#BUT. I can only keep playing and see where this leads.............

[very-grownup]

Whenever scolding or lecturing posts come across my dash I'm always confused by what seems like the imaginary people they're addressing, but I just spent time this evening with my niece and nephew.

I don't know if I'm the "cool" aunt in their lives, but I'm the aunt who would improvise dance music and bop them around when they were babies. I'm the aunt who wrestled with them and let them climb all over me and plop down and demand my attention. I'm the aunt who watched videos of giant cockroaches with them and let them lead me in games. I'm the aunt who tonight was shown many, many stickers of "Wings of Fire" dragons and asked my opinion on them and a rubber calculator where you can make a big number and then do minus a little number and if you keep pressing the equal sign you can see the big number going down and you can pretend it's the health of an enemy in a videogame. I'm the aunt who sat through so. much. Paw Patrol.

I think you probably have to do time in the Paw Patrol or equivalent mines if you want to be an adult in a child's life that they feel is part of their life, which is more important than being the cool aunt.

I do know I was privileged to have a cool uncle (did you know men-types can also have deep relationships with their younger relatives?). He passed away from cancer last year, tragically young. But he was cool. He was the coolest adult I knew as a child. He had turtles he cared for well enough that they were huge, stately creatures. He would wrestle you in the water and lift you high above his head and splash you down. He would take an interest in what you were doing and find common ground and engage with you about it and listen to you and he was the coolest adult you knew as a child. I was ten or eleven when he married my youngest aunt, so I was approaching teenagerdom which was a dreadful time, but it was when I started to learn about science fiction, mostly through comedy like The Hitchhiker's Guide to the Galaxy and Red Dwarf. But he /had/ The Hitchhiker's Guide to the Galaxy. He had Red Dwarf /novels/. He gave me a copy of The Princess Bride and Ben Elton's Stark just because. He recommended The Martial Chronicles. He watched The X-Files.

I don't think he was trying to be the cool uncle. He was just himself and paid attention to you enough to see who you were and talk to you about the things that made you feel like an adult.

After he died, there were a lot of comments and memories about how cool and involved and loving he was and I hope he knew that. I'd like to think I might be so remembered by my niece and nephew and the other children I've been lucky enough to have in my life.

It's not about being cool, really, but about being engaged with them in the time you spend together (I only saw my cool uncle for a week or two in the summer until I graduated high school) and being an honest version of yourself so they can find the part of you that they think is cool and building on that.

Because, in retrospect? Geologist with turtles who reads science fiction? Not particularly cool. Certainly not universally cool. And I imagine what other young people in his life responded to was different than what I responded to, what cemented him in my mind as a cool adult. Maybe he had his own Paw Patrol he endured to spend time with my younger cousins.

I don't know, I just love my niece and nephew a lot and I want the world they're growing up in to be better and kinder and I feel blessed when my autistic nephew takes my hand to lead me downstairs to play a game with him or, like tonight, asks me if I have Minecraft on my phone because he wants to be able to invite me to his Minecraft server. It's exhausting but still heart-warming how goofy and unselfconscious my niece is in her excitement when I come over and she forgets she's almost a teenager (she's eleven, but she'll be twelve soon, and that's basically thirteen).

...

God the Paw Patrol years were rough.

I know that a lot of you are banking on having little to do with your nephews/neices as children and then becoming their "cool aunt" once they become teenagers, but I think that you will find, upon analysis, that a random middle-aged woman stepping into a whole-ass teenager's life and arbitrarily declaring herself to be a "cool aunt" is, in fact, the least cool thing it's possible to do.

[0mg-bird]

Lover’s Rock~ S. Reid

Spencer Reid x Fem Reader

Summary: Spencer isn’t the only one that stands out in the crowd, but maybe that’s a good thing, because that’s what leads him to you.

Warnings: I didn’t really proof read, I’ll do it later lol. 18+ content towards the end. Um Reid is such a dweeb and adorable???? Fluff, mentions of alcohol and embarrassment. Reader is so twee (can we bring twee back or no?) idk she makes questionable fashion choices.

Really, this wasn’t your thing.

The bar scene, the club dresses all the girls where, the high heels and the whole game of cat and mouse that all the guys want to play. But you’re here, you made an effort to appease your best friends who claim you have no social life.

The entire night so far, they watched you strike out with the guys they motioned over because in their mind, you’re desperate and lonely and lame.

Okay, maybe that’s more of your headspace than theirs, but they’ve been offering you pity glances this whole time.

You’ve made a decision a while ago that maybe there was no romance out there for you. You were just born with some aspect that made normal, sane guys physically run away, and maybe that’s fine. You were really good on your own. And it never did feel right when you had a guy, if it didn’t feel like the movies, it wasn’t worth it.

Right?

Okay, maybe you should settle, at some point, you’ll be too old to marry and you’ll just keep working, with no real life and take care of Shelly, your goldfish. Maybe it won’t be perfect, but it’ll be someone to share things with.

You let out a huff and watch the ice melt in your drink, not bothering to smile when your friend tells you to brighten up.

Normally, you’re a ray of sunshine, but something about getting rejected four consecutive times is raining on your parade.

An entire bar full of happy people in their element, and it’s just you, sticking out like a sore thumb, especially when your friends go dance with a few guys they hit it off with.

Too busy looking at the buckle on the ankle strap of your heel, you are sinking somewhere in your mind, to a place where you aren’t listening to cheap song lyrics of and realizing that table is stickier than you thought.

“Where’s Reid?”

“Reid.”

“Spencer!” Penelope smacks his shoulder, pulling him from the trance of his eyes on the book pages.

He looks up from the corner booth, seeing his team has returned with drinks.

“Are you seriously reading right now?” Morgan criticizes, placing a beer in front of the younger agent.

Spencer doesn’t know why he does this, beer tastes like a plowed hay field in his opinion. But he takes the drink in gratitude and before he can explain that he was just trying to finish the Russian publishing of ‘Crime and Punishment’, Morgan rips the book from his hands and tosses it to Emily for safe keeping.

“I- what was that for?” Spencer questions with a unjust squeak, feeling rather sad.

“Look around, kid, do you see how many fine ladies are here? You don’t need to be sitting here with your nose between the pages of Little Women.” Morgan states as a matter of fact.

“Yeah, nobody puts baby in the corner.” Penelope agrees.

With an airy scoff, Spencer looks to the other members for help, but they all seem to side with Derek.

He gains a defeated frown.

Spencer didn’t want to be here in the first place, now he’s being forced out into the public to socialize. There has to be a law against this, he knows there’s not because he knows everything, but he is certainly going to try and create one.

“Oh come on, Spence, why don’t you try to get a date?” JJ asks, meaning well, but the laugh that comes from Emily makes him want to recoil.

“C’mon, I’ll help you.” Morgan offers, pulling him from the booth seat.

“Yeah, that never really works well when you try to be my wingman, you usually end up with all the phone numbers.” Spencer claims, pressing his lips into a line.

But like some mock savior, Morgan stands behind Reid as they wait by the bar.

“What about her?” Morgan would point out.

To which Reid would respond with some variation of ‘she’s too much’ or ‘she definitely has a boyfriend three times my size’.

After fifteen minutes of this back and forth, Morgan is seriously regretting he forced the hermit out of his shell.

And that’s when a rowdy group finally leaves and clears the path of vision to you.

Still sat at a high table with one leg crossed over the other, you wiggle your foot as you doodle on a drink napkin.

Reid misses whatever Morgan says, and in that air of silence, the agent follows the vision.

“Okay, now we’re getting somewhere.” Derek chuckles, clapping Reid on the shoulder. “She’s pretty. Go talk to her.”

“What?” Reid looks away. “No, no, I don’t want to disturb her.”

You let out a very bored sigh.

Derek’s brows furrow. “I know you’re some boy genius but you really are dumb sometimes. Everything about that girl is screaming ‘put me outa my misery’.”

Spencer tilts his head slightly, watching you rub your eye and then frown at the way you smudged your already smudged eye liner.

“Okay, maybe you’re right.” He nods. “But…what do I say?”

Derek grins. “Compliment her, ask if she wants another drink, strike up a conversation. It’s easy, man.”

Spencer gets an uneasy feeling in him, but he still braves through it. “Easy for you, maybe.” He mumbles before running a hand through his hair and takes a step towards you.

“Go get her, tiger!” Morgan encourages.

When he returns to the team with the happy news, Penelope asks if Spencer’s gonna do good.

“Oh, definitely not, we’ll be lucky if he doesn’t trip over his own feet on the way over there.” Derek answers, laughing.

But Spencer makes it to you without a stumble, yet his whole plan leaves his mind when he gets to you.

You’re gorgeous, too pretty for him.

“Nice legs.”

Did he just say that?

You look up at him upon hearing his voice, your wide eyes confused.

“I’m sorry?” You question, not sure if you heard this stranger correctly.

He’s a rather handsome stranger.

“No- I mean I like your legs- tights! Not your legs, you have nice legs of course but that’s not- your tights are nice- cool! Different?”

Oh god, he should just walk away now. He’s already messed this whole thing up and surely you think he’s an idiot.

While he’s got an embarrassed look on his face, you look down at the red lace tights you wear under your skirt, something your friends questioned as a fashion choice.

“You really like them?” You ask, voice soft to his ears.

He stops his rambling.

“Yeah, of course I do, I think they’re cool.” He smiles softly.

You can’t help but grin bashfully.

“Every guy I’ve talked to tonight thought they were a little weird, but that’s okay, I kinda like weird.” You admit, watching as he shakes his head.

“People say my socks are weird all the time, don’t feel bad.” He comforts, pulling the material of his pants up so you can see his mismatched socks with funky colors and prints on them.

“Those are cool.” Your approval eases him, giving him just enough reassurance that you aren’t going to scream for help in the next two minutes.

“I’m Dr. Spencer Reid- sorry, force of habit, uh, just Spencer. I-I’m Spencer.” He introduces with the smallest of wave.

Still smiling more than you have the entire night, you greet him. He repeats your name like it has some special meaning, and you’ve never loved the sound of it more.

“I was going to get a drink, what are you having?” He asks, looking at your sweating glass. “Vodka soda? Cherry sour?”

You blush. “It’s actually a shirley temple…I just ate all the cherries out of it already.”

Without hesitation, he nods. “Okay, I’ll be back.”

He leaves you at your table, and then your brief moment of sunshine is clouded once more by doubt. What if he doesn’t come back? What if he drugs your drink and then you wake up in an alley somewhere, missing your wallet and phone and your tights that he thinks are so cool?

This was a bad idea. Dating isn’t for you. He seemed so nice and he’s so attractive but that should have been your first red flag and-

Oh. He’s coming back.

With two shirley temples.

He places them on the table and waits for you to grab one, then he grabs the other and takes a sip.

“You mind if I sit?” He asks.

Feeling a little silly for assuming he was out to maim you, you nod.

“I seriously doubt my friends remember I’m over here, so feel free to stay.” You joke at your expense.

He sits across from you, sparing a glance over his shoulder at his team who make it very obvious that they’re staring.

You study his profile, a shaggy haircut that falls across his forehead, all tousled in an effortless way. His jaw line is defined, round brown eyes that flick back to you. When he catches you looking, he grins once more.

It’s never been so…easy, having a ‘get to know you’ conversation. Questions come without second thoughts, you find yourself laughing, actually laughing.

Playing with your straw, you try to calm your facial expressions, your cheeks are starting to hurt from beaming so much.

“So, Dr. Reid, huh?” You ask, making him let out a small huff of embarrassment.

“That’s what the PhD’s say, yeah.” He scratches the back of his neck, suddenly feeling really dorky about his immense amount of education.

It’s not dorky to you. Every guy you’ve talked to tonight dropped out of community college because ‘it didn’t align with their career paths’ of selling protein smoothies or working in some ‘underground’ record store.

But here Spencer is, explaining he’s on the behavioral analysis unit for the FBI and he tells you about all the degrees he has. All you can think about as he talks of universities and the academy is, knowledge is such a sexy look on a guy. Sure, you’ve never really liked the underachieving stoners, but usually you’ve been with guys who seem to say “you like school?” when you talk about working towards your Masters degree.

“Wow.” Is all you can say for a moment, clearly shocked and, well, impressed. “I really wasn’t expecting that.”

“That’s what most people say.” He nods, picking the cherry in his drink out by the stem and offering it to you.

By your thankful eyes batting up at him, he’s tempted on going behind the bar and bringing you all the maraschino cherries they have. He quickly turns the conversation around to focus on you so he can focus on something other than the stained color on your lips.

“What about you? What do you do?” He asks.

Compared to his job, yours seems too normal, too mundane. You almost want to avoid the question, never once have you been unsatisfied with your career but now you can’t help it. What if Spencer doesn’t like you because you don’t work for NASA?

That’s ridiculous, because to Spencer, your job makes his adoration grow.

“Oh, I’m just a teacher.” You say, fiddling with a stem in your mouth.

Spencer gains a soft smile. “You could never just be a teacher, teacher’s are important. Well, unless you’re a sucky teacher.”

His joke earns a bubbly giggle and he decides he’d like to hear that sound forever. It’s moments like this that he’s glad to have an eidetic memory.

“I don’t think I’m a sucky teacher so that’s good, my students seem to like me.” You state, pushing your hair behind your ear and dropping the knotted stem onto a napkin.

Spencer finds himself leaning a little closer, body naturally gravitating to your pull. “What do you teach?” He asks.

“I work for my schools gifted children program, so I basically teach kid geniuses advanced core curriculum because they’ve tested out of their normal classes.” You chuckle, oblivious to the way Spencer’s heart warms.

He remains quiet for a bit too long, just staring at you with an honest look, one that makes you feel like you’re turned inside out and bared for him. The panic rises again, you think you must have said something to ruin it.

“I know it’s nothing special-” You begin to say.

“No.” He interrupts, a sure tone. “I-I think it’s great. Really, that’s not an easy job.”

Deep breath out, you’re put at ease.

“I constantly have imposter syndrome, these kids are twelve and bringing up philosophies and mathematical formulas I have to go home and study because I haven’t even learned them yet. Honestly, sometimes I don’t even think they need me there.” You joke lightly, half meaning it but masking that slight insecurity by finishing off your drink.

“They need you.” Spencer assures, an expression showing he’s never been more sure of something. “Believe me, you’re probably the only person they see in a school day that understands them.”

Brows creased, you shake your head, holding his rather intimidating gaze for such puppy dog eyes.

“What makes you so sure?” You question.

Spencer takes in a breath. “Because I know what it’s like to be twelve years old and telling a grown adult about Fermat’s Last Theorem.”

Sometimes, the world has a funny way of putting two people together. For years, you’ve wandered through life and on a random Friday night, feeling a little flushed from the Summer air, here is Spencer Reid, the man of your dreams.

Your friends left some time ago after you assured them you were fine to be left at the place you were just complaining about being. You don’t mind being left with Spencer, in fact, you’re dreading the time you have to go home because it means this moment is over.

“I really would like to live in New York.” You exclaim, somehow have fallen into the rabbit hole of dreams for the future.

“New York’s really cool!” He agrees. “Did you know that they have a homicide rate of 4.48 percent right now? It’s been declining since the nineties.”

You must make some sort of surprised face because his eyes go wide and he quickly tried to recover his odd statement.

“Sorry, my job isn’t really full of happy statistics. But mostly we just find dead prostitutes in alleys in New York.”

His blushed cheeks make your heart flutter in its beats.

“I’m glad I’m not a prostitute.” You giggle, making him chew his bottom lip for a moment.

“Yeah, I’m glad you’re not either.”

By the time the team gets their coats back on with the intention of heading home, they look across the room to see their quirky doctor friend is partaking in very friendly body language.

“Oh my god, look at him.” Emily laughs. “He’s finally using that big IQ of his.”

Penelope, who comes to hold onto Morgan’s arm, grins rather proudly. “It’s like a butterfly finally coming out of its cocoon. It’s…beautiful, actually.”

Derek laughs down at her. “I think that last long island ice tea was a bad idea. Come on, baby, let’s get you home.”

“Good luck, my fine friend.” She calls in the general direction of you and Spencer, but the two of you don’t notice.

JJ ties her hair up and starts to take a few steps forward.

“Where are you going?” Penelope questions.

“To let him know we’re leaving?”

“No!” The team seems to exclaim, all shouting that she cannot disturb the moment Spencer worked rather hard to get to.

She just holds her hands up in defense, then follows after Emily as they leave the bar.

Spencer of course notices the way Prentiss leaves him with an encouraging thumbs up. It makes his get a little bashful, but he nods a goodbye and watches the door shut once more. His attention is brought back to his hand on the table, well, more to the way your pinky brushes against his. You continue to talk about mutual interests and what your apartment in New York would look like, a slight ramble to you that shows you’re very aware of the slight contact.

With some kind of placebo courage he can’t even blame on alcohol, he lets his fingers crawl between yours like that’s where they belong.

The team would definitely laugh at this teenage display, but to the both of you, it’s the perfect amount of reassurance, soft enough to not be too scary.

The attraction is there, Spencer forces himself to profile it just so his negative thoughts can’t prove him wrong. You’re smiling at every word, your eyes seem to stay dilated and focused on his, and he isn’t sure if you even realize the way your heel brushes his ankle every so often.

His profile, often never wrong, is what helps him reach across the slight space to tuck your hair behind your ear so casually as he tells you about his minuscule music taste.

After a few flirty comments, you force yourself yo look away from him just so you can het your breathing under control. Upon this action, you read the watch on his wrist and a frown sets on your lipstick stained lips.

“I should go home before it’s too late to walk.” You sigh, not wanting this moment to end.

He nods. “Yeah, you’re probably right.”

Those round eyes he’s starting to really adore look up at him and you chew your lip, almost like you’re waiting for him to do something. Say something.

It takes him entirely too long to figure out what to do. Morgan would be ashamed.

“C-Can I walk you home?” He asks in a rush and in eagerness.

You nod like that’s the best idea you’ve ever heard.

That’s how it leads to you leaning against him like it’s something you do often, walking in step as you ramble on and on about what you have to do to get your classroom ready for the new school year. He listens without annoyance like most guys would, then tells you about books he has that he thinks you might enjoy, books he could part with so you could give them to the students whose reading levels are above what the school provides.

He’s so caring and considerate, making sure he walks closest to the street, lets you be off in your own world and makes sure you don’t run into anything as you constantly gaze up at him. All the way to your building and up the stairs to your apartment door, the two of you are as comfortable with each other like two old friends would be.

That’s what makes your head spin. You just met Spencer and already feel like he’s been in your life for hundreds of years.

You pull your keys from your purse, you unlock the door but don’t make a move to open it.

“I’m really, really, happy that I met you.” You whisper to him as he slightly crowds your space in the door way.

“I am too.” He agrees, heart beating a little faster as your hand presses gently to his chest.

Don’t be crazy, you just met her, she doesn’t want a stranger trying to kiss her, tell her good night, call her tomorrow, maybe you can plan for something next weekend-

His thoughts don’t stand a chance when you wrap your fingers around his tie and gently tug him to your lips.

It’s smooth and warm and has your eyes shutting and your lungs exhaling. His gentle hand cradles your face while the other flexes against your hip.

It just feels so…

So right.

With the slight tilt of your head, the goodnight kiss deepens, you’re molded against him.

His lips part, coaxing yours to do the same, and the feeling of your tongue against his has you slightly teetering backwards. You lean against the door for support, hands roaming into his hair.

You’ve been wanting to run your hands through it all night.

He’s desperate in his movements, like he’s a starved man and you’re enjoying every second of it. His thumb runs over your jaw, you’re pushing away any space between you.

When you decide you’re going to pass out from the lack of oxygen, you pull away, sucking your bottom lip to savor the taste. Spencer still holds your face in his large hands and matches your shallow pants.

It’s all so much. You’re hot, brain a little foggy, but still so sure of this situation.

And you soon find yourself saying something you’ve never ever said after just meeting a guy.

“Do you want to come inside?”

Spencer seriously thinks he misheard you.

“Yeah- yes. Yes, I do.” He nods.

A laugh escapes your lips, one he swallows up as he embraces you once more, trying to help you open the door. His arm around your waist makes sure you don’t stumble and fall as the two of you finally get inside.

He looks around the space. “I like your apartment, it’s nice.”

“Thank you.” You mumble against his lips, pulling at your jean jacket and tossing it to the couch.

It’s dark, causing you to back into a side table. The both of you laugh, but neither of you bother to reach for the light switch.

You guid him towards your bedroom, pushing him through the ajar door. The open window leaves the room painted in a low light, the breeze is cool as you clumsily fall onto the mattress with him.

“I never do this.” You state, a huff leaving your lips as he rolls you onto your back.

“I don’t either.” He agrees, mouth wandering down your jaw to your neck.

You fiddling hands make a home in his hair. “Like I really don’t do this. I don’t even go to bars, let alone take home strange men- not that you’re strange. But don’t think I am a casual hookup girl, because I’m not, I just- there’s a connection, right? I’m not alone in this?”

He pulls away, looking down at you with a loopy grin. “You’re rambling, that’s a sign of nervousness.”

“I am nervous!” You exclaim with a breathy laugh. “You’re just…you’re really great.”

His thumb traces your bottom lip. “You’re really great too.” He whispers. “But we don’t have to do anything.”

“No!” You say a little too boldly. “I mean, no, no I want this. Do you want this?”

With a nod, he assures you. “I want this too.”

Maybe you should be more shy and self conscious about this, but when he’s being so kind, all your nervousness leaves. The two of you stumble through the awkward bits with laughter and jokes, and it makes you realize that something so serious doesn’t have to be so uniform.

Really, you’re having more fun than you’ve ever had.

“Spencer?” You gasp, dangerously close to falling off the bed at how the two of you have rolled around.

“Yeah?” He asks, head buried in your neck, trying not to get too ahead of himself as he continues his deep pace between your legs.

“You’re kinda pulling my hair.”

Immediately he moves his hand, apologetic.

Hands dragging up his chest, you try to shimmy away from the mattress ledge. Spencer notices the tragedy that’s about to strike, opting to back off of you completely so you can readjust.

You gasp at the loss of contact. “A little warning next time would be appreciated.”

“Sorry, sorry.” He stammers, gripping you in a feverish way, mouth back to yours.

You don’t exactly know how you ended up on top, but you look at him slightly frightened eyes.

“Is this a no?” He questions, only concerned with making you comfortable.

He’s the complete opposite of selfish, he proved that the second he started you off with his tongue against your core.

“No, not if you like this? I just…I don’t know if I’m good at this.”

He nods in understanding. “Okay, no problem.”

You protest as he goes to move you. “Can I try? Will-will you help me?”

God, he could marry you.

“Yeah, of course sweetheart.” He whispers, kissing you gently.

The butterflies in your stomach are all twitter pated.

Or maybe you’re just extremely turned on.

Spencer is a great teacher, it’s you who jumps the gun at things.

“There you go, angel, slow.” He breathes in your ear, finger tips pressing into your hips as you slowly push down, letting his tip enter you. “Just go really slow, okay?”

You try to do as he says, easing him into you slowly, but by some urge to rush satisfaction, you sink all the way onto him without warning.

“Fuck! That wasn’t slow.” He grits, a hoarse moan escaping from the back of his throat, his grip on you almost bruising.

“S-sorry.” You try to say, but the sheer pressure you feel at this sudden angle has you shuddering and crying out softly. “I’m an overachiever.” You try to joke.

“Holy shit, you want an A+ or something?” He chuckles, trying to calm himself down, running through mathematical formulas in his head so he doesn’t finish just like this.

“Spence, I need- it’s a lot, I need-” You whine out, not having the heart to feel embarrassed for sounding so needy.

“I know, I know. Fuck, do you have any idea how good you feel?” He questions, swallowing hard as he guides your hips forward slightly.

“I can’t really think at all when you’re sitting in my cervix right now.” You claim, quickly overwhelmed by pleasure as you find a rhythm against him.

Sucking on your throat, he mutters something you don’t care to listen to.

“This is- is it supposed to be this good?” You moan, trying not to dig your finger nails into his shoulders.

“I think we just fit perfectly.”

With each movement, you become more comfortable and confident, soon that friendly softness is replaced by lustful roughness. Through it all, Spencer remains caring, even when you tell him he can be a little rough with you.

Never in your sex life have you wanted more and more, even when it finishes.

Even after the two of you can’t find the strength to pull any more orgasms from each other, you lay beside each other, Spencer hasn’t bothered to pull out of you yet, perhaps he’s too spent.

“So.” You clear your throat, tracing his features. “How do you want to play this?”

He hums, dragging his fingers up and down your side. “What do you mean?”

“Guys usually leave after this stuff, right?”

His brows furrow, anxiety comes to ripple through him. “Do you want me to leave?”

Staring at his tired eyes, you shake your head. “No, I want you to stay. Forever. I’m thinking about chaining you to the headboard.”

He chuckles. “I’ll save you the effort, I will gladly stay.”

A sweet smile is returned to him.

At some point, the two of you clean up and fall asleep the second the sheets are pulled over you.

Spencer is convinced it’s all a dream until he wakes up to the sun warm over his skin. He rubs his blurry eyes and rolls over in the bed that is not his, met with your bare back. Slowly, he reaches for you, kissing your shoulder to rouse you.

His phone, still in the pocket of his discarded pants, rings again and again, forcing him to retrieve it in his boxers.

Of course it’s Hotch.

Of course he needs to get to the office. On a Saturday. After the night he just had.

“I should call the authorities, there’s a cute intruder in my room.” Your sleepy voice says from bed. “Oh wait…you are the authorities.”

He likes the way you can make yourself giggle.

“I have bad news.” He says, tracking down his clothes. “My boss just called me in.”

He hates the frown you have.

“That’s a very unfortunate thing.” You nod.

He buttons his pants, then slides his shirt on as he comes to your bedside.

“I should get going so I can go home and change.”

His warm hand presses to your cheek.

You turn to kiss his palm. “Is this goodbye?”

“No. Definitely no.” He assures. “I’ll call when I can, okay? Maybe we can get dinner or something?”

You could sigh heavenly at the way he’s just so dreamy.

“That sounds nice. I’d kiss you but I might have morning breath.” You smile.

He kisses you anyway.

And after leaving the team waiting in the round table room, he appears refreshed and in a very good mood.

He takes his seat, all eyes on him.

“Sorry I’m late, good morning.” He clears his throat.

“Good morning indeed.” Morgan chuckles, sliding him a cup of coffee.

“You okay, Reid?” Rossi asks, eyeing the agent.

“I’m great.” He smiles.

“Is that a hickey?” JJ exclaims, reveling in the way he quickly grabs for his neck, only to realize she’s joking.

“Real mature.” He mutters, knowing the entire day is going to be jokes made at his expense.

He doesn’t mind though, not when he knows his reward for all of this is you.

[forthegothicheroine]

I've made a post about great lesser-known noirs, but it occurs to me that some of you might not be familiar with the classics, and might want to know where to start. This is a ridiculously short list- I have a million more to talk about- but here are some of the big stars of the genre.

The Maltese Falcon: Sam Spade, a clever but callous private detective, gets wrapped up in intrigue relating to an artifact that is functionally cursed. If he's an unscrupulous character, just wait until you meet everyone else. The whole damn cast is electrifying, lending charm and cruelty in equal measure.

The Big Sleep: Philip Marlowe, a kinder and more poetic detective for Humphrey Bogart to play than Spade, is called upon to deal with a wealthy, dysfunctional family, and it keeps on getting weirder from there. Is the sharp-tongued Vivian Sternwood the femme fatale she seems, or is she just another person trying to find the right thing to do in desperate circumstances? And will she and Marlowe keep their hands off each other until the plot has had its last twist?

Double Indemnity: Rich housewife Phyllis Dietrichson and sleazy insurance agent Walter Neff are, by their own admission, rotten people. It's only natural that they should plot a murder together, and that they should turn on each other the very second things go wrong. Every single domestic murder movie since 1944 has ripped this off.

Kiss Me Deadly: This is nominally an adaptation of a Mike Hammer story. Screenwriter Bezzerides hated Mike Hammer. As depicted here, he is one of the worst people in the world. Depending on the cut of the film you see, he may inadvertently cause the nuclear apocalypse. (For once, the theatrical cut is darker.)

Sweet Smell of Success: Cruel, all-powerful columnist JJ Hunsecker wants his sister's boyfriend out of the way (for reasons that are, um, ambiguous.) To accomplish this, he enlists the biggest weasel in New York, Sidney Falco, and the two completely deserve each other as they spend the rest of the movie trading elaborate insults. Popular on tumblr for its dialogue and chemistry between the leads.

Sunset Boulevard: Broke screenwriter Joe Gillis thinks he can con a has-been into hiring him as a script doctor, and that's the last free decision he ever gets to make. From then on, his life is in the hands of Norma Desmond, silent film starlet turned crazed recluse, terrifying yet intensely pitiable. This is as much gothic horror as noir.

Ace in the Hole: The story of a man trapped in a cave is turning out to be a big hit in the newspaper, and if the publicity will make a reporter's career, then what's the harm in delaying rescue just for a little while? This is as vicious as noir gets, but damn it, you've just got to see what happens next. (Watch Jacob Geller's video Fear of the Depths after this.)

Sorry Wrong Number: Of all the films on this list, this is the one that really scared me. In the days of switchboards, a rich hypocondriac woman is connected to the wrong phone line and overhears a murder being planned. It doesn't take her long to figure out she's the intended victim, and each call she makes or recieves makes the situation darker. But how can she escape her fate if she can't- or won't leave her bed?

The Asphalt Jungle: The heist movie. Maybe the only heist movie ever made. Every line is quotable. Every member of the team is an unforgettable personality. When things go wrong, they go horribly wrong. One minute you're laughing, and the next minute you think you'll never laugh again.

Gun Crazy: Laurie and Bart, two practiced sharpshooters, are perhaps the most perfect match in all of noir- and that's a bad thing. When one half of the duo gets a criminal idea in their head, the other can't say no. When the opportunity to ditch her man like a sap comes up, the femme fatale throws it away to be doomed at his side. He fell in love with her when she first aimed a gun at him. Quentin Tarantino kissed star Peggy Cummins's feet at a showing of the film, and I hope she kicked him in the head.

Laura: Everyone was in love with Laura Hunt, and somebody killed her- or did they? Did they get the right person? Is the cop on the case in love with a dead woman? Was her columnist mentor just her gay best friend, or was there something darker beneath that facade? And what would Laura think of all this? A big inspiration on Twin Peaks.

In a Lonely Place: Bogart isn't at all heroic here, as a screenwriter with a drinking habit and a violent temper. He's obviously a bad idea to date, but just how bad an idea? He's not the type of guy who'd kill a woman, is he? Bogart and Gloria Holden give perhaps their best performances here, and they'll wound your soul.

Touch of Evil: A Mexican cop (played, unfortunately, by Charlton Heston) finds out a nasty secret about the big hero cop Hank Quinlan: he's framed the culprit in most of his cases. Not because he's crooked, but because his intuition tells him they're guilty. Director Orson Welles as Quinlan is frightening, grotesque, and a little bit tragic in what some consider the last classic noir.

The Killers: The first twenty minutes or so are an adaptation of a Hemingway story, where out of town hitmen gun down a man so depressed he won't even bother to run from them. The rest of the film is an investigation into how he got that way. It had something to do with a radiant gangster's girl, and something to do with a few botched crimes. Sometimes a man can die before the bullets even touch him.

The Third Man: Everybody is lying about the whereabouts of an American expatriate named Harry when his friend comes looking. Did they do something to him? Or, more frightening still, is he the one who's been doing things to other people? Orson Welles is a more charming monster than he was in Touch of Evil; the light and shadows on his face cast him as a vampire, while his fingers sticking up through the sewer grate look like something terrifying emerging from the earth.

[aihoshiino]

chapter 166 thoughts

As of chapter 166, Oshi no Ko has finished a roughly four-and-a-half year run started back in 2020. While there's some speculation about an epilogue or some extra content in volume 16 when it drops, this is where the main story ends. And you know what that means!!!

OSHI NO KO HAS OFFICIALLY ENDED WITHOUT ADDRESSING OR ACKNOWLEDGING THE FACT THAT RUBY KISSED HER BROTHER IN CHAPTER 143

please understand that this is FUCKING BOGUS

I'll probably do a longer post on this subject specifically, but my main critique of 143 when the chapter dropped was that while I liked the individual beats in it and I was really glad to see Akasaka finally addressing this tension bubbling underneath Aqua and Ruby's relationship, the immediate swerve away from showing us the aftermath of that kiss felt to me like an admission that the story was going to needlessly draw this out even more. Now that the story has ended and we can see that moment had literally no impact on the plot or even the character dynamics, I'd like to revise that statement - it feels like an admission of compromise. It feels like crumbs thrown to AquRuby fans to tempt them to keep reading and to stir up the waters of the ship wars, so people would keep reading and stay invested in the manga right to the very end. But most of all, it feels deeply disrespectful to both Aqua and Ruby as characters. Rather than exploring their feelings and giving both of them interiority and complexity in relation to incest or even just fucking acknowledging that the kiss had happened and letting their dynamic evolve, the series just memory holes the entire event and asks that you do too. Rather than letting Ruby have any development whatsoever as pertains to that relationship or, god forbid, let a female character move on romantically from the male lead, the series ends with her feelings so up in the air that I literally could not tell you what she thinks of Aqua by the time he dies.

ANYWAY�� FINAL CHAPTER. BREATHES OUT VERY HARD.

I really can't believe it's taken us until the final chapter to actually deal with Ruby's grief over Aqua lol. We got a snippet of it last chapter but it was so brief that it really just felt like a tease. I also just think it's kind of bizarre that we're spending this little time on Ruby having feelings about Aqua's death to the extent that I have no idea how or when she found out about it.

It's also kind of hard to feel particularly strongly about Ruby's grief when the chapter doesn't really bother to explore it all that much. It's just a montage of Ruby quite literally Screaming, Crying and Throwing Up while Akane dispassionately narrates it all. The art also doesn't really help in terms of connecting with the emotions at play - I usually really like Mengo's expression work and the way she depicts extreme emotions but this all just felt like of… I don't know how else to put it. Goofy??? Is that an insane thing to say about Ruby grieving her brother???

Idk, something about both the panelling and just the extreme on-the-noseness of Ruby, again, literally Screaming, Crying Throwing Up while she's wearing a Burning cosplay Just In Case You, The Audience, Didn't Get It only for her to abruptly be done crying with no exploration or insight as to what's going on in her head that allows her to move forward.

Honestly, this is kind of the issue with everyone in the cast. The resolution is just sort of "Aqua died and we were sad about it but then we stopped being sad". I know what the story is trying to go for here - it's trying to express that even when you're in pain, life goes on and so you have to find a way to go on with it. But the result is that we spend all this time oogling at their pain without spending equivalent or even meaningful time on their recovery process.

It feels both excessive and undercooked at the same time and I'm left with the same icky, voyeuristic feeling I got from Aqua's funeral last chapter. This should be the point in the story at which we empathize with Ruby the most, but she remains a frustratingly distant figure right to the final pages. Part of this is an unfortunate consequence of Akane's narration directing these final chapters meaning that we're hearing about Ruby from an outsider's perspective and thus don't really see what's going on in her head… but if I can be frank, this has been an issue of Aka's with Ruby in particular basically nonstop since chapter 123.

As others & myself have noted, despite the absolutely catastrophic downward spiral Ruby is in at that point, Aqua revealing himself as Gorou basically flips it all off like a switch. There's some mild lipservice paid to the idea that Ruby is just using her dependency on Gorou to prop herself up and it's pointed out that the issues that contributed to her breakdown haven't actually been resolved - but none of these issues are ever even acknowledged again, let alone resolved. So, functionally, that reveal does fix all Ruby's problems in the space of a single chapter and the result is, again, that we spend multiple chapters gourging on depictions of Ruby's absolute rock bottom only for her to ping back to normal like a lightswitch. As such, the depictions of her pain feel less like explorations of Ruby's interiority and more like voyeuristic oogling at Ruby's misery and trauma and the effect is that the resolution to it all is both unsatisfying and a little gross. The result is that it feels like Akasaka is just indulgently mining the imagery of cute girls suffering because it causes simple thoughts neuron activation but doesn't respect these girls enough as characters to build them back up.

It doesn't help that this is basically the in-universe excuse for Ruby's career further skyrocketing. Instead of Ruby becoming a star on her own merits as the story keeps insisting she was supposed to, she's artificially buoyed by the public's morbid fascination with her tragedy. If I was feeling charitable towards the story right now, I would say this is an avenue of intentional critique but… well, I don't feel super charitable about the story right now lol

I WILL say that the one part of this chapter I did just uncomplicatedly like was the beat of Mem trying to suspend activities (presumably in the wake of her grief for Aqua) only for Kana to basically immediately explode into her room and help her get back on her feet. It's a beat that would've been much more effective if we'd, you know, seen it, but I otherwise enjoyed it and I thought it was sweet.

But. pbbbbtttt. I guess I can't talk around it any longer… let's get into the Dome concert.

To start things off on the immediately worst note possible, Akane describes Ruby performing at the Dome as being 'everyone's dream', including Aqua's. I'm reminded once again of the strange turn the story took in insisting that um, actually, performing at the Dome was totes Ai's dream all along (even though she literally didn't give a shit even a week before she was due to perform there herself) so Ruby performing there is fulfilling that dream for her!!! and I can't help but wonder if this abrupt shift in focus is an attempt to make readers forget what Ai's actual dream was - to see her beloved children grow up happy and healthy. Hell, it wasn't even really Aqua's dream, until the story suddenly had to try and convince us that his entire purpose for existence was to kill himself so Ruby could be an idol for slightly longer than she would've otherwise. The only people whose dreams she's textually fulfilling are Ichigo and Miyako and Ruby herself, but…

Honestly, is this really Ruby's dream anymore?

Who is Hoshino Ruby? What does she want? Why does she want it? These should be the very least of what we can concretely say about not only a protagonist but a character who has become a central figure of the entire story as Ruby has, but with the way Oshi no Ko has warped and distorted her, I find myself increasingly unsure of what the story wants her to be or how I should answer those questions.What does Ruby feel about Aqua? Was she still in love with him? Had she moved on, romantically? Was she still waiting for a response to her confession? Did she finally realize it was probably kind of shitty to respond to her brother going "lowkey wanna kms" by sticking her tongue down his throat? I Guess We'll Never Know.

This extends to whatever the fuck Ruby's relationship with idols and being an idol is. Almost the entirety of Ruby's time in the story has been spent reiterating over and over that Ruby cannot just be an idol who imitates Ai and that to truly shine, she needs to step out of her mom's shadow and shine in her own way. Ruby even literally tells Kana in no uncertain terms in 137 - "I'll be a star in my own way. I won't be like Mama."

While this has always been the text of the story, as I've pointed out before, the actual art with which Ruby's idolhood depicts her basically just as Ai 2.0. It relies so heavily on mining the imagery of Ai's charisma and personality as an idol and using them as the measure of Ruby's success as an idol that Ruby essentially has no visual or conceptual identity of her own as an idol. She's just Ai, But Arbitrarily Better, For Reasons The Narrative Fails To Actually Establish But Hopes That You Just Accept Anyway. This was always kind of annoying, but now that friction seems to have been resolved by… just making her Ai 2.0, But Arbitrarily Better (etc, etc) in the text as well. The fact that we're given no further insight as to Ruby's feelings and continue to just have Akane Explain Ruby's Character Arc to the camera also doesn't help.

All this combines to make the Dome concert and the final few pages feel exceptionally cold in a way I really don't think was intended by Akasaka. Yes, that splash page was nice and flashy but… I just felt nothing. I have no idea if or why Ruby cares about this. And even though the Dome concert has been hyped up through the entire story as the peak of Ruby's achievements as an idol, I feel no sense of accomplishment in her finally being there - not just because her journey to it was basically sneezed at us across two panels, but because it just feels hollow as a victory lap for Ruby. Again, she feels so distant and abstracted as a character that I can't bring myself to feel very strongly about her good or bad.

I think the perfect encapsulation of this are the final four pages of the story. Ruby's words here are very clearly intended to be a callback to Ai's words to Gorou in chapter one but as @all-of-her-light pointed out in our initial discussions of the chapter, Ruby very much does not have an equivalent to Ai's conclusion that she nevertheless wants and values the opportunity to find personal happiness and fulfillment outside of being an idol. Are we supposed to believe that simply being an idol is all that Ruby needs to achieve a similar degree of happiness and fulfillment? Is there no more to her than that?

I've seen a lot of people interpret this ending as exceptionally bleak and, as usual, gleefully predicting Ruby's immanent suicide because her beloved oniichansensei isn't around but this is indulging in, if you'll allow me to be frank, some pretty transparently ship-motivated flanderization. Despite what certain sections of the fandom would like to believe, Aqua and Ruby's lives, past and current, have never revolved around each other to the exclusion of every other relationship in their life. Ruby has a massive support network of people who love and care for her and actively want her to get back on her feet. I can one hundred percent believe that she does not need Aqua in her life to be happy and content.

The issue is that we don't see enough of Ruby to understand that ourselves. Again, she has become such a distant figure with so little insight into what she's thinking and why that this ending is basically a Rorschach test in which you can interpret basically whatever the hell you want or assume because we have so little canon basis to support or debunk our assumptions.

and yes. don't think i didn't see them. it IS both grimly hilarious and weirdly tonally appropriate for this ending that ruby has a bunch of oshi goods of ai and aqua including their fucking autographs set up to say goodbye to every day.

AND…… WE'RE DONE!!! THAT'S OSHI NO KO, BABY!!!! well, technically, there's going to be a 20 page extra chapter in volume 16 but I don't see it being big or substantive enough to meaningfully change my feelings about the ending so… I guess we're leaving it here. Damn. Feels crazy to be done with it.

I'll probably do a bigger post down the line about my thoughts on the ending as a whole but in terms of just How This Chapter Made Me feel, I guess the word is just… meh! It's definitely not an ending I like and I think the execution is sloppy and rushed but I also just don't really have the energy to feel angry about it. Maybe that's sad in its own way but tbh… I still really love Oshi no Ko! I still find it engaging and I find the characters I enjoy rewarding to talk about. I like the artistry of the anime adaptation. I don't blame anybody else for being so turned off by this ending that they're done with the series but for me, I like what I like about OnK too much that this ending could retroactively ruin it for me. Whatever else happens with the OnK franchise, whatever directions the anime and live-action take, this will always be the series that gave me Ai and the Hoshino family and. look at me. look at what she's done to my brain. could I really ask for anything more than that?

That being said, I'm definitely not done with discussing the series! I have fics to write (including a VERY exciting large scale project lined up with some friends), my Ai analysis post to finish and I also want to do a re-read of the series and finish my anime rewatch. I'll be here to discuss Oshi no Ko as long as I have things to say about it and as long as you guys will have me! Despite how the series ended, I've had a genuinely wonderful experience in the fandom and I really don't want to let go of the little community we've built together just because the series is done. I'm Ai's fan for all eternity!!!

[angellwingss]

Wasn’t going to go on a big rant but you know what since that other post is gaining traction yeah I think I will. So big long rant under the cut. Lolll

I feel like. A lot of people might tell me ‘it’s not that deep’ but to me it is that deep.

I don’t have a problem with JayVik or it’s shippers like. At all. I just think some of them are à really good demonstration of like. Every bad thing when it comes to fandom ever LMAO.

Once again I am (supposed to be) writing a whole big long essay about this already so I will try and keep this kind of short and sweet and it might be a bit lacking but wtvr.

I think a lot of JayVik fans tend to be white queer people. Someone left a tag on my OG post that said basically ‘my take is I’m a faggot and I don’t have to care about a character if I don’t want to’ and no hate to that person cuz you’re right, but this is exactly the kind of stuff that made me make that first post.

I feel like a lot of white queer people have an issue with seeing outside their own identity? If that makes sense? This is seen time and time again with the way some of them behave when big movements happen online, some have a tendency to centre themselves and whatnot so i think it’s kind of the same thing.

It makes total sense that a queer person would prefer queer ships and would prefer JayVik over MelJay, that is not a crime. But I do think part of that is because they can’t relate/identify with Mel or see themselves in her like they can with Jayce or Viktor.

I hate to also make it about feminism but i think a lot of you guys are super like. Male centred, like just in your attraction which once again, not the issue not a crime. But i think it’s also why CaitVi, which is a canon queer ship, although popular is still not quite as popular as JayVik despite being canon. Women fetishizing gay men in fandom is not something new, which I think might play a small part in it- I’ve seen a lot of people especially back in s1 infantilizing Viktor and acting like he had no agency or independence and that he NEEDS Jayce to take care of him (that’s another thing. Ableism(looks at you with my eyes)) and they also do the same thing with Jayce where they act like he had 0 agency with any decisions he makes and that he’s like a big dumb baby who doesn’t know anything politics. Hey, guys. That’s a grown man.

My main issue isn’t that people prefer JayVik over MelJay it’s just that some shippers demonize Mel to an insane degree, blame her for getting in the way of their ship (this is also happening right now with Maddie- there’s a leak going around saying that she gets with Caitlyn and people are so upset that this character is getting some INSANE hate and I feel like that’s the same thing going on.)

they blame her for ‘stealing’ Jayce etc etc like. Idk. You don’t have to ship MelJay but I wish more people would appreciate Mel just as a character- imo she is super interesting and has a great story but she’s only ever seen and ‘the other woman’. I’ve seen people say she isn’t like, well characterized and that her story entirely revolves around Jayce which. Yeah she’s definitely heavily involved with him in s1 but she’s clearly got a lot more going on than just that and you would know that if you GAF 🗣️🗣️

for just being. Who she is. I think Mel deserves more attention just in the fandom and it’s just frustrating. People making memes about Jayce going insane over Viktor leaving but like. Mel also just got fucking kidnapped guys. His lover has just vanished without a trace why is nobody also talking about that !!!! Why can’t he care about both these people at the same time !!!!!!!

Anyway I’m not nearly well equipped enough to talk more in-depth about like. Any of this but I do think the demonization of Mel and refusal to see her relationship with Jayce as it is can often times be boiled down to racism like straight up. And also things like the fetishization of gay men in fandom and just things like that are sometimes what can lead to female characters- even the well written ones to be shelved and pushed aside in favour of their male counterparts.

Obligatory ‘not all JayVik fans’ obviously a lot of you are awesome, shouldn’t have to say this. If I’m not aiming for you, you shouldn’t be getting shot.

[rosifire]

Obligatory “I don’t have a problem with CaitVi” but I think, for me, their story (separate from their own personal character arcs) would/will be more compelling if it ends up being irreparable between them.

I think Arcane is good at subverting expectations and tropes; the most memorable example I can think of is in S1E3 where Powder follows after Vi and the boys to save Vander. We’ve all seen the “friends are in trouble, but the plucky young hero comes in at the nick of time to save them against all odds” plot twist—but Arcane subverts that. In fact, Powder’s involvement and her monkey bomb finally working is the thing that, tragically, leads to Claggor and Mylo’s death, Vi’s injury, Vander’s death(?), so on and so forth. It worked, but it didn’t work. And to me, that's the tragedy of it. That good intentions weren't enough.

So, personally, I see a setup between Caitlyn and Vi: the Romeo and Juliet archetype, two initially-begrudging people working together amongst classism and prejudice, and finding companionship against all odds. Class, wealth, opportunity separates them; Caitlyn is a scion of one of Piltover’s most influential and powerful families, and Vi is… a nobody from the Undercity, wrongfully imprisoned, when they first meet. It’s a way for them to both see that the “other side” isn’t as bad as they’ve always been told. That there are Good People on either side of the bridge. That, hell, love can be found, too.

But oftentimes, I believe this trope in particular ignores a lot of the real-world factors that could come into play with a friendship or relationship that “defies” station. The fact is, Caitlyn does come from a world of privilege, and Vi is treated differently by Caitlyn’s peers. The whole of Season two, Vi has been referred to as one of the “good ones”. Maddie explicitly says that it's good to know that there are still "good ones" around. The implication that you’re not like them. Time and time again, Vi is treated like an Other. A “good” other, but an other all the same. She's welcome in Piltover, but only just - and only when Caitlyn vouches for her. And at the climax of their story thus far, Caitlyn outright says to her, “I keep telling myself that you're different. but you're not. It's [Jinx's] blood in your veins”. I'm sure grief and anger are a part of why she says this, but that's becoming a catalyst for the discrimination she seems to be steadily believing in more and more. Whether or not she ends up meaning this, it's a ghastly thing to say.

And with the way things are developing with Caitlyn, who is actively weaponizing her privilege and power, and who is very quickly going down a very dangerous and fascist path, I don’t know if their relationship could — or should! — be rectified. She's a cop, and a very privileged one at that. I don’t know if this is a love that could “defy all odds”, and in my opinion, I think it would be more interesting, and more compelling, if it didn’t.

[morikosa]

May I request some feral yandere Gojo? Just of any kind, maybe some head cannons?

By the way, I love your writing! 🩵

Yandere Gojo Satoru

Gojo's obsession with you goes beyond just wanting to be close to you—he feels an overwhelming need to possess you completely. He can't stand the thought of anyone else getting too close, and any potential threat (even if it's just a harmless friend) becomes a target for his unyielding "protection."

He is incredibly clever, and he’s not above using his charm to manipulate situations in his favor. If he suspects someone is interested in you, he’ll find ways to make that person look bad, whether it's revealing a secret or using his powers to make their life more difficult.

While Gojo may not outright lock you away, he’ll subtly control your schedule, where you go, and who you talk to. He'll make it seem like everything is "for your own good," ensuring you're only ever in his presence or at places he deems "safe." You won’t even realize how isolated you're becoming, as he’ll smooth everything over with his perfect smile and easygoing demeanor.

As you know, his love language is obsessive physical affection. He touches you constantly—holding your small hand, putting his arm around your thin waist, or pulling you into his lap when no one is around. He says things like, "You're mine, right?" or "Don't forget who keeps you safe, baby," and it’s clear he’s staking his claim on you in subtle but undeniable ways.

His calm exterior cracks when he sees you talking to someone else for too long, especially if that person is another man or someone who's too close to you. His jealousy manifests as a coldness in his eyes, and if he doesn't directly confront the person, he'll find ways to make sure you know that you belong to him and him alone. Anyone who dares to challenge his position will regret it.

While Gojo will never admit it, his love for you are an obsession—he is unable to separate his feelings of love from his need for control. In his mind, no one could ever love you the way he does, and no one could ever keep you safe like he can. Anyone who tries to get too close will quickly see the darker, possessive side of Gojo.

He loves playing mind games with you, testing you in different ways that seem harmless at first but grow more intense over time. He’ll say things like, "Do you ever think about leaving me?" or "You know you’ll never be happy without me, right?" He enjoys watching your cute reactions and feeding his ego, all while tightening his grip on your emotions.

He genuinely believes that you are the only person who could truly understand him. He convinces himself that no one else could ever love him as much as you do—or as much as he loves you. This leads to an almost delusional sense of entitlement where he views you as his personal salvation, the only person who see him as a human, not a tool.

After a while, he will definitely kidnap you.

His attitude towards you won't change after you've been kidnapped. He will not take any security measures in case you run away because he thinks you are too weak to run away from him.

But let's say you ran away from him; will be severely punished. Why are you running away from him? He loves you, he protects you, so why? As a punishment he can break your legs or throw you into a dark room and leave you there alone for hours.

Until you realize you're nothing without him.

[itz-pandora]

Tell me about the misc au hedgehogs

Oh gosh I could say so much about each dudeeee. Like. OUGGHH

Sonic the Hedgehog, formerly Nikki

A kind boy who was initially secretave about his past, choosing to only look towards the future. He's heroic and adventurous, and has a bit of an ego and attitude. He can be selfish and emotionally unobservant, but he's not cruel. Just kinda... Stupid.

He left his home and life as Nikki when he was 10. He changed his name to Sonic and decided to try to play off as a boy (even though he was born female.) he liked being Sonic and the thought of going back to his old identity was sickening. He never wanted to look back, so he didn't. He left because he felt suffocated by rules, and he heard about Dr. Robotnik terrorizing West Side Island, so that's where he went and met Tails and the rest is history.

Amy Rose

When she first met Sonic, she was infatuated by his bravery and heroism. She wanted to be like him, she tried her best to keep up, but she never could. She wanted to pull her weight. She decided that if she couldn't pull her weight with her skill and power, she's try to be the best friend she could. Her compassion is her real weapon and shield.

She's convinced many people to turn a new leaf and is a friend of all, even if she can be a bit stubborn. She's three years younger than Sonic.

Amy helped a lot of people, and even ended up dating Shadow and Neo Metal.

Shadow the Hedgehog

An android made 50 years ago aboard the ARK, designed with the initial motive to save the planet and solve problems with his adaptive learning. A failsafe program was installed in his code to keep him from going berserk, Maria's final wish, but after the ARK Raid, his memory files were altered, and he blamed G.U.N. for shooting Maria. (Maria is entirely a false memory, since she didn't live past toddler hood.)

Shadow is trying to be a good person in his own way, still stoic and often distant. He's afraid of being controlled, weaponized, or being just another mindless machine. He built up a mentality that since he's not organic, he's not truly a real person. Even though his friend try to beat that mentality out of him, he does relapse whenever he's proven right (He's usually more emotionally distant and touch adversed in these states.)

Shadow was made with old hardware, but his software gets constantly updated. Shadow often overheats and short circuits when he's experiencing intense emotions or spiraling because of how many programs he's running (sometimes he bluescreens and crashes) and he has a lot more or android world building but I've talked for long enough.

Silver the Hedgehog

A friend from 200 years in the future who was initially joined by his childhood best friend, Blaze. Him and Blaze were scavengers for a lot of their lives, until they got competent enough to fend off Iblis. Blaze was a normal person, no powers like Silver's. Silver was tricked by Mephiles, and after risking and saving the past, lost Blaze once she sealed Iblis inside herself. Silver was messed up for a long time, until he decides to do something. He goes to Little Planet and obtains the Time Stones, using them to return to the past.

Silver befriends Espio and lives with the Chaotix Detective Agency, and also works with them. He's also a good friend of Amy since he has a soft spot for her. Silver and Espio are dating, but they don't announce it or anything.

Scourge the Hedgehog, formerly Manic

Sonic's younger brother (2 year gap) and the last person to see Nikki before they ran away to become Sonic. Manic looked up to Nikki, and when they left, he was devastated. He felt guilty for Nikki leaving, he blamed himself, and he hated himself for it. His family was tense from the stress and loss of Nikki, so Manic depended on friends for comfort and as an escape, but that turned out to be a bad influence as the people he spent time with lead him down the wrong path.

Present day, his name is Scourge, he's vengeful and hates Sonic. To him, Nikki doesn't exist anymore, it's just Sonic. He tries to sabotage Sonic, trying to make Sonic feels anything close to what he went through. He eventually gets arrested LOL I don't know exactly what he does though. Him and Fiona do still date and are actually childhood friends.

Sonia the Hedgehog

Sonic's older sister (3 year age gap) who tried to steer Nikki in the right direction, but was crushed under the weight of Nikki's absence. She withdrawaled almost completely, dedicating her time to search if her sibling was still alive.

I don't have a ton about her yet.

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 致命游戏 / The Spirealm.

The Spirealm is a 2024 drama about two young men who fall in love while basically playing a whole bunch of horror-themed escape rooms that can for-real kill you.

This show/book combo has gripped my entire ass. The second I knew I wanted to watch this, almost immediately after it started airing, I muted the tag. I was so right to do this, because this is worth not spoiling yourself about. If you are a Guardian fan in particular, you owe it to yourself to watch this for reasons I think will become clear as you go about watching it.

So! If all you need to know is that I think you need this show in your life, great! You don't even need to scroll down to the end of the post for the links; go to Viki and press play. In case you need more convincing than that, though, I'm going to give you here five reasons to watch it that are as spoilerless as I can make them.

Before we start, though, I'm going to take a moment to note that I had to torrent the video files so I could make screenshots of my own, and if I hadn't, this would have been a much uglier rec post than the others I've done. Not only were there not many promotional materials or official stills released, the show itself barely stayed up two hours on iQiyi, and that's because this drama is a...

1. (Barely) Censored Adaptation Of Same-sex Original Work

Ah, you know that MyDramaList tag well, don't you? Yeah, the original novel, Kaleidoscope of Death (which has a rec post of its own!), is supernatural story about grief and loss built on the love story between the two male leads. Now of course you know already that a mainstream Chinese television adaptation of something like that is going to straighten up everything and turn the horror romance into the sci-fi platonic love of besties.

...But damn, folks, it's still real gay.

Ling Jiushi, the sweet-faced newbie, is a canonical virgin and loving cat dad who plays the mysterious video game once, then finds himself suddenly able to enter the game worlds bodily -- and of course, if you die in the game, you die in real life. He's pretty much doomed, until he meets...

Ruan Lanzhu, the cool-as-a-cucumber veteran of the door worlds, who falls pretty much immediately for the completely oblivious Ling Jiushi, then has to spend the rest of the series consumed with lust while trying to keep him and a couple other dipshits alive.

The show preserves so many overtly gay beats and declarations of affection from the novel, to the point where it's just this side of suggesting that the romance is actually, textually happening just offscreen, every time the camera cuts away. I am forever grateful that working with Zhu Yilong on Reunion seems to have perfected sweet baby Junjie's ability to look at a man with nothing but love in his eyes.

I adore so much the dynamic they have, one where a man who has never told the truth a day in his life encounters a man so sincere and naive that you cannot seduce him with anything but absolute honesty or he's never going to get it.

There are three (3) separate door worlds where they share a bed, and in every one of them, they both sleep with their shoes on. Like the absolute freaks they both are.

2. It's puzzle solvin' time!

So if you've read some of my rec posts before, you know that I am critical of stories that center around cases that are unfollowable, uninteresting, or both (e.g., Mysterious Lotus Casebook and White Cat Legend). I am therefore thrilled to tell you that the door worlds are actually (largely) thoughtful mysteries with reasonable solutions, where you care about what's happening and why.

The way each door world is set up is that you have to solve the puzzle to find a key and unlock the door that will let you leave. One of the challenges is each world's door ghost, who has the key and does not want to give it up. The other challenge is the world-specific set of taboo conditions, where violating them means the door ghost can kill you -- and you are not always told what those taboo conditions are. That means that solving a door involves 1) figuring out what will insta-kill you, 2) not doing that, 3) finding where the hell the exit door is, 4) placating and/or scamming the door ghost long enough to snatch the key from them, and 5) running like hell to the exit door with that key before the door ghost fucks you up about it.

As the show goes on, you get introduced to the concept of door-passing shepherds, which are experienced door-finishers who take through lower-level players, building them up in the process. A lot of these shepherds work for organizations, such as the one Ruan Lanzhu runs. And a lot of them are ready to reach the exit by climbing over everyone else's corpses.

That's part of the fun of the setup: You're not just thrown in alone. You show up with a random number of other players, some with very different levels of experience. At least one of you will make it out; not everyone will. So you can add a step 6) to the list above, which is: surviving all the other players who will gleefully stab you in the back in order to be the first player out the door.

The door worlds are also lovely. They all feel like sets -- and I know that's a weird thing to say about places that are literal sets, but they manage it feel it even on film. In fact, even the show's uses of clunky-ass greenscreen feel appropriate, because of how unreal everything is supposed to be. Everything looks like a dream, which is only amplified by how beautifully everything's shot.

(What's that you say? You say the guy who directed this was the editor on Infernal Affairs? No kidding.)

From a fandom perspective, what's great here is that even though there are technically just twelve doors, there are canonically way more than twelve door worlds out there. That means that whatever worlds you want to create are valid. The best pieces of fanfic I've read are the ones that dream up their own door worlds, complete with taboo conditions, key puzzles, and world-specific perks that lead to gay sex, because come on.

3. A good middle ground of horror

So at this point you are perhaps wondering: How scary is it?

And the answer is, kind of as scary as you're willing to let your mind go with it. Everything has been science-fictioned real hard, including the video game premise that "explains" what's happening with these doors. It relies on dread way more than jumpscares. The blood/gore/gross content is extremely low, again on account of Chinese content censorship. Most icky things are done with offscreen sounds and shadows. I'm pretty squeamish about pain and injury, and I can't recall a time I had to look too long away from the screen.

However, that means the show works some real conceptual horror. That picture up there is of a man forcing three young girls to hold raw eggs unbroken in their mouths. There's nothing about that image that's not technically G-rated, and it's awful in context.

The best bits are when the monsters don't need a lick of CG to become horrors. They cast a contortionist in the Waverly Hills door world, and she absolutely earned her keep.

I have a lot of critiques about how the show handles things, especially in terms of defanging the horror elements (which it does), but one thing I think it absolutely gets right is that it understands that ghost stories are first and foremost tragedies. That's a thing I've always liked about Asian horror in particular, how often you wind up siding with the ghost. Yes, sure, she tried to strangle you with her hair, but have you ever considered she's the real victim here? There's always a bit of a calculus: Can you negotiate with the door ghost, or do you just need to stab them and run? The Spirealm prefers negotiation, and frankly, so do I.

So yeah, it's about as scary as you let it be. If your horror tolerance is low, watch it in a well-lit room and focus on the unreality of it, and you'll be okay. If you're looking for something genuinely spooky, spend some time thinking about the existential dread of the entire situation, and that'll be good for a couple good spine tingles.

4. The Obsidian Family (& Friends!)

In a show where death is always an option, you have to have characters where you actually care if they live or die. Fortunately, all your allies are charming and loveable enough that you are going to be real upset every time they get put in danger!

Obsidian is one of the organizations I mentioned earlier. It's run by Ruan Lanzhu, and it includes a cool and collected doctor, a mom friend who cooks for everybody, a guy who's maybe not having the best mental health day of his life, and two identical twins who could not be more different if they tried. They all live in the same amazing big fancy house, which is where Ling Jiushi too goes to live when he joins the group. They have big family meals, they look after one another, they hang out together -- I mean, if this is the kind of setup you love, then you will love this setup.

There are also plenty of allies who aren't technically part of Obsidian, but who are our friends nonetheless, and who come over to hang out in the Obsidian house from time to time. Some of them are rivals turned friends, some of them are clients turned friends, and some of them were just friends all along! Surely nothing bad will happen to any of them, and they'll all live happily ever after, right? ...Right?

5. Toast and Chestnut!

Of course, the true heroes of the show are Toast the Corgi and Chestnut the Kitty.

Animals are so good.

Truly, I love that one of Ling Jiushi's defining characteristics is that he is a Cat Dad. He is a simple man with simple needs, and one of those needs is to pet his kitty or he'll explode.

caveat: Some thoroughly bad adaptation choices

Yeah, so I keep talking about the novel (and talk even more about the novel in its own rec post), but I assure you, you don't need to have read the novel to feel the degree to which this is an adaptation -- and one that's had its rough, nasty, spooky, gay edges all sanded off in the desperate hope of ever seeing daylight.

Now, sometimes I consider batshit nonsense janky creative decisions to be a selling point for a show (see: Mysterious Lotus Casebook, Legend of Fei, Sand Sea)! In this case, however, I'm going to have to take points off for how incoherently bad they are here. We're talking Psych-Hunter levels of Why Would You Do That-- and the answer, as always, comes down to how you write around what censorship won't allow on television.

The novel says the doors are supernatural. The show says they're a virtual-reality computer game. Now, on the surface, this move sort of makes sense -- you can't have ghosts, but you can have computer games that make digital ghosts, which, sure, okay. But then the problem quickly becomes that the plot of the novel is not remotely built to support a sci-fi premise, so a lot of things have to be grafted awkwardly on. Like, say, a bad guy who stole his corporate logo from Even Worse Twitter. Or a game-designing bestie whose face is never seen. Or [late-stage spoilers about a major character].

The eventual explanation is that this whole setup is a righteous and good game that has somehow been corrupted by evil game-designing capitalists from the West, and that's why it can abduct you in broad daylight and kill you if you fail it. There are good people who want to purify (???) the game, and evil people who want to make money off the game. And I don't mind spoiling you for that part, because it's garbage nonsense. You will be deeply unsatisfied with the show's half-assed attempt at resolving it all. (You may, however, have that disappointment tempered with the amazing concurrent display of heterosexuality that is apologizing to your best bro by coding his perfect man for him. The Spirealm is a land of contrasts.)

Look, I consider myself a mild to moderate socialist, and even I was yawning and making jerk-off motions every time someone started to wax halfheartedly poetic about how evil American capitalism is. Like, yeah, but not because some college student made a vile and wretched video game that eats people! This show is a critique of capitalism like a five-year-old crying because he doesn't get ice cream before bed is a critique of authoritarianism.

And even this, I can't be too mad at it about, you know? I just assume that this was some absolute Hail Mary attempt at getting past censorship -- you know, maybe if we make all the right "grr, USA bad!" noises, they'll let our gay ghost story slip by? And it worked! I mean, just barely, but it did.

So yeah, fair warning that the Spirealm is a show that, if you love it (and I do), you will have to love despite some glaring flaws that haunt it all the way through and hit especially hard during what should otherwise have been an amazing endgame. But hey, we're c-drama fans! We're good at loving janky things, right?

Want to enter the World of Doors?

As I said at the start of the post, Viki's got it -- and only Viki. I'm not sure what circumstances got it up on Viki after iQiyi pulled it, but I'm glad. Watch it quick, before Viki changes its mind!

Hug him! Hug that boy!

[klunkcat]

Life is short, and I've shortened mine

rise of the tmnt gift fic for the T3 server november exchange, for the very lovely @remedyturtles

Sensei is a character that can actually be so life changing and brain consuming. Very grateful to have the opportunity to play in your sandbox, exploring their headspaces is actually incredible and also devastating.

Note: This is an offshoot from Rem’s “little kid with a big death wish” fic and will not make sense on its own I fear.

title from good bones by Maggie Smith

read on ao3

___

He didn’t ask for this, is the crucial thing. He’d been— not relieved to be dead, because he hadn’t managed to make it yet to where his brothers were, because his kid was still out there fighting for tomorrow. Relieved was too gentle a word, but he’d been something. 

Maybe less tired. 

It was nice to think about, selfishly. He’s been carrying lead weights and anchors at the edges of himself since the moment the world fell, but there’d never been any other volunteers for the job. Somewhere quietly inside himself he’d thought the ending would mean a moment of reprieve. He should have known, though. They’d all been the universe's favorite chew toys for long enough, dying was too nice a bow to wrap around it. 

He really hadn’t asked for this, no matter what the subconscious thoughts he’d hit to death with sticks in the back of his mind said about escaping. Stumbling across the kid— another him, a version of him he’d never gotten to be, that he thinks maybe distantly he shouldn’t have needed to be— he’d hoped he could silently wrap himself in that thick blanket of nothing and fade out at least. Not fuck things up for him worse, but, well. 

Maybe the throughline to being Hamato Leonardo was fate-led curiosity; he’d never learned how to leave well enough alone in either direction. Of course Leo had scouted him out, of course he’d been compelled to try to help the kid float when he should have stayed put, of course. Of course. 

And so, as the classics say, here they were. 

“Can you give me a number, Leo?” Raph’s voice creeps in, all-over earnest and thoughtful in the way he intrinsically is—was. It’s a shard of glass to hear it at all, it’s everything he’s ever wanted. The kid fuzzes out a little and slips sideways a step; oops , Leo thinks. There’s a hard line around not transmitting too loud, he’s still trying to figure it out. 

Could do without whatever that was ever again , the kid thinks, sharp and rattled under the surface.

Leo winces. Sorry, I’m all thumbs over here. Trying to keep quiet. 

Psh, younger Leo rolls his eyes. You’re all one thumb .

The kid turns back to his brother, thrumming still between a one and zero now. He’s scrambling to ground still, to focus. He gives Raph a quick OK sign that there’s no way Raph doesn’t see through. It’s kind of funny to watch his force-fire white-knuckling deflection in technicolor from the outside like this, he’s not sure why he ever thought this worked. 

“That’s okay, that’s fine. Can you give me a number, bud?” The pleading edge hurts to hear. 

They hold up a shaky one, maybe overconfidently. Mikey and Don are in the room somewhere, he can hear them shuffling even with Leo’s eyes closed. The sudden memory of a thousand days where the only rest his littlest brother got was when he was locked in meditation, the way he walked like his bones and joints hurt right up until the end, nearly knocks them both back to a firm zero. 

The kid glares at him, Leo holds his hand up apologetically and imagines zipping his non-existent lips shut. 

They’d been doing better for the last few days. He’d started talking out loud, had been at a solid two a handful of times. He knows the kid’s frustrated and exhausted, he can feel it, especially seeing them slip all the way back. Leo feels a hot well of shame creep up his ethereal throat. 

He knows it’s a push and pull game they’re playing. Wounded leading the wounded, and all. 

It’s still a lot, to think of seeing his family that isn’t his family. Of them knowing he existed and talking to him. Points towards the ‘he should fuck off forever’ category, as soon as they figured out how to get rid of him.

(The kid talked about it like they’d miss him if he left, like there’d be some great love lost— they didn’t know him, though. He’d lived through twenty years of a war they’d never have to see. Leo was not the teen they were missing, the one they were trying to call home, because he’d given that up a long time ago.

Of course he had to leave, this kid had a life of his own to live now. Leo didn’t have anything.)

“ — he was for a moment, just give him time,” Raph’s saying. He forces the kid to take a purposeful long breath in, squeeze his fingers, twitch his toes. Keep him from tipping all the way over into the dark where he’d accidently shoved them. 

“See, he’s back with us,” Raph continues, brightly. The kid groggily radiated all sorts of furious signals like a firecracker popping in several unplanned directions, all different fonts screaming exhaustion and hurt the only way he knew how. Leo’s heart aches for him. Beating himself down for daring to survive at all. 

“Is he?” Don’s voice cuts in haughtily. Leo makes them blink their eyes open, caught out despite the kid’s anger. 

They’re looking for you, bud. Rise and shine.

I don’t care, the kid hisses. Fuck off. 

Okay. Well. Less than ideal. 

“Which one are we dealing with,” Don’s voice hovers closer, half lodged in icy suspicion. He wouldn’t be this closed off for his Leo, obviously. Leo— Sensei smothers a sigh. 

“He’s trying not to  answer the phone right now. So, just me. Sorry.” 

“Is he okay?” Raph asks, concern evident in the dark shadow of his brow. Sensei can’t look at it directly, it’s not for him to feel all the reminiscent grief of a brother that isn’t even his. How he feels about any of this never helps anything. 

“He’s….” He prods the kid and gets an indistinguishable slew of curses and general hypothetical middle fingers back. “He’s taking a break, he’s okay.” 

Don arches a brow back. “I don’t care that we’re forced to take your word for this, just to be clear.” 

“Fair enough. He says, and I quote, bite me, so I think that’s where we’re at.” 

“Ah,” Raph hums. “Well, if you can tell him I’ll be back in ten minutes with tea, I’d love to check in on him then.” 

Sensei nods, relays the message with a garbled hiss as a response. Expected. 

Don stares at him, impassive. Arms crossed and eyes narrowed. Feral cat radiating protective instincts three counties wide, like always.

It’s… an ache under the skin, to be left alone with Don. He hasn’t forgotten the way Dee’s face would shift in a scowl, he never could, but seeing it played out on a younger face scratches something in him regardless. 

“I want to speak with my brother, if it’s all the same,” Don says, blunt. 

“I’ve been trying to ring him, I promise. Bad morning.” 

Don arches a brow with a twitch to his jaw Sensei knows means he’s attempting to fight off a full on annoyed pout and failing. It hits him sideways to see, funny in the chest. A thousand sense memories, a different Donnie and a different place, coalescing all into one. His Don had gotten really good at not emoting at all near the end, he’d almost forgotten.

Hey, the kid grouses. Who’s flying this plane?

Right, thumbs again, Not-his-Don hovers closer when he blinks back to the front. A frown touches the middle of his maskless forehead. 

He makes himself walk through a few quick grounding steps and breathe in as deep as he can before speaking. “Back, sorry. Uh, Sensei, that is. Leo’s listening though.” 

Don’s still frowning, but he leans back a touch. “He’s making it harder for you to stay here too, isn’t he?” 

He doesn’t think the phrasing of that is fair, but. “Was all me that time, if I’m honest. We’re at a one now though, I’m good.” 

“Is he ?” Don tilts his head. 

Sensei considers. The kid’s not sinking back there just… Curled up, pill-bugging. Radiating furious hurt energy like a solar system all on his own. He’s present enough to tell Sensei to fuck off and focus on Don at least. 

“Think so, yeah. He’s just…” He mimes a snapping maw with his good hand.

Don sighs and rolls his eyes, there’s an edge of anxiety there Sensei can still read as bright as anything. Isn’t that a thought. Twenty years without and this younger Donnie is still under his skin like a part of himself. 

He needs you bud, Sensei tries again, nudging his younger self. 

I’m tired of this , the kid growls back, not-voice cracking all the way through in a way that makes Sensei ache for him. 

Sensei sighs, patting his shell. I know.

Don shifts his weight in front of them, frown deepening as he moves to tap on his wrist guard. Probably texting the family about the general Bad Leo Day, he imagines. He knows how this would go with his Don— the way it would itch at him being unable to instantly resolve whatever problems his brother had. He never dealt well with any mystic issues affecting Mike for the same reasons either. 

There’d always been a thrumming line between them, some unspoken thing; Sensei carried it with him even now, even with the end gone dark. He knows Don’s having a hard time reconciling all the ways ‘Sensei’ is his Leo and is someone entirely different. Managing the fear that his Leo will go somewhere far away inside himself and he’ll only be left with someone he doesn’t know. That he’ll be left alone. 

The worst part about being a twin is when you aren’t one anymore, after all. 

Bad thought. Shit. The pull in the back of his mind grows louder. He holds up a shakier zero. Don’s sharp eyes narrow, tapping something harder on his guard before shifting closer. “Leo?” 

Can you stop being horribly sad for five minutes while looking at my brother? It’s so not helping. 

He shakes his head. “Still me,” the words come out soupy. The kid jabs him angrily somewhere in the back of his brain, uncurled with annoyed concern, which is maybe an unintentional win. 

“Is it— can you ground him?” 

He’s trying; his brain fires unhelpful flashes of the days after. Of the months of searching desperately, of the moment he woke up in the middle of the night with sudden certainty that wherever the other half of himself went, he couldn’t get back on his own. Shit. 

Shit , the kid echoes, less angry with the barely concealed concern. Sensei can feel the dark pit creeping at his arms even as he blinks furiously to stay present. 

“Not him, it’s— sorry, all me again. Don’t think I can stick around.” He squeezes his fist, forces himself to breathe deeper, but it catches somewhere around the middle. The kid slides forward with a flurry of aggrieved panic that sparks through him and sends him back down several flights. There goes that plan. 

Sensei cracks an eye back open and catches a familiar flash in Donnie’s eyes, and yeah— sorry, kid. Lights out. 

The last conversation he remembers having with Don had been about Casey. He was getting to the age where he was asking to follow them out on missions more and more, curious about everything Uncle Tello was up to. He wanted to help, desperately. Itching with the need to be useful in a way they all understood. 

It was different with Casey, though. He knew why it was different.

“We let Mike do this stuff when he was his age,” Leo had said with a sigh. “It’s hard to find good reasons to say no that aren’t just three rounds of my own loud clamoring panic. He should go, he’s trained plenty.” 

Don clicked his goggles, focusing on a project in front of him with a hum. “Mike wasn’t dealing with an apocalypse. He was, at worst, trying to find a new place to tag at Casey Jr’s age, so.” 

“Exactly,” Leo smooths his hand across his head. “But also…” 

Don looks at him, eyes gone big with the layers of lenses so he gets hyper close up patented ‘Tello Eye Roll in high definition. “But also, you’re a mother hen, and he’s talented, and he’ll just sneak out anyways if we keep making him hang back.” 

“Points for you,” Leo sighs again. “Want to make that a daily double?” 

“You remember how Micheal was about being babied,” Don sighs. “So, I don’t know. Let him go on a supply run, something small. A practice version,” Don shrugs, turns back to his work. “There’s that lower activity quadrant we got a ping on last week. I can take him and go get that part we need to fix up the generator.” 

Leo lets out a long breath. “Yeah, that— huh. That could work. He’s always saying he wants to learn more about how to keep things running around here, he’ll be over the moon. Kid asked me last week if I could show him how to do stitches.” 

Don snorts. “Great, soon there’ll be two of you.” 

Leo steps forward, leaning his elbow on Don’s chair to peer over at his desk. There’s a mess of wires in front of him, a plate he’s meticulously soldering ends together on. “Eh, there’s already two of me.” 

“Excuse you,” Don nudges him back with a shoulder. “As the funnier twin, I resent that remark.”

He laughs, lets out a breath. The thrum of Don’s room sometimes settles him, like it’s echoing the place in him where his ninpo sat before. Constant hums of his family flitting through open rooms. 

“You don’t think I’m being paranoid, do you?” Leo has to ask. The variables tripped around each other in hyperspeed in his mind at all times, racing down to the ends of his fingers. Casey’s only thirteen, they’re down too many runners, there’s never any right choices and only Leo to make them.

Don pauses for a second. He flips up his goggles before Leo can wrench the question back into himself, not that it had ever worked before. 

“I’ll keep him safe,” Don says, slowly. “It’s a good call, he’s earned it.” 

“You’re just saying that because it was half your idea.” Leo glances away, embarrassed on some fundamental level that Don had even needed to give him the reassurance. He sighs, squeezes Don’s shoulder quickly as a thank you. Don hums with a smirk. 

“Well? Are you going to teach him? Don’t think we have any oranges to practice on.” The implication rings loudly enough, Casey stitching up real wounds is a foray they haven’t dared make.

Leo waves his hand. “Might be a good idea for the kid to have some medical information in between all the supercomputer nerd things.” 

“Avoiding the question is a bold move.”

Leo deflates, winces. “Yeah. Thought it might make him worry less.” If he could help without leaving the base at all, maybe they’d both relax. A quieter thought, under that: maybe Leo would, if he knew Casey could take care of himself without him. 

Don squints. “It might. Here’s a better thought, his Sensei letting someone else take on the riskier missions for once, hm?” 

Ah, well. 

Leo feigns a wide grin anyways, shrugging. “What can I say, the Krang love me.” 

The arched eyebrow he receives is scathing. He is scathed. He waves his good hand Don’s direction with a huff. “Don’t look at me like that, this is about the kid. Table the psychoanalysis for Mike to take over.” 

“You want Michael to get in on this?”

Good point. He sighs again, shuffling over to a side table and crossing his arms. This is an old argument, the circles of it are worn through and practically scripted. If dear Tello insists, he purses his lips. Round and round they go. 

“I’m faster.”

“Other people are fast enough.” 

“Enough isn’t safe.”

“Letting the Krang learn all your moves is?” 

“Come on, I’ve been fine.” 

The scathing meter ramps up as Don’s eyes pointedly flick to Leo’s robotic arm. “They blast you with enough of their power? How long is that going to be true.” 

“I know how they work.” 

“For fucks sake Leo, the rest of us grew up in the apocalypse too.” 

The rest of you aren’t responsible for it, though , he thinks with all forty old years of packed self directed venom. There’s no point to this conversation, he finds the way out Don wants. 

“Fine. I’ll stay back for the next few, okay? You and Case can do the supply run. April’s been saying she wants to get back out, I can send her with Angel.” 

Don’s steely gaze doesn’t shift, his jaw tense. Usually, this is where the conversation stalls and dies out. World like theirs is lacking in many things, including fuel to burn with. 

“I’m sick of watching you do this,” he spits out, sharp and barbed. It stops Leo up short. 

He nearly says ‘do what’, but he knows his twin. They haven’t gone into any of this since— well, since Raph. Since the mantle of the Resistance became something heavier and lodged in him with anchor weights. Since everyone started looking at him like his plans were god. Since his fuck up ruined everything.

No time for heart to hearts, really.

“Come on, Dee,” he swallows roughly, carefully. “I’m careful. This isn’t about that.” 

“Isn’t it? Isn’t everything you do about that?” 

Leo works his jaw. “It isn’t.”

“When will you stop acting like you have to make up for it, then?” 

Ouch. Leo redirects. “We’re going to win this. It’ll work out, you know it will. I’m not going anywhere without you.” 

Winning the war hasn’t been a tangible thought in his mind in years either; he’s not sure he knows how to do anything but follow the script anymore, though. He hopes he’s putting up a strong enough act.

Don’s hand clenches around his soldering gun, relaxes. “There’s only one you,” he practically growls out, and Leo’s chest squeezes. “If he goes somewhere he takes me with him. Do you get that?” 

He swallows again. “Course I do. I’m not— this isn’t about me, Don. Strategically, until they start catching up to me we have to make them believe I’m their only concern. Promise, that’s all this is.” 

You swear? He almost hears a younger Donnie ask, crouched up in their hideout over Donnie’s gameboy. 

“I’m not going anywhere,” he says, with as much sincerity as he carries with him. He wouldn’t, there’s nowhere else in the world for him to go when everything that matters is right here. 

“You aren’t allowed to pull anything. I’d know if you were,” Don glares. “We need you.” He says it funny, emphasis on both the need and the you all at once, like one of those endless staircase paintings that look different the longer you try to make sense of it. Leo holds up his hands helplessly. 

His twin’s stare pins Leo through for a long moment. He takes the whole half a second of pause to step closer. “Hey, that whole thing— back at you. Obviously.” 

Don lets out a long breath, expression flat and assessing. For a moment, Leo thinks he might say more, but he turns his chair around to continue soldering. 

“Obviously.” 

They’d let the conversation fall lighter, moving to charitable waters. And Leo had let Don take Case out for an easy supply run. 

The last thing his twin ever said to him was lost somewhere behind the distress beacon and the noise of the Krang leveling an entire building on him. He thinks there was a sorry in there, or a be right back to the scared kid he was giving up the world for. 

The part that’s always stung, a burr against his core, is that they never find any sign of where Donnie went. There’s his ninpo, and his bo staff with his fucking mask tied around a bleeding wound on Casey’s arm, the hum of electricity somewhere down the corridors of his mind, and Casey safely bundled and shaking in a propped up section of rubble. His kid is so terrified, asks for Uncle Tello in a quiet whine like he knows.  

He doesn’t remember the mad scramble to get there, the fact that he’d reached so far down into his struggling well of ninpo he’d felt something entirely shatter apart in his hands. The way Mikey had put his own hands over Leo’s, and brought the two of them together all at once. He only remembers the wake of whatever devastation cracks through him once it’s clear they were too late. 

The recording he’d left that Leo couldn’t bring himself to listen to for weeks. 

Leo would know if he died. He would. The light never goes out, but Don never comes home. It’s a loss he can’t name all the same. 

It’s impossible to regather whatever off the cuff words he’d said last, before Don left. Had he said be safe? Had he said he’d loved him? They’d never needed to say it before, but the lack still haunts him. He hadn’t gotten to say goodbye.

‘Be right back’ is a shitty thing to lie about, he thinks wryly.

It’s the first promise he’s ever broken. 

The ache never leaves but there’s no time for grief. He steps outside of himself and into whatever he needs to be, and he chases the corridors in his mind to that safe space Donnie’s ninpo has always rested. The door is closed, but it’s still humming. He doesn’t know what that means. 

“God, stop ,” the kid groans at him. Leo– Sensei blinks back into himself, or— to the place between what constitutes as himself these days. The spot by the tree with just the two of them. “It sucks when it’s you somehow even more than when it’s me.” 

The sludge is still there, distantly. Tugging at him in ebbs and flows. Sensei makes himself breathe out, take a look at the kid. Take stock, soldier. Focus on the problem at hand, deal with your shit somewhere else. 

“Or, here’s a thought: you could deal with your shit at all. Call me crazy, but this ‘shoving all my old man pain in a box and burying it deep down’ thing seems like it’s fucking us both over.” The kid whines, leaning his head back. The irony does not escape either of them, he knows. The Uno reverse is unspoken.

Magnanimously, Sensei lets it slide. 

The kid’s problem is more complicated and knotted somewhere inside himself than he likes to acknowledge, at least Sensei’s is all obvious lines of too-long-losing-wars and grief. It’s all outside. The problem has always been that it’s outside.

Sensei settles beside him, hand on his knees and head tilted up to the still sky. They don’t speak for a long moment, instinctively mimicking the long drawn out grounding breaths in sync. He wonders if it’ll ever stop feeling so strange. Seeing himself from the outside like this, entirely encased in different baggage. It’s hard to think about anything other than ‘he’s so small’, loudly. On repeat. It’s not a helpful thought. 

“Sorry,” Sensei breathes as the sludge lessens minutely along his back. “Should be used to that by now.” 

The kid shrugs. “Is there a way to be used to it?” 

He knows he’s asking for them both. The truest answer feels the most bleak, so he opts for something gentler. 

“I think there has to be a way to think around it at least? Make the brain box bigger. Less likely for the shit in it to hit things.” 

There’s a long sigh beside him. “Sounds exhausting.” 

A long pause. “Would it… help? To talk about it?” 

Man, this little blue. Sensei can’t help the smile that tilts across his heart; he’s so tentative and determined all in one. Still stretching a hand out even though he knows whatever Sensei’s going to say might bowl him right over again. 

He shakes his head. “Nah. I tried once, with my Mike. It’s an old scar anyways.” 

The conversation hadn’t gone anywhere helpful, even with Mikey’s ability to see right inside his brain. They’d both been too tired to argue. 

“I don’t think I could do it,” the kid says, sullenly. Tiredly. He rolls his head to the side to make eye contact with Sensei. “Live without any of them.” 

Yeah , he thinks. He doesn’t say that there hadn’t been much living at all. “You know it's the same for them about you, right?” 

The kid scowls, turns away. “Saying things you don’t mean about yourself seems kinda useless, old man.” 

I mean it about you, though , he thinks. Something twitches in the kid's face. “I had twenty years as the last resort,” Sensei offers. “Changes your perspectives on things.” Or your priorities, really. Whether or not they needed him didn’t change that he was responsible for keeping them alive. 

Or that he’d failed. 

It’s obvious math with the kid anyways. He can see the way the kids brother’s hover, checking in and creeping forward and patiently holding his hand, working constantly to make him feel safe. Twenty years and mires of grief isn’t enough to drown out all the big and small ways he can see how his family loves. 

“What was he like,” the kid turns with a sharper look in his eyes. “Your Don.”

He sighs, lets it roll through him. “Tired.”

He closes his eyes. 

“He was really tired.” 

He’d barely slept, all the way up until the end. Too many defense algorithms to scrub through footage of, supposedly— he wonders now if he should have checked in more. If he should have asked. 

“Yeah,” the kid says, quietly like he doesn’t expect Sensei to hear. “You feel tired a lot, too.” 

Oh . He supposes that’s fair. 

Sensei swallows and imagines the fractured pieces of his heart settling back into their ruins. “It’s funny, he made all the systems in our base use his voice. Had to hear him anytime someone tried to use the microwave. Technically his last words to me were ‘front door compromised’.”

“Yeah. Funny. You ever thought about therapy?”

He doesn’t want to talk about this, it never helps. The rioting part of his core that is four parts missing and agony and one part instinctive need to move forward writhes anytime he lets himself remember any of it at all. As if he does anything other than remember it. 

“Kid—” He exhales. 

The kid turns to face him, frowning with that divot above his brow and his dead set determined set to his beak that screams stubbornness in neon colors. “Listen. I know how— I do the same thing, with my Ang, right? You know, where he doesn’t need all of my… me-ness on top of everything. So tell me the real version, get it out of that slow cooker of a brain so you can stop freaking out every time Don breathes our direction.”

He’s having a weird brain schism, he realizes. The divides between where this kid went and where he himself had walked are so different, sometimes past him feels like a different turtle entirely. A younger one, boiling entirely over with how little he sees himself at all. 

I see you , he thinks, tragically. Pointlessly.  

Sensei breathes out. “There’s not much—” his voice breaks, he clenches his hand around the inexorable pull of that dark space at his edges. The kid sees all of it anyways, doesn’t he? Dancing around it only makes it more his problem, less Sensei’s alone. His throat burns with some memory of tears, it feels silly but the words crawl out of him anyways. “I just. I never got to say goodbye. We never found out if he—” 

But he had to have. It’s so much worse to imagine he had been alive and trapped, that Leo had left him there in that awful world. He had to have been dead because his twin would have broken apart the planet itself to get back to them if he could have. 

His shoulders round forward and he squeezes his eyes shut for a moment. “I just, I should have gotten to say goodbye.” 

The kid is silent. A long moment passes. 

Sensei feels a small hand carefully land on his knee. “Sorry.” 

He puts his larger one over the kids, squeezes it. “Nothing for you to be sorry for, kid.” Nothing in this whole wide world. “Whatever my Don was doing, I have to believe he’s with everyone else now.” It makes it manageable, at least. Widens the box in his brain so he can think around it. 

The kid hums thoughtfully. “Can we… I mean, dad talks to our ancestors and things, in the mystic plane, right? He could maybe—” 

Panic wrings through him, ice cold and visceral. Sensei feels the shudder crack through both of them and their tree side hang out waver into darkness. “--right, okay.” The kid gasps. “Bad plan, got it. Noted.” 

“Sorry,” Sensei manages. “I just…” He doesn’t want to know what they think of him. What any of them would say about the world he broke. He knows them, he knows, but he’d been tired for so long before that, and he doesn’t want to know that Don went slowly or painfully. That he’d been waiting for Leo to find him.

Maybe he deserves to know how much he let him down. 

The kid's hand twists, squeezing his back as hard as he can. “Forget it, shit. Grounding, let’s um. Let’s do that and not whatever this is. I hate this, fuck. ” 

They walk through a few start and stop steps, the kids hand tight in his the whole time as they both dig their heels in to stay. It hurts, and Sensei wants to give in. The hand in his keeps him pushing through, cracks through him enough to speak. 

“He, uh,” he clears his non-corporeal throat. “He kept a section of his database specifically for chess games for me. To run on my wrist guard when I couldn’t sleep.” Which was most of the time. Sensei shakes his head. “Kept a file for Mario Party cheat codes, too.” 

The kid stares at the side of his face. Breathing steadier. He can feel it like a brand. “I knew he cheated. Asshole! I knew it.” 

Sensei shrugs, a laugh surprising him as choked off and wobbly as it is. “He rigged up a giant screen once. Told me he was going to come for my crown once and for all, right in front of the entire base. Raph ended up winning.” 

The stare gets more intense. “No.” 

“Swear on my life,” he says. Pauses. “Or, well. My ghost possession afterlife? Don was furious.” 

“Raph never wins at Mario,” he can hear the cogs in the kids' heads freezing in place. Hell has rained ice, pigs have started flying. Raphael, chronically confused at Mario Party mini game rules to a truly fascinating degree, won a video game.

“It’s true,” Sensei laughs. 

“Was it the pity stars?”

“It was the pity stars.” 

“Ah.”

He remembers how hard Mike had laughed at that, just absolute shrieking peels of delight as the rest of his family stared in complete silence. April had needed to drag a completely feral Donnie back to his quarters because Leo ended up crying laughing with him. 

There weren't a lot of those good days after they lost dad. It’s important he holds onto them. It’s important he doesn’t let himself forget even when it’s hard to think about. 

“That’s a relief,” the kid says, leaning back again. “Was starting to think everything about the future was completely and morbidly depressing. Least you had Mario Party.” 

At least they had Mario Party. 

The kid wakes up on his own, Sensei tucked carefully somewhere in the background. There’s a flurry of commotion somewhere out in the hall that sounds a lot like Mikey and Raph, but it’s still and quiet in the med bay. 

Shit, the kid thinks, looking at the clock. It’s definitely been more than a few hours since they fell under. Sensei can see the medical clip on the kid's finger is back in place before he wiggles it off. 

“Number?” Don’s voice cuts in, stern. Flat. Standing with his arms crossed in the corner of the room by his desk. 

They hold up a two after a long moment. “I’m fine,” the kid says. Don’s expression doesn’t change.

“Who am I talking to?” 

The kid groans. “Don’t be like that, Tello. He didn’t mean to. Half of it was me, anyways.” 

Don looks squarely unimpressed, but something eases in the line of his shoulders. Relieved not to be talking with the body snatcher, probably, he gets it. 

“He said he dragged you under, it’s been twelve hours. Am I not supposed to think your parasite is making it worse?” 

He’s not wrong either.

The kid radiates frustration at both of them. “He’s not— Dee. He’s been through a lot. Leave off him, alright? I was pissed off, he got his flip switched. I wasn’t making it easier. I’m doing good, I don’t want to be mad, okay?”

Don’s expression flickers, faltering as it always does around their particular brand of pleading honesty. “Fine, I’m not done talking about this but. Tabled, for now. What do you need.” 

The kid thinks for a minute. Water would be good, Sensei nudges him. 

“Would you talk to him?” The kid says instead, startling both Don and Leo. 

Don recovers first, eyes narrowing. “Why.” 

The kid’s brain is a mess of picture show slides, a strange warped retelling of Sensei’s own memories. It makes him wince, guilt rising thick in his chest. He’s gotta get better at locking that down. 

“Look he— he misses his own Don. It’s not the same thing, but he had a rough night. Just shut up and talk to him.” 

“Oxymoron,” Don and Sensei say in sync. The kid glares. 

Kid, Sensei tries. 

No. Not up for debate. You won’t let me tell Casey? Fine, this is my compromise. I’m tired of playing referee. 

Sensei hates the pang of panic that still lights up in his mind at the thought. The kid lets out a frustrated growl. 

Stop trying to leave! I’m sick of it. What if I— what if I don’t want them to pry you out of here. What then? You gonna sit here in this pissing contest stand off with my Don until we die? 

There’s. A lot to unpack there, and not enough of the kid standing firm enough to do it— the conversations knocked them both back swiftly to a one that’s tenuous at best. Sensei didn’t make it so long as a general without knowing how to pick his battles, anyways. 

If this is what you need from me, okay, he relents. 

The kid’s glare is still hot, assessing. He turns back to himself, to the med room. 

Don’s fussing with his tablet, brows twitching and his hand firmly in Leo’s good one. “‘M here, sorry.” The kid squeezes his twin's hand for them. “Just having a conversation, hard to be both places at once.” 

Don’s jaw shifts. “I will refrain from the comments I desperately want to make.” 

“Noted, file that under an IOU.”

Don rolls his eyes. “Scoff. As if I don’t have a mountain of those already.”  

The affection in the kid is warm and strong as anything. He clears his throat. “What if I… what if I asked him to stay. Sensei. Would you be mad?” 

Sensei shoves his own festering pile of guilt and doubt aside as hard as he can. Don’s expression flattens. “Why would you want to do that.” 

It’s your life, Sensei whispers. 

The kid shakes his head. “Casey needs him.” 

There’s another need underneath it, neither him or the kid acknowledge it directly. 

Don sighs, eyes squinting in the vague pained way of his. “I’m supposed to be okay with someone that is not you, taking you away from us when—” He cuts himself off, breathes out sharply. 

The kid stays silent. 

“Fine. Tabled. Get him out here.” 

Sensei slides forwards, patting the kid on the arm distantly and ignoring his grumble about it. He’s bracing himself— he knows how Dee is, in any version of them. Getting his head chewed off would be the easiest way out. 

“For the record,” Sensei starts, with a faint curve to his mouth. “I agree with you.” 

The kid glares. 

Don arches a brow, crossing his arms. “I don’t…. Like you, being here. I’m not convinced you aren’t impacting him in ways that are halting his progress.” 

Sensei manages a shrug. “You’re probably right. I try really hard to stay out of his way where I can, but. You saw yesterday.” 

Don’s jaw works, terse in every line of his body. Sensei remembers how his Don was before Raph. The way he’d gone along with all of Leo’s plans just inherently trusting that his goal was always to get everyone back out above anything else. The way he’d shifted. Their last conversation had been a lot of sharp lines like this; something adjacent to doubt. It still burns, funnily enough, even from a sixteen year old version of his twin who doesn’t know subtlety at all. 

“If I told you I had figured out how to rip you out of him without injuring Leo at all, would you fight me?” 

Sensei nearly laughs, I’d thank you, he tries not to think. “No,” he says with a stronger lilting smile. “I’d just ask that you do it before Case realizes I’m here. He doesn’t need that.” 

Something in Don’s face shifts. “When Leo says you’ve been through a lot, what does that mean.” 

“Ah,” Sensei huffs. “Maybe not a conversation for right now—” He can feel the daggers of the kid’s ire, nonetheless. Sighs. “Krang won where I’m from, Case probably mentioned.”

“And that means?”

He winces. “A lot of things that are hard to remember, mostly.” 

Don’s gaze is assessing. He types something onto his wrist guard. “Any triggers I should know about?” 

You. Raph. Dad. He breathes out. Shakes his head. 

“Fine. Bring him back, please.” 

The kid’s eye roll is something fierce internally, externally it’s too much effort to muster. “Dee. That was barely anything.” 

Don shrugs. “I talked to him, didn’t I?” 

It’s fine , Sensei reassures him. He means that it wouldn’t help, not with the hole that’s been carved in him for years. 

There’s nothing at all in the world for what he’s missing. He should just be better at it. The missing. 

Something stubborn lights up in the kid, a spark he doesn’t think he’s seen in the younger turtle since they crash landed together. Fuck this. 

“Can I ask you something and have you promise you won’t get mad?” 

Don’s brow twitches. “I’m not promising shit.” 

A pause. “Say it anyways.” 

“If you went somewhere,” the kid starts, and his voice shakes like a nervous glance over his shoulder. Sensei tenses immediately. “If you went somewhere, and you didn’t know how to come back. What would you do?” 

Don’t , Sensei thinks, helplessly.

“Wouldn’t happen,” Don says. Not a moment of hesitation. “I wouldn’t let it happen.” 

“What if you didn’t have a choice?” The kid asks. 

He has to imagine his Don didn’t have a choice either, clings to it with everything in him. He didn’t know the kid had seen that, the wilful refusal to believe in any world where the other half of himself would walk away on purpose.

He doesn’t know the expression on Don’s face. He’s seen it before, at the planning table. After missions. He’s never known what it meant. “I’d come back,” Don says, like it’s obvious. 

This younger version of his brother, some spun off worried and sideways Donnie, leans forward and pokes the kid as carefully as he can in the center of his chest. 

“If I still exist, in any universe, I’d be coming back.” 

Sensei swallows. He remembers this; that simple constant of trust, of knowing half himself sat between his ribs and the other behind a desk with a computer screen. He remembers believing it, too.

There’s a hallway in his mind that he goes to, where his ninpo once lived and breathed. A living room where he kept all the lights on. There’d been a time where all the rooms and all the doors had been flung wide open. They’ve been shut for years now. 

“If you didn’t?” The kid asks, voice small. 

Sensei walks through the empty room, hand trailing against the wall of his mind. He hasn’t visited this door, hasn’t been able to think about it around the hurt in him. He presses his forehead to the wood of it, now. 

“If I’m gone, it would never be forever. You’d just have to wait longer.” 

In his dreams, or at least where he goes when the kid is sleeping, the door is warm. 

He sits himself against it, and pretends it's the same as the door being open. To feel his brother existing here at all. 

Sometimes he thinks he can almost hear someone knocking back. 

[tripthelightfandomtastic]

happy wild wednesday! okay so picture this — josh is hot; no like literally he’s always running warm or overheating. which also leads to jokes about him being the sun. this means hes always walking around your shared home half naked (and sometimes even fully nude as well with a nonchalant “humans were meant to be naked, societal norms are what keep us from doing so”). you’ve grown used to seeing your lover’s beauty bared to you in the most casual of ways, but theres times where the sun hits him just right or the gleam of the ambient lighting in your house casts the most perfect shadows over his toned figure that you feel yourself growing needy for him. josh is so in tuned to you that he immediately knows what you wants and takes you right then and there. on the sofa. on the soft rug. on the cool hardwood floor. over and over again until you’re satisfied. which lets be honest, when it comes to josh, you never really are.

I think it would be so beautiful to see him glow in the morning sun outside in the garden, watering his plants and smiling to you as he takes in the cool breeze. You approach him with a smile and kiss him, his warm skin made only warmer by the sunlight on his tanned skin. Hands resting on his shoulder and one on his chest as you feel the muscle beneath your fingertips.

You can feel his erection against your thin silk nightgown from his briefs, your fingers running gently along the waistband. Dipping your fingers below to touch his hardened cock, which pulses softly in your palm. Josh sighs against your lips.

"Lay down." You say softly. Josh's eyes gleam, he's surprised, but too cool to let on anymore. "Yes ma'am," he smiles charmingly. You grin before following his lead to the soft grass beneath you. His curls gently lay against the grassy carpet, looking at ease as you bring his underwear below his hips until you pull them completely down and toss to some azaleas beside you.

You straddle his waist, feeling his hardened cock lay between your thighs, you grind against it, your soaked panties rolling gently against the length of him as you kiss. His hands travel down your arms and to your chest, hands groping at your silk covered breasts, gently pinching your hardened nipples beneath the white material. You feel like an angel in the garden of Eden.

Josh's fingers slip your panties to the side, your own hands pulling your nightgown off to join Josh's discarded briefs. The breeze and the sun on your skin makes you feel so alive, so soft and warm. You help yourself down onto Josh's length, savouring every inch as you take him in. Josh sighs as you do, your eyes closing gently as you tentatively begin to grind down on him. "You look so beautiful," Josh whispers, your eyes back on him. His hands resting on your thighs, feeling the soft expanse of your body. You begin to bounce, his cock inside you making you moan. You can't help but watch the way your body moves, lit by the morning light, you're turned on by the way your soft stomach and breasts move in time with you, Josh's fingers come to your clit and gently play with it. You clench around him as you softly call out his name. This feels like a dream.

"Oh baby, mm, feels so good." Josh moans, eyes hardly open as he feels you completely surrender to him. You can't help it, you just feel so good you can't keep from smiling, sighing and moaning as you continue to bounce on his cock. You can hear just how soaked you are. The sounds of your bodies together makes you melt.

Josh's fingertips press into your hips, his hands helping to move you even faster and harder. "Oh baby, oh i- I'm gonna cum-" "Me too, lover. Cum with me-" "I want you to cum in me, please baby," you beg. "Anything, anything for you." Josh smiles as his hips collide with yours.

He pulls you into a kiss as he slams up inside of you, your thighs quivering as you cum hard around him. Josh's arms holding your waist tightly, your name rolling off of his lips so tenderly you feel your heart skip. Your moans and whimpers against his neck as he cums deep inside of you, his breath fanning your cheek as he presses deep and still into you.

You roll off of him and onto the grass beneath, cool and welcoming to your exhausted body. You both search for breath, hand in hand as you take in the flowers and trees that hang around you. "Wow." Josh sighs. "Yeah," you exhale with a smile. Josh turns to look at you, you grin back, "I think you're a goddess." He whispers, making you giggle and blush in a way only he can. "I just can't get enough of you." You confess. His hand caresses your cheek, "I don’t think I ever will."

[theolivetree123]

◇ Yuuki's Intro ◇

More info below!

◇ Basic Info ◇

Age: 18 years old

Height: 170cm

Birthday: June 4th

Sexuality: Demiromantic, Asexual, Pansexual, Non-Binary

Nicknames: YuYu (Yumei and Hana), Henchman (Grim), Shrimpy (Floyd)

Dominant Hand: Left

Dorm: Ramshackle

Grade: 1st Year

Favorite Food: Ramen

Least Favorite Food: Toast

Likes: Video games, silence, cats, the smell of pastries, knives

Dislikes: Darkness, being alone, sudden loud noises, knives

Best Subject: N/A

Club: Art Club

Hobbies: Drawing, painting, playing video games

Homeland: Japan in the mid-2000s

Family: unnamed mother, father, sister and brother

◇ Before NRC ◇

Warning for mention of attempted suicide and bullying !!

Yuuki had no friends in her old school. There, they would be either ignored or harassed by their classmates due to their odd interests, leading to Yuuki becoming shy and reserved. It didn't help that Yuuki couldn't find comfort in her family, either, as their mother would excuse Yuuki's bullying to just be “their way of thinking” and tell them to ignore them, their siblings would call Yuuki “weird” and even “crazy” due to their liking of knives and horror media, and their dad was almost never home, always working long shifts.

All of this stress over years upon years finally pushed Yuuki over the edge, and on one cold, December night, Yuuki attempted to end their life. After stealing a knife from the kitchen, Yuuki made their way to the middle of the woods, not wanting anyone to see them as they took their life. As they stabbed themselves in the stomach, a black carriage sped towards them, and Yuuki fell unconscious.

The next thing they knew, they fell out of a coffin, feeling strangely fine. No stab wound or anything. Yuuki quickly fled the room, panicking about where they were. And as they fled the building, they looked up at the campus before them.

“Where the hell am I?!?”

◇ Relationships ◇

Grim & Ramshackle Ghosts: Yuuki and the residents of Ramshackle's relationship are very similar to how it is in twst canon, though Yuuki is still a bit frightened by the ghosts. Grim often has to rope Yuuki in with him when he wants to do something, as Yuuki is extremely cautious about almost everything.

Hana: As (technically) vice housewarden of Ramshackle, Yuuki respects Hana and treats her well. Yuuki sees Hana as somewhat of a mother figure, as Hana is older and wiser than them and tends to keep Grim and Yumei out of trouble.

Yumei: Yuuki doesn't like Yumei that much, as she's very outgoing and bubbly. Though Yumei tries to get along with Yuuki, sometimes they just don't click. However, Yuuki still appreciates Yumei and sees her as a sister.

Ace & Deuce: Yuuki appreciates Ace and Deuce due to them being able to push Yuuki out of their comfort zone and being their first friends. Though, Yuuki sometimes feels like a third wheel, always taking a backseat while Ace and Deuce bicker.

Idia: Being the one who supplies and plays video games with Yuuki, Idia is one of Yuuki's best friends. They always get along, even having sleepovers sometimes specifically to play video games. Yuuki feels seen when talking to Idia, as they were mocked for liking video games and anime.

Vil: As one of the people to help him overcome his overblot, Yuuki is quite dear to Vil. Even though they don't have much in common, the two still talk and hang out sometimes. Yuuki still feels somewhat strange about Vil being friends with them since he's such a popular figure, but Vill assures Yuuki that they can still be friends no matter how popular he is. While Yuuki only sees a friendship, Vil seems to want something more. Though Vil acts casual around Yuuki, he still has a tiny crush on them.

◇ Relationship Charts ◇

With some of my mutual's OCs !

◇ Gallery ◇

◇ Miscellaneous Facts ◇

Yuuki has Autism and ADHD

Yuuki doesn't like being around knives

When Yuuki feels sad, they sometimes paint on the walls of Ramshackle

Yuuki covers up their self-harm scars regularly. Only Grim and the Ramshackle ghosts have seen them

[matt0044]

This is something I've often experienced with other shows be they stuff I have it bad for or stuff that I acknowledge is good but isn't for me. It's gotten to the point where when I see something getting dunked yet see that it's a fairly thriving series or even a full-on franchise, I start to scrutinize the scrutiny.

Especially when a lot of the popular talking points are either memes or passed around so often, they may as well be meme.

A while back, Netflix's 13 Reasons Why was bandied about Tumblr and YouTube as this most offensive thing for it's portrayal of suicide. I was aware of how this wasn't the sort of subject to take lightly lest I be eating my foot for a full course meal. As such, I took the outrage's word for it and steered clear.

I did start to get curious with a lot of specific scenes from Season 1 being passed around for the afformentioned dunking. Such as Hannah calling Clay a nerd for referencing Star Wars only for said post to show how much The Force Awakens grossed.

Said curiosity grew when I saw many video essays tackling 13 Reasons Why. Most were negative but what I footage saw didn't seem bad. Some of it was pretty... nice actually. But still, this was the show that gave suicide and poor mental health a bad name with how the female lead took her own life seemingly out of revenge.

So... I stayed away. That is, until I saw a billboard for Season 2 in NYC. Now this got me seeing that this show had a legit audience. Not just hatewatchers but those invested in the story of Hannah Baker and Clay Jensen. That's when I decided to add it to my watch list.

At best, it would be bad but maybe a fascinating kind of bad. The kind that RiffTrax would sink their teeth into. At worst, it would be a bore and I'd turn the other way. Then I started to watch it.

Twenty Six episodes later... I loved it. I felt that it... spoke to me emotionally on how life can be so messed up. I loved how no character was totally good or bad. How even Number 12 on the tapes had his depths despite being, well, the worst really.

When Hannah reached the end of her rope, I found myself begging her to not do what I knew she'd do. When Tyler Down tried to take matters into his own hands, I wished I could be there to talk him down. It takes a very special kind of story to invoke that kind of visceral dread.

Now if you've heard me out, how it relates to RWBY is that a lot of the dismissal and derision relies on a specific kind of media illiteracy: the active lack of curiosity.

Rather than be curious about people pitching a fit about "X show" and seeing for themselves what all the hubbub is about, they just stay away. They go with the crowd essentially.

And why wouldn't they? It's like how school bullies get away with picking on their victims even in front of others. Anyone else who doesn't want to play hero would keep their head down and not even be associated with the targeted kid.

I mean, we've got clickbait titles called "We Watch 'X' So You Don't Have To." That is literally ripping off the Nostalgia Critic AKA baby's first Angry Geek. It's not that looking into a show so you'd know if it's worth your time or not is bad. It's when it's from second hand sources like very leading Video Essays.

So many act autoritative and present themselves with the kind of confidence we so wish we had in ourselves. We trust that they're editing isn't being coy and that their assessment is legitimate or, if more emotionally, honest at the very least.

But what about the show itself? Why not find any clips online that highlight certain moments? Why not at least view some of the trailers? Why not go onto subreddits or Socials to ask, "Hey, why do some many seem to like this show?"

Because between James Somerton and Lily Orchard, it's become abundantly clear that there are many who are willing to abuse this this trust. And they are not isolated incidents. Even those who maybe are just giving their opinion may be twisting facts to suit their narrative. They also may be not.

But you won't know unless we let ourselves be curious. Is the show trash? Or is it just another punching bag for YouTubers to hit so money will fall out if they make a hard enough blow?

Is the show truly offensive? Or did it mishandled pre-warning those of its subject content?

Is the show bad... or just not for you?

Be curious. Find the answers for yourself. Nobody is ever immune from mob mentality.

@tumblingxelian @citadelofmythoughts @galaxy98

it is wild to me that the word of mouth on RWB/Y being 'bad' is like, secondhand

almost every time it's someone saying they've never watched the show but they got their opinion from a youtuber or reddit

the casual admittance that they outsource their thinking to other people, who they don't know, and they can't know are telling the truth, because they refuse to engage with the source material, and then proceed to go about their lives on pure confirmation bias, everyone who validates that opinion (regardless of whether they actually watched the show or are also regurgitating someone else's opinion as fact) is truthful and anyone who disagrees and says that the show is good, actually, is dismissed as either being a liar or stupid (because it's definitely smart and mature to make a mass value judgment on people you don't know, about a topic you know very little about)

and that's the thing, when you've got one group of people saying a piece of media is bad and the worst thing ever, and you've got another group who are saying it's good and fun, then a) it's clear there's some level of subjectivity involved here, which means the "objectively bad" claims you've been consuming should have immediate doubt cast on them (though really if anyone says anything is 'objectively bad' then they're conflating their opinion as fact and that's a red flag) and b) the smart thing to do would be to actually try to consume the media to see what it is that has appealed to people enough to contribute to its enduring popularity, even if it doesn't end up appealing to you, and not dismiss it out of hand

[nightbunnysong]

health and wellness is not related to practicing catholicism and espousing whatever you brainwashed tiktok lunatics designate as "traditional family values" these days you absolute fucking moron. in the current political climate? ijbol get your crypto tradcath propaganda out of my clean girl health and wellness tags

Ciao Bella, everything good? 🌸

I hope so, though your response makes me think there's a bit of confusion going on. But don't worry, I'm here to help clear things up.

You see, I'm Italian, and religion, whether you agree or not, is an integral part of my culture, just like the local folklore which traces its roots to pre-Christian traditions. These practices and beliefs are not just "TikTok trends," they are part of a history that goes back thousands of years and has shaped both Italian society and its very foundation. So, maybe it’s best not to argue with me based solely on TikTok clips, alright?

Now, let’s talk about spirituality and health and wellness. Did you know it’s scientifically proven that spirituality plays a role in physical health? I know, it sounds wild, but studies show that spiritual practices can reduce cortisol levels – the stress hormone that wreaks havoc on your body. This is no conspiracy; it's all about the neuroendocrine system, which regulates how we react to stress. Spirituality, through meditation or prayer, activates the parasympathetic nervous system, the "rest and digest" part of your body, counteracting the "fight or flight" response that cortisol triggers. This leads to lower inflammation, improved immune function, and overall better health.

You might want to dive into the neurochemistry behind it: Research on biofeedback and mindfulness shows changes in brain activity that promote a calm state, reduce anxiety, and boost resilience. The vagus nerve, which plays a key role in controlling your heart rate and digestion, is also activated in these practices, promoting a sense of well-being. And don’t even get me started on the detailed anatomical impact, our body reacts to the calming effects of spirituality like it reacts to exercise, with measurable, beneficial outcomes.

But hey, maybe that’s just too "traditional" for you to appreciate, huh?

In any case, I’ll keep my wellness journey rooted in real science, you can keep scrolling TikTok for whatever feels right.

🌸PS: Luckily, where I'm from, we’re still holding on to the “madness” of spiritual connection, traditional family values, and cultural heritage that some other places seem to have forgotten, or let TikTok brainwash them. Here, people aren't glued to their phones all day; they spend time with family, go on mountain picnics, cultivate the land, make wine, protect the local wildlife and flora, and cherish our language, folklore, and liturgy. We live in the real world, and on my blog, I only share the results of that, no filter, no gimmicks. It’s just life as it’s meant to be lived.

Bacioni 😘

[anarkhebringer]

Fucking retconning Arkhe's lore to refit it where his parents aren't actually his parents in this AU, but actually his older siblings that stole him and his twin older siblings away from the Temple to try and raise them away from Bhaal's influence, since they themselves didn't succumb, only for the twins to kill them to garner Bhaal's favor. This leads Arkhe to kill them in retaliation without finding out this was their drive, and swear himself to Bhaal to gather the power to take revenge against who or whatever ruined his life.

All without knowing it was Bhaal's doing all along, an elaborate trap to get him exactly where he was wanted, his power on the rise to eventually take the role of Chosen before Orin ursurped him.

[asyipyip]

hold on everyone shut up im getting super emotional about jonathan sims