#Boat Models
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idea-explorer · 3 months ago
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maadhucreatives · 2 years ago
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A Journey through the Maritime Model Making Process
Welcome to Maadhu Creatives, your gateway to the captivating world of maritime model making. At Maadhu Creatives, we are passionate about crafting intricately detailed and lifelike maritime models that capture the essence of naval history and modern seafaring vessels.
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With an unwavering commitment to precision and authenticity, our team of skilled artisans meticulously researches each vessel’s design and history to ensure the utmost accuracy in our creations. From majestic 19th-century tall ships to contemporary naval marvels, we embark on a journey through time and craftsmanship.
Our workshop is a hub of creativity and innovation, where age-old techniques meet cutting-edge technology to create remarkable masterpieces. Each model is lovingly handcrafted using the finest materials, and our attention to detail guarantees an unparalleled level of artistry.
Whether you are an avid collector, a maritime enthusiast, or an individual seeking a unique and treasured gift, Maadhu Creatives is here to turn your vision into reality. Step into our world of maritime wonder and experience the magic of model making at its finest. Let us sail together on the waves of creativity, bringing history and artistry to life, one maritime model at a time.
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Setting Sail: Research and Inspiration
Every successful maritime model begins with extensive research. Like seasoned cartographers, we explore historical documents, blueprints, and photographs to find the perfect vessel to replicate. Whether it’s a majestic 18th-century frigate or a modern-day cruise liner, this initial phase lays the foundation for our artistic journey.
Charting the Course: Design and Planning
Once we have chosen our ship’s subject, it’s time to chart our course through meticulous planning. Carefully interpreting the gathered data, we draft detailed blueprints and diagrams. The design stage is crucial, as it determines the scale, materials, and complexity of our model. With a clear plan in hand, we’re ready to steer our creativity towards the construction phase.
Building the Hull: Anchoring Artistry
Like shipwrights of old, we commence building the hull — the backbone of our maritime masterpiece. From selecting the appropriate wood to shaping, carving, and sanding, this part requires precision and patience. Here, our craftsmanship shines as we transform raw materials into a smooth, symmetrical foundation.
Mast and Rigging: Rigorous Rigging
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Navigating the Details: Adding Superstructure and Deck Features
No maritime model is complete without its superstructure and deck features. These elements provide character and authenticity to our creation. From cannons and lifeboats to deckhouses and railings, every detail counts. We refine our skills in miniature craftsmanship, replicating the vessel’s interior and exterior features with accuracy.
The Finishing Touches: Painting and Weathering
Like a captain adorning his ship with colors, we paint our model with care and precision. Choosing the appropriate hues and color schemes, we bring our maritime masterpiece to life. Additionally, we can add weathering effects to simulate the toll of time and elements on the vessel, adding realism to our creation.
Raising the Flag: Personalizing the Maritime Model
Each model maker adds a personal touch to their creation. Whether it’s a custom flag bearing the maker’s initials or a dedication plaque, this step immortalizes our hard work and passion within the vessel’s identity.
Harbor of Display: Showcasing the Finished Model
Our journey through the maritime model-making process concludes at the harbor of display. Here, we proudly showcase our creation to family, friends, and fellow enthusiasts. The satisfaction of completing a project that required skill, dedication, and creativity is a reward in itself.
Conclusion:
As we dock our ship of imagination, we’ve sailed through the fascinating world of marine model making. From research and planning to constructing, painting, and personalizing, each step has enriched our skills and brought us closer to the artistry of shipbuilding. As model makers, we carry with us the knowledge of centuries of maritime history and craftsmanship, forever steering our passions towards new horizons. So, to all aspiring builders, remember, the sea of creativity is boundless, and your journey has only just begun! Bon voyage!
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misterlemonzmen · 1 month ago
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12-25-24 | Bondi Beach speedo model Shannon Boh. MisterLemonzMen.tumblr.com/archive
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animatronicappreciation · 5 months ago
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Here's an absolute darling I've been enamored with recently; Lucinda the dragon from the Sedgemoor Model Boat Club! She's a remote-controlled animatronic built over a model boat. According to this page, she can even squirt water, blow bubbles, and breathe smoke!
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Here she is giving an adorably squeaky rendition of the Scooby-Doo theme song as she greets guests. It seems like they bring her out for various events. I wish I could meet her!
-Mod Rat
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higherentity · 4 months ago
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ltwilliammowett · 6 months ago
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Model of a funerary boat, 12th Dynasty, c. 1985–1795 BCE, provenance unknown, sycamore fig wood
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rmbunnie · 19 days ago
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Something kinda tasteless about the way that alongside the concerns of "Batman needs someone to rein in his aggression/edginess" (mostly a meta concern,) "Robin is a symbol of undying hope right alongside Batman, Superman, and the police system," and "now that the thought's crossed my mind I think being Robin would be pretty sweet actually," one of Tim's points for why he should be Robin at the end of A Lonely Place of Dying is "we need to show the criminals of Gotham that they can't just kill Robin and expect to get away with it!" Because. They can. That's exactly what happened.
Using that line of reasoning, Tim makes the claim that the idea of Jaybin's life as disposable and inconsequential is heinous and bad, his killing something impermissible, but instead of disproving said idea they allow it to become true and devote their energy to making sure it doesn't become widely known as such. By covering his death up, they actually are permitting his murder to go unaddressed and deeming it acceptable, even taking away the opportunity for it to be consequential to anyone outside of Bruce's inner circle by not spreading the news. As much as we say "oh Bruce was a great dad because losing Jason crushed him" and "he almost considered trying to kill the Joker one time," he in all tangible areas did not do anything about Jason's death. Setting aside the question of killing the Joker or not, it's still shown in Batman Year 3 that Bruce's reaction to Jason's death in the time til Tim showed up was to hide away everything Jason owned and carry on with business as usual, a little angrier. Bruce didn't make any changes or actually evaluate anything in a significant way after the warehouse and Jason's death didn't warrant any tangible consequence, that's evident from reading the comic. I know some may disagree, and I acknowledge the room for interpretation, but in order to discuss Tim's reason we have to concede that it is explicitly written into this specific comic as something Bruce and Tim both recognize as fact, because it serves as the foundation that this reason is built on: there is good reason for the criminals to believe there would no punishment for killing Robin based on the actions Bruce did or didn't take in response. The concern about the public realizing there are no consequences for killing Robin wouldn't be reasonable if it wasn't true, if there actually were.
While they recognize that Jason's death came to pass largely without consequence, the fact itself is less of an issue to both Bruce and Tim than letting criminals actually find out that it doesn't have consequence. They know it's unjust, the notion that Jason can be killed without repercussion (and in making an effort to minimize his murder confirm it to be true,) but their concern isn't for what actually happened to Jason or the lack of proper response. At least on the vigilante side of things, the problem is public perception and continuing to uphold an image of Batman as just and diligent while permitting him to ignore injustice against those close to him. There's no efforts taken to actually disprove the idea that killing Robin would lack impact, what Tim proposes is just making it harder to prove right.
I think the best way to word what comes across tasteless for me here (aside from the side commentary on the unstoppable might of the institution of police and how it's an exemplar of heroism) is that beyond Tim's victim-blaming of Jason during his stint as Robin, (discussed in more depth by people who can word it better than me,) in the base text of a Lonely Place of Dying, it is foundational to the initial premise of Tim as Robin that part of his motive for being Robin hinges on accepting what happened to Jason as something that cannot be allowed in their pursuit of justice or go unaddressed for reasons completely unrelated to the actual harm, and then intentionally erasing the event and the way in which it was allowed and did go unaddressed. No matter how much it's claimed in later comics that Bruce was faultless and Jason doomed himself, Tim's Robin came to be at least in part (in-universe) as a cover-up for the lack of action taken about Jason's death, and by extension as an effort to overwrite his time as Robin and an individual entirely. And thought it wasn't the way his character viewed it, Tim wasn't passively complicit in it or going along with a poor grieving man, the intentional and deliberate erasure of Jason as a murder victim and the injustice of his posthumous treatment was part of his opening pitch.
#truly just “we can't let them think we do the thing that we do” at its core#because the thing that we do is bad and not fair like we want to look fair and would have consequences we don't want. so they can't know."#i see too much of people saying Jason took Dick's mantle so he shouldn't be mad at Tim when 1. he wasn't mad at Tim for it. didn't happen#and 2. Jason became Robin because Bruce was lonely and Jason was homeless and Tim became Robin in an effort to minimize Jason's death#Jason worried Dick wanted his job back (implying he would give it up if he wanted) and Tim shamed the dead kid he was hiding the murder of#can we spot the differences?#you can't really say Jason's gripe of “my death changed nothing” was off-base#when one of tim's first points on panel was that they should be giving the consequences of his murder the landlord special#i feel like all of the ways in which they made tim “more likable” were just leaning back into the status quo they branched out from#like “Jason doesn't like cops and believes they fail victims? well Tim thinks they're the good-hearted models for what a real hero is”#“Jason has conflicting opinions about cases with Batman? Tim is trying to bring back the true Batman who works exactly like he always did”#“Tim is nice and sweet and comes from a good family and has been there from the start. he respects what Batman is”#he's nice enough but his character is (meta not in-universe) rooted in a return to the safe classics that bring us good sales#idk why fanon props him up as the sad shunned outsider of the batfam when he is fr designed to maintain the norm and not rock the boat#also it's immensely funny to see Bruce accuse Jason of being needlessly violent over his emotional state as Robin#when not only does Bruce do exactly that and only that when Jason dies but he was doing it BEFORE too!#Oh No! he went from brutal to criminals and forgoing proper investigations to being brutal to criminals and forgoing proper investigations!#jason todd#batman#bruce wayne#robin#dc comics#discussion of tim drake#again not using the character tag because this isn't the most nicies#but i honest don't hate him that much
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blueiscoool · 1 year ago
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AN EGYPTIAN GESSO-PAINTED WOOD FUNERARY MODEL OF A BOAT MIDDLE KINGDOM, 11TH-12TH DYNASTY, 2087-1759 B.C.
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idea-explorer · 5 months ago
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ssttrangrs · 3 months ago
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Fernando Mendizabal
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viagginterstellari · 4 months ago
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Lanterns - Uneme Matsuri, Sarusawa pond, Nara, 2011
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bartszmigulski · 1 year ago
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Ben Bowers for Diaries99 magazine by Bartek Szmigulski
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woodsmanwife · 8 months ago
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Yacht work!
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nocternalrandomness · 1 year ago
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1943 PBY making a graceful arrival at the International Seaplane Meeting at Bisscarrosse, France
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miccolo67 · 4 months ago
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DANIEL MONTOYA
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kirstydreaming · 1 year ago
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Anna; 📷
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