#BOGOR ART

[joffyworld]

YEEEESSSSS THANK YOU KRIS YOU GOT BOGOR TO COOK

THANK YOU BOGOR FOR LETTING KRIS MAKE YOU COOK

my headset died today and kris bought me a new one and all he asked for was a shitty narinder doodle :)

[blogopix]

When traditional rice basket becomes an art, Bonge Saleor

[bilal-salah0]

My friends, this is Laila's story, and I hope you can help her.

@laylaayman-blog

My name is Laila, I am 24 years old, married, and expecting my second child. I have a one-and-a-half-year-old daughter named Sally. Over a year ago, we were forced to leave our home due to the war, and we have not been able to return. My home is in an area under occupation, and I don’t know if it is still standing, as it is near my husband’s family’s house, which was destroyed. We have been displaced multiple times, and every time, I hoped it would be the last.

I worked as an accountant, but when the war broke out, I lost my job and now have no income and no home. My family has faced many hardships, and we were nearly killed when our house was bombed while we were inside. Miraculously, my husband, daughter, and mother survived under the rubble, but we lost my cousin’s daughter, who was very dear to us.

Now, we are homeless, living in my grandmother’s overcrowded house. My health and psychological condition have deteriorated, especially since I am pregnant and worried about bringing my child into this harsh world.

After more than a year of displacement, rising prices, and increasing difficulties, I had no choice but to start a fundraising campaign on GoFundMe. I ask for your support, as every contribution, no matter how small, can make a huge difference and give my children a chance at a better, safer life.

I also need your help in sharing this campaign, as I currently do not have a phone and cannot easily access social media. Every share or post from you can help spread my message to as many people as possible.

@g0at0ad @jupiter-letters @eternal-fractal @evilwizard @dughole

@bug-s0da @jewfrogs @tadpoledyke @pyrrhuria @bamsara

@userpeggycarter @greed-the-dorkalicious @mushroomjar @saturngalore

@entryn17 @saetyrn9 @corvidjuice @friskibitz @clowniconography

@000marie198 @gender-euphowrya @okruee @maythearo @plushiefucker

@hoofpeet @punkeropercyjackson @error-core-animations @bezbzns @laraenglish

@bogor-o @o-lanterns @fairycosmos @shadow-von-vamp @routeriver

@weenwrites @drukhari @wis-art @juney-blues @infectiouspiss

@cadaverkeys @mcnuggyy @patzweigz @petewentzisblack1312 @t4tails

@beetlebongos @jonahmagnus @valtsv @halorvic @witchysolfan

[rosasmeller]

Okay so I've been seeing everyone doing their lamb in bunny suit. And then, I saw a beautiful art by bogor-o(linked below)and immediately knew I wanted to draw my goat. Hopped on a magma with my dear friend Mischa, and we had fun!!

(Credits/links under the cut!)

Euriel belongs to Mischa, and Goat is mine :3

Also a Nari for ur troubles~

Mischa's tumblr:

The art that inspired ours (by bogor-o):

[kyoukorpse]

some art I've done recently of my botw/totk ocs but in an AU where they're in a post zelda timeline world that takes place in an rp group im in 🤸🏻‍♂️

yasu (the sheikah) is originally a yiga member in the original botw / totk timeline 😏 its fun figuring out both dynamics

character in third image belongs to @bogor-o :3

[catboy-teeth]

Some of my fav art fight attacks i did this year!

Characters belong to: 1. @agentcricket-art 2. @dellabeat 3. @gearwe / elkoil_art on IG 4. @haxxydraws 5. @transscribepage 6. @bogor-o

~catboyteeth on AF

[progenyroyal]

some commissions & gift/AF art of my iconoclasts ocs, pierre and guy, that i've neglected to post until now because i keep forgetting i can just post about my ocs whenever i want.

they're half of a polycule, but also half a ?love triangle?: pierre drives the carver and he's totally willing to use it to get to guy's heart. guy only has eyes for the great excavator herself.

artist names are in the caption but i'll also post their links here!

top: @‌bkomei | @‌bogor-o middle: Cowboy_Khajiit bottom: @‌strawberristorm | @‌ramyeonguksu

[wedangrondehangat]

"Memasak"

Suatu hari aku berkata, "aku sedang tidak ingin memasak."

Dengan cepat ia menjawab, "aku yang akan masak."

Dengan riang gembira kami berdua pergi ke penjual sayur.

Sepulangnya, ia duduk di ruang depan. Aku bertanya kembali, "yakin kamu mau masak?"

"Iya, aku yang masak. Tolong kamu siapkan bahan-bahannya, cuci dan potong-potong."

Ya, dia benar bahwa masak adalah menggoreng, mengoven, merebus makanan dan lain-lain, tapi dia lupa kalau belanja bahan, menyiapkannya, mencuci, memotong bahkan membersihkan bekas-bekas usai memasak juga merupakan bagian dari memasak itu sendiri.

Aku tersenyum simpul sambil menatapnya yang tengah asyik menonton TV.

Aku bergegas ke dapur. Ada yang menungguku menyiapkan bahan makanan. Katanya, ada yang ingin memasak hari ini.

***

Seperti konten-konten memasak dalam tempo waktu singkat dengan judul yang mengesankan bahwa memasak amat mudah, cepat, dan sederhana yang melintas di timeline-timeline medsos, apakah sekiranya orang-orang berpikir bahwa memasak sesederhana itu?

Kita bukan influencer kaya raya yang barangkali hanya membuat konten memasak tanpa perlu merapikan bekas-bekasnya (karena punya ART), tanpa perlu pagi-pagi ke pasar karena mereka terbiasa belanja bulanan dan kulkas mereka amat besar, tanpa perlu memikirkan sehabis masak, apa dulu ya yang dicuci? Bahkan bingung, makan dulu atau nyuci bekas masak-masak dulu? Hehe.

Ah, sejatinya yang 'ngejelimet' adalah pikiran kita sendiri. Semua bisa teratasi, kita hanya perlu menjalani, tahu-tahu dapur sudah bersih kembali, dan kita bahagia karena telah berusaha untuk orang yang kita cintai, meski hanya usaha sesederhana membuat makanan siap saji.

_

Catatan Bogor, 9 Januari 2023

[joffyworld]

BOGOR ART OF DADRINDER BEING VERY NARINDER ABOUT BEING A DAD

Hi. Request ♡ Imao (i think that's the name of your narilamb kid ?) Shoveling burgers in her mouth or better yet shoveling straight up dirt and worms in there

not pictured: she was digging around the graveyard specifically

[ofckdslots]

SEMIFINAL EURO & COPA AMERICA 2024 - KDSLOTS

Prediksi skor tim kds akan menjagokan Spanyol & Belanda melaju ke babak final. 2 tim menjadi negara yang paling atraktif juga sering membuat lebih dari satu gol di setiap pertandinga. Kami prediksi Spanyol menang dengan skor 3-1 dan Belanda menang denagna skor 2-0. Siapa yang kalian dukung ? Jangan lupa pasang bola kalian di KDSLOTS 🔥

[mybeingthere]

This is Poland, where the art of Indonesian batik has been practiced for over a century.

Maria Wronska-Friend, the anthropologist and museum curator at Australia’s James Cook University says that she first encountered batik in a museum in her native Poland. 

The story that Wronska-Friend tells is remarkable. Polish botanists working for the Dutch in Bogor, West Java, in the late 19th century were surprised to encounter batik textiles, which they said resembled a similar wax-dyeing technique Polish people used to decorate Easter eggs. The samples of Indonesian batik that they brought back to Poland, along with a contemporary Dutch vogue for batik, triggered a creative movement. Batik, as Wronska-Friend says, quickly made the jump from eggshell to cloth in Poland.

 By the 1920s, there were three how-to books about Javanese batik published in Poland. Polish artisans even started to use Javanese-style canting (wax pens), as opposed to their traditional tools. In Cracow between 1913 and 1925, there were workshops, some comprised of teenaged girls, where artisans made batik textiles adopted from patterns almost indistinguishable from those in Indonesia. STORY BY Indonesia Design December 30, 2016

Photo by Maria Wronska-Friend

[renzakiaoi]

What If your favorite historical figure is in Ikemen Vampire Universe

My Favorite Is:

Raden Saleh Syarif Boestaman

Potrait painting Saleh Syarif Boestaman by Carl Johann Baehr

Raden Saleh Syarif Bustaman

(1811 – 23 April 1880) was born in the village of Terboyo, near Semarang on the island of Java in the Dutch East Indies (present-day Indonesia).

He was born into a noble Hadhrami family; his father was Sayyid Husen bin Alwi bin Awal bin Yahya. He was the grandson of Sayyid Abdullah Bustam through his mother, Raden Ayu Sarif Husen bin Alwi bin Awal. Through his sister, Roqayah, Raden Saleh was uncle by marriage to the famous religious leader Habib Ali Kwitang.

He was considered to be the first "modern" artist from Indonesia (then the Dutch East Indies), and his paintings corresponded with nineteenth-century romanticism which was popular in Europe at the time. He also expressed his cultural roots and inventiveness in his work.

Potrait painting of Raden Saleh by Friedrich Carl Albert Schreuel in 1840.

Young Raden Saleh was first taught in Bogor by the Belgian artist A.J. Payen. Payen acknowledged the youth's talent, and persuaded the colonial government of the Netherlands to send Raden Saleh to the Netherlands to study art. He arrived in Europe in 1829 and began to study under Cornelius Kruseman and Andreas Schelfhout.

It was from Kruseman that Raden Saleh studied his skills in portraiture, and later was accepted at various European courts where he was assigned to do portraits. While in Europe, in 1836 Saleh became the first indigenous Indonesian to be initiated into Freemasonry. From 1839, he spent five years at the court of Ernest I, Duke of Saxe-Coburg and Gotha, who became an important patron.

From Schelfhout, Raden Saleh furthered his skills as a landscape painter. Raden Saleh visited several European cities, as well as Algiers. In The Hague, a lion tamer allowed Raden Saleh to study his lion, and from that his most famous painting of animal fights was created, which subsequently brought fame to the artist. Many of his paintings were exhibited at the Rijksmuseum in Amsterdam. Several of his paintings were destroyed when the Colonial Dutch pavilion in Paris was burnt in 1931.

Studio Potrait in 1872

23 April 1880, Saleh suddenly fell sick. He claimed that he was poisoned by one of his servants, and subsequently died; however post-mortem examination showed that his circulatory system was disrupted due to a clot near his heart. Saleh was buried two days later in Kampung Empang, Bogor. As reported in Javanese Bode newspaper, 28 April 1880, his funeral was "attended by various landheeren [landlords] and Dutch officials, and even by curious students from nearby school.

Raden Saleh Painting

During his stay in Paris, Saleh met Horace Vernet whose painting frequently took themes of African wildlife. Compared to Vernet, Saleh's painting seems to be more influenced by the romantic painter Eugène Delacroix. This could be seen in one of Saleh's work, Hunting Lion, 1840, which has similar composition to Delacroix's Liberty Leading the People. However, Werner Kraus, a researcher in the Southeast-Asian Art Center of Passau, Germany, said that Saleh "never mentioned Delacroix. Perhaps he saw Delacroix's, and possibly Vernet's, works during an exhibition.

And one of my favorite painting by Raden Saleh is:

The Arrest of Pangeran Diponegoro

Raden Saleh is particularly remembered for his historical painting, The Arrest of Pangeran Diponegoro,   which depicted the betrayal of the rebel leader Prince Diponegoro by the colonial government, thus ending the Java War in 1830. The Prince was tricked into entering Dutch custody near Magelang, believing he was there for negotiations of a possible cease-fire. He was captured through treachery and later deported.

The event had been previously painted by a Dutch painter Nicolaas Pieneman, commissioned by Lieutenant General Hendrik Merkus de Kock. It is thought that Saleh saw this painting during his stay in Europe. Saleh made significant changes in his version of the painting; Pieneman painted the scene from the right, Saleh from the left.

Pieneman depicts Diponegoro with resigned expression, while in Saleh's he appears to be outraged. Pieneman gave his painting the title Submission of Prince Diponegoro, while Saleh gave The Arrest of Pangeran Diponegoro. It is known that Saleh deliberately painted Diponegoro's Dutch captors with large heads to make them appear monstrous, as opposed to the more proportionally depicted Javanese.

De onderwerping van Diepo Negoro aan luitenant-generaal baron De Kock by Nicolaas Pieneman 1830–1835.

Raden Saleh’s work has been regarded as a sign of incipient nationalism in what was then the Dutch East Indies / Indonesia. This can also be seen it the depiction of Diponegoro's men. Pieneman had never been to the Indies, and so depicted Diponegoro's men in a more Arabic fashion. Saleh's version has a more accurate depiction of native Javanese clothing, with some figures wearing batik and blangkon.

Saleh finished this painting in 1857 and presented it to Willem III of Netherlands in The Hague. It was returned to Indonesia in 1978 as a realization of a cultural agreement between the two countries in 1969, regarding the return of cultural items which were taken, lent, or exchanged to the Dutch in the previous eras. Even though the painting did not fall under any of those categories, because Saleh presented it to the King of the Netherlands and it was never in the possession of Indonesia, it was nevertheless returned as a gift from the Royal Palace of Amsterdam, and is currently displayed at the Merdeka Palace Museum in Jakarta.

My sketch prototype

I'm still trying to improve my digital art skill. And i think i will try to write story au about him in Ikevamp universe. I'm sorry for my bad English 😭😭

[jurnalkatarasa]

Belajar Mendelegasikan

Hari ini tepat seminggu sejak kedatangan ART (Asisten Rumah Tangga) di rumah kami. Ya, setelah 6 tahun lebih berumah tangga, baru kali ini kami mengambil sebuah keputusan besar untuk mengizinkan orang lain tinggal bersama kami, berbagi ruang di dalam rumah yang menjadi privasi kami.

Saya menyebut ini sebagai keputusan besar. Sebab ini tidak mudah bagi kami--khususnya saya--yang terbiasa menjaga rumah sebagai ruang privat. Selain itu, saya harus menjadi seorang yang mengaku butuh dibantu. Meminta tolong kepada orang lain, ini jelas bukan perkara mudah bagi saya.

Sebelumnya, suami sudah berulang kali menawarkan untuk menyediakan ART. Dan selama itu pula saya masih dipenuhi ragu; enggan untuk dibantu. Setelah melalui berbagai kesepakatan, akhirnya saya pun luluh. Suami merasa lebih rida dengan peran saya di rumah untuk fokus kepada pendidikan anak-anak, pengembangan diri, berkomunitas, dan membantu bisnisnya. Ia tidak ingin saya kelelahan bergelut dengan urusan domestik yang tiada habisnya.

"Hal yang nggak menjadi prioritas, kita delegasikan saja," ujarnya.

Mendelegasikan. Kini saya harus belajar akrab dengan kata tersebut. Meskipun tidak dipungkiri, ada kalanya saya merasa sedih saat pekerjaan yang biasa saya kerjakan, kini diambil alih oleh ART. Juga ketika akhirnya saya perlu merelakan, "Tolong titip temani anak-anak, ya, Teh." agar saya bisa mengerjakan hal lain.

Hati saya sempat gundah. Saya khawatir kelekatan anak-anak kepada saya nantinya akan berkurang. Saya pun menyampaikan kegelisahan itu kepada suami. Ia yang semasa kecil dulu juga terbiasa dijaga oleh pengasuh, menenangkan saya dengan pemikiran logis dan bukti bahwa kasih sayang dan kedekatan pada kedua orang tuanya tidak berkurang sedikit pun dengan adanya pengasuh. Semua akan baik-baik saja, selama kita tetap menjalankan peran dengan sebaik-baiknya.

Seminggu berlalu. Terasa sekali perbedaan setelah kedatangan ART di rumah kami. Saya mulai menerapkan rutinitas (sebelumnya juga sudah, tetapi belum teratur setiap hari). Anak-anak tetap terpenuhi hak bermainnya, saya sempat mendesain konten, merutinkan diri membaca buku, menulis, beribadah dengan tenang, istirahat cukup, mengeksplor hal-hal yang saya sukai, dan berkomunitas. Serta yang terpenting, suami rida karena belajar mendelegasikan ternyata membuat hidup kami jauh lebih produktif dan efektif.

Ah, ya, ternyata belajar mendelegasikan dan meminta bantuan, memang tidak seburuk itu. Mengaku tidak bisa mengerjakan semua sendirian, juga tidak lantas menjadikan kita lemah dan pasrah. Ini hanya soal hal-hal yang perlu menjadi prioritas. Kita manusia, yang secara kapasitas tentu saja terbatas.

Anak-anak tidak memerlukan ibu yang sempurna, mereka memerlukan ibu yang bahagia.

---

Dear suami,

Terima kasih telah mengulurkan tangan kepadaku yang terlalu gagu untuk meminta. Aku bersyukur untuk hari ini; untuk apa-apa yang sedang kita perjuangkan bersama :)

---

Bogor, Januari 2023

[fahed-1]

TAGS

@labyrinthal @craftykittyscientist @lunehowls @officialspec @naggingatlas

@pcktknife @lana-baumgartner @xxlunawarriorxx @solarpunkwitchcraft @zivazivc

@dearmouse @sotogalmo @85-rend @the-meme-monarch @peachdeluxe

@classychassiss @northern-passage @sillysymbol @dailyquests @tiredguyswag

@transguyhawkeye @ender--slime @miss-galaxy-turtle @see-arcane @spitblaze

@ballwizard @prisonhannibal @beserkerjewel @cultofthorns @davepeta

@cuntylouis @wander-bunnies @sagescider @jinsouled @gotinterest

@longseasons @boffix @vaugarde @moonscape @bamsara

@busket @fox-guardian @cherryflavoredbutch @stardustfanfare @infernal-heart

@vilethot @thundergrace @soymikki @lytransthropy @certifiedsexed

@skunkes @necronatural @pickled-flowers @cupiidzbow @eldhuug

@wellfine @thesituation @klugpuuo @tearosepedall @sporesgalaxy

@they-bite @ankle-beez @grox @blissocean @whalefill

@ciderjacks @renmorris @shamemp3 @white-chalk-sapphomet @backfliips

@solarpunkcast @endorphinmachine @pespillo @2bu @log6

@redbuddi @boxheadpaint @xrd @mintcrows @mirrorcage

@zagz @wrightfamily @linterteatime @rottencore @snakeoid

@pinchan @tooies @extremelycursedimages @sealbf @gabzilla-z

@sabrsiren @souldagger @nbblacksheep @b-0-ngripper @catgirlcommie

@jonpertwee @block-swing-perry @sliceofdyke @necromancelena @butchfalin

@karineverse @telltaletypist @vampiricvenus @utopians @catgirlcommie

@cold-open @bugs-r-neat @cloudster-clown @loverboy-ish @starspilli

@c-o-z-m-o @problemnyatic @breadclipp @knightobreath @pseudophan

@maeumsim @do-you-have-a-flag @trans-lunarinjection @viovio @lemongogo

@toriel-2 @rain-bound @cagandante-communistoide @biomic @captain-lovelace

@xenodile @scavenger-toll @skippiefritz @cosmicgamerboy @whatcoloristhatcat

@knightdykes @pastel-cryptids @olliveen @applejupiter @khizuo

@camo-thy @2deadkat @songbird-orpheus @evilscientist3 @midnightcthulhu

@tolbyccia @aishabellasbigblogofeverything @pespillo @hollowslantern @melancholic

@g0at0ad @jupiter-letters @eternal-fractal @evilwizard @dughole

@bug-s0da @jewfrogs @tadpoledyke @pyrrhuria @bamsara

@userpeggycarter @greed-the-dorkalicious @mushroomjar @saturngalore

@entryn17 @saetyrn9 @corvidjuice @friskibitz @clowniconography

@000marie198 @gender-euphowrya @okruee @maythearo @plushiefucker

@hoofpeet @punkeropercyjackson @error-core-animations @bezbzns @laraenglish

@bogor-o @o-lanterns @fairycosmos @shadow-von-vamp @routeriver

@weenwrites @drukhari @wis-art @juney-blues @infectiouspiss

@cadaverkeys @mcnuggyy @patzweigz @petewentzisblack1312 @t4tails

@beetlebongos @jonahmagnus @valtsv @halorvic @witchysolfan

@hurtz-whale @maxknightley @ricecaqes @cccshutdown @honted

@wolf-tail @beybuniki @jedi-valjean @chuuyasoup @andfangs

@cozy2000 @duncebento @3000s @orphetoon @catgirl-kaiju

@dykentery @ossifer @crusty @libelelle @coastalhorrors

@tiercel @borrelia @nvtxl @nonbinary-watanuki @verdiesque

@metamorphesque @eremes @waterloggedsoliloquy @fascinationstreetmp3 @stellarfalls

@queerpyracy @mlm-blues @lakesbian @u3pxx @crtvirus

@d-druxy @femmesbians @specialmouse @dadpilled @leechloach

@c-rberus @frigidwife @mak-to-the-future @belogna @catgirlcadaver

@beteldyke @helioxed @cannibaldaughter @leafys-reblogs @cetitan

@danashehab has been fundraising since may and is just over €15,000 away from their goal l. as stated in the screenshot people are starting to believe the rafah crossing will open so it’s important to make sure everyone has the funds in case they are allowed to evacuate.

thee shehab family consists of dana (13), sahar (14), mona (9), malak (5), yehya (1.5), fahed, (38), reem (32), and grandmother mona (60). they have been shadowbanned and deleted a few times. you can also find this family at @monashehab

EDIT AUG 24:

The family has had to raise their goal to cover their extended family’s evacuation fees since they are unable to make a new GFM.

The new goal is €85,000.

[vetted]

[kyoukorpse]

Arassa Mahmani (aka "Jo'zhirr", "Jo")

Tabaxi

Wizard (School of Evocation)

31~ years old

Agender (they/them)

Arassa showed interest in the arcane arts at an early age and having been born into a humble family that's made a living through textile weaving for generations, the practice brought stress and strain into their small family household. Their mothers futile attempts to curb their interests only divided them more and when they were 18 years old Arassa left their family home in pursuit of more knowledge and to find a proper mentor. Their misguided venture took them to a large city with a sizeable academy, but after a couple years there they desired to learn and know more than they could continue to offer them. An attempt to leave the country by ship to achieve these new aspirations brought them into the path of a violent group of pirates that decimated the crew meant to bring Arassa and the cargo onboard to land. Arassa was at the mercy of the captain Selma Tempest and only by offering their arcane skills to her were they able to be spared, but at the cost of joining the crew. They spent their time on board The Revenant helping the crew leave nothing but pieces and barely living survivors in their wake, and after four years they saw a window of opportunity to leave and grabbed it. They abandoned the crew, grabbing anything they could carry and escaped into the night without looking back. They had escaped in the northern most part of the continent, wandering for a time from place to place until joining a guild they had heard word of during their travels. It's been nearly eight years since they left their old life of piracy but the consequences of such are catching up with them.

Jo is the first PC I made for @bogor-o 's campaign, I've had them for 6 years! They were on the back burner for some time, but I picked them up again last year and have been enjoying the new sudden burst of inspo for them :3 All art in post is from 2022-2023.

[wedangrondehangat]

Jadi gini,

Entah, pengen share aja. Untuk mengingatkan diri sendiri, kalau nanti tiba masanya semoga diberi rezeki lebih untuk merekrut ART dan dikasih support system yang baik. :)

Kalaupun tidak, semoga senantiasa diberi kesehatan mental dan jiwa raga yang kuat untuk menjalani kehidupan yang tidak bisa ditebak arahnya.

Aamiin..

_

Edit.

Sumber tulisan tersebut dari Quora, ya. 😁

Lagi mengurangi main instagram, tapi kecanduan baca Quora. Tapi lagi, tetap belajar ngonten di instagram kita.sementara 😁

Kalau baca Quora, ada nyes..nyes nya gitu. Kayak, oh ada ya kisah hidup orang seperti itu. Oh ada ya manusia seperti itu sifatnya. Dan lain-lain.

Bogor, 12 Des '22 | 16.54