#Atal

[wilcze-kudly]

I do love that Jet seems to be very aware that he's working with a bunch of children.

Like yeah, he's not my fave character and he has issues but he was basically singlehandedly parenting like a forestworth of traumatised orphans and i respect that.

[inthefaceofadaffodil]

Mary meeting Atal and learning to speak the Mulefa’s language

Immediately back to Lyra and Will on the boat after the intro

[pointyearsuniverse]

[wormcoin]

[ladyorlandodream]

the perfect desktop screen doesn't exist...

[a2zsportsnews]

Afghanistan announces squad for Bangladesh ODI series, includes uncapped Sediqillah Atal

Afghanistan selectors on Tuesday named prolific opener Sediqullah Atal in its 19-player squad for next month’s three-match one-day international series against Bangladesh in Sharjah. Atal, 23, has previously played six T20 internationals for Afghanistan and earned his maiden call for the ODIs after scoring consistently in the ongoing Emerging Asia Cup in Oman. Besides Atal, left-arm spinner Noor…

[time-woods]

just a dream

[wilcze-kudly]

Siblings in turmoil; the Katara+Sokka /Bolin+Mako comparison

So after making this post about the interesting parralels between our two favourite pairs of siblings, I wanna play around more with the parallels and similarities between them. Mind you, this will not be a one to one comparison, since both pairs of characters are simply much too different from one another to perfectly fit into one archetype.

This post serves more to compare these characters, their respective dynamics. You know. For fun. Because overanalysing traumatised children is fun now.

I think the set of similarities that jumps out at us first is the one connecting to Katara, Mako and their respective losses.

I mean, it is very obvious. Kid witnesses horrific, violent death of parent(s), keeps a dead parent's belonging around their neck, acts as their other sibling's parent to some degree.

If we look to the other corner, Sokka and Bolin have some surface level similarities. They act more as comic relief, and seem less affected by their circumstances than their siblings. They also somehow are incredibly popular with the ladies (and guys). It's that ole autistic rizz.

Mako and Katara's losses are the, let's say, centrepieces of their characters. To some extent, the pain and horror they went through as children, guide them through life and influence how they see the world and how they make decisions. You know, as trauma does.

Both of these characters had to step up and fill a void left in their and their siblings' lives.

Katara is on multiple occasions described as "motherly", which does make sense. Katara's loss of her mother impacted her tremendously, and it most likely shook her family dynamic to the core. Therfore, Katara takes on certain maternal characteristics. She also fulfills the chores that a mother would in a traditional household.

It is important to note that Sokka also takes on a typically parental role with Katara. However, rather than filling a void left by a mother, he fills the void left by a father. Hakoda and the men of the village leaving was not only very traumatic for Sokka, but also a very heavy shift for the rest if the village. Sokka being the only man, even only teenage boy leads to him not only taking on this role in his family but also the 'leader, chief, provider' role that men traditionally took on in their environments. This is still emblematic in how protective Sokka is of his companions, often even shielding them with his body, putting himself in harms way.

In Bolin and Mako's dynamic, however, Mako takes on both parental roles. To some extent. Where Sokka and Katara still had a certain amount of adults who could take care of them, Bolin and Mako were completely alone. This leads to Mako's care of Bolin being more focused on literal survival than emotional wellbeing.

Korra: [Side shot; unsure.] So, why is Bolin running around with the Triple Threat Triad, anyway? Mako : [Uncomfortable; evasively.] Well, we ... we used to do some work for them back in the day. Korra: [Dismayed look on her face.] What? Wha- Are you some kind of criminal? Mako : [Defensive and angrily.] No! You don't know what you're talking about. I just ran numbers for them and stuff. We were orphans out on the street; I did what I had to do to survive and protect my little brother.

Now, Bolin is the outlier in this group. Rather than stepping up into a caretaker role, Bolin seems almost intentionally like a child. This may seem counterproductive to Mako and Bolin's survival, but I'd argue that Bolin acting in this hapless, childike role is very important to the brothers' codependent dynamic. While it would seem like the better option for the brother's to both be able to be independent, the leader/follower dichotomy they have may actually have felt safer and more direct for them. Also, by being more easygoing and cheerful, Bolin is able to support Mako emotionally.

I can even make an argument of Mako infantilising Bolin, and stifling Bolin's growth (not deliberately or consciously, of course) because of the comfort this type of relationship brings.

It's also important to note that Bolin's behaviour also had the added benefit of endearing the brother's to people. The whole reason they became pro benders is because Toza took a shine to Bolin and whem the brothers were kidnapped by the Red Lotus, Bolin immediately pivots to trying to befriend them. When you combine this with the fact that the brothers probably lived off of the kindness of strangers as children, his demeanour starts to look like a behaviour learnt in order to survive.

Katara and Sokka aren't nearly as codependent as Mako and Bolin. They do both parent one another to some extent, Sokka has unconsciously replaced images of his mother with Katara. While on the flipside, Sokka often tends to try and steer Katara's actions, not unlike an overbearing father would. Katara, unlike Bolin, however, doesn't take direction well and will often outright disagree with or even mock Sokka.

Sokka: [Camera closes in on Sokka and Katara next to each other.] I know you all wanna fly, but my instincts tell me we should play it safe this time and walk Katara: [Leans forward at her brother and smiles.] Who made you the boss? Sokka: [Points his finger at his chest; to Katara.] I'm not the boss, I'm the leader. Katara: [Amused.] You're the leader? But your voice still cracks!

Both Mako and Katara have strong caretaker instincts. This is mainly how they express affection. You can see this not only in their relationships with their siblings. Another their romantic relationships with Korra and Aang respectively. The difference here being that Aang is quite receptive and willing to reciprocate Katara's caretaker type love, whereas Korra has different needs in her relationship. It's honestly quite fun that Korra's first love interest has a very similar love language to Aang's wife, and Korra and Mako braking up is a very good way to differentiate these two Avatars even further.

So that's it, Mako and Katara have a lot of similarities and Sokka and Bolin have some as well. That's it case closed. Except not so because we I'm here to disagree with myself.

Where Katara and Mako differ, is how well in tune they are with emotions, both their own and those of others. Katara is very, very open about her anger. She's very quick to escalate conflict and she feels emotions very strongly. A stark comparison to this is Mako's very avoidant approach to conflict.

This, once again makes sense with their environments. Aside from the loss of family, Katara has had a huge amount of her culture stripped away from her, a wound made even more painful by Katara being the only waterbender in her tribe. She's also just a naturaly passionate and determined person, I think. While, for Mako, anger and conflict usually could mean that either he or Bolin are going to get hurt, especially at the time when they were running with the triads.

Now, the main thing setting Bolin and Sokka apart, is also the thing that ties Sokka and Mako together.

Mako is... cynical, very jaded by the world. His pessimism and distrust of others shows how broken down he was by his difficult childhood, growing up around dangerous people.

Sokka is similarly jaded, as we see at even the beginning of the show, with his stark oppositon to fun and potty breaks.

Where Mako and Sokka come together, is that they were both tasked with protecting their family members, with Sokka also having to step into that role for the whole village. For them their rolee of protectors force them to always consider the worst possible outcome and any potential danger.

Sokka: I'm coming with you.

Hakoda: You're not old enough to go to war, Sokka, you know that.

Sokka: [Desperately.] I'm strong, I'm brave, I can fight! Please, Dad!

Hakoda: [Lays a hand on his son's shoulder; grimly and sadly.] Being a man is knowing where you're needed the most. And for you right now, that's here, protecting your sister.

Contrasting Mako and Sokka's pessimism is Bolin and Katara's powerful optimism. Hope is what drives these two forward, as well as their huge compassion for others, both human and animal.

Mako: What are you doing? Are you trying to get us in trouble with Shady Shin? Bolin: No! I just ... Maybe I'm not as mean as you! Maybe I just can't turn my back on people when they're down!

This often causes arguments between the respective pairs of siblings. Mako and Sokka wanting to protect their siblings from danger, while Bolin and Katara's need to help others draws them into risky situations.

Katara : Well, what was I supposed to do? Sokka: Leave! Do nothing! Katara: [Angrily.] No, I will never, ever turn my back on people who need me!

The difference between Katara and Bolin, of course is that Katara is able to stand her ground for her strong morals, while Bolin, due to his upbringing, is much more "go with the flow".

But it is still a very interesting and compelling comparison, the younger sibling, full of hope and kindness, and the older sibling who shields them from danger.

I really enjoy these two pairs of siblings, and they easily make for some of my favourite dynamics in the show. I like that while they have certain overt similarities, there's much more to this comparison than meets the eye on surface level.

I think Sokka and Katara's relationship is incredibly wholesome, yet rather deep, watching them both mature side by side is very satisfying, if not a little sad. Bolin and Mako's relationship can be frustrating, but also fascinating. You can tell that they mean everything to one another, despite how dysfunctional their relationship can be.

Avatar has a knack for writing wonderfully complex siblings and the main two pairs of siblings are no exception. This is one of my favourite aspects of the show.

Anyway, that's been me telling you that these two pairs of siblings have both similarities and differences. Glad you sat through the stupid rant. Tune in next time for when my dumbass tells you that the sky is blue and the grass is green.

Bye bye

[tipsandtricksforlife28]

Shree Atal Bihari Vajpayee Poems or Kavita | झुक नहीं सकते #viral #sh...

[inthefaceofadaffodil]

boy Mary was going t h r o u g h it in the series finale like she finds out she has to return home after helping fulfill the prophecy leaving Atal behind, comes face to face with a very pretty angel and then meets a very pretty witch queen who helps her see her dæmon and then going off of the last scene we see her I’m assuming she meets Will’s Mum who is a sweetheart so all in all poor Mary’s lesbian ass had to have been like

[mediaaxpert]

Main Atal Hoon Teaser: Pankaj Tripathi is getting ready to work his magic on the big screen.  - Axpert Media

[hustle-gram]

Nice footballer Atal detained for sharing alleged anti-Semitic content.

[bayofalgecirascranes]

#her brother is coming home#it may be time for some other changes as well#how does the pheasant-monkey taste father?#oh of course I haven’t had any#you know I haven’t liked that since I was a little girl#are you feeling well father?#why don’t you have a little lie down father#oh is your crown uncomfortable?#let me just remove that for you#hush now#sleep#goodnight father#say hello to grandfather for me tags by muffinlance

prompt: Ozai has Azula watch Zuko (his progress or rather lack thereof) from way earlier on, possibly even before Aang gets away from the iceberg in the first place

There it is, written at the bottom of his banishment notice, wobbling in and out of his vision and he’s not sure if that’s his eyes—

(father wouldn’t have meant to blind him, so the way his eyes flinch away from bright lights and reading, even from the scrolls Uncle brought for him for some reason, this is a serious mission, why did he bring play scrolls, if they don’t take this seriously it’s going to take forever to get home and being blind isn’t going to help him catch the Avatar so he’ll just not go blind—)

It’s either his eyes, or. Or the rage. It has to be the rage.

So Zuko reads the line again, and lets the fire brim up and overflow, until sparks chase the shout from his lips.

“Banishment to be overseen by Crown Princess Azula?”

- - -

“Prince Zuko,” Azula says, standing as tall as an eleven year old can. She’s using his title, so that he’ll use hers. And if he doesn’t than he’s ill-mannered and not fit for his own. 

“Crown Princess Azula,” Zuko grits out.

“I’ll just be inspecting your ship, then. Father’s orders.”

Two men are in shackles by the time she’s done. 

“—Fostering mutiny against your prince,” she is yelling, and somehow her voice is just as high-pitched as his without sounding childish at all. “When our father hears about this—”

- - -

“So you had them executed,” Fire Lord Ozai inquires. Lightly. And from behind his flames.

“Of course, father,” says the kneeling child. “It was an attack on our family.”

Her father doesn’t say anything.

Azula is eleven. Eleven, she had presumed, was old enough to count. 

One, two, three. Four, with Uncle. The royal family.

Her father is silent still.

One. Two.

“Forgive my impertinence, Fire Lord,” she says. “I will bring them to you for judgment next time.”

“Do so,” Fire Lord Ozai says. He does not contest the ‘next time.’

- - -

“Crown Princess Azula,” Zuko says.

“Your bandage is off, brother,” Azula says. “Are you blind?”

“No.”

(The blur of her red robes, the eye-searing glint of sunlight off her headpiece—he’s not blind in that eye. He’s just… still recovering.)

“Lovely,” she says. “Then what’s your excuse for the condition of this ship?”

…He has an increased budget for repairs, by the time she’s done. 

- - -

“Brother,” Azula says, “traditionally knives are to be delivered to the back.”

“I… what?” her brother says, still holding out the inexplicable thing. “No, I bought it at port. For you. See, it matches the one Uncle got me.”

“How original,” she says.

Her brother turns a shade of red that puts his bending to shame. Not that it’s a particularly high bar. “Fine, I’ll just—throw it out.”

“Oh, don’t be so dramatic. At the least, Mai will want it.”

- - -

“Nice knife,” says Mai, looking at the hilt peeking out of Azula’s boot.

“Be silent,” Azula says, thus ending that conversation.

- - -

“Did great-grandfather… did we…” starts her brother, fresh from scurrying about the Eastern Air Temple like some particularly dim-witted pheasant-monkey, the dust not even brushed from his clothes even though he knew her ship was waiting down here. “Azula, there were children—”

“Be silent,” she says.

- - -

“You’re leaving frequently,” comments father, as his knife cuts through the pheasant-monkey, clicking against the plate below. The persimmon-cherry sauce is thick and red and smearing.  

“I find it advantageous to cultivate a working knowledge of our nation’s tactics,” Azula answers. She does not push around her meat like a child, but she does eat only lightly; the dish is more sour than she remembers.

“And your brother?”

“Oh, him,” she says, to which her father smiles.

- - -

“...What?” Zuko asks, blinking down at the play scrolls. 

“It’s your birthday,” Azula says. “Apparently, I should have gotten you a calendar.”

“Thank you?”

She sighs.

- - -

“Do we… tell him we can hear him?” asks the assistant cook, as the prince continues monologuing. Dramatically, and loudly. Through the pipe connecting the drain of the kitchen sink to the ones in the shower. 

“Ssh, I think this is one of his new plays.”

- - -

She gets him a calendar for his next birthday. It’s not funny.

- - -

He gets her a doll, for hers. The look on Uncle’s face as she torches it in front of them both is hilarious.

- - -

“Brother,” she says, looking up at the damage to his ship. “This is not the way to requisition additional repair funds.”

“Captain Zhao,” her uncle says in the background, with heights of pleasant antagonism she can only aspire to. As if a general could mistake Zhao’s new insignia. Particularly with all the polishing he does. 

“It’s commander now.”

“How did you manage this?” she asks.

“Uh,” Zuko says. “Can we… speak alone?”

She eyes her brother’s shifting stance. Eyes, too, the way Zhao’s men are already moving to intercept and interrogate his crew. One of the new commander’s more noxious habits is stalking her brother’s every move. 

Well. She’d been meaning to deal with that, anyway.

Azula snaps her fingers at the commander’s guards.

“Detain him,” she says. And for a moment, just a moment, her dear uncle freezes, as if she were talking about someone he actually cared for.

The guards don’t. She’s trained them better than that.

“Princess,” Commander Zhao says, his snarl well hidden behind a smile. “What is the meaning of this?”

“Crown Princess Azula,” she corrects. “Now ssh; the adults are talking.”

- - -

They have an Avatar to catch, apparently. Her brother is coming home.

[fishysplayhouse]

I'll have you know I don't appreciate window shoppers...