#Black queer history

[genderqueerdykes]

that's so sick that we've got a reccomendation! here's Khane's socials and the address and name of her barbershop:

https://www.instagram.com/khanekutzwell/

Camera Ready Kutz, Inc. 73 Utica Ave Brooklyn, NY 11213

excerpt from Original Plumbing, a publication for and by transmasculine people.

Khane - The Brooklyn Barber

"Even though I identify with the trans community, I also identify with the butch community. When I barber I use 'she' because it's important to me to use that pronoun in this male dominated profession. The are 'female' barbers, but I don't see them getting notoriety. That's why I take every opportunity to do interviews, barber in public, and post photos to show that female-bodied barbers do exist and are just as good if not better than persons identified male at birth."

[queerasfact]

Happy 100th birthday to James Baldwin!

James was born 100 years ago today, on 2 August 1924. He was a civil rights activist, and the author of books and essays which explored the lives and struggles of both African-American people, and queer men. One of his most famous works is Giovanni's Room - you can check out our podcast if you'd like to hear more about it!

[troutreznor]

Backstage at Drag Aid at Palladium, NYC, 1986.

photo & caption by Mariette Pathy Allen [website] [instagram]

[365daysoflesbians]

Zanele Muholi is one of the most acclaimed photographers working today, and their work has been exhibited all over the world. With over 260 photographs, this exhibition presents the full breadth of their career to date.

Muholi describes themself as a visual activist. From the early 2000s, they have documented and celebrated the lives of South Africa’s Black lesbian, gay, trans, queer and intersex communities.

In the early series Only Half the Picture, Muholi captures moments of love and intimacy as well as intense images alluding to traumatic events – despite the equality promised by South Africa’s 1996 constitution, its LGBTQIA+ community remains a target for violence and prejudice.

[creatingblackcharacters]

Hello. Do you know what is a stone butch and what is a stud?

[bodiesbodiesbodiesx3]

this is somewhat important but I want people to realise that when you talk about queer history, you can't just go 'black queer people gave us our rights' and leave it at that. You also have to acknowledge racism that came from our white peers during this time especially in lesbian history.

Acknowledging we helped built the community is great! Acknowledging the racism from that community during this era is even better!

[ourhistorytoo]

BLK Magazine Vol 2, Issue No. 7, July 1990 - First volume published in 1989. Published and edited by Alan Ball.

You can see the full issue here.

[cool-it-action]

pinned post; lets go.

essentially a blog where my personal experiences as a (first gen american) black queer person will be talked about through a lens of analyzation, as well as analyzing theory from those who came before me. thats the main purpose, anyway. will also probably get silly sometimes on here. what can i say; its in my nature.

antiblackness and my frustration with it will be a heavy topic here, and mentions of violence, both historical and present, will be mentioned quite a bit here. i will tag it as needed.

transmisogynoir will also be a topic here, and i'll be pulling from black trans women who are essayists, my own birds eye view of it as a black person, and lived experiences of black transfems who i know and love. mentions of violence from this will be properly tagged as well.

the tagging system will probably grow larger as we go along, but let me set out the baseline now:

#sign of my times - my own personal ramblings and vents through an analytical lens. theory will be drawn upon here, but it'll be applied to my own experiences.

#mental digest - analyses of the essays, books, and other such i've read.

#tales from the table - writing about the experiences of others, sometimes collaborating directly with them, sometimes not.

#point n' click - me analyzing antiblackness in media or spaces that were not dedicated to it or written by other black people, but still intrigue me. will be almost entirely my own thoughts on the piece.

#no place like - specifically studying theory, black, queer, or otherwise, from Ghana. it's where my family is from, and the situation over there at the moment for my queer family is dire. sometimes will be my own thoughts on it as well.

[rebel-girl-queen-of-my-world]

*Apologies to Dorian Corey for having to paraphrase some of her immortal words.

[unicorntgoughts]

“…he’s done letting me hide which is fine because I’m done hiding too. I won the war against the other world so I’m happy to lose the battle against wanting to touch him. Against letting myself be loved by someone who dares to talk to god.”

“Those Beyond the Wall”

-Micaiah Johnson

[queerasfact]

Nellie Small (right in both pictures) met Edith Meggitt in Sydney in the late 1920s. At the time, Nellie was an out-of-work performer, making ends meet working as a caretaker in a block of flats and running a private library out of her home. Edith was a housewife raising two young children.

The two women immediately became close, and not long after that first chance meeting, Nellie moved in with Edith and her family. She lived with the Meggitts for the rest of her life.

Nellie went on to become a successful male impersonator, recognised throughout Australia as one of the country's best jazz singers, while Edith supported her from the front row of every show, and picked out her socks and ties behind the scenes.

Learn more about Nellie and Edith

[Image source: State Library New South Wales]

[thequeereview]

Exclusive Interview: Fellow Travelers stars Noah J. Ricketts & Jelani Alladin "this miniseries is a revolution"

Ron Nyswaner’s exquisitely crafted work of queer historical fiction, Fellow Travelers, is a compelling and deeply moving epic miniseries that takes in the Lavender Scare of the 1950s and follows its repercussions in the lives of those directly affected through the following decades, taking in the post-Stonewall period of liberation in the 70s up to the devastation of the onset of HIV/AIDS in the…

[nerdlifeisbetterthanreallife]

#30DaysofPride: Day 8- Rev. Dr. Pauli Murray

Disclaimer: if I use They and s/he in the same sentence, assume I’m talking about the same person. “Pauli Murray’s personal writings about her gender identity and sexuality have been a recent topic of study. Gender studies scholars are now acknowledging that were Murray living today, she may have identified as a transgender man.” –Pauli Murray as a LGBTQ+ Historical Figure, Smithsonian National…

[pretty-roach]

queer is a beautiful word with a rich history of resistance. queer was taken back specifically to combat violence from homophobes. queer is fuckin punk. it lets me embrace black queerness and reject rigid boxes imposed by patriarchy and white supremacy. queer is intersectional, unspecific, deeply personal. So it's okay to not use label. But don't try and erase it from our history. Don't try to rebuild the societal boxes we broke out of. we're here, we're fuckin queer, get used to it

[joylimimi]

Le Came Walk

Images from Trent Kelley’s “Hidden in the Open: Photographic Essay of Afro American Male Affections”.

The flickr page holds ~200 photographs from the late 19th century and early 20th century.

Kelley writes on his page that: “Some of these images are sure to be gay and others may not. The end result is speculative at best for want in applying a label. Not every gesture articulated between men was an indication of male to male intimacies. Assuredly, what all photographs in this book have in common are signs of Afro American male affection and love that were recorded for posterity without fear and shame.”

First Image: Image the Gay Drag-Cakewalk Dance in 1900.