#Bobby likes to be watched

[kiwiplaetzchen]

Boop.

[time-speculo]

I like Miitopia, I love Drawfee, banger combo

[fizzlo-and-the-cubes]

~EVEN FLOOOOOOW~

[moonyslesbian]

there's only one thing brad could do that would make me stop resenting him for borrowing a huge amount of screentime from other main characters of the show and that is going up to buck right after a call and asking "so how long have you and the fit bloke there been dating?" while pointing to eddie in the back just doing his own thing. which obviously would lead to buck trying to hold his breath until he dies

[daisysmalia]

Every time I see someone recommend skipping 911 season 1 and just starting with season 2 an angel loses its wings 😔

[tevanactually]

[softhairedhotch]

whenever i've imagined the upcoming bucktommy kiss (which is a lot) where buck initiates the kiss at the wedding once tommy saves chim, i imagine buck runs up to tommy and immediately kisses him in front of everyone. which is great and all, but now i think it'd be great if it starts with a simple hug first. like there's a slowmo scene of tommy getting off the plane, looking around for someone he knows, and then buck yells his name and sprints over, we hear tommy let out a soft "evan" before he's stumbling at the force of buck's body colliding with his as he hugs him so tightly. and as buck holds him, there's a few reaction shots. bobby has a slightly raised eyebrow, wondering when they got so close, athena looks a lil confused but happy nonetheless, hen and karen share a look, maybe we see buck's parents share one too (but less knowing/sweet and more worried), and eddie smiles a lil. let's out a sigh of relief because tommy is his friend too and he's glad he's safe. and THEN buck kisses tommy. and oh my god we get to see everyone's face switch immediately. the shock and the confusion and the pride. oh it'd just be so beautiful.

[mischiefbuckley]

thinking about how the team had a surprise party for buck and bobby pushed eddie towards bucks so they could hug like c’mon now bobby has been the number one buddie mastermind since day one with recruiting eddie to the 118

[thelaurenshippen]

911 really is such a good reminder of the particularly kind of joy that is weekly, seasons-long shows with many episodes per season. every character gets a moment to shine even in a truncated season. the satisfaction of seeing characters grapple with stuff that happened YEARS ago. having multi-episode arcs and one-off arcs that are equally enjoyable. beach episodes (metaphorical). I know we're all saying this all the time but why can't more tv be like this

[sosweetsolonely]

i can be gentle. how's that for gentle?

jacob elordi in he went that way (2023) dir. jeffrey darling

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[wowthatsextra]

Buck: I have to save his life because I made a promise to his fiancee

Eddie, with visible disgust: Abby. His fiancee is Abby. 🙄

Bobby: ... Yeah we do not have fucking time to unpack all of that

[anotherfandomtrash]

I liked Dual Destinies *completely ignores final cases*

[fandominstability]

I will never in my life get over Bobby trying to hold Athena up in that bilge room

[moonyslesbian]

ive got 99 problems and having ravi come back on the show wouldnt solve any of them but it would still be nice i think

[batcavescolony]

911: we're mostly fine? Need some therapy, we fight but it's ok, we're family!

911 lone Star: This show started with all but one firefighter dying and people haven't stopped dying since. It's only pain. everyone gets their houses blown up! But we're also a family!