#Black magic expert in Europe | Explore Tumblr posts and blogs

blackswaneuroparedux · 3 years ago

Text

Anonymous asked: I have always appreciated your thoughtful views on the defence of the British monarchy, and as a university historian it’s reassuring to see someone using history to make invalubale insights to a controversial institution. I wonder what are your own thoughts on the passing of Prince Philip and what his legacy might be? Was he a gaffe prone racist and a liability to the Queen?

I know you kindly got in touch and identified yourself when you felt I was ignoring your question. I’m glad we cleared that up via DM. The truth is as I said and I’m saying here is that I had to let some time pass before I felt I could reasonably answer this question. Simply because - as you know as someone who teaches history at university - distance is good to make a sober appraisal rather than knee jerk in the moment judgements.

Contrary to what some might think I’m not really a fan girl when it comes to the royal family. I don’t religiously follow their every movement or utterance especially as I live in Paris and therefore I don’t really care about tabloid tittle tattle. I only get to hear of anything to do with the royal family when I speak to my parents or my great aunts and uncles for whom the subject is closer to their heart because of the services my family has rendered over past generations to the monarchy and the older (and dying) tight knit social circles they travel in.

Like Walter Bagehot, I’m more interested in the monarchy as an institution and its constitutional place within the historical, social, and political fabric of Britain and its continued delicate stabilising importance to that effect. It was Walter Bagehot, the great constitutional scholar and editor the Economist magazine, who said, “The mystic reverence, the religious allegiance, which are essential to a true monarchy, are imaginative sentiments that no legislature can manufacture in any people.” In his view, a politically-inactive monarchy served the best interests of the United Kingdom; by abstaining from direct rule, the monarch levitated above the political fray with dignity, and remained a respected personage to whom all subjects could look to as a guiding light.

Even as a staunch monarchist I freely confess that there has always been this odd nature of the relationship between hereditary monarchy and a society increasingly ambivalent about the institution. To paraphrase Bagehot again, there has been too much ‘daylight’ shone onto the ‘magic’ of the monarchy because we are obsessed with personalities as celebrities.

Having said that I did feel saddened by the passing of Prince Philip, the Duke of Edinburgh. After the Queen, he was my favourite royal. Anne, Princess Royal, would come next because she is very much like her father in temperament, humour, and character, so unlike her other brothers.

I have met the late Prince Philip when I was serving in the army in a few regimental meet-and-greet situations - which as you may know is pretty normal given that members of the royal family serve as honorary colonel-in-chiefs (patrons in effect) of all the British army regiments and corps.I also saw him at one or two social events such the annual charitable Royal Caledonian Ball (he’s an expert scottish reeler) and the Guards Polo Club where my older brothers played.

I’ll will freely confess that he was the one royal I could come close to identify with because his personal biography resonated with me a great deal.

Let’s be honest, the core Windsor family members, born to privilege, are conditioned and raised to be dull. Perhaps that’s a a tad harsh. I would prefer the term ‘anonymously self-effacing’, just another way of saying ‘for God’s sake don’t draw attention to yourself by saying or doing anything even mildly scandalous or political lest it invites public opprobrium and scrutiny’. The Queen magnificently succeeds in this but the others from Charles down just haven’t (with the exception of Princess Anne).

However, many people forget this obvious fact that it’s the incoming husbands and wives who marry into the Windsor family who are relied upon to bring colour and even liven things up a little. And long before Kate Middleton, Meghan Markle (very briefly), or Lady Diana Spencer, were the stars of ‘The Firm’- a phrase first coined by King George VI, Queen Elizabeth II's father who ruled from 1936 to 1952, who was thought to have wryly said, "British royals are 'not a family, we're a firm,” - it was Prince Philip who really livened things up and made the greater impact on the monarchy than any of them in the long term.

Prince Philip’s passing belied the truth of a far more complex individual: a destitute and penniless refugee Greek-Danish prince with a heart breaking backstory that could have been penned by any 19th Century novelist, and also eagle eyed reformer who tried to drag the royal family into the 20th century. At the core of the man - lost scion of a lost European royal dynasty, a courageous war veteran, and Queen’s consort - were values in which he attempted to transform and yet maintain much older inherited traditions and attitudes. Due to his great longevity, Philip’s life came to span a period of social change that is almost unprecedented, and almost no one in history viewed such a transformation from the front row.

Prince Philip would seem to represent in an acute form the best of the values of that era, which in many ways jar with today’s. He had fought with great courage in the war as a dashing young naval officer; he was regularly rude to foreigners, which was obviously a bonus to all Brits. He liked to ride and sail and shoot things. He was unsentimental almost to a comic degree, which felt reassuring at a time when a new-found emotional incontinence made many feel uncomfortable. Outrageous to some but endearing to others, he was the sort of man you’d want to go for a pint with, perhaps the ultimate compliment that an Englishman can pay to another Englishman. This has its own delicious irony as he wasn’t really an Englishman.

There are 4 takeways I would suggest in my appraisal of Prince Philip that stand out for me. So let me go through each one.

1. Prince Philip’s Internationalism

It may seem odd for me to say that Prince Philip wasn’t English but he wasn’t an Englishman in any real sense. He was a wretch of the world - stateless, homeless, and penniless. That the Prince of Nowhere became the British Monarchy’s figurehead was more than fitting for a great age of migration and transition in which the Royal Family survived and even flourished. That he was able to transform himself into the quintessential Englishman is testimony not just to his personal determination but also to the powerful cultural pull of Britishness.

He was born on a kitchen table in Corfu in June 1921. A year later in 1922, Philip, as the the great-great-grandson of Queen Victoria and nephew of Constantine I of Greece, was forced to flee with his family after the abdication of Constantine. He grew up outside Paris speaking French; ethnically he was mostly German although he considered himself Danish, his family originating from the Schleswig border region. He was in effect, despite his demeanour of Royal Navy officer briskness, a citizen of nowhere in an age of movement. From a very young age he was a stateless person, nationally homeless. Indeed, Philip was an outsider in a way that even Meghan Markle could never be; at his wedding in 1947, his three surviving sisters and two brothers-in-law were not permitted to attend because they were literally Britain’s enemies, having fought for the Germans. A third brother-in-law had even been in the SS, working directly for Himmler, but had been killed in the conflict.

Even his religion was slightly exotic. He was Greek Orthodox until he converted to Anglicanism on marrying Elizabeth - what with his wife due to become supreme head of the Church and everything - but his ties with eastern Christianity remained. His great-aunts Princess Elisabeth of Hesse and by Rhine and Tsarina Alexandra are both martyrs of the Russian Orthodox Church, having been murdered by the Bolsheviks; Philip’s mother went on to become an Orthodox nun and a “Righteous Among the Nations” for saving a Jewish family during the Nazi occupation of Greece, spending much of her time in squalid poverty.

His parents were part of the largely German extended aristocracy who ruled almost all of Europe before it all came crashing down in 1918. When he died, aged 99, it marked a near-century in which all the great ideological struggles had been and gone; he had been born before the Soviet Union but outlived the Cold War, the War on Terror and - almost - Covid-19.

The world that Philip was born into was a far more violent and dangerous place than ours. In the year he was born, Irish rebels were still fighting Black and Tans; over the course of 12 months the Spanish and Japanese prime ministers were assassinated, there was a coup in Portugal and race riots in the United States. Germany was rocked by violence from the far-Left and far-Right, while in Italy a brutal new political movement, the Fascists, secured 30 seats in parliament, led by a trashy journalist called Benito Mussolini.

The worst violence, however, took place in Greece and Turkey. Following the defeat of the Ottoman Empire, what remained of Turkey was marked for permanent enfeeblement by the Allies. But much to everyone’s surprise the country’s force were roused by the brilliant officer Mustafa Kemal, who led the Turks to victory. Constantinople was lost to Christendom for good and thousands of years of Hellenic culture was put to the flames in Smyrna.

The Greek royal family, north German imports shipped in during the 19th century, bore much of the popular anger for this disaster. King Constantine fled to Italy, and his brother Andrew was arrested and only escaped execution through the intervention of his relative Britain’s George V. Andrew’s wife Alice, their four daughters and infant son Philip fled to France, completely impoverished but with the one possession that ensures that aristocrats are never truly poor: connections.

Philip had a traumatic childhood. He was forged by the turmoil of his first decade and then moulded by his schooling. His early years were spent wandering, as his place of birth ejected him, his family disintegrated and he moved from country to country, none of them ever his own. When he was just a year old, he and his family were scooped up by a British destroyer from his home on the Greek island of Corfu after his father had been condemned to death. They were deposited in Italy. One of Philip's first international journeys was spent crawling around on the floor of the train from an Italian port city, "the grubby child on the desolate train pulling out of the Brindisi night," as his older sister Sophia later described it.

In Paris, he lived in a house borrowed from a relative; but it was not destined to become a home. In just one year, while he was at boarding school in Britain, the mental health of his mother, Princess Alice, deteriorated and she went into an asylum; his father, Prince Andrew, went off to Monte Carlo to live with his mistress. "I don't think anybody thinks I had a father," he once said. Andrew would die during the war. Philip went to Monte Carlo to pick up his father's possessions after the Germans had been driven from France; there was almost nothing left, just a couple of clothes brushes and some cuff-links.

Philip’s four sisters were all much older, and were soon all married to German aristocrats (the youngest would soon die in an aeroplane crash, along with her husband and children). His sisters became ever more embroiled in the German regime. In Scotland going to Gordonstoun boarding school, Philip went the opposite direction, becoming ever more British. Following the death of his sister Cecilie in a plane crash in 1937, the gulf widened. As the clouds of conflict gathered, the family simply disintegrated. With a flash of the flinty stoicism that many would later interpret, with no little justification, as self-reliance to the point of dispassion, the prince explained: “It’s simply what happened. The family broke up… I just had to get on with it. You do. One does.��

In the space of 10 years he had gone from a prince of Greece to a wandering, homeless, and virtually penniless boy with no-one to care for him. He got through it by making a joke of everything, and by being practical.

By the time he went to Gordonstoun, a private boarding school on the north coast of Scotland, Philip was tough, independent and able to fend for himself; he'd had to be. Gordonstoun would channel those traits into the school's distinct philosophy of community service, teamwork, responsibility and respect for the individual. And it sparked one of the great passions of Philip's life - his love of the sea. It was Gordonstoun that nurtured that love through the maturation of his character.

Philip adored the school as much as his son Charles would despise it. Not just because the stress it put on physical as well as mental excellence - he was a great sportsman. But because of its ethos, laid down by its founder Kurt Hahn, a Jewish exile from Nazi Germany.

Hahn first met Philip as a boy in Nazi Germany. Through a connection via one of his sister’s husbands, Philip, the poor, lonely boy was first sent off to a new school - in Nazi Germany. Which was as fun as can be imagined. Schloss Salem had been co-founded by stern educator called Kurt Hahn, a tough, discipline-obsessed conservative nationalist who saw civilisation in inexorable decline. But by this stage Hahn, persecuted for being Jewish in Nazi Germany, had fled to Britain, and Philip did not spend long at the school either, where pressure from the authorities was already making things difficult for the teachers. Philip laughed at the Nazis at first, because their salute was the same gesture the boys at his previous school had to make when they wanted to go to the toilet, but within a year he was back in England, a refugee once again.

Philip happily attended Hahn’s new school, Gordonstoun, which the strict disciplinarian had set up in the Scottish Highlands. Inspired by Ancient Sparta, the boys (and then later girls) had to run around barefoot and endure cold showers, even in winter, the whole aim of which was to drive away the inevitable civilisational decay Hahn saw all around him. To 21st century ears it sounds like hell on earth, yet Philip enjoyed it, illustrating just what a totally alien world he came from.

That ethos became a significant, perhaps the significant, part of the way that Philip believed life should be lived. It shines through the speeches he gave later in his life. "The essence of freedom," he would say in Ghana in 1958, "is discipline and self-control." The comforts of the post-war era, he told the British Schools Exploring Society a year earlier, may be important "but it is much more important that the human spirit should not be stifled by easy living". And two years before that, he spoke to the boys of Ipswich School of the moral as well as material imperatives of life, with the "importance of the individual" as the "guiding principle of our society".

It was at Gordonstoun one of the great contradictions of Philip's fascinating life was born. The importance of the individual was what in Kurt Hahn's eyes differentiated Britain and liberal democracies from the kind of totalitarian dictatorship that he had fled. Philip put that centrality of the individual, and individual agency - the ability we have as humans to make our own moral and ethical decisions - at the heart of his philosophy.

At Dartmouth Naval College in 1939, the two great passions of his life would collide. He had learned to sail at Gordonstoun; he would learn to lead at Dartmouth. And his driving desire to achieve, and to win, would shine through. Despite entering the college far later than most other cadets, he would graduate top of his class in 1940. In further training at Portsmouth, he gained the top grade in four out of five sections of the exam. He became one of the youngest first lieutenants in the Royal Navy.

The navy ran deep in his family. His maternal grandfather had been the First Sea Lord, the commander of the Royal Navy; his uncle, "Dickie" Mountbatten, had command of a destroyer while Philip was in training. In war, he showed not only bravery but guile. It was his natural milieu. "Prince Philip", wrote Gordonstoun headmaster Kurt Hahn admiringly, "will make his mark in any profession where he will have to prove himself in a trial of strength".

2. Prince Philip and the modernisation of the monarchy

In his own words, the process of defining what it meant to be a royal consort was one of “trial and error.” Speaking with BBC One’s Fiona Bruce in 2011, Philip explained, “There was no precedent. If I asked somebody, 'What do you expect me to do?' they all looked blank. They had no bloody idea, nobody had much idea.” So he forged for himself a role as a moderniser of the monarchy.

He could not have had much idea back in 1939. Back then in Dartmouth in 1939, as war became ever more certain, the navy was his destiny. He had fallen in love with the sea itself. "It is an extraordinary master or mistress," he would say later, "it has such extraordinary moods." But a rival to the sea would come.

When King George VI toured Dartmouth Naval College, accompanied by Philip's uncle, he brought with him his daughter, Princess Elizabeth. Philip was asked to look after her. He showed off to her, vaulting the nets of the tennis court in the grounds of the college. He was confident, outgoing, strikingly handsome, of royal blood if without a throne. She was beautiful, a little sheltered, a little serious, and very smitten by Philip.

Did he know then that this was a collision of two great passions? That he could not have the sea and the beautiful young woman? For a time after their wedding in 1948, he did have both. As young newlyweds in Malta, he had what he so prized - command of a ship - and they had two idyllic years together. But the illness and then early death of King George VI brought it all to an end.

He knew what it meant, the moment he was told. Up in a lodge in Kenya, touring Africa, with Princess Elizabeth in place of the King, Philip was told first of the monarch's death in February 1952. He looked, said his equerry Mike Parker, "as if a ton of bricks had fallen on him". For some time he sat, slumped in a chair, a newspaper covering his head and chest. His princess had become the Queen. His world had changed irrevocably.

While the late Princess Diana was later to famously claim that there were “three people” in her marriage - herself, Prince Charles and Camilla - there were at least 55 million in Philip and Elizabeth’s. As Elizabeth dedicated her life to her people at Westminster Abbey at the Coronation on June 2, 1953, it sparked something of an existential crisis in Philip. Many people even after his death have never really understood this pivotal moment in Philip’s life. All his dreams of being a naval officer and a life at sea as well as being the primary provider and partner in his marriage were now sacrificed on the altar of duty and love.

With his career was now over, and he was now destined to become the spare part. Philip, very reasonably, asked that his future children and indeed his family be known by his name, Mountbatten. In effect he was asking to change the royal family’s name from the House of Windsor to the House of Mountbatten. But when Prime Minister Winston Churchill got wind of it as well as the more politically agile courtiers behind the Queen, a prolonged battle of wits ensued, and it was one Philip ultimately lost. It was only in 1957 that he accepted the title of “Prince.”

Even though he had almost lost everything dear to him and his role now undefined, he didn’t throw himself a pity party. He just got on with it. Philip tried to forge his own distinct role as second fiddle to the woman who had come to represent Great Britain. He designated himself the First Officer of the Good Ship Windsor. He set about dusting off some of the cobwebs off the throne and letting some daylight unto the workings of the monarchy by advocating reasonable amount of modernisation of the monarchy.

He had ideas about modernising the royal family that might be called “improving optics” today. But in his heart of hearts he didn’t want the monarchy to become a stuffy museum piece. He envisaged a less stuffy and more popular monarchy, relevant to the lives of ordinary people. Progress was always going to be incremental as he had sturdy opposition from the old guard who wanted to keep everything as it was, but nevertheless his stubborn energy resulted in significant changes.

When a commission chaired by Prince Philip proposed broadcasting the 1953 investiture ceremony that formally named Elizabeth II as queen on live television, Prime Minister Winston Churchill reacted with outright horror, declaring, “It would be unfitting that the whole ceremony should be presented as if it were a theatrical performance.” Though the queen had initially voiced similar concerns, she eventually came around to the idea, allowing the broadcast of all but one segment of the coronation. Ultimately, according to the BBC, more than 20 million people tuned in to the televised ceremony - a credit to the foresight of Philip.

Elizabeth’s coronation marked a watershed moment for a monarchy that has, historically, been very hands off, old-fashioned and slightly invisible. Over the following years, the royals continued to embrace television as a way of connecting with the British people: In 1957, the queen delivered her annual Christmas address during a live broadcast. Again, this was Philip’s doing when he cajoled the Queen to televise her message live. He even helped her in how to use the teleprompter to get over her nerves and be herself on screen.

Four years later, in 1961, Philip became the first family member to sit for a television interview. It is hard for us to imagine now but back then it was huge. For many it was a significant step in modernising the monarchy.

Though not everything went to plan. Toward the end of the decade, the Windsors even invited cameras into their home. A 1969 BBC fly-on-the-wall documentary, instigated by Philip to show life behind the scenes, turned into an unmitigated disaster: “The Windsors” revealed the royals to be a fairly normal, if very rich, British upper-class family who liked barbecues, ice cream, watching television and bickering. The mystery of royalty took a hit below the waterline from their own torpedo, a self-inflicted wound from which they took a long time to recover. Shown once, the documentary was never aired again. But it had an irreversible effect, and not just by revealing the royals to be ordinary. By allowing the cameras in, Philip opened the lid to the prying eyes of the paparazzi who could legitimately argue that since the Royals themselves had sanctioned exposure, anything went. From then on, minor members of the House of Windsor were picked off by the press, like helpless tethered animals on a hunting safari.

Prince Philip also took steps to reorganise and renovate the royal estates in Sandringham and Balmoral such as intercoms, modern dish washers, generally sought to make the royal household and the monarchy less stuffy, not to have so much formality everywhere.

Philip helped modernised the monarchy in other ways to acknowledge that the monarchy could be responsive to changes in society. It was Prince Philip - much to the chagrin of the haughty Princess Margaret and other stuffy old courtiers - who persuaded the Queen to host informal lunches and garden parties designed to engage a broader swath of the British public. Conversely, Prince Philip heartily encouraged the Queen (she was all for it apparently but was still finding her feet as a new monarch) to end the traditional practice of presenting debutantes from aristocratic backgrounds at court in 1952. For Philip and others it felt antiquated and out of touch with society. I know in speaking to my grandmother and others in her generation the decision was received with disbelief at how this foreign penniless upstart could come and stomp on the dreams of mothers left to clutch their pearls at the prospect there would be no shop window for their daughter to attract a suitable gentleman for marriage. One of my great aunts was over the moon happy that she never would have to go through what she saw as a very silly ceremony because she preferred her muddy wellies to high heels.

A former senior member of the royal household, who spent several years working as one of Prince Philip’s aides, and an old family friend, once told us around a family dinner table that the Duke of Edinburgh was undoubtedly given a sense of permanence by his marriage into the Royal Family that was missing from earlier years. But the royal aide would hastily add that Prince Philip, of course, would never see it that way.

Prince Philip’s attitude was to never brood on things or seek excuses. And he did indeed get on with the job in his own way - there should be no doubt that when it came to building and strengthening the Royal Family it was a partnership of equals with the Queen. Indeed contrary to Netflix’s hugely popular series ‘The Crown’ and its depiction of the royal marriage with Philip’s resentment at playing second fiddle, the prince recognised that his “first duty was to serve the Queen in the best way I could,” as he told ITV in 2011. Though this role was somewhat ill-suited to his dynamic, driven, and outspoken temperament, Philip performed it with utter devotion.

3. Prince Philip’s legacy

One could argue rightly that modernising the monarchy was his lasting legacy achievement. But he also tried to modernise a spent and exhausted Britain as it emerged from a ruinous war. When peace came, and with it eventual economic recovery, Philip would throw himself into the construction of a better Britain, urging the country to adopt scientific methods, embracing the ideas of industrial design, planning, education and training. A decade before Harold Wilson talked of the "white heat of the technological revolution", Philip was urging modernity on the nation in speeches and interviews. He was on top of his reading of the latest scientific breakthroughs and well read in break out innovations.

This interest in modernisation was only matched by his love for nature. As the country and the world became richer and consumed ever more, Philip warned of the impact on the environment, well before it was even vaguely fashionable. As president of the World Wildlife Fund (WWF) in the UK for more than 20 years from 1961, he was one of the first high-profile advocates of the cause of conservation and biological diversity at a time when it was considered the preserve of an eccentric few.

For a generation of school children in Britain and the Commonwealth though, his most lasting legacy and achievement will be the Duke of Edinburgh Awards (DofE). He set up the Duke of Edinburgh award, a scheme aimed at getting young people out into nature in search of adventure or be of service to their communities. It was a scheme that could match the legacy of Baden Powell’s scouts movement.

When Prince Philip first outlined his idea of a scheme to harness the values of his education at Gordonstoun by bringing character-building outdoor pursuits to the many rather than the fee-paying few, he received short shrift from the government of the day. The then minister of education, Sir David Eccles responded to the Duke’s proposal by saying: “I hear you’re trying to invent something like the Hitler Youth.” Undeterred he pushed on until it came to fruition.

I’m so glad that he did. I remember how proud I was for getting my DofE Awards while I was at boarding school. With the support of great mentors I managed to achieve my goals: collecting second-hand English books for a literacy programme for orphaned street children in Delhi, India with a close Indian school friend and her family; and completing a 350 mile hike following St. Olav’s Pilgrimmage Trail from Selånger, on the east coast of Sweden, and ending at Nidaros Cathedral in Trondheim, on the west coast of Norway.

It continues to be an enduring legacy. Since its launch in 1956, the Duke of Edinburgh awards have been bestowed upon some 2.5 million youngsters in Britain and some eight million worldwide. For a man who once referred to himself as a “Greek princeling of no consequence”, his pioneering tutelage of these two organisations (alongside some 778 other organisations of which he was either president or a patron) would be sufficient legacy for most.

4. Prince Philip’s character

It may surprise some but what I liked most about Prince Philip was the very thing that helped him achieve so much and leave a lasting legacy: his character.

It is unhelpful to the caricature of Prince Philip as an unwavering but pugnacious consort whose chief talent was a dizzying facility in off-colour one-liners that he was widely read and probably the cleverest member of his family.

His private library at Windsor consists of 11,000 tomes, among them 200 volumes of poetry. He was a fan of Jung, TS Eliot, Shakespeare and the cookery writer Elizabeth David. As well as a lifelong fascination with science, technology and sport, he spoke fairly fluent French, painted and wrote a well received book on birds. It’s maddening to think how many underestimated his genuine intellect and how cultured he was behind the crusty exterior.

He didn’t have an entourage to fawn around him. He was the first to own a computer at Buckingham Palace. He answered his own phone and wrote and responded to his own correspondence. By force of character he fought the old guard courtiers at every turn to modernise the monarchy against their stubborn resistance.

Prince Philip was never given to self-analysis or reflection on the past. Various television interviewers tried without success to coerce him in to commenting on his legacy.But once when his guard was down he asked on the occasion of his 90th birthday what he was more proud of, he replied with characteristic bluntness: “I couldn’t care less. Who cares what I think about it, I mean it’s ridiculous.”

All of which neatly raises the profound aversion to fuss and the proclivity for tetchiness often expressed in withering put-downs that, for better or worse, will be the reflex memory for many of the Duke of Edinburgh. If character is a two edged sword so what of his gaffes?

There is no doubt his cult status partly owed to his so-called legendary gaffes, of which there are enough to fill a book (indeed there is a book). But he was no racist. None of the Commonwealth people or foreign heads of state ever said this about him. Only leftist republicans with too much Twitter time on their hands screamed such a ridiculous accusation. They’re just overly sensitive snowflakes and being devoid of any humour they’re easily triggered.

There was the time that Philip accepted a gift from a local in Kenya, telling her she was a kind woman, and then adding: “You are a woman, aren’t you?” Or the occasion he remarked “You managed not to get eaten, then?” to a student trekking in Papua New Guinea. Then there was his World Wildlife Fund speech in 1986, when he said: “If it has got four legs and it is not a chair, if it has got two wings and it flies but is not an aeroplane, and if it swims and it is not a submarine, the Cantonese will eat it.” Well, he wasn’t wrong.

Philip quickly developed a reputation for what he once defined, to the General Dental Council, as “dentopedology – the science of opening your mouth and putting your foot in it”. Clearly he could laugh at himself as he often did as an ice breaker to put others at ease.

His remarking to the president of Nigeria, who was wearing national dress, “You look like you’re ready for bed”, or advising British students in China not to stay too long or they would end up with “slitty eyes”, is probably best written off as ill-judged humour. Telling a photographer to “just take the fucking picture” or declaring “this thing open, whatever it is”, were expressions of exasperation or weariness with which anyone might sympathise.

Above all, he was also capable of genuine if earthy wit, saying of his horse-loving daughter Princess Anne: “If it doesn’t fart or eat hay she isn’t interested.” Many people might have thought it but few dared say it. If Prince Philip’s famous gaffes provoked as much amusement as anger, it was precisely because they seem to give voice to the bewilderment and pent-up frustrations with which many people viewed the ever-changing modern world.

A former royal protection officer recounts how while on night duty guarding a visiting Queen and consort, he engaged in conversation with colleagues on a passing patrol. It was 2am and the officer had understood the royal couple to be staying elsewhere in the building until a window above his head was abruptly slammed open and an irate Prince Philip stuck his head out of the window to shout: “Would you fuck off!” Without another word, he then shut the window.

The Duke at least recognised from an early age that he was possessed of an abruptness that could all too easily cross the line from the refreshingly salty to crass effrontery.

One of his most perceptive biographers, Philip Eade, recounted how at the age of 21 the prince wrote a letter to a relation whose son had recently been killed in combat. He wrote: “I know you will never think much of me. I am rude and unmannerly and I say things out of turn which I realise afterwards must have hurt someone. Then I am filled with remorse and I try to put matters right.”

In the case of the royal protection officer, the Duke turned up in the room used by the police officers when off duty and said: “Terribly sorry about last night, wasn’t quite feeling myself.”

Aides have also ventured to explain away some of their employer’s more outlandish remarks - from asking Cayman islanders “You are descended from pirates aren’t you?” to enquiring of a female fashion writer if she was wearing mink knickers - as the price of his instinctive desire to prick the pomposity of his presence with a quip to put others at ease.

Indeed many people forget that his ‘gaffes’ were more typical of the clubbish humour of the British officer class – which of course would be less appreciated, sometimes even offensive, to other ears. It’s why he could relate so well to veterans who enjoyed his bonhomie company immensely.

But behind the irascibility, some have argued there also lay a darker nature, unpleasantly distilled in his flinty attitude to his eldest son. One anecdote tells of how, in the aftermath of the murder of the Duke’s uncle and surrogate father, Lord Mountbatten, Philip lectured his son, who was also extremely fond of his “honorary grandfather”, that he was not to succumb to self-pity. Charles left the room in tears and when his father was asked why he had spoken to his son with so little compassion, the Duke replied: “Because if there’s any crying to be done I want it to happen within this house, in front of his family, not in public. He must be toughened up, right now.”

But here I would say that Prince Philip’s intentions were almost always sincere and in no way cruel. He has always tried to protect his family - even from their own worst selves or from those outside the family ‘firm’ who may not have their best interest at heart.

In 1937, a 16-year-old Prince Philip had walked behind his elder sister Cecile’s coffin after she was killed in a plane crash while heavily pregnant. The remains of newly-born infant found in the wreckage suggested the aircraft had perished as the pilot sought to make an emergency landing in fog as the mother entered childbirth. It was an excruciating taste of tragedy which would one day manifest itself in a very princely form of kindness that was deep down that defined Philip’s character.

When about 60 years later Prime Minister Tony Blair’s spin doctors in Downing Street tried to strong arm the Queen and the royal household over the the arrangements for the late Prince Diana’s funeral, it was Philip who stepped in front to protect his family. The Prime Minister and his media savvy spin doctors wanted the two young princes, William and Harry, to walk behind the coffin.

The infamous exchange was on the phone during a conference call between London and Balmoral, and the emotional Philip was reportedly backed by the Queen. The call was witnessed by Anji Hunter, who worked for Mr Blair. She said how surprised she was to hear Prince Philip’s emotion. ‘It’s about the boys,” he cried, “They’ve lost their mother”. Hunter thought to herself, “My God, there’s a bit of suffering going on up there”.’

Sky TV political commentator Adam Boulton (Anji Hunter’s husband) would write in his book Tony’s Ten Years: ‘The Queen relished the moment when Philip bellowed over the speakerphone from Balmoral, “Fuck off. We are talking about two boys who have just lost their mother”. Boulton goes on to say that Philip: ‘…was trying to remind everyone that human feelings were involved. No 10 were trying to help the Royals present things in the best way, but may have seemed insensitive.’

In the end the politicians almost didn’t get their way. Prince Philip stepped in to counsel his grandson, Prince William, after he had expressed a reluctance to follow his mother’s coffin after her death in Paris. Philip told the grieving child: “If you don’t walk, I think you’ll regret it later. If I walk, will you walk with me?”

It’s no wonder he was sought as a counsellor by other senior royals and especially close to his grandchildren, for whom he was a firm favourite. His relationship with Harry was said to have become strained, however, following the younger Prince’s decision to reject his royal inheritance for a life away from the public eye in America with his new American wife, Meghan Markle. For Prince Philip I am quite sure it went against all the elder Prince had lived his life by - self-sacrifice for the greater cause of royalty.

This is the key to Philip’s character and in understanding the man. The ingrained habits of a lifetime of duty and service in one form or another were never far away.

In conclusion then....

After more time passes I am sure historians will make a richer reassessment of Prince Philip’s life and legacy. Because Prince Philip was an extraordinary man who lived an extraordinary life; a life intimately connected with the sweeping changes of our turbulent 20th Century, a life of fascinating contrast and contradiction, of service and some degree of solitude. A complex, clever, eternally restless man that not even the suffocating protocols of royalty and tradition could bind him.

Although he fully accepted the limitations of public royal service, he did not see this as any reason for passive self-abnegation, but actively, if ironically, identified with his potentially undignified role. It is this bold and humorous embrace of fated restriction which many now find irksome: one is no longer supposed to mix public performance with private self-expression in quite this manner.

Yet such a mix is authentically Socratic: the proof that the doing of one’s duty can also be the way of self-fulfilment. The Duke’s sacrifice of career to romance and ceremonial office is all the more impressive for his not hiding some annoyance. The combination of his restless temperament and his deeply felt devotion to duty found fruitful expression; for instance, in the work of Saint George’s House Windsor - a centre and retreat that he created with Revd. Robin Woods - in exploring religious faith, philosophy, and contemporary issues.

Above all he developed a way to be male that was both traditional and modern. He served one woman with chivalric devotion as his main task in life while fulfilling his public engagements in a bold and active spirit. He eventually embraced the opportunity to read and contemplate more. And yet, he remained loyal to the imperatives of his mentor Kurt Hahn in seeking to combine imagination with action and religious devotion with practical involvement.

Prince Philip took more pride in the roles he had accidentally inherited than in the personal gifts which he was never able fully to develop. He put companionship before self-realisation and acceptance of a sacred symbolic destiny before the mere influencing of events. In all these respects he implicitly rebuked our prevailing meritocracy which over-values officially accredited attainment, and our prevailing narcissism which valorises the assertion of discrete identities.

Prince Philip was Britain’s longest-serving consort. He was steadfast, duty driven, and a necessary adjunct to the continuity and stability of the Queen and the monarchy. Of all the institutions that have lost the faith of the British public in this period - the Church, Parliament, the media, the police - the Monarchy itself has surprisingly done better than most at surviving, curiously well-adapted to a period of societal change and moral anarchy. The House of Hanover and later Saxe-Coburg and Gotha (changed to Windsor), since their arrival in this country in 1714, have been noted above all for their ability to adapt. And just as they survived the Victorian age by transforming themselves into the bourgeoise, domestic ideal, so they have survived the new Elizabethan era (Harry-Meghan saga is just a passing blip like the Edward-Wallis Simpson saga of the 1930s).

There was once a time when the Royal’s German blood was a punchline for crude and xenophobic satirists. Now it is the royals who are deeply British while the country itself is increasingly cosmopolitan and globalised. British society has seen a greater demographic change than the preceding four or five thousand years combined, the second Elizabethan age has been characterised more than anything by a transformational movement of people. Prince Philip, the Greek-born, Danish-German persecuted and destitute wanderer who came to become one of the Greatest Britons of the past century, perhaps epitomised that era better than anyone else. And he got through it by making a joke of everything, and by being practical.

I hope I don’t exaggerate when I say that in our troubled times over identity, and our place and purpose in the world, we need to heed his selfless example more than ever.

As Heraclitus wisely said, Ήθος ανθρώπω δαίμων (Character is destiny.)

RIP Prince Philip. You were my prince. God damn you, I miss you already.

Thanks for your question.

#question #ask #prince philip #duke of edinburgh #queen elizabeth II #the queen of spades #monarchy #britain #british #royalty #politics #history #culture #europe #crown #icon #great briton #society

284 notes · View notes

adiabolikpastel · 3 years ago

Note

I have some ideas/headcanons about the different kingdoms and clans that are in the Demon World, (I hope you like them).

Vibora's kingdom is to the west of the Demon World.

Viboras are the closest allies of the vampires.

They possess a lot of political and economic power.

Their castle is known to be extremely beautiful and elegant (the bastards like to show off their wealth and good taste).

Viboras are famous for the beautiful flowers that grow in their lands, however, many of them are poisonous, (Reiji loves to study the effects that the poisons of these flowers have).

Vibora's territory is very similar in architecture and landscapes to modern Germany.

Viboras are also known to have some of the most luxurious districts in the Demon World, specializing in jewelry, fashion and perfumery.

The boutiques in vibora territory are the most exclusive and elegant.

Viboras are excellent swordsmen, they are also expert users of dark magic.

The wolf clan is located in the north of the Makai.

Their territories are surrounded by huge snow-capped mountains and inhospitable forests that almost no one dares to enter. Nevertheless, its districts are quite peaceful and beautiful, (if I had to compare the wolf territory with any real country, it would be Romania).

King Eberto's castle is located deep in the forest.

Wolves are excellent hand-to-hand combatants and their monstrous strength surpasses that of any demon.

Wolves sell the best meat in the Demon World.

Wolves suffer from the most brutal winters.

Adler territory is located east of the Makai.

Adlers have several natural wonders, their spectacular cliffs and beautiful beaches (mostly unspoiled) are a major tourist attraction.

Adlers have a powerful military force, however, they prefer to maintain good relations with the other clans and avoid conflict.

They are a fairly wealthy society due to the fact that their mountains are rich in precious stones.

The castle of the adler king is located on top of a cliff by the sea, (something very similar to the Cair Paravel castle from the Chronicles of Narnia).

The bat clan's territories are south of the Makai.

They are the richest and most powerful clan in the Demon World.

Their territories are the largest and have all kinds of landscapes; from forests, rivers and mountains to beautiful beaches.

Karlheinz is the only king to own two castles: the Sakamaki family castle and Eden, both located on top of a mountain so that everyone in the Makai can contemplate them in all their splendor.

Vampires, like viboras, are expert users of black magic.

It is well known that vampires traffic in human beings, they sell them as slaves to the other clans.

The Founders' territory is in the farthest part of the Makai, beyond the north.

The Banmaden is the largest castle in the Demon World and is on top of a cliff by the sea, (like the adler castle).

The Founders are separated from the rest of the Demon World thanks to the high and extensive mountain ranges that surround their territory, (something like the Carpathian Mountains in Romania).

The Founders are obviously the most powerful demons that have ever existed, and if it weren't for the endzeit they would still be ruling.

I know my descriptions must have been somewhat repetitive and boring, but in all the official CGs where Rejet shows us what the demon realm in Diabolik Lovers is like, there are forests, mountains, beaches, cliffs and waterfalls, (also, all the architecture reminds me a lot of the gothic architecture of Germany and other countries in Europe). I think Rejet's intention was to create a luxurious world full of nature and beautiful landscapes.

By the way, sorry for my shitty english.

Before I dissect and dive into this - lemme just say - you, my sweet anon, are a blessing.

Whomever you may be, thanks for sharing all of your thoughts with me. You have gone so far above and beyond - Reject needs to hire you now. The vivid picture you have painted with these ideas are simply *chef's kiss* beautiful.

Due to the length of my response, I will place my thoughts under the cut.

Vibora

I think that a lot of your ideas are spot on with them! Since the Vibora are the current 'heads' of the demon realm, it makes sense for them to have a more luxurious kingdom. Considering their main ruler is Burai - who is seen as this picture of pristine, it stands to say that their kingdom would be immaculate.

The thought that this kingdom feeds into the idea of Gluttony is a big thing for me. I feel like your head cannons align with that! Having extravagant buildings and their natural environment's flourish.

I simply adore the idea of the architecture you picked out - Germany is a perfect idea. There is such a balance of industry and nature. I feel like the Vibora are a perfect fit for that! They are modern, yet still in the old ways.

When I look at the Mukai, I think of it as something connected yet also completely disconnected from the Human World. We can see that similarities, yet their way of living is something that has evolved past what we have now - yet looks like something we used to know. If that makes any sense! The Vibora clan, in particular I believe, has this vibe the most.

Their way of living is both evolved beyond what human's have - yet if you give them a smart phone, they have no idea what that is. Something so primitive - yet advanced all at the same time. Their proficiencies in magic have advanced their society beyond what other's have.

This is mostly due to the involvement of their King. Burai is VERY involved in the affairs of his people. Simply for the fact that they are a reflection of himself. There are no slums in the Vibora Kingdom - like we saw in young blood - as Burai does not allow those types to live in his immediate presence. While I don't think their is a wall around the Kingdom - he does toy with the idea often.

I think that only demons who can maintain a beautiful form are allowed to call this place home. While not all of them are Vibora, the greater population is. If a demon cannot present itself in a dignified manner, they are not allowed to live within the kingdom's boarders.

Wolf

The group of demon lords that I have thoughts about the least - and your head cannons got a good idea going! I think that the idea of them working more in a more natural environment checks out for them. When we think of a predator in nature, one of the top things people will say is a wolf.

Romania is so beautiful - and I think they embrace and build around nature, rather than try to be apart form it. That is an ideal location for the wolves! Building their communities as a part of their natural environment, and proving themselves by living in a more rough terrain.

While I do agree that there would be unity and peace under King Eberto, I think that fighting would be a traditional means of communication. Something like an unspoken language for all of them, that dictates a hierarchy. From all of the different major demon races, wolves are the only ones that actually have a pack. To them, there is nothing more important than their people. So, while there is no inner conflicts with one another, I think that authorities do get tested with the youth from time to time.

I think that, they more than any other, do not simply allow the child of their king to take over. While we do not know if Eberto is Gottfried's son, we do know that he is the current King. In the Wolf culture the strongest leads the pack. So, if Gottfried's children were not strong enough, they would not succeed their father.

Demons who are more in touch with their natural forms are the ones who live here. While that does not apply to those who would make trouble - more so those who simply wish to be in touch with their inner selves. So there are no rampaging demons - but do not be surprised if you see a more wolves, dogs, or cats before you see 'people'.

Adler

Oh my sweet birds~ I am sad that there is literally nothing on them - other than the fact that they exist. I have talked about them before: here.

The idea of their kingdom being full of wonder is what stands out to me! The views from high above the kingdom are like none other in the entire Mukai. They natural beauty of their territories' are awe inspiring. I love the idea of them having beaches! That's an idea I had never thought of, but can totally see.

As far as combat goes, I think that, yes they would have a notably capable military force. However, as you said, I think they would refrain from conflict as much as possible. They are truly neutral in fights, and while it was stated in Lost Eden that they were apart of the war, I feel they only get involved when they need to.

Money to them - isn't something they worry about. Sure, they kingdom stays thriving, but I believe it's mostly due to the individual work they put into it. My head cannon's for their society is a value of freedom. Their king does not force himself into their daily lives. He allows them to take care of themselves, and leaves it up to them to take care of their territory.

While sure there are rules in place, they are more so taught to the children and the way they are raised. They are brought up being taught that they are all individuals of a larger picture. That what they do matters and makes a difference for everyone - as such - be conscious of your decision. Live your desire's but do so in a way that wont harm others.

I agree that the castle of the king is up on a high location. It is rather large, but only for the fact that there is so much open space. The king does not keep himself locked away in the castle - rather - they move throughout the kingdom freely. Or they are simply away. I feel it can be a hard time to get ahold of him at times.

Most of the residence in this kingdom are some breed of bird based. While there are a few that make their homes on the ground, most of the citizens have wings to get form place to place. Since they have an ocean, there are also plenty of semi-aquatic races that call this home as well.

Bat

While they are definitely the richest and most powerful - they do not show it. Since Karlheniz prefers to work in private - his kingdom reflects that. He does not see to the matters of this people, and frankly because of that, things have gotten rather violent. While none of them dare to challenge him - I think that there would be conflict with the different territories.

This kingdom is where you would see an over arching lack of community - and that's mostly because of the lack of a leader. While Karlheniz does enforce his own will, he does not govern his people. They are simply not to mess with him, or declare fights with others without him. I like to think there is a council of all the different races in his kingdom who run things for their own unique race inside the kingdom.

They all meet with Karlheinz once in a while - or at least his image - and present matters to him. To which he will either deal with or ignore. These select few would have been picked by Karlheniz himself, and they would be the ones who live in the 'castle' which everyone can see and have access to.

I think that Eden castle is more Karl's personal estate - where he have all of his work done. This is where he would entertain other leaders from the major kingdoms -but not for his people. Billy the demon could not get into Eden so easily.

The idea that they traffic humans is perfect. I think that the members of this kingdom do the most harm to the human world. Whether it's through kidnapping or simply tormenting in their own world - the Bat Kingdom's people are ruthless to these lesser beings.

This, I think, is because aside from the Bat clan - the demons of the kingdom are rather weak. They might find strength in numbers, but they are not too powerful. Not that something as weak as say a Lapin (rabbit demon) - but they are not strong.

With such a diverse landscapes, there are many different kinds of demon who call this kingdom home. While perhaps not the 'slums' of the Mukai, it's definitely the most crime ridden. Races that think for themselves and do not form lasting attachments thrive in this kingdom. In fact, a Bat demon is one of the more rarer sights to the population.

Founders

While their kingdom was great, all such things fall to ruin. The once immaculate buildings are now dilapidated and have crumbled to the ground. Since this kingdom lay beyond the mountains in the north, only those of the purest of bloods had made their homes here. The citizens have long since moved on from the area, having to make a home in the other kingdoms.

I think that the territory now lays abandon - a finally curtsy left behind by Karlheinz. While he did kill and de-throne their king, he left everything once that happened. Endzeit took the lives of the people who were of the blood. And the kingdom itself has become lost to history.

Other

While there is no official cannon of this, I like to think there is an entire underwater kingdom in the Mukai. There are so many aquatic like demons that could exists, and I believe they have a home as well.

#ask mun #ask answered #daibolik lovers #headcanon #world building #the different kingdoms

26 notes · View notes

hekateanwitchcraft · 4 years ago

Text

Hekatean Witchcraft Recommended Reading List

Books on Hekate:

-Hekate Soteira by Sarah Iles Johnston:

A must read for any Hekate devotee or follower. Discusses Her earlier roles as well as Her position as Cosmic World Soul in the Chaldean Oracles.

-Restless Dead by Sarah Iles Johnston:

Discusses the Ancient Greek views of the dead, which includes a lot of useful information about Hekate.

-Hekate: Liminal Rites by Sorita d’Este and David Rankine:

A great overview of Hekate’s history and many different aspects. An easy, but well informed read.

-Circle for Hekate vol. 1 by Sorita d’Este:

A much more in depth investigation of Hekate’s hostory, highly recommend. There’s a lot of little known info in this book.

-The Argonautica by Apollonius of Rhodes:

This is a classical epic and it follows the journey of Jason. It also, however, discusses Medea and Her worship of Hekate very frequently. Excellent historical viewpoints.

-Theogony by Hesiod:

Contains the Hymn to Hekate which is one of the first literary mentions of Hekate. Outlines Her early, ouranic roles.

-The Goddess Hekate edited by Stephen Ronan:

A difficult to locate text, but an absolutely great study on many different aspects of Hekate’s history.

Books on Ancient Greek Magic and Witchcraft:

-Arcana Mundi by Georg Luck:

Discusses real, historical practices, as well as the texts we have that relate to them. Also discusses many ancient beliefs about magic.

-The Greek Magical Papyri:

An important historical document which illustrates the way much of magic was performed in Ancient Greece and Rome.

-Magic, Witchcraft, and Ghosts in the Greek and Roman Worlds by Daniel Ogden

A great sourcebook which contains excerpts from historical documents on the subject of magic and witchcraft, as well as discussion and analysis of these passages. An essential.

-Magika Hiera edited by Chris A. Faraone and Dirk Obbink:

Discusses a range of different magical practices in Ancient Greece, as well as their relation to theology. Discusses binding tablets, amulets, herbal magic, and more.

-Curse Tablets and Binding Spells from the Ancient World by John G. Gager:

This book has a more narrow focus but is really great and a lot of the information has been useful in reconstructing these practices.

-Greek and Roman Necromancy by Daniel Ogden:

A favorite author of mine and a great study of ancient necromancy, which was a huge component of magic in the ancient world.

-Night’s Black Agents by Daniel Ogden:

Has a great section which discusses Kirke and Medea as the first witches in western mythology and literature.

-Witchcraft and Magic in Europe Volume 2: Ancient Greece and Rome edited by Bengt Ankarloo and Stuart Clark:

Includes essays from many experts on the topics of witchcraft and magic in the ancient world and was my introduction to the subject. Highly recommend this book.

#witchcraft #witch #hekate #hecate #hellenic polytheism #hellenic witchcraft #Ancient Greek magic

802 notes · View notes

punkylilwitch · 4 years ago

Text

Black Cats

Cats have been worshipped and seen as heavily spiritual beings for years in many cultures such as the Ancient Egyptians and throughout Europe in the middle ages since the cats would kill the rodents spreading the black plague.

According to solidgoldpet.com, “Others believed that cats were actually humans that committed bad deeds and were forced to return to the world and while it’s hard to imagine that anyone ever considered these beautiful animals to be evil, these beliefs ultimately lead to the superstitions people have of black cats, even to this day.”

Felines were evolved to be efficient hunting animals that first came to be about 65-33 million years ago. Each kind of cat has different energy, whether this means a difference between a lion and a Jaguar, or a calico and a siamese cat.

Cats were associated with evil forces, and ergo witches, back when the witch hunts were occurring because of their nocturnal and independent natures. Black cats in particular are associated with death like crows and ravens because of their color. Both witches and black cats were persecuted and killed together because people thought that black cats assisted witches in their evil deeds/were their familiars, and also that witches could transform into black cats to lurk in the shadows and cast spells on people.

“According to Man, Myth & Magic, an Italian legend tells of a cat that gave birth to her kittens under the manger in which Jesus was born. “but the cat was not destined to be venerated in Christian Europe, for the Church with its violent repudiation of paganism succeeded in reducing the status of this once sacred animal to that of a devil …During the persecution of the Cathars the belief was fostered that these heretics worshipped the Devil in feline form, and the stage was set for the cat’s unwitting participation in the witchcraft tragedy.”– Martha Gray Grimalkyn: The Witch’s Cat: Power Animals in Traditional Magic

There are more black cats then cats of any other color, 33% of all cats are black, whilst 28% are grey. There is a popular myth that black cats are more likely to be abandoned, but studies show that, “although euthanasia numbers for black animals are at or near the top (both black and white dogs were near 19 percent; black cats were at 30 percent, with gray cats and white cats coming in just under that, at 28 percent and 26 percent, respectively), their total adoption numbers were also the highest of any color.” (Is It a Myth That Black Shelter Pets Are Less Likely to Be Adopted? By Kristen Seymour). This could be because of the fact that there are simply more of these animals than any other, so they are most likely to be put down. This however adds to the belief that black-coated animals are neglected because of color.

In American folk magick, black cats and witches have a good relationship still, and black cats’ shed brings protection and luck in spells! They are especially useful for luck in gambling. British and Irish sailors brought black cats on their ships believing it to be good luck as well.

Here is a link about cats on ships :) https://www.litter-robot.com/blog/2020/09/19/cats-on-ships-history/

Here are my sources:

http://www.vetstreet.com/our-pet-experts/is-it-a-myth-that-black-shelter-pets-are-less-likely-to-be-adopted

https://www.ethosvet.com/blog-post/where-did-black-cats-get-their-bad-rep/#:~:text=Other%20theories%20suggest%20that%20during,streets%20of%20these%20bad%20omens.

https://www.tasteofthewildpetfood.com/working-dogs/black-cat-superstition/

https://www.patheos.com/blogs/matauryn/2017/10/12/black-cats-witchcraft-goddesses-bad-luck/

https://solidgoldpet.com/heres-actual-reason-witches-black-cats/

https://www.petfinder.com/cats/living-with-your-cat/cats-and-witches-history-black-cat/

And here is a book I found that has some very good info! https://www.amazon.com/Pagan-Portals-Grimalkyn-Animals-Traditional/dp/1780999569/ref=as_li_ss_tl?s=books&ie=UTF8&qid=1507842744&sr=1-1-fkmr0&keywords=Grimalkyn:+The+Witch%E2%80%99s+Cat:+Power+Animals+in+Traditional+Magic+Read+more+at+http://admin.patheos.com/blogs/matauryn/?p=1302#UPS1WJ5iM7bxlwVp.99&linkCode=sl1&tag=theastr-20&linkId=5f701fdc45cb909d5fb853e3699b12f5

Thank you @the-illuminated-witch for help on the modern interpretation of black cats!! :)

290 notes · View notes

amils-posts · 8 months ago

Text

@amilbaba famous and authentic amil in #asia #europe #kaly ilam wali amil islamabad 03432933659 | kala jadu- expert in karachi #ladyasttrologer | expert in Dubai #amilbaba ..#black magic expert in islamabd

#kalailam in lahore

#jadu- expert in karachi

#dhaiya amal expert in faisalabad

#sifli ilam expert in jamshoro

#bangali-amal experts inpakistan

#blackmagic expert in (#dubai, #canada, #france, #uk, #usa, #germany, #turkey, #saudiaarabia,#ksa #switzerland,#southkorea,#japan,#china,#greece,#westindies,#norway and all over the world) 03432933649 contact us forany problem

#amilbaba

#tantrik amil

#bangali amilbaba

#jadutoona kat o palat

0 notes

someonestolemyshoes · 3 years ago

Note

Yo, saw your post about levihan prompts:

How about Hange discovering Levi’s secret hobby (of your choice)

Feel free to do whatever you feel like

And I love your work! 💕 have a good day

Hello! So sorry for the delay in this one, but thank you so much for your patience 🙏 I got stuck for such a long time in the middle of this ksksks but it is finally done! I also played around a little bit with the whole...discovering a secret aspect, but I hope you'll enjoy it anyway! And I hope you're ready for some sweet sweet childhood friends levihan~

Levi likes photography.

This, in itself, is no great secret. Hange can barely remember a time he wasn't following after her with a camera strapped around his neck, or packed into his bag—always within reach, should something striking catch his eye. A little neon plastic toy, at first; each click of the shutter cycled through preloaded images, expert shots of famous landscapes, places they could only dream of seeing. And then, a polaroid—still a toy, in essence, still plastic, still gaudy, but this one took real pictures in real time, and spit them out into their eager, shaking fingers within seconds.

Hange remembers them ruthlessly wafting the little laminate squares and watching with bated breath as black mottled into foggy grey, as the blurred silhouette of the park bench faded slowly into being. It was a fascinating thing, at the time. Magic at their fingertips. The picture turned out fuzzy and overexposed in places, where the sun had glared in over the corner of the park bench, but Levi had settled the little square on his little palms and looked at it like he held the whole world in his hands.

There were innumerable disposable cameras, too. Light little things with reels of film, never enough for Levi's insatiable desire to snap pictures of every single thing he saw. They spent half their childhood in the chemist, sitting in the hard plastic chairs, wriggling anxiously as they waited for the film to develop. Kuchel always handed them the envelope, fat with prints, with a small smile curling the corner of her mouth and a fond twinkle in her eye, and Levi always took it politely, while Hange gave a boisterous thanks, and the pair of them delved greedily into their spoils.

He was older, in his early teens, when he was gifted his first real camera. It was heavy, compared to all the others, a case made of metal with buttons and gadgets and a fancy screen on the back, to preview each picture he took. Levi was wholly enamoured with it. He spent hours adjusting it, figuring out what each button and knob did, how they affected each picture; took countless shots of the same rock in the park until he'd tested every combination of settings he could think of.

He had cycled through more cameras since then. Grown a small collection, each one a little different, a little more suited to particular shots. Hange understood the concept in theory, but the particulars were lost on her, and Levi never took the time to explain. Not that she minded—Levi's pictures were beautiful, breathtaking in the way he could capture even the most mundane details and make them something wondrous. Perhaps for the first and only time in her life, Hange had no desire for the magician to reveal his tricks.

He has an eye for things that Hange simply cannot see. She is observant—to a fault, at times, intensely analytical and endlessly curious. Everything is a question, an opportunity to research, to learn, but she doesn't see the way Levi does.

Wild daffodil. Narcissus pseudonarcissus. Hange sees a perennial flowering plant, native to Western Europe, classified by its pale yellow petals and elongated central trumpet. She sees phylogeny with a rich taxonomic history; subspecies originating all over the globe, some larger, some smaller, some more vibrant and some more muted. She sees anatomy, science.

Levi sees the way the evening sun rusts the buttery petals until they blush; sees the way dew drops hang like pearls from the tips of the leaves in the early morning, when the light is still smoky and thin. He sees a moment to be captured.

It should be impossible for a picture to hold so much detail. Hange can look at Levi's daffodil and feel the way the spring wind blows gently on her skin, the sun warm but the breeze a little biting, a remnant of the fading winter. She can smell the pollen heavy in the air, feel the tickle of short grass on her ankles, hear the trill of songbirds in the branches of distant trees.

His proclivity for photography grows with them. Hange's interests spear out in a thousand different directions, from physics and chemistry to botany, to engineering, to literature and mathematics, to history, languages and landscapes—life is a limitless source of information and Hange chases it every which way, insatiable.

And wherever she goes, Levi dutifully follows, with his camera in hand.

Until now.

Now, they are eighteen. The summer is lazily drawing to a close, and tomorrow, at 8:45am, Hange will be boarding a plane that will take her to the other side of the world to attend the university of her dreams.

And Levi will be staying here.

Despite Levi's perpetual scowling and indiscriminate grunting, their last evening together had overall been a pleasant one. Levi and Kuchel had worked hard on their meal, and it had been nice in a warm, filling kind of way, to spend her last night at home with the two of them.

Now, she and Levi are holed up in his bedroom, while Kuchel had insisted on doing the clean up herself. Hange's mind has been churning non-stop for weeks now, ramping up with each passing day, and tonight, her thoughts are unstoppable, and they spill from her with giddy, jittery excitement.

"The university is huge, but my course is pretty small—only like, 30 places. It'll be easy to get to know everybody."

"Nn."

"And did I tell you? There's a museum right on campus? They've got a huge collection, and I heard students can access it after the first semester."

"Hm."

"And there's a flower garden, too—they've got species from all over the world, Levi. They'll have plants I've never even heard of."

"You said."

"Oh! And—my accommodation isn't all that far from the coast. The water looks beautiful in all the pictures I've seen—look, see?"

"I know. You showed me already."

Hange looks up from her phone, where the screen is lit with a bright, sunny beach, tan sand and a stark blue ocean. Levi flicks his gaze over it and offers a noncommittal shrug of his shoulder. Hange frowns at him.

"You could at least pretend to be excited, you know."

Levi gives her a deadpan stare.

"It looks...warm."

Hange sits back with a thump, and kicks weakly at Levi's shin. She pouts over at him. "Better than nothing, I guess."

They sit at opposite ends of the window bench in Levi's bedroom, legs tangled haphazardly together in the space between them. The window was thrown open in some vain hope of tempting in a breeze, but the air is thick, and the soft wind that does blow is still stiflingly warm. It sways Levi's fringe against his brow, but does little to stave off the oppressive heat.

The sky outside is dark, but it is alive with stars. They cast bright sparks on an inky black canvas, and there is no moon in sight. Already, Levi has snapped pictures of it, twisted dials and pushed buttons and switched lenses until he was satisfied.

It is a beautiful sight. Infinite.

Hange lets one leg dangle out the open window. Levi gives her a sour look and wordlessly closes one hand around her other ankle. She has a long history of behaving carelessly—Levi has borne witness to one too many slips and stumbles to trust her entirely. It would be just like Hange, to miss her flight in favour of a trip to the emergency room.

His thumb strokes back and forth absently. There is a callus there, rough and catching, that scratches against her sensitive skin.

Her predominant feeling is one of excitement. Studying abroad had been a dream of hers for almost as long as Levi had owned a camera—to travel beyond the bounds of their small rural town, to see more, learn more, fuel the relentless hunger in her. But there is an undercurrent of something else, some squirming discomfort that refuses to settle. It intensifies with every sweep of Levi's thumb against her skin until it sits heavy in her gut.

She looks over at him. His gaze is trained out the window, a small frown furrowing the skin between his brows, but his eyes are glassy, with none of their usual sharp, unwavering focus. Whatever he is looking at, he is not really seeing it.

It would be a lie to say that his silence had not troubled her. He had been quiet throughout dinner, opting instead to listen to Hange and Kuchel's companionable chatter as he pushed his food around his plate, and he had barely said a word since they had cleared the table and retreated to his room. He had hardly even looked her way.

Irritation bubbles within her. Levi is always more subdued than she is, content to sit quietly while Hange babbles endlessly, about anything and everything. But he usually has something to say. His silence, today of all days, makes her angry. They have one night left like this—one more night to talk, face to face, before they will be separated for who knows how long, and Levi is offering her nothing.

"Levi," she says, before she can think. Something in her tone must startle him, for he blinks rapidly, as though pulled out of a daydream, and rolls his eyes to look in her direction. His gaze settles somewhere near her shoulder. She bristles. "Can you at least—"

"Levi?" Kuchel's voice is distant, floating up from the bottom of the stairs. Levi looks at the door instead. "Can you come give me a hand for a minute?"

Hange clamps her jaw shut. Levi casts her another sidelong glance, and ticks his tongue against the back of his teeth. He squeezes her ankle once, then pushes himself to his feet. "Don't fall, idiot. I won't be long."

Hange feels distinctly like a child on the verge of throwing a tantrum. It's immature, and perhaps it's unfair of her, but she had assumed that Levi's invitation for dinner might, at the very least, come with a little conversation.

She takes a deep, steadying breath. They never fight, not really—they bicker endlessly, poke each other's cheeks and pull each other's hair, childish rough housing that they never grew out of. But they don't fight and as grumpy as Hange feels about Levi's near silence, she doesn't want to start now. She runs a hand back through her hair and sweeps her eyes about the room, counting long, even breaths as she does.

Levi's room is immaculately neat and tidy. Everything has its place, on clean, dusted shelves, or stacked in straight, neat piles atop his desk. It is a level of organisation Hange has little energy for; she herself is a hurricane, picking up and dropping off detritus everywhere she goes.

But Levi's borderline obsessive cleanliness makes it easy to spot something that is out of place.

Hange's gaze falls on a drawer in the desk. The drawer itself is as immaculate as everything else, gleaming wood and a reflectively polished brass handle. What catches her eye is the corner of a glossy piece of paper, caught when the drawer had been closed.

Hange is a curious creature. Rarely can she hold herself back from exploring an unknown, and now is no different. She unfolds herself from the bench and stretches to stand, then crosses the room on light, tip-toed feet.

Levi is, by and large, a rather private person. He does not share much of himself openly, hides behind an impassive mask, guards what is dear to him close to his chest. Hange is an exception to this rule, whether Levi wanted her to be or not.

As such, she has no real issue prying the drawer open, and is unsurprised by the predictable contents within.

Photographs.

Of course it was photographs.

Her lips tug up in a fond smile and her eyes roll, but it is as she is reaching in to flatten out the rumpled picture that had been poking out of the drawer, that she notices what they are photographs of.

Her.

Hange picks out a stack and sits cross-legged in the desk chair. She flips through them, eyes growing wider with each new picture she uncovers. Every single one is of her. Some recent, some not so recent—some must be from the very first real camera, for she is still in her braces, all thin, gangly limbs and scruffy hair and taped up glasses.

There are pictures of her in the winter, mitten-clad hands wrapped around a paper cup of hot chocolate, blowing steam into the chill air. She can see in stark clarity, the red tip of her nose and the chill bitten over her cheeks; she can almost feel the cold, taste the cocoa on her tongue.

She finds a picture of her from an autumn years gone by. She remembers it as though it were yesterday—they had spent the whole afternoon raking fallen leaves in the courtyard behind Kuchel's cafe, scooping them into a terribly tempting mound beneath the shedding tree. Hange had been unable to resist. Levi had captured her moments after her dive into the pile, sitting up with her weight propped back on her hands, dry leaves clinging to her messy hair and sticking to the fibres of her cardigan. The sun was low, and it cast her in a golden glow, highlighting the vibrant red and orange of the fall foliage around her, drawing out the auburn undertone in her hair and the amber of her eyes. Her smile is almost blinding.

Another shows her in the spring, laying on her belly in the long grass beside a row of blooming daffodils. There is a book spread open before her and she is, as expected, engrossed in it; Levi has snapped the shutter as she was turning the page, the thin edge of the paper caught between the delicate tips of her fingers.

Hange has never considered herself to be particularly pretty. She is just...Hange, a little bit of wild, a little bit of manic, a lot of clumsy and dirty. Being attractive has never been of much concern.

But there is something in the way Levi has photographed her, time and time again, in the way the light catches her, the candid ease of each new picture, that looks....beautiful, in its own way. Somehow, he has made her mess into a masterpiece.

Levi likes taking pictures of things. Plants, rocks, rivers, landscapes and skylines—he likes capturing the mundanity of everyday life and turning it into something spectacular, but he has never done the same thing with people. As far as Hange was aware, Levi had taken very few pictures of anybody at all.

And yet, she holds this pile in her hands, and there are plenty more pictures littering the drawer before her.

There is a strange feeling brewing on her as she stares at them. She had been so excited about moving away to study, so eager to explore the world beyond their quiet countryside home, that the reality of leaving had never truly sunk in. She feels it now though, acutely; a hollow ache in her chest that grows with each picture she flicks through.

Levi has been her shadow for as long as she can remember. There are few memories that he is not a part of, few moments that she can recall in which Levi was not by her side—he has been a constant for her. Something certain and dependable.

And from tomorrow, he will no longer be there.

Hange had known this. She had known it from the moment she had accepted her offer, and she had known it as they looked through her options for accommodation together, as they explored the local area through pictures and videos and maps online. She had known it as they had prepared her visa, organised her finances. Booked her flights. Every step of the way she had understood, logically, rationally, that studying abroad meant leaving Levi behind.

But the weight of it is only hitting her now. The reality of it is like a slap in the face, a punch in the gut—it leaves her shaken and breathless in the worst way.

From tomorrow, Levi won't be with her at all.

Her grip tightens on the photographs hard enough to wrinkle the glossy paper.

She had done a pretty good job of not getting too emotional about the whole thing. For the most part, Hange had been overwhelmed by her own excitement—there had been no time for sadness between all the loose ends she’d had to tie up in order to make the move a possibility. Now though, all that is left is to head to the airport and board her plane. No more distractions.

Hange doesn’t realise she is crying until the bedroom door opens again, and Levi steps into the room, coming to a sudden halt halfway over the threshold.

Hange can't tell if Levi's look of shock is because of the open drawer and the pictures still clutched in her hands, or the tear tracks on her cheeks. He stops dead in the open doorway, fingers still curled around the handle, and for a moment he stares at her with eyes wider than Hange has ever seen them, but then his brow dips low and his lip curls, and his grip tightens around the door handle. Hange holds the pile of photographs close to her chest.

She is expecting anger. She doesn't suppose she could blame him if he lost his temper with her, then. She has a terrible habit of bulldozing into everything, after all, and perhaps this was the one thing Levi had longed to keep secret from her. Her snooping, on top of his already sullen mood—perhaps this is the final straw.

But instead, he turns his face away, staring resolutely into the corner of the room. Starlight spills through the open window. Even in the thin, muted light, Hange can see a vibrant flush colouring the skin high on Levi's cheeks.

Hange sniffles, and wipes clumsily at her cheeks.

"I didn't have you pegged as a closet pervert, Levi," she says, waving the handful of pictures at him. Her voice comes cracked, and weaker than she'd hoped. Levi's knuckles turn white.

It's a funny thing, seeing Levi embarrassed. His emotional expression is usually limited to small twitches, here and there—a slight furrow of his brow, a wrinkle of his nose, a soft twitch of his lip. Hange can count on one hand the number of times she has seen his feelings show so completely. It's almost painful to witness.

"I don't mind," she says. Levi doesn't look at her. Hange looks down at the pile again. "They're nice."

Levi finally releases his death grip on the handle and pushes the door closed. His eyes are still downcast and his cheek is still cherry red, but he hasn't run away and he hasn't snapped at her (yet). Hange takes these things as good signs.

"I didn't know you took pictures of people," Hange says.

"I don't."

"Are you saying I'm not people, Levi?"

Levi lets out a disgruntled sigh. He crosses the room, and plucks the pile of pictures from Hange's hands. His cheeks are still pink, and his brows are still furrowed, but he has composed himself some.

“No, you’re not,” he says. “You’re a creature. You’ve got snot all over your face.”

Hange laughs wetly, wiping her nose with the back of her hand and rubbing the mess on her pants. Levi gives her a look of pure disgust, parking his hip against the edge of the desk beside her and skimming through a few of the pictures. There’s a curious expression on his face, a softness in his eyes that Hange isn’t used to seeing.

“Stalker,” she says. Levi kicks at the desk chair without looking up. “If you wanted a photoshoot, you could have asked.”

Levi scowls. He straightens the edges of the pictures with care, and sets them carefully on the desk. “If I wanted to take pictures of you posing, I would have asked.”

“Wanted to capture me in all my natural glory, huh?” Hange braces her elbows on the desk and rests her chin in both hands, grinning cheekily up at Levi. It must look ridiculous, with her watery eyes and the red point of her nose, but Levi isn't even looking at her to notice.

Levi says nothing. His gaze lingers on the pictures for a little longer, and the colour in his cheeks deepens. Hange nudges him with her elbow, smiling. The pictures are...sweet, in a way. There's something flattering about it. She slumps back in the chair, her smile wavering where a fresh wave of melancholy tugs at the edges of her lips.

“I’ll miss you, you know.” Hange’s voice cracks humiliatingly as she speaks. Levi looks over at her. Hange curses the wobble of her bottom lip and wipes at her eyes beneath her glasses. She isn’t expecting much; Levi is terrible at expressing feelings at the best of times, and so it’s more than surprising when, after a moment of consideration, he nods at her.

“Same.”

Fresh tears spill down her cheeks. Hange presses her fingers into her eyes, trying to stem the flow, ease the sting there. She doesn’t want to spend their last evening together crying, but now that the tears have begun, Hange can’t seem to stop them. A lump builds in her throat, aching beneath her tongue and she can feel her chin wobbling, lips pulling down at the corners. She sniffles pitifully, draws a shuddering breath.

“Oi…” Levi says, though he doesn’t sound angry, or even uncomfortable like she had expected. His tone is gentle. It rips a sob from her.

Hange feels him move closer. He jostles the front of the chair, and when she opens her eyes to look at him she finds him standing right in front of her, between chair and desk, looking at her with a furrowed brow. It’s different to his usual scowl—his brows are a little upturned in the middle, exposing some kinder emotion; something like worry, or concern.

Hange tilts forward until her forehead presses into his chest. Levi’s hand comes up quickly to the back of her head. His touch is familiar, comforting, and Hange cries a little harder when his fingers tunnel into her messy hair, cradling her against him.

She cries until she feels spent, sniffling and gulping empty air. Her fingers twist into the hem of Levi’s shirt as she composes herself, mumbling, “you’ll keep in touch, right? You won’t forget about me?”

Levi clicks his tongue at her. “Stupid,” he says. “As if you’d let me.”

“I’m serious.” She sits back and looks up at her. Her eyes are burning, raw and wet, and the skin of her cheeks stings from crying, but she looks at him with as much determination as ever and says, “call me. Every day.”

“That’s ridiculous.”

“It’s not! Just once, every day. Even if it’s only five minutes.”

Levi flicks her between her brows. “You won’t have the time, dumbass.”

“I’ll make time.”

Levi scrutinizes her for a moment, then says, “I’ll text.”

“Well, yeah, obviously.”

Levi curls his lip and pulls at a lock of her fringe, muttering, “brat. Why don’t you call me?”

“I will,” Hange says plainly. Levi’s eyes widen a fraction. “I’ll call as much as I can. But you need to call me too, okay? I wanna hear from you a lot.”

There is a long pause, and then Levi turns his eyes away. The light in the room is pale and muted, but it is just enough to highlight the pale flush gathering anew on his cheeks and across the bridge of his nose. It’s almost cute.

“Fine. I’ll call. Happy?”

Hange grins at him. “Very. And I’ll send you photos of everything, all the time.”

Levi leans down towards her, pinching her nose between his thumb and forefinger and giving her head a little shake. “On your shitty phone camera?”

Hange nods. She bats his hand away and cranes herself up into his space, smiling something wicked. “You’ll hate it. They’ll be all blurry and I’ll have my thumb in the corner of every picture.”

“Pest.”

“Lots of selfies, too. So you won’t forget what I look like.” Hange blindly swipes up a picture from the desk, holding it up between them in front of her mouth and nose. Between Levi dipping down into her space and Hange stretching up into his, they are so close that Levi has to cross his eyes to get a look at it. “Not that I think it’ll be a problem.”

He rolls his gaze up to look at her over the top of the photograph. Up close, Hange can see just how bright the blue of his eyes is, how dark his lashes are; she can see the shadows they cast on his cheeks, the deepening flush bruising the skin red. Levi has always been a pale thing, but now, Hange can see the smattering of light freckles across his nose, barely visible in the low light. He looks pretty. Her heart stutters in her chest at the sight.

Hange has never fully understood Levi’s drive to photograph everything. To preserve any given moment, bottle up every minute detail. She sort of understands it, then—it’d be nice, she thinks absently, to save this particular view for forever. The thought makes her face grow warm.

“I won’t forget.” Levi’s voice is quiet, caught somewhere between embarrassment and uncertainty. He sways closer, rocks back, hesitates. And then he leans down and lets his forehead drop against hers. Hange can feel the press of his nose against her own, separated only by the picture between them.

Hange is used to being close to him. She’s a clingy person by nature, always grabbing him and hugging him, smooshing her cheek against his or shoving her face into his hair, but she is always the one to initiate such contact. Levi is tactile, in his own way—small, non-invasive touches, his fingers on her wrist or his palm at her back, always delicate, understated.

To have Levi enter so wholly into her space like this is new. It’s nice. Hange finds herself feeling very, very thankful for the paper between them, for the urge to lean forward and kiss him comes unbidden, so suddenly she isn’t sure she’d be able to resist the impulse if there hadn’t been a barrier in her way.

“Is it my dazzling good looks?” she says, acutely embarrassed by how breathless she sounds. Levi makes a small, noncommittal noise. His fingers find hers where she’s holding the picture, gripping it and pulling it until it slips out from between them. For the smallest moment, Hange feels the skin of Levi’s nose against hers, and the warm puff of breath on her lips, and then Levi straightens up, flipping the picture for her to see it.

“I’ve looked at your ugly mug every day for long enough. Don’t think I’d forget it so easily.”

It’s a truly unflattering photograph. Hange has her head tipped back, laughing boisterously at some thing or another, with her eyes pinched closed and chocolate sauce smeared over her lips, a drop of cream stuck to the end of her nose. Hange is sure she has looked better, but the thing is—despite her state, the picture still isn’t bad. Hange can hear the lilt of her own laughter and feel the tacky syrup, savour the sweetness of the cream on her tongue. There’s something so...animated about it, about the way the light dances over her skin and in her hair, and the way the background blurs around her, drawing her into sharp focus.

It’s nice, in a strange, unreserved kind of way.

But she’s still a mess. Hange snatches it and slams it down on the desk, glowering up at Levi.

“Why would you take that,” she whines, petulant. “You’re supposed to take pictures of nice things!”

“Because it’s very...you,” He says, neatly slotting the pictures back into the drawer, and moving back to sit on the window. Hange follows, drops herself onto the ledge opposite him with a pout.

“What, disgusting?”

Levi shrugs. “Messy. But...not bad.”

“I’m supposed to take that as a compliment, I guess? That’s almost sweet coming from you, Levi.”

Levi scowls over at her. She dangles one leg back out the open window, dropping the other heavily into Levi’s lap. He adjusts it until he is more comfortable, his hand wrapping again around her ankle, but does not let go once he has settled. He keeps a hold of her, his fingers tracing thoughtless patterns on her skin. The space between them is warm, comfortable. Hange leans her head back and breathes it in—the peace, the quiet, the simple pleasure of spending a tender evening with her favourite person in the whole world.

It’s nice. A small, frightened part of her doesn’t want it to ever end.

Hange has been set up in her student apartment for three weeks when the package arrives.

Moving had been harder than she had anticipated. She’d accounted for common issues—problems with her visa, her plane tickets, and had checked multiple transport options from the airport to her accommodation in case problems arose—but she hadn’t put all that much thought into what would happen once she settled at her apartment.

Unpacking had been boring. Her roommates were nice enough, the studious, bookworm-y type, but unlike Hange they weren’t overly sociable. They kept mostly to themselves in their rooms, perfectly content with brief conversations in the kitchen before retiring again, and with classes still two weeks away, Hange was finding the lack of social interaction difficult. She had explored some, but the city was vast in a cluttered, claustrophobic way. Hange had always enjoyed travelling, and had talked relentlessly of every adventure she could take herself on in a whole new country and all the new places she could explore, so much so that it was almost embarrassing, the way she had found herself so unwilling to stray too far from her accommodation without a companion by her side.

She’d felt a little homesick in the first couple of days, lonely and isolated. She missed the small comforts of the country, things she hadn’t even realised she had taken for granted. Quiet nights. Star studded skies. Long grass and trees and the fresh, earthy smell on the breeze. The city was unbearably loud at times, and even when the wail of sirens or the beep of car horns quieted, there was an unidentifiable hum beneath it all that never ceased even for a moment.

She felt Levi’s absence most acutely. Hange had known she would, but she hadn’t been prepared for how much it would hurt to be apart. She felt silly for it—it was ridiculous, to miss her friend more than she missed her own family, even. But Levi’s presence had been more constant than anything else, back home, and without him, she felt like a small part of herself was missing.

He called, as promised. Once a day, though oftentimes it was very late in the night for him, and he sounded tired. If Hange were less selfish, she might tell him to get some sleep instead—but she missed him. Hearing from him was the best part of her day.

It was about an hour before their designated call time when the post came. Hange answers the bell with a frown, which only deepens when the delivery driver hands her the package.

She takes it into her room, settling cross legged on the bed and inspecting the mystery item. It's a decent size, like a large shoe box, wrapped neatly in brown paper with her address lettered in tidy, familiar handwriting in one corner. Hange’s stomach lurches—she’d have recognised the writing anywhere, but her suspicions are confirmed by the return address. Levi’s.

She rips into the paper quickly, snatching up her keys to tear through the tape on the top of the box. It is stuffed full with packing paper, an envelope with her name on it sitting on the top. Hange picks it up and with trembling fingers, she opens it and unfolds the short note inside.

Hange,

Sorry things have been kind of shitty. This stuff might help or it might make things worse, but I figure you can just throw it out if it’s no good. Or give it away. Whatever. I don’t even know if all of this shit will make it through customs, so if you get an empty box it’s not my fault.

I don’t get how you eat half this junk, but I hope it makes you feel better, anyway.

Look after yourself. Eat real food.

Levi

Hange presses the note to her chest, grinning. Her heart aches, but having Levi go to this much trouble for her...it feels nice. Knowing he is still thinking of her. She’d never have admitted it out loud, but Hange had been concerned that perhaps Levi would forget about her after all, without her there to pester him all the time.

She pulls out some of the packing paper, and smiles widely at the rest of the contents.

Levi had put together what Hange can only call a care package. There are packs of her favourite snacks and sweets, things she’d complained she hadn’t been able to find in stores here; crisps, chocolate, hard candy, little mini boxes of sickeningly sugary cereal. There are tea bags with blends Levi knows she likes, each neatly labelled with instructions on what temperature to brew at and how long for. Levi had also packed some of the soaps Hange likes, the ones he uses but she refuses to buy for herself. The lavender scent drifts up out of the box and Hange’s heart squeezes tight in her chest. There’s a shirt in there, too—Hange recognises it at once, as one of Levi’s old, worn tees, thin grey cotton that feels impossibly soft in her hands. It’s far too big for either of them, and had always been the go-to item Levi would chuck at her when she decided she was staying over for the night and had nothing to wear to bed. Hange pulls it on quickly, savouring the soft feel and the smell of it.

In the bottom of the box, there is another envelope. This one is thicker than the first, and Hange knows what it contains before she even opens it.

Photographs. A small pile of them, depicting places she and Levi had frequented from when they were children right up until this last year—her favourite part of the forest, where the trees thin out and the river pools at the foot of a small waterfall. The great, open fields, sometimes full of long grass, sometimes clipped short and striped with windrows. Kuchel’s cafe, with umbrellas raised to block the sun on the tables outside, or else warm and low-lit and cosy in the cold winter. Hange settles back on her pillows as she flicks through each picture, a soft smile on her face. Looking at the images of home hurts, but it isn’t a terrible pain—she longs for these old times and these familiar places, but each recovered memory makes her happy.

In Levi’s pictures she can vividly recall moments in each and every location. He works some kind of magic with a camera, to trigger so many sensory memories—the scent of freshly cut grass, the feel of hay, dry and sharp, poking into her back through her clothing, and the gentle trickle of the river water, the splash of it as it runs over the falls, the feel of it cool on her skin. The tangy zest of fresh-pressed orange juice in the cafe, peach fuzz on her lips and the soft flesh of ripe fruit bursting between her teeth, sticky nectar coating her fingers.

Hange looks at each picture in turn, until she reaches the bottom of the pile, and there she stops abruptly, eyes widening at the last photograph Levi has packed for her.

It is one of Hange, taken in the window of Levi’s bedroom. She was looking out at the night sky, her elbow braced on her bent knee, chin in her palm, a small smile lifting the corner of her mouth. The starlight haloed her, shining from her hair and illuminating the jut of her chin, the curve of her nose and the slope of her brow. Behind her, Levi had captured the bright glow of the stars like jewels on a deep velvet canvas. She looked peaceful. Happy. For lack of a better word, beautiful.

Hange grins widely. Her eyes sting and her throat aches, but the picture—the whole box, really—makes her happier than she's felt in weeks. She brews her favourite cup of tea from the blends Levi had sent her and settles into the corner of her bed, lifting her phone to snap a quick selfie. She sends it to Levi, complete with a caption: thank you for my presents 😊 all ready for your call!

Levi responds almost immediately, first with a simple you're welcome. And then, after a minute, you look good. Speak to you soon.

Hange sinks deeper into the cushions, cradling her tea close to her face, masking the pleased flush on her cheeks with the heat from the steam.

Hange keeps him longer than usual, today.

There is a simmering warmth in her stomach as she listens to Levi's voice over the line. It comes tinny through the speakers, low and rough in the late hour, and his dark, grainy image looks tired, lamp light casting him half in shadow. They talk of everything and nothing, same as always—Levi tells her about his day, about the cafe and Kuchel, and Hange pouts as she tells him how little progress she is making in befriending her new housemates. Levi never voices any concern for her aloud, but Hange can sense it in the dip of his brows as she talks. She gives him a genuine smile when she reassures him that classes will start soon, and she's confident she will settle better after that.

Levi seems reluctant to leave, but after a little over an hour of aimless, comfortable chatter, he is yawning and blinking heavily, the lower half of his face nuzzled into his pillow. In the end, Hange makes up some watery excuse about visiting the coast while the sun is still high, if only to let him get some sleep.

"Sure. Have fun."

"I will! Sleep well, Levi."

Levi hums. The view shifts, blurry and indistinct, the mic muffled by the rustle of sheets, and when everything settles he is laying on his side, fringe mussed and falling over his eyes. He covers another long yawn with his fist. "I will."

"You'll call tomorrow?"

Levi rolls his tired eyes, but the corner of his mouth pulls up in a fraction of a smile. "Sure."

"Promise?"

"Promise."

Hange grins. Levi watches her for a long moment, eyes scanning over her face. Then he holds up a hand in a tired wave. "Night, Hange."

"Night."

Hange stares at the screen for too long when the call ends. That terribly selfish part of her would have loved to keep his company for the rest of the day. Maybe, with a little travel sized Levi in the palm of her hand, she'd have been brave enough to explore some more, enthused about all the new things to see with somebody to share them with.

Sighing, Hange drops her phone to the desk and stands from the bed, stretching. There are still things she can do—she has plenty of recommended reading to get through, a small mountain of books at her disposal, and she has mapped the route to her campus often enough that she isn't feeling too overwhelmed by the prospect of the journey.

As she heads for the door, Hange notices something on the floor beside the bed. A neat, rectangular piece of paper; one of the photographs Levi had sent her, laying face down on the ground.

She picks it up again and brings the paper close to her face. Levi had written something on the back of it in small, quick letters, less tidy than his usual practiced script, as though he’d scribbled it as an afterthought, or else that he wasn’t sure he really wanted her to read it.

There is a date, the same night she had found Levi’s secret photo stash, followed by Hange’s name, and the location of the shot. And beneath that Levi had scrawled a few words. Hange squints to read them, and then her eyes grow wide, blinking owlishly down at the note. Her heart swells almost painfully and something solid balloons within her chest, squeezing the air from her lungs. Her lips tremble into a smile as she props the picture carefully on the bedside table.

The day is still young. Hange brews herself another cup of Levi’s tea and settles on the bed with one of her books, content to spend the next few hours reading—though she finds it strangely difficult to focus, with the words Levi had written on the back of the photograph swirling round and round in her head. Hange doubts they will leave her any time soon. They left her feeling more homesick than ever, but there is a soft, giddy kind of comfort in them all the same. It's a feeling that Hange will savour for as long as she possibly can.

It's weird here without you. Come home again soon x

#ask #levihan #my writing #snk #the way this has kicked my ass for hjkjhg MONTHS #I'm so sorry for the delay but thank you so much for the prompt!!! I was so excited to work on it #and I'm glad I finally got it finished :)#sorry it once again got incredibly out of hand length-wise #drabble my ass

122 notes · View notes

millenniumfae · 3 years ago

Text

Video Game Cooking: Sugars (Sekiro: Shadows Die Twice)

Sekiro: Shadows Die Twice is a standalone historical fantasy made by the famous people who also created Dark Souls and Bloodborne. It became an instant hit, and garnered massive critical acclaim. You control the broody shinobi Wolf as he battles entire armies and legendary beasts.

One of the many consumables in-game are the Sugars; Gokan’s Sugar, Ako’s Sugar, Yashariku’s Sugar, Ungo’s Sugar, and Gachiin’s Sugar. These candies are named and colored differently, and each offer a different effect. One raises your attack power, another makes you more stealthy, and so on.

Today, we’re gonna be re-creating these Sugars with our own recipe. And true to my tradition when it comes to Video Game Recipes, we’re gonna be taking our ingredients accurate to the setting. Which in this case is Sengoku period Japan. This recipe meta draws especially true to my own heritage, as a Taiwanese person.

Sekiro Senpou Temple Sugars: Recipe (makes 10-20 individual candies, depending on the size)

Base candy recipe:

3 3/4 cups granulated raw cane sugar

1 1/2 cups golden syrup/brown rice syrup

1 cup water

Corn starch for mold making (optional)

Confectioner’s sugar for dusting

Flavorings:

Fresh ginger slices (Gokan’s Sugar)

Dried lotus seeds (Gokan’s Sugar)

Red cherries (Ako’s Sugar)

Dried Astragalus (Ako’s Sugar)

Ginseng (Ungo’s Sugar)

White peaches (Ungo’s Sugar)

Sake (Yashariku’s Sugar)

Dried Cocklebur fruit (Yashariku’s Sugar)

Dried Orange peel (Gachiin’s Sugar)

Dried Goji berries (Gachiin’s Sugar)

Food coloring

(Sekiro won the 2019 Game Of The Year award, the first FromSoftware game to do so.)

To make our Sugars, we’ll be infusing a traditional candy base with various ingredients, unique for each candy. Every ingredient is based off of TCM, which is an acronym standing for Traditional Chinese Medicine. For those unacquainted with TCM, it can be hard to explain its influence. There’s no true western equivalent because it’s more than just ‘old household remedies’, it’s almost a given that Asian citizens take various TCM practices seriously to a degree. Like westerners do with honey lemon tea, or chicken noodle soup.

It’s also accurate to the game. Sekiro takes its setting very seriously. Everything from weapons, to hairstyles, to interior decor, even down to the kanji on Emma’s note in the beginning of the game is true to the Sengoku period, and some levels even go backwards a bit to the Heinan period, to reflect an ancient atmosphere. You can reasonably minus the historical inaccuracies on your own volition; giant snake gods, lightning powers, and automatic prosthetic grappling hooks weren’t indigenous to Japan.

Except there’s in fact one tiny detail that you might be surprised to learn is actually anachronistic; disk-shaped hard candies. The Sugars.

Hard candies aren’t traditional East-Asian treats. Sugar was always readily available in the form of sugar cane, true, but sweets almost always took the form of fruit, and candy-coated/infused ingredients. This is true worldwide until refining sugar into its white form became common, but East-Asia in particular wasn’t munching on lozenges while Marie Antoinette already had cough drops.

The Sengoku period stretched from the early Renaissance to the Baroque period. While Wolf was parrying his way through the Ashina Outskirts, the first King James Bible was published. There was plate armor and court jesters, but also firearms and photographs. Japan didn’t get access to matchlock firearms until 1542, and since the Sunken Valley clan seems to define themselves by the expert use of these guns, it makes sense that the intro to the game itself dates Sekiro as specifically taking place in the latter years of the Sengoku period.

All throughout this stretch of two centuries, Japan has been under constant war and political strife, lending to the Sengoku period’s alternative name, the ‘Warring States Period’. Japan consisted of separate nations, all led under Daimyo and warlords and various nobles that demanded their armies scramble for more land and resources. Living under this kind of conflict for so long means that innovations and education are rare. There’s no opportunity to invent the telescope when you’re all constantly worried about your lives.

This means that the food of Sekiro would have very much been the same it’s been since centuries beforehand. Even though by this point, the Columbian Exchange has been well underway and Europe was experimenting with tomatoes in their food, Japan wasn’t enjoying this same golden period. Any developments would have been weaponry, not candy making methods.

This means that, for our recipe, we’re not using anything that a Senpou monk wouldn’t have access to. No potatoes, corn, vanilla, etc. No beet sugar, or fruits that aren’t native to Japan. Even the raw cane sugar we’re using is pushing the authenticity envelope, because the ‘raw’ granulated sugar you find in grocery stores aren’t completely raw, they’ve still been refined using lye and carbon to strip much of the molasses. True raw cane sugar, when boiled down from its juice form, makes a traditional Asian ingredient called black sugar, which is very dark in color and not suited for making the brightly-colored candy disks that the Sugars appear to be.

(Shinobi aren’t samurai, but Wolf’s relationship with Kuro is so clearly samurai-ish that we can assume Wolf was being paid buckets as a high-prestige warrior. He also would have access to better food, including white rice; which, while already genetically modified through breeding by the Sengoku period, wouldn’t have looked like modern rice. Or maybe Wolf wasn’t enjoying the high life, because he dresses in rags compared to Genichiro and apparently didn’t know rice was supposed to be cooked.)

Knowing all that history about the Sengoku period, it’s almost silly to see candy consumables in-game, looking like they came right out of a bag of Werther’s Originals. The developers of Sekiro made many lengths to ensure everything was authentic, so why are the candies so modern-looking when they could instead have been a traditional Sengoku period sweet like something mochi-based, or agar (seaweed) jellies?

The lore behind the Sugars are that the evil Senpou monks were mass-producing these candies, and selling them all across Ashina to fund their crooked child experiments. They’re not just (presumably) tasty, they offer benefits to your health. That’s definitely in line with TCM culture, and gives us some inspiration for how to pursue replicating them.

One important note; the Sugars are some of the lesser consumables Wolf can use. Almost all other consumables are better, offering more powerful effects for a longer duration. So what if these candies were true to TCM and were mere treats infused with medicinal ingredients, only capable of giving you a small boost? Especially in comparison to the Divine Child’s rice, which would be like an Epi-Pen in this analogy.

But there’s even more depth to the consumables than that. Kuro gifts Wolf a ‘sweet rice ball’ at some point, which is almost certainly an Ohagi bun; made out of glutinous rice, red beans, and sugar, and its a traditional offering for the Buddhist observance of seasonal equinox. Eating it is sometimes said to bring protection. In order for Kuro to make Wolf this rice ball, you gotta give him some of that special rice from the Divine Child. Wolf offhandedly mentions that her rice is “sweet when you bite into it”, and Kuro realizes that Wolf has been eating these rice grains raw all this time, like the feral 5′5 goblin he is. Kuro vows to give his loyal protector something nice to eat, for once, and makes him three Ohagi dumplings.

The food of Sekiro is symbolic. The Divine Child is able to make rice out of thin air, like a deity of fertility. Kuro takes this divine rice, and his sweet rice ball is more powerful than the magical blessed Sugars because it was made with compassion. And eating Kuro’s lovingly-made rice ball reminds Wolf of once being fed a rice ball when he was young and starving, given to him by his assfuck of a father who’s compassion is heavily in question.

The Sugars are described as giving the eater a ‘benediction’ of power, and who knows what the translators were thinking, but the word choice reminds us of communion, and the flesh and blood of Christ. It’s not a true comparison; communion is about replicating and worshiping the Last Supper, reminding Christians about Jesus willingly dying cause humans are sinful. Consuming the ‘flesh and blood’ of Jesus in the form of bread and wine is very different than eating a candy apparently blessed by an ancient Japanese warrior. It’s not like communion wafers are supposed to empower you, or protect you.

Looking at the in-game image of each Sugar, you can see the likeness of a person behind it, likely the very warrior the Sugar is named after. We don’t know if these people actually had a hand in these Sugars, somehow transplanting their power into each individual candy, or if the monks just named the candies after them. Either way, the process of receiving the benefits of the Sugars isn’t just about crunching it between your teeth, Wolf also takes a moment to strike a‘warrior stances’, which, according to the descriptions, is a required detail to properly absorb the candy’s effects. Each Sugar has their own corresponding ‘stance’ that Wolf performs. It’s a weird detail, and raises even more questions about the Sugars, the monks, and the warriors behind the candy.

(Observant players will note that the five Headless boss enemies drop ‘spiritfalls’, each of which share names with the five Sugars, and offer upgraded versions of their corresponding Sugar; Ako’s Spiritfall is basically a better version of Ako’s Sugar, and so on. We can assume that the Headless are, in fact, the very same legendary warriors that powered the Sugars, especially since the game itself states that the Headless are undead remains of powerful individuals.)

True to FromSoftware tradition, details are included with purpose. And also at the same time, some details are just meant to be taken at face value. The various centipede-themed enemies in Sekiro are associated with kegare - spiritual defilement, death - explaining visually their willing abandonment from Buddhism. But there’s likely no lore explaining why Wolf can automatically hoover up all nearby enemy loot like a vacuum with the press of a button.

The inexplicable details of FromSoftware games are almost certainly because of gameplay convenience. Many characters are 9-10 feet tall for no reason, towering over Wolf, who’s already short to begin with. Lore-wise, it doesn’t make sense for so many completely human characters to be so gratuitously large. Gameplay-wise, it’s a lot easier to observe an enemy’s telegraphed movesets if their model is scaled up. Helpful, in a game like Sekiro.

The ‘stances’ of the Sugars might fall into both these categories. They exist for both gameplay and story reasons. The developers wanted a lag between consuming these powerups and being free to fight, so the player is forced to time these powerups carefully. You need to avoid enemies taking a free hit while Wolf’s animations are occupied. Then they storified this gameplay-based lag into a lore-based reason. Wolf has to take a ‘stance’ when eating these candies to receive its powers. For some reason.

I wasn’t able to further research the ‘stances’ Wolf strikes. Maybe they’re based off of known martial arts. But the description also offers some additional insight; according to the game, these Sugars contain ‘excess karma’ that is apparently the source of their power. Now, Buddhist karma doesn’t run in ‘excess’, a better choice of word would be ‘transfiguration’. One person can experience another’s karma through a variety of means.

“Bite the candy and take the Yashariku stance to impart its inhuman benediction.” In accordance with Buddhist folklore, these warriors are dead and imitating them can impart their previous life’s karma unto you. Our recipe won’t have magical karma powers, but we can certainly infuse our candies with medicinal herbs. You can just imagine the Senpou monks stirring up a big pot of sugar solution, and throwing in handfuls of dried Goji berries.

(This isn’t the first FromSoftware game that draws heavily from Buddhism. Dark Souls’ stagnant world of undeath is a rejection of Buddhist rebirth, clinging onto your legacy in a bid for immortality. Bloodborne decided to further explore the ‘time and madness’ angle of the same concept, while Sekiro went in the opposite direction to expand the ‘death and karma’ side.)

To make our Sugars; begin by first boiling the 1 cup of water with the corresponding flavor ingredients. Essentially, we’re making a batch of 10-20 candies with one flavor at a time, to make things easier on us. Ako’s Sugar requires you boil sliced ginger and dried lotus seeds, and so on.

After the water has been properly infused with the medicinal ingredients, strain the water and add it to another pot with the rest of the candy base ingredients, then boiling it all down until it reaches 300f. It’ll take a while, and you’ll notice that there’s gonna be a point where it seems like the temperature isn’t rising again. But keep at it; all the water needs to be boiled away. But the flavor will remain.

Once it reaches 300f, add the food coloring, and then keep boiling again until it reaches 310f. Then immediately take it off the heat and pour it into molds. Disk-shaped candy molds do exist, but you can easily make your own by pouring a lot of corn starch into a pan, then pressing a disk-shaped object (like another candy) into the starch to make indents. When you pour the candy mixture into a corn starch mold, you can use a spoon to gently and accurately fill each hole without distorting the powder. After perhaps three hours, the candies should be completely set and cool, and you can tumble away the powder and store the candies. Any mold method is gonna give the candies a flat side, but a true disk candy requires factory-standard molds that we don’t have.

We’re not using natural food colorings, ‘cause I tried my best to research natural alternatives that could retain their dye after boilings. And it was super hard, especially blue. Take it from me that Sekiro’s Sugars shouldn’t have been so brightly colored; intensely colored food did exist, but it was with things like powdered dried beets and matcha and pepper powder. Boiling these ingredients (rather than mixing it with dough or jelly) will change the colors drastically, sometimes completely bleaching it, or changing red to purple and so on.

As for the various medicinal ingredients; I took a gander in my mom’s soup-making cabinet and took stock of the medicinal herbs we ourselves use in our lives. The ones included in this recipe are some of the more commonly used ingredients of modern TCM.

Gokan’s Sugar, as a posture-retaining consumable, is described as a popular choice amongst shinobi hunters, a job that requires “a body with an unshakable core”. Ginger and lotus seeds are great for restoring energy through chi, a person’s lifeforce.

Ako’s Sugar raises your attack power. This candy actually proved one of the hardest to find medicines for, since, you know, most medicine is about preserving your health. Astragalus root increases energy and resistance to stress, and red cherries are a warming food according to TCM; warming meaning that its a yang property that further enhances your energy levels. (Keep in mind that food warmness-coolness is more about keeping those two in balance for optical health.)

Ungo’s Sugar reduces the amount of health Wolf loses. Very protection-centric, so we’re using ginseng, for longevity, and white peach slices for their heavy association with divinity. Both of these ingredients have some of the most well-known history in Asian food culture.

Yashariku’s Sugar is a double-edged sword, since it reduces both your health and posture so Wolf can be super powerful for a little bit. So you’re gonna add sake to the candy mixture around the 300f mark, and the dried cocklebur fruit is an immunity-boosting medicine ... but the plant is mildly toxic and can cause diarrhea. You know, Wolf gets super powerful and aggressive when taking this candy cause he needs to shit his brains out. Don’t worry; we’ve got this in our own pantry, and it personally doesn’t make my mom’s stomach upset, but it does me so it must range from person to person.

Gachiin’s Sugar makes you more stealthy, which I took to translate into ‘quieting your thoughts and emotions’. Like when you hold a baby and it can feel your own inner turmoil and starts to cry? Orange peel and goji berries restore your chi, your vision, an irregular heart rate, and stress.

Enjoy your candies! Pop them before tough situations like speaking before a big crowd, or having to wait in line at the DMV, or when you have to fight the Headless Ape for the first time. Tell your friends to stay away from the Senpou brand, so you don’t support their unethical practices.

#sekiro #sekiro: shadows die twice #fromsoftware #fromsoft #video game cooking

50 notes · View notes