#Barbieri Fantasy
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alexesguerra · 6 days ago
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Barbieri Fantasy Cats Oracle Barbieri Fantasy Cats Oracle Cards – November 8, 2019 by Paolo Barbieri (Author) --Brand New-- Master illustrator Paolo Barbieri strikes the perfect balance between elegant realism and ethereal fantasy to create this exquisite oracle deck. Use the cards to divine the surprises that the universe has in store for you as you enjoy the charming cats and subtly humorous scenes that flow from Barbieri's untamed imagination. The mystique of the feline has never been shown with such lush atmosphere and impeccable detail. When you enter the world of Barbieri's Fantasy Cat Oracle, you will want to linger and drink in the unmistakable sense of magic. Boxed deck (4 x 5¼) includes a 23-card deck and instructional booklet. Paolo Barbieri is an artist based in Italy. His illustrations have appeared on the covers of bestselling books across Europe and North America. Product details Cards Publisher: Llewellyn Publications (November 8, 2019) Language: English ISBN-10: 0738763403 ISBN-13: 9780738763408 Product Dimensions: 3.8 x 1.2 x 5.2 inches Shipping Weight: 8.3 ounces
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geekynerfherder · 11 months ago
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Showcasing art from some of my favourite artists, and those that have attracted my attention, in the field of visual arts, including vintage; pulp; pop culture; books and comics; concert posters; fantastical and imaginative realism; classical; contemporary; new contemporary; pop surrealism; conceptual and illustration.
The art of Paolo Barbieri.
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cinemaquiles · 5 months ago
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A inspiração de Xena a princesa guerreira: A rainha guerreira, (Barbarian Queen, 1985)
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princesssarisa · 1 year ago
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The Top 40 Most Popular Operas, Part 3 (#21 through #30)
A quick guide for newcomers to the genre, with links to online video recordings of complete performances, with English subtitles whenever possible.
Verdi's Il Trovatore
The second of Verdi's three great "middle period" tragedies (the other two being Rigoletto and La Traviata): a grand melodrama filled with famous melodies.
Studio film, 1957 (Mario del Monaco, Leyla Gencer, Ettore Bastianini, Fedora Barbieri; conducted by Fernando Previtali) (no subtitles; read the libretto in English translation here)
Donizetti's Lucia di Lammermoor
The most famous tragic opera in the bel canto style, based on Sir Walter Scott's novel The Bride of Lammermoor, and featuring opera's most famous "mad scene."
Studio film, 1971 (Anna Moffo, Lajos Kozma, Giulio Fioravanti, Paolo Washington; conducted by Carlo Felice Cillario)
Leoncavallo's Pagliacci
The most famous example of verismo opera: brutal Italian realism from the turn of the 20th century. Jealousy, adultery, and violence among a troupe of traveling clowns.
Feature film, 1983 (Plácido Domingo, Teresa Stratas, Juan Pons, Alberto Rinaldi; conducted by Georges Prêtre)
Part I, Part II, Part III, Part IV, Part V, Part VI
Mozart's Die Entführung aus dem Serail (The Abduction from the Seraglio)
Mozart's comic Singspiel (German opera with spoken dialogue) set amid a Turkish harem. What it lacks in political correctness it makes up for in outstanding music.
Royal Opera House, Covent Garden, 1988 (Deon van der Walt, Inga Nielsen, Lillian Watson, Lars Magnusson, Kurt Moll, Oliver Tobias; conducted by Georg Solti) (click CC for subtitles)
Verdi's Un Ballo in Maschera
A Verdi tragedy of forbidden love and political intrigue, inspired by the assassination of King Gustav III of Sweden.
Leipzig Opera House, 2006 (Massimiliano Pisapia, Chiara Taigi, Franco Vassallo, Annamaria Chiuri, Eun Yee You; conducted by Riccardo Chailly) (click CC for subtitles)
Part I, Part II
Offenbach's Les Contes d'Hoffmann (The Tales of Hoffmann)
A half-comic, half-tragic fantasy opera based on the writings of E.T.A. Hoffmann, in which the author becomes the protagonist of his own stories of ill-fated love.
Opéra de Monte-Carlo, 2018 (Juan Diego Flórez, Olga Peretyatko, Nicolas Courjal, Sophie Marilley; conducted by Jacques Lacombe) (click CC and choose English in "Auto-translate" under "Settings" for subtitles)
Wagner's Der Fliegende Holländer (The Flying Dutchman)
An early and particularly accessible work of Wagner, based on the legend of a phantom ship doomed to sail the seas until its captain finds a faithful bride.
Savolinna Opera, 1989 (Franz Grundheber, Hildegard Behrens, Ramiro Sirkiä, Matti Salminen; conducted by Leif Segerstam) (click CC for subtitles)
Mascagni's Cavalleria Rusticana
A one-act drama of adultery and scorned love among Sicilian peasants, second only to Pagliacci (with which it's often paired in a double bill) as the most famous verismo opera.
St. Petersburg Opera, 2012 (Fyodor Ataskevich, Iréne Theorin, Nikolay Kopylov, Ekaterina Egorova, Nina Romanova; conducted by Mikhail Tatarnikov)
Verdi's Falstaff
Verdi's final opera, a "mighty burst of laughter" based on Shakespeare's comedy The Merry Wives of Windsor.
Studio film, 1979 (Gabriel Bacquier, Karan Armstrong, Richard Stilwell, Marta Szirmay, Jutta Renate Ihloff, Max René Cosotti; conducted by Georg Solti) (click CC for subtitles)
Verdi's Otello (Othello)
Verdi's second-to-last great Shakespearean opera, based on the tragedy of the Moor of Venice.
Teatro alla Scala, 2001 (Plácido Domingo, Leo Nucci, Barbara Frittoli; conducted by Riccardo Muti)
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ofide · 5 months ago
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really can’t get into high fantasy (5 minutes later) me and paolo barbieri 😁
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babydollscharm · 2 months ago
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Check out this listing I just added to my Poshmark closet: 𝅺Hardback White Stag By Kara Barbieri.
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lamilanomagazine · 2 years ago
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Milano: “Welcome to Fantasyland” un viaggio nel fantastico alla Feltrinelli di piazza Piemonte
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Milano: “Welcome to Fantasyland” un viaggio nel fantastico alla Feltrinelli di piazza Piemonte. La Feltrinelli di piazza Piemonte apre le porte al fantastico con la speciale serata "Welcome to Fantasyland" il prossimo martedì 28 febbraio dalle ore 19.00. L'evento, curato dalle Librerie Feltrinelli, inaugura una rassegna dedicata ai mondi fantastici che accompagnerà il pubblico fino al 9 aprile. La serata di apertura, realizzata in collaborazione con Lucca Comics & Games, è condotta da Marta Perego e prevede la partecipazione esclusiva dell'illustratore fantasy Paolo Barbieri e la performance di Adrian Fartade, il più creativo dei divulgatori fantascientifici. La sua anteprima dello spettacolo "Gli alieni non sono buoni da mangiare (forse...)" porterà i partecipanti in un'atmosfera siderale, a metà strada tra scienza e immaginazione. Ma la serata non si ferma qui. Dopo lo spettacolo, Eleonora Montagnana, violinista di fama internazionale, ricreerà le atmosfere fantasy attraverso le colonne sonore di molti film e serie tv cult, come "La Storia Infinita", "Il Trono di Spade" e "Il Mago di Oz". Inoltre, RED Caffè propone "Ofiuco", un cocktail speciale a tema "fantastico" ideato per l'occasione da Dario Comini, Master Mixologist del Nottingham Forest Cocktail Bar di Milano. La rassegna proseguirà con una serie di eventi che vedranno protagonisti i principali autori e talent del genere letterario, promozioni ed esclusive disponibili sia nelle Librerie che online su lafeltrinelli.it e IBS.it. Un viaggio lungo fino al 9 aprile sulle strade della narrativa fantasy, della fantascienza, della distopia e del gotic-horror, che promette di soddisfare gli appassionati di questo genere letterario sempre in evoluzione.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article
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blake-allykat · 2 years ago
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New Year Tarot/Oracle Card Reading
I did a last minute card reading for the new year. Mom gave me a new deck for Christmas, so I figured I needed to break it in. Last time I did this, the theme was self-care. This time was...a bit different.
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Here are all five cards I pulled. From top, moving clockwise, the decks I used are:
Animal Totem Tarot by Leeza Robertson
Fantasy Cats Oracle by Paolo Barbieri
Tarot Familiars by Lisa Parker
The Spirit Animal Oracle by Colette Baron Reid
The Oracle by Calm Club
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First card I asked "What is the theme of this year?" and I pulled the Nine of Cups, which is the butterfly. The butterfly is all about transformation, and not always an easy one. When a caterpillar becomes a butterfly, it isn’t a pretty process. Change can be hard and you can’t always go back. This year is going to be one of transition, the end of one era and the start of a new one. And while the process might not be easy, the end result is something to look forward to.
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The second card I asked "What do I need to focus on this year?" and pulled Sleeping. Which, yes, sleep is amazing. But this card is also about letting go and allowing myself to rest because I’ve earned it. My mind and body need rest and rejuvenation. Cats are the masters of letting go and being true to themselves. They sleep deep because they are true to themselves. 
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For the third card I asked "What do I need to be aware of?" and pulled the Hands. This card encourages me to ask questions like who is reaching their hand out to me, and who am I reaching out to? Questions around relationships and if I am being supported and being supportive.
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For the fourth card I asked “Who is guiding me?” and pulled the Starfish. The starfish is open to unlimited possibilities and urges me to reach past my limits and challenge myself. Who knows what will happen? When cynicism says no, starfish says yes, yes, yes. Open yourself to the power of dreaming big and don’t be limited.
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My final card was from a new deck I got for Christmas. I asked “What is coming this year?” and pulled the Five of Wands. This card represents struggles, obstacles, and labor. I made the joke that, since it was spelt that way, it means I’m going to give birth, but that’s just hopeful thinking.
Overall, seems like this is going to be a year of changes. We're trying for a baby, so hopefully this is the year I become a mom, which would indeed be a big change!
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artmagine · 5 years ago
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The amazing digital art of Paolo Barbieri
Artbook: Stardragons
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abstract-surrealism-blog · 4 years ago
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aliteraryprincess · 4 years ago
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Goblin King (Permafrost #2) by Kara Barbieri
Goblin King (Permafrost #2) by Kara Barbieri
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Many thanks to Wednesday Books, St. Martin’s Press, and NetGalley for the ARC. This book is being released today November 17 2020.
Warning: There will be spoilers for White Stag (Permafrost #1) in this review.
My Rating: 2 stars
I picked up the first book in the Permafrost series, White Stag, last year with high hopes and ended up disappointed. While I did like Janneke as a protagonist…
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fireheartmoonbeam · 4 years ago
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I don’t understand why book tumblr is still sleeping on White Stag by Kara Barbieri. I need fanart and I’m not talented.
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trevenbran · 5 years ago
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Barbieri tarot. Not really sure what to think of this one. I tend to avoid "portfolio decks" were an existing body of work is arranged in a way that vaguely resembles a tarot deck, but only if you squint. But this one needed a home, and I liked the empress. Oh, and the king of swords appears to be drizzt do'urden.
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2020ya · 5 years ago
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GOBLIN KING
by Kara Barbieri
Permafrost #2
(Wednesday Books, 11/3/20)
9781250247605
Add to Goodreads
Purchase from Indiebound
In this stunning sequel to White Stag, Janneke must find how far she's willing to go to save her world from destruction--even if it means sacrificing everything she's fought for. The Hunt is over but the War has just begun. Against all odds, Janneke has survived the Hunt for the Stag--but all good things come with a cost. Lydian might be dead, but he took the Stag with him. Janneke now holds the mantle, while Soren, now her equal in every way, has become the new Erlking. Janneke's powers as the new Stag has brought along haunting visions of a world thrown into chaos and the ghost of Lydian taunts her with the riddles he spoke of when he was alive. When Janneke discovers the truth of Lydian and his madness, she's forced to see her tormentor in a different light for the first time. The world they know is dying and Lydian may have been the only person with the key to saving it.
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l-altra-me-loulousnow · 6 years ago
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Paolo Barbieri Art
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climacus · 6 years ago
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Guercino (birth name Giovanni Francesco Barbieri, Italian, 1591-1666); Sibilla Persica (The Persian Sybil), 1647-48; oil on canvas, 117 x 96 cm; Musei Capitolini, Rome
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