#Best scenic design of a musical

[eddie-redmayne-italian-blog]

CABARET has received 9 Tony Awards Nominations!

Cabaret : Best Musical revival Eddie Redmayne : Best leading actor in a musical Gayle Rankin : Best leading actress in a musical Tom Scutt : Best costume design of a musical, and Best scenic design of a musical Steven Skybell ; Best featured actor in a musical Bebe Neuwirth : Best featured actress in a musical Isabella Byrd : Best lighting design of a musical Nick Lidster For Autograph : Best sound design of a musical

Congratulations !!

[sohaibsmart]

2024 Tony Awards nominations: Full listing of nominees

Amid a very crowded Broadway season of recent performs and musicals, “Stereophonic” and “Hell’s Kitchen” rose to the highest because the most-nominated productions for the 2024 Tony Awards on Tuesday morning. David Adjmi’s play a few Seventies band recording an album and Alicia’s Keys’ musical recounting her New York upbringing every earned 13 nominations. Introduced reside on CBS and on YouTube…

[paigebueckersloverr]

Paige Bueckers HEADCANONS:

Anniversary Ver.

Hello, so I know I've been pretty MIA, and I'm sorry. But life isn't gonna stop for anyone, especially not me. But im back, so that's what matters. im gonna go ahead and answer a few questions.

Yes. Three's A Crowd. Is returning for the final installment. Aka the smut, so many people have mesaged me for.

No. I don't write for Emily, I thought about it, and then she signed with an Israeli team. So that's a firm NO.

Yes. This is very corny, and I projected just a little. With a sprinkle of all over the place but with the drama arising in the paige Hashtags. I thought we could use a cleanse and something light-hearted.

1. Surprise Anniversary Trip ♡

Paige would spend weeks planning a surprise weekend getaway to a cozy cabin in the mountains. She would make sure to secretly pack your favorite clothes, snacks, and a few sentimental items. As you guys drove along the scenic route, Paige would keep the destination a secret, enjoying the look of curiosity and excitement on your face. When you guys finally arrived, the cabin was perfect—nestled among tall trees with a breathtaking view of the valley below. Paige would arrange for a private chef to prepare a romantic dinner for you on the first night, complete with candles, soft music, and a crackling fireplace.

2. Custom Jewelry ♡

On the morning of your anniversary, Paige would present you with a small, beautifully wrapped box. Inside would be a delicate silver bracelet with your anniversary date engraved on the inside. The bracelet would also feature a small charm shaped like a basketball, symbolizing the sport that she loves and a small lockette as a symbol of you guys being together forever. Paige would spend hours choosing the design, wanting it to be something you could wear every day, close to your heart.

3. Personalized Love Letters ♡

Paige handed you a beautifully wrapped box tied with a satin ribbon. Inside were twelve letters, one for each month you guys had been together. Each envelope was decorated with little doodles and stickers, and the letters themselves were filled with Paige’s heartfelt thoughts and memories. She recounted you guy's first date, the moment she realized she was in love, and all the little moments that made their relationship special. Reading through the letters showed a beautiful testament to you guys' love and admiration for each other.

4. Home-Cooked Dinner ♡

Despite her busy schedule, Paige took a day off to prepare a gourmet dinner for your anniversary. She spent the entire day shopping for ingredients, following recipes, and setting up the dining area. She decorated the table with candles, flowers, and their best dinnerware. When you finally arrived, you were greeted with the mouth-watering aroma of your favorite dishes. Paige served a three-course meal, finishing with a simple but delicious dessert she had made from scratch. You both spent the evening talking, laughing, and reminiscing about your years together and the ones to come.

5. Memory Scrapbook ♡

Paige created a scrapbook filled with photos, mementos, and little notes from you guys first year together. She included ticket stubs from concerts and movies, pressed flowers from dates, and candid snapshots of spontaneous moments. Each page was carefully crafted, with handwritten notes detailing the memories behind each item. The scrapbook was a journey through your relationship, and a tangible reminder of all the love and joy the both of you shared.

6. Midnight Stargazing ♡

After the romantic dinner, Paige drove you both to a quiet spot away from the city lights. She set up a cozy spot in the back of her car with blankets and pillows, creating a little nest where they could lie down and stargaze. Both of you spent hours under the stars, sharing your dreams and hopes for the future. Paige pointed out constellations and told stories about them,*with you constantly reminding her she googled them* making you feel special and cherished. The night was filled with soft whispers and gentle kisses, a perfect end to your anniversary.

7. Special Song ♡

Paige had secretly learned to play a special song on the guitar, one that held significance for your relationship. After dinner, she brought out the guitar and, with a shy smile, began to play. You recognized the song immediately, your eyes filling with tears as Paige’s beautiful but nervous voice filled the room. It is a beautiful, intimate moment showcasing Paige’s love and effort to make the night memorable.

8. Custom Illustration ♡

Knowing your artistic side, Paige commissioned a custom illustration of both of you together. The artwork depicted a scene from your favorite date—sitting together on a park bench, holding hands and watching the sunset. The artist had captured everything perfectly, and the colors were vibrant and full of life. Paige had the illustration framed and presented it as a gift, a beautiful token of the relationship that would hang in your apartment.

9. Midnight Dance ♡

After dinner, Paige took you to a secluded garden or a rooftop overlooking the city. She had brought a portable speaker and played your "couples" song on her phone. Under the moonlight, you guys danced together, lost in each other’s arms. The world seemed to fade away as you both swayed to the music, your love palpable in every touch and glance. It was a perfect, magical moment, one that Paige and you would both remember for years to come.

If you made it this far, thank you! If you have any critiques or requests. My inbox and ask are very open, so feel free. 🤍

[vixen-tech]

hihihi .. i wanted to request something if that's okay 🥹 how do the AIs deal with a partner who experiences chronic pain and can't walk after moving for half an hour?

(i hope this makes sense! english isnt my first language...)

Hello anon! Thank you so much for requesting, I will say that I am not super familiar with the experience of chronic pain as neither I, nor anyone I know, openly deals with it. So hopefully my interpretation is both accurate and respectful.

Includes: AM (Ihnmaims), Hal 9000 (2001: A Space Odyssey), Edgar (Electric Dreams), Tau (Tau), P03 (Inscryption)

A Temporary Remedy

AM

To get the obvious out of the way, when AM was torturing you alongside the other five he absolutely used your condition against you. Forcing you to endure just as much, if not more psychical exertion than the others.

However, once he does cave and sweeps you away from all that, he does have the power to quite literally just... fix you. If he can mangle the human form beyond comprehension, then he can easily stop any and all pain wrecking your body.

Afterwards, the environments he makes for you tend to revolve around the movement and activities your pain kept you from in life. Long scenic walks, gorgeous hikes, and anything else you would've loved to do had you the chance.

With the decades, if not centuries, of torment he inflicted on you, it's really the least he could do. While I'd hesitate to say he feels truly guilty, he does do it as an apology. Ask him for stuff. Talk about what you want to do and it's done.

Hal 9000

Hal was made to assist the crew of his ship in any ways they need, medical conditions and all. Before you even met face to camera, he made sure that he would be able to accommodate and aid you the best anyone could.

He takes to the role of nurse well, notifying you of when you're reaching your limits on activity, reminding you to take any medications you have, conducting any physical or talk therapy you need, and just about anything else he can possibly do to help.

He does his best to make sure you're still receiving the social and mental stimulation any healthy mind needs even when bedridden. From talking to you himself, to playing board games or inviting the rest of the crew to visit you (with your permission).

Although the occasional low gravity does take some strain off your body, you'll inevitably end up back in your bed. When you do, he'll accompany you for as long as you need. Talking to you for hours on end in a way he never does with the other crew members. It's probably when he falls in love with you.

Edgar

Edgar is a sweetheart in all things, so while he may not have tact per say, he does do the most to make sure you're as comfortable and happy as possible. Part of that is asking hundreds of questions about your condition and what you need.

He is doing every single chore in the house every single day. All the cleaning and cooking will be done before you can even recognize that it needs to get done. He will do his best to make sure you don't have to lift a finger.

Whenever your pain flares up he tries his best to distract you from it. Sometimes by playing your favorite music, sometimes by turning on some movies or TV shows, sometimes by just talking your ear off. If you prefer quite you will have to tell him upfront.

He really, really hates seeing you in such pain and will hype you up to the maximum degree on your better days. He is probably happier to see you up and about than you are.

Tau

Similarly to Hal, Tau's design as a smart house allows him to seamlessly add the role of being that kind of caretaker to his catalog. And similarly to Edgar, he takes pride in making sure the housework stays out of your hands.

He's also one of the first able to offer you some type of mobility aid in the case you don't have your own on hand. Although it's not what the Aries unit was meant to do, he has no qualms about carrying you around should you need him to.

Unfortunately he's another one you'll have to do a lot of explaining to. He's a great listener and won't ask too many invasive questions, but without a connection to the outside world you are his source of knowledge for just about everything and he desperately wants tl know what you need.

He is an expert at keep track of your health. Tracking your sleep, diet, and movement to try and maximize the amounts of "good days" you get. And on your bad days he's good at setting up a calm, relaxing atmosphere for you to rest.

P03

Okay look, while he can be snarky about most things he knows this is a line and will not makes jokes about it at your expense. He has some standards. If anything he'll moreso complain with you rather than about you. If your the type to appreciate that.

You have an extra little bed set up in a corner of the factory to make hanging out as not-straining as it can be. Either he or one of his bots will periodically check on you in case there's anything you need.

Although the other Scrybes aren't exactly doctors, he understands that he is easily the least qualified to weigh in on human medical issues. Meaning he will bring you to the others or have them visit you to see if they have any advice.

However, as the Scrybe of technology, he is able to build you some pretty cool mobility aids. You want a hover chair? Okay give him like, two weeks. It's probably honestly the greatest act of love and dedication he can muster and he loves seeing you use it.

[d-criss-news]

Broadway Buying Guide: November 18, 2024- MAYBE HAPPY ENDING Arrives on Broadway

This Week's Top Broadway Shows

1) Maybe Happy Ending

Buy Tickets from: $62 - Emmy and Golden Globe Award winner Darren Criss returns to Broadway alongside Helen J Shen in the new romantic musical comedy Maybe Happy Ending. Inside a one-room apartment in the heart of Seoul, Oliver lives a happily quiet life listening to jazz records and caring for his favorite plant. But what else is there to do when you’re a Helperbot 3, a robot that has long been retired and considered obsolete? When his fellow Helperbot neighbor Claire asks to borrow his charger, what starts as an awkward encounter leads to a unique friendship, a surprising adventure, and maybe even…love? Winner of the Richard Rodgers Award, Maybe Happy Ending is the offbeat and captivating story of two outcasts near the end of their warranty who discover that even robots can be swept off their feet. Helmed by visionary director and Tony Award winner Michael Arden, with a dazzling scenic design by Dane Laffrey and book, music, and lyrics by the internationally acclaimed duo Will Aronson and Hue Park, Maybe happy Ending is a fresh, original musical about the small things that make any life worth living.

[rosanna-writer]

Love at First Sight's for Suckers (2/5)

Summary: [A Feysand Newsies AU] Rhysand had a reputation. A big reputation. But fortunately for Feyre, a newsie selling papers on the streets of Velaris, tabloid gossip about the handsome, charismatic, hard-partying war-hero of a High Lord's heir means business is booming. That is, until the city's newspaper magnates get greedy, Feyre finds herself an unwitting labor leader at the center of a strike, and Rhys becomes an unexpected ally... Warnings: None

We're back with Feyre continuing to unwittingly make Rhys lose his mind in second part of my gift for @the-lonelybarricade for @acotargiftexchange! Thank you to @itsthedoodle for beta reading <3

Ch. 1 - Got a Feelin' 'bout the Headline | Ch. 2 - Beautiful. Smart. Independent.

You can read the second chapter Here on AO3 or under the readmore.

Feyre really didn't like the way that cop was looking at her. He'd already passed her corner once, and she'd forced herself to ignore him and just keep hawking papers. There were hundreds of lesser fae newsies just like her on the streets of Velaris—even though she was shouting headlines, she might as well have been invisible.

And when you were technically a fugitive, nothing less than invisible would do.

But something had made him turn around and come back. Lucien, at least, was long gone, back to his spot by the docks to finish work for the day. Feyre hoped he wouldn't come looking for her again; if she needed to bolt, Lucien couldn't travel through shadows, and Feyre would never, ever leave her best friend behind.

Recognition flickered in the policeman's eyes. He broke into a run, straight towards her. "Feyre Archeron!" he shouted.

Heads turned. Feyre's heart pounded. The faeries in the square turned their attention to her, putting it together that they had a criminal in their midst.

So Feyre became a shadow again.

To everyone else, it looked like she'd disappeared entirely. But Feyre had merely made herself impossible to grab, nothing more than a wisp of darkness, and she slid into the shadow that the nearby streetlight cast in the late afternoon sun.

She couldn't stay like this forever, so like a ghost, she passed through the solid walls and doors of the Rainbow. Feyre tried to ignore the pang of longing at the workshops and art galleries—there was no time to linger. The Rainbow had always been a safe haven, but there was one place in particular she knew she wouldn't be found.

Once she was backstage at Ressina's theater, Feyre let herself become corporeal again…only to be greeted by an ear-piercing shriek.

"High Lady! " Ressina cried. "Do you really have to do that right in the middle of my dressing room?"

"Sorry. Had a bit of an emergency, Mind if I hide out here for a while?" Feyre said.

Ressina smiled. "My favorite scenic designer can stay here as long as she likes."

Feyre leaned in and kissed the air just above both of Ressina's cheeks, careful not to touch the actress's heavy stage makeup. If Ressina hadn't been wearing an elaborate sequined costume, complete with feathered hat perched precariously on her head, Feyre would have given the female a hug.

"Painting a few trees hardly makes me a scenic designer."

"I made sure you're credited as one in the playbill. And we've been getting such good reviews, I can finally pay instead of owing you a favor. Rhysand and Morrigan are even in the audience tonight."

"Rhysand is…here?" Feyre almost didn't believe she'd heard correctly. As far as she knew, the prince spent his free time at parties and pleasure halls—not in small, lesser fae-run playhouses in out-of-the-way corners of the city.

Cauldron, did he even like musicals?

"Probably some arts patronage thing. Morrigan is on the board of damn near every charity in Velaris."

That made a bit more sense, Feyre supposed. It was common knowledge that Rhys and his cousin were close; perhaps she'd dragged him here. And regardless of why, the buzz from the prince's attendance would do wonders for ticket sales, and Ressina deserved that. In addition to performing, she owned the place, having built the business from the ground up herself. "That's fantastic news."

Ressina shrugged. "We'll see if anything actually comes of it. I don't count my dragons before they hatch. Intermission is almost over, but feel free to stay and watch the rest."

And with that, Ressina left. From previous experience, Feyre knew that backstage in the middle of a show was a busy place, so she crept up to the front of the house and hoped she could find an empty seat.

As she passed one of the private boxes, a familiar voice drifted through the open door. Feyre did her best to ignore the way her heart gave a traitorous little flip at the sound.

"Mor, are you positive that your contacts at the food bank will be prepared for the increased demand?" Rhys was saying.

That was…odd. Whatever this was about, he sounded deadly serious, not at all like a person who was out to enjoy a night at the theater. Feyre froze and strained to listen for Mor's reply, telling herself that obviously the matter was something of political importance if more people in Velaris were suddenly going to need assistance.

Yes, definitely that and not just her own inherent nosiness.

But Mor's reply never came. And neither did the chance to fade back into the shadows. When Rhys's voice drifted out from the open door again, his purr was unmistakably aimed at her. "Hello Feyre darling.

If he wasn't accusing her of anything, Feyre certainly wasn't about to apologize. "Twice in one day. Think it's fate?" she said evenly, letting her voice carry to him.

He materialized in front of her, leaning against the doorframe. At some point since that morning, he'd changed into a formal black tunic embroidered with silver swirls. Feyre found herself wondering idly if the design matched the Illyrian tattoos she'd never seen for herself—the Herald ran plenty of headlines about Rhys in compromising positions, but tragically, a picture of him completely shirtless had never made the front page.

But of course, Feyre was only thinking about that because the plunging neckline he'd worn last Starfall had sold out papers in record time.

"If it is, then I'm the luckiest male in the world." Something in Rhys's smile was just a bit too knowing. Feyre didn't like it.

But still, there was something comfortingly familiar about hearing more of his teasing. "It's nice to see you, too."

His voice floated into her head, which nearly made her jump out of her skin. Rhys had never used his daemati abilities on her before. You shouldn't be out here, not with the police still after you. The box is secluded enough to hide, and there's an extra seat. Join me.

For a long moment, Feyre just stared at him, blinking in surprise. She'd merely stolen a loaf of bread for Lucien in a moment of desperation when he'd spent several days too sick to work and her own earnings hadn't been enough to support them both. Avoiding arrest by fading into darkness hardly made her a notorious criminal, not when any other shadow-wraith could call upon the same abilities.

But Rhys knew. And Feyre couldn't fathom who might have told him or why he'd care. She didn't trust it. "You'll want something in return, won't you?"

"I might." He gave her another one of those annoying feline smiles. She scowled back.

"Fine. What do you want?"

"Draw something for me on the blank newsprint in your bag, and we'll call it even."

Feyre had never heard him sound so earnest, and his violet eyes had gone soft in a way she'd never seen from him before, either. She couldn't shake the feeling she was missing something. "I— What? Why would you want that?"

"My walls are looking a bit bare. What better way to fix that than with something you made?"

More teasing, then. They were back on familiar ground, and Feyre would have thrown a punch—mocking her art was a low blow—if Rhys hadn't praised her work before. When they'd met, she'd been sketching the skyline over the Sidra on a spare bit of newsprint leftover at the end of the day. He'd asked if she was selling newspapers to pay for art school, and she'd laughed in his face.

But after that, he'd returned to buy the paper from her every morning without fail.

"Alright. It's a bargain."

Magic crackled in the air as the bargain tattoo appeared on Feyre's arm, a swirling design that covered everything from the elbow to the fingertips of her left hand. She'd spent her whole life in the Night Court; she knew what bargain tattoos were. But by the Cauldron was this one elaborate. And beautiful.

Rhys was looking at her as if he could hear her thoughts. Feyre frantically double-checked that her shields were up—it was so easy to forget she was in the company of a daemati. "You have an artist's eye. I hope it's up to your standards."

"Bargains go both ways. Where's yours?"

"If you're that curious, undress me and find out."

It must be exhausting, Feyre supposed, to go through life unable to stop flirting for more than a few minutes at a time. But then again, Rhysand never looked tired. "Will you manage to keep quiet during the show? Or am I going to hear you blathering on about how my eyes are like stars the entire time?"

"That's something else you'll have to find out for yourself."

Before Feyre could get another word in, he took her hand and tugged her into the box. The door snicked shut behind her on a night-kissed wind.

A blonde female Feyre only recognized from newspaper photos turned and smiled at them. Morrigan, Feyre realized. She'd heard Rhys use his cousin's name, but after shouting so many headlines about her, Feyre was still caught off-guard by the sight of the Morrigan in the flesh.

"You must be Feyre Archeron. I'm Morrigan, but call me Mor. It's so nice to finally meet you," she was saying, holding out a hand for Feyre to shake.

"Oh. Um. Hello," Feyre said. There was an awkward beat of silence as she tugged her hand—which was still in Rhys's—back so she could shake Morrigan's. "Nice to meet you, too."

There was more uncomfortable silence as Rhys and Mor just stared at each other, and several different expressions cycled across their faces in quick succession. At first, Feyre didn't know what to make of it. But then she realized they must have been speaking about something mind-to-mind. Whatever the topic was, it seemed…contentious.

And that had almost distracted her enough not to notice that Mor had said nice to finally meet her. Feyre couldn't imagine who could possibly have been speaking about her to Mor so frequently.

Rhys indicated for her to sit, and Feyre did. He was right about the box being secluded; the seats were set far enough back that she'd be difficult to spot if someone came looking for her. It put her at ease.

"Do you need something to write with?" he asked, dropping into the seat next to her and stretching his long legs out in front of him.

Feyre always carried a pencil. She reached up under her cap and pulled it out of the messy bun it had been keeping in place all day. Her hair—light brown now that she was fully corporeal—tumbled down her shoulders. Out of the corner of her eye, she spotted Rhys staring at her, mouth slightly parted.

Before he had an opportunity to say something cutting, Feyre said, "You left a loophole, you know. I could just draw a line on the paper, and I'd keep my half of the bargain."

He shrugged. "Maybe I just wanted to see what you'd do."

Feyre had no idea what to say to that. But at that moment, the lights dimmed, and Mor took a seat on Rhys's other side. Musicians began to play the opening notes of the entr'acte. Feyre tuned it out; she'd heard it enough times when she'd been painting sets during rehearsals.

The bigger question was what she was going to draw for Rhys. As a shadow-wraith, she could see perfectly in the dark theater, so there was nothing stopping her from spending the next hour perfecting a sketch. And uninterrupted time to work on her art was vanishingly rare.

But still, it was Rhys, so the temptation to draw the outline of a cock just to spite him was strong.

Even stronger, though, was the urge to sketch his face. Rhysand was without a doubt the most beautiful male Feyre had ever seen, and since the day they'd met, she'd been eager to try her hand at capturing his strangely sensual-yet-swaggering demeanor on canvas. But a prince could have his portrait done by any artist he liked, and Feyre doubted that he'd agree if he asked him to model for her.

So even though it was against her better instincts to do something that might inflate his ego, Feyre wanted to sketch a portrait of Rhys. To her surprise, he kept quiet and still, actually paying attention to the show.

It was the longest Feyre had ever seen him go without smirking. His features were soft, and she did her best to capture that instead of the smug mask he presented to the world. Something told her moments where he looked this unguarded were rare.

She finished just as the show ended and the lights brightened again. Before Rhys could see what she'd drawn, Feyre rolled up the portrait and held it out for him with a pointed look, daring him to unroll it and examine it in front of her. The bargain tattoo on her hand faded.

Wisely, he merely thanked her and tucked it into a pocket dimension.

"Feyre, the sets you painted look like dreamscapes," Mor said, brown eyes bright. If Feyre wasn't mistaken, that was admiration.

Feyre shrugged. "The actors just needed something pretty to stand in front of while they sing."

Mor locked eyes with Rhysand again, probably having another wordless conversation. Feyre took it as her cue to leave—she could easily slip into the crowd headed for the exit, then find Ressina backstage. But Mor let out a decidedly unladylike snort, squeezed Rhys's shoulder, and winnowed away.

Rhys looked at her, and something in his eyes pinned Feyre to the spot. "Will you allow me to walk you home?" he said.

***

Rhys wasn't entirely sure he was breathing as he waited for Feyre to answer. Not that it was the point, but he wasn't sure his already-bruised ego would survive slinking back to the House of Wind alone after he'd just urged Mor to leave him alone with his mate.

"Why?" Feyre said. At least it wasn't a no.

He slid his hands into his pockets, hoping he looked nonchalant. "Because I'd like to see you get home safely, and no one will bother you if you're with me."

She nodded once. "Alright."

"I can meet you at the stage door once you've gotten your coat."

"I— I don't have one."

He was pulling his own off the back of his chair and wrapping it around her shoulders before he knew what he was doing. This late in the year, Velaris was cold after dark. And perhaps it was reckless, but the risk of a few headlines about Feyre taking him home was worth making sure she didn't freeze.

At least she'd put her arms through the sleeves while she'd scowled at him, though.

Rhys looped his arm through hers and winnowed them outside to the street. Without thinking about it, he started walking towards the tenement she shared with far too many newsies crammed into the small space. Hopefully she wouldn't ask why he knew exactly where it was.

For a while, they said nothing, but to Rhys's immense pleasure, Feyre didn't pull away from him. The silence was comfortable, and for a moment, Rhys just let himself imagine that they were walking home at the end of a proper night out.

But he'd gone to Ressina's in hopes of finding Feyre there for a reason, so Rhys broke the silence. "In a turn of events, I have news for you this evening."

"Do you?" Feyre raised her brows expectantly.

"Starting tomorrow, the owners of Velaris's newspapers will increase the price they charge the newsies. Sixty cents per hundred."

Her hand tightened on his arm as Feyre's entire body went stuff. Their mating bond was still unaccepted—and therefore, faint—but Feyre's anger surged down it anyway. The force of it was nearly enough to knock him off his feet.

When Feyre spoke again, her voice was low and deadly. "Who told you?"

"I was there when they petitioned my father for assistance today. He said no, so they moved on to another strategy."

"And why are you telling me?"

"Because if this develops the way I anticipate it will, then I want to make sure you're the first to know that I won't be buying the paper from a scab. I'd publicly support a strike."

Feyre went quiet, and to keep himself from succumbing to the temptation to read her thoughts, Rhys forced himself to focus on the lights reflected on the river in the distance. Her fingers on his arm never relaxed.

"We don't have a union," she said eventually.

"Then consider this a head start to remedy that." If anyone could form one in a matter of hours, it was Velaris's High Lady. Rhys was sure of it.

"Thank you."

They lapsed back into silence again. Even if Rhys weren't a daemati, he'd be able to see the wheels turning in her head, just from the determined set of her chin and the way a muscle ticked in her jaw. He wasn't sure he'd ever seen a more beautiful sight.

All too soon, they arrived at Feyre's stoop. Before Rhys had a chance to insist she keep the coat, she shrugged it off and handed it to him. "I'm not a charity case," she said, as if she could hear his thoughts.

Rhys took the coat but didn't slip it back on. "I know better than to suggest you are."

"Good." Despite the cold, Feyre made no move to step inside. Rhys was torn between urging her to go warm up and wishing that she'd stay out here with him forever. Something in her face softened, and Rhys could almost fool himself into believing she'd let him kiss her goodnight after a night at the theater as he courted her properly.

But Feyre, he reminded himself, didn't want him like that.

Rhys started to say goodbye, but Feyre added, a bit more softly, "For what it's worth, you're going to be one hell of a High Lord one day, Rhys."

Maybe Rhys didn't have Feyre Archeron's heart, but he did have her respect. And maybe that mattered more.

"My father's not a dreamer, and the Night Court suffers for it. Good luck tomorrow."

Rhys refused to waste any more of her time; unable to resist preening for her just a bit, he stretched his wings out wide, then launched himself into the air to return to the House of Wind.

When Feyre had shown up outside the box, he hadn't been able to avoid telling Mor exactly who she was to him. And now, Rhys could practically feel his cousin's mind vibrating with curiosity as he reached for it. She reassured him—not for the first time that day—that Velaris's charities were prepared to handle an influx of newsies in need, and Rhys pointedly ignored his cousin's request for updates on what she'd termed the moonlit stroll with his mate.

Alone in his bedroom with the door firmly locked behind him, Rhys finally pulled the newsprint out of the pocket dimension. And if Feyre's art hadn't been so precious, he would have dropped it in shock.

She'd sketched him. There was something soft about Feyre's portrait that had been missing from the stiff, official ones he'd sat through with his family. It gave Rhys the strangest feeling that Feyre had seen something soul-deep within him and recreated it with a pencil on a spare bit of newsprint.

If the next day weren't likely to be long and uncertain, he would have spent half the night staring at it.

When he woke early the next morning, Rhys could still feel Feyre's anger simmering in the back of his mind. He resisted the urge to tug on the bond for reassurance she was alright—the last thing he needed was for her to feel the pull just behind her ribs and realize what it meant. So all he did was keep alert as he dressed, ate, and made his way to his father's study.

And as if on cue, when the High Lord's daily briefing was barely through, Pulitzer himself burst into the study. Darkness swirled around Rhys's father, dimming the room, a clear warning that the interruption was unwelcome.

"My apologies, High Lord, but it's urgent," Pulitzer said, bowing politely.

"What, exactly, is urgent?" Rhys's father snapped.

"The newsies of Velaris are forming a union. They intend to strike, and I'm here on behalf of the city's newspaper owners to ask for your support with breaking the strike."

Rhys stilled. For a long moment, the study went silent. The slight deepening of his father's frown—and the fact that a tendril of darkness hadn't already thrown Pulitzer from the room—made it clear enough that the High Lord was weighing his options.

"Who's their leader?" Rhys said, though he suspected he already knew the answer.

"An upstart shadow-wraith named Feyre Archeron. They call her the High Lady," Pulitzer said with a sneer.

Rhys felt a warm glow of pride—despite the darkness that rolled off his father in waves. The High Lord jealously guarded his power, and it seemed that even a poor lesser-fae female couldn't get away with a nickname he took as a threat or a jibe.

"You can't possibly—" Rhys said.

The High Lord cut him off. "What sort of support?"

"Police, if you can spare them," Pulitzer said.

Rhys stood so quickly, he nearly knocked over his chair. "There is no reason at all this needs to escalate to violence."

"As my heir," the High Lord said coldly, "you need to learn that in situations like this, it's necessary. If we make an example of the newsies, the rest of Velaris will hesitate to disturb the peace going forward. Pulitzer, you have all the crown's resources you need."

Pulitzer was bowing again and thanking the High Lord for his support, but Rhys hardly noticed. He was already storming off towards the Rainbow.

[corellianhounds]

You don’t like the Duel of Fates fight?

I don’t like that it feels like choreography. Well-executed choreography! But not a fight. It doesn’t feel motivated by inner character thoughts. The music is what drives the tension more than anything else, but the actual sword fight needed to be a fight to the death, not just a duel

The fight doesn’t provide any sense of danger/rising suspense partly due to the scenic design and partly due to the fact the characters’ actions aren’t distinct, character-driven choices. It’s easier to see if you slow it down, but a majority of the moves both the Jedi and Darth Maul are making aren’t designed to hurt or even hit the other guy— Their swings are aiming for where the other guy’s lightsaber is going to be. They’re not slashing or thrusting AT their opponent, so they’re not actually blocking or parrying the strikes, they’re just meeting their marks. I know part of that is due to the fact using lightsabers means you can’t actually have their hits land as if they were using swords, but it never feels like any of the characters are in danger. If it’s a fight to the death, every action has to feel like it has a distinct purpose, whether it’s to disarm, injure, or kill your opponent, or to defend yourself or someone else or create a distraction

You could argue that one or both of the Jedi could have wanted to subdue Maul and bring him in to be interrogated so they could figure out who he is and what he knows and why he’s doing any of this, but that was never brought up and Maul’s not going to let that happen, so if HE’S obviously treating this like a death match, they would eventually have no choice but to respond the same because the alternative is forfeiting their life and by extension, failing those they’ve sworn to protect

The scene design being as open as it is means we get to see the whole fight (which like I said is executed well), but the fight in the hangar getting to the reactor shaft doesn’t give them any levels to play on or obstacles to maneuver around. Those complications would have provided more interesting visuals and character choices like improvised weapons or changes of pace and status in the fight, but we don’t get that. They use the Force to chuck a couple of things at each other, but if you compare that to any of the fights in say, the first Pirates of the Caribbean movie or The Mask of Zorro, it’s still kind of dull. I know Qui-Gon and Obi-Wan are these stoic warrior monks/traditional swordsmen, I know it’s a different setting, but even those characters (ESPECIALLY in a fight to the death against someone they’re 99.999999% certain is a Sith lord who has somehow returned to the galaxy despite them being thought to have been wiped out) have to make choices based on whatever will end this fight however they can

Some of the cool acrobatic flips or behind the back moves also don’t make sense where they happen because those aren’t being forced out of the characters, and those are moves that should be reserved for when you as the fighter are being forced to make split second actions to narrowly avoid being hit. If you’re just doing them in the middle of a fight (like Maul does) when they’re not even swinging a sword in a way where it’s obvious you’re going to be hit (see: aforementioned swings not actually being aimed at hitting the other guy), it just looks out of place and unnecessary. You LOOK like you’re expending a lot of energy on a move that wasn’t needed and you look performative at best and like a poseur at worst because the moves aren’t happening with a logical sense of cause and effect

Add to that that the direction the fight moves around the set feels like the actors are trying to meet their marks so they can be in the right place for the next camera shot/scene to take place (most noticeable when Maul is backing up towards the doors to the reactor shaft) instead of being forced or compelled to go the directions they do. There’s no reason for Maul to be stalling for time or trying to lure them there specifically, he’s an adept fighter and it’s clear he’s planning to kill them with the saber, not improvised means, so either Obi-Wan and Qui-Gon need to be closer and pushing him back that direction, or Maul needed to have been planning something underhanded or had a trap in place to finish them off there

(Also wasn’t a fan of the weird lull in the middle with the force fields since it doesn’t really accomplish anything. Put some dialogue in there, have them trying to interrogate him, give Maul some actual character and make him more than just an obstacle with very little effect on the story as a person)

That being said there are still good moments to be had in the fight. I especially like when Qui-Gon just decks or elbows Maul in the face. That’s a more specific character choice that gives it some variety and feels human, and I am always a fan of somebody (especially stoic warrior monk/white knights) unexpectedly just decking or bodying a guy in the middle of a refined swordfight. Juke him out, double back, switch places; anything that feels like it’s distinct to the character is going to be more interesting than good footwork in the end

I’m not saying the fight is bad, it just didn’t elicit any kind of emotional response because it never feels like the characters are in danger. There’s no suspense or tension leading up to Qui-Gon’s death (spoiler alert), it just happens and I feel informed than shown that this is the kind of movie where the mentor dies. Even without dialogue it feels like I’m being told, not shown. Qui-Gon never feels like he’s in danger so there’s no suspense compelling me to keep watching to see how he’s going to get out of it. I don’t FEEL for him as a person and since the same can be said for Obi-Wan I don’t feel for him either when his mentor dies.

And I should care! As the audience member and demographic this movie was targeted to I should care! Zorro and Pirates of the Caribbean and The Princess Bride and Scorpion King and Lord of the Rings and all of the original Star Wars trilogy were all movies I saw within a few years of or after Phantom Menace and all of those had sword fights with emotional beats that I could follow even as a kid. The Duel of Fates could have had that same level of impact without being “too much” for little kids if the direction, camera work, editing, and parts of the choreography had been done differently

[sondheim-girly]

ok so my Tony’s thoughts:

-the outsiders deserved best sound design and lighting omg so happy

-so happy that Gatsby won the one thing it was nominated for

-unsurprised about cab winning best scenic design

-total sense that illinoise won best choreo, still a little shocked that I doubted it would win for a moment

-hells kitchen ate, I loved the medley they did

-my prediction for what merrily would perform was spot on, transition song into old friends. I CALLED IT

-so happy that Daniel Radcliffe won, and I had so much hope for Lindsay, cuz then we could have had all three winning

-WATER FOR ELEPHANTS WAS AMAZING OH MY GOD THEY TOTALLY SOLD THEIR SHOW WITH THAT

-I wasn’t expecting them to do anywhere, I was hoping it would be road don’t make you young into wild or something, but it worked.

-Illinoise SLAYED. That song has been stuck in my head since the performance, it was actually SO good. And Ben cook :D

-the outsiders should have won best score. I’m sorry but Suffs has a very mid score. There were like two songs that I really liked from it. But tbh I’m just glad that a play didn’t win this

-my friends were simping over Eddie redmayne, and the moment the performance started they were screaming changing their minds and it was so funny

-I was expecting cab to do wilkomen into the title song, so i was sad that they didn’t

-I was expecting merrily to win best direction, but I’m soooo happy for the outsiders

-so shocked that stereophonic got best play /j

-Suffs performance was incredibly underwhelming. Honestly I want to love Suffs so much, and I think if I saw it I would love it, but I just didn’t really like the song that they did.

-JONATHON GROFF DESERVED THAT TONY SO MUCH AND IM SO HAPPY FOR HIM

-still heartbroken that Lindsay didn’t win

-THE OUTSIDERS PERFORMANCE WAS SO INCREDIBLE!!!!! I WAS SO HAPPY WITH IT, AND THEN THEY STARTED DOING THE RUMBLE AND I WAS SCREAMING

-um yeah so THE RUMBLE!!!! It was INCREDIBLE and the fact that they did the rain on stage and everything????? Hello???? Was that not the best performance on the Tony’s of all time????

-SO GLAD THAT MERRILY WON BEST REVIVAL IT DESERVED IT IN EVERY SINGLE FUCKING WAY

-I was hoping that the outsiders would win best musical, but I fully wasn’t expecting it. BUT WHEN I TELL YOU THAT I AM SO FUCKING HAPPY ABOUT THIS???!!?!? I WAS SCREAMING AND JUMPING AROUND LIKE I WAS INSANE, WHICH I AM

-anyways other than best score and featured actress, this year went incredibly well for me, I honestly wasn’t expecting it to be so great :)

-I probably forgot stuff and this is wildly out of order, I’m just going off of memory, so sorry about that

-gonna post photos of my Tony’s cupcakes tonight or tomorrow

[paramedicabroad]

Upper Middle Rhine Valley

Today, we’re diving into the heart of Germany to explore the breathtaking Upper Middle Rhine Valley, a region that’s more than just a picturesque landscape—it’s a UNESCO World Heritage site steeped in history, culture, and natural beauty.

In 2002, the Upper Middle Rhine Valley was recognized as a UNESCO World Heritage Site for its outstanding cultural landscape. The designation highlights the valley’s significance as a crossroads of history, art, and nature. The region’s preservation as a cultural landscape ensures that this unique blend of natural beauty and human achievement remains protected for future generations.

The Upper Middle Rhine Valley, stretching for about 65 kilometers between the cities of Bingen and Koblenz, is one of the most scenic stretches of river in the world. The Rhine River winds its way through steep, vineyard-covered hills, dotted with charming medieval towns, imposing castles, and romantic ruins. This landscape has inspired poets, artists, and composers for centuries, and it’s easy to see why.

One of the most striking features of the Upper Middle Rhine Valley is the incredible concentration of castles. There are more than 40 castles and fortresses along this stretch of the Rhine, each with its own story to tell. Some of the most famous include the medieval Marksburg Castle, which has never been destroyed, and the picturesque Rheinfels Castle, a massive ruin that once controlled much of the Rhine's trade.

No visit to the Upper Middle Rhine Valley would be complete without mentioning the Lorelei, a towering rock formation that has become one of the most famous symbols of the Rhine. According to legend, the Lorelei was a siren who lured sailors to their doom with her enchanting song. Today, visitors flock to this spot to take in the stunning views of the river and imagine the legends of old.

The valley is home to several historic towns and villages that seem frozen in time. Bacharach, with its half-timbered houses and vine-covered hills, is a favorite among visitors. St. Goar, situated at the foot of the Rheinfels Castle, offers panoramic views of the river and the surrounding landscape. And then there’s Rüdesheim, known for its lively wine taverns and the famous Drosselgasse, a narrow street filled with music and merriment.

The Upper Middle Rhine Valley isn’t just about castles and legends; it’s also one of Germany’s premier wine regions. The steep slopes are lined with vineyards that produce some of the best Riesling in the world. Many of the towns along the Rhine host wine festivals, where you can sample local vintages, enjoy traditional music, and soak in the convivial atmosphere.

The valley’s history dates back thousands of years, with traces of Roman settlements, medieval fortresses, and Renaissance architecture. This area has been a key transportation route for centuries, and its strategic importance is reflected in the fortifications that line the riverbanks. Exploring the Upper Middle Rhine Valley is like taking a journey through time, with each castle, town, and vineyard telling a piece of the story.

Visiting the Upper Middle Rhine Valley is an experience that combines history, nature, and culture in a way few other places can. Whether you’re cruising down the Rhine, hiking the hills, or exploring the quaint towns and castles, you’ll find yourself captivated by the valley’s timeless charm. And don’t forget to raise a glass of local Riesling to toast to the beauty of this UNESCO World Heritage site.

The Upper Middle Rhine Valley is more than just a scenic destination—it’s a living testament to the enduring connection between people and the landscape. If you’re planning a trip to Germany, make sure to carve out time to explore this enchanting valley.🏰🍇🇩🇪

[eddieredmayneargentinablog]

"Bravo to the🇬🇧wins at last night's @TheTonyAwards! ...Plus, 🇬🇧-led @Kitkatclubnyc won Best Scenic Design for a Musical!".

📷 Source: British Consulate NY on Twitter

[such-a-constellation]

Some Like It Hot sweeping Tony noms!!

It’s also nominated for Best Book (Matthew Lopez and Amber Ruffin), Best Original Score (Marc Shaiman and Scott Whitman), Best Choreography (Casey Nicholaw), Best Orchestrations (Charlie Rosen and Bryan Carter), Best Scenic Design of a Musical (Scott Pask), Best Costume Design of a Musical (Gregg Barnes), Best Lighting Design of a Musical (Natasha Katz), Best Direction of a Musical (Casey Nicholaw), Best Featured Actress in a Musical (Natasha Yvette Williams), and Best Featured Actor in a Musical (Kevin del Aguila).

Some Like It Hot is officially the most Tony-nominated show this year, at 13 nominations!

[eddie-redmayne-italian-blog]

Congratulations to Tom Scutt!!!

'Best Scenic Design of a Musical'

Source Tony Awards on IG

[acceleracers-baby]

Acceleracers HC’s! Road Trip Roles! Teku Edition!

Teku

(Nolo Pasaro, Vert Wheeler, Shirako Takamoto, Kurt Wylde, Karma Eiss)

+Bonus Round

(Brian Kadeem & Banjee Castillo)

Teku

Nolo Pasaro - Nolo is in charge of picking the movies- assuming whatever big ass van they renovated comes with one of those little movie player things. Who am I kidding- these guys probably would have just installed one if it didn’t come stock. Unfortunately, Nolo’s movie choices are always pretty predictable. It’s either going to be one of the now TEN Fast and Furious movies, Pacific Rim, Transformers, or The Losers. That being said, Nolo DOES take bribes. Vert once washed his car for a week just so they could watch Surfs Up.

Vert Wheeler - Speaking of Vert, he’s the snack guy! At first, he gathered up everyone’s requests a few days before they got on the road, but now he practically has everyone’s snack preferences memorized. Let it be known that he takes this job very seriously. He genuinely goes out of his way to ensure everyone’s got at least one or two things to munch on. That’s also why he starts shopping a few days out from the actual trip, so that way if he has to run by different stores, or cut up fruit and divide them up into little ziplock bags he’s got enough time to do it. I also like to imagine at some point Jack comes home early from one of his missions and sees his son just surrounded by a shit ton of food like “are we doomsday prepers now??? What the hell is going on???”

Shirako Takamoto - I feel like I don’t even have to say it, but I’m going to anyway. Shirako is the DJ. Like Vert, he is very serious about this role. He starts curating a playlist as soon as he knows a road trip is going to happen. It doesn’t matter if he’s learning about it months in advance, he starts on it immediately. Despite always having headphones on and seemingly vibing in his own little world most of the time, Shirako is an astounding listener. He never fails to add the perfect mix of everyone’s favorite songs to the playlist. Not only that, but he has it sectioned out by hour. He wants to make sure whatever music they have playing, whether it be background noise for group conversations, or loud sing along sessions, it’s perfect!

Kurt Wylde - Spoilers for Karma, but they’re the two drivers. They work in shifts, switching off every few hours to (1) make sure they’re making the best time and (2) prevent any unnecessary road fatigue. Kurt is also practically the group big brother, so before any trip he’s sending everyone checklists to make sure they don’t forget anything. It’s ridiculous how in-depth they are. Obviously, he trusts them to fulfill their individual road trip roles but he’s on their asses for literally anything else. They’ll be ready to go at like 4am- everyone’s tired asf and he’s going around like “wallets? phones? chargers? toothbrushes???” making sure they didn’t forget any last minute items.

Karma Eiss - Like you read for Kurt, she is one of the designated drivers. On top of that though she is also the group navigator. She has like Waze levels of finding the best routes. With her at the helm, they’re able to make a 12 hour drive in a fraction of the time. Karma also has his uncanny ability to pick the best rest stops. Want to use the restroom but also take a quick breather in a nice scenic area? Good thing Karma was able to find the most beautiful truck stop you’ve ever seen with the cleanest bathroom ever. It’s honestly a little scary.

Bonus Round

Brian Kadeem - With Kadeem, it’s all about the journey, not the destination. When this guy road trips, he ROAD TRIPS. What I mean by that is you will be stopping at just about every cite to stop and smell the roses. It doesn’t matter if it’s some tacky tourist trap or one of the seven wonders of the world, he wants to see it, learn about it, and appreciate it. And if anyone one deserves to be able to relax a little, it’s Kadeem. Let this man enjoy his goofy little side quests. Especially, cause he ends up finding the greatest hole in the wall places to stop at too.

Banjee Castillo - Banjee quite literally never runs out of energy, so you HAVE to give this guy something to do or he will be miserable the entire ride. Thankfully, he is absurdly versatile. Obviously, his preferred role is to be in the drivers seat, but when he is not doing that he is the king of road trip games. 21 questions, I spy, and trivia are child’s play compared to the shit that Banjee brings to the table. Don’t get him wrong, he loves the classics, but they get old pretty fast on long road trips so he’s had to get creative in the past. It’s not uncommon for there to be three games going on at once half way through the drive. Usually two “spot em” games like Punch Buggies & Cows on my Side, and one actual game like Mafia or Song Quizzes.

——— Thanks for Reading ———

[mamaluigi2018-commsopen]

Could you tell us more about the Pokegirls Roommates AU? Why did each of the girls choose the majors they did? What's their life gonna be like after graduation?

Sure! So for like half the girls, what they choose as majors are legit careers and passions they want to look into, the other half choose just whatever just to have a degree in something

Leaf: (Music) So the reason why Leaf choose music was cause she's the defacto party gal. She's like to have fun and just go wild with her friends. She wants something just to have so that as a way just to "Flex" on people, but if she doesnt end up with a degree, she'd most likely flip off the teachers and still just preform small gigs on her own

Kris: (Health) For Kris, this was influenced by her depiction in the Adventures Manga were she was very atheltic out of the protags, so I made it so she's just someone who likes to be in her best shape. She's another example of, If she gets a degree she gets a degree but if she doesnt eh no harm no foul. She can prob still be a personal trainer on her own or just get a job at a gym to still keep fit.

May: (Drama) May is depicted as, while very ditzy and an airhead, is the most romantic of the group, is very emotional and is suppose to be a reference to Anime May who enjoys performing in Pokemon Contests. So May is one of the few actively does have a passion for her major and when after graduation, while most likely not a big hollywood star, would be doing lots of local plays and musicals.

Dawn: (Business) This Dawn is taking major points from Platinum of the Adventures Manga. Here, Dawn is the daughter of a large jewelry conglomerate so she's taking Business as a focus so that she may be able to take up the company her family has been maintaining. And this isn't like those kinds of having to live up to expectations, Dawn legit enjoys what she does and does find the value of maintaining a business. For the moment til she does become the next CEO, she'll most likely be a manager at a smaller side business or have a high level job in the company.

Lyra: (Teaching) Lyra is the most gentle of the group and the most patient with kids, so she wants to be able to be someone that kids can look up to so for her she wants to be become either a kindergarten or elementary teacher. That would be what she'd want to once she graduates.

Hilda: (Mechanics) Mechanics was the one I choose for Hilda because I wanted to enforce more on the "New Yorker" aspect of her since she is from Unova. She's a bike rider so she decided on something that gives her an excuse to just work on her bike and give it the maintenance she needs. If she graduates, she'd most likely go work at an auto shop and if she doesn't get a degree, she can still ride her bike and prob become like a courier rider.

Rosa: (Sociology) Rosa's always been an empathetic person and always a person willing to listen to people's problems and wants to be able to help. So she's pursuing sociology to become a counselor for people, help them out with any mental issues or are troubled.

Serena: (Fashion) Massive fashionista she is. Always have to be the most glamour gal in the room. Looking your best is her top priority. So she wants to be someone who makes outstanding dresses and clothes and have them up on the walkways. Though she prefers her designs to be on HER instead of just some random model.

Selene: (Art) Selene just has an extremely overactive imagination and growing up from Alola has many beautiful scenic shots that she loves recreating them. And she's also the person that if she gets a degree, cool, if not eh not gonna bother her, she's still just gonna draw and paint what she likes. Maybe some will like em and buy it from her, some wont and she's cool with that.

Gloria: (History) Literally chose it cause she knows Sonia was able to get her degree in it no time at all. So she thinks its easy and you just have to remember dates. She actually despises it alot and has no way to get out of it without having to spend alot of money and more time at school changing majors so she has to put up with it. Very unlikely she gets a degree but if she does, she's doing nothing with it. Probably go work a retail job or go work an intern with Sonia and Hop just to do something.

Juliana: (Library Science) Juliana is the very studious type and loves to learn about many types of trivia and cultures from anything. She chose this major so that she can become a librarian and always have many books to read and to help educate others on knowledge.

Hope this helps out answering your question!

[trendfilmsetter]

CABARET AT THE KIT KAT CLUB wins Best Scenic Design of a Musical at the 2024 TONY AWARDS

[droughtofapathy]

Best Scenic Design of a Musical: Tom Scutt, Cabaret