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96percentdone · 1 year

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In Defense of Tearer

Character writing, not the uncountable crimes

AI:TSF Nirvana Initiative is a very divisive game, for many reasons, some of which I’ve discussed before even. With its twists and split storytelling, and a horrible no spoilers policy that leaves fans of the first game with no connective tissue that respects the time they spent with those characters in the first game, it was destined for controversy, no matter how many good ideas and interesting characters it contained. And make no mistake, Nirvana Initiative has many interesting, even consistently well executed ideas. There are some things in Nirvana Initiative that I think are better than they ever were in the first game, like the serial killer at the center of it all.

Apparently, Tearer is controversial. Some think he is lesser than Saito. Less presence. Weaker. Uninteresting. Irrelevant. They think his only purpose is to provide a motive for Amame, who is actually the interesting culprit. But I believe all of that is incorrect. It misunderstands what makes Saito compelling, what makes Amame compelling, and most importantly, for my purposes, why fucking Tearer fucking rules. Tearer is critical to the fundamental nature of not just AINI’s plot, but it’s themes; he is essential to the conversation about love, determinism, and trauma and without him this game is weak and flavorless, and all the other things you like about it would be worse. Under the cut.

Part Zero: S**TO

AITSF is about love. It’s in the title. Water is wet. But for the sake of drawing clearer parallels, let’s actually talk about Sejima Saito.

Saito cannot feel love or happiness from anything from murder, because of a brain disorder, or more accurately, he would have been able to if even one person loved him to begin with. I say this because Date exists within the same body, and he’s able to get by on medication. Because people cared about Date, and wanted him to be happy; they loved him. But Sejima Sou, the world’s worst man, does not care about Saito. His son killed animals, and he did nothing. His son killed his mistress, and he covered it up, but didn’t look into the root issue. He doesn’t care. On a literal level, Saito cannot feel love because of a brain disorder, but on a thematic level, he cannot feel it because no one ever offered it to him. He does not know what it is. (From this perspective, you could say that Saito is a victim of ableism and not only just. A problematic trope, although like it’s all definitely like still here)

And the sad thing is, Saito does not know what love is, he cannot understand it, yet he still wants it from his father! He’s on record saying this is why he killed Manaka because she stole him away. Sejima does not care about him, and he recognizes that, and it bothers him. He wants what he cannot have, so he kills instead. He has to rip that which his father loves away from him. That’s why killing her makes him happy! Are you seeing the bigger picture? The dopamine rush from killing is just the literal read; Saito derives pleasure from murder because he is ripping love away from others, a thing he wants but thinks he cannot have.

Saito switches into several different bodies that do not have the same brain disorder that his did, but this doesn’t make him understand love, because the problem isn’t actually the brain disorder. It’s that at this point, he has gone so long without ever being loved, without ever knowing what love is, with wanting it but never being allowed to have it, that he absolutely refuses to conceive of a version of himself where he could be happy and capable of it. He looks at Date, in his body, who is happy, and living a life full of love, with people who care about him, and its incomprehensible to him. That should not be possible. Date is using that body wrong because to be Saito is to be without love.

Saito has defined himself as loveless, as someone who could only ever be happy when he’s making everyone as miserable as he is. Sejima did not love him, and did not support him, but even once Saito became an adult with the resources and wealth that name possesses, he did not seek out happiness elsewhere, away from the people who failed him. When he gets second chances in different bodies, he does not seek out love, no matter how false it may be. Instead he uses whatever love someone might have for whoever used to live in that body as a tool to carry out his ends, because he is determined to stay as he is. He was not loved, so he will never be loved, and so no one else should ever be either.

This is how Saito is used in the narrative of the first game. In a story where love saves and redeems, about the connections we make with others no matter how fleeting, and the strength it gives us to pull through, the antagonist is someone who was denied it, and because he was denied it is now determined to destroy it for everyone else.

Now that we’ve laid the groundwork, by talking about Saito, let’s move to the main event.

Part One: Forsaken | Child

Carrying on the thematic torch, we get to AINI, and like with any sequel, the discussion about love has shifted. To simplify things, the discussion in the first game is “love good not loving bad.” Characters you’re meant to like are filled with love to give and are loved in return, characters who aren’t well...aren’t. It is good to love. I agree. But AINI takes this theme a step further: who/what do you love, and how? What does love mean to you?

This question shows up at multiple points. Komeji loves his family so dearly, but his pursuit of his dream he loves just as much keeps putting them in danger and costs him his wife and later his life. Shouma struggles to admit he loves his father, constantly fighting with him, until it is too late, and he’s gone, and there is nowhere for this love to go. At the cathedral Ryuki has to pick between Date and Tama: who does he love more? I could go on like this (we will get to Amame), but this all comes back to one source: Tearer. So, who does Tearer love, and how? What does love mean to him?

Tearer loves one person: his ‘mother’, Shigure Tokiko, the world’s worst woman. (I promise we’ll get to Amame when we fucking get there.) Like Saito, he is desperate for the approval and love of his parent, something he too does not get, but there are several fundamental differences. The first, and perhaps most obvious, is that while Sejima Sou is Saito’s literal father, and has not legally forfeit his parentage over him no matter how garbage and bereft of love he may be, Shigure Tokiko is not Tearer’s mother in any sense of the word. She did not give birth to him, she didn’t adopt him, she does not raise him with love or compassion—no. She and her partner/ex Horadori Chikara (the world’s other worst man) kidnapped him and keep him trapped in the fucking basement so they can harvest his fucking organs and body parts for their biological son they gave up but actually love, Furue Jin.

And as obvious as saying that might be, it’s actually pretty critical to begin here. Both of these environments are loveless. Sejima is implicitly neglectful, and I don’t like need to tell you what’s wrong with what Shigure and Horadori are doing, yet the results are fundamentally different. There are two reasons for this. The first is that Saito was always a Sejima, and his life began in a house without love, thus he never knew it in the first place, Tearer was once a little boy not unlike any other, happy, innocent, loved up until the day he was kidnapped. For a brief moment, he knew what love was, and that will always matter.

And this difference leads to the second, which is far more interesting to me. Saito decided that if he could not have love then no one could, that he would destroy every instance of it within his grasp with his bare hands out of spite purely because he could not have it and never knew it, and never once attempted to know it himself. But every single thing Tearer does is all in the name of love. He wants the world to laud him as a hero and savior, to recognize him as important. He does not care that he killed Komeji, or that he is going to kill billions of others, because from his point of view, he believes he is bringing them to true freedom. An act of service for humanity at large. This, as warped as it may be, is a version of love, and a request for reciprocation. He is obviously wrong to think like this, even if he himself cannot understand or comprehend it, but even if he somehow did, it’s secondary to his real motive, which again is for his ‘mother,’ who he loves more than anyone else in the world.

Everything he does, with the exception of trying to convince Amame of his totally based and epic gamer plan to wipe out all human life that also involved murdering her dad, is for her. That plan he came up with is based on her beliefs about the world that he dedicated himself to because she taught them to him, and he is devoted to her without question. Shigure may say that Naix is more scientific than a cult, and is thus better than whatever Horadori is doing, but Tearer is their #1 worshipper, and that is because he adores her. He wants to prove her beliefs correct, to brings everyone to Moksha, because yes everyone will love him and worship him as a hero obviously and his endless pain and torment will end and be retconned into having not happened, but mostly because it would make her happy to be right, and if he makes her happy, then surely she will love him in return, right?

Nonentity Incognito is a somnium about Tearer’s absolute desperation for Shigure to love him in the same way she loves Jin. He wants to be her son. He cries to be let out, somebody, “MOM HELP ME,” but she won’t, and no one else will. They take his ideas, his work, his organs, his skin—everything from him, while they leave him locked in a rusty cell in a basement with a door that cannot open from the inside, and yet he still cries from the bottom of his heart “I love you so much! Why won’t you love me? Why, mom, why?” But he knows exactly why she won’t. Because Shigure loves Jin, or at least she did at one point (she doesn’t anymore care much anymore given she’s all for Tearer’s plan that killed him). As much as he screams and cries and begs, she will never love him. She never has loved him. To her, he was just a child with the right DNA that could be used to save the kid that mattered to her. When asked if Tearer is her son, even when he is right there, she does not answer; the silence speaks for itself. Nothing he does will ever make her love him. He will never be her son, no matter how much he wants to be.

Some may wonder then, with this level of horrific abuse, why would he even want to? Especially since he hates Horadori and Jin for his torment, something that is no secret and is clearly illustrated within and outside his somnium. I mean he explicitly picks both of them as targets because he hates them that much. Horadori only tortures him, and Jin gets not only what Horadori takes but Shigure’s love, the one thing he wants, but why does he want it? Why does he want her love?

Part Two: Damned | Destiny

Shigure Tokiko has given Tearer exactly one thing. Not freedom, not remorse, not even a half-hearted apology, no she didn’t give him anything for his sake, but she did give him something. She taught him about her shitty cult ideology. Shigure believes the world is a simulation. Nothing is real, so there is no pain, and no sorrow, and no unhappiness if we just leave this false prison. She promises him that if he follows her, they can leave this fake world together, where true happiness, paradise, lies. . She does not tell him this because she feels sorry for him, it’s not for him, but because his obvious suffering is a confrontation of her guilt. He is in constant agony because they steal his literal body from him and keep him trapped in a dingy prison in the basement living off preserved food in a broken refrigerator, and if his torture is real, then she is culpable for it. It is her fault he suffers, so it cannot be real. This world where something this horrific happened, where she is enabling and partaking in something this cruel because she loved her son she gave up, Furue Jin—she cannot accept it. She promises him a world where he does not feel pain, and she does not feel guilt.

This obviously is just like shitty, and evil, which yeah, she runs a cult and kidnapped a child, of course she is shitty and evil, but he would not see it that way. To him, an orphan kidnapped overnight who routinely has had his organs taken from him by one of his abductors for another child who gets to be loved (or at least receives some approximation of it) instead, this manipulative bullshit looks like kindness. He’s so young. They took him when he was only six, and now this woman is promising him she can take him to a world where not only will he not be in pain anymore, but it will have never happened.

No one comes for him. He cannot escape. Even if he could somehow get the door open, they’ve taken enough of his lungs he has trouble breathing when he sleeps, so imagine every other physical challenge he could face in a body they routinely steal from. Of course, he clings onto her promises, her teachings; He has to believe her. What choice does he have? He just wants it not to hurt anymore! He is trapped in a cell, and she is telling him that they can leave it if they leave this world behind. He can be free. He doesn’t have to hurt. He will never hurt again. What she has to offer him is insincere, it is not helpful, and it is not even truly for his benefit (they even steal his work for Naix, insane, cant have shit in horaken), but who else is there to offer him anything? Shigure Tokiko does not and will never love him; she will never view him as her son. At most she sees him as a brilliant tool to further her agenda, a convenience as well as an organ donor, but he cannot leave. He is their prisoner, trapped, so her self-self-serving ‘kindness’ is the only thing he has.

They don’t let him go outside, cause obviously their unwilling organ donator can’t escape, and he’s only allowed to learn and do the things they think would be useful to them, (quantum mechanics, molecular biology, electrical engineering, Naix’ fucking teachings, etc), he has no friends or actual family, he’s lost his name, he’s lost half his face and body—what does he have that is his own? What can he have that is his own? What choices can he make that are truly his, when he has so little freedom? What else can he do?

This is where determinism comes into play. Because Nirvana Initiative is not just about love, it is about choices, and how those things often intersect and tie together: the things you do for those you love, the things you do to get it, how far you’re willing to go in its name. Tearer was willing to end the world in the name of Shigure Tokiko, because he loves her. He loves her because he has no choice but to love her, because in the situation they put him in he can make no choices at all.

When Horadori Chikara and Shigure Tokiko made that decision to abduct the child with the right DNA to save their son from his half body tumors, they sealed that child’s fate. Their love, however warped it may be, damned him into being Tearer.

Regrettably for literally everyone besides Shigure, this means he kills people, takes people hostage, blows up a building, tries to commit world genocide, dresses like a clown, and all in all just kind of sucks and posts cringe 24/7. My poor little meow meow lmao. He is the principal antagonist of the game, even if he turns out to be fucking dead for half of it. This is in part, of course, because this fucking unhinged maniac has no hobbies outside of Zero Escape and vaporwave and designed all of his plans to work with or without him being alive, but like Saito in the first game, Tearer is also representative of an idea. You may have already figured out what purpose he serves already, but if not, I think it’ll become much clearer once we talk about how he affects the story as the antagonist.

Talking about every single detail in AINI would take too long and waste a lot of time, especially since not everything that happens in the game is ties back to the HB case (hence some of the controversy), so our purposes we will focus on the characters most affected by Tearer: Ryuki Kuruto and Doi Amame. Ryuki first!

Part Three: Fractured | Mind

Now, to be completely fair, ya boi Ryuki was already going the fuck through it before the half body incident even started. Ryuki’s became a psyncer because of a childish sense of justice he cannot let go of because of the horrifying way he lost his twin brother, who was hit by a truck in pursuit of a criminal and half of his body was crushed beyond recognition. It was his brother with the heroic dreams, Ryuki is just carrying the torch. While the localization uses a reference to My Hero Academia, in the original Japanese, his catchphrase is an Anpanman reference, a superhero show for small children. He wants to do good, he wants to be a hero, to help people, but those naïve ideals can be easily twisted by his trauma and his grief, most notably into a profound hatred of criminals.

So, imagine you’re Ryuki, it’s the time of year your brother died, and now there’s a serial killer going around killing people by leaving half bodies: how do you think that’s going to go? And yeah! It goes like shit! He makes mistake after mistake after mistake, he’s constantly dissociating, memory lapses, he’s vibrating with anticipating waiting for Tama to give him the okay to kill some guys he thinks are tied to the incident, Ryuki shoots an unarmed civilian because he thinks they might be Tearer! He cannot separate his trauma from the case! And frankly, how could he be expected to?

I am not going to lie to you and pretend that Tearer designed the half body incident to trigger Ryuki’s personal issues deliberately. He didn’t. That guy doesn’t go outside lmao. But like Ryuki’s brother, Tearer too has been halved, and so he halves Horadori and Jin as punishment for what has happened to him. What is his catharsis is Ryuki’s trigger, and this inevitably leads Ryuki right into his grasp to be used, where the real shitshow begins.

Tearer has sabotaged Tama. He will kill her if Ryuki does not do what he wants, and what he wants is for Ryuki to kill Date and deal with any other minor nuisances in the meantime. And Ryuki shoots Bibi with a stun bullet, even if it worsens Bibi’s heart condition, because he loves Tama. He cannot bear Tama being destroyed, no matter how much Bibi screams at him, no matter how much she hates him.

He is under Tearer’s thrall up through to the cathedral, and he has one job. Shoot Date. Shoot Date, and Kizuna and Tama and everyone else in the cathedral gets to live! Seems easy, right? Even Date says he should shoot him. But despite this. Despite everything, despite all that is at stake, he can’t. Ryuki cannot shoot Date. It is the guilt of having shot Bibi, yes, but he loves Date. How could he ever shoot him? How can Tearer ask him to choose between the two people he loves more than anyone else in the world? How could he ever make this choice?

He can’t, so Tearer makes it for him, because Tearer has been making his decisions for him ever since he took Tama prisoner. He blows up the cathedral, and Mizuki loses her eye, and Kizuna is paralyzes, and Date is ‘killed,’ and Ryuki never moves on from this. He spends the next six years drinking into oblivion, his PTSD worsening, unable to forgive, unable to forget, unable to move forward. When ‘Jin’s other half’ drops he throws himself back into the case, still a wreck, still hallucinating, still having manic and dissociative episodes, to the point he doesn’t even seem to know what year it is, often interacting with others like it is 2020.

You might remember he caught TC-Perge, the bioweapon Tearer had Horadori Institute make, but the literal elements of a text are never just literal. When Ryuki dissociates or he hallucinates, it comes in the form of glitches to the matrix. Tearer believes in simulation theory, because of Shigure. She and Horadori kept him imprisoned, and she taught him the world itself is a fake they must escape from. For him, this virus is an escape attempt, but like how cutting people in half is cathartic for him but triggering for Ryuki, TC-PERGE is his prison.

Tearer is dead, but it is what remains of him haunts. It lingers, it possesses, and it does not let Ryuki forget or move forward. Ryuki is stuck in place, in February 2020 during the Half-Body Incident, because since it kept triggering him he ended up trapped, forced to do the bidding of the one that reminds him most of his trauma against those he loves most. He is trapped in the time Tearer stripped his agency from him, used his love against him, and that love is now his cage. It has transformed into guilt.

Who do you love, and how? What does love mean to you? Ryuki loved his brother, to the point that he choose to live the live he should have had, to uphold his ideals of justice. For Ryuki, love is grief is trauma. It is a list of reasons for him to hate himself. Tearer only adds to that list. He puts Ryuki in the same place he is, unable to move, clinging on to your own self destruction. For Tearer, it is the Nirvana Initiative, and for Ryuki, it’s the alcoholism, and the self-loathing, and the belief he has to solve and fix it all himself or die trying because it is the only way he can possibly atone. He takes a bullet for Date, even after he gets the pep talk from them and told they forgive him, and the only way he can atone is by working together to move forward. It seems only by taking it does he find his way out.

Ryuki gets cured. He will heal from his gunshot wound. Tama is free from Tearer’s clutches, and Date is fucking fine, and Ryuki will be okay. There was a way out of this hellish nightmare Tearer put him in, and it did not involve making the villains and himself pay forever indefinitely, it involved forgiveness. It involved accepting the love offered to you, because it should not be a prison, but freedom.

But the other person was not so lucky.

Part Four: Choose | Correctly

Okay to just take care of this, Tearer thinks he’s thinks he’s in love with Amame, but what’s actually happening is he hasn’t like seen a human woman who isn’t his ‘mom’ for like two decades, and his maturity levels are out of wack cause of the human experimentation prison cell thing, so his hormones are just going crazy. I have nothing further to say about this aspect. It’s just sad, and a little gross, and it’s not interesting. We’re moving on.

Determinism and causality already haunt Amame before Tearer kills her father. Doi Amame is a girl split in two. Every decision presented to her, every choice she makes is logged deep within her heart and kept perfectly preserved in bubbles, and sometimes she takes them out and rotates them, let’s the light distort their colors into something new. What if she stayed with her father during the divorce? What if she worked a different job? Less hours? Part of her is always in the past, ruminating on what could have been if only she had done something different, maybe it would have been better. In that sense, she and Ryuki have a lot in common, and it’s also why Ryuki should have been the protagonist full time, but this is not that essay.

We will briefly have to talk about Komeji, the king of bad decisions. If there were ever a reason for Amame to be constantly thinking about the consequences of her actions, it would be looking at her dad and going “Jesus Christ.” He loves family dearly, but he consistently makes short-sighted decisions that sound great in the moment, but get him and the people he loves further in hot water. This is why he thought it was a great idea to blackmail the serial killer with the body he found and stole, cause he was wasted, and hey it’ll get him money which he can pay the loan sharks with and then his kids will be safe right? WRONG. SO WRONG DUDE. Guy was a hot mess, and he pays for it with his life.

It because of that Amame and Tearer meet. Amame hides Furue Jin’s left half in the freezer in Brahman, and she shows up at Studio Dvaita just in time for Tearer to be finishing up arranging her father’s corpse, although she does not know it’s his at first. Their fates are now inexorably intertwined. “I met the person of my destiny.” Amame discovers her father in the body-bag.

While Tearer develops a bunch of fantasies about her over the course of six years, because what else is he going to fucking do I guess, Amame grieves and mourns. Her pile of capsuled choices only grows with every minute of every day, and she spends more time looking at them. Thinking about them. Wondering which choice was the correct one. Maybe she should have stayed with her father. Maybe she should have told the truth and worked less hours to come home early. Maybe she should have comforted him when Furue Jin’s body dropped on Face to Faith, because she knew he needed it. Could she have saved him then? Would he still be alive now? Yes, Komeji was a hot mess, but he was her dad! She loved him! And now he’s gone, forever.

Maybe she could have made peace with that, had her encounters with Tearer ended there. While it would never be fair, or right, knowledge that Komeji never made good choices, and that it was another bad choice that lead him to Tearer could be made peace with. With a lack of specifics about what Tearer was even trying to do before or after her father got involved with his plans, she could fill in the blanks herself, tell herself similar stories like the what ifs she conjures because there are no answers to her questions. But that is not what fate has in store for her.

Amame gets a phone call from Tearer. He wants to meet with her, because he is convinced, for reasons we will get to in a second, that she will understand him. And Amame, although she knows she hates him, knows she cannot forgive him for what he has done to her father, knows she is plagued by the decisions she has made that she can never undo, she does not call the police. She does not tell anyone. She accepts his offer, and she goes. She just wants to know what he has to say, right? She just wants answers. Only that. Then she’ll leave. Finally, an explanation for why her father was killed.

And she gets it! And it’s the worst explanation she’s ever heard in her entire life! Simulation? Moksha? Nirvana Initiative? What the fuck is he talking about? Her dad died for this? She asks him if he remembers what happened on February 13th, 2020, the day her dad was murdered. She is trying to gauge if he remembers what he did to her father, if he even cares at all. And all he has to say is “That was the fateful day I met you.” Her father? He doesn’t matter. Komeji died because he needed a body to put at Misetan since Jin’s other half was never returned, and Tearer considers this entire thing a performance and a game. It wasn’t personal, like Horadori, or Furue Jin. It meant next to nothing to him. Her father died for no reason. He just moves on! He laughs! He’s blathers on maniacally about his plans to destroy all life on earth in the name of liberation or whatever, right in front of a woman whose dad he killed that he doesn’t remember or consider important!

He thinks she thinks this is super based, and that he’s like the smartest guy ever, and that he’s going to save the day, and that it’s an honor she is getting the chance to work with him, that she is considered intelligent and special enough to know about their ideals. Why does he think this? Is he delusional? Has he lost his mind? Well, yes, obviously, that happened like ages ago when they started stealing his organs and trapped him in the basement, but there’s another layer. Shigure Tokiko does not love him, but she only ever validated him when he supported her cult ideology, and his other relationships do not exist. She is his only frame of reference. He wishes to connect with Amame because he wishes to connect with another human being and be understood, and Amame was there, but he only knows how to do that through this shitty cult he is thoroughly indoctrinated in to the point he kills people and plans genocide for it, and with all that in mind, the result is inevitable.

It was bold of him to turn his back to her. She was never going to understand him. Enda Amame knocks him out with a wrench, drags him to the slicer, and kills him in the same way he killed her father. Another decision she can never take back. But she was not alone. Shigure saw her kill him, and now she is under her thrall. She has to move not just his body, but hers, or else her secret will get out. So she helps Shigure with her plan, to keep her secret, and lives the next couple of days quiet and somber, lost in her what ifs and her grief. She cannot bear this weight much longer. Not just her loss, or the weight of the secret she now keeps, but the ever-mounting regrets that began years ago.

“I did what was best for me! I don’t care if people attack me for it, I have no regrets! I have no regrets!” Amame cries at the end of Nightmare Irreconcilable, a Somnium that plays through each of her regrets, and the things she could have done instead. She wants so desperately to believe this, because while she can imagine going to see Komeji instead of Iris, or picking him in the divorce, she can’t picture not killing Tearer, even though her regrets all lead her to that point. Even though killing him did not bring her father back, but just took her away from her brother, and Gen, and her other best friends.

When Tearer calls Amame “the person of his destiny,” he is correct, but not for the reason he thinks he is. Before him, Amame’s life is full of people who love her, and of people who love her in return. Yes, her father is a mess, and the divorce was hard, but she’s okay. She has support, and she’s kind and self-sacrificing and a little eccentric, but that just makes her lovable. The choices she makes matter but they are not a fixation of hers. The world is open. She is free.

But that day in Dvaita, the world starts to close up. She is still loved, and she still loves people, and she’s still gentle and eccentric, but she’s starting to close off. Her dad’s decisions lead to the slicer. What does that mean for her? Was the world always so small? He’s gone, and there are no answers, just a hole that will never heal, no matter how much people love her, or how much she loves in return. The pathways for her get narrower and narrower and narrower, leading her directly to that dingy cell that seals her fate. And just like the man she killed that was trapped down there, she too is treated as another disposable tool by Shigure Tokiko, and is currently trapped in a cell, not unlike where he used to be.

To talk about Tearer is to talk about Amame because to talk about Amame is to talk about Tearer. They are direct responses to one another. Tearer was damned into being so at age six. His ability to choose, to love, to decide were all taken from him when he was stolen from that orphanage. And this monstrous cruelty contaminates everything it touches. Tearer desperately tries to escape to a world where his trauma never happened because it is all that he is, and like him she fixates on imagined possibilities where things are better, because the pain of her loss is too much to bear.

The world was available to Amame, until it was infected by him, by what he had no choice but to become. He killed her father, and although the world was still available to her, she was still free, she could not see it. All she saw was the past she could not undo, the family she lost forever, and the man who was to blame. For that one moment, Amame threw out all the love the world still had to offer her because she hated him more, and immediately regretted it. It’s the cycle of cruelty, of abuse, of trauma.

Conclusion: Trauma | Symbolism

This is why Tearer fucking rules, more than anything else. He is the embodiment of trauma, the breathing symbol of thematic horror the cast is trying to overcome. That’s why half his body is literally fucking chitin, a visual representation of the wounds that do not heal. That’s why his personality is entirely formed by the horrific experiences he had at the hands of Horadori and Shigure, and why everything he does is motivated by that experience, down to his fucking name! He was literally trapped because when you’re traumatized it often feels like you cannot move from where you are. He clings to Shigure and her idealogy because she stands for nihilism. She promises all those that enter her grasp that this world is meaningless and the only real way to find happiness is by ending it all: a death wish. He never leaves the narrative, even after he’s killed, and killing him cannot defeat him, just perpetuates the cycle. Amame only comes out of that even more traumatized, more guilt-ridden and horrified, it adds to her trauma. Trauma is not something you kill. His plan to kill everyone is to make people destroy themselves from the inside out, by ruining their minds so they cannot interact with one another without inevitably causing pain.

The only way to stop him is through unity and attempting to mend bridges, by process the things that hurt you instead of bottling them up. Accept the love that people give you. Embrace the opportunities that the world still has to offer.

Bonus: Somezuki Uru

You must have one question left. How come in this entire essay, I never once called him by his real name? I even pretended for a second he lost it forever somehow. Well, that’s because…Tearer is an idea, isn’t he? He is entirely shaped by the horrors forced upon him. Like I just said, he is trauma. We don’t know anything about Somezuki Uru, other than he was orphan, a normal boy, and honestly based on knowledge of Sejima’s cursed dick and balls, his brilliance in technical achievement as Tearer is probably an indicator of something significant going on in his brain that just isn’t to the same degree as cancer or the oxytocin deficiency. My money is on autism (source: autistic). Everything else we get is shaped by the horrors, and I just talked about those at length. But if I still have you here…

It is 1996, and tucked into his bed at Aioen orphanage, Uru wonders what tomorrow may bring? Rain or sunshine? Outside the open window, the moon that hangs high in the half-clouded sky has no clear answers. The breeze smells wet. Maybe it’ll rain after all. Didn’t Mr. Chieda get that new game for the computer….? That might be fun to try. He yawns. The breeze smells dry again, but he’ll worry about it tomorrow. This great big world full of possibilities isn’t going anywhere.

I hope the world you live in right now is kind to you. Thank you for reading this.

#nirvana initiative #ai the somnium files #ai nirvana initiative #uru somezuki #somezuki uru #kuruto ryuki #ryuki kuruto #amame doi #doi amame #hope.txt #my meta #aini #ai series #I HAD A LOT OF THOUGHTS ABOUT MY GUY #SO HERE WE ARE #as for that second to last paragraph #its up to you how you interpret it #be kind to one another #okay?

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