#Bonnie Berman

[federer7]

Bonnie Berman. 1983

Photo: Patrick Demarchelier

[chicinsilk]

US Vogue March 1983

Bonnie Berman wears a black cashmere/silk knit with a potfolie skirt in the finest wool gabardine, sewn at the waist, held at the hip by Velcro, very narrow, but easy to put on. By Zoran. Tights, Geoffrey Beene for Bonnie Doon, pumps, La Marca. Hair, Christiaan, makeup Wesley Dunn.

Bonnie Berman porte un tricot noir cachemire/soie avec une jupe potefeuille en gabardine de laine la plus fine, cousue à la taille, retenue à la hanche par Velcro, très étroite, mais facile à enfiler. Par Zoran. Collants, Geoffrey Beene pour Bonnie Doon, escarpins, La Marca. Coiffure, Christiaan, maquillage Wesley Dunn.

Photo Arthur Elgort vogue archive

[forcedfemme-me]

Bonnie Berman by Albert Watson for Vogue Italia January 1984 - Gianni Versace

[oldtimesnew]

Vogue Editorial shot by Jean Pagliuso, 1984

Bonnie Berman

[blocodeespantamentos]

I'm gonna shine out in the wild kindness And hold the world to its word

[sinceileftyoublog]

Cassie Berman, Styrofoam Winos, & DAR Live Preview: 8/18, Sleeping Village, Chicago

Styrofoam Winos

BY JORDAN MAINZER

Sunday night at Sleeping Village will feature its fair share of Chicago, Nashville, and "Kentuckiana" pride.

First and foremost is none other than Cassie Berman, of Silver Jews fame and the ex-wife of the late, great David Berman. During her time with Silver Jews, Cassie contributed vocals and bass to the band's three Aughts LPs, Bright Flight (2001), Tanglewood Numbers (2005), and Lookout Mountain, Lookout Sea (2008). Her relationship with Chicago and Drag City, though, goes back into the 90s via her collaborations with David Pajo, playing bass as part of his Aerial M and Papa M monikers. On Sunday, Berman will be playing some new solo material (!) along with a few Silver Jews songs, and she'll be accompanied by New Radiant Storm King vocalist Peyton Pinkerton, who himself played guitar on Silver Jews' 1996 sophomore record The Natural Bridge. Though Berman doesn't have much solo recorded material to her name, she did cover American Water opus "The Wild Kindness" with David's longtime labelmates Bill Callahan and Bonnie "Prince" Billy on their collaborative Blind Date Party album. Perhaps that'll be one of the Silver Jews cuts she performs on Sunday? Or maybe some that the former Silver Jews bandmates and Will Oldham played last Saturday?

The other two acts are both representatives of Jeffersonville, Indiana label Sophomore Lounge. You may have heard the Nashville-based Styrofoam Winos on MJ Lenderman's And the Wind (Live and Loose!) album released last year, joining him to cover Danny Dill and Marijohn Wilkin's country ballad "Long Black Veil" (originally recorded by Lefty Frizzell). The trio of Lou Turner, Trevor Nikrant, and Joe Kenkel so far has a few releases to their name, including an underrated self-titled record and a Michael Hurley covers album. In September, they'll drop their second album for Sophomore Lounge, entitled Real Time; so far, they've released the strutting, bluesy "Don't Mind Me". Live, as on record, the band switches off vocal and instrumental duties, maintaining their rollicking choogle punk the whole time.

Rounding it all out is Chicago-via-Louisville multi-instrumentalist Aaron Osbourne, who records as DAR. He's released two records on Sophomore Lounge, 2020's Where the Future Lives and March's A Slightly Larger Head. DAR's latest is a bedroom rock heartbreak record whose sound extends beyond the confines of its guitar, toy piano, drum machine, and digital brass soundscapes. More importantly, Osbourne does not wallow in a state of navel-gazing but rather finds unlikely hope stemming from the nadirs of life. Listeners should certainly be curious as to how he will adapt the album's varied sound to the live stage.

[fangedbrbiemoved1]

updated tags pt 4!

˖ ♛       dynamic     »      (  nick goode; ncxile  )

˖ ♛       dynamic     »      (  noa byers; racointeur  )

˖ ♛       dynamic     »      (  ziggy berman; ziggytm  )

˖ ♛       dynamic    »       (  bonnie bennett; townwxtch  )

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˖ ♛       dynamic     »      (  kate schmidt; kschmidts  )

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˖ ♛       dynamic     »      (  mike wheeler; mikewheelertm  )

[ethanssweetheart]

౨ৎ . ݁₊ ⊹ about me !

8teen / french australian

lana del rey , mikey madison & emma roberts coded

my baby: ethan landryྀིྀི

interests :

- the scream movies

- the strangers

- fear street part two

- maxxine, X , pearl

- twilight saga & new moon

- jennifer’s body

- pretty little lairs

- mean girls

- ahs murder house

- vampire diaries

- stranger things

- harry potter

- tim burton movies <3

celebrities

! ୭ ˚. emma roberts

Jack champion

megan fox

Jenna Ortega

mikey madison

lana del rey

mia goth ୭ ˚.

୭ ˚. ᵎᵎ˖ ݁𖥔 ݁˖ 𐙚 ˖ ݁𖥔 ݁˖

a few of my fav characters -

- jill roberts

- madison montgomery

- elena gilbert

- ethan landry

- amber freeman

- cindy berman

- nancy wheeler

- max mayfield

- stu macher

- roman bridger

- aria montgomery

- Jennifer check

- Katherine pierce

- bonnie bennett

- damon salvatore

[alcalavicci]

Dean impressions from Dancing on the Edge:

When Russ met Dean on the set of The Boy with Green Hair, Dean was a high-energy kid who hated attention and was learning how to play the drums

Dean asked Russ if he could bring Wallace Berman and his wife to a party he was having. Thinking he meant the comedian Alice Berman, Russ said yes but was shocked by this weird mute guy who didn't say a word at his party.

One time, Russ was hanging out with four other former child actors (Dean, Billy Gray, Bobby Driscoll and Robert Blake). Talking about that day years later, Blake said they were a bunch of drowning puppies going down the rapids while hanging onto a lifeboat together. Says a lot, doesn't it?

Russ described Dean as intelligent, intuitive and practical- Jack Hirschman said as much too. Both said that Dean would help other people out as well. It's interesting that Russ says Dean was dedicated to his career and never dropped out unlike Russ, but that's not how Dean saw his career during this time, according to interviews. I think Russ was more significantly dropped out than Dean, however.

The Last Movie: Russ and Dean, along with Billy Gray, got to see Machu Picchu on their days off, but poor Billy got lost and missed the last scenes to be filmed.

Dean invited Russ to be in Another Day at the Races (which was apparently a spoof of the Marx Brothers classic A Day at the Races), but the title was changed to Win, Place or Steal. Apparently the movie was already kind of darkly lit in the original print too and got bad reviews at the time.

Jack, Russ and Dean all liked puns - that came from Wallace.

Russ' second wife, Elizabeth, had major problems with drinking and he eventually left her because she refused to get help for her problem. Dean was incredibly supportive to Russ during this time. Elizabeth ended up drinking herself to death five years after they got divorced. Must've been so heartbreaking to Russ to see Dean struggling like Elizabeth did near the end of his life.

Between Dennis, Dean and Russ, Russ could be trusted to come back with a full order of cocaine because he was allergic to it. So Dennis would ask him to pick up cocaine for him.

Russ says Dean was dating this woman in summer 1980. Interesting, Dean must've been just friends with Joy until the year or so before they got married. But this woman, Valerie Valente, is important because she invited Dean and Russ to her friend Bonnie's show, and Russ ended up married to Bonnie.

Russ does mention Dean meeting Joy and falling in love fast but I get the impression Russ didn't know about them keeping in touch for a few years. Russ said he needed to move out fast so Joy could move in after they got engaged (? my impression). I wonder if there was any overlap between Valerie and Joy...

Dean was the one who recommended Russ to the producers for his Quantum Leap episode- he didn't even have to audition!

The Wallace stories in this are also amazing so I'd definitely recommend reading this book for them as well.

[entangledmuses]

MOBILE MUSES- CANON

By Fandom

9-1-1: Lucy Donato

The ARTFUL DODGER: Belle Fox

BAD BOYS: Kelly Lewis

BOND Paloma Morales BRIDGERTON: Daphne Bridgerton                                                     Kate Sheffield/Sharma Sophie Beckett

BUFFY/ANGEL: Cordelia Chase                                                          

CRAZY RICH ASIANS: Astrid Leong

DCEU Harley Quinn (Selective) Dawn Granger

DIVERGENT Christina

FEAR STREET Cindy Berman

HANSEL AND GRETEL:WITCH HUNTERS: Gretel (With AU verses)

HEMLOCK GROVE: Letha Godfrey

The HOST: Melanie Stryder

HUNGER GAMES: Madge Undersee

Jurrasic World: Claire Dearing

KINGSMAN: Roxy Morton

LAST KINGDOM: Eadith of Mercia

LITTLE WOMEN: Amy March

LOCKWOOD AND CO: Lucy Carlyle

MCU: Maria Hill Michelle ‘MJ’ Jones                                               Natasha Romanoff Sharon Carter              Yelena Belova

The MUMMY: Evelyn Carnaham

MUSKETEERS: Anne of Austria Constance Bonacieux

MYTH/LEGEND/LORE: Amphitrite (Greek)                                                 Artemis/Autumn (Greek) Hera/Helena (Greek)               Persephone (Greek)            Athena (Greek) Aphrodite (Greek)      Guinevere (Arthurian)

NARNIA: Susan Pevensie

OUTER BANKS: Kiara Carrera

REACHER: Karla Dixon

REIGN: Mary Stuart Lola Fleming

ROBIN HOOD (BBC): Marian of Knighton

The ROOKIE: Bailey Nune Grace Sawyer Lucy Chen

SECRET CIRCLE: Diana Meade (Book based)

SHADOWHUNTERS: Sophie Collins (Infernal Devices) Tessa Gray (Infernal Devices)           Izzy Lightwood (Show based)

SHAMELESS: Fiona Gallagher

The SOCIETY Helena Wu Kelly Aldrich

SUPERNATURAL:                                        Lisa Braeden                                     Jo Harvelle Donna Hanscum        Sarah Blake      

TEEN WOLF: Braeden Lydia Martin            

THE SUMMER I TURNED PRETTY: Belly Conklin Taylor Jewel

VAMPIRE ACADEMY: Jill Mastrano - Dragomir Lissa Dragomir Rose Hathaway                       Sydney Sage

VAMPIRE DIARIES: Bonnie Bennett

VIKINGS: Amma Katia Lagertha

WEDNESDAY: Wednesday Addams

The WITCHER: Yennefer of Vengerberg

+++++++

SINGLE SHIPS: Rose Larkin Clarice Fong Emma Brunner Connie Matthews Ariel Megara Alice Chambers Zoey Miller Julia Shumway

[exitiumhq]

✧ ━ rise above the flames, the enemy is at the gates ━ ✧

hi everybody! we still have a few positions to be filled in order to organize our supernatural council and beneath the cut are the current standings for the leaders of the factions

Banshees:

Theodora Berman

Dragons:

Caius Argyle

Dryads:

Imogen Fen

Fairies:

Indigo Brooks

Lysander Song

Ilarya Lavere

Meredith Keating

Humans/Hunters Resistance:

Jordyn Reine

Hybrids:

Briggs Mikaelson

Klaus Mikaelson

Vampires:

Rebekah Mikaelson

Werewolves:

Hayley Marshall Kenner

Oliver Reine

Witches:

Freya Mikaelson

Bonnie Bennett

Isaiah Emerson

Jeerawaat Waite

If you wish for your character to be one of the names in the running, simply drop us a message to the main ( character name & their faction ) From there we will let you know when our vote is officially open. Species that have less numbers than others can absolutely still partake either joining another group, ie: fairies with witches, or can alternatively have an npc following & put a call out for wanted species connections.

( We ask that all names are sent to us by 01/24 )

[dillinger]

AZZEDINE ALAÏA / ARTHUR ELGORT / FREEDOM

Together, Azzedine Alaïa and Arthur Elgort shaped the freedom of the 80s. At the same time as the fashion designer saw his feminine ideal embodied in the street and by the ever-increasing number of clients, the photographer left the studios, took over the movement and the cities as a natural and new setting. Both actively contributed to renewing the representation of the now assertive, determined, independent woman. The exhibition presented at the Azzedine Alaïa Foundation compares timeless photographs essential to the designer’s iconography, as well as more confidential shots, with Alaïa’s most iconic clothes.

Elgort swapped his Polaroid for a Nikon. He developed a true passion for all types of new and vintage cameras whose techniques and unique features he appreciated. He became a master of the camera. The chief editor of Vogue, Alexander Liberman, saw a few photographs by the newcomer and encouraged him then introduced him to the editors of his illustrious magazine. He did his early shoots in collaboration with Polly Allen Mellen and Grace Coddington. Within a year he became famous. The paths of Azzedine and Arthur obviously ended up crossing in Paris. As they worked together on magazine shoots, Elgort and Alaïa shared a dislike for superfluous sets and props, which got in the way of Elgort’s photographic vision and Alaïa’s sculptural creations.

His black and white photos were intended to look like snapshots. He preferred explosive movement to the clichéd poses of fashion models. He opened the windows of studios to let in the light and turned the street into his theatre. Alaïa instinctly identified not only with his innovative but rigorous approach. When the images were published, it was hard to tell who was acting as a foil for whom: was it the joyful photography that invited to garment to move, or was it the figure-hugging, suggestive dress that provided the movement captured in the image? The models captured by Elgort’s lens and dressed by Alaïa became the ambassadors for new forms of expression where two artistic approaches came together but never clashed. Linda Spierings, Jeny Howarth, Janice Dickinson, Bonnie Berman, Veronica Webb, Frederique Van der Wal, Naomi Campbell, Christy Turlington, Cindy Crawford, Linda Evangelista, Stephanie Seymour were like divinities dancing on the frieze created by Alaïa and Elgort.

This osmosis consists of a unique exhibition in Paris dedicated to photography and fashion, whose revival was orchestrated by Alaïa and Elgort. Playfulness, intuition, and spontaneity were at work here. The future showed that this unbridled game would mark a new chapter in fashion photography, demystifying couture creations to bring them within everyone’s reach. Arthur Elgort was born in New York. Azzedine Alaïa in Tunis. Both hoped that the practise of official art would guide their destiny. Elgort aspired to become a painter and enrolled at Hunter College. Alaïa learned the techniques of sculpture at the School of Fine Arts in Tunis. Elgort did not feel fulfilled in the discipline he had adopted. Similarly, Azzedine refused to become a secondrate sculptor. While dressmaking work for a select clientele allowed him to finance his studies, the clothes he made built him a reputation as a budding designer whose virtuosity was acknowledged. Alaïa took the risky decision of going to Paris and, in the mid-1950s. His story began.

A similar story characterised the early career of Arthur Elgort. His artistic ambitions deviated when, in the 1960s, he went to a camera shop. He bought a Polaroid camera and learned how to use it, exploring his environment, showing his pictures to his teachers, and abandoning the past. It became clear that his future layed in lenses, dark rooms, and photographic papers. He would be a photographer. The way they evolved in their discipline in exile was different, however. While he was preparing to sit behind the gleaming sewing machines at the great Paris maisons, Alaïa’s destiny led him to become a mysterious and sought-after private couturier. Simone Zehrfuss, Louise de Vimorin, the Comtesse de Blégiers, Arletty commissioned bespoke garments from him. The women who tracked him down and recommended him gave him a greater understanding of the body and allowed him to perfect his technique. They would be his “school”, until Thierry Mugler, his leading admirer, persuaded him to become a fully-fledged fashion designer.

[chicinsilk]

Vogue Italia January 1984

Valentino

Fire red for the three-quarter length jacket. Square shoulders, small yokes and a single button that closes the round neck strap. In Ottoman wool from Agnona. Two contrasting pieces: tied behind the blue and white checked top (Corisia fabric), asymmetrical at the back, with false slit and double pleat on the blue skirt (Tonella gabardine). Bal Có shoes for Valentino. Valentino gloves and hat.

Rouge feu pour la veste trois-quarts. Épaules carrées, petits empiècements et un seul bouton qui ferme la bretelle du col rond. En laine Ottoman d'Agnona. Deux pièces contrastées : noué derrière le haut à carreaux bleus et blancs (tissu Corisia), asymétrique au dos, avec fausse fente et double pli sur la jupe bleue (gabardine Tonella). Chaussures Bal Có pour Valentino. Gants et chapeau Valentino.

Model/Modèle : Bonnie Berman Photo Arthur Elgort archivio.vogue.it

[forcedfemme-me]

Bonnie Berman by Albert Watson for Vogue Italia January 1984 - Gianni Versace

[art-van-delay420]

Advice:

Be sure to check for lyrics about cum in a Bonnie "Prince" Billy or David Berman song before you suggest playing it with your Dad.

[loueale]

Valentino Boutique Photo Oliviero Toscani Model Bonnie Berman