#Bex Glendining

[geekcavepodcast]

DC Comics Announces Publication Date for "The Strange Case of Harleen and Harley and "Bad Dream: A Dreamer Story"

DC Comic's young adult original graphic novels The Strange Case of Harleen and Harley and Bad Dream: A Dreamer Story will publish in 2024.

The Strange Case of Harleen and Harley from author Melissa Marr, artist Jenn St-Onge, colorist Jeremy Lawson, and letterer Lucas Gattoni will go in sale on September 3, 2024.

Harleen and her girlfriend Pamelia sign up to participate in a clinical research trial. For Harleen it sounds like a good way to make some extra cash and maybe help control her anxiety. Instead, Harleen end s up with "increasingly larger gaps in her memory and stolen mementos from some guy named Jack. Soon Harleen discovers she’s sharing her life with Harley—a take-no-prisoners, who-cares-about-attendance, maybe-we-oughta-save-the-bunnies kind of girl. She is the opposite of Harleen in every way. And although she’s throwing Harleen’s life completely off track, maybe she ain’t so bad either…" (DC Comics)

Bad Dream: A Dreamer Story from author Nicole Maines, artist Rye Hickman, colorist Bex Glendining, and letterer Hassan Otsmane-Elhaou, goes on sale on April 2, 2024.

"Nia’s spent her whole life taking a back seat to her older sister, Maeve, who was expected to inherit their mother’s Seer powers: the ability to see the future through dreams, passed down to one woman in each generation. But when Nia, a trans girl, starts having visions of the future, she must suppress her powers to protect her relationship with her sister.

Soon Nia’s dreams become impossible to ignore, and she has no choice but to distance herself as she navigates her new reality. Taking off for Metropolis, Nia is quickly swept up in the bustling city and, guided by her dreams, connects with a group of queer girls who feel more like sisters than her own. As Nia starts to discover her powers may be more than just a burden, she’s given a choice: accept her new responsibility as a Seer or give it all up for a chance at normalcy." (DC Comics)

(Images via DC Comics - Jenn St-Onge's Cover of The Strange Case of Harleen and Harley and Rye Hickman and Bex Glendining's Cover of Bad Dream: A Dreamer Story)

[smashpages]

Bad Dream: A Dreamer Story (DC, April 2024) preview pages by Nicole Maines, Rye Hickman, Bex Glendining and Hassan Otsmane-Elhaou. 

[graphicpolicy]

DC's Pride Anthology returns in 2024 with a celebration of Rachel Pollack and more!

DC's Pride Anthology returns in 2024 with a celebration of Rachel Pollack and more! #comics #comicbooks #lgbt

[phieral]

﹙ 𝐼 𝑃𝑈𝑇 𝐴 𝑆𝑃𝐸𝐿𝐿 𝑂𝑁 𝑌𝑂𝑈 ﹚𝄒ㅤ ㅤⓘㅤ 🪽

Cómic “I Put A Spell on You” del PRIDE 2024 traducido al español.

TAGS: Boys Love (BL), Kentin Valentine x Spelldon Cauldronello, Djinni "Whisp" Grant, Draculaura, Elissabat, Scarah Screams, Monster High.

CR: Megan Brown, Bowen McCurdy, Bex Glendining.

La traducción fue hecha por mí, NO ES OFICIAL. ♱⎯⎯ 𝑀𝐴𝑆𝑇𝐸𝑅𝐼𝐿𝑆𝑇𝑆 𝑀𝐻: 𝐺𝐸𝑁𝐸𝑅𝐴𝐿 | 𝐷𝐼𝐴𝑅𝐼𝑂𝑆 | 𝐶𝑂́𝑀𝐼𝐶𝑆

Quizás quieras leer . . . i. “Summer Fangout”

ㅤ 𔘓 ﹙ 𝔓HI⎯⎯ 𝐸𝑅𝐴𝐿 ﹚ 🪦 ̸̷ׅ ׄ ㅤ “𝑚𝑒𝑚𝑒𝑛𝑡𝑜 𝑚𝑜𝑟𝑖” 12 de junio de 2024

[bonesblubs]

Hi! Sorry if it's somewhere on your blog that I can't find, but did you ever do work for an LGBTQ+ Monster High comic collab book? I bought one at my city's pride party this year, and one of the comics in it looks like your style.

Anyways, I love your art, and sorry if I've got the wrong person!

Omg yes i did! I illustrated the Pride issue story featuring Spelldon and Valentine, it came out last month!! Good eye 😳

It was SO FUN to work on, and the colors came out great (done by Bex Glendining). Love those dorks and I’m so happy I got to be a part of telling their story 💚

[taybatwo2]

Monster High IDW Comics Review: Part 5 of ?: Monster High Pride 2024 Issue (“I Put a Spell on You”)

Okay, now we can actually look at the comic. Bring it in boys!!!

Beautiful! Thank you boys.

First off, the info:

“I Put a Spell on You” is written by Megan Brown (she/her, has her own website and is on “x” @ megan_mb. She has done a lot of other writing on IDW comics). The art is done by Bowen McCurdy (she/her, her BEAUTIFUL artwork can be seen on her Instagram @ bonesbunns).

The fantastic coloring was by Bex Glendining (she/they, they have their own website, and you can see their artwork on Instagram @ Igions). The front cover’s art was done by Céli Godfried (they/she, they have their own website, are on tumblr @ pianta)

None of these people worked on the previous IDW Monster High comics.

Both this and Summer Fangout and the IDW Free Comic Book Day comics had Kielamel Sibal as the letterer (she/her, another artist on Instagram @ labis_lemaleik), Riley Farmer as the editor (she/her, I think, I can’t access her LinkedIn profile), and production and design done by Johanna Nattalie (she/her and has worked on a lot of IDW Sonic titles). All three had worked previously on the FCBD issue.

It is 10 pages long Vs the twice as long “Summer Fangout.” Which is a shame.

Synopsis (spoilers below).

“I Put a Spell on You” has Spelldon try to become friends with Draculaura on his road to bettering himself. He is so upset by her not wanting to fang out with him that he asks Spelldon to remove all of his love emotions through a potion. They track down the three ingredients, Valentine catches feels for Spelldon (who already had them for Valentine) and last minute decides he doesn’t need the potion. Spelldon drinks it and tells him it was just a “murktail” (“mocktail”), and they begin dating (YESSS).

My personal thoughts/feelings/breakdown and more photos under the cut:

Like the previous comic, I will be whiting out the speech bubbles to try and circumvent the copyright on these pages I’m uploading.

On with the comic!

page 1:

It starts off with Valentine talking with Whisp (whom he’d become friends with in his SDCC doll diary) about how he wants to turn his life around. The first step is asking Draculaura if she’d be friends with him and he’s SO NERVOUS (Look how is hand is shaking! Fangtastic detail). So nervous that he walks head first into a locker (can relate - that hurts). Whisp sees this as a perfect opportunity to duck out (I love her so much).

Pros:

(Most of these are just going to be me gushing over the artwork. I absolutely adore it and REALLY wish the other IDW comics had her as their artist and kept the same colorist).

I like how his voice’s accent shows through the writing and “turning over a new grave” is a great pun.  The reactions are pretty good too (the RIP sound effect, mwah). 

And the angle on his face while in the floor is beautiful! He even has a little nose scrunch.

Call backs:

They mention him getting knocked into the pit of “eternal body odor” again (I believe he also dealt with those ramifications in his diary). 

I already mentioned it, but I like how he is friends with Whisp in this (like in his SDCC release/diary).

Other:

They did lightly alter Valentine’s outfit (I assume so it was easier to draw -it had a lot of detail on it in his 3D model and SDCC doll), his sleeves are a bit shorter, he is missing cravat, they gave him black nails and more maroon colored hair instead with some reddish streaks instead of pure black with red streaks. :)

page 2:

After being knocked on the floor, Valentine rights himself and quickly asks Draculaura (first in his normal accent and then in his southern swagger) if she’d like to be friends/see a show together “to rekindle our- er-our friendship.” She says she can’t (it sounds like she’s not necessarily against it), she has a full schedule. I saw someone mention that they took at as her trying to blow him off by mentioning all these things, but I read it as she was actually that busy *shrugs.* And Valentine takes this really hard, because he’s replaying that conversation back in his head in class. 

Pros:

Again, I love all the facial expressions!  Also, look at those hands! Look at the use of shadow and they even painted both of their nails. FANTASTIC!

Also, good use of paneling to show that was a flashback.

Call Backs:

The inside of the school looks like the webisodes’ school interior (so maybe these are not following the IDW comics? They used the CGI model of the school).

But, Draculaura being overwhelmed with duties/work does sound like it’s keeping in line with this G1 “Once Bitten” canon.

Nitpick…kinda:

Valentine is REALLY taking it hard that Draculaura is not wanting to hang out with him right that second. Is he just overthinking it? Does he think she’s blowing him off? He probably feels like he keeps failing and can’t make up for his past misdeeds.

Not that the comic has any room for this, but what if the first scene stayed the same, she tentatively says, “yeah, I think we could try being friends.” Then it’s a montage of him trying to fang out/help her and he has just the worst luck (he interrupts her in the middle of fear practice and it topples their human pyramid, he knocks over a vase of flowers he brought her all over her creative writing assignment, maybe he’s forgot how she reacts to blood and gets her some chocolate covered blooded jelly truffles)??? After a week of mess ups, and Draculaura not answering his texts anymore (because she feels overwhelmed-but he doesn’t know), then he can feel like he majorly blew it (but maybe that is too much of a retread on what happened in “Only Have Eye for You”).

Maybe he is overthinking it because his emotional vampire side is hangry (his SDCC diary mentions that he gets energy off of people’s love -more so if it is freely given - so maybe he’s running on low. I know I get a bit dramatic and paranoid when I’m low on fuel).

Valentine is drawn a bit too short/Draculaura is too tall(Draculaura’s head shouldn’t reach above his shoulders and her lipstick and fangs are missing). 

page 3:

He is snapped out of it by Spelldon. After Spelldon takes one of the roses, Valentine laments to Spelldon about his lack of emotional intelligence and how his love for others have only brought him “pain and suffering.” AND he tells Spelldon he no longer “like likes” girls. Which is really sweet, but again, I would love it if in the PRIDE ISSUE we could get a full on: “I am GAY Spelldon.” Instead of a “You know what I mean!!”

Pros: Valentines’ face in the sixth panel is well drawn.

Valentine being over dramatic is a nice touch. Kid is spiraling. Maybe he’s hangry…?  The background continues to be great. I like the background posters of the fanged mouth.

We get the long awaited appearance of SPELLDON. I really like his design (how he has black features, his pointed ears, his outfit, his sparkly shirt). I would love to break down his appearance in another review, and compare it to how fanon (and Garrett Sander) had designed him (and how it’s evolved over the years).

Call Back:

Spelldon apparently likes black roses. :) Which is great because those seem to be Valentine’s specialty (besides in the movie, those were pink).

They name drop “lap dragons,” which are one of the pets that Valentine took care of in his SDCC diary for Mrs. Goblin (which ties back to him wanting to take an interest in Biteology to be a vet).

page 4:

Spelldon (begrudgingly) is talked into making a potion to make Valentine stop feeling all the feels. 

Pros:

Spelldon is so much taller than Valentine (“he sure is big,” isn’t he Valentine?).

The passing of time is well done in the paneling (and the zoom-in to the book is also great).

More great facial expressions and HANDS!!

There is some great foreshadowing with the book. See how Spelldon’s right hand is covering most of the page (like he doesn’t want Valentine to see what it says), and Valentine is not paying attention to the title of the tome? Well, the tome says: “Party Potions,” which doesn’t sound like a title heavy enough to contain an emotion erasing potion.

It also implies that this comic takes the span of about a week.

Nitpicks: Valentine calls Spelldon a magician? Hahaha, sounds like he does stage magic. Just call him a witch Valentine. :)

page 5:

Valentine and Spelldon go to the store to get a “Hydra Heart Scale.” Apparently they are both Elissabat stans and go to see her movie off screen-err page (I would have LOVED to have seen this).

Pros:

I love the look of the background of the store. It’s nicely faded out, the casual inclusion of rib cages (symbolizing where the heart lays and the other new character that had appeared in “Why do Ghouls fall in Love:” Cupid), bat wings, and even some hockey masks like a certain mama’s boy, camp serial killer might be known for wearing. 

This conversation on how much they should get is done SO MUCH better here than in Clawdeen’s/Toralei’s previous short story (in my opinion).

Spelldon looks really cute in the third and forth panel, and Valentine looks really good in the fifth and last panel. I like the hatching they add to Spelldon’s hair shade. I like that they have a little lore drop in here as well about what Spelldon is good at (top of the class in Potion-Crafting) and what Valentine is (really) good at (Biteology).

Call Backs:

The goblin lady he helped during the summer is from SDCC diary and the “unfortunate birthday party incident (is from “Why Do Ghouls Fall in Love?”). Honey, you almost made Draculaura an empty, unfeeling husk FOREVER, I think that would be a bit more than unfortunate.

Nitpicks: Apparently Elissabat the Vampire Queen and movie star is taking up sponsorships for Fake Blood Murktails (I’m not really feeing that pun….?).

And while Elissabat is a fun cameo, it feels a bit off here, but I know they already wanted to hint at Murktails being a thing.

But, why murktails? Are mock-tails popular with today’s youth?? Why not smoothies…boo-thies? I know flavored/carbonated waters and energy drinks are popular…

Maybe have Elissabat in a new costume in a promotional outfit for the “Cracking Dusk” movie mentioned here

(I would have loved to see a new design on her, like they did for her Vampire Heart movie poster in “Frights, Camera, Action,” and the Draculaura Maul Monsteristas dress).

Also, I wish that the last speech bubble in the second panel was moved over and down a bit more, so you could see Valentine’s hand counting down “two” (I saw their line art on the artist’s page -serious check out their Instagram and I think it’s a shame to cover up such lovely hand artwork, also, you can see how the background line art doesn’t touch the character’s line art, helping them not get lost in the panel).

page 6:

The next thing they have to get is “Himalayan Ice Malt from the Lair or a Yeti.” Valentine and Spelldon….well I actually don’t know what happens. I originally flipped back and forth several times to see if I skipped a page because it just didn’t seem to flow as well, and what happens to cause a distraction for the yeti to leave his office -and his malt- is a bit unclear (to me).

Spelldon mentions that having skates would ruin the plan, Valentine trips stepping forward, but then looks like he’s falling back and the next (BEAUTIFUL PANEL) he’s kneeled down,

gripping his shoulder in pain, leaning over Spelldon, while Spelldon is laying under him (I LOVE his pose), and an explosion is going off. Did Spelldon sneak over to the fishing hole and summon the sea monsters/put an explosive potion in the hole?? Unknown. Then the panel jumps back up and see a bunch of monster fish trying to come out of the fishing hole. 

Am I missing something??? Anyways, the Dreddy the Yeti is distracted and both boys run into his unprotected office and steal the malt.

Pros:

Dreddy running out to fix the problem has some funny dialogue and I love Spelldon’s and Valentine’s conspiratorial look they give one another. 

Again, lovely shading (on the neck, cheeks, and hands especially), even the way the clothes lay on them is great (look at those clothing folds). 

I like the Yeti’s design (the horns, furry arms and legs, the tail is cute, but I’m not sure if it fits….maybe he has some Norwegian Troll blood in his veins). His cardboard cut out is really fun.

Nitpicks: The colorist forgot to color in Spelldon’s jacket’s studs.

page 7:

“And a grave chalice to drink it from,” is the last ingredient. Before they do, Spelldon slips into his Southern twanged accent and Spelldon questions him on why he does that, he doesn’t do it around him. Valentine shrugs and says he doesn’t know but maybe it’s because he feels more comfortable around Spelldon. Spelldon and Valentine go to a mausoleum to get the chalice and instead of Scarah coming in clutch to scare Valentine into Spelldon’s arms, Spelldon somehow trips and bonks his head. 

Pros:

I love the Chibi art for them! It’s so cute!!

Scarah shows up!! I wonder if she could hear Spelldon’s feelings for Valentine and wanted to help?

I love the opening panel. It’s very lovely, and I love the coffin lights and the soft glow they emit (it’s handled here much better than the coffin lights I the previous short).

The part where Spelldon questions Valentine’s accent is a nice addition and fun to see. I like the idea that Valentine puts on the southern gentlemanly air because he thinks it makes him cooler, is funny and the fact that he feels so at ease with Spelldon, he doesn’t bother with it, is also sweet.

I had headcanoned that when going to school in Transylvania, Valentine was getting crap for being a new world American vampire -so uncool and uncivilized for the Transylvanian pure breed Vampires. He was (literally) starving for love/friendship, so he adopted the “perfect” romantic, southern gentleman person. Roughly akin to southern gentleman trope maker: Rhett Butler from “Gone with The Wind,” (it doesn’t really fit with that time period of Valentine living Transylvania being Edwardian/Victorian -the movie came out in 1939- but was one of the highest grossing movies ever and really catapulted the southern gentlemen into public conscious and Monster High timelines are a mess anyways). And it worked great in giving him all the emotions he could feast on.

Nitpicks:

This one I like better than the previous page, but I still feel like it’s a bit out of order. I feel like the panels where Spelldon is asking Valentine about his “bad southern accent” should have been right under the first panel. Then it has Valentine asking Spelldon “what’s the plan?”.

page 8:

It cuts to them finally mixing all the ingredients together in the library, Valentine second guesses and then decides against drinking the potion and Spelldon chucks it back. 

Pros:

Once again, I love the opening panel (Valentine’s face is great on the opening, fourth and seventh panel).

You get some close ups of that rose he took from Valentine’s bouquet as a bracelet and it hasn’t died yet. :D

And Spelldon still has his poor head wrapped. 

Call Back:

I like that Valentine says he has been bettering himself after the “incident” (in which he nearly made Draculaura an emotionless husk).

Nitpick:

Valentine mentions he already considers Draculaura a friend here???? So he IS just upset that she won’t hang out with him/is really busy? >:P

page 9:

Next page! Spelldon reveals that it’s just a Murktail and that he cares for and “likes hanging out with” Valentine. Valentine admits he likes fanging out with Spelldon too and then THIS CUTE PANEL where they flirt. Aaaaand no kiss….again!!! >:/ 

Pros:

Again, I love this artwork (Spelldon looks down-right gorgeous in that last panel) and the two boys admitting that they like each other.

Their facial expressions and how Valentine grabs Spelldon’s shirt is just SO GOOD.

Nitpicks:

Also in that last panel, it looks like the three “…” were accidentally copied into Spelldon’s bandaged head. Haha.

I just wish they were more blatant and we got a dang kiss! 

page 10:

The last page again fast forwards again to sometime later and Valentine and Spelldon are holding hands down the hallways of Monster High. Draculaura runs up and apologizes to Spelldon on how much she thinks he has the wrong impression, she does want to be friends, she just has a lot going on (what’s going on with you in this TIMELINE ghoulie…??!?).

I do like that Valentine catches himself slipping back into his southern drawl (I like that it’s pretty obvious when he falls back into it- but does anyone else have a hard time trying to remember what his voice sounds like without it or is that just me). 

It ends on a great note (calling back to how Valentine does have friends now - with Whisp calling him to ask about his new boo-friend and Spelldon asking how he’s feeling now). 

Pros:

THE ART! All the art. It’s all so good!! The hands in the first panel, the shading on all of them! The little heart drawn on the bottom of Valentines’s shoe. <3 Valentine’s realization he’s slipping into past habits in the third panel. So good!

Nitpicks:

Valentine DOES think they’re already friends, so maybe Draculaura should have ran up and said she thought about it and he does seem to be turning over a new leaf and she does want to fang out with him and maybe try being friends. If he would like, she’s free on -insert day here- maybe even for a double date. Valentine blushes and says he would like that. (CAN YOU IMAGINE A DOUBLE DATE WITH THESE GUYS?!?)

Spelldon’s jacket studs are missing in the fifth panel.

Draculaura is still draw a bit too tall here.

Overall:

I’ve already said it a million times, but I think the artwork is SO MUCH better in this comic than the others. The emotions seem to flow better, the characters are not as stiff, the line work varies, the color story is complimentary, the space doesn’t feel empty, the paneling flows together better. Just on a whole other level than what the previous comics are doing.

The colorist did an AMAZING job on the whole short story, she just elevated the already great line work. It’s FANGTASTIC! I’ll be curious to see where the characters go from here and if they will get dolls (please oh please oh please oh please) or at least another doll that is SDCC exclusives only…

I LOVED seeing Spelldon. Spelldon played more of a supporting role here to Valentine, but I think it worked well as an introduction. His personality seemed a bit quiet and mature, very observant and kind, and he has some wit and sarcasm to him. It’s a nice contrast to the more emotionally turbulent Valentine.  I still wish it was longer, and Valentine getting upset over the fact that Draculaura is friends with him but is too busy to fang out with him (but she implied she didn’t know they were already friends: “of course I want to be friends with you!”) is a bit “eh.” And I would have liked to see at LEAST one kiss.

I could see this short story fitting right into the main G1 canon (even with Draculaura still being suspiciously busy and not her bubbly self, which seems to be part of the new-“Once Bitten”/IDW comic-G1-verse canon).

This took a lot longer than I thought to make, but I managed to do it!

I’m still thinking about maybe doing a Spelldon fanon to canon evolution post, but it might take awhile to compile stuff. I find how the whole fandom basically willed this character into existence and all the different interpretations fascinating. Perhaps I will read the new issue of the IDW comic when it drops in August and make a post (to give the comic an actual fair chance). But I can’t see myself doing it to every issue due to me not collecting floppies (I’d rather wait for them to be all collected first, my cat has already stepped on and badly wrinkled my Pride Comic).

Maybe I’ll begrudgingly picking up the new “Once Bitten” book (I’d really rather get that on a super sale then give them full price for THAT) and report on that. TT^TT

What were your thoughts and feelings? Did I miss something? Have horrible takes? Did I mention the beautiful artwork too much?? Let me know. :) 

[fatphobiabusters]

Brooms by Jasmine Walls and Teo DuVall

[PHOTO ID: The title Brooms is in white all capital letters set against a night scene with a full moon. The cover features two shoulder up illustrations: one is a biracial woman looking away with long black hair and a large earing, one is a Black woman looking forward with a blue collared shirt and a purple biller har, one smaller shoulder up illustration of a Black man with a white collared shirt.

Two full body illustrations on brooms. One of a Chinese woman riding the broom like a surf board wearing a blue handkerchief, white t shirt and blue skirt the other is a Black woman in a yellow dress with one leg up in a stirrup and one arm out with a glow.

And two waist up illustrations of biracial sisters one in pink with glasses and braids and one in purple with her hair up.

Next to the girl in pink and the woman in yellow are the author, illustrator, letter setter and colorist names, in large text: Jasmine Walls, Teo DuVall then in smaller text: Bex Glendining & Ariana Maher. END ID]

Image from Goodreads

Overall rating: 10/10

I can't do a traditional pro cons list because I can't think of a thing I would have wanted different, outside of topics I cant "review" of course (more on this later). However before we get too far I need to lay out the setting so you know what you are getting into! This is a graphic novel about magic realism set in 1930s Mississippi. It follows women (and two girls) of color and their attempt to make cash doing illegal broom racing to make their lives, well easier for one, but also safer.

This isnt a utopia, magic is woven into the racism of the era. No slurs are used but subtle racism is depicted. There is a hierarchy of legality of who can use magic and what kind. It's a underdog story of solidarity and love, it has that "one last job and we retire" energy. While the young girls learn to harness their magic the police patrol, they are supported by a type of found family along side their blood family.

There is a happy ending I will at least spoil that much.

The blending of era and magic is lovingly crafted. For instance one character, Loretta, works as a laundress, she, like a lot of women in the time and place struggle with money and finds work where she can. Magic here isn't like the cheat code for easy living, she cant just magic the cloths clean and mended. It's a muscle to train and partner with not a deus ex eject button for every little thing. Each character reveals so much yet so little of themselves to us and there is an epiloge of sorts that delights the mind to want more of these characters. So I guess my point is, yes magic but also hardships and I've never seen it done like this before.

So all that said let me pull back on all the other things about this story and answer the question...

Hows the fat rep?: The characters come in many sizes, Loretta seems to be the biggest of her friend group. Her weight is never mentioned, no jokes about how a fat person could ride a broom! She's got a loving husband (no jokes about the size difference!) Billie Mae is the second biggest of the main cast perhaps more musclar than fat but is distinct imo in body shape and build and its my review so...she's different from Loretta, Lor is femme leaning and Billie is butch and here too there are no jokes it's simply a part of her design, shes the only woman on the team to wear pants. There are background and unnamed fat characters! You'd be suprised how hard that is to find.

This is very much a situation where weight is not brought up, it exists as a thing and thats it. And I appreciate that because fat peoples lives shouldn't be all about our weight, we deserve to exist with hobbies and interests and jobs.

Additionally: You might have seen that trend where people list off rep of a book and don't even mention the plot? Well I hope my introduction was enough to cover story and such because this comic has: visible and invisible disability rep, sapphics, a trans main character, and remember how I gushed about unnamed characters? There's also physical disabilities. The attention to detail while designing otherwise nameless characters is appreciated.

My limits as a reviewer:

I can't say if there good enough representation for Black women btw. For me this was obvious but I'm adding it just in case.

A main character is Deaf and due to the limitations of the medium the artist and writer had to imply signs. Consideration for the eye line of this character is given, she will bump and nudge people to turn towards her so she can read lips. I cannot say if this is a good compromise or not.

The issue of cultural appropriation could be had. It is mentioned that the author worked with the language experts from the Mississippi Band of Choctaw Indians, and in story residential schools are mentioned and briefly depicted. Was this respectful or enough research I cannot say.

You mighy find additional concern with the trans rep, it is mentioned that an outside source was consulted to bring authenticity. Related, a person was consulted about the Cantonese depicted. Was this enough I cannot say.

Individuals will each have their own feelings about own voices vs researched stories. There's no one perfect answer but I can only provide the info that's in the book to help you make informed decisions.

On Goodreads

[mythjae-blog]

BROOMS cover reveal!!

It's 1930s Mississippi. Magic is permitted only in certain circumstances, and by certain people. Unsanctioned broom racing is banned. But for those who need the money, or the thrills...it's there to be found.

Meet Billie Mae, captain of the Night Storms racing team, and Loretta, her best friend and second-in-command. They're determined to make enough money to move out west to a state that allows Black folks to legally use magic and take part in national races. Cheng-Kwan - doing her best to handle the delicate and dangerous double act of being the perfect "son" to her parents, and being true to herself while racing. Mattie and Emma -- Choctaw and Black -- the youngest of the group and trying to dodge government officials who want to send them and their newly-surfaced powers away to boarding school. And Luella, in love with Billie Mae. Her powers were sealed away years ago after she fought back against the government. She'll do anything to prevent the same fate for her cousins.

Brooms is a queer, witchy Fast and the Furious that shines light on history not often told - it's everything you'd ever want to read in a graphic novel.

Co-created by Jasmine Walls & Teo DuVall Written by Jasmine Walls, illustated by Teo DuVall, with colors by Bex Glendining, and letters by Ariana Maher

Pre-order your copy from your local shop or here: https://bookshop.org/p/books/brooms-jasmine-walls/19716084

[why-i-love-comics]

DC Pride #1 - "Bad Dream: A Dreamer Story" (2023)

written by Nicole Maines art by Rye Hickman & Bex Glendining

[acesincomics]

Did you know? Pre-ordering comics is a really great way to support creators!

Here are a few upcoming graphic novels by ace creators you can pre-order for 25% off through Barnes & Noble’s sale (with code PREORDER25 until April 28th).

Brooms

By Jasmine Walls, Teo DuVall, Bex Glendining, and Ariana Maher

Out October 10th

The Hundredth Voice

By Caitlin Like

Out October 24th

Critical Role: The Mighty Nein Origins--Mollymauk Tealeaf

By Jody Houser, Hunter Severn Bonyun, Taliesin Jaffe, Matthew Mercer, Cathy Le, and Ariana Maher

Out June 6th

The Dog Knight

By Jeremy Whitley, Bre Indigo, and Melissa Capriglione

Out May 16th

[zinjanthropusboisei]

I loved this Believer cover by Bex Glendining (@lgions) so much it's been living in my paper bin since summer 2021...and since I just picked up some fun new washi tap and card stock I finally threw it together with some odds and ends

[geekcavepodcast]

“DC Pride 2023″ Announces Creative Teams and Stories

DC Comics has announced the creative teams and characters featured in DC Pride 2023, DC Comics annual anthology starring LGBTQIA+ characters. The anthology will also feature an introduction by Phil Jimenez and a tribute to Rachel Pollack by Neil Gaiman, Tom Peyer, Jadzia Axelrod, and more.

Stories included in DC Pride 2023 are: 

“Love’s Lightning Heart” by writer Grant Morrison, artist Hayden Sheman, colorist Marissa Louise, and letterer Aditya Bidikar

“And Baby Makes Three” by writer Leah Williams, artist Paulina Ganucheau, and letterer Frank Cvetkovic

“Hey, Stranger” by writer Nadia Shammas, aritst Bruka Jones, colorist Tamra Bonvillian, and letterer Frank Cvetkovic

“Subspace Transmission” by writer and artist A.L. Kaplan and letterer Aditya Bidikar

“Anniversary” by writer Josh Trujillo, artist Don Aguillo, and letterer Lucas Gatton

“Lost & Found” from writer Jeremy Holt, artist Andrew Drilon, and letterer Lucas Gattoni

“Teamwork Makes the Dream Work” by writer and artist Mildred Louis and letterer Ariana Maher

“The Dance” By writer Rex Ogle, artist Stephen Sadowski, colorist Enrica Eren Angiolini, and letterer Ariana Maher

“My Best Bet” by writer Christopher Cantwell, artist Skylar Patridge, colorist Dearbhla Kelly, and letterer Morgan Martinez

“Bad Dream: A Dreamer Story” by writer Nicole Maines, artist Rye Hickman, colorist Bex Glendining, and letterer Rusty Gladd

Pinups in the anthology are by Angel Solorzano, Noah Dao, Babs Tarr, Maria Llovet, Brandt & Stein, Claire Roe with Tríona Farrell, and Travis Moore with Tamra Bonvillain. Covers are by Mateus Manhanini, Gabriel Picolo, Oscar Vega, and Jen Bartel.

DC Pride 2023 goes on sale on May 30, 2023.

(Image via DC Comics)

[smashpages]

Preview pages from Brooms (Levine Querido, October 2023) by Jasmine Walls, Teo DuVall, Bex Glendining and Ariana Maher.

[graphicpolicy]

DC Pride 2023 is another great anthology with a lot to celebrate and entertaining

DC Pride 2023 is another great anthology with a lot to celebrate and entertaining #dcpride #lgbtq #comics #comicbooks #lgbt

DC Pride is back again with a brave and bold and all-new collection of stories starring DC’s fan-favorite stable of LGBTQIA+ characters–many of whom will find themselves in thrilling team-ups the likes of which you’ve never seen before! Story: Grant Morrison, Jeremy Holt, Leah Williams, Mildred Louis, Rex Ogle, A.L. Kaplan, Josh Trujillo, Nicole Maines, Christopher Cantwell, Nadia ShammasArt:…

[phieral]

﹙ 𝑆𝑈𝑀𝑀𝐸𝑅 𝐹𝐴𝑁𝐺𝑂𝑈𝑇 ﹚𝄒ㅤ ㅤⓘㅤ 🪽

Cómic “Summer Fangout” del PRIDE 2024 traducido al español.

TAGS: Girls Love (BL), Clawdeen Wolf x Toralei Stripe, Howleen Wolf, Clawdia Wolf, Clawd Wolf, Ghoulia Yelps, Kjersti Trollsøn, Jackie Lope, Bridgett Rolle, Cleo de Nile, Abbey Bominable, Frankie Stein, Lagoona Blue, Monster High.

CR: Hannah Templer, Megan Brown, Siobbhan Keenan, Bowen McCurdy, Rebecca Nalty, Bex Glendining, Betsy Cola, Kielamel Sibal, Riley Farmer, IDW Publishing.

La traducción fue hecha por mí, NO ES OFICIAL. ♱⎯⎯ 𝑀𝐴𝑆𝑇𝐸𝑅𝐼𝐿𝑆𝑇𝑆 𝑀𝐻: 𝐺𝐸𝑁𝐸𝑅𝐴𝐿 | 𝐷𝐼𝐴𝑅𝐼𝑂𝑆 | 𝐶𝑂́𝑀𝐼𝐶𝑆

Pedido de: @natsumiai

Quizás quieras leer . . . i. “I Put A Spell on You”

𔘓 ﹙ 𝔓HI⎯⎯ 𝐸𝑅𝐴𝐿 ﹚ 🪦 ̸̷ׅ ׄ ㅤ “𝑚𝑒𝑚𝑒𝑛𝑡𝑜 𝑚𝑜𝑟𝑖” 30 de junio de 2024

[buffythecomicslayer]

The Vampire Slayer #2

Publication date: May 25, 2022

Willow is still coping with what she and Giles did when he asks her to come to the Library immediately. But when she shows up, Giles isn't alone.

Facing new challenges, Willow's resolve is tested, while Faith is introduced to a familiar slayer...

Script: Sarah Gailey; illustration: Sonia Liao; letters: Ed Dukeshire; covers: Bex Glendining, Francesco Francavilla, Jung-Geun Yoon; upcoming cover: Goñi Montes.