#Autotune free demo

[onewordshy]

Free Online Halloween Goodies

I made one of these lists every year and posted it on reddit but they deleted all my posts as spam a while back so I'm backing them up here!

Read - Abby Howard's short horror comics: An icon in the online horror scene (to me at least), Abby is known for crafting spooky stories with great art and her comics are a must read! The demo to Scarlett Hollow, her blockbuster visual novel, is also worth a play.

Play - QT: the so-called "anti-jump scare game" wherein you search through a spooky abandoned house trying to find your friends. It's super cute and perfect if you don't want something scary.

Listen - A Bnny Nghtmr II by BNNY RBBT: A Halloween themed visual album tied into a YouTube alternate reality game about a mysterious '90s pop star who vanished. The album uses unusual sounds and the autotune heavy style might seem grating at first but it's kind of mesmerizing and a good listen for the season.

Read - Ruby Quest and Nan Quest: Two legendary horror "quest interactives." The writing style is a little unusual and the artwork is kinda crunchy but trust me, they're gripping stories of people trying to survive terrifying ordeals, combined with escape room puzzles and psychological horror. I personally prefer Nan Quest (its "haunted hotel" setting really works and it's much more polished).

Watch - Lo by Travis Betz on YouTube: which is not only my favorite horror movie but quite possibly my favorite movie in general? It's about a man who summons a demon to find his missing girlfriend, it's very low-budget but it's incredibly creative and a great meditation on love and loss.

Read - Emily Carroll's comics: You might have seen these floating around before but they're good, His Face All Red is the perfect Halloween ghost story.

Play - The Night Is Darkening: a short, free horror game about a ship that gets stranded on a floating island. It's just a simple exploration game but gothic energy is strong with this one, despite the short length it had tremendous world building that made me so intrigued. More unsettling than scary.

Browse - MORTASHEEN: an online database of fictional monsters from the creator's fantasy setting. If you're into creature design and unconventional monsters and somehow haven't heard of this, get on it now.

Read - ALL HAIL THE MONUMENTAL HORROR-IMAGE: An article posted to The Outline that I think fans of horror would be very interested in, it’s in slideshow format so you essentially just scroll through screen caps of iconic moments from horror movies interspersed with text from the author opining on what exactly it is that makes them so effective.

Watch/Listen - Evil Dead: The Musical: A campy parody of the already campy horror franchise, the original Canadian cast of this show was professionally recorded for posterity and has made its way onto YouTube. The video is pretty potato quality but you know what, we’re lucky to have this at all.

Play - The Open House: A very unique horror game that takes the form of, of all things, a virtual guided house tour through a fairly mundane piece of real estate that slowly reveals itself as a house of horrors. While there are a few obligatory jump scares, the game relies mostly on the unsettling atmosphere and brilliant pacing to lure you in and keep you hooked until the terrifying end. A short game (twenty minutes if you’re quick) can be played in browser or downloaded, but here’s a play through as well.

Watch/Listen - Ghost Quartet: A one of a kind musical/theatrical experience. the show weaves a complex interlocking narrative that I can’t even begin to unpack but is ultimately about four friends who get together on a dark night to tell ghost stories. It’s an old school style of spooky, telling out tales of love, betrayal, revenge, and of course ghosts, all spelled out through abstract metaphor and fantastic music.

Read - Jared Pechacek’s Annual Harvest Festivals: A thread of microfiction tweets each describing mysterious local harvest festival traditions from a town called Springfield in every state in America. The brief descriptions are evocative and offer a fun twist on some classic Americana, sounding both familiar and surreal.

Listen - Old Radio Plays: There’s a certain kind of vintage charm to these old radio programs that’s very comforting, and while I don’t pretend to be an expert in these types of things I’ve linked to a handy tumblr post where another excited recommender has compiled some that they felt were noteworthy.

Watch - Daisy Brown: Daisy Brown is a web series that exploded onto the scene back in 2017 with the video “How I Feed Alan,” which shows a cheerful young woman feeding sugar pills to some kind of monster. The strange juxtaposition of the grotesque imagery with Daisy’s completely casual tone was instantly intriguing, and over the course of the next two years she’d upload regular vlogs that gradually unraveled the mystery behind this strange family.

Play/Read - The Shadows That Run Alongside Our Car: A fully illustrated visual novel that tells the story of two strangers driving a car through the zombie apocalypse towards an uncertain fate. It’s very well written, has great atmosphere, and the theme of searching for hope and human connection in the face of inevitable demise is more timely than ever.

Listen - LVCRFT: Basically they’re a collective of (pretty high profile) artists in LA who got together and decided to create Halloween music, and it slaps! They have several excellent albums full of spooky tunes that you should be bumping to while they’re still seasonal!

Read - Crow Cillers: The basic gist of the plot is that a group of kids get tangled up in the machinations of a cult who are trying to control an otherworldly dimension(?) called Ynce Iche, but that's just the starting point for where this comic goes because it's the kind of story that tears itself apart and sews itself back up. A diverse cast of characters and well written dialogue bring a lot of life to this experimental webcomic.

Watch - Local58TV: The brainchild of Kris Staub, a perennial fave of the online horror scene. The videos are short films designed to look like news broadcasts from a world similar to our own, but also different in a few key ways. Found footage VHS horror has been a growing field in the past two years and imo this is the best it's been done yet.

Play - Symposium of Grief: The story of a ghost trying to find his lost heart, this one is a bit more emotional than the others listed here. It takes place in a spooky town full of ghosts and monsters but it's more about trying to find connection and a purpose in life than anything else; the writing is funny and the art is gorgeous and I have no clue why it's free because it seems super high effort.

Play/Read - the uncle who works for nintendo: Is this a cult classic? A text based adventure game about being a kid and going over to your friend's house for a sleepover that goes very, very wrong. I don't want to say too much and spoil it but suffice to say this is more hair raising than you'd expect. Can be played in browser so you don't have to download anything!

Listen - Ellise: Ellise makes short, catchy pop songs that have horror themes, with her last EP being centered around fairy tales in particular. It's a bit "edge lord" at times but hey, that's part of the fun!

Read - Fuan No Tane: A cult favorite manga, Fuan No Tane is a collection of unsettling ghost stories inspired by the unusual urban legends of Japan. It's slice of life in a way, there's no plot and every entry is pretty short (some just a few pages long), but the imagery and mundane-cum-horrifying tone really stick with you.

Watch - Ultraman Max Episode 22: "Butterfly Dream": Kind of a wildcard pick but if you're into the more surreal side of horror then this one is for you. While the typical episode of Ultraman would see the hero fighting some sort of rubber suit monster, "Butterfly Dream" instead is a bizarre, experimental story about a man attempting to write an episode of Ultraman, a woman trying to craft the perfect monster, and the hero caught in the middle.

Play - Don't Get Spooked!: A twine horror game from Halloween aficionado bogleech.com, this is a silly little comedy game where you click links to navigate a haunted house and try to collect all of the endings. Very dumb but a lot of fun.

Watch - The Black Tower: A classic short horror film about a man who notices a new building on the horizon… and then can’t stop noticing it. The story is told entirely through voiceover and mainly static footage, which gives the film a dreamy and unsettling atmosphere, and the “monster” feels very unique even today. I think if you like the more artsy and understated side of the horror world you’ll appreciate this.

Play - There’s A Bear Outside: Spend the night in a cabin and encounter a totally normal bear. An unusual spin on the “campfire story” formula, this interactive text game loosely tracks the stories of different people who encounter a surreal thing (really, a completely normal bear) which causes their lives to spill open. Kinda spooky, kinda silly, kinda a surprisingly emotionally cutting exploration of the human experience.

Read - Third Shift Society: A supernatural action comic about a down-on-her-luck girl who discovers psychic powers that conveniently land her a job as a “Paranormal Detective” and adventure ensues. Kind of a stock standard Webtoon but it was nominated for an Eisner Award and also one dude has a pumpkin for a head, so, that’s fun!

Watch - Headless: A Sleepy Hollow Series: A web series that offers comedic take on the classic Legend of Sleepy Hollow, following meek school teacher Ichabod Crane as he tries to unravel the mystery of the Headless Horseman that haunts his new hometown. Chock full of crazy characters and wacky circumstances, the show has an interesting sense of humor but manages to land a lot of good jokes while still crafting a surprisingly compelling story.

Read - Katalepsis: An ongoing urban fantasy web serial with major horror elements that follows the adventures of a young woman who discovers that the gruesome hallucinations that have plagued her since her childhood are real, a revelation which almost literally throws her into a world of strange people with stranger powers. Has a relatable protagonist, a unique story, creative world building, strong character development, and also like every character in this book is a queer woman.

Watch - Zombie Prom: Boy meets girl, boy and girl break up, boy drives into a nuclear power plant and comes back as a zombie… that old story. And it’s a musical! This short film (a bit over a half hour) is a super campy parody of ‘50s teen romances with a lot of fun songs, perhaps a little low-budget but that’s just part of its charm. Notably features RuPaul as a villainous high school principal.

Read - Angel Chain: An ongoing web comic about two dysfunctional sisters who encounter an “angel” who they can control using charms attached to their flip phones, but not all is as it appears. Sort of like a bastardized parody of anime/creature collectors/‘00s culture, this comic isn’t very far along yet but it stands out for eye catching art style and delightfully emo sensibilities. Be sure to explore the homepage for secret links too~

Play - Night Work: This interactive comic casts you as a janitor on a space ship who does his best to survive when things go horribly wrong. A simple story elevated by the beautiful black/white/red color palate and some smart gameplay choices. Plays in-browser so there’s no download required and it’s really quick, though you’ll probably want to do it a few times to get the different endings.

Play - The Anthology Of The Killer: A series of short games about a young woman named BB who goes on misadventures and meets all sorts of kooky characters... who want to kill her. Swim through a haunted waterpark, stumble through the dark backrooms of a cursed theatre, survive the art in a judgemental museum, become the herald of a new form of music, and more! The visual style is immediately striking, very punk and surreal, but what makes the games stand out is their great sense of humor and unexpected intelligence- you'll find yourself thinking and laughing at the most unexpected moments.

Explore - Welcome Home: A fansite for a (fake) children's show called Welcome Home that was mysteriously "lost..." perhaps for a good reason. The characters and the fake show seem very cute, but as you click around the site you might stumble across several links that hint at something darker lurking beneath the cheerful exterior. Tying together the internet's fascination with lost media with the rise of "mascot horror," it's no wonder that this went viral earlier this year, which is great because it means there are a lot of "explained" videos/articles out there for people (like me) who don't have the patience to actually do ARG bullshit.

Watch - The Search For The Next Elvira: A deep cut from Elvira lore is that back in 2007 she concocted a reality competition show where she put thirteen youngsters through a series of challenges to determine who could best fill her bra shoes and it is peak '00s reality television- there is no budget, it's super cheesy, nothing makes sense, and yet you just can't stop watching. At only four 40 minute episodes, it's a fun little thing to have in the background.

Play - Elevator Hitch: A unique visual novel with escape room elements about a young man starting a new job at a corporate office finds himself sharing an elevator with an annoying executive... and that's just the start of the horror! Explore nine different floors, each with their own twisted puzzles, and try to find a way to freedom... if it even exists. Witty writing, a charming anime inspired aesthetic, and plenty of surprises in store.

Explore - A Book Of Creatures: A cute little blog devoted to recording different "creatures" found in mythology and folklore from all around the world. If you're a monster lover like me this site is a treasure trove because the creator goes pretty deep with the references and pulls up some fairly obscure creatures- and provides beautiful illustrations for each.

Watch - Gregory Horror Show - An animated series of short episodes that tell the story of a human who arrives at a mysterious boarding house full of terrifying creatures that make his every waking minute a nightmare. It's a more cartoonish take on horror but the memorable cast of characters and the surprisingly compelling story have made it an enduring cult classic.

Read - Dustin K Couch's Creepypastas: This creator has gone viral several times for his unique format of short form comedic horror stories that come in the form of fake social media screenshots about surreal phenomenon that takes hold via the web. Short, amusing, slightly unsettling, and punchy. Also on tumblr if you don't want to go to xitter.

[epicvewor]

Autotune free demo

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KeroVee can mix two independent transposed outputs of pitch-corrector and bypassed output. KeroVee is focused to so-called Autotune effect, that is robotic but different from the vocoder. We'll introduce you to some workhorses for your vocal performance and recordings. Now you can easily select which scale you want to pitch correct. KeroVee is a Pitch Correction plugin that works as a VST effect. Autotune VST plugins remain vital in contemporary music production.

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Also works with any DAW using the AU and VST formats, including Studio One, Logic Pro X, Cubase, Ableton Live.Auto-Tune Unlimited is our premium subscription bundle that offers the lowest cost-of-entry access to the complete AVOX collection, every current version of Auto-Tune, Auto-Key, free software upgrades, and ongoing access to select new plugins. We’ve modded Cycling 74 Autotuna which is included in Max 7 Pitch and Time Machine pack. Ffree Pro Tools AAX plug-Ins including auto pitch correction, dynamics and more with the Melda Free Bundle.

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This Free Trial is available to current Pro Tools Subscribers or new subscribers until Avid decides to discontinue this offer. The demo version features a computer with limited IQ. On Auto-Tune and Avid have partnered to bring Pro Tools and Pro Tools Ultimate subscribers three free months of Auto-Tune Unlimited, the most powerful and comprehensive collection of professional vocal effects. Antares AutoTune Pro Mac is a robust audio add-on which gives you to create adjustments. It provides vocalists unmatched liberty to work with vocal creativity. It has natural pitch modification and audio quality.

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[cherry-interlude]

Lana Del Rey Unreleased Ranked (2)

This is a re-ranking of Lana's unreleased songs, after making a first a few years ago. This is all my opinion, which I don't mind anyone disagreeing with but don't come for me for it - honestly, I like every song, despite any criticism, and this ranking is very vague. It's based on objective and subjective opinion.

This is the second of five posts, going past my least favourites.

Money Hunny

Lana details the downside of money, detailing the ways it ruins lives and causes more problems that good for some. However, it’s simplicity isn’t what makes Money Hunny fall short – it doesn’t resonate at all compared to Lana’s countless songs where she is either rich and famous or she is desperate for money (or men with money). As thought-provoking as Money Hunny is, it feels too twee and out of place in her money-adoring music to really hit hard. If Lana has spoken on the topic of how money can literally damage lives more, it would perhaps gel better with me, but with songs like Money Power Glory, National Anthem and Off To The Races (among many, many others), it doesn’t hit the mark as a Lana Del Rey (alternate names included) song.

Strangelove

Strangelove is hypnotising, from Lana’s mesmerising voice that gives her the impression of a Las Vegas desert temptress, seducing strangers and wishing for the simple pleasures of Christmas lights and mint juleps. It hits best for the first opening chorus.

Stoplight Delite

Opening with a tuneful mechanical whir, Lana’s song wouldn’t be amiss in a teen romance film. I’m not convinced by the mishmash of music – the more classical band instruments with unrelenting whirring begins to overwhelm the song. Lana’s at her sweetest in this however.

Daddy Issues

The music is a bit too harsh but it’s a nice enough song, referencing Baby Blue Love among others. It isn’t Lana’s best by far, messy with lyrics that go all over the place, but (yet again), it would be more promising if it was completely remade and produced properly. The demo, I Was In A Bad Way, is a lot more maudlin and less enthusiastic, so it does fall behind Daddy Issues.

Catch and Release

It’s another song that’s kind of creepy, with an eerie vibe thanks to the relentless, whining music and Lana’s razor-edged warnings in her lyrics. Lana is practically a megalomaniac in this song, completely selfish and unafraid to ask for – and get – what she wants. Yet it’s quite a hypnotising track that, with further production, could be more cohesive and dramatic.

Marilyn

One of her old live performances, Marilyn is too simple in its lyrics but is a strangely erotic tribute to Lana’s icon. Lana owns the stage in this performance, a more carnal honouring than some of her other outputs.

Noir

Lana really goes for it in this furious song of crushed self-esteem and badly treated lover. Lana lets her vocals rip and tear as she growls about her “papi”, her being merely his dolly to do as he pleases. It's not her most perfect song but she doesn’t hold back from letting her hurt and frustration spill over.

Bellevue

Lana utilises haunting harmonising in Bellevue and though she seems hung up on her lover not wanting her around (she repeats it, as if she can’t let go, throughout the song) she still convinces herself she could go back to the old days of drinking and not being hurt. It helps – her chanting – to bring out the emotion of the lyrics, and maintain that broken feeling she is so good at conveying whilst saying how happy she is.

Put Your Lips Together

Taking on the character of a femme fatale who can hold her own, Lana seduces the listener on top of a chilled instrumental. Her lyrics are little bit dirtier as much as her vocals aren’t their best in the choruses (of course, it being a rough demo might have something to do with that). It’s definitely a song that, if completed, could rank alongside Beautiful Player and Ooh Baby in her seduction library.

Starry Eyed

Starry Eyed is a romantic enough song, with a gentle plinking intro that leads to a rumbling, Born To Die-esque track – complete with Lana’s pretty vocals. However, it does tend to drag, a slow song that I find majorly skippable. The dragged-out choruses get tiring after a while of listening so I don’t frequently listen to this song.

Breaking My Heart

Lana is fully materialistic in this song, referencing multiple designer companies as well as her desire to be loved and party. It’s not too imaginative in its lyrics, instead pure pop with a mixture of lyrics that never quite come through with a particular meaning, but it’s a good enough bop.

Butterflies Part 1

A little love song about a tumultuous teen romance, Lana plays off the lovestruck teen ultimately in love with a guy not good for her perfectly. It’s heady and full of the rushes of love, emotive enough to get the feeling of a girl going mad from her relationship.

Ben

Lana, using the rain to her advantages, moodily comforts her executive love in the full femme fatale façade, quietly passionate. Lana, as much as she loves him, is still her own woman, insisting she will smoke if she wants and playing with her voice to showcase such control.

All Smiles

Lana puts on a happy smile as she mopes over Jimmy in this small-town, fifties-painted tale of a girl who wants a man she can’t have. She mostly hits the mark in this acoustic track and has the right foundations for a decent country ballad.

My Best Days

My Best Days is a short song of cleverly utilised trap beats, autotune and slowly layering instrumental in which Lana isn’t happy without her lover. The organ outro is gorgeous, and it’s a track that can perk you up or calm you down.

Get Drunk

Restless pace, whispered mocking and an overall darkly seductive tone – it’s unembellished and, in some ways, could play as Lana dealing with her past alcoholism (demanding whomever the song is directed to should get drunk). It’s a vibe Lana should explore more over a decade since Get Drunk and the like were made.

Let My Hair Down

A simple and spooky track, Lana has an acoustic jam session consisting of unsettled guitar, bongos and her voice. It’s rather repetitive but it’s something different that works well. It shows Lana doesn’t need too many fusses and frills on her tracks to make something captivating, much like her Sirens album.

Every Man Gets His Wish

The intro of upbeat whistling climbs into a lowkey track that goes from sensual stuttering and a sad chorus that still sounds like Lana has a smile on her face. The mood shifts along with the tune but it is altogether cohesive.

Dance For Money

As stripped as the pole dancer Lana plays, Lana gently teases and cajoles in her ode to older men, lemonade and motorcycles with little else.

Back To Tha Basics

Much like the title, this track is a little bit basic but it’s still zesty with a wonderful instrumental and some pop-inspired vocals.

Butterflies Part 2

Production isn’t perfect on this track but Lana has such promise in this song in which she compares to lured in girls to butterflies pinned to a wall, all at once melancholy, knowing and cheeky. It’s unfortunate that the lyrics are so hidden beneath the dominating instrumental, but with tweaking this stormer could be even better.

Children of the Bad Revolution

The kind of song that would be found on one of her albums, Children of the Bad Revolution is a pacy dedication to Lana’s life as a delinquent a la the 1950s starlets. It’s good but it’s not anything too impressive, instead a chilled track that is simply about being free.

Beautiful Player

Lana mopes in the track about a somewhat disliked girl (perhaps they’re all jealous of her) who is in love with one of her players, giving the feel of a villain club performer smiling with red lipstick on and black mascara staining her cheeks.

Lift Your Eyes

Lana takes control in this song, instructing her lover to lift his eyes, rise above his demons and join her in self-respect. It’s a fine alternative to her gushing and moping characters, and with machine-like music running under the song, Lana sounds stronger than ever.

Valley of the Dolls

In this compact track Lana is once again frustrated by her lover. It’s pained but pretty with her vocals once again taking the forefront.

C U L8r Alligator

Just an acapella demo, C U L8r Alligator is simply Lana’s voice with her beating a rhythm in time. However, I really do like this song. I think it would sound even better polished and complete, but for a rough demo it’s promising. The Kristijan Majic remix is the version I most listen to, which makes it sound even more eerie (and if anyone remembers the D1ETPUSSY video that went with it, you’ll get why this song doubly haunts me). It’s not Lana’s finest but it’s a song I would have loved to see developed.

In The Sun

In The Sun is so hot it burns, more heatwave than refreshing sunshine, as she scorns her ex-lover. It’s not the finest instrumental but Lana sticks her fingers up with incredulous shock that someone could betray her so. She keeps the vibe great paired with blue skies and swimming pools with the upbeat music.

Hot Hot Hot

Big Bad Wolf, a slightly different demo track, is what I favour – stripped back, sexily uneasy, the lyrics letting the vivid imagery of red skirts, red cars and devilish men shine. Yet Hot Hot Hot is a decent, if not cheesier, song too, the chanting great for singing along.

Trees

Lana and The Rich Whores strike out with this kickass band-driven track that showcases Lana’s feistier vocals strongly. The lyrics are sparse but the overall feel of Lana going nineties-rock-chick keeps me wanting more of her in this style.

Push Me Down

Rather than being like the controversial Ultraviolence, Lana keeps the ‘violence’ fun in this pacy song, demanding her bad boy treats her badly in the best way possible. With a mildly rock edge, it’s still distinctively party-Lana, reminding of a pop-ier True Love On The Side.

She’s Not Me

It isn’t particularly imaginative pop but Lana lets the guitars do the talking as she whispers her warnings to her ex-lover. Lana owns this track, and though it feels a bit amateur in comparison to her discography and some of her stronger unreleased music, it shows she would have been great even if she went for the noughties chart pop scene. Fun and punchy, it’s a song to play on repeat.

I Don’t Wanna Go

The tentative and tight intro gives me the vibe that Lana wants to avoid going home rather than simply wanting to hang out with her lover, and her pain-tinted vocals in the chorus only add to the theory. She compliments her fascinating guy throughout the verses, a little more restrained but ultimately tense in delivery, before confessing how much she wants to stay out.

St Tropez

This is a great track for dancing and a celebration of being a party girl with plenty of attention. Best played when you want to imagine yourself as the main character.

Summer of Sam

Lana has yet another song of being a cutesy bad girl, comparable to the likes of Dangerous Girl and Playground, but it’s still fairly generic, standard pop fare. Summer of Sam is still quite fun however, drenched in pop and even with a hint of rap-talking keeping the song lively.

I Talk To Jesus

Lana returns to her religious roots in a less blasphemous way (Body Electric, for example) and instead sings a sad ditty about wishing she could have her old life. Solemnly it remembers her past (as seen in her older music) where she had the trailer parks, Christmas lights and her equally holy boyfriend.

Axl Rose Husband

The imagery is rich and gorgeous, not to mention the reference to one of Lana’s idols, but Axl Rose Husband doesn’t always do it for me – despite her strained, desperate vocals that perfectly exemplify her emotion.

Ooh Baby

Sampling Sexual Healing, Lana ramps up the sex appeal as she lets the listener know how much they want her, all while keeping it a little but more upbeat than the original song.

Other Woman

Lana’s tired of being the other woman in this track, and I like the way the lyrics flesh out the story a bit more rather. However, the chorus does get a bit tiresome sometimes.

Girl That Got Away

Lana shows you exactly what you’re missing as she mopes for her ex-lover with a smile on her face, taking the reins and knowing she has something he misses in a bubble-gum pop song about being the it girl you’ll regret letting go of.

[borisbubbles]

ESC2021 Preshow: 30. Poland

Rafał - “The ride”

Semifinal 2, #06

Can you keep a secret? I actually lowkey enjoy “The ride”. 🤐

Or rather, I enjoy the ride of “The Ride” and “enjoy” might be strong term, it’s more like “derive glee at the expense of”? 

Anyway, the NOTION of any country deciding to throw the competition because they don’t have money/effort to spend and then doing so by sending the FIRST Swedish demo track they get their gnarled hands on, then passing that unaltered demo on to a fame-hungry “Wheel of Fortune” host with zero charisma who neither can’t sing nor dance let alone enunciate simple English words properly; *that* specific notion is fucking hilarious to me. It sounds like something one would make up for a fanfic. 😍

So of course the Poles immediately responded with raging meltdowns and blistering online hate, and a flurry of dislikes. Rightfully so, to be honest. I didn’t like “Empires” but if my country skipped over a talented young girl who was robbed of esc over Broadcaster Pet Rafaw Brzozowski, I’d be f’king pissed too.

THANKFULLY I AM NOT POLISH THOUGH so I’m free to just point and laugh at:

> The fact that TVP didn’t even bother changing the original demo for Rafal, forcing him to sing lyrics written for a young woman <3 > The sheer INSINCERITY (and pending irony?) of “it doesn’t matter if I stumble and fall, I’ll make it through I’ll never touch the ground” 😍 > Rafal’s *extreme* gaylisp making it through the severe autotune somehow (sample: “WRITHE. STHERIN ATH THE NEONTHINETHS” only slight hyperbole?) > The fact that Rafal can be compared (and has been compared, by moi) to the following: a bouncer, a bodyguard, a cyborg, an agent from The Matrix,... > Spotify uploading “The ride” as a song of a DIFFERENT RAFAL <33

So yeah, overall, this basic synthwave track (stress on “basic”) doesn’t leave much of an impact at all, but each time I see Rafal writhe his way through the English language, a Cara Mia-esque disaster choreo, the pretend-straightness of it all, it amuses me. Completely at his expense though, lol. 

Predicted Journey - Poland

I’ll start by pointing out that TVP announced that they put Rafal into a “HEAVY SINGING AND DANCING BOOTCAMP TO ENSURE HE’S READY FOR ROTTERDAM.” Casting someone of HIS AGE AND TENURE who isn’t able to do that already <3 also they made that statement a mere two days before the back-up live-on-tape performance was to be recorded. 😍😍😍😍. 

and yes, the song itself is literally a demo, Rafal has zero charisma, everyone either hates or doesn’t care for it etc.

There’s not a single aspect of the production (”production”) surrounding “The Ride” that isn’t funny to me and is fully frustrating to every Polish person ever. But it all amounts to the same: “The ride” is a total throw and it WILL go down in flames the second it hits the ground.The only hope I have is that when Poland NQ, it will be more funny than embarrassing. 

Projected placement > Qualifier tier: Dead on Arrival > Semifinal: 13th-16th (out of 17)

THE RANKING 

01. 02. 03. 04. 05. 06. 07. 08. 09. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. POLAND - Rafał - “The ride” 31. ISRAEL - Eden Alene - “Set me free” 32. GEORGIA - Tornike Kipiani - “You” 33. PORTUGAL - The Black Mamba - “Love is on my side” 34. SPAIN - Blas Cantó - “Voy a quedarme” 35. NORWAY - Tix - “Fallen Angel” 36. CYPRUS - Elena Tsagrinou - “El Diablo” 37. AUSTRIA - Vincent Bueno - “Amen” 38. NORTH MACEDONIA - Vasil - “Here I stand” 39. GERMANY - Jendrik - “I don’t feel hate”

[bisexualhobi]

I’ve heard bts are working with some more rap centered producers for whatever they have coming next. They were at their best as a rap centric group. Do you think it could actually be good again? Also what do you think of mots 7?

oh really? I haven't heard a peep about that. but if it turns out to be true then yeah I definitely think it could be good again. yoongi, hoseok and namjoon are OVERFLOWING with ideas. they have so much potential that's being wasted in demos that get shelved, sold to other artists or simply put out in their soundcloud instead of actually being used as bts concepts. I don't mean they need to put out an entire hiphop album.... but just the songs written and produced by them are masterpieces whether they're rap focused or not. so yeah, if they went back to a more creatively free direction I'm confident their music would be again. and the members would be happier which is what matters

mots7 is an alright album with standout songs and a lot of filler. it is very weak narratively and it was put together with not a lot of thought behind the flow and pace of the songs. but some of their best songs ever are in that album. production wise I think it's very average nothing that stands out and nothing to be criticized except the fucking autotune bang pd et al are obsessed with giving them

[superfuckthisname]

Chemtrails Over The Country Club review

White Dress (10/10)

White Dress is a haunting piano ballad, absolutely astonished with this opener. It's raw, simple and emotive, opening up the record with one of the best vocals Lana ever had in a song. The lyrics are not complex but you understand the beautiful message anyway.

Chemtrails Over The Country Club (7.5/10)

Not a bad title-track but my least favorite of hers, just doesn't stand out alone even though fits nicely in the record and summarize Chemtrails's whole feeling.

Tulsa Jesus Freak (8/10)

Sexy moment on the record, the sister track of Cinnamon Girl. Love the beats but the autotune annoyes me a little.

Let Me Love You Like A Woman (6.5/10)

Kinda boring to be honest, the worst choice as a single EVER. This song can't compete with the others, so it's on the bottom.

Wild At Heart (10/10)

Loooove it, one of my favorites. The chorus is spectacular and the verses are cute, the outro is a highlight too. The How To Disappear sample seems to fit better in this song rather than in HTD itself.

Dark But Just A Game (10/10)

Sexy and very Portishead/Amy Winehouse. I like every single piece of this track and the piano transition from the first chorus to the secund verse is CHAOTIC (in a good good way). Girl's not changing and that's all my folks. Also she mentioned the poem 'Howl' by Allan Ginsberg and that's so her.

Not All Who Wander Are Lost (10/10)

Midwestern blues, a Sirens kind of production (folk perfection). This song has its vibe, its sadness and reminds me of My Own Private Idaho (especially River Phoenix's character). I also adore the guitar outro in this one, Jack nailed it. I FEEL the layers of this track deeply.

Yosemite (10/10)

Would've been the best Lust for Life song, period! Another folk masterpiece, Rick Knowels is king. A sweet love song about not changing and being true to yourself and doin' things for fun and for free. HAUNTING bridge, very cinematic.

Breaking Up Slowly (6/10)

The live version was better and I was expecting at least a 4min song but this track sounds like a demo. Maybe a guitar intro and more verses and it could've been a highlight...

Dance Till We Die (10/10)

Wow. This song is good, the lyrics are touching and the bridge is THE moment that turns a calm song into a explosive moment, like water turning to wine. Also like the jazzy feeling of this track due to the instrumental composition.

For Free (9/10)

Her best cover in my opinion, sounds like sirens singing to the lost pirates. Zella, Lana and Weyes' voices fit perfectly and this one is already a sweet song but the trio made it sweeter. A nice closing track that sums up the whole mood of the record while making a tribute to Joni Mitchell and the essence of music.

Last considerations of the record:

Her seventh studio album is a brilliant comeback after the worldly-acclaimed Norman f*****g Rockwell!. Instead of jumping into a totally new world, 'Chemtrails' dive into some instrospective moments of 'Norman' and extend them whilst goin' for a midwestern direction instead of sonically worship LA. It's more profound and stripped back than its older brother 'Norman', goin' back to the Sirens/folky roots of Lizzy Grant - I praise that!

My new ldr albums ranking:

Honeymoon > NFR! > Chemtrails > Ultraviolence > Lust for Life > Paradise > Lana Del Ray a.k.a Lizzy Grant > Born To Die

[thechrisramos]

Chromatica Written Reaction

Chromatica, Lady Gaga's newest album, is suddenly out and I am excited to listen. 

I have both Spotify and a free 3-month trial for Tidal, so I will listen on Tidal because they pay the artists more. I hope Tidal pays artists during the trial period. I bet they do or Taylor Swift wouldn’t have her catalog on there.

Here we go:

Chromatica I – Good movie-esque intro. Short and good. 

Alice – I don’t like the song, but I enjoy the song. The beat and the lyrics just make sense, but I don’t like it or dislike it. 

Stupid Love – I didn’t really like Stupid Love when it came out, but now that I have listened to Rain on Me, Sour Candy, and Alice, Stupid Love just makes sense. It goes with the rest of the album. I guess this is a dance album. 

Rain on Me – Rain on Me is growing on me, but I still don’t like the guitar at the beginning of the song. That’s the only thing that I don’t like about the song, that guitar part. Otherwise the song is ok. The music video was fun to watch. 

Free Woman – Song with a message that’s kind of corny. I hate the pre-chorus. Not having listened to the rest of the album, I assume all the tracks are pretty generic, but this one is super generic. 

Fun Tonight – Giving me Disney Original Movie. This is a story of how she likes her fans, but suffered at the beginning of her career. She’s using her Fame and Fame Monster voice, which is soft; young. I like the voice, but she’s using this song to tell the fans that The Fame and The Fame Monster are for us to enjoy. 

Chromatica II – Good instrumental. It takes you to the movie theater. I mean I guess Chromatica is a story. 

911 – Gave me an orgasm. The beginning. I love this song so much! It’s so pop. So catchy. Is she talking about drugs? I don’t know, I’m stupid. The transition between Chromatica II and 911 catches you by surprise, and it’s magnificent. Sad part is that once you know it’s coming, it’s not as enjoyable. 

Plastic Doll – The intro reminds me of Just Dance. This song is for Trixie Mattel. I’m still processing 911. This one is alright. Like Free Woman with the message, but not as explicit. Very long for what it is. 

Did I mention 911 was great? Fuck that song was great. 

Sour Candy – I’ve been listening to Sour Candy all day, since she released it early today. I like it, this might get me into K-Pop. I also like that Lady Gaga doesn’t hog the entire song just because it’s her album, and instead all the girls get their turn to sing. Same with Ariana Grande song. I want to listen to this song backwards, it probs has a subliminal message. 

Enigma – She said “AUTOTUNE my voice right now, Ricky!” There’s a part that sounds like another song, yet no samples are credited. Anyway, this is an alright song. This album is very ARTPOP, but grown. I swear this is what ARTPOP 2 was going to be, but better. She had time to learn from ARTPOP. 

Replay – Futuristic intro. 70’s chorus. Nice beat. This song is full of great sounds. I like it. I really like the mix of futuristic with old sounds. Just listen to it. I will probably replay. 

Chromatica III – Another great instrumental. Let’s see what this is going to lead us to. All Chromatica instrumentals transition into other songs. 

Sine From Above – This one is with Elton, but he barely sings. I don’t like it. This is what these greats artists came up with? Good club music, but it sounds like any other club song. Damn, they said GarageBand at the end. 

1000 Doves – This one is whatever. At this point all the songs are starting to sound the same. I feel like the piano demo of this song at the end of the album might be better than this one; however, that’s exclusive to Target, and Target is burning right now, and for good reason. Let’s take a moment to remember that Black Lives Matter. 

Babylon – I’m writing this before listening to the song because 1000 Doves is not it. I’m expecting a lot from this song because Rivers of Babylon by Boney M. is a great song, so for some reason I expect the same. OH DAMN this sounds like Vogue by Madonna, but the Rusical version. Literally. Go listen to the Season 12 Rusical, the last song of the Rusical is very much this song. No joke. It’s not a good thing. 

Love Me Right – Target exclusive. I feel like this is a ballad for her fans, and I haven’t heard it, but from the lyrics, it seems like it could be like Dope from ARTPOP, but the version she sang at the iHeart Radio concert before ARTPOP came out. That version of Dope was better than the album one. 

1000 Doves (Piano Demo) – Target exclusive. Like I said, the piano is more fitting for this song. 

Stupid Love (Vitaclub Warehouse Remix) – Target exclusive. I don’t really like remixes, but this one could be good since the point of this album is dance music. I just found it on YouTube, and it’s the type of song that is played in the background of a Netflix show as a character makes her way through a club as she loses awareness of the stuff going on around her. 

So, as a whole this album is good. It’s not her best, but I do like some of the songs in it. My rating for it is 7/10.

[codenamesailordarillium]

I’m unwell and have the Gaga demos for ‘Applause’ rattling around in the back of my brain so um...

Thoughts on Concept Demo A (leaked idk before the dawn of time): * Well I mean it’s mostly gibberish because that’s one method of song production wherein one has the instrumental ready but hasn’t written the lyrics so they just sound out like the structure of the vocals. * Majority of people who listen to this assert the possibility she might’ve been kinda drunk (or at least tipsy imo) when she recorded this, which I kinda feel might indicate they were having a party in the recording booth because you can hear other people cheering when she goes “YAY!” * The synth interlude from 1:09 to 1:22 is pretty neat, tho not sure it really would have fit in with the final song tbh. * “Do ya, do ya wanna be free ‘cause I wanna be inside of ya!”

Thoughts on Concept Demo B(?) (leaked in 2017): * Once again it’s like half-gibberish, but like, different gibberish lol. * She’s got the chorus all the ready to go. The ‘turn the lights out’ + ‘make it real loud’ are more autotuned. More backing vocally-sounding in my opinion, but also kinda cool? Idk... * “Is this not da-da-da-da, is it black or is it gone” * “Being away from you, I need you baby, need you here”

[For some fucking reason this one refuses to embed but I’mma still try to link it idgaf]

Thoughts on what’s alleged to be an earlier version of the final release that was initially dropped on SoundCloud: * I KNEW KNEW KNEW it, I wasn’t crazy for remembering there being an echo on ‘Koons is me’ omg. * I don’t really have any other reason for including this one to be quite honest. * The person who originally posted this video had annotations indicating the major differences from the album version, which aren’t there anymore because fuckin’ YouTube. If I’m not mistaken it’s mainly that the vocals are louder against the instrumental than in the final version (I like being able to hear her more clearly spelling out A-P-P-L-A-U-S-E personally). And she doesn’t do the first couple “woohoo!” vocals towards the end of the song.

[vinylfromthevault]

Jack White “Boarding House Reach” 2018. Third Man Records. I received this about 6 months ago as part of my Third Man Records Vault subscription and honestly I’ve been super-reluctant to write about it because I’d have to sit down and listen to the record and I’ve heard, um, not such great things. Let’s start with the good stuff! It's a beefy subscription package which included not only a really deluxe issue of the LP but also a 7″ of the demo version of “Infected by Love” b/w the demo of “Why Walk a Dog?” and a hefty Third Man 45 adaptor. Also tucked in to the record sleeve were three special edition prints, taken by David Swanson during Boarding House Reach’s recording session, and three foil-stamped broadsides with the lyrics from “Abulia and Akrasia,” “Ezmerelda Steals the Show” and “Get in the Mind Shaft.” 

Now for the actual music. It’s...different. Eclectic. An album Rolling Stone called (generously - it was for their Jack White cover story) “bracingly bonkers.” Funk, gospel, classic rock, electronica, disco, country, some blues (of course), spoken word rants of questionable poetry all kinda tossed into a high-powered blender, weird for weird’s sake. I do like a couple of things: the funk of “Corporation” is totally ass-shaking and the groove and fuzzed guitar on “Over and Over and Over” is pretty great but the (maybe) autotuned gospel backup singers don’t do it for me, at all. But honestly the rest of the record is pretty insufferable. 

Pitchfork has a lot to say: “What does he think he’s doing? What does he want us to think he’s doing? All is mystery, except your overwhelming desire to turn away. Boarding House Reach is a long, bewildering slog studded with these moments, which seem to be directly antagonizing you. Deep in the eccentric-hermit stage of his career, with his own successful label and a devoted clutch of fans who will come to see his concerts until their children are in college, White is now free to record and release whatever he pleases. And judging by Boarding House Reach, he wants to noodle to himself in the studio, record spoken-word reminiscences about the first time he played piano in a song titled “Get in the Mind Shaft,” and make the kind of Cheeto-dusted funk instrumentals that the Beastie Boys would have left off of The In Sound From Way Out! What he doesn’t want to do: write any songs at all. The worst part is that he doesn’t even sound like he’s having fun. The few rock songs here, like the lead-off “Connected by Love,” are blowsy, water-logged things, devoid of wit or snap or fire. Usually a good guitar solo will rouse White’s blood, but he doesn’t have many of those up his sleeve here either. Instead, he swamps himself with gospel choirs and organ and even more bongos, and boy, does he ever sound miserable. “Why Walk a Dog” would be a hilarious parody of a mawkish blues ballad—“Are you their master?/Did you buy them at the store?/Did they know they were a cure for you to stop being bored?”—if the sob in White’s voice didn’t convince me he believes every word. What I wouldn’t give for a flash of bright red, something with the verve or conviction of even his slightest Stripes material. On the last two tracks, White finally tips his hand. “What’s Done Is Done” is a goofy country tune that he sings with the right amount of hambone. And “Humoresque” sets to words a scrappy old tune by the 19th-century Czech composer Dvořák, one that generations of little children studying Suzuki violin have scratched out in front of the forced grins of their parents. It’s the only hint of White’s lively mind at work. Sadly, the years have steadily whittled the playfulness from White’s material. His work is now too lumbering and unmoored for anyone to take much pleasure in it.”

Allmusic is slightly kinder, giving White props for being willing to experiment and tear off the garage-blues label saying, “Boarding House Reach is where he expands his horizons and that discipline begins to fracture, and quite intentionally so. "Connected by Love" -- the album's opening track and first single -- is a rousing bit of arena rock and the only cut that could truly have appeared on either Blunderbuss or Lazaretto. Once that song draws to a close, White dives into a moody electronic meditation called "Why Walk a Dog?" -- an oddity that's quickly eclipsed by the hard funk of "Corporation," a song that marks the third different sound in as many tracks. Things get progressively stranger from this point forward. Recitations commingle with raps, gurgling synthesizers tangle with blues piano, operatic overdubs are paired with fuzz guitars, sci-fi send-ups meet their match with short stories. Every moment suggests that White is kicking against the pricks, desperate to be seen as a modern rock artist, not a fusty throwback. While his attempt at redefinition is a success -- there's no question that this is the work of an artist willing to take risks -- it's an open question whether Boarding House Reach succeeds as an album.”

[hiphoprolli]

4front truepianos crack mac

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[lomotower]

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Find and download the Windows Camera app.

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[bonkerlon]

Installing soundhack vst logic x pro

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The ability to correct the recording is a great tool and can make all the difference in a talent’s performance. The demo feature can also be used to test the quality of the audio and to see if there are any errors. Developed by Adobe, it offers excellent services as a popular VST plugin too. List of top 10 Free Autotune software and VST Plugins Adobe AuditionĪdobe Audition is a highly popular auto-tune and pitch correction software. So, instead of finding autotune free software, you can just go for VST and add some plugins to support yourself in autotuning.

VST also has the ability to mix several tracks together, which makes it much more flexible and practical for various musical uses. A lot of software sounds like this, and it all has something to do with music and making music. In this way, it’s similar to being able to edit a picture or a drawing in a graphics editing program. There are many features that can be applied to an individual instrument or to a whole mix when creating a stereo mix.Ī VST can be called a sound editor in some circles. This makes it a very flexible software package for recording and mixing music. The VST also allows you to plug in multiple instruments together into a single audio track. It has two main components, which are audio effects and virtual instruments. This stands for a combination of hardware and software that you install on your computer. VST stands for Virtual Studio Technology. In this article, I am going to help to find some of the best and autotune free software. Also, various autotune free software are there to help you with everything.īecause of the huge demand for autotuning in the music industry, the demands for paid and free autotune software are increasing day by day. You can get detailed information about Auto-tune on Wikipedia very easily. So, when it comes to music, the autotuning software allows us to easily do necessary modifications in the voices so that it can match our desired style of music. Once you have determined that a particular algorithm is the best suited for the job, you will use an autotune technique to produce the audio outputs that can mesmerize everyone. The most common use of heuristics is in the selection of the right autotune free software for a given project. This can be accomplished by implementing heuristics or common sense in a given application. The question of what is autotuning? This short article will provide an overview of this crucial concept, including a definition of the term.Īutotuning refers to the process of tuning your software to achieve better performance when it comes to creating immersive music.

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