#BUT from what I can see there's like three videos

[fushitoru]

ranking types of hugs he'd be comfortable with another guy giving his gf! a gojo satoru fic/drabble

cw: gojo x reader, established relationship, fluff LOLLL, gojo being a pathetic loser for his gf, use of baby, babe, reader referred to as gf and wears makeup, gojo being jealous, crack, based off this (instagram link)

"Ranking types of hugs I'd be comfortable with another guy giving my girlfriend." Satoru squints at the scene, reading out the caption on the TikTok as he watches the guy on the screen, long ass spider legs laid out on the couch while waiting for you to get ready. Curiously, he clicks on the filter without fully watching the video and starts filming to generate the different types of hugs.

"A back hug." The curious smile on his face slowly fades away as a grimace takes place as he gains the thousand yard stare. "Nine. Okay, not at a good start so far—"

He groans, face scrunching in pain as he exhales out at what he sees on the screen: slow dance hug. Then, he imagines you, a man's hand on your waist and you smiling just like those stupid fucking drawings at someone who's not him—"Ten. Oh my fucking god."

Clutching the lower half of his face, he looks concentrated as he waits for the shuffler to give him some less painful option, groaning in pain once again, looking back at the scene, and then groaning again. "One armed hug," he strains out, blindly reaching for the lowest number he could rank it as.

The filter shuffles yet again, and he's almost in tears, groaning immediately on instinct but then doubling back at his screen. "Polite hug." He contemplates it. "Okay, a two, not so bad, not so—"

A pause. "A classic hug." He stares at the screen like it just betrayed him, until he decides it's not so bad. Reluctantly, he ranks it at three.

Then, he waits for the filter to give him another painful vision, and it delivers. "A slow catcher hug—oh my godddd." Satoru is shaking his head, eyes teary as he groans loudly at the though of you jumping up to another man, wrapping your legs around his waist and pulling him in for a hug. If someone was listening to him, it would seem like he was dying with the way he was covering his mouth, shaking his head, and exclaiming "what the fuck"'s as he stared at his phone screen in sheer shock.

Unfortunately for you, you were within earshot, blending in your blush and doing finishing touches as you heard Satoru's shrieks coming in from the living room. He seemed to be on the edge of tears, and worriedly, you set down your brush and rushed to where his sobs were coming from.

And there he was: in fetal position, phone on the floor as he shook his head as if in shock. "Baby," you hurried to him, grabbing his face so you could figure out what was making him so distressed.

He didn't seem to be injured as he meets your eyes, upset. "I can't do this bruh," he laments while turning to be on his back and rubbing his eyes. You just look at him confused.

"Do what?"

He turns, and pauses. Scans you in your champagne dress for the fancy place he was taking you and the way you did your makeup so sultry. It's just for him, but after the events of that Tiktok—that's now stopped filming—all he feels is petty jealousy because other guys can see you like this.

Out of nowhere, he declares, "I can fight."

You blink. "What?"

"I can fight," he repeats, nodding emphatically as if trying to convince himself. Then, after a beat: "Why do I have such a pretty girlfriend?" He groans again, throwing his arm over his eyes. "Baby, why do you look so good right now?"

While he does this, you inspect him for any signs of injuries or things that could've caused him this much distress. Finding none and used to his theatrics, you sigh and pat his cheek. "I’m going to finish getting ready," you say, deciding he’s not in mortal peril after all.

As you return to your vanity, Satoru calls after you, still sulking. "Just so you know, I ranked the polite hug at two. Because I love you. And I can fight."

"Good to know, Satoru."

a/n lowk spiderman!gojo coded. i love writing fluff i would lowk want to write this for nanami i feel like he would slowly grow more and more jealous LMAOAO

[astralis-ortus]

guess i missed you too much

✱ boyfriend!bc x fem!reader

— that's what being in love does to you.

w.count → 1.2k genre → fluff warning → reader referred to as baby and my love, 2 (two) chatroom screenshots a.n → based on this request! ngl i was like '!!!' as soon as i read the request bc i can just imagine how it would go i'm—ㅠㅠㅠ also, i have an announcement here about requests, commissions, and fanart shop—i would really appreciate it if you'd check it and help a girl out♡ ⋆ see masterlist

to put it simply, chan is dumbfounded.

he's pretty sure he had mentioned to both han and changbin that you're coming here, to seoul, in a exactly week and chan needs to have all the urgent project revisions to be done prior to your arrival. he's absolutely sure the two promised they will only be gone for a little while to get some coffee to wake them up, and chan is now certain that the two are definitely not only heading out to grab those goddamn coffee.

"if you two aren't back here in 5, just know this is your one and only warning," chan muttered through gritted teeth, trying his best not to sound too pissed before sending the voicenote in their '3racha only' groupchat.

it's not that chan didn't understand—he knows he's been pushing both changbin and han more than he usually does, and chan is very much aware that the duo are bound to be a bit more rebellious than usual once they reach their point of exhaustion, but he really is looking forward to the time he's about to spend with you, and he's not about to let anything come and ruin that.

it's been a while since you've last spent a considerable amount of time together with chan. sure, there are stolen dates here and there whenever a holiday would match up and you could take some time off to visit chan's version of paradise (which is unironically everywhere within the bounds of japan) together, but those visits always ends as quickly as it starts and left the two of you with a longer list of regrets by the time you had to let your hands slip away from chan' warmth.

so this time, when you finally were able put your responsibilities on rest for two whole weeks, it didn't take much of a convincing for either you or chan to finalize the dates when you would finally be able to be within each other's reach. chan even went the extra mile to immediately book your flight coming in, though you had to basically threaten him with no video calls for a week if he went through with his other plans to spoil you rotten.

well, you could only hope that chan won't pull any uno reverse card on you once this plan came to an end.

a bell sound from his phone quickly distracts chan from the lines of lyrics he's trying to edit—an action he came to regret when the notification in view were merely a singular line of emojis sent by changbin, consisting of the same teasing faces and a pink ribbon both changbin and han been sending chan for days now on end.

"oh, he's done," chan groaned, head tilted back in annoyance as he threw his poor beanie back at the sofa where changbin was supposed to be seated right now. to be frank, chan didn't understand what changbin has been implying with the string of emojis at all. presumably changbin and han had seen the way chan saved your kakao talk profile—hence the pink ribbon, but why now? exactly when chan's the most sensitive of the topic? the fact that chan couldn't contact you drives him even crazier—you had told him you haven't been feeling well and you'd text him again once you feel better, but that was like, what, an eternity ago? chan didn't want the risk of waking you up either especially with your trip coming up, so…

he's basically helpless.

another set of annoyed groan became chan's initial response when his phone came alive with a new notification. reluctantly grabbing the device, chan was mentally prepared for a text bubble sent by the youngest of the three, containing of the same string of emojis changbin had just sent—only for his heart to jump out of his chest when he saw the pink ribbon next to your name.

before chan could type another reply, his attention were robbed by the knocks on his studio door—which is a little weird considering neither han or changbin would bother, and the fact that it's nearly midnight meant that almost no one that chan knows of should be looking for him around this time of night.

"manager hyung?" chan cautiously called out, instinctively grabbing his discarded beanie before he went to reach for the door. "did you leave something? or are you—"

the words on chan's tongue dissipates soon after the door swung open—but even with the way his eyes just doubled in size, chan still couldn't believe what he's currently seeing right in front of him now.

"hi, my channie," you finally spoke, a wide grin decorating your lightly flushed face from all the adrenaline you've been feeling; and only then, chan seems to wake up from his trance.

"wha—baby?" chan could hear how voice had skipped an octave higher, but he couldn't care less—did he fell asleep? is this a dream? chan had to pinch himself before he even pulled you in his arms, tightly wrapping the giggling mess that you are in his warmth. "you're actually here? wasn't your flight next week? did i got the dates wrong? how—"

"whoa whoa, calm down there, racer," you quickly stopped your boyfriend's wild train of questions, still with your smile plastered across the span of your face—your plan is a massive success.

"it was supposed to be next week," you confirmed, eyes still taking in chan's perplexed face while your brain etched the memory in its hall of fame, "but i miss my boyfriend too much to wait another week, so… i asked for bin and jisung's help to change my plane ticket!"

suddenly, everything that's been happening to chan in the past week just clicked—the time he caught changbin and han meddling with his laptop, the nervous chuckles, the way they become way to secretive with their phones, the phone calls, and those lines of goddamn emojis. it all finally makes sense.

"is that so?" chan shook his head despite the clear view of his dimpled smile, arms tightening around your waist, "so you three little naughty being has been cooking up plans behind my back, that's what you're saying?"

the sound of your sweet laugh fills chan with an overwhelming sense of warmth— you might spend the majority of your year apart from each other, but for chan, it's moment like this that makes all the dark nights of longing seem worth to be worth his patience.

after all, you're everthing chan ever wanted in his life.

"my my," clicking his tongue in faux disappointment, chan gently fixed the strands of hair falling over your eyes—ones ever so tender whenever you fixed your gaze on him, "what am i gonna do with you, hm? you naughty little baby?"

"not sure," you cheekily replied, lightly scrunching your nose the way chan usually does. you're just happy that you're finally in chan's arms again, to hell with any of the 'repercussions' chan might be building in his head for your little misdemeanor.

"but can you kiss me first?" you continued, trying your best to stay nonchalant despite the sudden spike of your heartbeat due to your own silly attempt at being witty and chan's surprised laugh, "i think i need my boyfriend's kiss so i could face my punishments later."

frankly, chan's head is still plagued with tons after tons of questions of your little successful stunt—he can't help it, you're someone he love and cares about after all,

but who is he to deny your sweet little plea?

©️ astralisortus, 2024. | likes and reblogs are highly appreciated♡

[starsjulia]

labour // leah williamson

a/n : i giggled a lot writing this.

warnings : none really, set in a hospital, reader being gobby

Leah was ready for anything. At least, that’s what she’d been telling herself for nine months. She’d read books, watched videos, and even gone to a birthing class where she’d accidentally fainted during the “miracle of life” video. But now, with you gripping her hand like you were trying to crush her metacarpals, she realized nothing could have prepared her for this.

“You’re doing amazing,” Leah said softly, her thumb brushing over the back of your hand.

“shut the fuck up you evil woman,” you growled, your head snapping toward her with the intensity of a woman possessed. “one more bloody ‘you’re doing amazing, and i’m going loose it”

Leah blinked. “Alright, cool, cool, cool. I’ll just… stop talking.”

“Good idea,” you hissed, then immediately let out a pained groan that shook the room.

The midwife, a chipper woman who apparently didn’t fear death, tried to help. “Let’s focus on breathing—”

“Don’t you start with the breathing! I AM BREATHING, AREN’T I?!”

Leah glanced at the midwife apologetically. “She’s normally lovely. I promise.”

“Don’t you dare apologize for me!” you barked. “You did this to me, you fucking cunt! You and your stupid, sexy smile!”

Leah couldn’t help but smirk. “You think my smile is sexy?”

“NOT THE TIME”

An hour later, you were in what the midwife called “active labor” and what you called “the seventh circle of hell.” Leah, to her credit, was trying to keep it together, but you weren’t making it easy.

“How about I go stand up front with the midwife?” she suggested, trying to be helpful. “You know, cheer you on from the sidelines—”

“ABSO-FUCKING-LUTELY NOT!” you yelled, grabbing her wrist then smacking her arm with surprising strength for someone in so much pain. “YOU ARE STAYING BACK HERE, WITH YOURE WIFE. I can feel my fanny ripping in half, ain’t no way in hell your seeing that”

Leah blinked, torn between amusement and terror. “Babe, that’s not—”

“NOT TAKING ANY BLOODY CHANCES!”

“Alright,” Leah muttered, holding her hands up. “I’ll just stay here then.”

“Good,” you snapped. Then, as another contraction hit, you added, “But you’re still not getting sex for a year. Minimum.”

Leah gasped in mock horror. “A YEAR?!”

“Maybe two! Depends on how long it takes me to forget THIS,” you shouted, gesturing wildly to your entire body before screaming in agony once again.

“Didn’t you say earlier that you’d forget everything once you saw the baby’s face?” Leah asked you.

You leveled her with a glare so sharp it could’ve sliced through steel. “FORGET WHAT I SAID EARLIER! one more word from you woman and i’m getting a divorce.”

By hour nine, the room had descended into chaos. You cussing out at everyone in sight, including the poor anesthesiologist who had tried to offer you an epidural.

“I don’t care if it’s late in the game!” you shouted. “Stick the bloody needle in my spine, you fucking COWARD!”

The anesthesiologist froze.

Leah quickly intervened. “She doesn’t mean that.”

“I MEAN EVERY WORD!”

“She’s in pain,” Leah added, patting his arm. “She called me a ‘stupid, gorgeous twat’ earlier. It’s just how she expresses love.”

The anesthesiologist looked unconvinced but did as you asked, and for the first time in hours, you seemed to relax.

“Thank God,” you muttered, leaning back against the pillows. Then, turning to Leah, you added, “Don’t get comfortable. I’m still mad at you.”

Finally, after what felt like an eternity, the midwife smiled. “Alright, one more big push!”

“One more?” you snarled. “THAT’S WHAT YOU SAID THREE PUSHES AGO, JANET!”

“Her name is Emma,” Leah whispered.

“I DON’T CARE WHAT HER NAME IS!”

Leah bit her lip to keep from laughing.

“Alright,” the midwife—Emma—said patiently. “Let’s do this together. Big push!”

With a guttural scream that would’ve put banshees to shame, you gave one last push, and suddenly, the room was filled with the sound of a baby’s cry.

“She’s here!” Leah exclaimed, tears streaming down her face as the midwife placed the tiny, squirming bundle on your chest.

You stared down at your daughter, your entire world shifting in an instant. “Oh my God,” you whispered, tears pricking your eyes. “She’s perfect.”

“She is,” Leah agreed, leaning down to kiss your forehead.

“She’s also loud,” you added. “Definitely gets that from you.”

“Oi!” Leah protested, but her grin gave her away.

Later, as your daughter nursed contentedly, you looked at her with a soft smile. “You know,” you said, stroking her tiny hand, “your muma is going to be so jealous. You’ve stolen her favorite spot.”

Leah gasped, clutching her chest dramatically. “Innocent ears! Did you just tell our newborn daughter about—”

“Yes,” you interrupted. “And she’s got a right to know.”

Leah shook her head, feigning devastation. “I can’t believe you’d corrupt her like this. On her first day. What kind of example are you setting?”

From the corner of the room, Leah’s mum, who had been quietly observing the whole thing, finally spoke up.

“Right, well,” she said, smirking, “this has been the most entertaining day of my life.”

You groaned, burying your face in your free hand. “Oh, God. You’re still here.”

“Still here,” her mum confirmed, grinning. “And I can’t wait to tell this story at Christmas.”

Leah burst into laughter while you muttered something about filing for divorce.

That night, as you lay in bed with your daughter snuggled between you and Leah, you sighed.

“I guess I forgive you,” you murmured.

“For what?” Leah asked, her voice soft.

“For putting me through hell today.”

Leah grinned, brushing a strand of hair from your face. “Does this mean the sex ban is off?”

You shot her a look. “Don’t push your luck, Williamson.”

[ylangelegy]

After MAMA awards I'M VERY PROUD OF MY BOYS and seeing Woozi crying, nooooo my mannnnn

So can I request Woozi or anyone after awards, all members celebrating with their partners hehe LOVE YOUUU!!!

PLEASE PLEASE ����🛐

🍑 i will really live the rest of my life repaying you.

you don't see seungcheol until the next day. such is the life of the general leader, it seems— the never-ending heralding, the non-stop worrying. he deals with his boys, first, then the fans, then the staff. but once that's all done, he's at your front door, collapsing into your arms before he's even past through the entryway. it doesn't matter how many awards its been. he is still overwhelmed by it every single time, and you are a soft place to land. he comes home to you and whispers the sweetest nothings in your hair. i'm so proud of them and they did so well and they're so happy. as he holds you tight— like you're the only thing keeping him upright— it's your turn to let him hear those words. i'm so proud of you. you did so well. you get to be happy, too.

the jeonghan on the other end of the video call has been quiet for the most part of the past half-hour. you'd be more worried if you hadn't already predicted where his solemness was coming from. "hannie? still with me?" you prompt gently, and he finally tears his gaze away from the ceiling to look back at you. "yeah. yeah, i'm with you," he answers. a beat. there are some things you no longer have to say out loud. how he wishes he was there. how he misses them and tries not to let it show. instead, you give him a reminder that's quiet and firm. "this is yours, too," you say. this award. this moment. these boys. all still his. there's a ghost of a smile on his face as he mumbles, "right. of course. how could i forget."

joshua likes keeping lists. a running one he has with you is that of gratitude, where the two of you try to end each day with acknowledgements of what you're grateful for. you're expecting a whole essay for him after tonight. he surprises you by keeping it short, sweet, and straight to the point. in no particular order, he types out into your shared note. music, the boys, you. hours later, he adds a footnote like it'd occurred to him as an afterthought: i'm always grateful for those three, but especially so today.

"look at them!" jun shrieks. his video call pixelates, either from spotty connection or his sudden burst of enthusiasm. you have half a mind to warn him that he may get a noise complaint again, but this time it'd be completely warranted. he's positively vibrating with excitement, his eyes glued to the livestream of his twelve brothers ascending the stage for their second award of the night. "look at them," he repeats, and this time his voice is more reverent than anything. you could comply, could do as he's asking, but your eyes are trained elsewhere. and look at you, too, you want to say. look at you and all that you've done to get this far.

even though it's been an exceptionally long day, soonyoung comes home brimming with adrenaline. he does dance routines in your living room. he jogs around your block until you beg him to just come back. he sings in the shower before collapsing onto the bed next to you, where he suddenly becomes boneless. the glow of pride stays even as the exhaustion hits. he pulls you against him and cuddles right into you. to soonyoung, this is as good as any trophy: the peace that comes with falling asleep next to you.

wonwoo has no destination in mind. he has a car with a full tank, and a playlist of all his favorite songs, and you in the passenger seat. that's more than enough. you pass through tunnels with warm lighting; expressways where he keeps the windows down so the wind will whip at your hair. occasionally, you'll stop to grab a snack or take a photo of something interesting on the side of the street. after hours of just going in circles, he'll ask, "should we keep driving?" even though he knows you'd never deny him this. this. his little celebration in the form of getting 'lost' with you.

nobody hears from jihoon for the next couple of days. the managers are worried, but the boys all just shake their heads and say that he's in good hands. which means: he's wherever you are. the two of you don't talk about his speech, about his public breakdown, because both things make him want to hide forever. instead— he sleeps in. he watches movies from months ago that he promised he'd get to. the two of you go on walks at night, and have breakfast at lunch time. the vicious cycle will soon have to begin again. jihoon knows that. but for a few, precious moments, his heart is not a heavy burden because it's safe and sound in your capable hands.

seokmin takes you on the textbook definition of your perfect date. a shopping spree? here's his black card. an amusement park? he'll rent out lotte world for the day, if he must. you're understandably baffled. he's the one who just won big, and yet you're the one being treated like royalty. try to resist and he'll only push back on you. seokmin already spoils you enough as is, but this is just a little more over-the-top than the day-to-day stuff. at the end of it all, his rationale is as sweet as it gets. "you keep me going," he tells you. "and so you deserve just as much credit as i do."

mingyu has always liked to celebrate with a meal. you'd expected his usual fare of some swanky restaurant or high-end café, but, this time, he asks for only free reign of your kitchen. he props his phone up against the salt shaker and pulls up a youtube video before flashing you his best 'just-trust-me' grin. your trust is not misplaced; the two of you do manage to bake the celebratory cake, though whether it's any good is an entirely different story. the end result doesn't matter as much as the process. mingyu is happiest about the flour marks on your cheeks, about the kisses he steals while you whisk eggs. it's not a birthday cake, but you light up a candle for him anyway. just for the hell of it. "make a wish," you tease. he's looking straight at you as he blows at the flame.

minghao asks for a beach day. the two of you set out for the nearest one. maybe the sand is a bit rocky; the shore, lacking in shells. he doesn't care. he only seeks out the sun beating on his back, the saltwater clinging to his skin, the first punch of air after emerging from the water. as the stolen weekend winds to a close, the two of you sit at the point where the water lap at your toes. neither of you have to speak. here, minghao lets the tide wash away the ache of homesickness. here, minghao redefines 'home' as a future with the boys of his youth, with the music that is as constant as the waves— and with you, of course.

the ferry ride to jeju is about four or so hours long, but seungkwan doesn't mind. there's just something so right about getting on the first vessel that will take him back where he has family waiting with a homecooked meal and a play-by-play of the award show. besides, the ferry means having four hours of uninterrupted leisure time with you. the pair of you literally have nowhere else to be except this boat and this point in time, which seungkwan is a little guilty to be so happy about. he's a glutton for your time and attention, and these ferry rides— these trips home— remind him just how much he likes taking the scenic route.

vernon treats it almost like it's just another day. almost. you're thrown off by his initial nonchalance, by the lack of utter fanfare in the way he asks you out to lunch and the two of you barely discuss the recent accolades. when you prompt him about it, you realize it's not because of arrogance or ignorance. "we're just doing what we always do," he says with an expression of mild confusion. winning?, you almost inquire half-jokingly, but that's only part of it. he elaborates, "we were just ourselves, y'know?"

when chan suggests a rage room, you're understandably confused. the wrath-based activity doesn't seem like the most optimal celebration, but you're not about to cramp his style. the two of you queue the angriest songs known to man before smashing some defunct appliances and throwing empty bottles against a wall. once your time is up, chan looks at you with that familiar spark of fire in his eyes. that dedication you fell in love with, that passion that has always burned bright. "again?" he asks, and you know it's not just the rage room that he's asking for.

[whousestypewriters]

──── ୨ৎ THE BOOK CLUB — GRAYSON HAWTHORNE + READER ‧₊˚

a/n: pt two here we are!!! do i have any idea where this plot is going??? no. but you're along for the ride bitches so enjoy!! also if this is shit its bc im sleep deprived :)

[part one] i'm a fan

"it all happened so fast. everyone was happy... and then something happened... and now... now he's dead!" alya sobs from her spot on the couch.

"did you just spoil the book we're all reading together??" kira shrieks from her position on the mattress.

"i think the bitch actually just spoiled the entire book," pheobe rolls her eyes from underneath her blanket on the mattress next to kira's.

"oh come on you knew something like this was gonna happen!"

"yeah but i wasn't expecting it to be screamed aloud while i'm halfway through," kira says exasperated. "i mean please its not even five thirty yet, we got here an hour ago, how are you already finished?"

"alya, this is why we don't come over anymore," pheobe groans. "none of us were expecting that and now you've spoiled it."

"oh cry about it, i'm moving onto my next book anyway, does anyone want some snacks while i'm in the kitchen?" alya smiles nodding her head when kira requests some food and a bottle of water.

"so we're clearly never having a book club sleepover again guys," you say looking at the camera.

"no we're gonna have another," pheobe says shuffling over into the frame. "alya's just not invited."

────

yn.books

liked by alya.green, maxine.liu.loo, pheobethereader, kirasbooknook, graysonhawthorne and 672, 983 others

yn.books the book girlies unite!! for a sleepover a trip and a readathon (alya will not be invited back) stay tuned for the yt video!

tagged: alya.green, pheobethereader, kirasbooknook

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alya.green I AM OFFENDED

kirasbooknook good

pheobethereader had a lovely time with you girls can't wait to do it again (except for you alya)

alya.green u guys are so mean wtf

user1 im desperate to know why alya's in trouble lmaooo

user2 and im desperate to know why grayson is still in the likes

user3 THE GIRLIES ARE IN TEXAS I SAW THEN TODAY AND ASKED FOR A PHOTO!!!!

user4 they're in texas you say 😏😏

user5 divine rivals crushed me oh my goshhhh

graysonhawthorne divine rivals was a enticing read, thank you for the recommendation.

user6 ok so i died-

user7 OH OH OK SO WTF WHO WAS GONNA TELL ME GRAYSON IS HERE???

maxine.liu.loo the book girlies are together again!!! (invite me next time)

yn.books already done ;)

────

"they're mine," max's voice snips through the quiet of the room. she's staring directly at grayson and clearly referring to the book girls she watches.

"i'm not trying to steal anyone," grayson tries to reassure her.

"you're obsessed with my favorite one! why couldn't you have gone for pheobe or kira?" max huffs, you were her favorite. grayson had no right to become - rightfully - infatuated with you, and no matter how much he tries to deny it everyone can see he likes you. its painfully obvious.

"again i'm not stealing anyone, i've interacted like three times with-"

"grayson! the girl you're obsessed with posted another youtube video," jameson's extremely loud voice cuts through the room and emits a groan from grayson.

"i'm not obsessed with anyone," he says rising from his spot on the couch and picking up ruthless vows, which by the way he definitely went out and bought after he read divine rivals. what? he wanted to know what happened.

"oh my gosh they're in texas!!!" max screeches clearly watching the video. "they're in texas for a red carpet that they've been invited to!" she pauses watching for more conext. "they been invited to ask the people on the red carpet about books! oh my god- XANDER. we have to go to this event oh my gosh please?"

"sure and you can bring grayson along so he can officially join the book club, and meet his new idol," jameson smirks from the doorway

grayson responds by flipping him off.

────

graysonhawthorne

liked by thehawthorneheiress, ticking.time.bomb, yn.books, kirasbooknook and 4, 892, 647 others

graysonhawthorne a nice day out

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user1 i need him religiously

user2 NO BOOK THIS TIME???

user3 oh he is scrumptious isn't he

ticking.time.bomb i saw you obsessing over what photos to choose in case a certain someone saw this gray.....

user4 PLS TELL ME ITS WHO I THINK IT IS

thexanderhawthorne oh it is...

user4 OH MY GODDDD

user5 IN THE LIKES LOOK WHOS IN THE LIKES!!!!!!

user6 they're so into each other

alya.green we gotta catch up and talk about this whole situation buddy boy

user7 ALYA 😭💀

user8 i need him to go to the red carpet so they can meet!!!

────

maybe grayson should go to that red carpet... i mean he was invited. whats the worst that could happen?

𐔌 . ⋮ 🏷️ tags .ᐟ ֹ ₊ ꒱

@arqbella, @midiosaamor, @maybxlle @reminiscentreader, @sweetreveriee

@elysianwayy77 @tornqdowarnings, @catapparently, @zenikswaffleshop, @thelov3lybookworm

[stardustedknuckles]

Lauren Lopez got within six feet of me and just like that, I understood the draw of theater.

[musicforastylesrestaurant]

Skydiving.

word count - 1.4k

The camera then cut to a video of you walking up a grass hill towards a big house, you were wearing a white play suit, your hair tied up in a pony tail as you fiddled with your wedding ring, something that you often did when you were nervous.

You walked up to the house, walking through it and letting your feet lead you outside.

You peered your head around the corner, making eye contact with all of the contestants.

Oti Mabuse,

Tulisa,

Danny Jones,

Dean McCullough,

And Jane Moore.

“Ahh!” Tulisa ran towards you the second she saw you and embraced you in a hug. You recognised all of the people in front of you which you were glad about.

You had met Tulisa a few times over the years, a few times when Harry had performed on the x-factor.

“It’s so nice to see all of you,” you grinned, after Danny Jones brought you in for a hug.

“Can’t believe Harry Styles wife is stood right in front of me,” Dean couldn’t wrap his head around it. “— think you can give him my number when we get out of here?”

You laughed, embracing him.

Danny smiled, before bringing everyone around him into a hug.

“Campmates!”

The sound of helicopters in the air brought you out of the hug, you lifted your head up, linking arms with Dean.

“What is that noise?” He asked, mouth falling agape.

“It’s a helicopter!” You exclaimed, pointing your hand up into the air. “— holy cow!”

Soon enough, six helicopters could be seen.

“Six?” Danny widened his eyes. “Are you having a laugh?”

Jane pointed to one of the helicopters. “It’s Ant and Dec!”

The six camp mates started jumping up and down, you had to admit that you were a little bit excited.

“Six helicopters,” Danny could hardly contain his excitement as he counted all the people around him. “One, two, three, four, five, six!”

It felt like something out of a movie as the double act walked towards the six of you, you gulped.

“Here comes trouble!” Oti gasped.

“Look at you, you all look gorgeous,” Ant grinned and held his hands out.

Dec smiled. “— welcome to Australia!”

“Now take in all that’s around you,” Dec continued, an evil glint to his eye. “— because you won’t be here long.”

You gulped, one foot kicking the heel of your other foot out of nerves.

Was it too late to back out?

You and Dean exchanged a look.

“You all about to take part in a race to become the first leaders of camp,” the shorter host began explaining. “— down there are six helicopters, each for one of you.”

“Oh god,” you eyes widened slightly. “I know where this is going.”

Ant pointed at you all. “Before you take off you might want to grab yourselves a parachute! Because you’ll all be skydiving out of your chopper!”

Danny started pumping his hands up into the air.

“Someone’s excited.”

Danny let out a laugh. “— I don’t know why I just thought I’d celebrate.”

That got you laughing.

“Once you landed, you’ll meet your other celebrities.” Ant continued. “— you will then have to pick a celebrity to partner up with.”

Dec instructed. “The pair who win the race will become the first leaders of camp and that comes with perks.”

“You’ll be sleeping in the comfort of the leaders lodge and will be exempt from the first bush tucker trial.”

Ant then remembered something as he turned to his best friend. “I’ve just realised we’re terrible hosts, we haven’t offered them a welcome drink.”

“I’m fine thanks.” You smiled, making everyone laugh at you.

Just as you said that, a waiter came walking over, holding a tray of drinks in his hand.

“The welcome drinks are not very welcoming,” Dec expressed, “— this is blended bull’s penis and fish eye with vomit fruit garnish.”

Oh god, you were going to be sick.

“The order in which you finish your drinks will be the order in which you jump out of the helicopter, which will then result in the order you pick your partner.”

The six camp mates then walked over to pick up one of the glasses and you made the grave mistake of smelling the contents.

Your never doing that again.

“The race is about to begin,” Ant stated. “Ready…steady…go!”

You placed the vomit fruit up to your mouth and chewed on it as fast as you possible could, your eyes were closed, focusing on anything but the food in your mouth.

You then brought the drink up to your mouth, drinking through the straw, you pulled away and gagged, nothing came up but you were close.

When you looked up, you noticed Danny was almost done and Tulisa was close behind him.

There was no way that you were going to come last.

The straw came back in connection with your mouth and you drank like your life depended on it.

Danny finished his drink first, placing his drink on the table, and Tulisa came third, followed by you in third, Jane in fourth, Dean in fifth and Oti in sixth.

The next think you knew, you were running down the hill towards the helicopters, a man with a parachute waiting for you.

Up, up and away.

As Harry approached the beach area, was when he spotted a few other celebrities stood there.

“Harry!”Melvin exclaimed, running over to give the man a hug. “— long time no see!”

“Hi, how are you?”the singer asked, stepping away from the embrace.

“I’m good,” Melvin smiled. “You?”

Harry nodded his head as he fiddled with his wedding ring. “Yeah, m’good, tired but good.”

The next camp mate approached, it was Colleen Rooney.

So then everyone was there.

GK Barry,

Alan Halsall,

Barry McGuigan,

Colleen Rooney,

And Melvin Odoom.

“So this is it then?” GK asked, looking around at everyone. “— honestly im shitting it, not going to lie to you all.”

Suddenly a ringing sound became known to the celebrities, Harry pursed his lips.

“What’s that?” Colleen asked, hands on her hips.

“Shall we have a look?”

Alan leaned forward and hesitantly pressed the button, Harry stood there, eyebrows furrowed.

The ringing stopped.

“Celebrities…” it was Ant.

“How are you all feeling?”

“M’palms are sweaty.” Harry murmured, wiping them against his shorts.

He was wearing a pair of cream shorts with a white tank top with a matching cream top over the top.

“Well we can help with that because you are about to take part in a race to become the first leaders of camp and they will sleep in the leaders lodge and will be exempt from the first bush ticket trial.”

“However, the race has already began, five of your fellow celebrities will be skydiving down next to you and will be picking one of you to be part of the team.”

That was when Harry realised that one of those contestants would be his wife, and he knew for a fact that his wife was immensely scared of heights.

So scared that on the flight out of here, she was practically in his lap during the take off, he had to hold her down in the seat.

“Once your picked, you will then leave the beach and continue the race.”

You were shitting it.

There was no way that you would be able to jump out of this helicopter.

Oh god.

Oh golly gosh.

The professional skydiver was sat behind you, attached.

You looked out of the window and watched as Danny exited the helicopter and shortly after Tulisa did the same.

Now it was your turn.

“Are you ready?”The skydiver asked, shimmying the two of you closer to the open door.

“I don’t think I can do it.” A start tear fell down your face as you contemplated the idea of skydiving.

And then your mind drifted to Harry.

What would he be saying to you if he was sat next to you.

“Y’got this m’sunshine.”

“M’so proud of you already.”

“Let’s do it.” You took a big intake of breath as you were shuffled even closer.

And when the light turned green you were propelled out of it and flipping through the sky.

A scream ripped through your chest.

But once you had stopped flipping, it was one of the most amazing things you had ever seen.

You were above the ocean, you could see things for miles.

“This is amazing!”you exclaimed, as you fell.

Danny was the first to land and he partnered up with Barry and Tulisa picked Alan.

When you landed, you fell softly but rough on the sand, you were quickly unclipped and you ran forward to pick a partner.

And when you approached, you got the biggest surprise of your life.

“H?”

He grinned up at you sheepishly whilst rubbing the back of his neck.

“Sunshine!”

taglist: @luvr4miya @thurhomish @shanice

[artist-issues]

I think��I don’t know, the context of these three screenshots are kind of wonky.

Midwest Indigo - He’s home and he wants to be there and wants something to be happening, but instead it’s hard to be home. Kind of like how, in freezing cold Ohio after a long bleak winter, the sunshine should probably be a welcome thing—but instead it’s uncomfortably bright. And they’re on a frozen lake—if the sun thaws it out, that’s going to be even more uncomfortable.

Snap Back - He’s in a garage where he’s been alone, pondering the space between losing-progress and a fresh-start (which is what shaving your head looks like) and then he’s not alone anymore—someone is coming into the garage. They’re going to see what he’s done to his hair, and, whether for bad or good, they’re ending that moment he was having, where he pondered it all. The moment is over when the lights come in. Plus, the lights are bright in a way that looks like he’s exposed, like a convict caught in a spotlight or a naughty kid whose hiding spot has been found.

Next Semester - He was losing himself in the music, which is describing a moment—so again, lost in a moment. Then the lights are too bright and they remind him of another time when, lost in a dark moment, headlights brightly illuminated what he was doing. And almost ran him over. And he was kind of welcoming their approach because it meant he could get out of the life he was in, even if that would obviously hurt him. At least in Next Semester, the lights are followed by a voice telling him to get out of that dark moment, get out of harm’s way.

I guess the pattern is:

Miserable Moment Where You’re Stuck Thinking About Where You’ve Been vs. Where You Wanna Be -> Moment is Interrupted by Bright Lights, Which Are Uncomfortable Because They Expose You & Could Kill You -> Ultimately The Lights Are Good Because You Need to Get Out of That Miserable Moment Whether It’s Uncomfortable Or Not, & Lights Can Move You Forward

You can’t kill the Old You til the Old You is exposed. A fresh start doesn’t come from avoiding truth. Once it’s exposed by light, it can also be burned up by light—then, start fresh.

At the show I went to in Raleigh, Torchbearer kind of appeared out of nowhere (in character) and brought his torch to the B-Stage where Tyler had been singing nostalgic songs, and Tyler got into character, looking grim and interrupted and uncomfortable, and then Torchbearer (holding that natural light) gave Tyler the Clancy jacket and he put it on and they went to DEMA to fight.

So. You know. The light seems harsh and unavoidable and uncomfortable in each of these music videos, but I think it’s actually supposed to lead to something good, even if that good is currently seen in a feared and uneasy perspective.

“This is the verdict: Light has come into the world, but people loved darkness instead of light because their deeds were evil. Everyone who does evil hates the light, and will not come into the light for fear that their deeds will be exposed. But whoever lives by the truth comes into the light, so that it may be seen plainly that what they have done has been done in the sight of God.” (John 3:20-21)

After all, what is Blurryface? Insecurity. And insecurity is self-focus. And self-focus loves to over-analyze “Will I ever get this right or will I always fail.” That type of analysis is actually just pride, trying to “get better” in your own power. “Nobody needs to see how messed up I am, they just need to see me fix it.” Insecurity. But the Light exposes everything—how messed up you are, and how you need Help to fix it.

Maybe this is wishful thinking.

But please oh please if the Light is representative of God, I hope it shows Him off the right way.

“I can feel the light shine on my face”

[ka2ki2]

Chrysos Heirs

people who play both hi3 and hsr are WINNING rn

anyway. i've determined likely flamechaser parallels for a majority of the chrysos heirs. most of them do not actually look like their flamechaser counterparts, which makes me think they're not direct expies but merely parallels.

I also sprinkled some minor analysis of what little lore we have on these guys. Amphoreus is massively inspired by greek mythology.

watch this before reading!

Aglaea = Eden (both associated with gold)

Eden owned the Elysian Realm previously, but at that time it was called the Golden Courtyard

Eden is also called the Bearer of the Gold Signet

Aglaea is called the Goldweaver

You're not going to believe this-- Aglaea is named after the Charis called Aglaea.

The mythological Aglaea basically runs errands for Aphrodite, which would explain why HSR Aglaea bears the Coreflame of Romance.

HSR Aglaea is from the city of Okhema. In greek thought (plato I think?), Okhema is an intermediary between the body and the soul. I did as much research as I could and the best I could figure out is "it carries the soul through rebirth". SORRY IF THAT'S WRONG-

HSR Aglaea has the "divine authority of mnestia". After lots of research, I think mnestia can be loosely translated to Remembrance, so perhaps that's the Amphorean way of saying she's a pathstrider of Remembrance?

Aglaea's drip marketing references the myth of Prometheus, where Prometheus stole fire from the gods and returned/gave it to humanity.

Tribbie = Vill-V (multiple 'selves')

Tribbie is called the "three-faced messenger"

We see Tribbie adopt multiple personas in the video. She can even take multiple forms at once

Vill-V has partitioned her personality into 8 different segments

Anaxa = Su (both associated with knowledge/enlightenment)

Anaxa is said to have "enough knowledge to refute faith, and to stir up a torrent capable of slaying gods."

Su is called the Enlightened of Bodhi, Enlightened One, and other similar titles.

These two have lots of physical similarity

Anaxa's namesake has some interesting connections with Nous actually

Hyacine = Griseo (both Asleep)

In the video, when Hyacine is on-screen it says "let the sky become the slumbering cot from which she wakes".

Due to the 8th Honkai Eruption, Griseo fell into a deep sleep.

Could be named after Hyacinthus

Mydei = Kalpas (fire in battle)

In the video, Mydei is seen in a post-battle poise surrounded by fire.

Kalpas is constantly surrounded by fire during battle.

Both characters constantly seek out fighting/strife.

Mydei is likely related to the greek god Deimos

One of the unnamed people has a mask too though, but these guys are too similar in aesthetic and personality

Cipher = Pardofelis (...come on.)

Cat girls.

Same eye and hair color

Castorice = Aponia? (butterfly theming)

Castorice is pictured with butterflies both in the video and in the twitter art. These butterflies look highly similar to the butterfly motif in Aponia's design

Aponia is very strongly associated with butterflies. Her dress is patterned like one and she has butterfly wings in her ult

Both seem to have devastating levels of power

IDK about the greek origins for this one. Castor? Kratos (who is actually a child of the Styx)?

Phainon = Kevin (deliverance)

Yeah they're both related to deliverance. They literally outright said deliverance in the video, and Kevin bears the Deliverance Signet.

Also they look EXACTLY THE SAME

Also both seem to be the 'leader'

In mythology, Phainon is the star of Cronus/Saturn (cuz they thought saturn was a star)

Cyrene = Elysia (...COME ON.)

They look identical and have almost the exact same personality

i have yet to figure out the two unnamed ones, Hysilens, and Cerydra. nor can i find their name origins... the closest i found, after ages of digging, is this for Hysilens

the remaining flame-chasers are Kosma, Sakura, Fu Hua, and Mobius. only one of the unknown people seems to be male ("unknown 2"), so that one's probably Kosma.

And yeah that's the culmination of me losing my mind for the past 6 hours. lucky you, you didn't have to watch me try and fail to decipher what the 12 titans might be connected to. (greek titans, 12 olympians, and HSR aeons all didn't line up easily waaaaaa)

here's the failed attempt to figure out the aeons if anyone else gets ideas from this

OK thanks for reading. normally I post my loredumps in discord servers with my friends. this is my first time posting it anywhere abfiushdliueh

[yslende]

ask and ye shall receive!!! context + fic clipping below

context: both bruce and clark are AFAB in this au. bruce's deadname is antigone, clark's i haven't actually picked yet but whatever! antigone wayne isn't out publicly, clark kent is; batman is batman and kal jor-el is supergirl. woohoo!

(this isn't edited, sorry for grammar or weird plot stuff. i like to think that i write with good grammar, but idk. the stuff in bold is footnotes (yes i do footnotes. fight me) but tumblr doesn't support those. enjoy!! :) )

—

One miasma and crime-coated night, not to say that all days and nights in Gotham aren’t like that, the Bat sees a flying woman. She’s dressed in blue and red with a giant S on her chest, roaming around Gotham, looking for something. Presumably. Batman does a quick search online.

Supergirl, a superpowered alien native to Metropolis, became active around a year and a half ago. She fashions herself a hero, and Metropolis residents certainly aren’t complaining. The Daily Planet has several interviews with her on record, though in every single one the interviewer was Lois Lane. She has a multitude of powers, not limited to invincibility, superstrength, laser vision, and flight. He’s almost jealous.

Of course, he already knew all of that [He keeps tabs on everything that could threaten Gotham—the database already spans 12 terabytes—and a superpowered alien definitely applies. He already has four fully constructed contingency plans with phases, steps, and instructions prepared, but another four couldn’t hurt. [Yes, they could, but that’s to worry about later.]], but why she’s come to Gotham is still a mystery. The Bat plans to find out.

She lands a few roofs away from the Bat’s current stakeout spot, seemingly frustrated, but he knows better. She’s pointedly not looking towards where he’s watching, instead faux-searching the previous row of buildings that she’d already searched. She, quite literally, twiddles her thumbs.

He can’t get out of this, can he. He quickly adds super senses, x-ray vision? to the powers list before standing, silencing the click of his boots to try and stay hidden as long as he can, knowing that it’s a futile effort. To her credit, Supergirl does a good job of pretending to be fooled.

“What do you want,” he intones, standing with shadows draped over him like blankets. Right now, to a normal human, he’d be a pair of white slits where his eyes are. He has no idea what Supergirl sees. 

She pretends to startle. “Dear—Rao, you scared me!” She rubs a hand on the back of her neck, smiling sheepishly, before flying over to stand in front of him.

Her eyes are inhumanly blue, with glowing white irises. They’re enchanting.

“Leave Gotham.” He narrows his eyes.

“Woah there!” she says, holding her hands up, palms out. Is she trying to look less intimidating? Does she think that he’ll think that she’s, what, cramping his I am a terrifying vigilante style? “I just want to talk to you! Can you spare five minutes?”

“No.”

“Three minutes?”

“No.”

“One minute and you consider what I say?”

He considers. “No.”

“Great!” Supergirl looks inordinately pleased with herself and her technicality. She takes a deep breath, one that seems to make a slight rattling purr. “So!”

One excruciating minute later, the Bat has a rudimentary understanding of the superhero club Supergirl’s trying to start and an unwelcome reminder of why he stopped watching most videos on 2x speed. He squints his eyes further.

Supergirl’s stopped floating, holding her hands behind her back and looking cheery. Even standing at his full height with his boots, she’s taller than him.

To be fair, it’s not a completely unsalvageable idea. Having an alliance already set up for world-ending threats with other superpowered people saves the ideological arguments for drawing the contracts up, not when something’s trying to absorb all oxygen from Earth or something similar. [Simply a hypothetical; Ivy doesn’t work at as large of a scale.] Supergirl already has a roster in mind, including him for some reason, but that’s about all that’s been prepared in advance.

There are several flaws with this plan: first, he doesn’t have superpowers. Supergirl had explicitly said “superhero team,” and he fits on none of the counts. Besides that oversight, the logistics weren’t thought out at all. Where would they be operating? What are they planning to do? Who’s taking responsibility for this? How are they going to settle the power structure? Conflicts of interest? The governmental alliances alone deserve an entirely separate discussion, and funding—dear God, funding.

All of it is incredibly idealistic. Did Supergirl come all the way to Gotham to propose a first draft to the Bat of Gotham? That’s an insult, even disregarding the fact that she’d interrupted him on patrol.

“Why now decide to make a team?” As good an opener as any. Supergirl seems to mistake his skepticism as curiosity, looking pleased.

“So, the United Nations contacted me—” she grimaces for a split-second— “and asked if I could be their interplanetary defense person. Basically. And I’m totally not against that!” She holds her hands palms-outward again, bashful. “But I don’t think it’s a job I can do totally on my own. And I felt like it was right to ask, since you’re kinda the first superhero, y’know?”

He did not know that. Some quick mental math reveals—yeah, he was the first. Supergirl made her debut a few months after he did, Wonder Woman revealed Themyscira shortly after, and now it’s a tossup of which superhuman will come out of the woodwork this month. Fuck, and he started it. Shit.

He grunts. She hesitates, before taking it in stride. “What do you think? Questions, comments?”

Plenty, but he doesn’t care to give her the entire roadmap. “Short-sighted. This ‘Justice Party’” —some vicious, clawed airquotes are employed— “will starve to death even with my involvement.” What did she think was going to happen? Her and her tea party sing kumbaya while he duct tapes the entire operation together?

Supergirl winces. “So that’s a no?” She sounds disgustingly hopeful.

He glares at 52% intensity. “No.” 

As her face falls, the Bat fades into the darkness, jumping off the building almost faster than the human eye can see. He doesn't have any data on what Supergirl can and can't see.

As he makes his exit, he hears a faint, frustrated “Goddammit,” alongside a sniffle.

It’s good for her to be disappointed now, Bruce tells himself. The world is disappointing, cruel, and unkind, and it’s best for her to shape up before she actually puts it into motion.

He tells himself that, listening to Supergirl fly off crying.

( @securitycapecreature wanted to be tagged when the fic was posted; i think this counts at least a little)

[laswells-ashtray]

It's me yet again. I need me some slightly tipsy Kate and John in a lighthearted sparring match while her wife and Nik stand off to the side and gossip about their respective partners. (Again, take your time. Don't burn yourself out )

Now, because I can't describe movement for shit. I'm an internal dialogue like the Green Goblin voice or a banter typa muppet this interaction will mostly be between Nik and Laswell's wife. and I'm using my interpretation of her whom I have called Sarah if only because typing out Laswell's wife so many times makes the words stop looking real

"I cannot see this going well in the long run." Sarah Laswell, very proud wife of a certain Kate Laswell. It's not often she sees Kate get tipsy in front of anyone who isn't her, she'll indulge in a drink or two but never to the extent of this. However, it'd be dumb to assume that combining Kate, John and alcohol that Nikolai, bless that man, was paying for would lead them anywhere else.

"And yet you make no move to stop it." Nikolai doesn't bother pretending that he isn't amused, it's deeply humorous to watch two of the most fierce people he knows spar each other.

"Neither do you, don't think I can't see you staring at his ass."

"You haven't stopped looking at your wife's chest since she took off her jacket."

Okay, they're both deviants.

John is in what are probably his nicest jeans, not very suitable to a lot of movement given that they must've been painted onto his arse.

Kate is wearing a dark blue tank top that Sarah bought her absentmindedly last week and for the briefest moment, she considers just dragging Kate to the nearest closet and hoping it's soundproof.

The two move in such fluid ways that it's clear they've sparred together before. Even with a few drinks in both of them, it's the most gracious violence she's ever seen.

When John narrowly avoids Kate's elbow to the face Nikolai does little more than chuckle, he clearly isn't worried about his partner and he enjoys the smug grin on the other man's face.

"Tempted to video this." Sarah mutters, watching them both in awe. Even if her main reason for watching was to shamelessly admire her wife in all her glory, she can't deny how impressive Kate is. She throws a hit with enough force that Sarah almost pities John and she takes an equal hit with such little care. God, if there was to be a walking advertisement for lesbianism it would be Kate Laswell.

"That would involve taking your eyes off of them."

"Nevermind."

Nikolai understands, he truly does. His three favourite Johns are fucked senseless John, John when he's asleep and purring against Nik's chest like a cat and John when he's fighting just for the fun of it. Watching his biceps flex, testing the tight stitching around the sleeve of his t-shirt is a damn near biblical fucking experience.

Maybe the greatest bit of their little sparring match is how happy the two look to be there, throwing hits at each other while simultaneously muttering their banter in a way that neither Nikolai nor Sarah can hear. Carefree for once in their lives, it's no secret that their jobs weigh down on the both of them and to see them in a position so laid back, it's endearing.

"Those the socks Kate bought him for his birthday last year?"

"Да."

"Thought so, I picked them out."

"I assumed so."

"What gave it away?"

"The word cock printed on the soles." Sue her, she thought it was funny and given the expression on Nikolai's face so did he.

She watches John swipe out Kate's legs from under her and feels pride settle in her chest when the other woman immediately pulls the Englishman down with her.

She spares Nikolai a knowing glance, it would appear the both of them are going to be enjoying their nights when they head home.

Kate moves so quickly that Sarah can't help but think of one of their cats back home as she pins John to the mat, their sparring might be lighthearted but she wouldn't make the mistake of thinking Kate would let herself move.

Her muscles are taut as she holds the struggling Englishman in place, her back arched and a downright gleeful smirk on her face. Strands of hair fall into her line of vision, fallen loose from her typical bun and they frame her face in a way that can only be described as angelic. If angels were the single most fuckable woman that Sarah has ever interacted with in her entire fucking life, Jesus Christ.

As much as John is losing, he does so proudly. Who better to lose to than Kate of all people. And Nikolai isn't complaining, John's t-shirt is riding up and he's offered the perfect view of the happy trail he has every intention of running his face over later.

Their little sparring match comes to an end, with both participants walking over to their respective partners before heading to grab their shoes and the jackets that had been dumped carelessly on the floor.

It's only when Nikolai catches the two sharing a look that he realises they've been played. Kate and John are both too smart to start a friendly spar for no reason. And it isn't a coincidence that both Sarah and he are desperate to drag their partners away for the night.

They were putting on a show. Sly bastards.

[leakyspaceblob]

okay so once again, spoilers for arcane s1 and act 1 & 2 of s2

also nsfw theories ahead so you know, you’ve been warned (edit: okay so it’s not really nsfw cause i decided to save most of my theories for my fic)

also this is about to be a long fuckin post cause why tf not [there are many tangents]

so we’re breaking this down into characters / plots this time and i'm doing it fast so we'll see how coherent this ends up

lets start with mel / ambessa / black rose:

okay so we know that the black rose is either in search of or is the powerful child of ambessa, right? so if you combine the knowledge we have so far from s2 and the blood, sweat and tears music video (mv) we know the following:

ambessa fell in love once and had a child (one that the black rose is seemingly afraid of)

ambessa was pregnant on a battle field and was saved by a wolf (kindred? idk lol) however when she's transported[?] it appears to be similar to the pit that mel is transported to. in act 1 we watch a confrontation where amara says "i've come here to settle a debt [...] what you've stolen is more precious than any gold" this is also where we learn that the black rose (possibly) killed mel's brother

episode 6 ambessa lectures cait about her three core principles, she ends this lecture with an importance on sacrifice. in the mv we see young ambessa carrying a golden lamb (a symbol? a "sacrificial lamb"). i also believe the fact that it's gold to be of importance. the lamb is also seen in stone, being held by a child, to which ambessa sheds a tear (possibly because that's the deal she made)

mel's "armor" is gold, and seems to be an instinctual response that is now becoming something she can control? in the council room, you can see a circle of pristine condition within the destruction with jayce's seat at the center (mel saved him with her armor).

now my theory for mel's armor is that it's what the black rose is afraid of, what they gave to ambessa in return for a sacrifice [possibly mel herself]. i think she was born with it, cause you can see in a frame of the mv (towards the end) a gold flash moves across the skin of a fetus and when the fetus's eyes open they're gold

we also see the golden lamb be broken up and put into a "seed"? which could also be a reference to a god's seed for a child to be born and how it is presented to ambessa for her to take. when she graps it, a design appears to move along her skin and she dons the gold armor. after she makes the deal, she's transported back to the battle field with i think a now magical child [aka mel]

we also know that family is everything to ambessa, so she'd probably never give up a child, hence the debt unsettled

another theory is that the other character in gold armor in the mv is mel's father, a god[?] possibly. which would make mel a demi-god and explain her armor / abilities. this would also possibly explain why ambessa survived the warwick attack, after carrying a demi-god child she absorbed some of her abilites?

mel's brother is not the child they were looking for, but mel might be

mel seemingly knows how to escape the pit they put her in, almost instinctively

i do think this plot line won’t be fully completed and will continue in the next show

my theories on victor / ekko / jayce / heimerdinger:

victor isn't truly dead, he's gonna come back as more of a machine, possibly due to singed intervention. some sort of “rapture” shit happens with the followers when he’s brought back

jayce is fuckin out of his mind, who knows what that idealistic fuck up is up to [look, i'm sorry but your boy is essentially jinx but he got bailed out at every opportunity for a lesson and never learned] like i know he’s probably being controlled but seriously bro has fucked up many a times

ekko, my guy, please for the love of fucking everything i hold dear, turn back time and save isha and vander [i doubt vander is gonna get saved by him but i have other theories for him]

time slows at the end of ep6 after the explosion and i think ekko used his power [z-drive?] to turn back time. tbh i don't know much about how his power works so i'm just hoping the boy savior lives up to his name.

the gear[? spigot? idk] that victor carries around is probably the same one from s1 when jayce and victor first figure out how to turn on the arcane and pass the metal piece through the center of the arcane [it gets shinier].

that same gear, victor has kept as a souvenir of his partnership [gayyyyyy] with jayce. and when it rolls at the beginning of ep6 and the end, it acts differently (possibly because different timelines [please ekko])

i think ep7 will be about ekko and heimerdinger, starting off where we left, but with ekko trying to save his old family (including isha please)

heimerdinger, idk man he's gonna help ekko tho cause their dynamic is so good

oh yeah and mr.fuckup is going back to the council

theories on jinx / isha / sevika / vander:

jinx is gonna be seriously depressed guys, it's not gonna be good. i'm hoping ekko will save isha but if not, her will to live is 100% gone now, just after getting it back too. it's gonna be rough to watch. GIVE HER GLASSES BACK

if isha is dead [PLEASE DON'T BE] i think she'll be laid to rest in jinx's hideout. with jinx "burning it all down".

jinx will "use her explosive potential for good" and join the fight. she'll pull an isha and sacrifice herself to save her family [guys i really hope this doesn't happen, i love jinx so much and DO NOT want to see this]

vi and jinx fight together once again, but this time it’s jinx who protects vi [it’d be heartbreaking but what is arcane without it]

sevika, god i just hope we get her being sexy. with that poster? damn. also knowing her, her mechanical arm will probably once again get fucked.

vander is gonna reconstitute after the explosion (meaning isha's sacrifice was in vain which is... painful). he's gonna be captured by singed and ambessa and be turned full warwick, going full destructive mode.

AND FINALLY THE GIRLS WE'VE BEEN WAITING FOR: CAIT AND VI

these lesbians are gonna fuck, just try to tell me they won't. i dare you. i think it'll happen ep8, and it better be good cause they've been practically edging us with caitvi.

okay so i have my own headcannons on how it should go but i'll save those for my fic. for now here's some plot points i hope they touch on:

it starts with the argument where vi says the fuckin ridiculous "she oinked poison in your ear and you just ate it" [side note: who tf wrote that 😂 ]

they start making out aggressively before caitlyn feels the scar on vi's abdomen and steps back (it gets really emotional and she apologizes [AS SHE SHOULD])

cait starts to get all gentle and loving, and while they're switches, cait tops first [fight me, deep down we all know it].

it's vi's first time [we know she's cocky but be for real, she's gonna immediately fold when caitlyn gets close. i mean have y'all seen how uncertain she is when cait gets close enough to kiss her? she never is the one who closes the distance]

caitlyn removes vi's wraps and we get a story behind it? either way please let her take them off all slow and gentle

cait calls vi "violet"

vi: "you even taste like a cupcake" cait: "shut up" [but british]

they both say "i love you"

also (this is in my fic so honorable mention but) i think cait should say to vi “i’m here. i’m right here” cause it’s a line from s1 and i think it’d be really sweet and comforting to vi

bonus: there's kinky shit involved (we all saw them in ep6, cause i mean COME ON), vi gives off "sit on my face" energy, caitlyn 100% should give vi the space to let go / take charge

okay so those are my theories / tangents. if you made it this far, thank you for indulging in my delusions. this shit has been fun and i don't want it to end. i'll be feral over this for awhile and might make some memes (and i'm working on my first ever fanfic [with help so it hopefully won't be absolute shit 😂 ] so i'll let y'all know when that gets posted.

good luck y'all, i got my tissues ready [ya know, just in case]. LESS THAN ONE HOUR LEFT

[merrybloomwrites]

No Pain, No Gain

Summary: You and your costars aren't exactly looking forward to a challenge video all about pain. But when you have the added element of being on your period, your boyfriend Ian becomes extra concerned for you.

Word Count: 1.9K

CW: periods, pain, talk about children/childbirth

AN: I just really love this video! Seriously if you haven't watched this Challenge Pit video, do yourself a favor and click here!

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“Are you sure you're still up for this video today?” 

Sighing, you look at Ian as he asks you once again if you want to drop out of filming this challenge pit video. It’s sweet seeing your boyfriend concerned about your wellbeing, but at the same time, you know your limits. You know that you’ll have no problem making it through this shoot.

He’d been on the fence about you participating in this one since the cast sheet came out. He knows it’s all silly, but he doesn’t want to see you get rubber bands snapped on your leg, or get hit with a loaf of bread. 

And then there’s the period cramp simulator. Likely to be bad enough for everyone involved, but since no one else in this video has a uterus, you’re going to be the only person going through that while actually on your period.

It had started the night before, and as soon as you mentioned that to Ian he offered to find someone else to switch with you. And now twelve hours later you’re still reassuring him that you’ll be fine.

“You’re just scared because you’re all going to look like wimps next to me,” you say.

“Oh, one hundred percent, absolutely,” Ian replies. “But you promise you’re good?”

“I’m good. I promise,” you answer seriously. “Thank you for worrying about me, but I will be okay,” you add before leaning in for a quick kiss. His hand goes to your waist and he pulls you in, deepening the kiss for just a moment before pulling away. 

“Get a room,” you hear, and you’re startled by Spencer who seems to have materialized from thin air. You know he’s joking, but he’s also right. Since you and Ian had started dating two years ago there was always a rule about PDA at work. The rule being, please try not to do that. But you’re only human, and sometimes you just can’t help it. You need to kiss your boyfriend.

“You guys coming? Time for the shoot,” Spencer says.

“Yup, we’re coming,” you reply, and the three of you head over to the correct stage.

“Think you two can behave for the video?” Spencer asks. 

“Do we have to?” Ian says in a fake whiny voice. “I mean, the fans already know, it’s not a secret that we’re together. Why not give ‘em a little action?”

“Ew,” you say with a laugh. “We absolutely will not be ‘giving them a little action’. I’m honestly scared to know what that would mean.”

“Yea, you’re probably right to worry. Spencer, I promise we’ll be on our best behavior.”

By this point you’ve reached the set and have joined Noah and Shayne who are already waiting there. All five of you get mic'd up and go through the rundown once more before you start filming. 

The first challenge begins, all five of you putting rubber bands around your calf and a rubber chicken whistle in your mouth. Not for the first time you take a moment to acknowledge the ridiculousness of your job. 

And then Spencer snaps the band on your leg and you take a deep breath through your nose to ensure you don’t let out any sounds of pain. After a moment you’re marked safe from this first round. 

Shayne is the first one out, followed by Noah, and then Spencer. This leaves you and Ian as the last two. Up until this point, Ian hasn’t been the person to snap the band on your leg.

He bends down to pull it and you brace yourself for what’s to come. But then he stands back up and says, “This feels wrong.”

“Oh my gosh, Ian. It’s fine!” you say.

“I don’t want to hurt you!”

“Well I already did it to you so now you’re gonna make me look bad,” you add with a laugh. It’s rare that Ian shows a softer side so you know the fans will enjoy seeing him in this way. 

“Alright, alright.” Ian leans down and you place the chicken whistle back in your mouth. Part of you thinks that because he’s so hesitant, he’ll go easy on you. But that isn’t the case. 

The second the band snaps on your leg you let out a pained breath, and a loud chicken noise fills the room.

“Sorry, I’m sorry!” Ian immediately says. You start laughing, the moment of pain having quickly passed and now you’re just bummed that you lost the challenge. Seeing that you’re truly fine, Ian celebrates his victory before you all move on to the next challenge.

Once everyone is ready, Shayne intros the next bit, where you’ll all be wearing a period cramp simulator and trying to go about normal daily activities. You’re curious to see if it will actually feel like cramps, and what the boys’ reactions will be.

Spencer goes first, and you joke along with the rest as he stiffly goes through the tasks. After him is Shayne, who really does not handle the experience very well. Third is Ian, the person you’re most excited to see. You burst into laughter when he starts dancing around like he’s being tickled. He does well though, completing the tasks faster than the others. 

That’s when you know you need to one up him. There’s no way he’s allowed to beat you at this challenge. When Noah goes and turns up the intensity a bit you know what you have to do.

It’s finally your turn, and you look to the camera before even switching the machine on and say, “I’m very curious to see if this actually feels like cramps. And I am an excellent judge of that because, TMI, I am currently on my period. So you’re all lucky I’m putting myself through this during the brief window where painkillers are working.” You then turn it on and slowly amp it up to the max while making quips to the camera. 

“Okay, it definitely feels uncomfortable, though not exactly like cramps. A good comparison though. Like, it’ll totally affect me the way cramps do.”

You wince before laughing it off, not noticing the worried look Ian gives you. Throughout the entire time you’re doing the challenge, Ian watches you anxiously for any signs of pain. 

But now you’re determined not to show any. You go through the tasks perfectly, and in the end you’re given the point. Ian may have finished a little faster, but you’d done everything with double the intensity so the guys decide you deserve the win. 

There’s another short break to set up for the last challenge, and Ian once again asks if you’re alright. You reassure him that it’s no big deal, you’re still feeling fine, and that you’re totally going to win the final challenge and he’s going down. A little healthy competition is a key part of your relationship.

Unfortunately, you do not win. This last task is to fill your mouths with water and hit each other with baguettes. If you spit the water out, you lose. 

Everyone gets a couple good whacks in before you break, laughing at the absurdity and quickly losing the game. To your playful chagrin, Ian wins again and therefore, is the champion of this video. Kiana yells cut and you grudgingly congratulate him, pouting just enough to keep him from boasting too much. 

He has another video to shoot next while you head back to your desk to get some work done. After about an hour, the pain medicine from earlier wears off, yet it’s too soon to take any more. Your cramps feel more intense than usual, and you wonder if maybe the simulator had messed with you, either physically or mentally and caused you to feel worse. 

You’re trying to act normal and breathe through the pain, but it’s not working. You don’t want your coworkers to see you in such a state so you grab your laptop and head to Ian’s office. It’s not often that you hide out in here, but every now and then you do use your perks that come with dating the boss. 

He has a nice couch, but you can’t sit still. Nothing is comfortable. Ian finds you kneeling on the couch, essentially in an upright fetal position, and immediately knows what’s going on. 

“What can I do?” is the first thing he asks. Before you can answer he sits behind you and starts rubbing your back, paying more attention to your lower back near your hips. The exact spot where you’re in the most pain. 

Instantly you start to feel better. “Thank you. This is perfect,” you say. 

“I have a new appreciation for what you all go through. That shit sucked,” he states, causing you to laugh. “At least I could turn it off. But just having to live your life when you’re in pain on a regular basis like this must be terrible.”

“Yea, it’s pretty shitty,” you agree. “But it has its perks.”

“Seriously? Like what?”

“Well, like this,” you answer and lean further into his touch. His hands wrap around you and he starts massaging your thighs, another reminder of how attentive he is that he always remembers where your pain radiates to and bothers you the most. 

“I just hate seeing you in pain,” he says.

“I know. But think of this like practice. When we have kids someday you’re gonna see me in quite a bit more pain.” This isn’t the first time the two of you have talked about having kids. Ian had surprised you when he brought it up the first time, but now you can’t stop thinking about it. 

“I will do my very best not to be one of those dads that passes out while you’re in labor,” Ian says, making you laugh again.

“I have full faith in you. Maybe I should keep one of those chicken things and use that while I push. Confuse the shit out of everyone else nearby.” 

“Okay well now we should have a baby just to be able to do that,” Ian says.

“I mean, what other reason could we possibly need?”

“When are you fertile again?”

“Oh my god, Ian! You cannot ask that,” you say, now laughing so hard you’re nearly about to cry. 

“Bet you feel better now though,” he quips. And he’s right. He’s distracted you from the cramps, giving you a few pain free minutes. 

He continues to take care of you, getting you more pain relievers when it’s time and even finding a heating pad from somewhere in the office. Later in the afternoon he manages to track down some of your favorite chocolate, and at home that night he draws you a warm bubble bath. 

When you both get into bed, you ask him to lay on top of you, the deep pressure always making you feel better. It’s something he had questioned when you first got together, since he didn’t want to squish you. But now he does it every time you ask.

You fall asleep comforted by the feeling of Ian surrounding you, content with the knowledge that he’s always there to care for you when you need it most.

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AN: Thanks for reading! If you have any Ian requests please let me know!

[atthedugouts]

Zoo Day

Mickey scrunches up his face at the smells of the zoo. He doesn’t understand why people enjoy coming here. It all smells like shit and wet dog. But once Svetlana heard that the Lincoln Park Zoo was free she declared that Sunday would be a family day with mandatory attendance. Mickey knows at this point that he has to pick his battles wisely with his wife, he’s hoping that if he plays along with this dumb family day then he can leverage it as a way to get out of fixing the front porch that Svetlana has been nagging him about. Ian didn’t need any convincing, right as Svetlana brought up the zoo Ian jumped up to start making the sandwiches they would bring for lunch. Mickey had to stop his boyfriend reminding him that Sunday was three days away.

Sunday had arrived and now Mickey was staring at a monkey taking the longest piss he’s ever seen. The monkey kind of looked like Iggy, he took a video to send to the sibling group chat.

Mickey followed his family as they went from exhibit to exhibit. Ian read aloud all the animal facts to Yevgeny and Svetlana. Yev asked a bunch of stupid questions and Mickey did not understand how Ian had the patiences to answer all of them.

“Can it fly?”

“No buddy, ostriches can’t fly.”

“Why not?”

“Because they use their long legs to run really fast.”

“Why do they have wings?” 

“Uh, to cool themselves when they get hot.”

“Oh,” Yevgeny said, nodding his head.

“You know you could just say you don’t know,” Mickey tells Ian. “The kid ain’t going to be upset if you don’t know every animal fact.”

Ian shrugs his shoulders. “I like seeing him smile.”

When the four of them were eating their PB&Js at a picnic table Mickey witnessed another father with a bag with the zoo logo. The father proudly reaches into the bag and pulls out a stuffed lion. Mickey felt a little pain in his stomach. He didn’t have money to surprise Yevgeny with a souvenir.

“I wanted a tiger!” the little boy shouts.

“Uh, ungrateful child,” Svetlana scolds. Apparently Mickey wasn’t the only one watching this family.

“Sorry buddy,” the dad apologizes. “All they had were lions.”

“That’s very nice of your dad, right?” the mother tries to calm the child with his very loud public tantrum.

“I wanted tiger!”

“I know buddy, but the zoo store didn’t have any,” the dad looked like he was about to cry. Fucking North siders spoil their children so much that the parents lose all control of the hierarchy in the family structure. The brat doesn’t deserve the dumb stuffed animal.

“Come on,” the mother pleads. “Take the lion and I’ll buy you cotton candy.”

“Fine,” the spoiled child relents. He takes the lion from his dad and they head off to buy cotton candy. Once the parents weren’t looking, the kid dropped the stuffed animal in a bush.

“Don’t grow up to have attitude like that,” Svetlana tells Yevgeny. 

“OK mama,” Yev says.

They finished up their lunch and started to head to the bears. As they pass the bush with the discarded lion Mickey overhears two zoo employees.

“Hey, there’s a lost lion in here,” one says, reaching for the stuffed animal.

“Go take it to lost and found at customer service, I’ll let our lead know where you are,” the other says.

Mickey gets an idea that he can’t shake. He turns to Ian. “I’m gonna head to the parking lot for a smoke.”

“OK,” Ian says. “Text me when you’re done and I’ll let you know where we are.”

“Sure thing mom,” Mickey says, rolling his eyes.

He met up with them at the penguins. Mickey did go to the parking lot for a smoke but on his way back in he stopped by the lost and found to inquire about a lost stuffed lion.

“Hey little man guess what?” Mickey says when he meets up with his family again.

“A lion!” Yevgeny beams at the surprise. He jumps up and takes the lion Mickey has holding out for him. Yev then hugs Mickey in the tightest hug that his little five year old body could muster up. “Thank you dad!”

“Sure thing,” Mickey says, unable to hide his smile.

“You bought toy?” Svetlana says. Mickey can tell that she’s trying not to sound angry in front of Yev in public. Trying to not to be like the other family that she just talked bad about.

“Naw, it was free,” Mickey clarifies.

“Did you steal from that North side kid?” Ian accuses.

“You think I stole from a kid?” Mickey says, raising his eyebrows.

Ian responded by giving his signature chin look.

“Fuck you,” Mickey says. “The toy was lost and I went and found it. No rule saying I had to give it back to that brat. ‘Sides, Yevgeny deserves it more. That Richy fucking Rich propably has a whole room of stuffed animals.”

Ian’s face turns soft as he smiles at Mickey warmly.

“You’re a good dad,” Ian says.

“Shut up.”

“No , it’s true. When I was Yevy’s age Frank took us to the zoo and tried to put me in the gorilla enclosure. I think he was trying to scam the zoo into a lawsuit but instead got us all banned.”

“What are you going to name him?” Svetlana asks.

“Lincoln!” Yevgeny shares.

“Clever,” Mickey says half heartedly. “Come on little man, let’s see the giraffes.”

“Why do giraffes have long necks?” Yevgeny asks.

“Don’t know, but I’m sure Ian will think of the answer once we get there.”

[lil-cherubb]

So ABSOLUTELY NO ONE was gonna tell me some pretty well known (for the gacha community) gacha tiktoker FAKED HER FUCKING DEATH???? These 8 year olds r fucking insane man. Reminds me if the olden days of wattpad, authors mysteriously "dying" and the infamous notes in every other fucking ao3 fic u click on talking about "yeah I got hit by a bus then attacked by a dog and I got evicted from my home and I'm homeless but here's another 5k word chapter guys!! :))"

(Absolute train wreck of thoughts in the tags btw)

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff��   |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.