#BUT HE DOESN'T TRY TO ARGUE

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[poppy-metal]

just thought of being scumbag patricks pretty little girlfriend and saying you love him mid-stroke and he groans, puts a hand over your mouth because you dont mean that shit - he's gonna pretend he didn't hear it, cause hes bad for you and you falling in love with him would be fucking awful for you both - doesn't stop him from fucking you deeper though, immediately after you say it. like the words have a lasso affect and his hips crash into yours, not parting this time, just grinding his cock inside - way more intimate than he usually allows. biting his palm, wrestling your mouth from under his palm in defiance like the brat you are so you can pant and whine another breathless "i love you - i love -" he fucks you harder until the words fade out into moans. acting like his balls aren't twitching to unload inside you the moment you said those words, like its just to shut you up, the desperate slam of his hips, and not like the confession means anything.

[sweetlullabyebye]

Charles' thing is that he wants to feel alive and that's part of the reason why he decided to never move on to the afterlife right? Meanwhile Edwin thinks Charles will move on and that he'll be alone again because 'he isn't good with people'.

But then when the Night Nurse shows up a second time Charles is ready to go wherever -including Hell- as long as Edwin shouldn't have to go back there, meanwhile Edwin refuses that they be split up, and both are okay with being sent together to the Lost and Found Department to be sorted out later as long as they're together-

[cementcornfield]

Did you see the clip of Joe yesterday?

Is it a clip now? Oh lord....was it funny at least?

It was the first time he ever used the F word in a conference.

He cursed? Y'all lying...I be trying to get him to curse, he don't curse when I'm talking to him...

[spielzeugkaiser]

I love your art soooo much-it gives me life!! 🥰🥰🥰

I have a question about Milek and Jaskier! Milek says they fought before Jask went missing-what did they fight about? Did Milek say something he shouldn’t have? 👀😢 is there ANGST?

Also does Geralt know Mileks plush friend is called Roach? Because surely that’s a clue that Milek is his…(I love this universe so much)!!🥹❤️❤️❤️

[MASTERPOST] That was the last conversation they had before Milek stormed out - and when he came back, Jaskier was. gone. The thing is, Jaskier knows what Milek is interested in (and he is not even wrong about that, Milek has an interest in medicine, and helping people, and I think when they met he was Shanis biggest fan) and I think Jaskier is aware that some of the conflict does have its roots in Milek not wanting to leave him, even if they get really heated and ugly in their arguments. Milek shouldn't feel like he has to care for him, or have to protect him and at times I think Jaskier feels quite ashamed, which leads him to being way too unrelenting at times - especially if he thinks he's doing something to protect Milek.

[daily-hanamura]

[seeminglyseph]

Apollo's entire vibe in God Games feels like "Dad Said I Had to Be Here" and I feel like that's so Golden Child of him

[thegreymoon]

Post-canon Taxian-jun is 100% going to do boy math on both their ages and come to the conclusion that he is now, idk, some 42 to Chu Wanning's 29, just so that he can coerce him to call him "Gege" in bed 🤣🤣

[jq37]

I'm like genuinely interested as someone who thinks a lot about the craft of critique and fandoms the ways in which the current Rat Grinders discourse shows why you can't really apply the same lens you use to critique a pre written story vs an improvised actual play show by a bunch of comedians who are first and foremost concerned with committing to the bit. Like Porter's a great example of this, he went from a nothingburher to secretly evil with a whole lore and backstory!

In the same vein the Rat Grinders probably could have turned out to be not as culpable in all of this had the Bad Kids really tried to bond with them, but instead they focused on other things with the way downtime was structured! And because they did that they could pass the Last Stand, and are safe from Porter's rage thing! Like legitimately I really liked the mechanics of downtime this season, it just also came at the cost of developing the Rat Grinders!

(Though to be entirely fair, the BKs did try to engage with Oisin, Ivy, and Ruben and then Oisin launched the house, Ivy was racist, and Ruben still attacked Wanda so)

I think it's really fascinating from a storytelling/game design perspective! The downside is the Discourse is so tiring

Yeah it's interesting. I covered some of this in other asks so I'm gonna hit on the stuff I haven't yet.

If you're telling a story that is based partially on user input, it's not entirely fair to be like, "This subplot was underdeveloped" if the reason for that was that the players didn't make choices to facilitate that development. When DM's push hard for the players to care about things they're not interested in, they get hit with railroading accusations.

And even outside of the player choices, there are also the rolls. A BIG part of D&D is the randomness of the dice. Even if the players care about something, it doesn't mean they'll get it. I'll mention again that Kristen tried to roll Insight on Buddy before the final fight and got a Nat 1. What is she supposed to do? Roll again until she gets a good read on him? That's not how that works. If the dice aren't cooperating, there's not much you can do. And you can make sure your big story beats don't rely on dice but at the end of the day they *will* shape your story in ways you can't control.

Another key thing about the medium, as you pointed out, is things can change on the fly. The confluence of high rolls and serious interest can change things that were behind the screen canon in an instant. In Burrow's End, Aabria planned for Bennet to have a family but as soon as Tula/Brennan expressed interest in romancing him, she Thanos snapped that family out of existence. I don't know how much Brennan wanted the Rat Grinders to be recruitable but even if he'd planned them all to just be foils and evil and nothing else, I can totally see him flipping one if they'd really wanted to and it would have made for a good story beat.

Anyway, yeah! Interesting stuff to think about. Even though D20 often feels like a TV show, it's important to remember that it's a different beast in many ways.

[hephaestuscrew]

It's so emotionally powerful to me that we don't hear any interactions between Minkowski and Eiffel in the finale between the scene when she tries to send him back on the Sol and the scene where she witnesses him losing his memories. That's more than an hour in the middle of the finale with no direct interaction between these two central characters whose dynamic is a core element of the show. For me, this makes both of those dramatic scenes even more moving, because they feel juxtaposed in a way they might not otherwise be if there was a Minkowski & Eiffel interaction inbetween them.

As the Sol prepares to launch, Minkowski tells Eiffel goodbye and she knows it could be the last time she speaks to him. She thinks she might never see him again, but at least he'll be safe. She thinks he might never forgive her for that choice, but at least he will have made it through this.

But his stubborn desperation to fight alongside the rest of the crew defies all her plans to protect him. And the next time she speaks to him - after she's been shot in the stomach during her attempts to reach him, after she's continued to look for him even as she's bleeding out - he is injured in a way she would never have expected. When she first sees him hooked up to Pryce's machine, maybe she thinks for a moment that he's unharmed, that they might all make it through this the way she hoped. Then she learns that his memories are already slipping away from him.

There's her desperate attempt to protect him at all costs, and then there's a life-altering harm that she couldn't protect him from, which she witnesses. Between these two moments, there aren't any scenes with both characters in together to bridge that gap. There's Eiffel yelling "Goddammit, Renée, DON'T DO THIS!", and then there's him telling her "It was an honor to serve under you, Sir." There's him pleading with her and then there's him forgiving her. There's Minkowski saying "Go home, Eiffel. Hug your daughter.[...] Goodbye, Doug.", and there's the desperate heartbroken way she says Eiffel's name after the memory wipe has gone through. There's two very different kinds of goodbyes.

And then, afterwards, there's two very different kinds of introductions.

[queerfables]

.

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[abrahamvanhelsings]

"goodsir is neoliberalism bc he tried to kill those guys blah blah blah" they kidnapped him and then they made him cut up men to be consumed as an act of control and pure humiliation by threatening to kill probably the last man he still liked in that party, forcing him to be complicit in an act he is viciously against, and to be complicit in the survival of the very men who betrayed the whole expedition and who are using him like a tool. and then the guy he's trying to protect comes up to him to sob and monologue at him about cannibalism and religion and acts of survival and belief as some kind of justification for the fact that he's an absolute pussy ass bitch who'd rather lie down and take it than stand up in the face of acts and circumstances he finds abhorrent. and goodsir was supposed to not be a cunt abt that? lol

[daz4i]

wait so chuuya has angel imagery about him in stormbringer. and dazai is referred to as a demon on more than one occasion. and. hold on. wait. I'm going insane. hold on.

[sherlockholmeshound]

whenever ppl try to come up with some version of 'romance and love isn't forbidden by the jedi, on this one novel-'

i'm just...

[mbirnsings-71]

when none of the DC friends are online right now so I'm just crying about Guy Gardner by myself-