#Blashyrkh

[k-i-l-l-e-r-b-e-e-6-9]

ℑ𝔪𝔪𝔬𝔯𝔱𝔞𝔩 - 𝔊𝔯𝔦𝔪 𝔞𝔫𝔡 𝔉𝔯𝔬𝔰𝔱𝔟𝔦𝔱𝔱𝔢𝔫 𝔎𝔦𝔫𝔤𝔡𝔬𝔪𝔰

[swsapphics-ao3feed]

by blashyrkh

Sabine was all tongue and teeth and spit - it was clumsy, and messy, and imperfect. It reeked of that familiar perfume and shit cocktails and cheap cigarettes and good whiskey and sweat and lust. It was amazing. It felt like the sparks from that kiss in the bar were starting to bloom into brilliant fire in Shin's belly.

OR

sabine sees shin sat alone on a night out. how can she not introduce herself?

Words: 3760, Chapters: 1/1, Language: English

Fandoms: Star Wars - All Media Types, Star Wars: Ahsoka (TV)

Rating: Explicit

Warnings: No Archive Warnings Apply

Categories: F/F

Characters: Shin Hati, Sabine Wren

Relationships: Shin Hati/Sabine Wren

Additional Tags: Alternate Universe - Modern Setting, Alternate Universe - Bar/Pub, Mentioned Ezra Bridger, Mentioned Ketsu Onyo, Alcohol, Flirting, Lesbian Shin Hati, Lesbian Sabine Wren, Shin Hati Needs A Hug, POV Shin Hati, Stone Shin Hati, Pillow Princess Sabine Wren, Porn with Feelings, Lesbian Sex, Vaginal Fingering, Cunnilingus, Strap-Ons, Post-Coital Cuddling, They/Them Pronouns for Shin Hati, Nipple Play, past Sabine Wren/Ketsu Onyo - Freeform, no beta we die like Marrok

[danzameccanica]

Sicuramente At the Heart of Winter è il disco più complesso degli Immortal. E considerando la dimensione boombastic nella quale sono sbarcati dopo Sons of Northern Darkness, col senno di poi, nel 1999, sembra avessero composto un trattato filosofico. “Un maestoso affresco in onore del lontano nord”; questo recitava il poster promozionale dell’epoca e, in effetti, considerando che Abbath e Demonaz hanno sempre cantato le lodi e gli inni delle terre dei ghiacci, questo album è la loro rappresentazione più completa. C’è anche quell’immancabile grotta che porta fin dentro le viscere laviche della terra. Ghiaccio e fuoco che si fondono in un ambiente invivibile ma sublime. Nel 1999 c’era già forte aria di cambiamento nel mondo del black metal, basti pensare le moderne invenzioni degli Emperor, il lato più sozzo e urbano dei Satyricon con Rebel Extravaganza, le piroette effettuate dagli Arcturus. C’era questa sensazione che molte band fossero arrivate ad un punto di non-ritorno (Cradle of Filth, Dimmu Borgir) mentre contemporaneamente altri gruppi come Marduk o Gorgoroth continuavano nella loro direzione più violenta. Gli Immortal (un paio di anni dopo i Dimmu Borgir) rinunciano al loro logo criptico e illeggibile in favore di qualcosa più accessibile visivamente, ma non necessariamente anche a livello di ascolto. Dopo Blizzard Beast, un album che rasentava la mezz’ora di durata, con brani brutali, quasi death metal corti anche due minuti e mezzo, “Withstand the Fall of Time” si muove in una direzione e approccio diverso, quasi opposto. Otto minuti e mezzo di violenza e melodia, scorci a voli d’uccello sui panorami innevati, il tutto accompagnato dalla classiche chitarre di Abbath e i suoi tipici e indescrivibili riff che toccano punti di epicità che saranno irripetuti. Abbath per la prima volta utilizzerà pure il collante armonico dei synth, che quasi non si sentono ma saranno fondamentali per aumentare il senso del vento e del blizzard. Questa volta Horg entra in pianta stabile e attiva nella composizione (mentre in Blizzard Beast aveva raggiunto gli Immortal solo per le foto di copertina e per il tour), spaziando fra violenza e cadenza. C’è spazio per cambi di tempo, atmosfere thrasheggianti – ma non troppo – ma soprattutto fuoriesce una componente heavy (”Solarfall”) che si ricollega direttamente coi Bathory di mezza era.

Horgh e Abbath camminano insieme e si scambiano il songwriting; a volte le chitarre trascinano il carro; a volte il carro è spinto dalle potentissime pelli e “When Dark and Light don’t differ” è l’esempio più clamoroso di questa potentissima composizione a quattro mani.

“Tragedies Blow at Horizon” è il brano che mi ricordo con più passione, quello che imparai a risuonare prima; un brano dove la batteria emette delle mitragliate, con una composizione che gioca fra il ghiaccio e il calore delle chitarre acustiche. Un calore che più che altro è un calmarsi del vento e saziarsi delle nevi. “Years of Silent Sorrow” conclude l’album con dei vortici sonori che ti trascinano giù nel buco, nelle interiora vulcaniche. Quarantasei minuti di estrema varietà e freschezza di composizione; c’è da dire che questa volta la mano di Peter Tägtgren agli Abyss Studios ha davvero dato un surplus che spesso invece non emergeva. E pensare che questo è lo stesso studio nello stesso anno di Panzer Division Marduk. Una cotanta dose di epica e tragedia non si è mai sentita né si sentirà più negli Immortal, soprattutto negli ultimi minuti. Farewell…

[wolven-maw]

get this in ur earholes

[supersonicmotorsatanic]

I like where this is going

[metalcultbrigade]

Immortal - The Seventh Date of Blashyrkh. 14/09/2010

[stenka-razin]

So Imperial Crystalline Entombment are back? This was a black metal band that did straight up Immortal worship* back in the early aughts that gained a decent amount of attention for being from grim and frostbitten Waldorf, Maryland. Yeah I get why that’s wild for someone like me, but they seriously got a lot of international attention. I guess this is back before every city in the states had thirty bedroom black metal projects. They dropped a demo and an album that disappeared like snow in the summer. But they’re back!

*like straight up, not only was it all Immortal style riffs and the like, their lyrics were all about winter and a made up ice deity name Blashyrkh  Råvaskeith

[kriegsgeist]

Immortal - Blashyrkh (Mighty Ravendark)

[gaythingliker69]

Chapters: 1/1 Fandom: Star Wars - All Media Types, Star Wars: Ahsoka (TV) Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Shin Hati/Sabine Wren Modern AU, Bar/Pub AU

i’m relatively proud of this one, plus i’ve been inactive for months and missed wolfwren week, so i wanted to post something to show i’ve not been creatively idle. this is the first smut i've ever felt confident enough to put my name to. a lot more of myself ended up in here than i expected, and this ended up as a way for me to explore some stuff. plus no beta, so please be kind lol

---

The figure stood out against the warm interior of the bar, all brown wood and leather with dark yellowish lighting. They wore old black leather jacket covering a nondescript band shirt, blending into equally battered jeans and boots that were far past their best. There was a thick chain hung around their neck with what looked like part of a cog as the charm, and their fingers were covered in rings which clinked gently as fingers drummed against their short glass of whiskey. Atop the dark mass of clothing was pale skin, almost white blonde hair and light blue eyes. The contrasting figure sat, watching and slowly drinking, as the night continued around them. The figure stared down into their diminishing drink, rocking the glass gently to see the amber liquid swirl.

‘You doing alright over there?’

They started back into the worn leather bench that ran along the wall and looked up. The figure in front of them had its head slightly tilted to one side, the short and messily dyed hair atop its head falling out of place as dark brown eyes stared down at them. The figure was much more colourful than them - they were also dressed in a leather jacket, but it was dyed purple, with small paintings decorating the ribs and shoulders. The largest of these was an oversized songbird - maybe a wren - that reached up her side and around onto her back. She also wore jeans in a lighter shade of blue.

(...)

Sabine was all tongue and teeth and spit - it was clumsy, and messy, and imperfect. It reeked of that familiar perfume and shit cocktails and cheap cigarettes and good whiskey and sweat and lust. It was amazing. It felt like the sparks from that kiss in the bar were starting to bloom into brilliant fire in Shin's belly.

[k-i-l-l-e-r-b-e-e-6-9]

ℑ𝔪𝔪𝔬𝔯𝔱𝔞𝔩 - ℭ𝔯𝔶𝔭𝔱𝔦𝔠 𝔚𝔦𝔫𝔱𝔢𝔯 𝔖𝔱𝔬𝔯𝔪𝔰

[actual-lich-queen]

Ghost History: House of Metal

Announced in November of 2010[1], Ghost returned to Sweden for their 3rd ritual in the country. It was met with much anticipation as their powers of persuasion were only growing with every ritual performed and record sale made.

‘Very very very unexpected booking but oh oh oh so damn welcome one. The band is one of the most hyped bands right now and I usually flinch when this happens, but I've been hooking and sinking into GHOST, even so hard that I spent my "last week's money" this month on the limited (300 copies) Die-Hard vinyl version of the debut "Opus Eponymous". As a fan of early MERCYFUL FATE and other miscellaneous 80's Heavy Metal, I can only say, THANK YOU HOUSE OF METAL!!!” -TK Blashyrkh(via Microsoft Translator)[2]

The room where Ghost performed was packed[3] with old and new converts to the ministry:

“WHAT A FUCKING GIG!!

A fantastic gig by Ghost I think, I have seen them once

before then with Watain at the club but this was horse lengths better!

I photographed in ecstasy and I took about 200-300 pictures, many of which I'm incredibly happy with!”-Demonia (via Microsoft Translator)[4]

“It feels too short, the short playlist makes it go very fast. When they played the last song they left the stage, what happened? I'm dazed, I didn't think I'd like this. They will play on bigger stages in the future, I'm convinced of that! I'm really happy and so are a lot of people. On the bus on the way home, I wax lyrical about it to my partner. I have a hard time falling asleep and I'm just lying there thinking about Ghost's concert. Everything else I saw is secondary!!”-Mats Söderholm (via Microsoft Translator)[5]

“I can start by proclaiming that I own, not just one, but three different vinyl editions of Ghost's debut album "Opus Eponymous" and this if anything should speak for itself as to whether I bought the hype or not. From the first moment I had a very hard time defending myself against the band's wonderful mix of 70s interspersed with classic 80s metal. [...] So did Ghost live up to my expectations this evening?

The answer has to be yes, even if there were a couple of question marks. The opening track "Con Clavi Con Dio" felt like a bit of a minor disaster to my ears, and this mostly due to the far too diligent use of "backtracks". Even though my favorite track on the band's debut is "Elizabeth", surprisingly it was still their hit "Ritual" that went down best with me.” -Tommy Konu (via Google Translate)[6]

[1]Several bands ready for House of Metal (folkbladet.nu) (subscription required, first article free)

[2]House of Metal 2011 – Part #1 | BlashyrkhBlog (vk.se)

[3]House of metal 2011 Umeå | FESTIVALPHOTO

[4]Demonia - (webblogg.se)

[5]Ghost | FESTIVALPHOTO[6]Good with question marks (folkbladet.nu) (subscription required, first article free)

Read More:

[wolven-maw]

in a surprise move America has been annexed by Blashyrkh

[godzillasenpaifr]