#Ben Proudfoot

[milliondollarbaby87]

Oscars 2024 - Winners!

Here are the winners at the 96th Academy Awards: Hollywood, CA – March 10: Chirstopher Nolan and Steven Spielberg during the live telecast of the 96th Annual Academy Awards in Dolby Theatre at Hollywood & Highland Center in Hollywood, CA, Sunday, March 10, 2024. (Myung J. Chun / Los Angeles Times) Best PictureOppenheimerEmma Thomas, Charles Roven and Christopher Nolan, Producers Continue…

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Best Documentary Short Film Nominees for the 96th Academy Awards (2024, listed in order of appearance in the shorts package)

This blog, since 2013, has been the site of my write-ups to the Oscar-nominated short film packages – a personal tradition for myself and for this blog. This omnibus write-up goes with my thanks to the Regency South Coast Village in Santa Ana, California for providing all three Oscar-nominated short film packages. 

If you are an American or Canadian resident interested in supporting the short film filmmakers in theaters (and you should, as very few of those who work in short films are as affluent as your big-name directors and actors), check your local participating theaters here.

Without further ado, here are the nominees for the Best Documentary Short Film at this year’s Oscars. The write-ups for the Live Action and Animated Short categories are coming soon. Non-American films predominantly in a language other than English are listed with their nation(s) of origin.

Năi Nai & Wài Pó (2023)

Rarely do both sides of one’s family ever meet. You might expect them to mingle at weddings and funerals. But cohabitation? Such is the case with Taiwanese American director Sean Wang’s two grandmothers in Năi Nai & Wài Pó (paternal and maternal grandmother, respectively), available worldwide on Disney+ and Hulu. Wishing to live closer to family, Wang moved in with his grandmothers Yi Yan Fuei (Năi Nai) and Chang Li Hua (Wài Pó) in their California household during the height of the COVID-19 pandemic. His grandmothers rarely leave the house, even for groceries, and keep their heavy curtains drawn at all hours. As thin beams of sunlight barely stream through the interior’s earthy colors, both grandmothers continue to read the newspaper, sing traditional Chinese music, do their own cooking (I assume someone drops off groceries for them), tease each other about farting in bed, and reflect on their families and their pasts. They know that there are fewer tomorrows remaining, but that will not stop them from living joyously and with love for their grandson, who, though off-screen, they converse with throughout the shoot.

Qualifying for the Academy Awards by wining Best Documentary Short at SXSW in 2023 (in addition to the equivalent prize at AFI Fest), Năi Nai & Wài Pó freely admits that its subjects are playing up their act for their grandson. Observational cinema this is not. But in their sense of exaggerated play there exists a twofold acknowledgement. First, as Năi Nai states, “the days we spend feeling pain and the days we spend feeling joy are the same days spent. So, I’m going to choose joy.” And perhaps most meaningfully to Wang, their playing for the camera is one of many ways they express their love for their grandson. It is an elevated home video, a loving portrait, and a reminder to cherish those who loved us into being.

My rating: 7.5/10

The Barber of Little Rock (2023)

People Trust in Little Rock, Arkansas is a Community Development Financial Institution (CDFI). In other words, it is a non-profit – partially funded by the American federal government – to address issues in creating economic growth and opportunities in some of the most underserved communities in the nation through loans, emergency financial assistance, and housing subsidies. People Trust and its President, Arlo Washington, are the subjects of The Barber of Little Rock (available for free online through The New Yorker), directed by John Hoffman (2021’s Fauci) and Christine Turner (2021’s Lynching Postcards: 'Token of A Great Day'). The film, Oscar-qualified by winning the Grand Prize for Documentary Short at Indy Shorts International Film Festival (Indiana), requires a wealth of context to the issues that it raises, but does not always provide enough – especially how municipal, state, and regional history impacts racism in banking, and vice versa.

Arlo Washington is a fascinating, wonderfully-intentioned person, but the movie spends too much time with him directly stating the piece’s thesis about financial equality and generational poverty to the camera. Most compelling of all were some of the individual appointments at People Trust of regular people simply looking for financial relief or a loan to kickstart a business or make their rent payments. So too Washington's barbering training school – especially a scene when two students are asked to look intently at the other’s faces, to understand the other’s struggles simply through quiet observation. Arlo Washington figures in many of these scenes as well, and those scenes reveal as much, if not more, about the lives of People Trust’s clients than any of his brief lectures can accomplish. Hoffman and Turner clearly had deeply cinematic material to work with that could empower their messaging, and it is a shame they are unable to fully utilize it.

My rating: 7/10

Island in Between (2023, Taiwan)

Ten kilometers away from the Chinese city of Xiamen lies Kinmen, a group of islands under control of Taiwan (the island of Taiwan is 187 kilometers away). Directed and narrated by S. Leo Chiang and distributed by The New York Times, Island in Between is Chiang’s meditation on not only Kinmen’s precarious geography and its political status, but his own identity of being American, Chinese, and Taiwanese – three separate identities that interconnect, but are forever distinct. Like many viewers, I was unaware of Kinmen’s existence before viewing Island in Between. This film is most valuable in introducing audiences to a place in some ways frozen in the mid-twentieth century, not so much capturing the spirit of the place and understanding its history.

During visits to mainland China in the late 2000s, Chiang, Taiwanese-born and American-raised, was struck by how vibrant the mainland was – something unrecognizable from “the communist wasteland [he] learned about in school.” In the years since, the crackdown on Hong Kong’s democracy, the COVID-19 pandemic, and increased political tensions between China and Taiwan have complicated his feelings towards the mainland. As a Vietnamese American, I easily saw parallels between how the younger diaspora views our so-called “motherland”, what we are taught, and how older generations perceive their original home. Even among generations, there are divisions in how we feel about the motherland. But Chiang has the additional complication of being caught between three nations important to his being. If anything, his mentions about his parents and their views feels far too cursory, as they are the ones most responsible for shaping his views about American/Chinese/Taiwanese tensions. One hopes this film is not a harbinger of things to come, as beached tanks rust on the placid Kinmen shore.

My rating: 7/10

The ABCs of Book Banning (2023)

As of the publication of this omnibus write-up, bans and challenges to books in libraries and schools have spiked since 2021. These book challenges, often taken up by parents and certain religious organizations, have disproportionately targeted books by and/or about LGBTQ+ and non-white (especially black) people. Stepping into the debate is MTV Documentary Films’ The ABCs of Book Banning (available on Paramount+), directed by Sheila Nevins, Trish Adlesic, and Nazenet Habtezgh. Unfortunately, the film advocates against book challenges in the most stultifyingly artless way. Early on, a title card reveals that the filmmakers will ask about book banning and restrictions from a group that we have heard little from: children. An honorable approach, but the interview snippets found in The ABCs of Book Banning are repetitive and seem rehearsed – children, aghast at the notion that a selected book is a target, offer reasons why book banning is a terrible idea. Nothing Americans have not heard before. Breaking up their interviews are images of book covers, followed by a brief quotation from said book, and an amateurish “BANNED” or “CHALLENGED” banner in red over the book. Sometimes, cheap animation depicting that book’s passage appears; the placement of these animated sequences has no rhyme or reason.

Damningly, this is a film in search of a structure. A handful of authors whose books have been banned from libraries or schools show up to introduce themselves over what appears to be an interview over Zoom. They say a few sentences about why book banning is terrible and we never hear from them again in the film – a complete waste. I suspect these authors recorded longer interviews, but there is almost nothing that remains of those interviews in the final product. This is a film for those who agree with its premise, have no cinematic taste, and are tediously self-satisfied in how they express their political views.

My rating: 4/10

The Last Repair Shop (2023)

The Los Angeles Unified School District (LAUSD) is the last major city school district in the United States to offer free musical instrument repair to its students. From the Los Angeles Times and Searchlight Pictures comes Ben Proudfoot and Kris Bowers’ The Last Repair Shop (also available on Disney+ and Hulu), which takes us to LAUSD’s repair shop. Just short of the 40-minute limit for short films, The Last Repair Shop curiously tells the viewer preciously little about the shop itself (what are the challenges it is facing, and why is the last of its kind?). Proudfoot and Bowers – both previously nominated in this category for A Concerto Is a Conversation (2021; also available online thanks to The New York Times) – adopt much of the same style as their previous nominee. Both films share talking heads in shallow focus and snappy editing. These aspects sometimes made A Concerto Is a Conversation incohesive, but they work immensely better for The Last Repair Shop. It also helps that The Last Repair Shop, which slowly reveals itself to also be a portrait of a rarely-seen side to L.A., has a clear structure that the viewer can discern early on.

What carries The Last Repair Shop are the life-affirming conversations we have with the four principal interview subjects, all of whom work in a different department at the shop – Dana Atkinson (strings), Paty Moreno (brass), Duane Michaels (woodwinds), and Steve Bagmanyan (pianos; also the shop supervisor, and who inspired the film as he tuned pianos at Bowers’ high school). Whether they play an instrument or not, all four recognize music’s ability to better understand ourselves and others, and as “one of the best things that humans do.” The addition of student voices to the film – especially when one realizes that the repair shop employees almost never hear back from the children whose instruments they repair – strengthens a connection, however distant, through music. The Last Repair Shop’s final minutes provide it that final cinematic touch you might have anticipated, an affirmation of why those who speak the language of music hold it so dear.

My rating: 8.5/10

^ Based on my personal imdb rating. My interpretation of that ratings system can be found in the “Ratings system” page on my blog. Half-points are always rounded down.

From previous years: 88th Academy Awards (2016) 89th (2017) 90th (2018) 91st (2019) 92nd (2020) 93rd (2021) 94th (2022) 95th (2023)

For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.

[originalharmonysalad]

The Last Repair Shop | L.A. Times Short Docs & Searchlight Pictures

In a nondescript warehouse in the heart of Los Angeles, a dwindling handful of devoted craftspeople maintain over 80,000 student musical instruments, the largest remaining workshop in America of its kind.

Meet four unforgettable characters whose broken-and-repaired lives have been dedicated to bringing so much more than music to the schoolchildren of the recording capital of the world.

Directed by Ben Proudfoot and Kris Bowers.

[randomrichards]

THE LAST REPAIR SHOP:

Music repair shop

How music impacts their lives

Keep students playing

[bob-the-movie-man-film-reviews]

Reviews of the Films in the Oscar Best Documentary Short Category 2024

#onemannsmovies #filmreview of the Films in the #Oscar Documentary Short Category. Lots of interesting stuff in there and as always, I learned a lot.

It’s nearly Oscar time and I’ve now watched all of the Documentary Short Films before the big event on March 10th. Here are my reviews of the films: The Oscar nominees: THE ABCS OF BOOK BANNING – Sheila Nevins and Trish Adlesic THE BARBER OF LITTLE ROCK – John Hoffman and Christine Turner ISLAND IN BETWEEN – S. Leo Chiang and Jean Tsien THE LAST REPAIR SHOP – Ben Proudfoot and Kris…

[myanhedonia]

The Last Repair Shop Directed by Ben Proudfoot & Kris Bowers

[tvmusicnetwork]

Tribeca Festival 2024: Short Film Lineup Revealed

The Tribeca Festival 2024 announced their 2024 Short Film Lineup when the festival premieres June 5 through June 16 2024. 87 short films will be featured including “Motorcycle Mary” Produced by Oscar Winner Ben Proudfoot and Formula One Champion Lewis Hamilton, “Ripe!” Produced by World Cup Champion Kelley O’Hara, “Bite” Starring Troian Bellisario, “Happy to Help You” With Amy Sedaris, and “Veo…

[citylifeorg]

Tribeca Festival 2024 Announces Short Film Lineup

87 Short Films From 101 Filmmakers From 27 Countries, Including 50 World Premieres Featuring “Motorcycle Mary” Produced by Oscar Winner Ben Proudfoot and Formula One Champion Lewis Hamilton, “Ripe!” Produced by World Cup Champion Kelley O’Hara, “Bite” Starring Troian Bellisario, “Happy to Help You” With Amy Sedaris, and “Veo Veo A Family” Starring Carla Gugino Tribeca Membership and Festival…

[byalexandreds]

Oscars 2024 : photos et palmarès

Palmarès :

Meilleur film : Oppenheimer de Christopher Nolan

Meilleur réalisateur : Christopher Nolan pour Oppenheimer

Meilleur acteur : Cillian Murphy pour Oppenheimer

Meilleure actrice : Emma Stone pour Pauvres Créatures

Meilleur acteur dans un second rôle : Robert Downey Jr. pour Oppenheimer

Meilleure actrice dans un second rôle : Da’Vine Joy Randolph pour Winter Break

Meilleur scénario original : Anatomie d’une chute de Justine Triet et Arthur Harari

Meilleur scénario adapté : American Fiction de Cord Jefferson, adapté du roman Effacement (Erasure) de Percival Everett

Meilleurs décors et direction artistique : James Price, Shona Heath et Zsuzsa Mihalek pour Pauvres Créatures

Meilleurs costumes : Holly Waddington pour Pauvres Créatures

Meilleurs maquillages et coiffures : Nadia Stacey, Mark Coulier et Josh Weston pour Pauvres Créatures

Meilleure photographie : Hoyte van Hoytema pour Oppenheimer

Meilleur montage : Jennifer Lame pour Oppenheimer

Meilleur son : Johnnie Burn et Tarn Willers pour la Zone d’intérêt (The Zone of Interest) de Jonathan Glazer

Meilleurs effets visuels : Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi et Tatsuji Nojima pour Godzilla Minus One

Meilleure chanson originale : What Was I Made For ? de Billie Eilish et Finneas O’Connell pour le film Barbie

Meilleure musique de film : Ludwig Göransson pour Oppenheimer

Meilleur film international : la Zone d’intérêt (The Zone of Interest) de Jonathan Glazer (Royaume-Uni)

Meilleur film d’animation : le Garçon et le Héron (The Boy and the Heron) d’Hayao Miyazaki

Meilleur film documentaire : 20 Days in Mariupol de Mstyslav Tchernov

Meilleur court métrage (prises de vues réelles) : la Merveilleuse Histoire de Henry Sugar («The Wonderful Story of Henry Sugar») de Wes Anderson

Meilleur court métrage (documentaire) : The Last Repair Shop de Ben Proudfoot et Kris Bowers

Meilleur court métrage (animation) : War Is Over ! Inspired by the Music of John and Yoko de Dave Mullins et Brad Booker

Photos :

Photos : Just Jared ©

[pablolf]

Film Journal

"The Last Repair Shop" by Kris Bowers and Ben Proudfoot

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Here Is The Full List Of 2024 Oscar Winners

L'Académie des Oscars a rendu son verdict ce dimanche 10 mars 2024 en direct de Los Angeles. Lors de cette 96e cérémonie

OSCAR DU MEILLEUR FILM

«Oppenheimer», de Christopher Nolan

OSCAR DE LA MEILLEURE RÉALISATION

Christopher Nolan «Oppenheimer»

OSCAR DE LA MEILLEURE ACTRICE

Emma Stone «Pauvres créatures»

OSCAR DU MEILLEUR ACTEUR

Cillian Murphy «Oppenheimer»

OSCAR DE LA MEILLEURE ACTRICE DANS UN SECOND RÔLE

Da'Vine Joy Randolph «Winter Break»

OSCAR DU MEILLEUR ACTEUR DANS UN SECOND RÔLE

Robert Downey Jr. «Oppenheimer»

OSCAR DU MEILLEUR FILM D’ANIMATION

«Le garçon et le héron», de Hayao Miyazaki

OSCAR DU MEILLEUR FILM INTERNATIONAL

«La Zone d'intérêt», de Jonathan Glazer Grande-Bretagne

OSCAR DU MEILLEUR SCÉNARIO ORIGINAL

«Anatomie d’une chute», de Justine Triet et Arthur Harari

OSCAR DU MEILLEUR SCÉNARIO ADAPTÉ

«American Fiction», de Cord Jefferson

OSCAR DES MEILLEURS EFFETS SPÉCIAUX

«Godzilla minus one», de Takashi Yamazaki

OSCAR DE LA MEILLEURE CHANSON

«What Was I Made For ?», dans «Barbie». Billie Eilish et Finneas O'Connel remportent le deuxième Oscar de leur carrière grâce à "What Was I Made For"

OSCAR DE LA MEILLEURE MUSIQUE DE FILM

Ludwig Göransson «Oppenheimer»

OSCAR DES MEILLEURS DÉCORS

James Price, Zsuzsa Mihalek et Shona Heath «Pauvres créatures»

OSCAR DES MEILLEURS COSTUMES

Holly Waddington «Pauvres créatures»

OSCAR DES MEILLEURS MAQUILLAGE ET COIFFURE

Nadia Stacey, Mark Coulier et Josh Weston «Pauvres creatures»

OSCAR DU MEILLEUR MIXAGE DE SON

«La zone d’intérêt», de Jonathan Glazer

OSCAR DU MEILLEUR MONTAGE

«Oppenheimer», de Christopher Nolan

OSCAR DU MEILLEUR DOCUMENTAIRE

«20 days in Mariupol», de Mstyslav Tchernov

OSCAR DE LA MEILLEURE PHOTOGRAPHIE

«Oppenheimer», de Christopher Nolan

OSCAR DU MEILLEUR COURT-MÉTRAGE DOCUMENTAIRE

«The Last Repair Shop», de Kris Bowers et Ben Proudfoot

OSCAR DU MEILLEUR COURT-MÉTRAGE D’ANIMATION

«War Is Over ! Inspired by the Music of John & Yoko», de Dave Mullins

MEILLEUR COURT-MÉTRAGE DE FICTION

«La Merveilleuse histoire de Henry Sugar», de Wes Anderson

John Cena

[diptanshukashyapofficial]

B-11 : Oscars 2024 - Predictions vs Reality

The 96th Academy Awards, a.k.a. The Oscars® took place today. The ceremony was filled with obvious wins. The best part was that this year’s Oscars telecast had zero incidents again (as the host Jimmy Kimmel points out in the end last year).

Amid all of this, here's a look at the predicted winners and the actual winners (in order of their presentations):-

Best Supporting Actress

Prediction: Da'Vine Joy Randolph (The Holdovers)

Reality: Da'Vine Joy Randolph (The Holdovers)

Best Animated Short Film

Prediction: War Is Over! Inspired by the Music of John and Yoko (Dave Mullins and Brad Booker)

Reality: War Is Over! Inspired by the Music of John and Yoko (Dave Mullins and Brad Booker)

Best Animated Feature Film

Prediction: Spider-Man: Across the Spider-Verse (Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller, and Amy Pascal)/The Boy and the Heron (Hayao Miyazaki and Toshio Suzuki)

Reality: The Boy and the Heron (Hayao Miyazaki and Toshio Suzuki)

Best Original Screenplay

Prediction: Anatomy of a Fall (Justine Triet and Arthur Harari)

Reality: Anatomy of a Fall (Justine Triet and Arthur Harari)

Best Adapted Screenplay

Prediction: American Fiction (Cord Jefferson; based on the novel Erasure by Percival Everett)

Reality: American Fiction (Cord Jefferson; based on the novel Erasure by Percival Everett)

Best Makeup & Hairstyling

Prediction: Maestro (Kazu Hiro, Kay Georgiou, and Lori McCoy-Bell)

Reality: Poor Things (Nadia Stacey, Mark Coulier, and Josh Weston)

Best Production Design

Prediction: Barbie (Production Design: Sarah Greenwood; Set Decoration: Katie Spencer)/Poor Things (Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek)

Reality: Poor Things (Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek)

Best Costume Designing

Prediction: Barbie (Jacqueline Durran)/Poor Things (Holly Waddington)

Reality: Poor Things (Holly Waddington)

Best International Feature Film

Prediction: The Zone of Interest (United Kingdom - Jonathan Glazer)

Reality: The Zone of Interest (United Kingdom - Jonathan Glazer)

Best Supporting Actor

Prediction: Robert Downey Jr. (Oppenheimer)

Reality: Robert Downey Jr. (Oppenheimer)

Best Visual Effects

Prediction: Godzilla Minus One (Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi, and Tatsuji Nojima)

Reality: Godzilla Minus One (Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi, and Tatsuji Nojima)

Best Film Editing

Prediction: Oppenheimer (Jennifer Lame)

Reality: Oppenheimer (Jennifer Lame)

Best Documentary Short Film

Prediction: The Last Repair Shop (Ben Proudfoot and Kris Bowers)

Reality: The Last Repair Shop (Ben Proudfoot and Kris Bowers)

Best Documentary Feature Film

Prediction: 20 Days in Mariupol (Mstyslav Chernov, Michelle Mizner, and Raney Aronson-Rath)

Reality:  20 Days in Mariupol (Mstyslav Chernov, Michelle Mizner, and Raney Aronson-Rath)

Best Cinematography

Prediction: Oppenheimer (Hoyte van Hoytema)

Reality: Oppenheimer (Hoyte van Hoytema)

Best Live Action Short Film

Prediction: The Wonderful Story of Henry Sugar (Wes Anderson and Steven Rales)

Reality: The Wonderful Story of Henry Sugar (Wes Anderson and Steven Rales)

Best Sound

Prediction: Oppenheimer (Willie Burton, Richard King, Gary A. Rizzo, and Kevin O'Connell)

Reality: The Zone of Interest (arn Willers and Johnnie Burn)

Best Original Score

Prediction: Oppenheimer (Ludwig Göransson)

Reality: Oppenheimer (Ludwig Göransson)

Best Original Song

Prediction: "What Was I Made For?" (Barbie – Music and lyrics by Billie Eilish and Finneas O'Connell)

Reality: "What Was I Made For?" (Barbie – Music and lyrics by Billie Eilish and Finneas O'Connell)

Best Actor

Prediction: Cillian Murphy (Oppenheimer)

Reality: Cillian Murphy (Oppenheimer)

Best Director

Prediction: Christopher Nolan (Oppenheimer)

Reality: Christopher Nolan (Oppenheimer)

Best Actress

Prediction: Emma Stone (Poor Things)/Lily Gladstone (Killers of The Flower Moon)/Sandra Hüller (Anatomy of A Fall)

Reality: Emma Stone (Poor Things)

Best Picture

Prediction: Oppenheimer (Emma Thomas, Charles Roven, and Christopher Nolan, producers)

Reality: Oppenheimer (Emma Thomas, Charles Roven, and Christopher Nolan, producers)

Which categories met your expectations? Don’t forget to share them in the comments below.