#BUT I SWEAR I AM DOING SOME WRITING

[erabu-san]

I enjoyed every second of this quest

[This art has platonic intention. Thank you for not tag ship!]

[fruityumbrella]

one piece is set in a nautical world with presumably nautical idioms and exclamations to match, right, like swearing by the sea rather than on a god etc. to wit, there's five seas (the four blues + the grand line) so we can assume when you're feeling particularly dramatic, you might refer to all those vast oceans to get your hyperbolic point across.

keeping that in mind, lets live in a stupidly romantic corny ass world for a moment ok? take my hand.

"I swear on all six seas, if you don't shut the fuck up right now—"

"What?" Sanji looks at him like he's stupid. Nothing new, really.

"Ha, even you're going deaf having to listen to your own annoying ass whining all the time, Cook. I was—"

"No, you—"

"Don't interrupt me! Oi!" he yelps as a wooden spoon bounces harmlessly off his shoulder. He's not impressed that Sanji manages to catch it before it hits the counter.

"You said six seas," Sanji states.

Zoro stares back in lieu of an answer.

"Huh, maybe this has something to do with why you're always lost. There's only five seas, dummy."

And ah, now he gets what the idiot cook is on about. He's surprised and a little disappointed, honestly. You'd think the guy would be a little more aware about his own fucking dream, but whatever. He's got that annoying smile, smug and cocky like he's oh so much better than Zoro.

"Would you like me to count them out for you? I know it's a big number, it's probably confusing for a simple creature like you."

Zoro crosses his arms in clear warning, something the cook, as always, blatantly ignores. He's leaning on the counter that's between them now, eyes sparkling with glee. Idiot. Zoro's thoughts do not have a fond tone to them. Thoughts don't have tones at all, thank you very much.

Sanji lifts a hand and proceeds to count off on his fingers with the precision of a drill sergeant.

"I'm sure you at least know our ocean, the East Blue. There's also the West Blue, North Blue, South Blue, and of course the Grand Line," he wiggles all his fingers as he puts his thumb up for the last one like he's emulating fireworks.

Zoro snorts indelicately. "And?"

Sanji frowns with a tilt of his head.

"And?"

Zoro holds up his index finger.

"And," he says, stifling his amusement as Sanji goes cross eyed trying to follow said finger as it arcs towards him, "your All Blue. Dummy."

He punctuates the last word by poking Sanji in the forehead, snickering when he sputters and swats the digit away in a huff. Then Zoro's words finally sink in, and he straightens up almost too fast. It's not endearing at all.

"Wait," he says quietly, "you count it?"

Zoro doesn't like how Sanji's looking at him with an open expression he's not usually allowed. He looks earnest and sincere. Zoro feels suddenly out of his depth.

"Don't you?" he deflects uncomfortably.

"Well yeah, but that's different. You're—" he shrugs half heartedly and looks away. Zoro can't tell if the end of that sentence was going to disparage him or the cook. Odds are likely split down the middle. Sanji keeps looking at him, and he feels pinned. The bright look is gone, replaced by something more reserved but perhaps...searching? Considering, at the least. It's making him increasingly self conscious. He needs to get out of here.

"Okay. I'm gonna steal some alcohol now," he says shortly, striding to the cabinet and swiping a bottle before Sanji blinks out of his stupor.

[pseudowho]

Imagining Todo Aoi clapping his hands while you're giving him a blowjob, and all of a sudden you're the one being eaten out.

[thechibilitwick]

As an honorary Shidou apologist, I am breaking my silence. I’ve finally decided to go on a rant on why I don't think Kirisaki Shidou is an organ harvester.

(fair warning I like absolutely suck ass at organizing my thoughts, so if some of this is incoherent or if it seems like i'm repeating myself my bad 😭 I mainly wrote this for fun)

So, I'm aware that this theory is the most popular consensus when it comes to Shidou (and tbh, I think part of it is because a lot of people kinda look over him? Like at least a tiny bit more than the others, considering a lot of people also don’t realize how his main victim was probably his son and not his wife, but I digress) (plus I think all milgram characters are looked over to a certain extent). While I do think parts of it are probably accurate in some way, I don't think he was a full-on organ harvester (as in he actively stole from patients through illegal means. emphasis on actively) and that the theory in and of itself is flimsy at best. He's morally questionable, yes, but it’s more in the sense that he’s a somewhat apathetic guy who lacked understanding on how his own set of morals and values (i.e. pushing for organ donation) could be seen as wrong. So if he were an organ harvester, wouldn’t he be aware that it’s illegal? That’s what confuses me whenever people bring it up. I don't actually doubt that he may have done something illegal for his family's sake, it’s just that I still highly doubt it was something he actively did. And that seems to be what a lot of people think when they refer to the theory. (if i’m wrong please forgive me, i just assume organ harvester shidou = people think he did it as a job)

Anyways, more under the cut for those interested (it's a bit lengthy my apologies)

It then kinda trickles down to how his guilt stems more from the consequences of his actions rather than the actual action of taking organs. The root of his guilt comes from the realization that basically asking families to pull the plug and use their loved ones' organs for donation is a very, very hard decision; one that he kept pressuring for. If he was an illegal organ harvester, and was aware that his actions were in fact illegal, why the hell would he feel so guilty to the point that he’d start having suicidal ideations? That’s the key difference between his profession and his possible criminal activities; one is a burden both emotionally and morally, the other is more or less a literal burden. And based off of Shidou's character, he seems to be much more emotionally affected. That's also why I think a lot of people jump to the conclusion that his guilt stems from his actual actions rather than their effects. (does that make sense oh lord i am going ☝️🤓 so hard rn)

I get that some parts of his MV or lyrics seem to be suggesting that, but also it’s important to note that Shidou has a very strong bias against himself and definitely painted himself in a negative light. I mean, that's why he thinks every single preceding patient before the final incident is a victim to him, why he shows himself staying professional in a professional setting as apathetic (minus the pressuring part), and why he literally equates his job to STEALING. Not only that but, imo, it's also a little too unrealistic and might not actually fit the criteria of Milgram. Milgram is for crimes that are in a morally grey area. So if it really was organ harvesting, is it really in a grey area? (though I guess you could say that doing it for family's sake would be, but that's only for his family. He'd have no reason to do it otherwise). Plus, it'd make more sense and fit the theme of touching upon social issues (i.e. abortion, bullying, societal standards, mental health, etc.) if shidou’s entire dilemma was in regards to (albeit questionably done) organ donation, a complicated ethical topic in Japan.

Throw Down actually gives a pretty good rough idea of Shidou's thoughts towards his crime and his feelings in regards to it. He felt like he was blinded by his own values, and that inadvertently caused him to be unaware of the suffering he caused through his job. It really does shock me that he somehow was able to pull-off getting a forgiven verdict in T1 because he certainly comes off as cold and uncaring in regards to his work.

I think the final bridge in Throw Down kinda summarizes his entire mindset, actually.

​​Now slowly close your eye, put your regret on display Wishing you for someone else's sake With the same expression no matter who comes I don’t feel scared because I don’t know

Shidou doesn't quite understand the feelings of his patient's families, and therefore he acts remorseful and sympathetic more than he actually feels. Why? Well, because he didn't know. Up until that point, he never understood the weight of his actions, and focused on his role as a doctor. "This is an upsetting subject, yes, but it's for the greater good, right?” A braindead person has little to no chances of living, so why not use this as an opportunity to donate their organs? Moreover, as a doctor I believe it’s typical to be "emotionally detached” (for lack of a better word) since I’d assume becoming emotionally connected with a patient would make things at least a bit messy.

His mindset comes crumbling down though, presumably because he experienced the same or a similar situation. This part remains muddy for me, since we don't know much about what the actual cause for Shidou's guilt is. There are several possibilities, with the most plausible ones being:

he lost his own family member and had to go through with the same decision,

he tried to save a family member using donated organs, but failed, making it seem like everything he has done as a doctor was in vain

(a secret third option would be him making someone he cares about make that decision but it's very unlikely and also requires too much mental gymnastics)

But no matter what exactly he did, it all trickles down to the validity of his morals. After realizing the pain of losing a loved one, the struggle of trying to save them, and the unfortunate failure which left all efforts practically pointless, Shidou would understand the actual weight of his actions and why all those families were so reluctant to let go of their own.

This is even more evident in his T2 voice drama, Asclepius.

"In order to save the life of someone you don't know, please let me kill your family," I told them. It doesn't even take much thinking to realize how cruel that is, but… I didn't realize it until the very end.

This is the gist of Shidou's crime, or at least part of it (considering he says "Well, about halfway" when Es asks if their judgment was right). Again, this tells us that Shidou's guilt comes from the act of the effects of organ donation rather than the literal action. And this also implies that his "murders" did in fact have to do with being in a medical situation, it's just the way he went about it was at the very least morally questionable.

I will also acknowledge that he says he killed for selfish reasons, which most likely relates to trying to save his own family member. Here he could possibly have actually done something illegal such as tampering with patients or illegally taking their organs (latter is a stretch imo). Plus, his distorted T2 voice trailer line is literally "You're in the way, hurry up and die" which would only make sense in the context of waiting for a patient to die. But it could also just be him continuing to pressure for organ donation, but now with his own selfish motives.

Going back to the "halfway" comment, while I personally believe it might have to do with how Shidou views his crime as more than just taking organs, it more likely implies that something else happened that Shidou would consider murder. That being the actual death of his family member. It's implied through Throw Down that he was trying to save someone but failed, which he was responsible for. Then from there it'd make sense to assume that he would feel some form of guilt for the rest of his patients, either for the reason of failing to actually utilize donated organs even with the opportunity of being able to save them, or for just realizing the what it actually feels like to have to give up on your loved one. (does. does that make any sense.)

So yeah, I don’t think he’s an organ harvester due to what’s known regarding his crime, the reasoning for his guilt, and with the way he is as a character. The most I’d personally believe is that he decided to harvest organs for the sake of his loved one, but even that seems like a stretch to me. Thus, that is why I believe Kirisaki Shidou is not an organ harvester.

Anyways I’ve rambled on long enough, thank you for reading if you did and remember to drink water and vote shidou innocent in trial 3 because i will shit my pants if he doesn't get inno

[lottiecrabie]

pray for my soul. part one – matty healy

you are a good girl: devout christian, studious student, dutiful daughter. resident atheist matty healy might be tempting you, but who can blame you when he looks like sin itself?

warnings: eventual 18+, kiss, religious imagery, blasphemy, (the author has never been to church and had to google some really weird shit to half-figure out how services go lol)

part one of five

2351 words

Sundays you spend on your knees. Hands tucked together, dainty cross falling gracefully between your collarbones, you recite the prayers diligently. The priest’s monotonous voice resonates against the vault, sloping across the arches. Beside you, your father mouths the words. 

You hear some sort of muffled laugh. Peeved, you open your eyes, turning just slightly to catch a peek of him. Matty Healy, black hair falling over his forehead, face drenched in the blue and red and green of the stained glass. He sits on the pew when everyone kneels, biting back a laugh. He looks utterly sinful; dark and half in shadow, spitting in the face of God. 

You narrow your eyes, pursing your lips. You don’t know why he even bothers to show up if it’s just to cause a ruckus. 

As if he could hear your thoughts louder than the organ ringing through the room, Matty’s eyes snap to you. You stifle a jump; your stomach dipping in sheer surprise. His eyes are dark like him, piercing. He sees through you, underneath your flesh and blood, seeping through your bones. You don’t know what he sees. It unsettles you, how deeply he watches, how baring it feels on your covered skin. 

Your crossed hands clench, digging your poor heart ring in your skin. Muted pain spreads down your palm, but you barely feel it. You stare back at him, unwilling to let him win. 

The priest praises the Lord. Matty smirks. You shift your knees on the cushion. 

“Pay attention,” your mother hisses, reaching two fingers to your side and pinching in warning. You startle, turning back towards the pulpit dutifully. 

Somewhere behind you, another quiet laugh, much more taunting, much more pleased. It slitters under the pews, climbing up your straight spine. You tighten your hands into fist you wish you could use. There’s some unspoken anger living inside of you, something unfit for a good girl, a dutiful daughter, a pious person. You let it breathe with you because you cannot smother it; you’ve tried. 

Still, you exhale loudly, unclenching your hands, shaking your shoulders to relax them. You plaster a smile over your face. You recite the right words, echoing the pastor. 

When he calls for the eucharist, you stand up, following in line between your two parents. You feel a pair of eyes on your back, itching under your modest cardigan, tickling the ends of your hair. You try to ignore it, but you can’t stop yourself from throwing a look Matty’s way. He catches you, of course, smiling like he got you. You hurry to look away. 

In front of the preacher, you open your mouth. Gently, he places the sacramental bread on your tongue. You don’t let it dissolve; you bite, swallowing the body of Christ. Again, you open your mouth, taking a holy sip of wine. 

Turning around, you lick your red lips clean. You give yourself another self-indulgent glance towards Matty. He’s distracted by your mouth, it seems, but it snaps back to you. He smiles shamelessly. He’s stayed perfectly seated throughout the eucharist, of course. You scowl to yourself, although you can’t quite pinpoint why it bothers you so. 

“Don’t make that face,” your mother warns beside you. You smoothen your features, schooling a complacent smile again. You sit back on your pew while your mother mutters to your dad exasperatedly, “Such a pretty face. I don’t know why she frowns like this.” Still, you smile, staring straight ahead. 

It was a lovely sermon. Sundays leave you clean. 

—

Everyone gathers after the service in the Fellowship Hall. Although most people do it to gossip, there is a table of snacks against the wall. There’s watery coffee, but your parents don’t like when you drink it. You take a paper cup, pouring yourself some orange juice instead. You turn around to make sure your mother is busy chatting Mrs. Finley over some recent neighborhood drama and grab yourself a cookie. 

You scarf it down in two bites before anyone sees. 

“That looked like the single most delicious biscuit ever made.” 

Of course, one person had to have seen, and it had to be him. You look up, stopping yourself from cursing the higher above for his sick game. You flip to Matty with a crisp grin, something utterly stuck in your cheeks. “It was.” You don’t manage to make it sound cheery. Condescension drips on your tongue. 

Matty laughs through the bite. “Do you have something to tell me?” 

You clench your jaw. Refusing to give him an inch of ground, you grind through your teeth, “No.” 

“No?” He says, and he makes it even more condescending, practically pouting at you. “You sound a little upset.” 

“I’m not upset.” 

“Mmh. That’s not how you’re coming across.” 

You huff, impatient, crossing your arms. “I’ve said five words.” 

“Six.” Matty smiles cheekily. “More, now.” 

Enough, you can’t stop yourself from snapping. “You know what?” Rage twists in your belly, something uncontrollable, unreasonable, unexplainable. “I don’t know why you bother to come if you’re just going to be a—” 

“A what?” Matty asks, and he looks thrilled, something childishly gleeful in his taunting smile. 

“Nothing. Just— Nevermind.” Clutching your arms, you twist around, trampling away from him. 

He’s quick to follow, hot on your trail as you trudge out of the Fellowship Hall. “It seemed like you were about to curse.” 

“I wasn’t.” You hiss. He’s beside you now, shoulders knocking against yours. You scowl, walking faster. 

“No, I’m pretty sure you were. What was it gonna be? Dickhead? Asshole? Little shit?” 

“Can you shut up?” 

“Can I? Yes. Will I? Now, I think you can figure out the answer to that, smart girl.” 

“Gosh,” you roll your eyes. “You’re insufferable.” 

He prances beside you, careless, carefree. His hands dig into his jeans pockets. “It’s for my mom, if you must know.” You throw him a look, arching an eyebrow. “Why I come here. Personally, I couldn’t care less about church, seeing as I’m an atheist.” 

The word grinds your ears. You knew, in a broad, immaterial way, that he didn’t believe in God. But to hear it spoken so plainly, so brazenly is another thing. You’ve tried to be open, but there is something so off-putting, so wrong about the sheer idea of a faithless life. Where does he go? How does he trust the path he’s on? 

You stop in your tracks, staring at him. “Does it not scare you?” 

He snorts, as though that was a silly question, as though he wasn’t slapping away God’s merciful hand. “No.” 

“But you’re— you’re alone.” 

“Everyone is. You’ve just deluded yourself into thinking you weren’t.” 

You clutch your cross, furrowing your eyebrows. “That’s not true.” 

“Isn’t it worse, inventing some grander thing just to sleep at night? Speaking to the sky like there’s anyone listening?” 

“You’re being mean.” 

He clicks his tongue. “Maybe. It’s still the truth.” 

This whirlpool of anger, uncouth for a nice girl, a devout Christian. You clench your fists. “It’s not. You don’t know what you’re talking about. You’re speaking like you— like you understand any of this. But you’re never listening. Not to the sermons, or the prayers, or the voice of God.” 

“The voice of God?” He says, and it sounds derogatory coming from his mouth; small, ridiculous. You huff air from your nostrils. 

“Yes, Matty. He’s— He’s there, he’s with you, and you’re not listening.” 

“Well, tell him to give up. He’s wasting his time.” 

“Oh, my Gosh.” You roll your eyes, continuing to walk. Again, he follows you. “You’re not getting it. You’re miserable and you don’t even know why.” 

He arches an eyebrow. “I’m miserable?”

You stop, twisting to him. “Yes!” 

“That’s presumptuous.” 

“So is saying I’m deluding myself!” Your heart races. Your stomach knits together. “You— You just shit on everything I believe in because, why, you think you’re better than me? Smarter than me? Is that it? Because I’m not a cynic? Because I’m trying? Who are you to judge? You are not God, you’re not even his opposition. You’re just some guy laughing in church, being a fucking dickhead.” You yell, throwing your arms up, “And, yes, I can fucking swear!” 

You pant. Matty’s eyes darken, dipping to your lips. Whirlwind coiling in your belly, spreading its rapacious fingers through your limbs. You breathe harder, quicker. A curl streaks across his forehead, tickling his brow. His jaw clenches. He’s beautiful. You curse to yourself, tightening your fists into weapons you’ll never use. Your eyes flick to his mouth. 

Jeremiah, prophet of doom, circles you like prey. You fall into it face first, crashing your lips against sin itself. 

It’s a harsh kiss; it’s your first kiss. Two hands grasp his jaw, like you could shatter it, like you could own it. Matty does not even seem scared of the boundless possibilities existing between your fingers. He grins, cocky, satisfied. 

“Don’t say anything,” you warn, frustrated, because he would, because he was about to. 

To make sure of it, you open your mouth, coaxing your tongue in his. He welcomes it easily, a groan falling into your wanton lips. You lick it up greedily, then sneak a hand in the mess of his curls, tugging to trick new ones from him. He offers them willingly; you take and take. 

Euphoria hikes up your head. You’ve never been drunk, but this must be it. You let go of his hair, finding the warmth of his waist, the firmness. He’s so real against you, something tangible, something breakable. You sigh as he licks your lip. Your eyelids flutter, as does something lower. 

Matty’s hands find your back, digging in your red cardigan. He clutches, stretching the material, then lets go. Fingers climb up to the back of your neck, playing with the chain of your cross necklace. You push the realization away, his proximity to the clasp.

He could undo it if he pleased. He could undo you. 

He adventures his other fingers down, grabbing a handful of your ass, and it feels like he does. Need throbs in unspeakable places. You clench your thighs. You shouldn't let him undo you. You shouldn’t even give him the opportunity, dancing with fire, with the devil itself. You moan into his open mouth. 

Matty breaks away from you, breathing heavily. He stares in one eye, then the other, falling to your swollen lips, to your heaving chest, cross rising with it. His look darkens. “I understand why fools believe in angels.” 

You pant, “Shut up.” You drag him back to you, diving into your downfall. 

When you bite his lip, tugging it to hear the resounding groan slip from his swollen mouth, you bite into something sacred, something hidden. You shouldn’t have. Still, you lick his tongue, gripping the cotton of his shirt, the warm skin of his waist. He tastes like apples and cigarettes. 

His stomach is tense, rippling underneath your silk hands as you climb them higher and higher. You discover his skin, smoother than you’d have thought, stumbling on a few scars and drawing them over and over like your new prayer. He breathes quicker, harsher. Maybe he’s discovering new religions, too. 

Eve was just a girl. You don’t eat; you devour. 

There’s an endless pit inside of you. You store the aggregation of your stifled, festering sins: all the rage, all the envy, all the pride, all the lust. It grows, swallowing you whole. You want and want, desperate, greedy. 

You want to pop him like a balloon between two heavy hands. You want to be all the girls he’s seen before you. You want to be his best. You want him, hot and hard and alive and twirling a thumb around your peaked breast. 

Reverbs of pleasure. You let go of his lips just to moan in galactic shock, face scrunched. You taste the infinity on your tongue, the greatness of the universe; splinters of light. Why must you contain it inside your skin? Why must you smother it, kill it? You want him. You want him. 

“Are you gonna pray for my soul?” Matty whispers, low and hoarse, half-broken out of his throat. You moan again as he twists two fingers around your nipple. “Get on your knees?”

Clarity is a bucket of cold water. You come out of the deep end, gasping for air. Your eyes snap open. Matty is watching you with black eyes. You feel him against all parts of you; under your palms, on your breast, on your hip, still burning on your lips. 

You step away, letting go of him. He reaches a hand for you, trying to coax you back to him with a shrewd smirk. 

You want to spit the taste of him out of you. Want to scrub your skin where his touch still lingers. He’s marked you, you can feel it. You want to scrape yourself clean. (You want him.)

“You disgust me.” You say, even if your belly still swirls at the sight of him, even if you’re still dripping down your thighs, even if your lips are viciously red from a head-twisting kiss. 

Matty gives you a onceover purposefully, clearly considering all the reasons he doesn’t disgust you. “Yeah, darling. I felt that.” You blush, digging your nails in your palms in punishment. 

“Don’t talk to me again.” You say, even if you’re still out of breath. “You’re— You’re a bad influence.” 

He arches an eyebrow. “Me? You practically mauled me.” 

You frown, gasping in offense. “I didn’t—”

“I think my lip is bleeding.” Matty holds it, slurring his speech to prove his point. 

You snap, “Good.” You turn around, walking back to the Fellowship Hall without looking back. 

Your mother spots you, smiling as she beckons you over. She has her coat on, but she talks with Mr. Collins still. “There you are, honey.” She frowns, bringing a hand to your forehead. “You look a little flushed.” 

“Yeah,” you mumble. “I’m not feeling very well.” 

“Oh, no. Are you sick?” 

You lick your lips. Apples and cigarettes. “Maybe.”

[raptureshots]

Atlas n Frank...

theyre best buddies (TO ME!!!!!!!!!!!)

funky lil alt under the cut :-)

i hate these guys so much they're literally all i fucking think abt on a daily basis its horrible /silly

(i could go. on and on abt them in this. au honestly . the whole au IS technically abt them anyways sooo)

[erabu-san]

I enjoyed every second of this quest This art has platonic intention, please don't tag ship

[jojo-schmo]

Hello ms bubble wizard mage maam', I was just wondering what are your thoughts on magolor regarding how he's apparently **highly aware** of all characters to ever exist in the kirbyverse

Also its become a trend where god is replaced with NOVA in the expressions... Do they know?

Ello ello!

I like Magolor a lot, but he is omniscient? That's news to me. Is there a source for that? :O Unless you're talking about that Magoverse trend I saw floating around a while back- I didn't see much but what I did encounter reminded me of all the different Sans Undertale AUs out there. Hehehe Magolor is quite versatile! What fun.

And I know people use Nova as an expletive when writing Kirby characters! It's cool!

I use profanity in real life but I personally try to not associate Kirby characters with it in the works I make. I want to diversify the vernacular of the citizens of Popstar so I made a small list of expletives I thought of, lol. They should have a variety of things to yell out when they stub their feet or an apple falls on their head! So I get randomly inspired out in the world and I make sure to write them down!

I remember seeing someone have the characters use expletives based on food, like for example, "For the love of shortcake!" or things like that. That idea's fun!! (If you are the person who had this headcanon and are reading this please tell me so I can credit you for it!)

Does anyone else have expletives/exclamations they write for Kirby characters? Please share them if you do heehee. It makes the world building feel more fleshed out and creative >:3

[the-broken-pen]

A sapphic detective who gets too close to the truth of a case and gets confronted by her girlfriend for being too obsessed?

“You need to stop.”

The detective didn’t jerk up at the sound of her voice—just quietly stirred, rustling papers as she shifted upright to meet her eyes.

“I didn’t hear you come in,” the detective said slowly, eyes scanning over her. She watched her gaze catch on the water dripping from the ends of her hair, the mascara smudging itself down her cheeks.

“It’s date night,” she said, and even to her own ears her voice sounded tired. Dead. Rotting roses and dirty dishes in the sink.

The detective blinked once, then shifted through her papers until she found a scribbled in calendar. It was stuck on the wrong month.

“I forgot,” the detective murmured. It wasn’t an apology, and neither of them were pretending that it was. She could tell, even now, with her girlfriend pathetic and dripping water onto the hardwood floor in front of her, that the detective wanted nothing more than to go back to her evidence.

“Yeah,” she croaked. “Funny how it’s never the case you forget.”

The detective jerked, slightly, like she hadn’t expected the barbs in her girlfriend’s voice.

In the hallway, there was a drooping bouquet of flowers she hadn’t been able to bear bringing into the apartment.

“You know how important this is,” the detective implored, and it made her want to break things. Burn the papers, shatter the fancy glasses in the cabinet, spill wine across the carpets.

What about me, she wanted to scream. Am I not important to you anymore?

Instead, she said again, “You need to stop.”

“Stop?”

“The case. You need to stop.”

“I can’t just stop,” the detective laughed slightly, as if she thought it would convey how inconceivable the idea of stopping was.

“Yes, you can. Give it to someone else. There’s a whole precinct just waiting for you to put this file into their hands.”

At the thought of it, the thought of giving up this case, the hunt, the chase, pain flashed across the detective’s face.

“You don’t understand.”

“I do,” she replied. She had to shift her gaze to the dead plant on the corner of her partner’s desk, dirt dry and leaves brittle. “How could I not?”

“So then how could you ask me to do that? To give it all up? Why now?”

She had so many answers to that. So many moments that cut into her hands like a mosaic of memories. The bed empty beside her through the entire night. Cancelled reservations, one seat alone at the dinner table, laughs that died in her ribs. Friends, well meaning, who asked where the detective was, and the painful smiles she forced through the explanations. Work, and work, and work. Crime scene photos on the coffee table. The loneliness that seemed to care about her more than her girlfriend did.

There were so many times when she almost said something. Almost said enough. But she hadn’t, and now they were here, as she dripped a puddle onto the floor, and the detective looked at her like she had never seen her before.

When she tried to say that, any of that, it caught in her throat.

The detective took her silence for an inability to answer. A lack of evidence. Like she was throwing this tantrum for no reason, a little kid in the toy aisle of the store.

The detective sighed, rubbing a hand over her forehead. The other was already fanning through the papers once more. Her voice turned into something that begged to be understood.

“I’m so close—“

“To losing me.” She swallowed, painfully. “You’re losing me.”

“That’s not fair.”

“This isn’t fair,” her voice broke as she gestured between the two of them. “What you’re doing to me isn’t fair.”

“I’m not doing anything—“

“Exactly.” It was louder than she meant it to be. They both flinched.

“I’ll have it solved in a week, I promise.” She wasn’t sure who the detective was promising to.

“No.”

The detective blinked.

“No?”

“You heard me the first time.”

“I heard you, but I’m not sure what you’re saying ‘no’ to.”

If she had the energy to be slightly meaner, she would have told her to figure it out. Told her that she was a detective, this should be easy for her.

“I’m not giving you a week.” She took a deep breath. “And you’re not going to solve it.”

The detective’s looked at her like she didn’t recognize the person on the other side of the desk.

Finally, she understood what it felt like to face her girlfriend from the other side of an interrogation table.

Her girlfriend’s face was cold, and closed off. Her jaw was grinding into itself. She was staring at her like she couldn’t decide whether or not to consider her a suspect. As if the only reason she could fathom her girlfriend saying something like that was if she was actively sabotaging her.

She was cold, and her coat was wet, and this place no longer felt like home.

“You won’t solve this case.”

She was pretty sure there wasn’t anything crueler she could have said.

“You don’t know anything.” It was dripping with venom, and fear, and frustration. The fear the detective really wouldn’t solve it. The frustration that it still wasn’t solved.

“Do you really think you’re that special?” By now, it was too far gone for her to stop. There was no pretty way out of this. “You aren’t. This isn’t a TV show. You aren’t the main character who swoops in where no one else has before. It’s been decades of the same bullshit—taunting and evidence trails, and nobody has solved it. Don’t you think if it was solvable, it would have been by now?”

“There’s new evidence, and I’m not them—“

“What part of ‘you aren’t special’ don’t you understand,” she hissed, and the detective shifted away from her. “You aren’t the miracle detective who solves this. They’re going to keep on killing, and driving the people who try and find them crazy, and you’re letting them do it to you.”

“I’m not letting them do anything.”

“But you are,” she countered. “You have been for months. They’re messing with you. They’re everything to you, and you’re a game to them, and I’m nothing on the sidelines.”

“Babe, that’s not true,” The detective tried, voice softening. As if she had just realized something between them was wrong. That her girlfriend was hurting—had been, for a while.

She swallowed the tears rising in her throat.

“Do I need to become a crime scene for you to finally care about me again?” She slammed her hand down on the papers. Pretended the wince on the detectives face was concern for her, and not the papers she crumpled. “Will you look at me, love me again, if I’m a bloody photograph in this folder?”

“I do love you.”

“When someone loves someone else, they don’t leave them alone in the rain, waiting to be picked up. They don’t cancel to go dig through old archives on their loved one’s birthday. They don’t leave them in the middle of the night and let the blankets beside them get cold. People who love someone don’t live their life without a concern for the person they’re putting below everything else.”

“You’re making this really hard.”

“Good,” she snapped. “Because you’ve been making it hard to love you for months, and I’m glad you finally know how it feels.”

The detective paused, at that. Swallowed, eyes flitting around the room as if she would find the perfect thing to say in the remnants of the life they had built together.

“I love you,” The detective managed. Somehow, it was the worst thing she could have said.

“Good. Prove it.” She thought maybe dying would have hurt less than this.

“Prove it?”

“Prove it. Me, or the case.”

The detective froze.

“You don’t mean that,” she said, and it sounded like a plea. Don’t make me choose.

“Look at me and try and tell me I’m joking.” When the detective said nothing, she pushed further. “Go on. Do it. Choose.”

“I can’t do that—“ the detective choked. “This isn’t fair, you know that. I’m so close.”

Somehow, she had expected it to hurt less.

“Don’t make me choose,” the detective, her girlfriend, the love of her life finally said, voice breaking.

She had thought it would feel like dying.

It felt like nothing.

“You just did,” she said. The tears refused to be held, this time. The pain ran rampant through every word.

She knew her girlfriend could hear it.

“I love you,” the detective whispered. A final, desperate prayer for her to stay. But she was no god, and her girlfriend was no believer. And it would never be enough.

She let the door slam on the way out.

The detective never did solve that case.

[actuallyitsstar]

headcanon asks for Bradley: 1 and 19?

✨ send me a number + a character for headcanons! ✨

1: holiday headcanon

christmas was always one of bradley's favorite holidays, all throughout his childhood. every adult in young bradley's life, all with varying backgrounds and types of childhoods of their own, could come together to agree on one thing: bradley's christmases should be magical. carole, trying to keep the magic of those first three christmases with everyone all together alive; mav, trying to give bradley the kind of happy memories he never had; ice and slider, woven into the family by carole's steady hand, determined to give this little makeshift family what it needs. bradley remembers holiday baking with mom, learning about the traditions of ice's family, so different from theirs; neatly-wrapped gifts from santa, much lumpier gifts that were also "from santa", supposedly, but he knew those ones were from uncle mav- it would be fair to say bradley was a little spoiled when it came to the holiday season.

after carole is gone, and it's just he and mav, those years are empty and feel meaningless, but they try. they try for carole's memory, for each other, and for ice and the others. bradley's eventual disillusionment with the holiday doesn't start there- no, it starts after.

once he and mav have their falling out, it's like someone has flipped the light switch. the last few chrismases were quiet ones, lonely without mom, sure- but he and mav got thru them together. after losing mav, too, though, it's radio silence. bradley goes from loving and enjoying the christmas season to hating it, overnight. the first christmas after is bleak. a long december and a somehow even longer december 25th. the only accompaniment that he has for the next four years of college are the cards and the letters he doesn't open. he spends it in the dorms alone while everyone else goes back to their families.

once he meets phoenix in flight school, things start to look up, just a little. she has a lively, bustling family full of extended relatives and family friends, and they're happy to fold in one more. it still doesn't feel right. it doesn't make him feel at home. for all their effort and kindness, phoenix's mom is nothing like carole and phoenix's dad is is nothing like goose- and as much as he hates himself for thinking it, more importantly, is nothing like mav- and the traditions and energy are all so different that it just feels unfamiliar. though it tugs painfully on his emotional aches and pains, he is grateful to have somewhere to go and happy to be included, even if it only exemplifies to him how alone he really is, and how he really doesn't seem to belong anywhere.

post-mission, post-reconciliation, bradley isn't sure what to expect. he imagines that mav would have built a life without him in it by now and is dismayed to learn this is not the case. he isn't sure if mav will want him around for the holidays after everything he's done and said. phoenix pushes him, telling him that of course he's welcome at the trace family table again this year, but you really ought to stick around and sort this shit out. through much hesitation, bradley does.

the post-reconciliation christmas is not lively or bright or boisterous like the christmases of old. it'll never be the same, without mom, without uncle ice, when the other flyboys have families of their own to worry about now. but mav welcomes him, wants him to be there, and it's more at home than bradley has felt in fifteen long years. it's not about the food or the gifts or the decorations. it's about the people- person, actually. it's about being invited into mav's life and heart even when he knows he can never deserve to be in those places again. at the end of the day, the old christmases were always about family and love and connection, and even though they're quite different on the surface, the new christmas is about all those things, too.

19. favorite photograph headcanon

photos were and are such an important part of the bradshaw-mitchell family. bradley knows it- and it's a part of why, when he leaves, he doesn't take the photos of himself and mav. he knows that to mav, that will say something, loud and clear, and he wants to be hurtful- he wants his emotions to be heard and understood. instead, he takes with him only the photos of his mom and dad, and a couple with the flyboys that mav took, and subsequently was not in; but bradley tells himself that he doesn't need the pieces of a relationship that there's no point in trying to salvage, so he leaves all of those pieces behind.

except for one.

it's a somewhat dilapidated polaroid, taken with his dad's old camera, snapped by carole as she'd stood on the back porch of the little bungalow house that bradley grew up in. in it, a six-year-old bradley sits in mav's arms, held up at eye-level in one strong arm as mav points up with the other. bradley has one hand fisted into mav's shirt, and his gaze and rapt attention are locked overhead. mav always used to tell little bradley to look up at the stars if he missed him, because it's the same stars- they always have that between them, at least. in the photo, mav points out the constellations they share even when apart, and bradley listens intently, trying to commit the names to memory. when he became old enough to have one, bradley used to keep it in his wallet.

eventually, when it's all fallen apart and those connections between them have been severed, bradley gives a new photo the place of honor in his wallet, a photo of he and mom- but he can't just throw out the old picture, no matter how angry he feels when he looks at it, no matter how badly he wants to. it goes into the box with everything else, with letters and cards and artifacts that mav sends him or that he can't bring himself to throw away. sometimes on a quiet, lonely night aboard a carrier or on leave, floating adrift in the world with no anchors to speak of, he thinks about it. he looks at the stars and he sees that image in his mind's eye and he remembers being six years old and thinking mav would always be there, and he wonders sometimes in the most empty moments if the old man still remembers all that shit about the stars. if he ever still looks at them, still thinks of it, of bradley, if he ever wonders anything about bradley the way bradley wonders about him. deep down inside, he knows that he mustn't. deep down inside, he tells himself that there's no chance in hell mav does. because, if he does, it means bradley threw away something that was still alive. it's a fate he cannot bring himself to accept.

when they've reconciled, bradley will find that old beat-up picture in the box. he'll show it to mav. i never forgot, he'll quietly admit. i always thought about it. i- i guess i thought that you probably didn't even care to look at them anymore. i just- i thought it was over. mav will take the photo, tattered and much-handled, from bradley's outstretched hand, studying it with a reverence that bowls bradley right over. i looked at 'em every night, baby goose, he'll admit. always hoped you might be looking, too.

tysm for this ask !!! and for your infinite patience in my disastrous ability to reply 😭😭but i loved answering this ask sm !!! and i definitely did not answer it in longhand at my job and i also definitely did not accidentally write so much about the christmas thing that i had to chop it way down for this ask because it accidentally kind of became a chapter of something lol. i am a disaster. but thank u so much and i hope u enjoy and are well!! <3<3<3

[self-indulgent-paw-patrol]

What are your favorite Chase moments from the show so far?

Just like with Zuma's post, it's in no specific order, I just really loved all these moments

That first Mission PAW episode when the Princess chose specifically HIM to be the watch dog and guard her crown. That was so adorable I can't even. He seemed so genuinely proud and happy there! Plus he's so damn cute wearing that tux lol

When they were going to rescue Skye and Chase was so worried upon hearing that she was the one in need of rescue. Then when Ryder was choosing which pups would be part of the rescue, that moment he was like "Pick meee pick meeee-"?? That was so cute, he really cares about her and wanted to impress her so bad lmao personally make sure she would be safe (Bonus points for his excitement over being picked for the rescue and everyone else like Go ahead king, we all know you wanted this XD)

The entire time he spent with the owlet and working to rescue the mama owl from that fallen tree. It was so sweet!! The fact I also love owls surely didn't help AUSHAUSHAUSHAU I love that episode SO MUCH

That moment when he finally turned into a Merpup. Poor boy was so fixated on "being on duty" despite wanting SO BAD to go and participate in "the fun". And he couldn't even enjoy being a merpup immediately because he was transformed just because he needed to swim faster for the rescue but he was so overjoyed anyway! Only after that mess, he could go and finally have the fun he wanted and deserved so much.

That moment in the first Sea Patrol episode when he and Skye were left behind at the beach while the rest of the team went on the first mission with the Sea Patroller. His face upon SEEING the HQ turn into a ship and sail away was just priceless XD (Also it's rare to see Chase being put on the sidelines for once lmao)

The first Ultimate Rescue episode!! God, Chase was SO HAPPY. He's THE Police Pup, he gets to lead the mission, supervise, plan, give orders. And the way all the other pups clearly loved the experience and were SO ON BOARD with being Police Pups with him, it was just awesome!

So far these are my favorite moments! Actually I legit just got to watch this first Ultimate Rescue episode like one hour ago. Not to mention it took me five days to think of these moments and then go find the episodes again to take the respective screenshots XD

[donaldtheduckdad]

Reigen Arataka is NOT a generic anime boy in this essay I will

[foxett]

Hey guys

[valkyurii]

i love spending hours writing only to read it back the next day, cringe, and then delete the whole thing

[straight-to-the-pain]

I know I haven’t posted any original fic in ages, I’ve been a little burnt out from uni and placement and also all the scenes I’ve been wanting to write either need research (historical fiction) or require too many emotions (everyone is traumatised) but please do bear with me there will be content… eventually… I hope

[lokh]

does anyone actually build a detailed linkedin profile. you've got to be fucking with me