Pori Moni: রাজ্যের প্রথম জন্মদিন, এলাহি আয়োজনের প্রস্তুতি শুরু মা পরীমণির
জি ২৪ ঘণ্টা ডিজিটাল ব্যুরো: বরাবরই নিজের জন্মদিন জাঁকজমকপূর্ণভাবে পালন করেন পরীমণি(Pori Moni)। তবে গত বছরই নিজের জন্মদিনে পরী জানিয়ে দিয়েছিলেন যে এবার থেকে আর নিজের নয়, ছেলের জন্মদিন ধূমধাম করে পালন করবেন অভিনেত্রী। ছেলের শাহীম মুহাম্মদ রাজ্যের(Rajya Birthday) প্রথম জন্মদিন আগামী ১০ অগাস্ট। বলাই বাহুল্য ছেলের প্রথম জন্মদিনে এলাহি আয়োজন করবেন অভিনেত্রী। ইতোমধ্যেই শুরু প্রস্তুতি।
আরও পড়ুন- Chhavi…
Columbia University's Joint Anti-Israel Groups Go Mask Off
Hey, remember how Columbia University had students in encampments protesting for months? Remember how their SJP, BDS movement, and associated groups endorsed terrorism, violence, and "resistance by any means"?
I remember.
Well their joint SJP and BDS group called CU Apartheid Divest just posted something to their Instagram that shows it has never been about Palestine or Palestinians.
Fig. 1. CU Apartheid Divest group, made of SJP, BDS, and other groups openly admits that they are anti-Western Civilization
Read that again.
"We are Westerners fighting for the total eradication of Western civilization."
That's a wild statement to make.
So what are they posting about suddenly that has them revealing their intent for their actions since October?
Bangladesh.
The CU Activists are attempting to liken October 7th attack by Hamas with the Bangladesh student protests. Bangladesh had a quota based employment system that students were protesting, the government responded violently, and everything escalated from there due to years of government corruption, violence, and economic turmoil. This was a protest turned revolution within a country by its own people. This was not a government run by a recognized terrorist group attacking another country, killing civilians, and taking them hostage.
However, the differences and reasons between Hamas's actions and the actions of the students in Bangladesh do not matter to the anti-Zionist Activist.
We've seen this repeatedly from these activists that they will try to liken their movement and/or attach it to other conflicts around the world. Many of these conflicts differ greatly from the Israel/Hamas war as they are internal issues with internal actors being involved.
Bangladesh is students protesting against their government.
Sudan is going through a civil war between various factions.
The Congo has been experiencing decades long violence as various militias fight each other for control.
Yet I've see anti-Israel protestors tag their posts with Free Bangladesh, Free Congo, Free Sudan even though these conflicts differ in origin and parties involved.
If you continue through the IG post you'll see very little information as to the cause of the protest/revolution in Bangladesh and continued attempts to coopt the actions for their movement.
Fig. 2. CU Apartheid Divest group tries to liken its student movements to the student protests in Bangladesh and calls to escalate.
I can't help but think that the CU student activists yearn to be oppressed in a way that would allow them to respond like revolutions and protests around the world. The way they speak and write exudes a yearning for violence. In Fig. 2. they detail the actions taken by students against an authoritarian government that has actively shot and killed protestors. Whereas here in the USA the students were forcibly removed from campuses, experienced some police violence, were arrested, and then released. No curfews with a shoot on sight policy were imposed here in the USA in response to college campus protests.
Fig. 3. CU Apartheid Divest classifies this as an Intifada and likens it to Hamas's attack.
Notice in Fig. 3. that they're trying to call the actions in Bangladesh an Intifada. Not an intifada, but an Intifada which is a proper noun with its own connotation. I know I may be a stickler here, but if I see that word capitalized then I know it's referencing the First and Second Intifadas, and I know that these student groups have been calling for a Third one under the guise of "Global Intifada". They also say that Westerners need to escalate and are "obligated" to do so.
Fig. 4. CU Apartheid Divest uses tankie terminology, refers to Bangladeshis as martyrs, and calls this part of the Global Intifada.
The terminology in Fig. 4. also shows how much the Free Palestine student movement in the USA is not actually about Palestine, Palestinians, or any other movement it tries to attach itself to. These are tankies as indicated by the use of "comrades" and they are wholly opposed to Western Civilization. They genuinely state that their movement should violently escalate here in the USA and that they should be prepared for "sacrifices". This language when coupled with the use of Intifada is alarming as it appears that these student activists are preparing to follow in the footsteps of the Second Intifada, or at the very least calling for others to do so.
These students, whom call themselves the Militants of Hind's Hall (seen in the IG post, but not pictured here), are coopting, or attempting to coopt, movements and conflicts from around the world for their own ideals. As these are students in the USA who are arguably experiencing the least amount of oppression when compared to these other conflicts, and are actively attending Ivy League or R1 universities, it can only be assumed that they're yearning to live out their Glorious Revolution fantasy.
I am under no illusion that I understand their reasoning. Are things perfect here in the USA? Of course not, but when compared to the countries that these student protestors are attaching themselves to, we are leaps and bounds better. And if you disagree, then I have to ask, when was the last time we had a curfew with a shoot on sight policy?
Anyone attempting to call this movement and group "peaceful" is naive. They've been telling you for months that they're not peaceful, that their goals are not peaceful, and that the only peace they want is after they commit violence.
The son of Bangladeshi immigrants, Zaman was first seduced by the theatre’s siren song as a teenager. “I know exactly when it happened. I was 15 or 16, and my school took a group of us to a show in Newcastle, which was an international telling of A Midsummer Night's Dream. It was an RSC production, with an entire company of actors from the Asian continent, across East and South Asia, all speaking different languages. The whole play was done in every language they spoke but English, and it was so beautiful and physical. I was blown away by it, and seeing people who looked like me on stage.”
Scottish, nonbinary, and comfortable playing a teenager
Indian/Pakistani/Bangladeshi descent and also from the Midlands
We are casting for a bunch of roles for a couple stories in the zombie anthology The Dead, one set in London and another in the Hebrides. There are roles for all sorts of folks, but we are particularly looking for the folks listed above.
Each story is four episodes long and is recorded synchronously. This is a paid role, and you’d get to join Bloody FM’s roster of actors for later opportunities.
All the info, sides, requirements, and the form to submit are here:
If you have questions, you can ask me! I’m director of The Dead and it’s a project I’m so proud of. The turnaround is SO quick on this one so don’t wait! It closes at the end of this Friday (8 March 2024 at midnight!)
Bangladesh’s minister of state for information and broadcasting has defended the government’s handling of mass protests, as United Nations experts called for an independent investigation into the government’s deadly crackdown on demonstrators.
In an exclusive interview with Al Jazeera on Thursday, Mohammad Arafat said the country’s security forces had done everything “to bring back the peace” amid the student protests.
He accused “third-party” actors, including “extremists and terrorists”, of fuelling the unrest.
We’re not referring to the students [as] the terrorists and anarchists. It is the third party, those who intruded into this movement and started doing all this,” Arafat said on Talk to Al Jazeera.
“We tried our best to de-escalate the tension,” he said, adding that “some people are trying to add fuel to the fire, are trying to create a situation where they can take advantage … and topple the government”.
Thousands of Bangladeshi students took to the streets earlier this month to demand reforms to the South Asian country’s quota system, which allocates 30 percent of government jobs to the descendants of veterans who fought for Bangladesh in the 1971 war.
The islamic republic: dOn'T MiX fOotbaLL wiTH POliTiCs!
Also the islamic republic:
*sends their journalists and employees as "fans" to Qatar to do their biddings*
*hires Bangladeshi workers in Qatar to come and pose as islamic republic supporters and fans*
*makes sure Qatar security guards confiscate any protest sign like woman life freedom prints or Iran's original flag*
*Their assigned "fans" interview with western journalists and tell wild lies, like "we have complete gender equality in iran!" Funny enough, that woman who was lying like that couldn't leave Iran without her husband's permission and couldn't go to stadiums inside of iran*
*Sending non-hijabi "fans" to Qatar so that they can claim even the women we arrest, whip and kill are on our side. This one is a wild concept, we know she has received money and she's regime related, but the regime wants to pretend she supports them from heart. Well I can't think of any reason why someone like her would support a regime that not only hurts her but calls her a prostitute for not wearing hijab, other than Stockholm syndrome! Is the regime trying to say Iranian non-hijabis have Stockholm syndrome??*
*They used the win against Wales as an excuse to dance on our fallen graves. The security forces were dancing in the streets after the win. Their hands are red with our blood and they mock us with false happiness. Just so you know, any festivities in the streets that contains dance and music is banned in Iran. Previous world cup when real regular people came to the streets to celebrate, they were treated with police suppression. But apparently for regime goons it's ok to dance in the streets*
At this point it doesn't even matter if our national football team is supporting us or not, if the team members were bought or threatened. The regime made football a war tool, let's fight then.
After loosing to USA people came to streets to celebrate. We celebrated because it's a lose forthe islamic republic and they're going to lose more than just a football match soon. We celebrated because our happiness makes our enemies mad. We celebrated because they danced on our loved ones graves, we'll dance on their graves one day. We celebrated because they want us depressed and compliance, but we won't sit until we see their downfall. We celebrated because it's banned in iran and we no longer play by the Islamic republic rules. We celebrated because we're practicing to celebrate the regime change soon.
Before the game we were telling each other no matter what the result we're going to the streets to make noise. They can kill our bodies but they won't kill our spirits.
The regime as they always do, opened fire on people. Broke windows and broke skins. This man was murdered last night in a northern city in iran for honking a happy rhythm. He was shot in the head for honking. His name was Mehran Samak. His last Instagram story said: no matter what, we're going to the streets tonight.
And let's hear one last tragic story. Mehran Samak was Saeed Ezatolahi, one of the national football player's childhood playmate. When one was crying in Qatar over loss, the other was cheering the Islamic Republic loss in his city. This is all on the regime. No one wins as long as this regime is on.
ps, celebrating for us means dancing while chanting death to the dictator. It's not a happy occasion, it's a fighting strategy.
Ps2, after the match with USA the security guards opened blind fire on people. One of Iranian actors, Mohammed Naderi, shared a picture of his pierced car window and wrote about his experience with the security guards:
Hello!
I'm writing a final Essay about Indian parallel cinema or new Indian cinema and I kinda got lost, there are so many movies and themes to explore!
since the deadline is pushing me, I don't have much time to explore it deeply, i've watched Charulata and Apu's trilogy but couldn't move forward from there. (all of them mind-blowingly amazing btw)
Could you please please please give me some direction on which way should i keep looking/researching or any of your favorite themes that are recurring in 50's-70's Indian "new wave" films ? anything would be really helpful.
Thank you in advance, hope you have an amazing day!!
oh my god, i did not see this until now as i typically only see notifications for this blog when i'm on desktop, i'm so sorry!! i really hope this isnt too late to respond. okay so i'm no expert but just some thoughts:
so obviously its a film movement that originated in bengal, a lot of parallel cinema is bengali indian OR bangladeshi, i'm not sure if theres a specific reason you're focusing on indian parallel cinema for your essay but thats something to keep into consideration especially because it spans past the 70s well into the 80s and somewhat 90s so after the independence of bangladesh. and that does impact and put context to the narrative of many films
the themes that are recurring tend to be class consciousness and disillusionment, religious and racial discrimination, casteism, more frank portrayals of the topic of sex, marxist thought, the burden of patriarchal society and expectation, to some extent borderline nihilism in my opinion, essentially the polar opposite of bollywoods pristine glamorized and polished portrayal of life and society that borders on science fiction from how removed from reality it is. in spite of it often.
if you want an outline of some filmmakers, actors, and films that can give you a decent idea of the movement, off the top of my head:
films i can think of that will give you a decent understanding of the tone and themes of the movement at least:
mirch masala
a river called titas and cloud capped star
donkey in a brahmin village
the apu trilogy and charulata as you said as well as devi and shatranj ke khilari. (the coward is also one of my personal favorites but not a necessary watch)
mammo, mandi, and bhumika
dont cry for salim the lame, the strange fate of arvind desai
arth
rat trap
maya darpan
duvidha, nazar, uski roti
quintessential filmmakers to at least get a decently rounded understanding (in my opinion):
saeed akhtar mirza
mani kaul
satyajit ray
ritwik ghatak
shyam benegal
mrinal sen
actors whose work or work during the period of early parallel cinema to look to:
smita patil (!) (probably the most important to look into if youre interested in this movement)
shabana azmi (early work)
madhabi mukherjee
soumitra chatterjee
naseeruddin shah (early work)
om puri (early work)
all of this is really just what came to mind immediately, i had planned on writing up a comprehensive summary of parallel cinema and what i considered essential viewing and themes and i will do that eventually, but i wanted to answer this as quickly as possible so i could easily be leaving out an insane amount of things. also i primarily used the english translations for these films unless i couldnt remember them. if youre in the usa (and maybe outside of it as well im not sure) MANY of these works or works made by these directors are on youtube or archive.org. i hope this is of some help and eventually i will post more comprehensive detail + scans of books i have about this. hope this helps someone and you have a good day!
So those tags about Near's ethnicity...what if you posted about that some more 👀
okay it's almost 2 am (<- an hour at which insane behavior does not count) and this ask enabled me to go on a research rabbithole so thank you for indulging the disproportionately passionate fleshing out of a silly little anime boy
i've talked about near’s ethnicity in my personal canonverse here, but long story short (<- me when i lie), to me the tragedy of near's character and the axis on which his characterization spins is his lack of connection to anything outside of wammy’s and his role as L; unmoored from community, no one, from nowhere, belonging to nothing, a perfect human blank slate for the wammy institution to groom into their sharp little child detective tool.
hence the obfuscation of his ethnicity — he is racially ambiguous but decidedly nonwhite, though his albinism, i think, would enable him to distance himself from even the basic human experience of belonging to a specific race, which would mean he’s someone with history beyond becoming L’s successor, which would mean something has been fundamentally stolen from him, which would mean grief, and well. he does not have time to unpack any of that, thank you very much.
ANYWAY, all of this is to say that i love faceclaims and to put my money where my mouth is i picked four grandparents for near that are historically likely to have immigrated to the UK, where eventually near was conceived and shortly thereafter given up for adoption, and named nate river by roger just to have something on file.
maternal grandparents fc: indian actor dharmendra, somali model ugbad abdi (he takes after his maternal grandmother the most specially the TOOTH GAP!)
paternal grandparents fc: , german sinti boxer johann rukeli trollmannm, and bangladeshi fashion legend bibi russell :')
'Who Are We? Bengalis': Bangladeshi Hindus Hit Dhaka Streets Amid Targeted Attacks, Awami League Shares Vid - News18
‘Who Are We? Bengalis’: Bangladeshi Hindus Hit Dhaka Streets Amid Targeted Attacks, Awami League Shares Vid News18
UN condemns attack on Hindus in Bangladesh India Today
Bangladesh Crisis: RSS concerned about violence against Hindus and other minorities in Bangladesh The Hindu
Hindu homes attacked, actor lynched, library gutted — Bangladesh crisis may mean ‘tough time for…