#BUT. season 2 will have an overarching plot

[wingedshadowfan]

⚠️arcane s2 act iii spoilers // criticism ⚠️

i kind of hated the end of arcane. hear me out.

i don't wanna rain on anyone's parade but we can all agree season 2's pacing was super breakneck. not a lot got explained or was given the proper time to develop or be addressed (at least in front of us, the audience, that is - but even then, some things could've been hinted at better) and this goes for both lore, motivations and interpersonal character relationships. (and i can give many examples such as the black rose, maddie's true motivations, caitlyn and vi's fight, jinx rallying up the undercity, viktor and ambessa's plans diverging, etc. but instead, i'll tell you what i think went wrong with what we got to see in the last three eps)

seeing where ep 7 left us made me think "okay ep 8 will start from the same exact spot and we'll see from there" and ofc my expectations were defied but that's not my main problem. i needed to know what happened to ekko, jayce and heimerdinger but even more than that, i wanted to see jinx grieve isha in her own way (by herself and not through being asked or guilt tripped to help someone else's agenda bcuz she clearly had little intrinsic motivation to unite the undercity over a common goal after silco's death) and internalize what she'd meant to isha - and that becoming jinx's catalyst to rally up the undercity. i wanted her to understand why this orphan from the undercity's mines sacrificed herself to save jinx - the symbol of a cause greater than her. i needed her to see what unifying zaun and making tangible institutional change to the undercity would mean in a way sevika never would've been able to show her. it would mean no more powders, no more ishas. not one more. breaking the cycle of violence, poverty, oppression, somewhat like what silco said in ep 9 (which she interpreted as 'you're the problem, so kys' and she attempted to until somehow ekko convinced her to help. how, why and did she even unite the undercity at all or just make her big hot air balloon late-to-the-party entrance with the firelights to a stray kids banger while sevika did all the work down in zaun?).

anyway, ep 8 threw us in for a loop in an alternative universe (and i loved it, don't get me wrong, but considering there were only 2 normal length eps left, it scared me just as much). instrumentally to the plot, we got to see ekko's main ability develop, and we saw jayce's reasons for shooting viktor. the main conflict of the show, the piltover/zaun one, if those 1,5 seasons so far were anything to go by, just got set aside for the time being. over halfway through the season, we've got a new big bad - the possibility of everyone getting possessed by the viktor/hexcore and becoming part of The Glorious Evolution™. it felt like a movie about racism and police brutality added aliens in the last 5 minutes to force oppressed and oppressors to (not all that successfully) work together, massive losses were suffered by everyone, and then the overarching motif wasn't about love or humanity or rebuilding (things that have come up repeatedly in other episodes, including the one ep literally called 'the messege hidden within the pattern'), it was "bad things happen sometimes, but good things happen sometimes too. it is what it is. i guess." like. duh?? as a viewer, this was quite the disappointing ending takeaway from such a masterpiece of a show but more on that in a second.

narratively, we saw a butterfly effect situation in ep 8 that answered the question of 'what could've been?' but even that answer confused me. the undercity was already oppressed and in socioeconomical peril before jayce's hextech - vi's death during that last job (which makes me believe zaun was the same in both universes because why else would they be poor enough to steal from piltover?) prevented it from being invented and thus stopping other things in piltover from happening but how did it lead to progress in the undercity? what happened and what was the key to it all along? why did shimmer not get invented, how did zaun and piltover seemingly unite, why were zaunites all of a sudden seemingly so much materially and culturally richer and better educated in just a few years? (that aside, i love ekko's determination to get back and save his universe's zaun. i loved the alternative jinx and i loved how everyone was wearing vests 10/10)

then, ep 9 felt like a bunch of confusing things happening one after the other to the point it almost overwhelmed me and i was left thinking i didn't understand a single thing from it (except maybe that one scene - that, i understood spiritually). and the first maybe 90% of ep 10 felt like i was just repeatedly getting hit, and again - no time to breathe, no consolation, no resolve, just receiving bad news after bad news, like getting beaten to the ground with stones.

and at the very end, after some of the ends get tied, caitlyn has her speech, which to me, sounds more depressing and hollow than anything else. she talks ambiguously of history and of ups and downs and of a story not yet over, but there's no promise for the future, no motivation to keep going, no bigger picture, no lesson learned. we're not shown much work being done either (and i'll make a separate post examining why it felt that way to me and a separate one abt how i interpreted her conversation w/ vi at the very end). i was left a bit confused, somewhat unsatisfied, and very, very sad.

did anyone else feel that way too? what did i miss, did i misinterpret or misunderstand something? please i'm going insane i had two different friends tell me they had no idea what i was talking about and that the ending was everything they wanted and more

[pikwikpack]

Pikwik Pals Season 2 Episode 2 “The Letter”

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[mellowmaidenhairs]

adventure time movie can be promising depending on premise but am i the only one kind of iffy on a prequel series of which the synopsis atm is just “finn and jake fight monsters” especially since we’re already getting a s2 of the OTHER spinoff who’s main plot was already hastily wrapped up in the really short first season

[dullahandyke]

and like sidenote if i can make a post with a target audience of zero. i feel like fhsy was to d20 what aa3 was to ace attorney but aa3 pulled it off better for reasons i cannot explain

[legogender]

caught up finallyyyy. that shit was FIRE

[bylertruther]

i don't like season three when viewing it as a continuation of seasons one and two, but i do very much like season three when viewing it as the prequel to seasons four and five... hmmmmm.

[fansids]

Welp, I've finished the season 4 special...

Anyway-

[hellhoundlair]

i read a post a few days ago that was like "baby isnt even that good of an episode it was just an okay episode in a sea of shit ones" and i was like lol man shut uppp its literally so good ur such a debbie downer haha. but i rewatched baby yesterday after rewatching season 1 and 2 and yeah its not that good

[cinnabeat]

i should relisten to season 1 of the magnus archives

[yo9urt]

finished umbrella academy ... !

[wszczebrzyszynie]

what is the like.... overarching plot of dns? is there an antagonist/conflict?

well this is fun. DNS does not have a real antagonist, so all the conflict is very character focused; it revolves around Przemek and Mikita trying to find their place in life as people who never truly felt like people. a very coming of age/slice of life kind of thing; its main theme is loneliness and all the things that come with it. The more detailed plot synopsis is under the read more as it turned out very, very long for a story that doesnt exist outside my head. It may just be the longest oc post i ever wrote here. 2 thousand words! thats a small fanfic. i dont know if i can call that a synopsis

The entire plot takes around one year (from one autumn to the next one) and is vaguely divided by the seasons; its not exactly on par with actual season dates, but its easier to categorise them that way for simplicity.

First fall, Przemek gets hired to be a junior gardener/garden help (which in this case oftentimes means doing whatever physical work in the palace needed) into a slowly collapsing, understaffed and isolated palace of a dying family line, the quite peculiar Kowalewicz family, with the owner, Eliza, rarely staying at that place. Durning work, he accidentialy gets lost in the building and catches a glimpse of a resident no one ever mentions, who just as quickly disappears. This "ghost" encounter is what makes him interact with Ryba more (who is one of the only people his age, his coworker and someone very focused on helping Przemek fit in in general; Przemek doesnt want to talk to people there, hes nervous and doesnt really feel safe away from his family; at this moment he lives from visit to visit, only really trusting his sister with things), and, with Ryba pushing him to see this ghost more, they try to explore the palace when they get a chance. Most notable moment is when they try to offer the ghost some food (bowl of kasha and some eggs) in the evening durning the dziady-all souls day period, to help it "achieve peace in the afterlife", but Przemek is too scared to go all the way and they just... leave the food on the attic stairs he first saw his ghost at. When they try to get back to their rooms (outside of the main palace building), they hear a loud thud above them. Przemek really wants to leave at that point, but he gets dragged back by Ryba, only to see that their ghost has fallen down the stairs (presumably tripping on the food) and is now unconcious. They dont know what to do and think they killed him, before he regains consciousness. Thats how they meet. Luckily for them he is far to unwell and dizzy to recognize what made him trip

Winter (late autumn-early winter) is the beginning of Przemek and Mikas relationship and the hostility that came with it. Przemek feels stupid for assuming Mika was a ghost, and Mika is just being generally unpleasant to him (and to lesser extent, Ryba, who tries to befriend him at any cost), because hes generally awful like that and wants to be left alone. He starts leaving the attic less the more Ryba pushes, but hes still willing to accept Ryba (because Ryba reminds him of a friend he had; Mikita is defined by his past and will clutch onto it because he doesnt want to live in the present and cant even imagine a future. and because Ryba is stubborn and doesnt want to leave Mika alone after thinking they killed him on those stairs; Ryba brings him food and they eat together). While his reationship with Ryba is... alright enough, he and Przemek cant get along no matter what Ryba does to ease things out. The tension between them is slowly building up for months, before in early january they get into a big fight. It ends up getting physical (Przemek finally gets to punch Mikita, who actually fights back and threatens him with a letter opener), and in the aftermath Mikita decides he cant stay in the attic (where the fight took place) and goes into the gardens, where he gets lost once it gets dark (Mikita is able to navigate the palace and gardens while in daylight, but in the darkness he is practically completly blind. While the first part of the gardens is relatively well maintained, the further it gets from the palace the more neglected it becomes, until it blends into the local forests). Unable to find his way back home in the cold, dark winter evening, he realizes hes probably going to freeze to death, and is afraid of dying for the first time; something he thought he was ready for and thought about a lot (to no ones surprise he is suicidal). Its a very important moment for Mikitas character overall. Tired out after what feels like eternity of limbo, he gets found on accident by Mikołaj and Tamara, the church ground/cemetery children, and passes out. This entire woods scene is the moment in the story that starts Mikas journey to become a person again; its his rebirth, esentially. Przemek in the meantime is left with the fact that he cant really help but somewhat identify with the way Mikita treated Ryba (quite badly, even if he was nicer to him than to Przemek), and that he should be a better friend overall; something he never really thought about before, not because hes awful, but because he never really had friends outside of his family, about which he doesnt really want to think about - Przemek gains something new in life to care for and that is his friendship with Ryba, which is both very simple and very difficult for him, but he chooses to focus on it in an attempt to save himself. In some way, those feelings culminated durning the fight, when he punched Mika, but only after he started unpacking what it all entails. In general Przemek starts to question himself more; hes been slowly opening up to other people at the palace for the past few months, and the fight is the trigger he needed to start recognizing that things are changing for him too. The snow starts getting so heavy they cant even leave the oficyna (the building with their rooms, servants kitchen, laundry room and all those things) and are unaware Mika disappeared; Przemek is more worried about the possibility of getting fired in the middle of winter for punching Mika, but Ryba does worry about him. Mikita gets sick and is being cared for by Mikołaj and Tamaras dad; they get along pretty well (especially since Mikita is unwell and had a life altering near death experience) and after two weeks Mikołaj gets Mika back home. No one noticed he was gone

Spring (which is actually late winter/middle of spring). The main three reconcile somewhat after the events of winter; Przemek and Mikita dont like each other, but they start to accept each others presence, mostly for Rybas sake, who doesnt want to be pushy after the winter events and recognizes Mikitas isolationist nature. Mikita starts going out more; not really outside, but starts hanging out in other places in the palace, and even visits the church grounds when he has the chance. This season comes with new characters; Eliza comes back home, and with her comes her brother and his family, who normally live in Britain. Among them is the youngest family member - Dominik, a young boy, who never really saw his dads family home, or ever been to Congress Poland, considering Artur was the first one to get away from that place. Dominik is out of his depth there and doesnt really enjoy that much at first; Ryba spends his time on trying to learn more about the kid, trying to make him feel more welcome. Przmek doesnt really care for the residents and wants to keep his distance, but he also feels like he cant leave Ryba alone, and so he runs errands with Ryba while he tries to help. While he manages to get along with the boy (who is drawn to anything cool his older peers do; and Ryba is plenty cool), he starts to recognize that the issue lies in him missing his home and the other side of his family, something neither of them can really fix. Its something that resonates with Przemek and forces him to finally think about his own family life; something he has been somewhat avoiding since his first arrival. Every month, Przemek gets to come back home for two days, and with each visit it has been getting harder, mostly due to his sister, Lena. Przemek starts the story very... depressed, mostly being dragged around by others, but now hes different. Hes still relatively meek, but being able to focus on new relationships and experience the weird but unconditional support at the palace made him a calmer, bit more content person, who can make choices for himself. In Lenas eyes however, her brother is leaving them behind, not as much physically as mentally, and she starts holding a grudge against him, causing tension Przemek doesnt understand or know how to fix it. The siblings relationship is something id like to go more in depth in another post if anyone would be interested in it, as its one of my favourite relationships in the story, and a very important one

Summer (late spring-late summer) is the last "proper" season. Over a month after Artur and his family come back home, another guests arrive - Beatrycze and her father, who is a close friend of Eliza, who will be staying there for a while. At that point Mikita has made a lot of progress since he first fell down the stairs and is taking part in the palaces... social life, if you can call it that, to an extent. Trycz is a peculiar guest, as she avoids talking to anyone, usually haunting the hallways and forgotten rooms of the palace, or walking by herself in the gardens. When caught, shes polite, but runs away from conversations at the first possible moment. Its Mikita who gets to actually talk to her first - and he does not like her, but this encounter makes Trycz open up a little. As a trans girl shes not very open to meeting strangers, but Mikita is... peculiar enough himself, with the rest of the palace (he doesnt go outside so he wears whatever, and he looks... queer enough to clock immidiately, i suppose. Trycz mistakes him for a girl herself at first) to make it better. While for Trycz it was a relatively nice encounter and a stepping stone in making friends at the manor, Mikita starts to get stuck in his own head. Once Ryba and Trycz become friends, and hes forced to listen about her from both the only peer hes willing to talk to, as well as the adults at the palace, he realizes just how completly envious he is of her. Convestations with Trycz and her family open up a box he has made his life goal to not think about - that he is, ultimately, still a failure, and his life will be forever defined by his childhood. In his head, Trycz is a literal better version of him, something he cant be anymore, and hes left to deal with that. He has to accept that he will never truly leave the attic - while someone like Trycz or Ryba or even Przemek can find their people, Mikitas ability to love died with his mother, and now he has nothing, he cant truly connect with anyone and he always will be a bit lonely. Summer for him is both a setback and a start; he will never be able to regain the relationship he used to have with his mother, but shes not here anymore, and he is. While his former attempts at getting better were rooted in wanting to be a bit like before, he recognizes he cant really do that. Przemek on the other hand gets to experience a... Ryba withdrawal, of sorts, as their relationship gets on the harder to understand side, and Przemek needs space to think about everything going on. He doesnt want to hang around the guests, and he still feels lost in regards of his family. Out of lack of options, he tries to talk to Mikita when they meet on accident - something they dont really do since they dont have to anymore. They actually manage to hold a conversation and share advice. Mikita tells him off for being so helpless and makes him go talk to someone more competent about his issues, but he does envy him for being able to care so much. The time of the next visit is getting near, and Przemek knows he has to do something about it, as he decided to not visit last month and feels incredibly guilty about it, ultimately finding his way back to Ryba. In the process of making sense of his family situation, he realizes he may be in love with Ryba, who pretty much knew already. He comes back home for a visit and apologizes to Lena for leaving her alone

Next autumn is an epilogue of sorts; a then vs now kind of thing. Przemek and Ryba help Mika move out of the attic into a different room in the palace

I dont think im capable of talking about my ocs in just a few words. I cut out some things (Rybas whole deal, the relationship between Lena and Przemek, Mikita durning spring) but i think thats the main meat. Its not much but its something i cherish

[baddybaddyadardaddy]

Okay, I'm going to make a wild prediction about Adar and Galadriel in Episode 8, so strap in.

An overarching the/major motif of the Rings of Power from the very first episode has been, obviously, the interplay between darkness/light.

"To find the light, we must first touch the darkness." / "Before light, darkness must flee, etc."

Adar and Galadriel together are a manifestation of that duality between light and dark and accordingly, I think there's a compelling case for them to team up against Sauron at the end of Season 2.

Here's my attempt at this argument:

PARALLELS BETWEEN ADAR AND GALADRIEL

The show has established a few strong visual parallels between the two of them.

Mourning ritual. Galadriel mourning for Finrod in S1Ep1 is echoed by Adar's mourning of the Uruks in S2Ep7. They even mirror the single tear.

What's more, Galadriel bears WITNESS to Adar's funeral ritual, enforcing the connection of this moment.

Seed planting. Frankly, my jaw hit the floor when S2Ep2 had Galadriel planting seeds in the memorial garden in Lindon, because the shots/framing were almost IDENTICAL to the seed planting Adar does at the beginning of S1Ep6. The sentiments of both instances are the same "life over death," though the words do differ.

Flip sides of the same coin/mirror to one another. The show has also presented us with many instances where they function as mirrors to one another. If not signficant, why do?

Barn scene. The barn scene in S1Ep6 is a PRIME example, when Adar literally calls Galadriel out for the hypocrisy of her hatred of the orcs.

The dinner scene. Adar once again holds up a mirror to Galadriel, pushing back against her notion that "you yielded to him. I resisted." Then they have the shared acknowledgement that without Sauron, the world seems a "dull grey" (GREY, interestingly, a halfway point between dark and light). Adar's face in response to her admission will live rent-free in my mind forever-- it's like he's been SEEN for the first time in his life.

So while Galadriel sees herself as a warrior of light, and views Adar as a creature of darkness, the show does a pretty superb job of showing that both of these characters have light and dark within them in equal measure.

They were both tempted by Sauron and succumbed.

So there is a clear, thematic link between these two from that standpoint.

ADAR'S JOURNEY TOWARD THE LIGHT

Next, I think it is clear Adar on a path toward light/redemption as an elf, and it tracks in a VERY LITERAL SENSE.

First time we see Adar, he is bathed in an angelic light. As he performs the funeral ritual for Magrot, light streams into the Uruk tent.

The shot at the end of S2 Ep1, when the camera lingers on Adar as Gil-Galad's call to the Eldalie commences. Adar feels the undeniable call to his elven past. That camera shot was NOT A COINCIDENCE, and I'm FOREVER FERAL ABOUT IT.

Cavalry charge at the siege of Eregion. Adar is OBVIOUSLY backlit:

There is a dividing line between light and shadow an Adar is RIGHT on the border of it.

When he steps up to take possession of Nenya, the sky behind him is split between a darker side and a lighter side. (You can argue that it's a CREEPY light, but it's still light. There is almost no all-black coloring on him in that second frame when he actually has the ring. For a character that's been head to toe in black the entire series, this is Significant.)

So where does that leave us for the big Sauron smackdown?

My first wild prediction: In an INSANE reversal, Galadriel will be the one to bring Morgoth's dark crown to the confrontation, while Adar will wield Nenya, a symbol of light.

It's not inconceivable that Gal could have smuggled it out of Adar's camp somehow under her oversized Uruk cloak. And Adar, OBVIOUSLY now possesses Nenya at the end of S2Ep7.

I think the fight between Galadriel and Sauron is ACTUALLY a three-person fight; we just haven't seen Adar in the promos because

1. Obvious plot spoilers and

2. HE WILL BE FIGHTING IN A FAIR FORM BECAUSE NENYA WILL HEAL HIS CORRUPTION.

My second wild prediction: This three-person fight is telegraphed in The Last Temptation. There's a new motif (not musical, so unclear if this is the correct term??) that starts around 1:07. It sounds like an aggressive children's choir. Interspersed, we get some of Gal's themes and Sauron-flavored music. I think this new bit could be either a combined theme for Gal/Adar fighting side by side, OR a new motif for a changed/elven Adar. It's aggressive, which to me tracks with Adar's fighting style that we saw through S2Ep7, and it builds and gets more voices added to it as the song progresses. At one point, it blends perfectly with Gal's theme.

Third wild prediction that I hope I'm wrong about: Adar will likely get fatally stabbed during this fight. I could see him giving Galadriel the ring at a crucial moment, in as a redemptive act, which would forfeit any protection it might have offered him, and I think he'll receive a fatal blow from Sauron, but not before we get a much clearer picture of EXACTLY who Adar is. IF they do it this way, it will be a deeply satisying end to Adar's story arc, IMHO.

Last thoroughly unhinged thing I will leave you with:

Nolwa Mahtar translation (from S1), according to Bear's blog:

Finish the war, the darkness, end this suffering

Impossible to pursue, deep in shadow, follow light

Finish the war, the darkness, end this suffering

Bright warrior against darkness.

Obviously this theme plays a HUGE role in S2. I believe the lyrics are different; we don't know what they say yet.

But I have contended all along that this piece has always applied in some way to BOTH Adar and Galadriel.

Galadriel is the bright warrior standing against Sauron's darkness, yes, that image is obvious.

But Adar, a figure who lived deep in shadow, follows light, ultimately finishing his own war and ending his own suffering.

[ghostofthepresent]

Why I think Shiguang can be canonically read as romantic

(I will only be using the donghua for reference, so no Studio Lan retweeting those fanarts (lmao) nor those especially gay manhwa panels (lmao x2) nor even the songs ("chase you to the end of the world, just to say your name once more" my beloved).

It's important to start off by saying that I'm aware Director Li said they ended up not making Lu Guang a girl because they didn't want romance to be seen as a must in Shiguang's relationship by the audience (and because he feels that "bros can have a good heart-to-heart connection with each other"). In my opinion that was a great move since it allows more freedom with how they write them than they'd have otherwise. I also think viewing Shiguang as queerplatonic is a great read too and it doesn't diminish their love for each other nor the importance of their relationship at all.

With that said, despite Director Li's words, there's been things that had me going 🤨 as someone who likes to adhere to canon relationships and read into the writer's intentions, so I wanted to share why I personally see them as romantic.

EPISODE 2

We've all seen this coming, right? Most obvious parallel ever, and in the second episode no less. We all know the similarities between both relationships, so I will just touch on those I consider the most important ones.

Lin Zhen and Yu Xia have gone to college together, and since then decided to start a business of their own - named after a mix of their names. They've been shown as being really close and having no romantic relationships. Lin Zhen also says that Yu Xia's happiness is her own, and then it's shown to us that she's gone through years of unhappiness just for Yu Xia. I believe you can replace their names with Lu Guang's and Cheng Xiaoshi's in your head without me writing all this again. And I'm not even going to get into the most obvious parallels like the special noodle recipe for each pair.

I think it's safe to say that Lin Zhen and Yu Xia are implied to be romantic. From that "one noodle" scene, to the close shot of Lin Zhen grabbing her hand, etc.

Now, I want to get into a writer's point of view and pose two questions:

1. What's the purpose of this episode, when even those which seem episodic connect to the overarching plot of season 1 (even the missing kid's case, as it leads to the involvement with the police)?

2. If we answer the previous question with the conclusion that it's meant to show us the nature/development of Cheng Xiaoshi's and Lu Guang's relationship, what does that say about it?

"Partner" in Link Click

Continuing with episode 2, what really got me thinking about the romantic intentions in their writing was the constant mention of marriage and anything in relation to it.

(may I remind everyone that the driver's comment was said when Cheng Xiaoshi was complaining about Lu Guang lmao)

They're telling us through "show don't tell" (for example, when Lin Zhen kept on eating the noodle despite knowing they'd kiss) and, also, connotations. They are presented to us as business partners, but then the entire episode goes on to tell us that there's more to them by tying their relationship to things percived as romantic. So what they want to really tell us is that beyond simple business partners, they're life-long partners.

And then, after establishing this kind of connotation to the word partner, Cheng Xiaoshi says this to Lu Guang in the next episode:

This doesn't stop at them. While it's the most obvious example, I think partnership in Link Click is intended to be seen as romantic, or at the very least dancing somewhere close to it. Let's go even further and take a look at our fully canon, heterosexual relationships and see briefly how their story is written:

1. Dong Yi and Xu Shanshan: both of them chose the comfort of each other's presence over moving on with their respective futures. Dong Yi had so much faith in their relationship and their love that he couldn't choose a life/future that didn't have Xu Shanshan - choosing to not go back to his family home nor go to that interview, and instead waiting for Xu Shanshan to define their relationship.

2. Liu Siwen and Ouyang: Siwen spent his entire life training with the purpose of getting his father-in-law's respect and marry Ouyang, going every year over and over to fight him. His perseverance and his undying love for her allowed Siwen to do the (seemingly) impossible.

3. Chen Bin and his wife: they're a tragedy. His wife understood Chen Bin the best, enduring feeling lonely because she loved him and wanted a future with him. But their relationship was cut short, so they promised each other to be together in a future life to make up for the time they wouldn't be in this one.

With this + the pictures I attached, it seems like Link Click has set this theme of "love is a life with you" for its romantic relationships, a partner that will fight to stay because they can't see a future that doesn't have their beloved. Going back to episode two, this applies even to the noodle ladies. When Yu Xia remembered what actually matters to her, she went back home - to the start, to her hometown. And, most importantly, to Lin Zhen.

So why is Shiguang romantic? Why aren't they queerplatonic, or just best friends, or bros or whatever else? Because besides what I said at the start of the previous paragraph, Shiguang's relationship mirrors a lot of the romantic ones. Each story and author writes romance and other kinds of relationships differently, portraying them in the way they perceive "this is what this kind of love is like". And beyond life-long partners, I think that the key elements of romantic relationships in Link Click are the ones I highlighted in bold above in the 3 canon relationships part - which Shiguang shares, too.

(I didn't mention this before with the het couples, but I find it a little amusing that season 2 happened because a man wanted to go to the past and get his wife back (still fuck you Qian Jin) and then we find out Lu Guang did go back to the past and got his boyfriend partner back lmao).

"Friend" vs "Partner"

So where is the boundary between platonic and romantic? What marks the difference between a (best) friend and a partner?

There is, for example, Liu Xiao and Li Tianchen's relationship. They aren't shown to have any kind of romantic undertones and there's even the very real possibility of manipulation on Liu Xiao's side. They're also never labeled as nor call each other partners, but instead Li Tianchen says he "met a new friend" and Liu Xiao says he's "going to meet an old friend" years later. So we could say for now that they have a somewhat close relationship (we see Li Tianchen go against Qian Jin to give the phone to Liu Xiao), but never cross that "friend" label.

We can even bring Qiao Ling and the boys' relationship. She's never labeled as a partner despite taking part in the side job and, more importantly, being super close to both of them. She is very important and a cherished friend to Shiguang, so why not call her partner too? I think it's intentional. Since she's been given a familial role already (calling Cheng Xiaoshi her brother when talking to Li Tianxi), she can't fill a partner role. I wonder why? because it's supposed to be a synonym for a romantic relationship. who said that.

So even best friends (Qiao Ling, arguably what Liu Xiao is to Li Tianchen) don't enter this close space that is being a partner. It's different, it's beyond platonic. Or at least that's what they've been showing us for the past two seasons.

I could go soo much more into this honestly, because I do think the little hints thrown here (the music videos) and there (tiny seemingly inconsequential details) are worth to be looked at too, but I wanted to get into the core reason that makes me go "woah so they're In Love fr". I hope I expressed myself well ^^

tldr; the series shows us a divide between having a (best) friend and a partner, giving "partners" romantic connotations.

[sparrowlucero]

Hello sorry I am being shy and anon but do you have any advice for someone who wants to get into Doctor Who again after briefly dabbling (and enjoying it very much) in like the early, early 2010s? I know this is mostly your art blog but you were the only person I could think of to ask you're like the Doctor Who authority of blogs I follow

Oh yeah of course! People can be really confusing about this so I'll try not to be.

So first, the majority of doctor who episodes are self contained stories that you could just watch and understand perfectly without any further context. even when there is some overarching context it's usually written in a way that's either pretty easy to glean and/or just doesn't impact your understanding of the story. 99% of the episodes don't even care if you know the premise and are just like "what if some people were on a spaceship and the devil was there? wouldn't that be fucked up or what??". Don't feel like you have to binge a 60 years long show to watch it. Some standalone episodes I think are fun if you (or anyone else) just want to check out one or two:

The Empty Child/The Doctor Dances (A supposed-to-be-dead boy in a gas mask haunts a young woman in world war 2)

Blink (A woman gets wrapped up in a mystery involving statues that make people disappear. This one is especially good if you flat out know nothing about the show. Has some really great time travel stuff.)

A Christmas Carol (A christmas carol pastiche (of course) where the doctor tries to rewrite the past of a cruel man who's going to let a lot of people die. very sad and sweet. I love the "wintery planet with sky fish" setting of this one)

Vincent and the Doctor (The famous Vincent Van Gogh Episode™)

The Rings of Akhatan (A pretty lowkey little adventure story about an alien festival. has supreme autumn vibes)

Flatline (A species from a 2 dimensional world tries to break into our 3 dimensional one. really fun special effects)

Midnight (A tour bus breaks down on a diamond planet where nothing can survive. Something knocks at the door.)

Silence in the Library/Forest of the Dead (The Doctor and friend go to a library that covers an entire planet and finds that everyone has disappeared. Has a lot of really great, interesting concepts baked into it that I won't spoil)

It Takes You Away (A girl is left alone in a cabin in the woods when her dad disappears through the mirror. Has a famously goofy ending that I really love)

73 Yards (A character is steps on a fairy circle and is followed by an old woman who always stands exactly 73 yards away)

The Devil's Chord (This doesn't really have, you know, a plot, but it does have jinkx monsoon as an evil music god)

Boom (The doctor steps on a landmine on an alien planet and cannot move)

Wild Blue Yonder (A two hander where the Doctor and co are trapped on a dilapidated spaceship at the edge of the universe. really atmospheric with some fun/strange visuals.)

That being said, it does add a lot to watch it in order; there's a lot of plot twists, character dynamics, and general payoff you get if you marathon it. I would personally recommend starting with either the first episode of the 2005 show ("Rose") or the first episode of the 2010 season ("The Eleventh Hour") and just watching in order from there. I think you could also start with "The Snowmen", "The Pilot", or "The Woman Who Fell To Earth" if you wanted, but the first two (especially rose) are the better jumping on points.

some other little notes of advice I don't often see people mention:

it's stupid sometimes just roll with it

once in a while the show sort of "reboots" with different writers, actors, directors, and a new tone. it's much more like watching several small shows than one long show, so don't be too put off by the length!

IMPORTANT: pretty much all streaming services will separate holiday/anniversary specials from the show proper and you have to deliberately search them up on the same service to find them. It's really necessary to be aware of this because many of these specials are the first or last episodes for characters/whole eras of the show and are genuinely unskippable. I strongly recommend looking up a list of the episodes and checking it after finales just to make sure you don't skip anything on accident.

there's two spin offs (Torchwood, a more adult (read: gay sex) show about a mysterious agency that solves sci fi crimes, and the Sarah Jane Adventures, a pretty good monster of the week kids show) that ran concurrently with season 1-4. You don't have to watch them to understand anything happening in doctor who, but sometimes they cross over with the show in fun ways, Ex. the first season finale of Torchwood continues directly into season 3 of Doctor Who. My friend and I got a kick out of watching them at the same time so maybe you will too. (either way I recommend watching "Children of Earth", the torchwood miniseries, if you want to see a weird dark sci fi show about the government making contact with aliens. It's a bit like arrival (2016) if it was way nastier.)

alternatively, you can inject fast acting brain poison into yourself with this

anyways I hope this all reads as, you know, more approachable than the way dudes on quora recommend this show:

[byoldervine]

The Trick To Writing Filler

(TL;DR at the bottom)

Filler is when you spend a chapter padding the length of your story between plot-related events. Filler chapters have little to no impact on the overarching plot and can be self-contained, and thus in TV shows filler episodes are often reran the most as people unfamiliar with the show can casually watch without being confused without the knowledge of prior plot beats

So with the chapter being largely self-contained and acting outside of the plot, what do you use to make the filler chapter engaging? I’m going to use filler episodes from Avatar: The Last Airbender to provide examples

1. Worldbuilding. Zuko Alone depicts Zuko’s travels taking him through an Earth Kingdom village and becoming acquainted to the family that allows him to stay with them, especially their young son. He learns about what the Fire Nation’s impact on this village has been; destroyed houses, families torn apart, constant robbery and other abuses of power and injustices. And even after Zuko defends the villagers and his new friend, he’s venomously cast out from the village by even the little boy because he outed himself as a firebender. This episode explored the impact of the war on the people of the Earth Kingdom, the victims of war that have no involvement in it and no way of defending themselves from it

2. Character exploration. In The Beach, we learn more about Mai, Ty Lee, Azula and Zuko and how their own traumas and personal upbringings have impacted their personalities. For Zuko this is part of a turning point for him, but for the girls it’s more to understand why they are the people we’ve gotten to know over the seasons, especially Ty Lee and Mai. The episode also serves to showcase how Azula and Zuko are so out of place being just normal teenagers; Azula has no idea how to talk to her peers and no identity outside being Princess Azula of the Fire Nation, while Zuko’s hotheadedness and jealousy issues lead him to lash out and be far too confrontational and controlling for his own good. This episode isn’t really used to develop these characters, or at least not the girls, but instead explains and showcases their behaviours and the reasons behind them

3. Character development. Going back to The Beach, Zuko does indeed receive development rather than just character exploration like the girls do; he comes to understand that he’s not just angry at the world or angry in general, but angry with himself. This is a notable turning point for Zuko’s redemption arc, because he now understands fully that he truly regrets betraying Iroh and sacrificing his new start in life in favour of returning to the Fire Nation. He might not yet be fully decided on turning his back on Ozai, but without this moment I don’t know if he’d have gotten there, or at least not as quickly as he did

4. Relationship development. Sokka’s Master has a C plot of Aang, Katara and Toph all being rather bored and lost without Sokka’s presence. The A plot exploring Sokka’s feelings of inadequacy and uselessness in comparison to such powerful and formidable bending masters being contrasted with the Gaang unable to function without him already speaks volumes about their dynamics, but looking deeper into the C plot also shows how much value Sokka really does bring to the team; structure, planning, humour, a quick wit, strategic moves. The Gaang always supported Sokka and never seemed to view him as expendable outside of the occasional teasing, but having it acknowledged so clearly and plainly that they can feel a little aimless and flat without Sokka and being so delighted when he returns really shows us the kind of value Sokka brings to this team and brings us and the characters to further appreciate it

5. Downtime. The Ember Island Players depicts the characters taking a break to watch a comedic play based on their wacky adventures, only to be largely underwhelmed and displeased by how they’re portrayed. There are no stakes to this episode and barely any plot, just the Gaang taking a breather as they react to a bad play. This chance to relax and watch something inconsequential is just as important to the viewers as we’ve got the show’s finale in the next four episodes, which will be very plot-driven and intense. The Ember Island Players also has the additional viewer bonus of recapping the events of the show right before it all ends, giving the viewers time to reflect on the journey they’ve gone on with these characters. In order for the stakes to feel high and the tension to rise, there has to be downtime where there are low stakes and low tension; if things are intense all the time, the moments that are supposed to feel super intense will just feel average in comparison. Resetting that intensity right before such a big event while still acknowledging the looming threat coming soon will feel like the calm before the storm and allow your audience to soak it all up like the characters are

Wow, did I just go through all that without talking about Tales of Ba Sing Se? I’ll save that for another post if people are interested in more

TL;DR - filler provides a moment to breathe, reset the intensity levels the audience are experiencing and take a chance to step away from the external conflict (the overarching plot) in favour of worldbuilding and the characters within your setting. Small moments can amount to something big, and can help make large scale decisions or plot twists feel more build-up and in-character

[orengejoshi]

Love you art. My favorite thing is definitely your coloring. Flug does give t boy swag. Hope to see more of your drawing soon. Out of curiosity what do you hope for season 2?

Thank youu🥺💜

I know what you meant but just the entire term "T boy swag" reminded me of my fav rapper who just goes by "T" and since I wanted to do that for a while anyway (his songtexts would resonate with Flug so much) I used this as an excuse to redraw one of his album covers, so I love that, I'm gonna steal that heheh

(relatively unrelated for everyone except me lol but I always throw in some art when replying to asks)

umm yeah so... we're not even done with the first season, so idk. from S1-B I predict more of what we've had so far; more or less episodic comedy, slowly easing us into a connected plot. 6th episode already kinda introduced that.

it's gonna be one of those cartoons like TOH who start off silly and episodic in the first season and develop into a melodramatic serialized show from 2nd season onwards.

this is going to be an unpopular opinion but I actually do not 100% vibe with that, I prefer episodic cartoons like SpongeBob or South Park without overarching plot; comedy over drama. but it was always obvious that Villainous is gonna have a fuck ton of lore so I'm not disappointed.

my criticism rn is that I feel it's already way too many characters I'm sorry. it's getting pretty convoluted. I'm just not a fan of that but again pretty subjective. I can't bring myself to care for absolutely any character that we haven't seen animated yet. it's been too long for me to throw too many new characters in the mix, I've been nonstop hyperfixated since 7 years so I'm skeptical about changes.

as for the plot, I have no idea. we're in so early that I can't even imagine where this is gonna go.

for the end I wish that no ship with the main 3 becomes canon. it's just going to create fandom wars, just leave it open

I just want to see Flug happy...

I'll always just hope to get as much information about Flug as possible

definitely hope they explore Miss Heed's character too, as long as she doesn't end up with Flug l'm interested in her. I would like to see her getting worse (maybe switching sides?) before finally healing and learning to love herself

I want to know more about Goldheart and consequently about Flug's past

I wish for Demencia to snap out of her brainwash some day and learn about her past. I need Flug and Demencia to become real good friends and escape together with 505. I do NOT want them to become heroes but in order to find true happiness and peace they'll have to leave this place imo

but I think most of that is WAY in the future, this won't all happen in the 2nd season. but idk how long this series is gonna be, I doubt the crew even knows, so ye!