you for supporting our partners!

  The post When a Change of Season Calls for a Beautiful Room Refresh appeared first on Wit & Delight.

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[textilenewsworld]

Indian Home Furnishing Exporters Focus on Growing Demand of Hand-made Curtains

Indian home furnishing industry keeps pace with the latest trends in the market in order to gain a competitive edge. Curtains, one of the core products of the Indian home furnishing industry and quite in demand in the overseas market, have been the mainstay for many Indian exporters. With the rapidly evolving lifestyles, there has been a significant change in the patterns, designs, colour schemes and fabrics of curtains. As in the case of other segments, the major buyers of Made-in India curtains are EU and US, but recently-Middle East countries, Israel and Australia are also emerging as strong buyer bases. Team AO met with some of the dynamic players of the industry from both the buying and manufacturing side to understand more about the ongoing developments in the domain of curtains.

For curtains, patterns and fabrics are the most important aspects which lead the market. In the current scenario, hand-made curtains in printed as well as embroidery form are getting good response, whereas natural colours, solid linen, geometrical patterns are trending. Polyester, every variety of cotton, linen and silk are the fabrics having maximum demand in the global market, whereas for few companies, the new generation of their clientele are turning their heads towards venetian blind.

Exporter Views

Priva International, a Jaipur-based company, which deals extensively in home furnishings, is one of the most popular names in the overseas market for its extensive product range in curtains. The 15-year-old company is not only manufacturing curtains but also updating itself as per the changing customer needs to maintain its market hold.

Pankaj Karwa, CEO of the company shared, “At present hand-made curtains are more into demand, whether printed or embroidery made from pure cotton. But if we talk about colours, then there has been a huge change taking place in the industry. Earlier people used to prefer brighter colours, but now they are moving towards subtler colour schemes, like white, off-white, grey and some hues of blue.” He further added that curtains are seasonal and people change it over with time as per their needs. Pankaj also stated that his company has a unique procedure through which they study and analyse the existing market demands thoroughly. According to him, 80 per cent of the total production of Priva International goes to Europe, Latin America, Australia, New Zealand, Japan and African countries.

Another potential player of the industry which is into the market from last 25 years and covers the entire home furnishing range is Sundram Hastkala, a Ghaziabad based company, catering majorly to the Gulf countries, the European and Japanese markets on a large scale. Kamal Bhatnagar, Director of the organization specified, “Home furnishing industry is going through a hard time. So the buyers are now moving towards value-added products, which are satisfactory at quality level as well as cost level. Nowadays people are not buying linen and silk curtains which we used to do earlier, back in 1997, and until 2012. At that time, we manufactured and exported silk curtains on a broader level. That was the period when industry was able to pay the price for expensive stuffs as well, but now we are only concentrating on cotton and polyester products to fulfil the market needs.”

Adding to his views further, Kamal said, “Curtains are very important segments of the home furnishing industry and for us as well. As per the current market trend, neutral colours in curtains are more into the market if we talk about trending patterns, then bold checks and stripes, followed by trellis, triangular designs capturing a significant portion in the global market. Apart from these, jacquard and geometrical shapes with modern motives are taking over the industry. On the fabric front, the Director of the company said that cotton and polyester mix are the most required ones due to their cost-effectiveness.

Woodson Impex, a Delhi-based home furnishing company which is a pioneer in crewel work, a special kind of hand embroidery which was earlier done only with wool because it is the traditional work of Kashmir, is now being made through different types of threads. Arif Kamal, Founder of the company stated, “We are making a niche product range as we want to have a smaller but a niche clientele in the industry. Not everyone in the market can provide the buyers what we are giving them. When we talk about top trends, updates and fashion, then I always say that whatever the trend will be, crewel will always remain as the in-thing. So, curtains with crewel embroidery are much in demand, as they are considered as ‘evergreen’ fashion. But yes, according to time, the colour, patterns, preferences in the fabrics selections keep changing.” Currently, in crewel work too, there are variations in terms of colour selections, like now people are looking for more subtle colours in base and crewel work with bright colours trending. Beside this, khaki, natural linen colour, shades of white and off-white, different shades of blues, grey are in vogue.

Additionally, the new generation is moving more towards venetian blinds just because of its new look and reasonable cost. Full-size curtains with crewel embroidery cost quite high in comparison to a venetian blind – a small piece of curtain which is nowadays making its place in the new homes. “Well, key fabrics for our clients are silk, organdy, cotton and linen,” he added. The two-decade old company which has its expertise in crewel, manufactures almost all types of curtains, bedding, cushions, and covers the European and US markets extensively.

Diamond Exports, a 42 years old company which is based in Panipat, is one of the prospective exporters in home furnishing industry. The trailblazer company is supplying predominantly to the European countries, UK, US, Gulf countries, Japan, Australia and other important parts of the globe. Ramesh Verma, CEO of the company, sharing his experience said, “Chemary, a variant of cotton, is in trend. Beside this, linen solids and silk are also in fashion. Patterns, solid and geometrical shapes are doing well. However, colours for the curtains always remain the same like beige, white, cream, off-white, grey and some more delicate hues which work for US and European countries, including Japan. But as always, in the Gulf region, people stick to the shiny and darker shades, such as golden, silver and other shimmering tones.

“Colour blocks, large botanical motifs, metallic and digital print curtains are grabbing more attention from overseas buyers. Woven texture, basket weave, sheers and velvet fabrics are very much in trend.” – Lalit Mittal, Director, Mittal International, Panipat

Buyers’ views

TQM Global Buying, a nine years old sourcing agency, based out in Noida region and dealing in the entire range of home furnishings, has the detailed update about the industry trends in the international market. Sanjeev Jain, CEO, TQM Buying Agency revealed, “Curtain exports from India have been always high in demand. However there has been a shift in trends, designs, patterns, colours, etc. during the past few years. Earlier polyester curtains were high in demand but lately due to emergence of China as a major player in polyester, India is no longer competitive nor is it the buyers’ choice for polyester and hence this business has moved mostly to China and other countries.”

Moreover, Sanjeev observes that the buying pattern in India for curtains has changed radically as the market is now looking for more natural shades. As far as fabric is concerned, cotton, linen and other natural fabrics are the dominating ones. But yes, one thing which has remained unchanged is printed curtains. “You can still see these curtains with prominent players in the market having altered and improved prints, patterns and colourways,” he adds.

Sanjeev also informs that silk curtains which were initiated by Target, JCPenney, Walmart and BBB last year, and were doing well in the market are now getting low response; besides cotton is back for these retailers too. Textured and linen-look cottons are in high demand. Yarn dyed curtains in stripes and checks coordinating with other bedroom décor like cushions, floor rugs, table linen, etc., are being produced and shipped by suppliers down south. Apart from this, denim is also coming back with different washes in fashion. Slub yarns of natural fibres are being used more in curtains fabrics. “If I divide them according to the countries, then UK prefers to buy curtains with some value additions on the top and bottom of the panels by adding different treatments or techniques, whereas the European countries like France, Sweden, Netherlands, Denmark, Finland prefer the dull look and also other earthen colours. They are also demanding for raw finish, textured look fabrics,” he remarked. South Africa, TQM’s prominent market, still prefers polyester curtains over cottons, designs like damask, tropical, floral, whereas, geometrical, animal prints are no longer in demand. Ivory, beige and gold are always rich look colours in curtains worldwide.

Jaspal Dehal, Director, Majestic Global Services, Ghaziabad shared, “As far as curtains are concerned, trends vary from market to market. Preference of the people varies greatly in different countries. Also, like most of the other home textiles items, for curtains, buying for a particular season of the year is also very important. Colours are chosen accordingly. If I talk about designs and patterns, then geometric patterns and textures are in and florals are out. Even for basic or promotional categories of curtains, clients prefer to have some textures rather than going for plain basic fabric.” The buying house started back in 2004 and is now covering majorly 4 countries, including Germany, Australia and Switzerland.

Strategic Sourcing Solutions (3S) is a 15-year-old, Noida-based sourcing house which is dealing into home furnishings only and catering to Israel, Switzerland, Germany, US, Netherlands and France. Deepak Gaba, Founder, 3S discussed about the recent market trends in curtains segment and said, “Textiles section is moving more towards natural palettes, consumers are looking for products which are classic, environment-conscious and has ‘Nature’ as a strong theme. Trend forward customers are also looking at bohemian influences in curtains; linen and cotton are also in large demand.”

Here are the best Curtain Manufacturers from Taiwan, please visit the showroom for more information right now.

[jeremystrele]

Eye-Catching Australian Textile Design On Show

Eye-Catching Australian Textile Design On Show

TDF Design Awards

by Lucy Feagins, Editor

Figgoscope Curates, Prima Familia Totems. Photo – Jonathon Grigg.

Teresa Ceberek for Tsar Carpets. Photo – Lillie Thompson.

Marta Figueiredo AKA Figgoscope Curates – Prima Familia Totems

A series of captivating human-scale sculptures and whimsical ottomans. Produced in traditional Portuguese burel (100% felted wool) fabrics, the Figgoscope Curates range heroes bold hues and 3D acoustic patterns.

Teresa Ceberek for Tsar Carpets – X-Materiality Collection

These two hand-tufted rug-cum-art-pieces mimic natural landscapes, creating a soft sensory experience for the user/viewer. At once playful, commanding and refined, Teresa’s designs challenge conventional ideas of what floor coverings can be.

Cassie Byrnes, Tourist. Photo – Rod Pilbeam.

Julie White & The Ghan, 90th Anniversary Scarf.  LEFT: Photo – Simon Upton. Styling – Jana Pokorny. RIGHT: Photo – Julie White.

Julie White & The Ghan, 90th Anniversary Scarf.  LEFT: Photo – Simon Upton. Styling – Jana Pokorny. RIGHT: Photo – Julie White.

Cassie Byrnes – Tourist

Featuring six print designs in natural, biodegradable fabrics, this fashion collection from the much-loved Melbourne-based designer melds childhood memories of growing up in North Queensland, with vivid iconography.

Julie White + The Ghan – Anniversary Range

To commemorate the 90th anniversary of Australia’s most iconic train journey, Julie teamed up with The Ghan to design a ‘Ghanniversary’ silk scarf and pocket squares (plus a one-off promotional gown). Her design sees the corporate camel logo reinterpreted and elevated with hand-drawn flair.

Georgina Whigham, Woven Bag Series. Photo – Victoria Zschommler. Styling – Natalie Turnbull.

Georgina Whigham, Woven Bag Series. Photo – Victoria Zschommler. Styling – Natalie Turnbull.

Esther Sandler, Togetherness. Photo – Michaela Barca.

Esther Sandler, Togetherness. Photo – Michaela Barca.

Georgina Whigham – Woven Bag Series

Emulating characteristics of a plastic bag, yet seeking to counteract throwaway mass-produced connotations, Georgina’s linen and cotton bags are and ode to craftsmanship. The designs are handwoven in Canberra.

Esther Sandler – Togetherness

Esther has produced a range of garments showcasing unique handwriting, abstracted botanical motifs, and geometric shapes. The designs explore contrast: where land meets sea, desert meets forest, and city meets the untouched.

Natalie Ryan, Meander Designs Belgian Cotton Linen Cushions. 

Georgia Cannon, Style Revolutionary Rug Collection. Photo – Rachel Schurmann. 

Natalie Ryan – Meander Designs Belgian Cotton Linen Cushions

This range of rustic, oatmeal cotton/linen cushions is locally printed. Natalie’s designs are adorned with painterly watercolour motifs that hero Australia’s unique flora, from iconic eucalyptus leaves to geometric banksia flowers.

Georgia Cannon – Style Revolutionary Rug Collection

This collection of rugs in flatwoven wool or jute are inspired by abstract watercolours interpretations of visiting New Zealand bushlands. Georgia’s range is further influenced by a love of mid-century design.

Rachel Castle, Sweet Pea Bedlinen. Photo – Pablo Viega. Styling – Louella Boitell-Gill.

Sophie Matson, Købn Summer. Photo – Sean Fennessey. Styling – Kristy Barros.

Sophie Matson, Købn Summer. Photo – Sean Fennessey. Styling – Kristy Barros.

Rachel Castle – Sweet Pea Bedlinen Range

The Sydney-based artist and designer offers up an Australian answer to Marimekko and Liberty designs. Rachel’s bedlinen incorporates playful floral and spot repeat patterns in energetic colourways.

Sophie Matson – Købn Summer

Sophie’s latest beach towel, hand towel and plush bath mat collection puts an unexpected twist on new season stripes. The range draws on the colour play of Mexican architect Luis Bargain, high contrast metals, natural hues and chalky pastels.

ALL the info on shortlisted entrants in all categories can be found on the TDF Design Awards website!

[cassidy-malta]

April 8-15: Moroccan My Socks Off

“How do I even being to describe Morocco? It was six days in a nation unlike any other I'd ever been. For starters, Morocco has a monarchy, and has a strong Islamic presence. It's a desert climate, with incomes ranging from dirt poor to horrifyingly rich. Some women are completely covered with a black veil whereas others wear jeans and allow their hair to fly in the wind. We had the opportunities to spend our time in three cities- Fes, the historical city, Rabat, the royal city, and Marrakech, the tourist city. 

Day 1

We started in Fes. A fitting place to start as Fes is one of the oldest cities in the country and a hub of tradition and culture. Our tour guide took us to the Medina, or fortified portion of the city. Narrow cobbled streets were lined by tall windowless buildings, even narrower alleys jutting off seemingly randomly from the streets. The homes are built uniform to keep everyone safe and reputable despite what the inside of their home might actually look like. There is no way to tell which neighbors and poor and which are rich until you're invited into the homes. We toured an average Moroccan home and collectively our jaws dropped- mosaics covered the floors and walls, plaster and cedar was carved into ornate Islamic symbols and patterns, and the central living room opened up to the sky in a courtyard design.

(the “average” Moroccan home)

(The view of Fes)

The medina of Fes also had a souk. A souk is essentially a market, more of a farmers market. Farmers sell their produce and livestock. Artisans push purses, carvings, paintings, and jewellery at you. Clerks try to convince you that you need a pair of knock off adidas. Vendors shout over each other and offer a massive variety of food- soups, meats, teas, sweets, and pastries. The thousands of shops (no exaggeration) were arranged in a labyrinth of even narrower streets, packed with shoulder-shoulder people. In the midst of the madness, there were schools and mosques- reminders of reality. This was an opportunity to get up close and personal with Moroccan people. Barefoot children looked up at us as stray kittens played around their feet, offering us strange foreigners a cheerful "bonjour!" Women in bright hijabis touched my hair and shirt with big smiles. Men called out "hello lovely!" or "beautiful flower!" as I passed. Blind beggars were frequently reaching to grab my arms. It was an incredible human experience.

(the streets were unbearably crowded, and panic set in when we heard a farmer yelling to clear the way for his donkey or mule. We all squished to the walls of the Souk and hoped to not get knocked over by the burdened animal)

(some of the souk was covered, and while the shade was nice, the sheer number of people made the atmosphere stiff and stuffy, full of the smells of animals and rotting sweets)

(Muslims have to butcher their chickens in order to ensure that it is holy to eat, so farmers were selling live chickens at every corner. We also saw displays of river eel, huge snails, camels, and the Moroccan delicacy- sheep foot)

(the vivid colors of the souk were unforgettable. Most shops were about this size, and every inch of space was occupied by their product)

After the souk, we went on excursions to a traditional rug shop, silk shop, leather tannery and a ceramic workshop. That night we collapsed into bed with bellies full of chicken tajine and heads full of awe.

Day 2

We left the hotel early to take a day trip to Meknes. Meknes is another ancient city, home to kings long past. We toured the stables and graineries, as well as some Roman ruins. We certainly appreciated the slower pace of Meknes, but we got our first real taste of Saharan heat.

While we didn't have to wear head scarves or wear traditional dress, we did choose to respect the culture and blend in as much as possible by keeping knees and elbows covered at all time, especially in more conservative areas like Meknes. We did not want to draw attention to ourselves, as our pale skinned, blonde, and timid group did that enough as is.

(the ruins of the royal stables. Rumor has it that the stables could house hundreds of purebred Arabian horses- a sign of the king’s wealth. Note the long sleeves and pants in 90 degree weather)

(Spirits and heat were high as we roamed the Roman ruins)

(a traditional Moroccan salad- cold veggies including eggplant, beets, lettuce, tomatoes, potatoes, carrots, corn, and cucumbers, a centerpiece of rice, and a drizzling of an unknown dressing)

(Meknes showed off the Moroccan architecture and ornate detail that I have fallen head-over-heels for)

Day 3

We drove to Rabat next. Rabat is the current royal city as the royal city shifts with the dynasties. It was a long drive but once we finally got settled we toured more Roman ruins and the shell of a very old mosque at Chellah. Storks built their nests atop the pillars of the mosque- their wingspan were easily 6 feet, their massive nests providing shelter to hoards of other birds, and their calls sounding like a clicking deep in their throats. The locals call them "Lak-laks" for that reason.

(Right- behind the mosque was a picturesque garden with bananas, kumquats, oranges, lemons, olives, pomegranites- basically any fruit you could imagine. Left- a stork stands on the wall above the “mihrab”- the holiest place of the mosque)

(A street performer I filmed outside of the Chellah)

We piled back in the van to tour the magnificent Masoleum of Mohammed V, the final resting place of the King's father, grandfather, and uncle. The young and goofy members of the Kings' royal guard made faces at us as we walked among the graves and through the pillars of the unfinished mosque of Mohammed V.

(top right- the entrance to the masoleum. Top left- the ceiling of the masoleum. Bottom right- I was in total awe of the architecture. Bottom left- I flirted with this guard a little)

The day ended in the Rabat Casbah. I got to see the Atlantic Ocean from the other side, and walk the very cute little village before graciously going home for much needed rest.

Day 4

Day four was unfortunately mostly driving as we trekked from Rabat to Marrakech but we did get to pitstop in Casablanca and tour the third largest Mosque in the world.

The Hassan II Mosque is the only mosque that opens its doors to non-Muslims for tours and its size is only bested by the the Saudi Arabian mosques in Mecca and Medina. The size and detail of this building are completely indescribable. It was a breathtaking work of art that could Hold thousands of praying people. Our tour guide gave us invaluable information about Islam and the Hassan II.

(Top right- the outer view of the Mosque. Top left- the mosaics made awesome selfie-backgrounds. Bottom right- even the ceilings were decked out. Bottom left- EVERY SQUARE INCH WAS DETAILED AND ORNATE. I have so many pictures. If you would like more, shoot me a line!)

The faith is accented by five prayers a day and a strong reliance on symbolism. Five times a day, the Imam's warbling call to prayer blasts through every corner of every city from a loudspeaker at the top of the Mosque's highest point. The calls to prayer penetrate every the air and are hauntingly beautiful- their presence a reminder of how strong the faith is here. The towers of the mosques dot the skyline of every city, each tower having a megaphone, an ornament with three orbs, and what looks like a wooden fallow. The orbs are metal and meant to represent the three monotheistic religions: Judaism, christianity, and Islam. The wooden gallows-looking thing is actually pointing toward Mecca, the direction that all muslims pray. The towers are covered in green mosaics as green is the color of Islam. Seeing the mosques and experiencing the Islamic faith so intimately gave me a massive amount of respect for the people who practice it, anger to those who hinder them or hold prejudices against them, and inspired me to someday make a pilgrimage to the Holy Land, where Islam, Christianity, and Judaism meet.

(we ended the day by arriving in Marrakech)

Day 5

Another walking tour dominated our second to last day. We experienced the Marrakech souk, more graves (this time of a different royal dynasty), the ocean (again), the Marrakech medina, an herbal apothecary, and botanical gardens.

(an artsy pic from the Botanical gardens- a definite must see if you’re ever in Marrakech)

(directions like this were spread all around the Souk)

(more Moroccan architecture... what’s new?)

(a traditional water man, selling water to Moroccans. He was very excited to have his photo taken!)

(Wandering the king’s prison)

(spices and herbal remedies for sale in the Souk)

When that wasn't enough, my best friend and I ventured out to the city limits- to a desert oasis. The sandy landscape was spotted with palm trees and hearty shrubs. We pulled on traditional robes and headscarves and climbed aboard two camels: Fifi and Shakira. Fifi's baby, Scooby Doo, also graced us with us UTTERY ADORABLE presence. We rode for an hour, struggling to communicate with our tour guide but honestly loving every second of the experience. We watched the sunset and rubbed the rough hair of the camels, Scooby occasionally running beside us to brush our toes with the tuft of hair on his head or to press his nose to our bare ankles. A tranquil, magical, once-in-a-lifetime Moroccan experience.

(ended the trip with some Moroccan Mint tea- literally to die for. Appropriately nick-named “Moroccan Whiskey”)

(Shakira was quite vocal- it made Maddie pretty nervous!)

Day 6

Our final day began with one of my favorite things: food.

Unfortunately, it was through this taste testing tour that I discovered that I can not stand Moroccan food. If I had one more chicken Tajine I was going to scream. I tried to get vegetarian options in hopes of satisfying my palette but it simply wasn't enough. The highlight of the taste testing tour was fresh orange juice. Something about orange juice from local Mediterranean oranges is downright magical and borderline addictive. The lowlight was the bean based soup, desserts, and dates. The soup was simply sad, the desserts sickly sweet and too sticky, and you don't even want me to get started on the dates.

(bees swarmed the foods and the men scooped up the various treats with their bare hands. A health inspector would’ve had a hay-day in the market!)

The afternoon was free time so I did what I do best- I shopped. As shallow as it seems, shopping is one of the most culturally enriching experiences when going to a new country. It's an excellent crash course in what the people are proud of and what they feel represents them. Not to mention I got some pretty neat souvenirs and a more time in a souk.

(the boys so graciously allowed me to twin with them on our final day)

So that’s the best I can do to sum up an experience beyond words with a few words. I can not wait to continue my traveling in the future and hopefully return to this little African paradise. I have fallen hopelessly in love with Morocco and I can not encourage people enough to visit! 

[jeremystrele]

Just Don’t Call This Home ‘Eclectic’

Just Don’t Call This Home ‘Eclectic’

Homes

by Lucy Feagins, Editor

Yvonne Shafir’s truly fabulous home in St Kilda East. Yvonne spotted this massive Evian poster in a neighbour’s carport. ‘It was pink and had a giant woman on it, I insisted it belonged at my house and we reached an agreement!’ says Yvonne.  Water tanks (just visible) painted by street artist Elle. The yucca and cactus were already in the garden when Yvonne bought the house, and she added white pebbles for definition. Photo – Caitlin Mills for The Design Files. Styling – Annie Portelli.

Yvonne (holding Violet the cat) wearing some seriously glam Gucci platforms, a jacket by Undercover from the Cindy Sherman collection, Dsquared jeans and glasses by Anne et Valentin. Lounge chairs by Eric Trine and Dusen Dusen from West Elm Online. Lucia hexagonal tiles from Urban Edge Ceramics in Richmond. Photo – Caitlin Mills for The Design Files. Styling – Annie Portelli.

The entrance hall. Tiles from terrazzo moss from Urban Edge Ceramics. Custom railing made by Unique Wrought Iron in Tullamarine. ‘I had the railing made to imitate the tiles. I have been wanting to have the same pattern stencilled on to the walls inside the entrance but have been consistently talked out of it’. Sangeeta & Fui painting by Kate Beynon from Sutton Gallery in Fitzroy (this piece is currently in ‘Continental Shift: Contemporary Art and South Asia‘ at Bunjil Place. Murano Chandelier from Leonard Joel. Photo – Caitlin Mills for The Design Files. Styling – Annie Portelli.

‘Bromley Girls’ photograph Yvonne ‘scored for peanuts’ at the Leonard Joel Bromley auction. She found it rolled up in the corner. Model H269 chair by Jindrich Halabala from Modern Times. Yvonne purchased the chairs before she moved into the house and they ended up dictating the room and much of the rest of the house, too. Rug from Uzbekistan bought for 100USD and carried with Yvonne in luggage all the way to New York via Turkey (which ended up costing her $5,00 in back massages!). Sheer curtains from India.  Photo – Caitlin Mills for The Design Files. Styling – Annie Portelli.

The hallway. Verner Panton Luna rug from SPACE. ‘Jardin de Reves’ mural by Christian Lacroix. Kartell Bloom lamp by Phillipe Starck from SPACE. ‘Medical Venus’ portrait by Orshi Drozdik. Quan Yin by Lalique on top of antique Chinese rosewood stand. 50s pink Murano vase from Mitta Hirsh. Photo – Caitlin Mills for The Design Files. Styling – Annie Portelli.

Pink teardrop mid ceiling chandeliers from Smith Street Bazaar. Large camouflage canvas artwork is ‘Elements’ by Jennifer Goodman from Marita Smith Gallery in Abbotsford. Vase by Kate Rohde from NGV Shop. Yvonne spotted a similar giant flower in the window of a day spa on Glenhuntly road and tracked down the manufacturer (it wasn’t easy!). Ligne Roset sofa from Domo. Etoile coffee table by SP01 from SPACE. Model H269 chair by Jindrich Halabala from Modern Times. Custom neon ‘BASHERT’ sign in Warsaw Deco font by Neon Hart. Next to the TV is painting ‘Lost Dreamer’ by Dianne Gall from Metro Gallery High Street. OMG from Tsherin Sherpa from Rossi Rossi Hong Kong (covering the air conditioner!). Midcentury sideboard by Zoureff from Smith Street Bazaar. Pink Danish rug from top 3. Photo – Caitlin Mills for The Design Files. Styling – Annie Portelli.

Wallpaper by Eijffinger based on painting by Ditch master Jan Davidz da Heem. Photo – Caitlin Mills for The Design Files. Styling – Annie Portelli.

Eichwald vase from Gibson Auction House. Hiromi Tango Neon Sculpture, ‘Red Rears’ from Sullivan Strumpf in Sydney. Twiggy lamp by Foscarini from Leonard Joel Auctions. Jasper Morrison chaise lounge. ‘Fuck you pay me’ handbag by These Pink Lips for Patricia Field. ‘Expert Lovin Free Sample’ painted plaque by Dirty Bandit. Orange sheepskin rug from Family Love Tree.  Photo – Caitlin Mills for The Design Files. Styling – Annie Portelli.

Getsuen Armchair by Masanori Umeda by Edra. Miraggio mirror for Edra from SPACE. Indian silk rug. Photo – Caitlin Mills for The Design Files. Styling – Annie Portelli.

Eijffinger wallpaper from Verve. Portrait of Yvonne and Raffles the cat by Heyd Fontenot. Moooi Salago Pendant Lamp from SPACE – ‘I bought it on sale online. I’ve had it moved three times. I’m mad’ says Yvonne! Photo – Caitlin Mills for The Design Files. Styling – Annie Portelli.

View into the office featuring beach box painted doors. Calypso Girls wallpaper from Coordonné from Verve. Dreams Cabinet by bd Barcelona from AJAR Furniture. A ‘constantly changing’ salon hang wall. Top right (just out of frame) Tracey Moffat’s ‘Grace Slick’ bought at auction from Gibsons. Two Mirka Mora pieces bought at auction from Moss Green. Wall Porn by Megan Morton mirror from SPACE. ‘I have to thank art installers, Dave at Aesthetic Precision and Russell and co. at Picture Hanging Solutions for their talent and PATIENCE with me’, expresses Yvonne. Thanks guys! Photo – Caitlin Mills for The Design Files. Styling – Annie Portelli.

Close up for the ‘mad salon wall hang’ including a hand made slipper sent by a friend in L.A. and a Siamese cat folk painting from another friend from New York. A Japanese cloisonné antique plate from a second-hand store in Newcastle. A monochromatic pink painting (‘because you can never have enough pink’) and a “free” promotional photo Verve Studios ‘featuring a frightened Violet and my platforms.’ Photo – Caitlin Mills for The Design Files. Styling – Annie Portelli.

Glas Italia XXX table from MOHD.IT. Candy rug by Serge Lesage from MOHD.IT. Santa Monica armchair from Poliform. ‘Flowers’ painting by Yayoi Kusama. Cushion by Camilla. Corniche by Vitra from Living Edge furniture. Sid, the Burmese next door who visits regularly.  Photo – Caitlin Mills for The Design Files. Styling – Annie Portelli.

Planter by Vondom from Ajar Furniture. Turquoise Fox chairs by Sika from Domo. Photo – Caitlin Mills for The Design Files. Styling – Annie Portelli.

‘The deck was in disrepair and I was considering replacing it all together when I hit upon the idea of simply replacing all the rotten boards and painting the whole thing pink.’ Kartell Four table and chairs from SPACE. Lanterns from Bohemio. Photo – Caitlin Mills for The Design Files. Styling – Annie Portelli.

Pool based on a swimming pool in the artist Cesar Manrique’s house on the volcanic island of Lanzarote in the Canary Islands, installed by previous owners. Photo – Caitlin Mills for The Design Files. Styling – Annie Portelli.

When Yvonne Shafir and her cat violet moved into this St Kilda East property, it was (unbelievably) a ‘blank canvas.’ Everything in the Spanish Mission style home was white, except for the lime carpet. Yvonne immediately set to work, painting the outside deck and fence pink, and introducing her growing art collection, in the pursuit of ‘turning the house into a home.’

While Yvonne may live alone, colour is a constant companion and character that fills this home! The playful residence offers a story in each room, including a ‘fantasy garden Christian Lacroix mural in the hallway’ and an installation in the office called ‘Day at the Beach.’ As you move through the home, narratives unfold – from the Hollywood glam bedroom to 19th century Parisian boudoir bedroom, and Thai temple en-suite. She cheerfully proclaims ‘overall, a botanical surreal thematic is at play.’

Yvonne moved into the home in 2017, after spying it on a newsfeed. She highlights that ‘after decades of apartment living in New York and a stint in Melbourne’s north, I wanted a suburban experience, with a garden and no flight of stairs in sight!’ In a short period of time, she has well-and-truly made this 1930’s built property her own, and has become pals with the neighbours. She highlights that the street is a ‘kitty cul-de-sac’, where her cat Violet has also made ‘made friends (and frenemies).’

Although Yvonne has created a truly personalised home for herself here, she acknowledges that the space is never truly finished. She highlights ‘the house is in a constant state of flux’ where colour ‘is the main character in the house soap opera, which traverses time and places.’ (That is a TV show we would LOVE to watch!). Yvonne enthusiastically concludes ‘at the risk of sounding pretentious. I see the house as a total art work: Gesamtkuntswerk‘. A total gem of a home in our eyes!