#Bonus: what are our characters like in this setting? How do they interact? what role do they take on?
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#mash#mash 4077#mas polls#polls#fanfiction#au fanfiction#fanfiction polls#hawkeye pierce#father francis mulcahy#charles emerson winchester iii#margaret houlihan#trapper john mcintyre#frank burns#max klinger#bj hunnicutt#henry blake#colonel potter#sidney freedman#Bonus: what are our characters like in this setting? How do they interact? what role do they take on?
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Experimental thought for my MotA gurlies: So I'm rewatching MotA to get a better handle on Gale and what's hitting me on the second time around is how human John feels versus how mythologized and illusive Gale feels?
Exhibit A: You're Bucky and he's Buck?
We as an audience are introduced to Gale in episode 1 via the recitation of the Buck(ies) lore by Marge. And yeah, sure, John and Gale jump in to add color around the edges but tonally it’s a far cry from how anyone else in the show is introduced and, while John is intro’d the same lore, we come to know John with an intimacy that unravels any notions of manicured or whitewashed anything. We never really get this for Gale.
Exhibit B: No Engine Cleven.
So before the fight between Curt and the RAF guy in episode 2 Curt’s regaling (pun intended) the homies with the story of Walla Walla wherein Gale buzzes the control tower with 3 of his 4 engines feathered. Now it's pretty clear from the dialogue that Gale's still got a functional engine, but Curt's telling the story and he insists on changing the details so that Gale's got no engines.
The boys drink to ‘No Engine Cleven’--the myth.
Flashcut to the end of episode 3 and Gale's fort has taken a gnarly beating. By the time he gets in view of the runway in Algeria he has to feather all 4 engines. And he fucking does it: he manages to land sans engine power! He glides the crew to a safe landing, as if foretold. The No Engine Cleven prophesy made real.
So much of Gale feels like mythology, it's all stories and tidbits other characters seem to know on faith: Gale’s not a sports guy, Gale's an excellent pilot, Gale is Buck. And to be fair on each of these points we do get a little bit of bonus content. (Gale tells John about his dad which we come to understand is the crux of his sports dislike. We see Gale fly and know from his continued survival and other characters' reactions that he's good. See exhibit 1 visa vis ‘Buck’.)
Exhibit C: the deference.
Ok so bonk me with the rubber mallet if this is a reach but like the deference that characters (other than John) show Gale also makes it feel like Gale's something special/held apart. Like yes, I do get he's both hierarchically above a lot of the other characters and simultaneously one of the more central characters. We don't see a whole lot of interactions between characters and like Jack Kidd or Chick Harding to really compare how folks are acting towards Gale vs someone else higher up the ladder. But listen
Let’s take Croz as our test example as Croz interacts with Jack and Gale. When Croz interacts with Jack he's definitely in a subordinate role. There's a scene wherein he recommends Bubbles for desk work and a later scene wherein Croz has inherited said desk work and is nervous about whether he's a good fit. Both times he approaches Jack with respect and the deference of a subordinate but there's nothing more to it. Jack’s a guy and Croz is a guy and so Croz feels like he can talk to Jack.
Take that in comparison to the first time Croz and Bubbles meet John and Gale. Croz and Bubbles want to pin a US map with the locations of the various crew members’ hometowns. There's a shyness in Croz’s behavior here that I think goes beyond ‘you guys are Majors’ and more toward ‘omg the popular kids. The dudes that set the tone for everyone else' there's a sort of starstruckedness to the interaction. (Help I can't think of another time he talks to Gale.)
My point is, the other boys talk to Gale and John like they're the big dogs. The Buckies occupy a space that’s nearer the men than command (Jack, Chick, etc) but higher than say a different crew member, or even other pilots (say Brady or Dye). But whereas we get some real interiority on John we never get to really dig in on Gale and it leaves Gale feeling like a marble statue. (Dare I say like a John Waynian archetype of masculine stoicism and competency and controlled violence? Is that too far?) Like a mythical hero at least.
#mota meta#Master of the air#mota#I have Gale brain worms so bad#someone please come get me#gale cleven#buck cleven#gale cleven meta
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hi i love reading your posts on hsr and i wanted to know what you thought about the ‘oh we have been stuck in Ena’s Dream since forever’ plot twist
Hi! Thanks anon, that means a lot :)
Hmm... tbh, didn't think much of it!
I was so unimpressed by Sunday's villainous monologue > villainous interactive monologue dungeon > villainous monologue x3 tedium combo that by the time Black Swan revealed what was going on in the dream I was so emotionally checked out that I really didn't care about the specifics.
It wasn't really much of a twist when it turned out we were in the dream - I'd pretty much figured that out by Boothill (and HYV is lazy, but I didn't think that even they were lazy enough to defeat a main villain and move on so suddenly. They like dialogue too much for that.)
I didn't pick up on the Misha detail though. While it was 'clever foreshadowing', I was less focused on that than thinking about how badly HSR wasted our time Penacony if Sunday had to drop that much explanatory exposition on us before launching into his scheme.
Bro had to dish out his personality, motivations, backstory, relationship with Robin and the Dreammaster, some Family drama, a history lesson and introduce + explain the Order... HYV couldn't have set up the story in a way that that information would be fed to us more organically? 2.2 felt like a sprint match trying to wrap up loose threads and establish/pay off the main villain LMAO (between all the OTHER lore dumps, too!)
I've just seen this done better and in more interesting ways elsewhere, honestly. I feel like HYV thought this was all a lot deeper and more complex than it actually was - which was, imo, barely even a surface-level exploration of the trope.
The loop itself and what the crew was 'losing'/what they were fighting for felt pretty shallow as well, so it didn't feel particularly meaningful when anyone broke free or stood up to Sunday. All the players had actually seen was about 10 minutes of a generically perfect happy ending, so the usual very personal drama you get Lotus Eater Machines wasn't really touched...
I think the cinematics in the final boss fight were pretty cool, even if the crew's dialogue was incredibly shallow given their roles in the plot. Kinda wish there'd been a better story leading up to it LMAO
Bonus thoughts:
We have an attempt to build a lotus eater machine, Sunday's attempt to assimilate Aventurine into a hive mind and Aventurine's hilariously tragic backstory, and then they didn't try to squeeze that for all the drama it was worth?
What happened to Sparkle's buttons? She was setting up something to happen during the Charmony festival. Is that a 2.3 thing? It feels like it'll be too late if it's a 2.3 thing.
Boothill didn't do enough to justify his presence in this patch at all, lmao. We didn't even get to see any other Galaxy Rangers.
RIP to Firefly's 3 deaths????
Ratio and Topaz didn't have much to do either.
Welt called the IPC.... allegedly.
Too many characters in this arc. HYV already struggled with much smaller casts than this one.
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First up for our Religious Diversity Month is Ramona!
Ramona, author of Crown of Exile
When your village is razed to the ground, you're left fleeing with an exiled prince. You can trust no one but each other. Your father's dying wish was to protect the prince, but can you really trust a man who was exiled from his kingdom?
Journey across the borders in search of allies. But in this deadly game of treachery and deceit, there is more than just the prince's life at stake. Will you flee from the past that haunts you or will you embrace the fate that awaits you?
The decision is yours.
• Read more about Crown of Exile here.
• Play the demo here.
• Ramona’s Ko-fi.
[INTERVIEW TRANSCRIPT UNDER THE CUT]
Q1) Tell us about your project(s)!
I'm currently working on a fantasy game called Crown of Exile. It's really dear to my heart since it's helped me get over a very long period of writer's block. The game is all about helping an exiled prince reclaim his throne, all the while making allies with neighbouring kingdoms. There's a lot of romance, political intrigue and scheming with the added bonus of fictitious cultures clashing.
Q2) Why did you choose to write interactive fiction? What drew you to the format?
I've always been a writer of novels, so when I discovered interactive fiction, it opened a whole new world to me. The idea of being able to explore so many different narrative paths, which you can't normally do in a linear novel setting really made me interested in exploring more of my story ideas in an interactive fiction setting. I finally could write more than one path, without straying from the plot.
Q3) How have your identity and beliefs influenced your work?
Growing up, I was told a lot of the time what was expected of me and what I should believe. Of course, I'm very stubborn and questioned almost everything I was told which didn't earn me much favour from others. Because of that, I often include my own experiences into what I write. Challenging traditional gender roles, spiritual beliefs and even just unfair situations have all influenced my writing. I try to write things that I'd like to see happen in real life, which doesn't always happen.
Q4) What aspects would you like to be more explored or represented in media regarding your religion?
I grew up in a very religious family of Hindus and for the most part of my childhood, I was very much a Hindu. When I got older, I became more interested in Spiritualism, which is influenced by my Hindu upbringing. I'd really like to see more representation of Hinduism in mainstream media and I don't mean just yoga and meditation, because there's a lot more to it than that. It's so rare to see many Eastern beliefs in the media, so it'd be nice to see the religion and the many different deities explored.
Q5) What are you most excited about sharing related to your project?
I think I'm most excited about sharing the fictional cultures and beliefs that I created for Crown of Exile. A lot of it is heavily inspired by my own interests in ancient cultures and religions. I'm also very excited about writing a game more focussed on the interaction between characters, especially the romance aspects since many of the characters will have conflicting ideas and beliefs.
Q6) A tiny bit unrelated, what's your favorite religious event?
I want to say Diwali, because I mean the fireworks, the lights and of course the food, but I'll settle on what's called the Mariamman prayer. It's to give thanks to the mother goddess for helping people who became ill and were suffering through a drought. She gave the people sour porridge which was said to heal them. My grandmother still does the prayer and as strange as it sounds, the sour porridge is my absolute favourite thing to drink. I grew up with my grandmother doing the prayer every year, so it's really special to me.
Q7) Any thoughts or advice you'd like to give to fellow authors or readers?
I think the most important advice is to always be kind to yourself when you write. I really struggle with wanting what I've written to be perfect and often, I'll get stuck on doubting what I've written. It's okay for your work not to be perfect, because, when you take a step back and clear your mind, you realise that what you first wrote wasn't as bad as you thought.
#Religious Diversity Month#if: events#Religious Diversity#religiously diverse authors#interactive fiction#interactive story#Crown of Exile
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Interviews - Henry Cavill x wife/actress reader
Summary: You and Henry have been married for a couple years now, and when you’re both part of the Witcher cast, fun interviews are to be had.
Warning: nothing but a good time, btw I’ve never written anything like this so I hope it’s good enough that I might feel motivated to write more
-Readers Witcher character is loosely based off my Geralt fic from here (just a little self promotion), but in this case you play a full vampire in this Witcher universe
The days have been long and grueling, filming hours upon hours of stunts and regular acting had taken its toll. Not to mention the countless times in hair and make up paired with costume changes and traveling to film on certain locations.
To say being apart of Netflix’s The Witcher was full of tiring days and some accidental bruises would be a huge understatement. But none of that mattered, nor did you bother to complain when through the thick and thin of it all did you have Henry with you along the way. And your favorite big slobbery bear, Kal whenever he was allowed on set.
Fortunately for you in the beginning of all the craziness, the casting and writers had wanted you specifically for the part of Y/C/N in the new series before Henry even auditioned for the role of Geralt, that was soon given to him after you accepted your fresh role of vampiric heroine.
It was ironically strange in a good way, you had watched your dork of a husband play the Witcher: Wild Hunt a few times before, eventually learning of what Geralt of Rivia was, who Y/C/N was in the story, who Yennefer and Ciri were, Tris and even Jaskier.
Who would have thought that you’d finally get to snag a role side by side with Henry in quite literally one of the most fantastic shows you’ve ever heard of. You didn’t even need to see the show yet to know how well it was most likely to be reviewed. Being a key character in the grand storyline was enough to convince you of how amazing it would most certainly turn out in the finished product.
And after all was said and done, you couldn’t believe how well loved and popular the show truly became in the following months after shooting and its eventual release onto Netflix. The after parties and cast celebrations truly made you blessedly grateful for pulling through to the vary end.
Then again you had your mans Henry by your side every step of the way. He was your rock and you were most definitely his. You know life on set would have been far less entertaining and dreadfully long if not for the lovely company of your dear Witcher, Henry. And so far after the fact, you and a good portion of the cast have been placed in random interviews for the majority of the day.
Reason being, The Witcher has at long last finally premiered and as per usual the people and media live for those cast interviews that always reveal some interesting events. So far this morning you’ve done some interviews with Anya that have gone perfectly fine since the two of you seem to click so well.
Also it helps ease the anxiety of your fellow newer cast mates to the world of continuous interviews with an experienced veteran actor like yourself, who’s gone round the ring more times then you can count. Though you can’t help but wonder how Henry’s doing, considering you’ve been separated since the sessions began at 10am, you’ve had lunch and now it’s about 1 in the afternoon with more hours to go.
Luckily for you, you’ve just been informed of another interview with the man of the hour himself. Saying your goodbyes and well wishes to your fellow cast mates, you stand and follow the guide into the advised place. Aka some really nice hotel room that’s been done up real nice for efficient interviewing, complete with the Witcher insignia on a large background poster and three chairs that happen to look rather comfy.
The camera and sound people nod in acknowledgment as you walk in, you nod back no doubt making their day with your friendliness and adorable smile that quite literally lights up a room. Soon you spot the bubbly yet nervous interviewee who instantly welcomes you into her space like you’re an old friend.
You sit, a bit confused as to where your partner happens to be at the moment, the interviewer, Lauren makes small talk before a door opens and her big bright doe eyes go wide in nervous excitement. A telling smile upon her face as she shifts in her chair before looking back to you again with a happy grin.
Henry says a quick hello to the behind the scenes crew before waving to Lauren, you smirk while watching him get comfortable next to you, “Well, well, well. Get lost on your way up, you know they have guides for a reason.” You tease as he chuckles at your humorous jab, relieved to see you again after a couple hours apart.
“Traffic.” He quips with a shrug.
“Uh huh.” You mutter with a shake of your head before drawing your attention back to Laura, “Can’t take him anywhere I swear, he does this all the time.”
She laughs as Henry pretends to gasp at your teasing, you chuckle along with them before she finally collects herself, “Well, welcome back to London. It’s fantastic to have you both in town once again, and your big beautiful faces all over Leicester Square.”
You both laugh, “Right.” Says Henry, “I guess we do look pretty cool.”
“Hell yeah, I mean where else can I see myself with a giant sword on a building? And anyways look at this beautiful mug,” You say gently squeezing Henry’s cheeks in your hand, “he’s literally killing it out there.” They laugh as you give Hen another playful squeeze before letting go and setting your arm against the chairs cushioned armrest.
“Alight let’s start.” She says enthusiastically before glancing down at her cards then back up to you and Henry. Then into one of the two the cameras, “Hi I’m Lauren from Entertainment Weekly and today we’re here with the two stars of Netflix’s The Witcher.” She says enthusiastically while giving a nod to you two, indicating that the camera is now focused on you both, “Henry Cavill and Y/N Cavill.”
You both smile in acknowledgment as Henry gives a slight nod, “How you doing?”
“I’m great,” She beams, “So, I’ll get right into it, what do you like most about the story? What really drew you into the script that made you say, yes this is going to be awesome?”
Slapping a hand against Henry’s muscular leg, you hum, “I’ll let Hen take this one he’s a real expert on the linguistics of the whole show.”
“Thanks Y/N/N.” Replies Henry, bemused that you’re making him take the first question.
You nod to him knowingly with a smirk, “Of course.” Knowing how much he loves to talk about the show and also because you’d rather have him use his energy to talk about it then do that yourself. Priorities, right, though in your defense it’s been a long day.
“Well I absolutely love the games and the books themselves are phenomenal works of literature.” He explains, his face glowing with that usual glimmer of excitement in his eyes, “The story and the world of the Witcher is just so rich and full of potential that when I signed on for the show, I immediately knew it would be amazing, no doubt.”
You lean into the arm of you chair, “And of course I was there so that’s always a bonus.”
“That too.” He smiles adorably, “That too of course.”
Lauren smiles, “Great. So, what was it like working together, how was it having your characters interact with one another?”
You smile, setting a hand against Henry’s forearm, “This guy right here.” You deadpan before waving him off dramatically, “So annoying, my god he whined all the time and he was such a drama queen dear lord so ugh....” You start cackling before you can even finish the sentence causing Henry to loose it as well and with that the interviewer.
Shaking your head you rest your hand against his shoulder, “I joke, he was a gem to work with as usual...I mean I feel incredibly blessed to be able to act alongside my husband for months and months every single day. It’s a rarity in this line of work and I’m grateful to have shared this experience...and I guess more so this whole adventure with him as well.”
The interviewer aww’s as Henry tilts his head to lean into your hand that’s still resting atop his shoulder before pulling away just as quickly, the intimate sentiment not going unnoticed by you or Lauren who looks to be enjoying your loving yet calm energy with one another. “That’s so sweet, what about you Henry?”
“Oh yes absolutely,” Agrees Henry to your recent statement, “not only did I have her by my side through it all but the dynamic of our characters interacting together was so fun to shoot. I think the audience will really be able to see their relationship grow on screen into something strong and beautiful like in the books.”
Slow clapping you give him a curt nod of approval, “Well said.”
Lauren smirks, “Seems like it. Well, I was able to catch the premier yesterday and I gotta say...it was fantastic! I couldn’t believe how diffident the two of you looked from how you are now.” She gushes enthusiastically.
The corners of Henry’s lips curl into a proud smile for the fellow crew of the Witcher’s, “Oh that’s great then, honestly we gotta give all the props to the costume and makeup team, they’re so talented and know how to make us look like real badasses.” He adds.
You nod in agreement before grinning at a positive memory of your first interaction with Henry as Geralt, “Oh for sure, I remember during the early stages of production when our characters met each other for the first time, before this we came to set together but went separate ways to shoot our own stuff in the meantime so I never got a real look at him.” You recall with a bright smile as Henry watches your every move, beaming just the same.
“It was so funny, I was in the tent with Freya Allen, the wonderful girl who plays Ciri, and then suddenly her eyes got all big and nervous and I was like, that’s not me right? Something weird didn’t just happen with my costume? And then I turned around to find this man, wig on, face a mess, and his eyes looked so fearsome and different...it was a bit startling.” You say with a chuckle, “I clearly wasn’t expecting to see Geralt right then and there. He just looked so unlike Henry.”
“Yeah, I was almost hurt.” Laughs Henry, “She had to like squint and make sure it was me.”
Rolling your eyes, you shrug, “He had some real creepy looking colored contacts, yunno?”
Henry fake scoffs, “You’re one to talk, I mean when I first say her, Y/N’s eyes were red and she had fake blood spattered all over her face and shirt. Oh, and not to mention those fangs they put on your teeth...we probably traumatized poor Freya that day.”
“Oh shit you’re right!” You exclaim with a snort of concealed laughter, “God I completely forgot about how I looked...now since I think about it, I did that a lot too. I would just walk up to people and be completely oblivious as to what kind of nightmare I looked like, honestly I might have scared one of our producers a couple of times.” You add with a half nervous laugh, it’s true, you did scare some of the crew unintentionally. Most of the time.
Lauren lightly chuckles, “That sounds like you were quite the sight to see then.” She says before glancing back down at her notes, “Alright I have’ta ask, is there anything that you two took home with you from set?”
“Besides Henry every night,” He holds back a laugh while covering his mouth as you nonchalantly continue, “Uh, yes actually I got to take home Y/C/N’s wolf ring that I loved so much and just thought was the coolist thing ever and....uh, I might have stolen some socks too.”
“So that’s why after filming the amount of socks of yours I had to fold increased?” Wonders Henry with a surprised snort of realization.
Turning your head to give him a “no shit” kinda look, you look back at Lauren, pointing your thumb at Henry, “Master sleuth right here, but hey, he folds my laundry.”
“Aw that’s great.” Adds Lauren with a smile before turning her attention to Henry, “What about you Henry? Take anything from set?”
“More then Y/N did actually...”
“He just about took the whole makeup trailer most nights, I swear.”
Henry chuckles, “That. Is true.” He agrees with a nod, “Interesting enough, at home I’ve got Geralt’s armor hung up in our living room and a multitude of other nicknacks that I’ve collected during filming.” He adds, glancing over to you, “So uh, yeah, we were fairly lucky to be able to snag what we could.”
Lauren smiles, absentmindedly shuffling her cards, “That’s awesome to have such special memorabilia, you guys really are fortunate.” She adds before reading off from another card, “Alright you two, care to play a game called guess the image? Witcher style.”
Your face perks up at this, you’re a sucker for interview games and Henry knows it, “Are you reading my mind or something, I have been waiting all day for someone to ask about playing a game.” You gush rather enthusiastically.
He smiles at your adorableness and how excited you’ve just become, Lauren grins, happy that her suggestion has been so well received, “Okay so how it works is, I’ll show you an image on my iPad and then you have to guess who or what I’m showing you.”
“Oh, cool I’ve heard of this,” You reply, turning to Henry with a smirk, “Loser has to clean Kal’s yard poop for a week.”
Rolling his gorgeous blue eyes he chuckles, “You’re on.”
“Alright, the stakes are high, you two ready?” Beams Lauren, holding her iPad to her chest as she awaits an answer.
“Yes, I’m ready to kick his ass.” You quip, leaning an arm against your chair while Henry does about the same, though he does his best to contain his laughter.
“Okay, first image.” She holds up the device to show some sort of weird golden thing, it’s shiny and hard, worst part is that you’re not entirely sure what the hell it could be.
Sensing your confusion Henry nudges your shoulder, though you ignore it before he smartly answers, “Oh, is that...Renfri’s brooch?” Little shit knows exactly what that is, of course he does.
Lauren claps, “Correct.” Zooming out of the image to show the full picture of the golden brooch, “Right on, that’s one point for Mr. Cavill.”
You scoff playfully, “Beginners luck.” While Henry side eyes you with a humorous grin upon his plush lips, he nudges your arm, “I’m going to really enjoy not cleaning up Kal’s grass turds for awhile.” He mutters lightheartedly, though you know deep down he’s being serious, no way is he going to win this, you think. You won’t have it, hopefully the next few pictures aren’t as difficult, Kal duty is not fun by any means.
“Shut up.” You grumble with a dismissive wave of your hand, though just teasing of course.
“Okay next image.” This time the blurred photo looks much more familiar, soon it clicks as to what the obscured blurriness actually is, yes!
“Got it! Anya’s er I guess Yennefer’s dress from the fight at Sodden.” Lauren giggles, zooming the image out to reveal Yennefer in her tasseled blue and purple dress from the battle at Sodden Hill. “I’m amazing I know.” You boast at Henry with a casual little bow in your seat.
“It’s the second question.” He deadpans, eyes crinkling in amusement as you shake your head at him.
“Pffff get outta here.” You mutter back, gently pushing his arm off of your chairs armrest and setting yours in its place while he gives you a fake shocked expression.
In turn you can’t help the smile that tugs at the corner of your lips, so instead of saying some sassy remark that would no doubt get a reaction out of him, you turn your attention back over to Lauren who’s looking over her notes again.
“Fantastic,” She says, glancing back up at you and Henry, “you’re both tied with one point each. Alright, anyone know what this is?” She asks showing something red and fuzzy, a bit of dirty skin showing from one corner but with The Witcher this bloody image could literally be anything.
The both of you squint, puzzled as to what this could be, “Y/N you got any ideas.” Wonders Henry, brows furrowed as his face contorts into deep concentrated thought.
Raising a brow, you hum, “If I knew I wouldn’t tell you.”
“Fair point.” He chuckles.
Lauren smiles, “Any guesses?”
After a few concentrated moments, Henry shrugs in defeat, “I’m stumped.” He admits as you study the image harder, mind racing to put the pieces together as to what the hell you’re looking at.
“No, I think I might know this....erm is it...me?” You wonder, voice raising in question, hoping to be correct about this or face the teasing of Henry.
Lauren quickly zooms out of the obscured image, “It is!” She says excitedly, revealing the picture of you from your characters debut in episode 2 where you save a girl from a werewolf, your mouth is covered in blood and so is most of your costumes chest area and left arm from the struggle. Not to mention the make-up teams fun 20 minutes of throwing fake sticky blood all over you to get the right look for the taxing scene.
You grimace a bit, “Oh god that was quite the day on set,” You recall with a half smile, “I was doing stunts all day covered in that red syrupy dye, I think it took a week to get out of my skin.”
Henry suddenly snorts with laughter, “Right! That reminds me, I thought Kal had gotten cut or something, it was just Y/N who had hugged him not realizing she still had some fake blood on her arm.”
“Jeez that’s right, I felt so bad, but I couldn’t stop laughing once we realized it was just me.”
Lauren grins, excited to hear some hidden information about little things that happens behind the scenes, “Oh wow that must have been a sight, alright Henry, Y/N’s taken the lead with a two to one score.” She says as you playfully nudge his strong shoulder. “Second to last image, what is this?”
Without missing a single beat Henry replies, “Jaskier.”
Squinting at the image you lean closer to the iPad, “How the hell do you see Jaskier?”
Smiling the interviewer zooms out to reveal the bards full outfit from the banquet scene, though he’s in the background of a fight between Geralt and some Cintran knights. “Right on!” She exclaims as you lean back into your seat dumbfounded, shoulder flush against Henry’s as he clutches your arm and squeezes it affectionately.
Ignoring his silent show of victory you shrug, “And they say he’s just another pretty face,” Earning a laugh from Lauren and some of the crew as you smirk at the camera, face them shifting to apologetic, “also I’m so sorry Joey you beautiful bastard apparently I’m blind. Uh, we don’t have to dwell on it, Lauren whatcha got?”
“You guys are both tied with two points each, last chance to win.” She replies before glancing down at her iPad, “Alright, what is this?” She asks, her iPad showing that of fuzzy bright colors, with a small corner smear of dull white that clearly wouldn’t make much sense to the untrained eye.
Smirking you glance at a puzzled Henry before sitting up in your seat, feeling rather good about yourself, “Would that happen to be, Hen in Stregobor’s illusion?” You answer with, though sounding a bit as a question considering you aren’t entirely confident as to what image this is.
Lauren’s brows raise in surprise, “Henry, looks like we have a winner. Y/N you are correct.” She beams, enlarging the image to reveal Geralt’s side profile as he talks to the old wizard while the background stays colorful and shrouded in various arrays of sunlight..
Shaking your fist victoriously in the air you give a couple enthusiastic whoop whoops while Henry simply takes it like a champ, “Have fun cleaning up Karl’s monster turds, cause this lucky lady doesn’t have to.” You boast as Henry and the crew laugh.
“Well that was something,” Beams Lauren, “I’m so glad to have chatted for a bit about your guys’ amazing new series, and maybe ended a relationship in the process.” She says jokingly as both you and Henry chuckle.
Patting his thigh affectionately, you smirk, “He’s a tough old bear, but yeah, it was awesome having you talk to us.”
“Yes, take care now.” Adds Henry while the interviewer Lauren stands, saying her goodbyes as she goes to exit the room.
The camera crew take a small break to adjust things and whatnot as you and Henry wait patiently for the next interviewer. He turns, an adorable smile pulling at his lips while you pretend to ignore his fiery gaze. “Well that went pretty well, minus the fact that I’m on Kal poop duty for a week...but uh...” He leans in close to you now, “I missed you all morning.”
Breaking out into a smile you raise a brow, “Boring without me huh?”
“Always.”
You casually shrug, “I figured as much. Don’t worry, we have a hotel all to ourselves tonight.” Your brows wiggle suggestively causing your blue eyed lover to shake his head with amusement.
“Say it louder next time.” He jokes.
Side eyeing the oblivious crew you begin to speak a couple octaves louder, “Henry I can’t wait to fu..” Suddenly his hand presses against your mouth before you’re able to call any attention to yourself. He gives you a warning look before slowly pulling his hand from your mouth.
You grin mischievously, “I wasn’t gonna say that...”
“Sure Y/N,” He mutters in your ear as a new interviewer walks into the room and finds their chair, “and I’m wasn’t going to make you scream tonight.”
Your brows raise in surprise and admittedly slight arousal at his choice of wording in this room of all places. Eyeing him up, face still showing surprise, you finally break out into a satisfied smirk. “You know what? I think you should consider changing your offer.”
He thinks deeply for a moment, though you know he’s only pretending to get you riled up, “Hrmm...maybe, possibly, should I? Should we? You are my co-star after all, that wouldn’t be very professional now would it Y/N?” He states with a shit eating grin, all done while the crew and interviewer get ready, minding their business and completely unaware to yourself and Henry’s teasing.
Scoffing playfully you lightly swat his arm, “We are way past being professional.”
He chuckles, looking from you to the rest of the room, “Oh, they have no idea.”
#the witcher x reader#henry cavill x y/n#henry cavill x female reader#henry cavill x you#henry cavill x reader#henry cavill
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Building an Embodiment of the Fairytale Princess (2.0)
This is nothing new. I’ve done this build before, which I’ll link right [here]. The post did really well, and people seemed to love the concept. However, since then, Mythic Odysseys of Theros and Tasha’s Cauldron of Everything have both come out, bringing with them not only new subclasses, but new features, spells, mechanics, and elements that I couldn’t take into consideration the first time around. So, I decided that rather than just adding a tag on post like I did before, I’d just remake the build with the new features being taken into consideration. Like before, the focus of the build is to create an embodiment of the generic fairytale princess and not any one particular character. So without further ado, let’s get into it.
Like before, we’ll be choosing Variant Human for our race of choice. We’ll channel Sleeping Beauty to be gifted by the fey with blessings of Beauty, Grace, and Song for +1 CHA, +1 DEX, and Performance proficiency. We also get a bonus feat, and thanks to Tasha’s, we can now take Fey Blessed for +1 CHA. However, if she doesn’t cast with Charisma, then substitute those CHA bonuses with Wisdom instead.
The generic fairytale princess is a maid of purest heart, so we’re Lawful Good. But for your more rebellious princesses, Neutral Good or Chaotic Good are also valid.
Background is obviously Noble for proficiency with History and Persuasion.
CLASSES & SUBCLASSES
BARD
This one seems pretty obvious. Bards love to sing and dance, like your stereotypical princess. Because Charisma is their top stat, and they have expertise, it can make them great negotiators, and allow them to excel in dialogue interactions.
GLAMOUR
This college is very fitting for a fairytale princess, as it is focused on making oneself as beautiful and charming as the Fairest of Them All.
LORE
Lore bards share information, whether they tell stories, recite plays, share philosophy, or spread juicy gossip, the Lore Bard gets more magical secrets, and added expertise to make your princess an even bigger Mary Sue. In actual medieval history, princesses often learned to play instruments and sing, recite prayers or poems, or tell stories to visiting guests, and it was considered a part of her education and duty to do so.
CLERIC
While not every princess is a devout religious girl, their stories tend to be set in the medieval period when a good princess would have been expected to be chaste and pious. So on that front, worshiping a good deity would be befitting of such a character.
LIFE
The fairytale princess raises up those they care about, and nothing is more supportive and helpful than keeping your friends on their feet. The Life Cleric turns your princess into a kind soul who weeps for her friends and patches them up after the battle, turning your princess into a useful ally against the wicked witches and dangerous dragons.
LIGHT
Not all Fairytale Princesses are passive or support players. Those who lean toward Light are the princesses who stand as the Big Good of their story and battle the forces of Darkness with the power of the Light. Of the three Cleric options that fit the archetype, this is the best option for being a powerhouse in combat.
PEACE
Don’t get me wrong, I still hate this domain for wearing the skin of the Love Domain we were supposed to get, and you can absolutely still play it that way. How this domain went from Love to Togetherness to Pacifism is beyond me, but it’s a fairly strong subclass. The classic princess archetype is supposed to be gentle and kind, fitting for one who worships a god of mercy and forgiveness. It’s a value often toted as the strongest characterization of the early Disney princesses.
DRUID
My first time building the fairytale princess, I ignored Druid as an option because the wildshaping didn’t really make sense for a fairytale princess, but a lot of the Bardic Magical Secrets were used to steal Druid spells. However, thanks to the optional rules from Tasha’s, Druids can now use their Wildshape to summon fey that take on the shapes of animals instead of turning into the animals themselves, which makes Druid far more viable, as summoning animals is very in-character for a fairytale princess.
DREAMS
The Circle of Dreams has heavy Fey associations with references to the Summer Court ruled by Titania. It also is strongly focused on healing, and has a very Fairy Tale flavor to it. It’s an especially great option if you want to invoke Sleeping Beauty, as you can cloak your party while you sleep and send messages to people through your dreams.
SHEPHERD
The fairytale princess is strongly associated with animal buddies, and nothing makes better use of that than the Shepherd Druid, which focuses on amassing an army of critters. What’s more, the Unicorn Totem is very fitting, not only because Unicorns only approach maidens with pure hearts, but Shepherds of the Unicorn Totem get empowered healing.
SORCERER
The sorcerer is born with a spark of something special in them, and a lot of fantasy royalty have magical powers that other people in their world lack.
DIVINE SOUL
The princess doesn’t literally have to be the descendant of the gods, as the original name for the subclass was more about being favored by the gods. Still, if you want to lean into the idea of the princess as the Big Good against the Big Bad, then having her be born with the spark of the gods inside her makes for a neat characterization.
WILD MAGIC
With the new Sorcerer Shards as I’ve come to call them, we were introduced to the Feywild Shard, which was heavily geared toward Wild Magic Sorcerers, which seems to be WoTC’s way of saying that Wild Magic Sorcerers are the fey-linked sorcerous origin, so I’m including it because of our fey connection.
WARLOCK
This is the only class where there’s exactly one good option, but it’s one that works surprisingly well.
ARCHFEY
As a Warlock with a Pact of the Chain, your fairytale princess can choose to Find Familiar any cute little animal companion, or a Sprite to be your Fairy Godmother. Or rather, you can sign a pact with your Fairy Godmother, and use your Chain Pact to summon one of her emissaries to help you. The Archfey patron themselves can act as your Fairygodther, granting you and your party boons and aid where they need it.
WARLOCK INVOCATIONS
Agonizing Blast Armor of Shadows Beast Speech Eldritch Mind Eldritch Sight Gift of the Ever-Living Ones Shroud of Shadow Voice of the Chain Master
CHARISMA vs WISDOM
The big split in how you build your princess falls down the line between these two camps. The wise princess works better as a Druid/Cleric, while a charming princess is more of a Bardlock. For me personally, as much as the Cleruid fits the fairytale princess, the stereotype of the princess is usually that she is gullible, naïve, and overly trusting. Insight is a wisdom check, and something the classic princess archetype is usually bad at. Granted, Animal Handling is also Wisdom, but the Bard’s expertise can overrule a low Wisdom score. Think of it like a clash between Princess Zelda from the Legend of Zelda vs Princess Peach from Mario. Princess Zelda is wise and is much more focused on leadership and protecting her kingdom. Peach is more about the pretty dresses and having servants help her. They’re two very different camps on the princess archetype. Ultimately, which one you choose will depend on the type of princess you wish to invoke. The Classic Damsel or the Wise Matriarch.
SIDEKICKS
A new feature added in Tasha’s, sidekicks are secondary characters that can help the party and are basically simplified character builds with fewer bells and whistles. There are three main camps:
Expert. Experts are clever and knowledgeable, be they minstrels, librarians, pickpockets, merchants, or assassins. They can pick proficiency with DEX, INT, or CHA saving throws, and can be proficient or an expert with any five skills of your choice, and humanoids also gain proficiency with light armor, simple weapons, and two tools of your choice.
Spellcaster. Trained in the secrets of the Arcane, be they a priest, a fortuneteller, or a magical creature. They can choose proficiency with INT, WIS, or CHA checks, and can be proficient in Arcana, History, Insight, Investigation, Medicine, Performance, Persuasion, or Religion. They choose a roll to determine their spell list: Mage (Wizard), Healer (Cleric, Druid) or Prodigy (Bard, Warlock). The sidekick has access to the spell list of the classes their role aligns with, as well as casting with that stat.
Warrior. trained fighters, be they a soldier, a city guard, a trained animal, or a hired sword. They can pick proficiency with STR, DEX, or CON saving throws, and their skill options are Acrobatics, Animal Handling, Athletics, Intimidation, Nature, Perception, and Survival. Warriors can pick a fighting style: either Offensive to add +2 to attack and damage rolls, or Defender to impose disadvantage on hitting creatures other than them while within 5 feet of the princess.
Generic Princess Sidekicks
Humanoid Guard Warrior (bodyguard) Humanoid Commoner Expert (handmaiden, governess, etc.) Humanoid Magewright Spellcaster (court mage, or advisor) Any Beast-type Warrior (animal companion)
Fairytale Inspired Sidekicks
Seven Dwarves - Dwarf Warrior Fairy Godmother - Sprite or Pixie Spellcaster Prince Charming - Humanoid Noble Warrior Wicked Witch - Barovian Witch Spellcaster Beast - Gnoll, Jackalwere, Orc, or Troglodyte Warrior Puss in Boots - Awakened Cat or Tabaxi Warrior The Frog Prince - Awakened Frog or Grung Warrior Three Little Pigs - Awakened Pig Expert, Spellcaster, & Warrior Big Bad Wolf - Wolf Warrior or Awakened Wolf Expert Robin Hood - Redbrand Ruffian or Bandit Expert Djinn of the Lamp - Dust, Ice, or Magma Mephit Spellcaster Pinocchio - Giant Stone Statue Warrior White Rabbit - Awakened Rabbit Expert Cheshire Cat - Awakened Cat Expert or Spellcaster
There is no actual limit to the number of sidekicks your character can have, so in theory, your fairytale princess could have an entire posse of talking animals hanging out and helping her.
Skills, Spells, and Features
As a Variant Human, we got Performance proficiency alongside our Fey Touched feat, and as a Noble, we have proficiency with Persuasion and History. For everything else, we’re just looking to be a standard Fairytale Princess. So we should look to be proficient with: Animal Handling, Arcana, Religion, Nature, or Medicine.
BASIC FAIRIES
Dancing Lights Faerie Fire Healing Spirits Spirit Guardians Summon Fey Conjure Woodland Beings Conjure Fey
BASIC PRINCESS THINGS
Animal Friendship Command Heroism Speak With Animals Animal Messenger Calm Emotions Find Steed Warding Bond Zone of Truth Conjure Animals Mord’s Magnificent Mansion
SNOW WHITE
Armor of Agathys Mirror Image Beacon of Hope Aura of Purity Heroes’ Feast
CINDERELLA
Fabricate Creation True Polymorph Wish
SLEEPING BEAUTY
Sleep Phantasmal Killer Dream Wall of Thorns Dream of the Blue Veil
THE LITTLE MERMAID
Charm Person Shatter Suggestion Tidal Wave Compulsion Control Water Dominate Person Maelstrom Control Weather Tsunami Storm of Vengeance
BEAUTY AND THE BEAST
Charm Monster Unseen Servant Tiny Servant Animate Objects Awaken Hold Monster Summon Fiend
Last time I built the fairytale princess, I gave her exactly 1 build. 18 levels of glamour bard and 2 levels of Archfey Warlock. But recently I’ve begun to instead put more stock in leaving builds open, showing instead the options that a player has to choose from. So, for this update, I’m not pushing for a specific build. I’ve laid out the appropriate spells, and the types of princesses that a player can strive to emulate with their spell lists. Consider this more of a guide to help you decide how you want to play your fairytale princess.
#fairytale princess#fairytale#princess#disney princess#disney princesses#disney#walt disney co#snow white#cinderella#sleeping beauty#little mermaid#the little mermaid#ariel#aurora#beauty and the beast#belle#La Belle et la Bête#la belle et la bete#dungeons & dragons#dnd#5th edition#Dungeons and Dragons#dnd 5e#dnd 5th edition#Fifth Edition#5e#dnd fifth edition#fairy#fairy tale#fey
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Return to Hatchetfield-Town – The Guy Who Didn’t Like Musicals Part 1
Alright settle down kiddos. Get comfy, find a warm blanket and hug your favourite fwendy-wend as we start our Return to Hatchetfield-Town series.
I’ll be rewatching all the Hatchetfield scripted content (i.e. not livestreams or interviews) and jotting down what happens, explaining some concepts and delving into some of the key theories in the series (and using the word “implications” that often it will cease to have meaning).
Even though I’ll be doing the rewatch by show in order they came out, there will be spoilers for all Hatchetfield content that is available as of the rewatch.
I’ve also linked to a number of other blog’s theories here because they are amazing, but if you aren’t happy with your theory being included I will be more than happy to remove it! Just let me know.
[Part 2]
The Guy Who Really Hated Brigadoon
TGWDLM starts off with the greatest song ever to feature dancing zombies… at least I can’t think of any other notable ones.
In the title song, the cast of singing and dancing zombies explain to us that all great stories have to have a hero, someone who knows right and wrong and that the best way to do this is through singing and dancing in musicals. This with the later line of “they evoke the philosophical” make me think that Pokey took a class in Campbell’s Hero Myth in College and became that guy.
Hatchetfield Challenge: try not to shrug your shoulders along with the music at the chorus. Its impossible. No wonder the Hive spread so quickly. Literally killer dance moves.
So then they introduce us to an awful Grinch named Paul and we hit the first point in the show where I laugh out loud every single time I watch.
I know TGWDLM was not originally intended to be the first Hatchetfield show but starting this series with a song which sets up the story so well is truly spectacular. And is there anything more Starkid than introducing your main character by having other characters sing about how awful they are?
One thing I have noticed while writing, reading and collating Hatchetfield theories is that while most Black Friday and Nightmare Time theories are usually about the overall Hatchetfield lore, most TGWDLM theories are usually quite self-contained and focused on this one show. TGWDLM – while so fully within the Hatchetfield extended universe, is definitely the show that can best stand-alone without the others.
It’s the end of the world, Paul
If you don’t sing
This is the bridge, Paul
Where we globalize everything
And the words will come to you
We swear we will teach you
What it means to love
What it means to obey, Paul!
On a first watch this is very funny. On your 10th watch this is terrifying.
CCRP Technical: No-one here knows how to use their printer
Following the absolute bop of a title song we find ourselves in CCRP Technical and all feels very… normal. It’s very weird following all the revelations in subsequent Hatchetfield media, to be watching a show where there was genuinely nothing obviously fishy about CCRP. We’ll obviously discuss CCRP more when we get to Nightmare Time, but for now all we know is that Paul works in the technical department of CCRP – an unknown corporation, with some key characters, Charlotte, Bill and Ted.
We also find out more about Grinch Paul’s personality and honestly, Paul is me pre-pandemic just outright avoiding social interactions and suddenly going for coffee in the middle of the work day. (I have become a changed woman in lockdown – someone please invite me somewhere… anywhere!)
For all the dark humour and death in the Hatchetfield series, Starkid do know how to bring the joy – I love how excited the town of Hatchetfield are for a touring production of Mamma Mia.
Fake Fact: TGWDLM is actually an allegory for Europe in the 1970s, when we all became mind-controlled by Abba’s Waterloo. (Find me a better explanation for Eurovision, I dare you! The sequins were just too shiny!)
“The idea of sitting there… trapped in a musical. That is my own personal hell.”
Two words: Emma Perkins – need I explain any more?
Ah Hot Chocolate Boy. I really look forward to finding out more about him. Where does he come from? He just appears out of the ether. What’s his story? How old is he? How many hot chocolates does he have per day? I know we have since had some confirmation on who he is, but they raise more questions than answers. For now I will just point you to a gorgeous Mood Board by @hatchetfieldmoodboards which features a bit of a spoiler.
For real though – is it just me who would love a full version of “I’ve been brewing up your coffee”?
Hatchetfield Challenge: Try not to sing “Shut the f*ck up” along with Emma.
“Watching people sing and dance makes me very uncomfortable”- oh boy Paul… you’re not going to enjoy the next hour and 40 minutes. Also, Paul, you’re making me uncomfortable watching you throw your brand new coffee around as if you’ve just been given an empty cup. There’s imaginary coffee everywhere. Hopefully, HCB won’t slip on it before it’s cleaned up… he’s already having a bad day.
“Thunder and Lightning… very very frightening. But a big rock hurtling through the clouds is no biggie.” – all the residents of Hatchetfield apparently.
The next sequence happens so fast and we get introduced to a lot of characters. Notably Greenpeace Girl, Alice and Deb, Sam, and Hidgens (though we don’t find out his name until much later). This scene impresses me because they do such a great job of very quickly bringing out so many characters who nonetheless are memorable when they return later in the show.
Peanuts the Hatchetfield Pocket Squirrel is an Eldritch Being. I won’t go into Peanuts theories here as that could be a whole post in itself – and many a person more brilliant than I have written some fantastic theories on this. You can learn all about how a Squirrel took over the fandom in the following posts:
@dahlialupine : x
@frombothofmyhearts: x
@abiimaryy: x
And finally mine which is definitely a serious theory: x
It’s… A… Musical!
Now to remember we are actually watching a musical. La Dee Da Da Day is such a happy joyful song performed spectacularly by a throng of the undead.
The song is about the Hive singing about how much of a great time they are having now they are tap-dancing zombies, and trying to find ways to convince Paul he should join them too. So the grins on all their faces are not at all terrifying.
It’s worth noting also that according to the laws of the TGWDLM world, only those infected by the Hive can hear the music in the background. This becomes important later when it becomes clear some characters have started being infected before they are fully turned into zombies, but for now it just paints quite a funny picture of what Paul must be witnessing. I definitely think for him, this whole scene just sounds like this clip of Greased Lightning without the music: x
The important thing here however, besides Mariah’s singing, is that the Hive leave Paul alone. They don’t actually attempt to turn him at this point. I have a theory on the implications of this, but note this has big spoilers for the end of the show and Black Friday. It was written before we knew that the Hive (Pokey) was related to Wiggly but the content still stands: x
Charlotte, Honey, you don’t need that much sugar – you’re sweet enough
For reference:
@melchron noted that the lyrics for La Dee Dah sound very similar to the incantation for soul transferal read out in Jane’s a Car, which leads me to two possible implications.
The Freaky Furbies have a language other than English that they use for their incantations so this is why they sound similar.
There is soul transference happening to the souls of the bodies the Hive take over.
Or it’s just Starkid using similar sounding words for their content…. Three! There are three possible implications…
Paul – just print off another copy of the report
From this point on the musical numbers really do come thick and fast. We move on to the first instance of Jeff Blim encouraging Paul to talk about his feelings, which I am sure is not important and isn’t worth discussing. Paul goes through a musical rendition of a promotion interview, which is actually the Hive attempting to find out if he will be the “hero” of their story. They picked out Paul for the role from the start. That he was chosen was inevitable.
What do you see for this company? I'm looking for someone with strong ambition Someone to sell their specific vision Someone to share with precise precision their thoughts 'Cause I want you to want…To want
So it turns out these will be looooong, so I will end here and see you in part 2! I’m not sure yet what the upload frequency will be. It takes quite a while to go through the show like this but it is a lot of fun!
Hatchetfield High Homework:
Where do you stand on the Peanuts the Hatchetfield Pocket Squirrel debate?
Why do you think that the Soul Transference Spell and La Dee Dah sound so similar?
Go follow all the lovely people mentioned in this post!
Bonus points if you know the reference in the post title.
[Part 2]
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Chain of Iron Theories on the Killer’s 5 victims
tinSo we know that the chain of Iron will have a mysterious killer who will kill 5 shadowhunters. Here are my theories on who will die.
1.) Maurice Bridgestock
Lets start with the obvious first, of course this man will be killed. He is Inquisitor and that is a powerful yet cursed position, take it and you will die a horrible death. I am hoping he dies pretty early, because I have a feeling until then he will be gunning for the Fairchild family. Remember he and his wife were the ones who really wanted Charles and Ariadne to marry. Charles and Ariadne were originally friends, who both figured that being forced into a hetro marriage was inevitable and that they could both do worse. Charlotte and Henry gave there blessing because they thought Charles and Ariadne were actually in love. Once Charles told this parents that he and Ariadne weren’t they immediately gave him permission to break the engagement and gave their blessing for him to marry someone else (who he doesn’t love either, Oh poor messed up fairchild family). This infuriated Bridgestock. Charles and Charlotte know to avoid him unless it is for official business, done in public, with witnesses. Does Matthew? Chapter 4 is called “The King is Dead”; so maybe the Inquisitor is the “King�� listed. The next half of that phrase is “Long live the King” symbolizing the transition of power, so that would mean choosing a new Inquisitor. The most obvious ones to get the promotion is one of the TID dad’s given how close they are with Charlotte and the sway her vote would give. According to the cards it looks like she gives the position to Will (cough Gideon would have been a way better choice cough), we will see how that goes.
2.) One of the Wentworth’s
The Wentworth’s will have importance in the COI.They have been referenced and set up like the Lightwood’s in CWA. We know at least 3 of their names, we know that Martin Wentworth is kind of a thorn in Will and Gabriel’s side. We know that Piers and Rosamund have a... tense relationship with our mains, but do have their own friends and seem close to each other. Honestly with how much this family is mentioned/established I was thinking for a while that it would be just like the Lightwoods in CWP. Like maybe Piers was Eugenia’s ex boyfriend, maybe he had wanted to marry her but bad stuff was happening at home, his dad keeping secrets, and he couldn’t get blessings. Then that snip-bit at the party came out and I read about Eugenia being done with suitors and Piers hitting on Catherine. Piers still may be Eugenia’s ex, and he may trashed her rep and then moved on to courting his sister’s best friend. If so and he dies I will not miss him.
I would say Rosamund is pretty safe. She has a fiance now, and is planing her wedding. Wedding are actually great places for interactions and drama. Rosamund is good friends with Ariadne. Maybe Ariadne will try to bring Anna to the wedding, or maybe Ariadne will have Eugenia ask Anna to accompany her to the wedding, because Anna is less likely to say no to that, and then use that as a chance to “win her back.”
3.) At Least One of The Carstairs Parents
Risa Included. We all care about this family, we all wish their troubles could be over, and tat things and the next two books could be rainbows and sunshine for them. And we all know that will not happen. Terrible things will befall London. Elias is unbalanced from PTSD and weak from detoxing after years of addiction, Sona is weak from a difficult pregnancy/ recent childbirth, Risa is a mundane and lacks the ability to kill demons. They don’t have a lot of friends, all three are old. It is not fair and I hope whoever dies is at least given a good death.
4.) Cecily Lightwood Nee Herondale
I hope I am wrong, please let me be wrong. The family tree and CWP2 epilogue say that she will live through this, but those were written 7 years ago and are no longer accurate. The Second book always has one tragedy that will emotionally destroy us and leave us crying till the third comes out. It is unlikely that all The TID gang will live through another series. Other people have been guessing Gideon, but his branch already lost Barbara in COG2. In a book with so many nuclear families why kill from the same one twice? No it won’t be Gideon. After careful analysis I have determined Cecily is the most likely of the one to die.
First off Cecily didn’t come into TID until the final book and she was mostly squeezed in as a secondary character. That means that CC put less time and development into her and while she probably likes her, is maybe less attached to her. Secondly Cecily is some one very important to Both Will and Gabriel, two people Tatiana hates more than anyone in the world. She also played a key role in Killing the Lightworm, she caused it to wound itself to were Gabriel was able to kill it. For Tatiana Cecily would be three birds with one stone. Another reason she might die is Cecily is the only one of The TID characters who I cannot find any information on what her job/role in the clave is. Everyone else has a job listed, is seen investigating or talking at meetings, Cecily is just a mother, okay the best of the TSC mom’s. But having to take so much time off shadowhunting to raise her children might have put her out of practice, and having such a strong bond with her children, nieces, and nephews would make it all the more heart breaking if she died. One final reason is that unlike her Gabriel does have an overall arch. He idolized a fantasy of who his father was, had that come crashing down, then wanted to become someone different. His wife dying would put Gabriel just were Benedict was when Barbara Lightwood the first died: A single father with three kids, one of whom is coincidentally about the same age as Gabriel was when he lost his mother.
I love Cecily and writing this has made me very say (Please let me be wrong about her dying) but moving on...
5.) Tatiana Blackthorn Nee Lightwood
She will die. Tatiana probably joined Belial willingly, she probably does not see it, but Belial is not her ally. The truth is she is just as much Belial’s pawn as anyone he has tricked. When he is done using her and no longer has any use for her, he will kill her to keep her quiet. She will probably die last, her blood is Jesse’s and can be used as a sacrifice. She dedicated her life to resurrecting her son so she could have him back, and she will die with the knowledge that she has doomed him to Belial’s plans.
Bonus 6.) Charles Fairchild
Charles will not die. I originally I thought he might, but he is actually necessary as a foil/parallel to Matthew. Two brothers who grew up in the same family, yet have personalities and struggles that are literally flip sides of the same coin. Cassandra Clare has said she is planning on “developing” their relationship. She has also said Charles will be away for a lot of the book. So that does not leave a lot of space for this development in COI, and Charles has to make it until COT. I believe that he will disappear. No one will have any idea were he went or why, His parents will send out a search, while that is taking place Charlotte task Matthew with assisting her the way Charles usually does. Matthew will hate it. He will hate the piles of work and stuffy meetings; he will hate having less time to see his friends; and especially the cranky, foul mouthed, horrible politicians he has to deal with instead. As time goes by and the Killer at large Charlotte will become more desperate to find her older son. When she cannot find him her and Henry will start to fear the worst and cry over it at home.
Matthew will eventually start looking into his brothers disappearance, not because he misses him, but their parents are miserable and Matthew is tired of having to do Charles chores. He might learn Charles and Alastair were “good friends” before and try to force information out of Alastair, Que to him learning one of his brothers secrets. While I do think Matthew will be the one to find Charles I do not think it will be until the end of COI or early COT, when Matthews life has morphed into a much bigger mess than it was before. I also do not think Charles will be in the same... way as he was before his disappearance. There will be a whole new list of issues when the brothers meet again.
#The last hours#Chain of Iron#COI#TLH#the shadowhunter chronicles#TSC#Maurice Bridgestock#The wentworths#Piers wentworth#Rosamund wentworth#The Carstairs#Elias Carstairs#Sona Carstairs#RIta#Cecily Lightwood#Tatiana Blackthorn#Jesse Blackthorn#Charles Fairchild#Matthew Fairchild#Charlotte Fairchild#Belial#alastair carstairs#Cordeila carstairs#James Herondale#LUcie Herondale#Thomas Lightwood#Christopher Lightwood#Gabriel Lightwood#Will Herondale#The Killer
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Hey! If you're up for it how about The Fool, The Hierophant, and The Tower for Solomon. And The Moon as a bonus for any character that strikes your fancy!
hell YES i am up for it! i would do the entire thing for Solomon in one go if asked (please don’t ask......let me pace myself lol)
major arcana headcanon requests!
SOLOMON
The Fool - what are your muse’s thoughts on new beginnings? does it frighten them or excite them?
Well, I think Solomon has a different opinion on new beginnings for himself than he does others, first of all. Considering all he’s seen and been through and what role he has in the universe now, it makes sense that he’d hold himself to a different standard.
I think for him, he doesn’t necessarily think there’s even the option? Like, he has stagnated. His power and knowledge grows, sure, but in terms of personal development he’s kind of stuck. (At least, that’s how I think he defaults to seeing himself. Can’t keep the realms under control if you’re distracted by trying to be a better person, you know?) He just has to move forward without any thought to “starting over.” Maybe there’s too many layers to get through to start from the top again. Maybe he can never have a new beginning because he cannot end. Maybe he just forgets to take a personal day and do some self reflection because he’s busy, haha. But I can kind of see him not really...thinking that’s an option for himself. The concept seems like wishful thinking, but if ever given the opportunity he’d definitely have some reservations about whether or not he could make it through the transition. Not scared per se, but...wary.
For others, though, I think Solomon definitely thinks it’s possible, especially for humans. Angels and demons have such a stiff role they have to fulfill, but humans? They can kinda do whatever they want. Even if he feels a bit detached from humanity, he still cares deeply for it (them? us?) and the ability to just decide you’re unhappy and completely reinvent yourself, especially with the little time we have, probably just adds to our charm, you know? It’s probably one of the things he’s jealous of or misses, if he thinks about it
The Hierophant - what are your muse’s morals / ethics? do they follow their moral code strictly?
oh boy, solomon and ethics....
Solomon’s ethics are better off described rather than labeled. If you labeled them, you’d start with “gray” and then you’d get nowhere else. I definitely don’t think he’s amoral, and I don’t think he’s immoral either. It’s very easy to determine a person void of morals or ethics when judging them based on a life where there aren’t many choices that would be “immoral” but necessary. Like, in the average life, the most immoral thing is easy to not do. But considering he’s got, ahem, large responsibilities on his shoulders, there’s probably quite a few times where the best course of action would be horrifying for someone to hear of him doing.
Overall, he prioritizes humanity above all else, along with its longevity and preservation. He definitely has a different internal attitude (at least) when interacting with angels and demons as opposed to humans, a combination of not really feeling as directly responsible for them and also knowing that if he ever is, he would have few to no qualms about giving them the short end of the stick in a situation that would benefit “his team,” if he could manage to pass it by Diavolo or Michael.
I don’t think his internal values change, things like autonomy and equality for all, free pursuit of knowledge, y’know, all the good stuff everybody wants. And in his day-to-day life, he doesn’t seem the type to pass quick judgement or have some inherent unwillingness to compromise. “Morals” and “ethics” seems to imply a more grand scenario, and as the “keeper of humanity” or however he sees himself, he wouldn’t exactly be hesitant or emotionally torn apart by having to hurt somebody if it meant he could protect and support humanity as a whole.
I feel like I spent however many paragraphs being extremely vague and I’m not sure if this makes sense or even says anything of importance, haha...
The Tower - what event drastically changed your muse’s life? do they resent that event or are they glad of it?
Well, I mean, there’s a few obvious answers here. You have his fall from the graces of the heavens, the exchange program, any number of biblical events, his discovery of magic and the path he took to immortality, the fallout with his apprentice....and to be honest, with the exception of the exchange program, i think he is resentful but also glad? He’s the type to see the good and the bad outcomes of the situation. He’s probably made peace with the sentiment that “oh it made me who i am today” but he does have days where he grapples with all he’s lost and must now deal with for practically eternity.
Though, and these aren’t drastic events that shatter him forever (but i think they can be mentioned here), I do think that he takes little pieces of the people he meets and cares about until he becomes a sort of mosiac of the people he loves. Not necessarily romantic love, either. He met a witch who he was close friends with who couldn’t put down cheesy teen romance novels from a specific author, so you can find a few copies of her favorites sandwiched between spellbooks and old archival texts in his room. He isn’t big on self care, but Asmo did teach him a quick and efficient way to wash his face and keep his skin clear. Simeon and Luke gave him an appreciation for finely crafted tea sets. Again, the event i guess would be “making a friend” (which for him very well may be a once in a lifetime kind of deal lol) and isn’t what the question meant, but idk. I think it was worth mentioning here because long-term, it does incorporate into him as a person.
LUCIFER (my other fave <3)
The Moon - what does your muse long for? is it a realistic desire?
Not to be surface-level and cheesy, but I think he longs for him and his brothers to feel like a family. Not that they don’t already, but I think he longs for the way they used to be in the Celestial Realm, how complete they used to feel. In that way, it’s probably the most unrealistic desire. The hole in their family isn’t one that can or even should be filled, and your addition is just that - an addition, not a replacement.
Something that could give him (kind of) what he craves is if he and his brothers could heal. They’re already on the right path, but they’re still all kind of dysfunctional. The complicated part of this is that a lot of their strife is due to the nature of demons, and the wholesome unity is a brand that has never really been found in he Devildom. That’s not to say it’s impossible - the brothers still love each other, they still are loyal to each other, but Lucifer can feel that there is some sort of rift between them that has not yet been fixed that he yearns to solve.
(If you ask me, the “rift” is probably something caused by trying to heal in an environment that will never offer mercy or forgiveness. If the brothers can find solace in each other, maybe that’ll get them a step closer. But sometimes their interactions still feel like walking on eggshells, and...I don’t know. I really do think Lucifer longs for the type of relationship they had when they were angels, and he’s trying to deal with the realization that maybe that type of relationship just isn’t in the cards for a demon.)
#i think maybe this is just me saying a whole lot of something#ask game#lucifer#solomon#obey me#obey me solomon#obey me lucifer#solomon hcs#lucifer hcs#asked and answered#elvishdork#mine#asks
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“Much More to Movie Monsters Than Meets The Eye” By Raquel Stecher
With his latest book Fright Favorites: 31 Movies to Haunt Your Halloween and Beyond, author and horror expert David J. Skal provides readers with the perfect guide for watching spooky films throughout October and the year. The book takes a look at 31 different horror films from NOSFERATU (‘22) to GET OUT (2017). Skal offers insights into how German Expressionism and WWI influenced early horror classics, how Val Lewton threw out horror conventions with CAT PEOPLE (‘42), how DRACULA (‘31) was a financial gamble and how more recent films like HOCUS POCUS (‘93) achieved cult status. If you’re worried that 31 horror films are not enough, don’t despair, as each of these films is paired with a bonus recommendation on a similar theme. Fright Favorites is now available from Running Press and TCM.
Raquel Stecher: Can you tell us a bit about your background as a cultural historian and horror expert?
David J. Skal: I was one of the original “monster kids” of the 1950s and ‘60s, who discovered the old Universal horror classics when they were first released to television, and for a while I couldn’t get enough of them, or of the fan culture they set in motion. I was an avid reader of magazines like Famous Monsters of Filmland, and when I came back as an adult to write about the history of horror entertainment from an adult perspective, it would never have happened without those photo-filled periodicals that engaged and obsessed me as a kid.
RS: In the book you discuss the connection between Hollywood and Halloween. Tell us a little about how that came about and how the two have become so intrinsically tied with one another.
DJS: In the golden age of American horror movies in the 1930s and 1940s, there was no supplemental merchandizing or other tie-ins to Halloween. It was still a pretty homespun holiday. The holiday’s potential wasn’t fully exploited by the film industry until after World War II, when we saw Universal franchising its monster characters as Halloween masks and costumes. In the ensuing decades, October became the major month for horror movie premieres, including studios other than Universal, and all the major theme parks got on the bandwagon, profitably extending their summer seasons with Halloween nights that are almost always tied in to some horror franchise or another, frequently of the slasher or chainsaw variety.
RS: What was the research process like for writing Fright Favorites?
DJS: Over the years I’ve done much more research for my books than I’ve been able to ever use, so Fright Favorites was an ideal opportunity to make use of information and anecdotes I’d never had room for in previous projects. As a result, it took about six months rather than the usual full year I most often devote to completing a book. Although the final selections were mine, the people at TCM are also—no surprise—very knowledgeable about movies with many favorites of their own that I was able to incorporate. There weren’t really any disagreements, just a bit of a juggling act to maintain a balance between the films included.
RS: In the book you wrote “Some early commentators on the medium worried that film might be nothing less than the arrival of living death. It is in horror movies that this pervading sense of the uncanny still speaks to us.” Were studios worried about making horror films? How did Universal's success with the genre affect the film industry as a whole?
DJS: In a way, the film medium itself is the very definition of the uncanny, bringing dead actors back to life, or its convincing simulacrum. This strange fact is always there, staring back at you. And remember, actors themselves have amounted to a species of shapeshifters, slipping in and out of identities in the manner of movie monsters. Film is a dream-like medium that has been irresistibly drawn to the fantastic and the bizarre from its very beginning, at least in Europe. American movies didn’t approach truly fantastic subjects until Universal took a chance with DRACULA in 1931. Previously, American films observed the tradition of explaining away any ghostly occurrence as a criminal conspiracy or ruse. But DRACULA, along with FRANKENSTEIN the same year, became two of the most influential and imitated films of all time.
RS: Stars like Boris Karloff, Bela Lugosi, Lon Chaney Jr., Vincent Price, etc. became known for their horror roles. How did some of these horror stars embrace the genre or how did it typecast them?
DJS: By definition, any “horror star” is already typecast, although some deal with the pigeonholing better than others. I once had the privilege of sitting in on a classroom visit by Vincent Price with a group of acting students who asked him if he resented being considered a horror star and how they could avoid being typecast themselves. He told them in no uncertain terms that show business was already a difficult way to make a living and that being typecast would be the best thing that could ever happen to them professionally. Most horror stars I’ve met or interviewed are grateful for their fame and the attention of their fans.
RS: Many horror stories have been revisited in remakes, new adaptations and re-imaginings. Why has Hollywood been so keen to revisit horror classics?
DJS: Horror is a genre with financial profit baked in from the get-go—it’s almost impossible to lose money even on a poorly made scary movie, which is why so many prominent directors have gotten their start in the genre. It’s a fairly risk-free way to take a chance on new talent. In terms of remakes, if a formula has worked before, why not do it again? Fortunately, the remakes usually veer substantially away from the original stories in ways that keep the legacy of one monster or legend perpetually alive. Horror evolves the way anything evolves—through endless change and adaptation.
RS: What are some of your personal favorite horror films?
DJS: I don’t have a number one, or number two favorite. I admire many films for individual reasons: directors, scripts, actors. People most often ask me what my favorite version of Dracula is. I tell them that it doesn’t yet exist, but it would be a master version of the story edited together from all the major adaptations, with actors from different versions interacting with each other. It would be a huge job, but if done with the right flair would be hugely entertaining and probably bring out important aspects of each version that you wouldn’t notice watching them individually.
RS: Some of the films you feature in Fright Favorites are also considered science fiction classics. How do the two genres of science fiction and horror complement each other?
DJS: Literary horror and literary science fiction are fairly separate categories, but on screen the genres tend to blur together. For instance, ALIEN (‘79) is a haunted house story set in outer space. INVASION OF THE BODY SNATCHERS (‘78) is an alien invasion story that’s also about zombies. Being a visual medium, movies tend to spotlight science fiction’s bizarre and grotesque imagery and end up emphasizing the horrific over the cerebral.
RS: How do horror films tap into the pervading anxieties and fears of their respective eras?
DJS: This is the through-line of most of my books: that horror entertainment amounts to a secret history of modern times, with each new cultural upheaval or trauma setting in motion identifiable kinds of stories and characters. The anxiety and fear need to be processed, but it’s always easier to deal with real-world horror if you don’t have to look at it too directly. WWI tore about human bodies like no previous war, and all through the 1920s and 1930s we looked at one disfigured face after another, even though the films weren’t about battlefield combat. Unprecedented numbers of mutilated men were returning to society, and they were being shunned. Nonetheless, they popped up in our cinematic dreams. During the AIDS epidemic, there was an explosion of books and films about another mysterious, blood-related scourge: vampirism. Repress awareness of an uncomfortable fact, and it will always rise somewhere else in a different form.
RS: What do you hope readers take away from the book?
DJS: So far, the book does seem to be engaging readers who have a general knowledge of horror entertainment but are curious to know more. The most important thing a reader might take away is the simple revelation that there’s much more to movie monsters than meets the eye.
#Horror#halloween#Fright Favorites#scary movies#classic horror#old hollywood#old horror#Vincent Price#dracula#Bela Lugosi#nosferatu#cat people#TCM#Turner Classic Movies#Raquel Stecher
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Collider: When this came your way, how was it presented to you? What was the pitch for the series and did they give you an overall sense of what it would be?
DAN STEVENS: I didn’t really know what the other episodes involved. Although, I was briefly involved in Helen Mirren’s episode as the onboard computer, so I’d seen that one play out and knew something of the style of the writing and the themes that were going on. But I hadn’t seen any of the other episodes and didn’t really know where ours fit in, in the context of the others. It was clearly a great piece of writing with a couple of great roles, Morgan Freeman, and just an incredible emotional challenge.
If you’re going to both get mad and have to hug someone, I feel like you’d want it to be Morgan Freeman. What was that like? How was it to explore that dynamic? Did you guys talk about that at all?
STEVENS: It was a fantastic opportunity to play with somebody who’s just a master of their craft and really knows how to surf the nuances of a piece of writing. It was a wonderful journey to go on, really, and in such a short space of time. It really goes there. All of the episodes I’ve seen have been incredibly moving, but I think that the “Stuart” episode particularly is a very unusual and interesting journey, with these ideas of memory and who owns a memory and what that means to our own identity. So, it’s this slightly wretched character of Otto, who shows up and has clearly had a bit of a rough journey to try and find this character Stuart, who is in possession of this thing that he is so desperately in search of, and it goes from there and takes you to quite surprising places. A lot of it was just getting yourself over to the rhythms and the nuance of the text.
All actors are colleagues with each other and I’m sure there are people that want to work with you, but when you know that you’re going to be working with someone like Morgan Freeman, do you still get nervous?
STEVENS: There was an element of that. It was very surreal. Given that I hadn’t set foot very far from my own home for quite some time, and then suddenly was on a beach hugging Morgan Freeman, it was a pretty surreal journey. The car ride home was like, “Did that really happen?” It was a strange day.
How was the whole production of this? What was this shoot like, with everything going on in the world?
STEVENS: It was amazing that it could happen at all. Kudos to the production that they put it together with these very strict protocols. It was a slightly reduced crew, but everyone was in several layers of PPE. It was not the usual working environment that any of us are used to, but everybody recognized that, if we wanted it to happen, it had to be like this. That, alone, was pretty strange, but also to have the luxury of 36 pages to get to explore with one other actor, and for that other actor to be Morgan Freeman, that was a real luxury. So, there were restrictions and limitations on one hand, but on the other hand, there was tremendous freedom and some great writing to really go to town with.
How long did you actually have to shoot this in?
STEVENS: For the Morgan Freeman episode, I shot for two days.
What was it like to have that experience of getting back on set? What was the first day of filming again, like for you?
STEVENS: A lot of nasal swabs, to begin with. Every day started with a couple of sticks up the nose. There was just a lot of that stuff going on. Really, you were kept at a distance, which is unusual. So much of what we do is about collaboration and togetherness, and just being silly with your cast and crew, and throwing yourself into it together. I suppose maybe appropriately for some of us, we were kept isolated. We were in our trailers until the take started, and then you’d go on set. It was a different way of going about work, for sure. I’m sure those protocols will stick around for a bit, but hopefully, eventually, we’ll get back to how it was.
How did you end up also doing the voice for Helen Mirren’s episode and were you ever able to actually interact with her?
STEVENS: I was live in the studio for that episode. I was in a little booth in the corner of the room, while she was in her space pod. We would chat over the monitor, as it were, as if she was talking to the computer anyway. We maybe met face-to-face a couple of times, at arm’s length and with masks on. I didn’t have a huge amount of interaction with her, but I did get to watch. In order to respond to her, I had a monitor and I was watching her work up close, for those two or three days that I was doing that as well. That was a great privilege, in and of itself, but then a very different experience to go and be in person with Morgan.
Much like getting to hug Morgan Freeman, if you’re going to be a disembodied computer voice for anybody, it seems like Helen Mirren is a good option.
STEVENS: It was pretty fun and just great to watch her get to grips with this writing as well. It was about just giving yourself over to the journey that the writing took you on. It was fantastic.
“Stuart” is an interesting episode because you’re not really playing the past or the future of this guy, you’re just fully living in this moment of his life and exploring his emotions right now. Did it feel very different to do something like that, as an actor?
STEVENS: There was an element where I was thinking a little bit about his journey, but it’s such a momentous thing that he’s doing and it really is a culmination of seemingly a lifelong quest. It’s both in the moment and a huge deal for him and a massive emotional rollercoaster, to find this guy and find what he’s in possession of and to execute his plan that he’s been dreaming of. There’s a lot going on there. It’s very much a moment that’s in the now.
How did you find the experience of working with Sam Taylor-Johnson, as a director and collaborator? Were your conversations mostly with her, or were they also with show creator David Weil?
STEVENS: I suppose they were primarily with Sam. There was a little bit of conversation with David. He’s the writer and producer, but Sam was directing this episode. It was about really encouraging both Morgan and myself to just let the rhythm of the story and the text really speak for itself and, and take us to these places. It is such an extraordinary emotional moment for both of the characters, in a funny way, with what they go through in those 30 minutes. It was all about that, really.
Did you find yourself learning anything about acting or about yourself, as an actor, from doing a project like this that is so different and where it is just you and another person?
STEVENS: I feel like I learn something on almost everything I do, especially when you’re working with someone as great as Morgan. It’s almost like an osmosis or something, where you’re just bathing in this excellence and watching it unfold. I don’t know if there was a specific lesson that I was making notes about. It was something to do with a rhythm and a bearing, and also just a willingness to let the text take you to places and not necessarily to force anything. He has such a natural gift that it’s amazing to watch it.
It was announced recently that you’re going to do Gaslit and play John Dean. Is there simultaneously an incredible feeling of being excited and terrified to take on a role like that, when you’re playing somebody that exists and that’s still very much around?
STEVENS: Yeah, there are challenges to that. What’s interesting with that story, and this is probably true of every role and project, is looking at the person, looking at the man, and looking at the people involved in this situation, and their motivations, and their flaws, and things like that. I’m trying not to think too much about the historical significance of that and just looking at the minutia and the inherent drama of being involved in that whole situation. It’s a fascinating story.
Was that what made you want to take on that project, or was it the fact that you’d be surrounded by people like Julia Roberts and Sean Penn?
STEVENS: That’s got a huge part to play, for sure. There are some great people involved, and Matt Ross is directing it. It’s gonna be very interesting. We start next month (in June).
You did some great work in Kipo and the Age of Wonderbeasts. What did you most enjoy about being a part of that project? Did anything surprise you about doing that kind of voice work?
STEVENS: That was a lot of fun. I love that project. The diversity of it was very attractive. The themes were great. There are some wonderful characters and a very, very silly villain in Scarlemagne. I really got to go to town in the booth with that one. It was a really fun team. My kids really enjoyed it too, which is always a bonus.
Are there more voice acting roles, in your near future? Is that something you want to do more of?
STEVENS: Definitely, yeah. It’s something I’ve been longing to get into, for a long time. It looks like there’s more on the way, which is great.
What was the draw of that kind of voice work for you? Is part of it the fact that you can play characters that you’d never be able to play in live-action?
STEVENS: That’s certainly one of the appeals. I’ve always enjoyed voice work. I’ve done a huge amount of audio books and things over the years, in all sorts of different voices and characters. To apply some of that work to the animated space, and I’ve always adored animated films anyway, it’s getting to dive into something that I already love anyway. So, there are some fun things on the horizon. It’s partly about making people aware that there’s something you really enjoy doing.
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Five Years of Universe Falls Celebration!
Well ya’ll, this September will mark 5 years, half a decade since I started writing Universe Falls. And in light of that, I wanted to share that milestone with all of you with another celebration! The whole zine thing last year went a little... less great than expected, so I decided to make this announcement a lot sooner so people can get started working on submissions for it a lot sooner!
So how’s this years celebration going to work, you ask? Well its sort of similar to what was done for the 3rd year anniversary. Each week of September will have a different UF-related theme and for each of those themes, you’re free to create whatever you’d like in line with them (fics, art, HCs, general thoughts/feelings/opinions, any other creative work you’d like to submit). This year’s themes are all focused on what I consider to be the very heart of UF itself, its characters, specifically certain sets of them. Those sets (and the weeks that fall in line with them) are as follows:
Week 1 (Aug. 30-Sept. 5): Mystery Kids: We’ll start the month off celebrating everyone’s favorite plucky set of precocious youngsters! The focus here is on our beloved Mystery Kids: Dipper, Mabel, Steven, and Connie (and Pacifica if you’d like to include her in the group as well). This also includes any of the MK specific fusions: Stevonnie, Stepper, Maven, Convenper, Dipevebel, Mabonnven, Stonipbel, and so on ^_^
Week 2 (Sept. 6-12): Gems: A week to celebrate Gemkind, both good and bad, Crystal and Homeworld. Anything goes here, from Garnet, Amethyst, and Pearl, to Lapis and Peridot and Jasper, to the Off Colors, the Diamonds’ Pearls, Bismuth, even Gems that haven’t appeared at all yet like Spinel or Amber! You can focus on your favorite(s) or on a bunch of them, whichever you’d like, its all free game. And once again, this includes any and all fusions, even fusions that might not happen in UF canon itself.
Week 3 (Sept. 13-19): Humans: To celebrate all of the unique and varied humans that appear throughout UF, from Stan and Ford, to Greg, to Wendy and Soos, Lars and Sadie, even the most obscure side characters are all game here! You can write or draw them interacting any way you please :)
Week 4 (Sept. 20-26) Villains: A time to honor the evil side of UF. You can have your pick of Bill Cipher himself, or maybe you favor the Great Diamond Authority instead! Or perhaps on a lesser scale you’d like to have some fun with the likes of Gideon or Jasper, even a more obscure baddie like a corrupted Gem or one of GF’s several antagonistic monsters. There’s plenty for you to choose from when it comes to UF!
Bonus week! (Sept. 27-Oct. 3) Animals/Magical/Inter-dimensional creatures: Because there’s so many other characters besides just those four groups this is kind of the catch-all for everything else. Maybe you’d like to create a tribute to our beloved pink friends Lion and Waddles? Or examine any theories about the role the Axolotl might play in UF’s future? Or draw a lovely portrait of Jheselbraum the Unswerving? You’re free to tackle whatever doesn’t fall within the above groups right here ^_^
Now, keep in mind that you’re free to work within whatever AU or set of circumstances you’d like for each of these weeks. Like say you wanted to do week one with the base UF MK, but then week 2 you wanted to do something with the Swap Crystal Gems, that’s fine! Feel free to be as free and flexible as you’d like with this. You can also do things like pay homage to your favorite pre-existing scenes from UF or make predictions to upcoming scenes and such. Also, these themes aren’t mutually exclusive. If you’d like to write a drabble that involves a little crossover between these weeks, such as the MK interacting with one of the bad guys or something, that’s perfectly fine! It’s something that can be released in either week so that’s totally up to you. :) Most ships (appropriate ones at least) are also acceptable to be factored in here.
As for the specifics when it comes to submissions, you can submit stuff either to me personally or you can post things to your own blog and tag me or PM me links since I wanna collect everyone’s work and show it off! Or if you’re on the UF Discord, I’ll be reopening the UF celebration channel for submissions to be posted there! But for now, you’ve got about a month to start planning so go ahead and get to it! I’ll be immensely looking forward to seeing what you all come up with this time around (especially in light of UF’s most recent bundle of game-changing chapters... ;) As always, if you have any questions about all this, feel free to ask! Anyone’s welcome to participate so please, don’t hesitate to let your creative juices flow! Have fun! :D
#five years of universe falls celebration#universe falls#gravity falls#steven universe#crossover#au#announcement post#uf5yr
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I'd like that person to elaborate on how kaede would have been a great influence for shuichi or even maki. the more time goes on the more I feel like I'm the only one person in the fandom who wants both of them to live. and who thinks kaede can help with shuichi's arc. maybe we share opinions on that and I feel so alone with my takes I'm withering away here lol. tech if it happens that you like them both alive too you need to tell us about it, though if you don't like it, it's alright :)
On one hand I want them both to die to save them from the writers, but in a perfect world where the writers can be trusted to write I would like them to be co-protags. Whatever synergy they were having in Chapter 1 was really nice and if the story had stayed like that I think I would have really enjoyed it.
Below is how I would reimagine V3 for the sake of Kaede's survival if you're interested in an answer beyond just this ^^
Kaede and Shuichi: Co-tag Duo!
Kaede's ruthless optimismTM could be tempered by Shuichi's deductive reasoning and vice versa. It's only when he became Kaito's friend that Shuichi lost his (much needed) edge and he became more of a problem than a protag, but if Kaede were there he wouldn't become friends with Kaito in the first place so that's a problem solved.
I do think that if they were going to be co-protags, co-tags if you will, that Shuichi would need to be able to assert his opinions a bit more. One interaction where I think that he did this well was when Shuichi was trying to tell Kaede about the possibility of a traitor and she initially defaulted to her optimism before he calmly and logically explained it to her and managed to convince her of the possibility.
I think that having a man be the calm, logical one while the woman is the irrational, emotional one is a Bit (very) cliched and kinda bullshit, but working off of their characters that's really the best I got. The dynamic between Makoto and Kyoko is like the exact reverse of this so just think of a role reversal for those two if you need help imagining what my version of our co-tag duo would be like dynamic-wise, although I don't think Shuichi would be quite as cold and that Kaede would still be solid like Kyoko while Shuichi would remain weak like Makoto.
(Chapter 1 is the best example of this dynamic that I can give you but it's also the only example I can give you...)
Gameplay-wise I would have liked the option to pick either of them as my player character and play as that one throughout the game, then replay it as the other one to see how differently they saw things from one another in their internal monologues and seperate bonus events (FTEs, LHEs, SMEs) with the others and maybe some seperate hidden events as well. That makes the game a whole lot bigger, provides more content, and gives it better replayability than the original.
Maki and Kaede
I don't think Kaede and Maki would get along very well in the canon killing game, so I disagreed with that. Maki seemed to not like Kaede very much, which in turn made Kaede feel upset and guilty. That's not entirely a bad thing though, because the more Kaede's natural choices are tempered by outside factors the better.
Rather than having Maki be helped by Kaede I think Kaede should be inadvertently helped by Maki's remarks, with Maki becoming more like a fed-up babysitter (or in Maki's case, an Ultimate Caregiver) who points out the obvious to people like Kaede, Kaito, and Tenko (who all have moments where their emotions blind them to the truth) with no remorse instead of becoming a waifu prop.
I don't think she would be very chummy without her canonical character arc, but narratively not only do I think her arc wasn't necessary, I think she could have done a lot more if she were left alone or only had a small development
(okay you're all idiots, but you're my idiots, now for the love of christ stop trying to set shit on fire!!)
Maki works very well as a logical force because she's established as blunt and unafraid of telling people exactly what she thinks of them and their stupid ideas (until the writers scrap all that for waifu propism). Plus, since murder, especially sneaky murder, is literally her business of course she would be more informed than the rest about it, which gives her a reasonably good authority to tell people like Kaede off. (Think Byakuya but better and less holier-than-thou)
I don't see a good reason to take any of that away from her when it would work so well with her character to just leave her be. Her arc with Kaito kinda feels like a downgrade compared to what she could of been as I'm envisioning it. I mean, it's always been a downgrade, but especially when I think about how her character pre-development wouldn't have made the same mistakes as Maki post-development (like ch5, which was almost completely her fault)
Kaito, Kaede, and Maki
Kaito wouldn't and shouldn't be changed as a character, but only because if I were writing V3 I would want to use him as an example of what Kaede needs to try not to become, a reason for her to change and an example of what Not to do. I would want people to look at Kaito and go "oh shit Kaede could have been like that if she hadn't had a character arc about Not being like that" and appreciate Kaede and her growth even more for not ending up like him or repeating his mistakes.
Instead of having Kaito be a supporting character that acts like he's borderline the hidden protagonist of V3, he would end up being a well-intentioned antagonist. Accidentally causing problems like he does in canon, but this time we point out that these problems are, in fact, problems and that they are, in fact, his fault and use Kaede as a way to show what he could have done better and Kaito as a way to show what Kaede could have done worse.
+ maybe we throw in some verbal dressing downs from Maki because I think she would be the perfect antithesis of Kaito and that it's a shame she wasn't utilized as such in the game. If Kaede's role is "Kaito but Better" because she had people to help guide her in the right direction and Listening to them was her much needed point of growth (as the complete narrative rejection of Kaito's more self-centered approach) then Maki would be "The Opposite of Kaito" and point out all of his flaws from the other side/point of view.
Sometimes it takes one to know one, but other times having someone around with a completely different worldview and mindset point things out can make all the difference, and while Kaito wouldn't listen, Kaede would be listening (even if it wasn't always directed at her specifically) because she recognizes Kaito's flaws in herself and genuinely wants to improve herself (for her own sake and the sake of everyone's survival) by purging those flaws from herself. Self-improvement Queen!
I also think he should die. He needs to cause a bit of tension and conflict as the antag, but since we are trying to prove that Kaito is Bad and that his thinking is Dangerous, all of that previous conflict needs to come to a head with Kaito facing the consequences of his own actions and getting his comeuppance. This should also be the start of Kaede's final stages of development as this would be her ultimate proof that she Cannot keep acting the same way she did before (which was like Kaito) and that she definitely has to change for the better before something happens to her or someone she cares about.
I think this would be an organic character motivation for her development that would also shine a light on the dire consequences of the killing game and raise the stakes a bit, especially because this could've been Kaede if she had done things differently.
Conclusion
If I can't have Kaede and Shuichi remain the way they were in Chapter 1 I'd rather not have them at all, but if I could have them like that + a change in narrative direction then I'd really fucking enjoy it over what we got.
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ONE YEAR OF NOXTMS / five dyanmics with two bonus !
more thoughts / information under the cut !
001. 𝐃𝐔𝐃𝐋𝐄𝐘 𝐃𝐔𝐑𝐒𝐋𝐄𝐘 & 𝐆𝐈𝐍𝐍𝐘 𝐖𝐄𝐀𝐒𝐋𝐄𝐘. ( @ddudleys )
every single day, i think about this pair & just how unexpectedly ... brilliant they are. i hope by now my love of dudley is just very apparent, but if it ISN’T - i love his character so, so much, and i think you’re an incredibly talented person for being able to give him this whole personality and existence beyond the end of the books that fits with his canon so well and still gives him his chance to be a good person. dudley & ginny bonding following the war, attending support group together ... ginny telling him wildly incorrect things about the world for a laugh, the fact they have TOTALLY bonded even more over both being sports people, the moment where they held hands at grimmauld place, everything after ... jesus christ ! i can never ever be eloquent enough to express the way they make me feel, and the way that any new little insight into their dynamic be it by meme or by thread just makes them that bit more real to me, but i’m so grateful for this funky pair, and you better know it !
002. 𝐋𝐔𝐂𝐈𝐔𝐒 𝐌𝐀𝐋𝐅𝐎𝐘 & 𝐍𝐀𝐑𝐂𝐈𝐒𝐒𝐀 𝐌𝐀𝐋𝐅𝐎𝐘. ( @dolors )
tell me a year ago that someday i’d actually care about the malfoy family and i’d have FOUGHT you over it - at no point did i ever expect to pick up narcissa, and after i did, i never expected to get such a complex and amazingly thought out lucius to write opposite of. i still remember the moment where blo and i realised you were going to bring him, and the EXCITEMENT we felt at the fact that this individual i already knew semi okay who was writing such an excellent interpretation on hermione was going to bring us a character who can be so polarising, in a lot of ways. the hope ? the willingness to die for you immediately, simply because you were going to DO it ? cherry i cannot believe there was ever a time where we were not friends in the way we are now, and i REALLY can’t remember an instance where i didn’t have malfam + lucissa to get me through my day. they’re my emotional support morally grey family who think of themselves first & foremost and everyone else after, okay ? lucius is a lot of things, and you do such a good job at writing ( and acknowleding ) them, but inside the walls of malfoy manor he’s narcissa’s honey bunch with an unhealthy emotional attachment for his peacocks & brilliant taste in erotica novels for their next book club session.
003. 𝐁𝐋𝐀𝐈𝐒𝐄 𝐙𝐀𝐁𝐈𝐍𝐈 & 𝐆𝐈𝐍𝐍𝐘 𝐖𝐄𝐀𝐒𝐋𝐄𝐘. ( @ofzvbini )
mozzie, let’s not cut straws on this one : holy fuck. holy JESUS. holy moley. all the holys. here is the thing - my love for blaise zabini as a character / concept and my appreciation for the blaise/ginny dynamic that could exist had NEVER gotten to be mutually exclusive until you came along. never ! it wasn’t something to feel hard done by, or anything, but... i kinda do, now, but for a different reason, which is that you’ve set the bar for characters SO HIGH in general and i’m never ever going to be able to find another interpretation of blaise that even remotely lives up to yours, nor do i think that anyone will ever be on the such a similar wavelength to me, when it comes this connection. the energy all around is just utterly UNMATCHED, and the fact that... even just rereading our replies from the last event to get this excerpt, i realised i wanted so badly to reply again right now immediately, because the sparring of their words and lets be honest, the PALPABLE sexual tension going on in that thread was so genuinely fun and entertaining. i just think you knock it out of the park so consistently with your characters and the connections you write with them. i could have said any of our dynamics - luna + ginny, luna + nazli, luna + narcissa, eulalia + niko, blaise + merry, blaise + narcissa, blaise + niko - YOU GET THE PIC ! i love u moz. please marry me under the moonlight i think it would be very romantic-
004. 𝐏𝐄𝐍𝐄𝐋𝐎𝐏𝐄 𝐂𝐋𝐄𝐀𝐑𝐖𝐀𝐓𝐄𝐑 & 𝐍𝐈𝐊𝐎 𝐊𝐀𝐑𝐊𝐀𝐑𝐎𝐅𝐅. ( @pclearwaters )
i want in on record that penny clearwater is the love of my life, actually. i want it on fuckin RECORD, because the love i have for this character who gets paid nothing but DIRT in the series all because you took her up & gave her this whole life and character and storyline that made her into... like, a real person ? who makes me feel sometimes ... just very sad, but who also brings me such joy. penny & niko are another example of that fun little thing we do where we throw these totally different characters together and then see what happens ( usually the most perfect of unexpected friendships ). i loved the last thread we did between them most, because it was one of the first chances i had ever gotten to showcase that a side of niko not really seen so often, and his confusion at penny’s genuine beautific happiness was just ... really fun to write and get into. i truly think you do such a good job with penny, and i love the dedication you have to the clearwaters, full stop. here’s to many more of their weird lil interactions !
005. 𝐃𝐑𝐀𝐂𝐎 𝐌𝐀𝐋𝐅𝐎𝐘 & 𝐆𝐈𝐍𝐍𝐘 𝐖𝐄𝐀𝐒𝐋𝐄𝐘. ( @blondsnake )
six months ago, they were one of the dynamics i chose to talk about in the original meme. when i did it that time, the excerpt i chose was : “i’m sorry,” he tells her, voice cracking, and he doesn’t know what he’s sorry for anymore. for the sins of his father? for ginny’s ruined childhood? for the fact that he is draco malfoy, and not someone else? & the REASON i chose them was at the time we wrote that thread, it felt very... real and raw and human, to me. it felt like we were exposing a nerve. the malfoy / weasley dynamic is expanded on so much when it comes to every other weasley, and ginny’s interaction with the family she has so much of a history with, with the son of the person who really took a key role in what she went through as an eleven year old, was just... so non-existent that getting to touch on it in the way we did felt... incredbly important, and i remember the thread best for setting the continued tone.
i’m choosing them now because i never, at any point, thought that we would end up where we are right now. i spend a lot of time, now, thinking about them - i can’t believe i never realised just how similar they were as people, and just how much possibility existed between them, because so much does, and every time we talk more about them, i come away with the feeling that this is a connection that’s like once in a lifetime esque, and i’m SO lucky that i’m writing it with you. you know ? you’re an incredibly talented writer who has four incredibly well thought out characters, and i love that i get to write with them all, because ALL of them are a treat to write with. i always wanna hear your thoughts, i always wanna hear your ideas and concepts, i always love the posts you send me and the things we joke about - almost as much as i love the things we don’t. that first night we realised what we had here came from utter meme and became something very very important to me. i’m always thinking about ‘he gives her a long look’. if you know you know, you know ? !
006. 𝐀𝐌𝐄𝐋𝐈𝐀 𝐃𝐎𝐋𝐎𝐇𝐎𝐕 & 𝐍𝐈𝐊𝐎 𝐊𝐀𝐑𝐊𝐀𝐑𝐎𝐅𝐅. ( @rcveuse )
saz, i know we’ve only gotten the one thread started so far, and they’re newer... but can i just say, i’m really really glad that you decided to come back to nox, and i’m even more glad that when you did you picked up those specific connections of mine, because they were some of my FAVORITE ones on the page & had never really gotten their dues ? the niko one in particular, that amelia is filling - i remember writing it because i wanted him to have moments of his life that were happy, and the best way i could think to showcase his emotional side was via someone he loved for real. i always said niko loved fiercely and was just as fiercely loyal, but i hadn’t gotten the chance to write it, because he’s a character so difficult to put into positions where he would. he takes a long time to fully bond to people. even after he does... he’s just. odd. it was a v important connection to me, and i love amelia so much, already, and can see exactly what existed in her that he fell for when he did. i’m so excited to write them more, and i can’t wait to see where the dynamic that exists now goes !
006. 𝐊𝐀𝐄𝐋𝐀 𝐊𝐀𝐑𝐊𝐀𝐑𝐎𝐅𝐅 & 𝐌𝐄𝐑𝐑𝐘 𝐋𝐄𝐒𝐓𝐑𝐀𝐍𝐆𝐄. ( @taciiturns )
i love kaela. i know we know this. i know i’ve said it so many times, and i know i’m going to say it again, a million times more - but i really do love mikaela karkaroff, and i already had the niko connection, so i really shouldn’t have been greedy, but.... i didn’t imagine what’s come to exist between kaela & merry at ALL. it’s a very interesting dynamic built from very simple beginnings, and it’s become one of my most enduring merry connections - i think it made her more of a person, and i totally have you to thank for it. they’re such different people from such similar worlds, with such an interest in one another that i have such a difficult time explaining - IT WORKS, it so works, but it works in a way where i kinda have to admit i never even expected it, and i feel like i’m learning more and more about it with merry. that’s a very fun sort of connection to write when it’s with someone who loves their character as much as you do kaela, and i’m endlessly interested in where it’ll go !
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Boxing Day and Mistletoe for the December meme!
December Positivity meme || Accepting !
★ Boxing Day: tag someone whose writing style you love
(( Uuuh, I definitely have quite a few people to tag for this one. I had the luck to meet a fair number of very talented people on this hellsite, and being able to write with them is a blessing! And please consider this as a (alphabetical) list of recommendations! ))
@adventurepunks : ‘cause in this lair we love and cherish Bianca (who, aside from a great RP partner, has also found the will to become friends with me, something I am very grateful for). She honestly can write almost any sort of thread, from the silly or fluffy one, to action based threads, to heavy ones with introspection, and make each of them a great ride. Also, we allow each other to indulge in our macabre streak, which is a huge added bonus. And she’s a gal who knows her lore (so a rare kind).
@blizzardmuses : I love Bea and I love her portrayals. So far, I have RPed only with her female muses, but I’m sure that she can write her male muses just as well. I love how she’s able to give the right amount of personality and energy said muses deserve (which is rare considering that it’s much harder to find female muses in the rpc), both in what she has them do and in how she writes them (body language and dialogues). The vitality you can find in her writing is refreshing.
@cosmosfated : Yet another great writer. I’m not even sure where to start from. Their character is one of the most complex I’ve met so far and their writing style adapts perfectly to Fleur’s quirks and moods. They also manage to hint things in between the lines, without telling you all you’d like to know and leaving you wonder (much like their character does). Their replies are always so very lively, it’s a pleasure to receive them.
@rapxir : Katie is another amazing writer I have the luck to write with and a very good friend. Writing is her thing and it shows. Not only in her writing style, but also in the complexity of her character. She’s a very adaptable writer, so she can easily shift between different themes and fandoms too, no matter how different they are. Also, she manages to put a lot of attention in the psychology of her character, through writing small details of her reactions, and that’s a delightful way to learn about Ruby every time a bit more.
@thedemonconstantine : I’m pretty sure that a lot of people who follow this blog (and more) follow K’s too, so that doesn’t leave me much to say I guess. I’ll just quote something that someone said and on which I totally agree: K is the best when it comes to quick actions scenes. That’s pretty much almost set in stone xD
(( A special mention for @darkdabbling , whom I’m just starting to discover. I already love how detailed their writing is, full of introspection and elegant! I’m really looking forward to write with them properly! ))
★ Mistletoe: tag your shipping partners
(( I’ll be tagging again the people I mentioned in the other question, don’t mind me! Also, I’m including platonic ships too, ‘cause they are as important as the romantic ones! ))
@thedemonconstantine : John & Demon John are my bloody guilty pleasure and I’m so not getting over them any time soon (which is both a good and a very bad thing). I can’t remember the last time I got so invested in a ship, in all its shades. Besides those two twats, I have two of my fave platonic ships: Tim & John (and I have to thank K for allowing me to discover both them as a pair, full of parallels and with that mentor/pupil dynamic where you can’t tell who is what, and Timmy as a character) and Chas & John (love them in canon, love the additional we have created in our interactions. They deepened even more their not always healthy bond and I love their shenanigans). Special mention: John & Yoyo.
@adventurepunks : John & Nick are...complicated xD Under some points of view they are still sniffing each other and I love the slow burn we are building, with a step forward and then a few steps backwards. Seeing them getting to know each other, learning how to deal with their differences, bonding...and we all know how it ends (sweet tragedy). Also, John & Zee! We still haven’t developed them as much as the blokes, but I already enjoy their bantering and soft friendship. I can’t wait to work on them too. And of course, the thruple dynamics (which is still a work in progress). Special mention: Francis.
@thegreenxrcher : John & Oliver are another of my main ships on this blog. They are my fault, I’ll confess it, but it seems that all has turned out well, so I’m proud of it xD They really compliment each other, with both their differences and similarities. John also has an odd dynamic with Shar’s demon OC...and I’m curious to see where that will go.
@rapxir : Ah, Ruby, John’s other unofficially adopted kid. I love the parallels between them and how protective they are of each other, even if they bicker a lot and poke each other, hiding their real shared affection. They are just...so good for each other. And they totally deserve each other xD Special mention; Bump.
@blizzardmuses : John & Kori make me crying in all the possible sense of the term. She is the sort of friend John needs, with her unshakable hope and all her efforts to see the bright side. At the same time, John can definitely teach her how to see and deal with the darkest sides of life. Plus, they have a lot trauma in common and that alone is fated to bring them together.
@paradiseturnedhell : John & T’s Nick are quite the odd pair. Enemies and friends, adversaries and lovers, hunter and prey (and this last two roles get switched often). I enjoy the different dynamics they have and how their relationship slowly shift towards one side or the other. It opens a lot of interesting doors!
@obsessionsarenotforheroes : Miss T again, this time John & Jessica. They got so close and so...soft with each other, and I was not expecting it. They found in each other the kind of friend they needed and that makes me so happy, tbh. I might have a preference for angst (which these two offer in abundance), but it’s nice to see them helping each other out of their respective abysses too.
@cosmosfated : John & Fleur are...something else. I wouldn’t know how to describe their relationship and it’s pretty clear that they don’t know for sure either...which makes things even more interesting. I absolutely love how they can go from being complete idiots to completely serious, and all there’s in-between. They are unpredictable and that’s all part of the fun.
@xstabcastx : John & Ava are definitely my fave BrOTP from the Arrowverse adaptation. As much as I love John & Sara’s friendship, Lina made me fall in love with our two idiots. They are such an unlikely pair of friends and that makes them perfect x3
@laughter-in-white : I honestly don’t know what to say about John & Croptop!J aside from the fact that they are fuckin’ hilarious x'D They are yet another unlikely pair, perhaps the most unlikely, and yet, at the same time, they have more in common than they realise. And the fact that the mun’s portrayal is a delight in general just make it all much, much better!
#(( true seeing stone ::ooc:: ))#(( sorry for taking so long anon! ))#(( thank you for the ask!! :D ))#(( positivity ))#(( ...I hope i haven't forgotten anyone >.> ))#(( I slept REAL bad for the second night in a row =.=" ))
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L4D(2) Actor AU
This is a (not complete) list of headcanons for the Actor AU me and my bro came up with during our Expert runs and running extremely low on morale. We created this as a sort of ‘happy’ AU which would also give some room to our own ideas, so some of this stuff below may only slightly be related to original. We understand.
This post won’t be updated but instead followed by other ones if something else arises, so check ‘l4d actor au’ tag on my blog for more!
Overall setting
The Left 4 Dead universe itself is a series of 90-min movies divided into first and second season, L4D1 and L4D2 respectively. This list will further refer to them as S1 and S2;
L4D is a series about, of course, zombie apocalypse, but teamwork and forming bonds between people are brought to spotlight. Both seasons consist of episodes where four Survivors try to find a solid ground and safety with every episode ending on a cheerful note but every next one starting with the cheerfulness destroyed. The episodes share their names and events with Campaigns;
Originally, L4D was created by a team of enthusiasts, consisting of friends, families and family friends, so they are all very immersed in process and really giving their best. Their collective is also the reason their funding isn’t very high and they’re mostly using their own equipment and props; this makes the series look less expensive and polished but retains the atmosphere and the main goal: to show people growing warmer to each other and learning to stick together;
The actors’ names are mostly created by combining the face model’s first name and the voice actor’s last name, though some other versions do take place (see S1 and S2);
The safehouse graffitis are inspired by the fans’ responses from forums and contests, so it’s some sort of communicating with audience through screenplay;
The Third Strike, more commonly known as Black and White Mode which occures after second incapacitation, was firstly discovered as a camera malfunction but then the team liked it so much that they decided to leave it as a feature and add the heartbeat effect and stuff;
Main plot line consists solely of canon Campaigns (that means it doesn’t include Last Stand and Cold Stream) but there were also suggestions to shot additional episodes - the Mutations. After S1 success, the authors posted their ideas on different ‘modes’ and fans added theirs as well and thus during S2 some more episodes were made using, for example, a male synchronized swimming team to create the Hunting Party mutation. The original Hunter actor also participated and the swimmers required to copy his behavior; they did it so well that sometimes the whole Survivor team was being overwhelmed once they began the take;
There are no stuntmen on board so every fighting scene is shot with original actors. When it requires to shove someone off with a weapon (e.g. Zoey shoving a Hunter off Louis in the L4D1 intro), after the take actors always ask each other whether they hit too hard, should they improve the movements etc. Different actors have different range so it’s a tricky thing to cooperate but they still manage (I’ll come back to this topic in L4D2 section);
Most Infected, especially Special Infected encounters are improvised, bringing more life and realism to the Survivors’ response. The Hunter is responsible for a fair share of their shock as they noticed him stuck at a saferoom ceiling only after a while (this is a reference to the glitches that allow the Hunter to get stuck under the roof in Versus);
There was a suggestion to run a Kickstarter campaign to gather money for a fanservice episode especially for shippers. While it was most likely a joke from actors who didn’t mind shipping, it’s still a suggestion and not in work.
L4D (Season 1)
Zoey shares the zombie movie obsession with her actress; Sonja was the most familiar with the topic among original team and provided a lot of help with setting up the scene, behaviour writing etc. Along with Louis and Boomer actors, she was the creator of original idea and can consider herself a founder of the series. She is also older than Zoey as a character, being already in her 25s while Zoey is a college student;
The original Boomer actor was a CGI specialist and offered his skills for post-processing while also playing an Infected role. He came up with the idea of a Boomer Infected himself and suggested his large physique to do the role with a little touch of computer graphics and makeup;
While discussing the major characters and personalities worth including, Zoey’s actress instantly remembered her neighbor, the big buffy tattooed guy who was her childhood friend, worked as a driver and spent his weekends with his favorite bike. She figured that it’s a nice image to have in a zombie apocalypse setting, and thus Francis’ actor made it to the set;
When it came to the image of a war veteran refusing to give in to monsters, Zoey’s actress was also the one to suggest another person to fill up the space: her father. He was younger than Bill was written to be but did the impersonating well. He’s got an overall friendly but bickering attitude towards Francis’ actor so most of lines written for Bill and Francis interaction were the ones actors remembered from their own conversations, slightly exaggerated;
Zoey’s actress and Louis’ actor were co-workers for several years and bonded over their mutual interest to zombie theme and shooting. She foud out that Sean attended a shooting range in his spare time and asked him to take her out too; thus she both found out he aces in ambidextrous shooting and got him to teach her how to wield a hunting rifle. The weapon preferences were carried over to respective characters;
Hunter’s actor became a surprise for the team as Francis’ actor brought him over saying that the guy’s got a fantastic voice (and a music band) and physique to make some badass new Infected for them. They got him to voice the crowd extras of common Infected but also came up with an idea of shrieking hooded parkour bastard to rip someone’s guts out, thus creating the Hunter as another Special Infected;
As the next Special Infected concept came out of the shadows - a lanky coughing tongue-twisting zombie who would grab the Survivors and restrict them, Hunter’s actor brought another person to the set. It was his music band co-participant who did drums and back vocals and also had an ability to eject the most horrible coughing sound out of his throat while being (seemingly) healthy. He took over the role of a Smoker;
Hunter’s actor is named Mike after Mike Patton, the voice actor for Infected and SI like Hunter and Smoker. Smoker’s actor is named Mike too but the fact that he plays drums and does back vocals is actually a reference to Faith No More, the band where Patton actually does vocals and Mike Bordin does what Smoker’s actor does. It sounds complicated but originally the idea of Hunter and Smoker actors sharing a name came from Patton voicing them both, and then I found out about the band and two Mikes present so... that was a weird but happy coincidence;
The fact stated above was the reason the team came up with nicknames just for two Mikes on the set - Hoodie and Tongue respectively. The tradition was carried over to S2 where the new Hunter actor would receive a patronizing nickname Kid from Survivors (see S2)
Of all Infected actors, Hunter’s actor was the least level-headed and even Francis’ actor sometimes doubted his past decision to bring him in. Nevertheless, Hoodie’s cheerful attitude and energy helped the collective stay positive and fuelled during especially hard days. It also brought out the less lethargic and melancholic part of Tongue and made him more lively about things;
Despite Hoodie being the Endless Energy Core which people tended to adore, he was still in a lousy relationship with Witch’s actress (her name, by the way, is different from the voice actress - it’s Rose). He kept a charmer’s attitude towards her even though she was a married woman; Rose tended to be neutral or mostly positive towards most colleagues but this behavior pissed her off big time, leading to Hoodie being injured by her stage costume claws after she punched him in the face for a really bad dating joke. Hoodie toned it down afterwards but their relationship didn’t improve much up until the end;
Witch’s actress is keen on baking and sometimes brings some to the filming set;
Since the budget was comparatively low, the team couldn’t afford a lot of crowd extras so they hired a group of people to then create an image of a Horde attacking by using CGI. That’s why there’s so much repeating common Infected on-screen;
The first season included all L4D1 original Campaigns, leaving The Sacrifice out as it was added later in a DLC. As S2 came into development stage, the team wanted to add an episode with the old Survivors team but Bill’s actor was unavailable at the time and was overall not hot with the idea of shooting movies anymore; so eventually they plotted the episode (The Passing campaign) to feature Bill being dead. The fans were shocked to find it out and demanded to know what exactly happened, thus leading to actually shooting The Sacrifice as a bonus episode to S1 (and requiring Bill’s actor to come back despite his attitude).
L4D2 (Season 2)
The collective decided to take a sharp turn on the new Survivors and create them being unacquainted and sort of separated at the start but growing closer as time passes by. The idea of S1 Survivors being almost a family to each other sounded great and played along just right but the team wanted to delve deeper into relationship problems and also have a change of scenery - and so they did;
The Infected team for S2 still consisted of some old faces (Boomer, Tank and Witch) but some had to leave the set for the time being and were unable to rehearse the roles, this being Hunter and Smoker actors. They got into music harder than zombie movies and planned to go on a tour so they could only leave their old Infected sounds as a legacy;
The new Smoker actor was a treasure Coach’s actor brought to the set. Since Coach was in fact a college coach, he kept a close eye on some problematic students under his wing and picked out the one he’d considered perfect and at the same time worth looking after. The guy was recovering from compulsory drug treatment and had some ugly scars all over his arms, making him an easier candidate for makeup;
Hoodie, on his part, brought a replacement on his own, and it was his brother - four years younger, even more insanely into parkour and a huge fan of L4D series, he made a perfect new Hunter. Despite being only a few years younger than Hoodie, he instantly became treated like a restless constant-questioner child, a literal piece of sunshine on the set, so the team came to call him just Kid. He adjusted to the nickname after a couple of weeks, though being seriously surprised at it at the start;
The actors of Ellis, Jockey and Charger all come from one family, being two sons and a father. Coach suggested the family as well, being their close friend for many years and pointing out Ellis’ actor appearance being something close to the laid-back mechanic they wanted for the new Survivors team;
Although fluently speaking in a Southern accent, Ellis’ actor isn’t very fond of it as he tried to get rid of it and move to a different state; the role obliged him to use the accent again though and it wasn’t hard to recreate, but he still didn’t take pride in it and was mostly annoyed with it and Nick’s jokes written in script;
Ellis’ actor is also the one more frequently complaining about amount of money the actors receive for their work on set. Their funding increased a bit since S1′s popularity strike but still;
Most of Ellis’ stories were written based on actual on-set incidents, usually featuring Nick’s actor (see below);
Nick’s actor, Taymour, is married to Witch’s actress and is a big fan of her performance in S1. When she heard the idea of having a snarky self-centered ladies’ man in the new Survivors team, she immediately knew who’d handle the role at his best. She also rehearsed the role of Witch just to make sure nothing bad happens to her husband on-set (also see below);
Nick’s actor suffers from constant bad luck incidents. He can accidentally break or twist something without serious effort; he’s also allergic to artificial blood and he is the reason the filming set actually features painkillers and functioning adrenaline shots. Despite all that, he’s got a positive attitude about bad luck and got used to being in a state of constant non-obvious danger, unlike others who geniunely worry about his well-being and fear that one day an accidental injury might end him once and for all;
This trait is also the reason Nick’s line “Can’t you see I’m limping here?” made it into the script - it was improvised after Nick’s actor badly hit his leg and was the last to make it to a saferoom during a take. The team liked it and decided to leave it in;
Nick’s actor treats his role with all respect and doesn’t consider it a small one despite the not so large fee. He’s also a complete opposite to the character, being a very friendly and kind-hearted guy to everyone on set; he can however switch back to his script personality with startling speed and it scared some of the new actors at first. Despite playing an asshole which is very different from real him, Nick’s actor enjoys it a lot and overall finds great joy in working with the team and bringing them together;
Bringing back the topic of being gentle to each other, Nick’s actor takes great care when it’s required to hit or shove someone in the take, keeping it mildest possible, unlike for example Ellis’ actor who can smash you in the face without a second thought;
Nick’s actor and Witch’s actress keep their loving attitude on set as well, sometimes making it hard to shoot scenes featuring a Witch killing; as they were shooting the Witch Bride scene where the same actress took place but had a different outfit and makeup, they ruined several takes by driving the dialogue in unwanted directions, e.g. “Ellis, go kiss the bride! No wait, I’ll do that myself” or “N: Sounds like my ex-wife... W: I still AM your wife, darling! >:C”;
With her husband on stage, Witch’s actress is probably closest to her role - she will tear apart anyone who dares to hit on Nick’s actor or mean any harm to him (as if his own harming isn’t enough...). The only one she’d go loose is Ellis’ actor, being an old close friend;
Ellis’ actor was the one who introduced Nick’s actor to his future wife. They’ve actually been close friends since the university and Ellis’ actor was among those who obviously saw Nick’s actor and Rose being in love but completely oblivious to it. Ellis’ actor is still kinda jealous that she took his best friend away and they can’t hang out anymore like they used to, but they get quite a lot of time on set so he’s less irritated about that;
Nick’s actor is especially supportive towards Rochelle’s actress, Shanola. She feels self-conscious because of her character’s rating being lower than expected and blames it on her performance, but Taymour keeps reassuring her that she’s doing amazing. Rochelle’s actress is also the one least accustomed to shooting a weapon and handling violence of any kind so it was hard for her to get her head into action. With the team fully supporting her, the progress sped up tremendously;
Ellis’ actor’s name is Jesy and he gets salty about people misspelling it or mistaking it for a female name. It was the inspiration to include the “El kinda sounds like a girl’s name” part of Ellis’ dialogue;
The team is overall friendly towards shipping dynamics in the series’ fandom, with the only one explicitly stating otherwise being Ellis’ actor. He’s espeicially upset with Nellis ship as people started shipping actors over it too; he stated multiple times that he and Nick’s actor have been best friends for so long that it’s simply wrong to imply any romantic and/or sexual relationship between them. He once stated in an interview that he’d rather believe an Ellis/Hunter ship and the fandom exploded with it on the next day, much to the actor’s chagrin. The Hunter’s actor, or Kid, however, wasn’t that upset and supported the idea. The team made no confirmation to any ships yet;
Nick’s actor is neutral to most ships including Nellis and doesn’t see why his friend is so angry about it. His personal favorites are Nick/Witch for obvious reasons and Nick/Hunter for less obvious reasons that he doesn’t state. He jokingly suggests Jesy from time to time to start a Kickstarter campaign for a Nellis-centered episode; it’s still unknown whether they’ll take it serious one day.
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