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As-tu un compte aux ImpÎts / CAF / Améli / PÎle Emploi / Ursaff ? Ceci est pour toi :)
So, La Quadrature du Net a rĂ©ussi Ă mettre la main sur 2 versions de l'algorithme de la CAF et c'est effarant. Et oui, ça te concerne quand mĂȘme tu n'y es pas. Parce qu'ils utilisent tous des altos. Lit la suite vite fait ( ou passe direct Ă : Lutter contre les algos de contrĂŽle )
La version longue mais trÚs intéressante :
Notation des allocataires : l'indécence des pratiques de la CAF désormais indéniable
Mon résumé perso :
En gros, la CAF ne cherche pas Ă prĂ©venir la fraude, elle cherche les indus. Pour ça, elle te score selon que t'es supposĂ© ĂȘtre un profil de fraudeur ou pas. T'es AAH ? T'as le gros lot. T'es une mĂšre cĂ©libataire ? T'as aussi un score Ă©levĂ©. T'es un couple qui gagne bien sa vie ? MĂȘme pas t'es inquiĂ©tĂ©.
So, selon ton score, l'algo décide de check ton dossier ou pas. Il flag ton dossier, un petit monsieur/madame regarde ton dossier en partant du principe que si l'algol t'a flag, c'est qu'il y a bien une raison non ? Et ils vont chercher la merde.
LĂ dessus. Ils vont cross tes donnĂ©es avec les impĂŽts, l'assurance maladie, mĂȘme tes comptes bancaires ( illĂ©gal ça non ? bah comme de te filer un score parce que t'habites le quartier pĂ©rave de ta ville et pourtant ! )
BREF !
La CAF déconne grave. Et comme son algo "il fonctionne", PÎle Emploi s'est dit qu'il allait aussi le test depuis le début de l'année. Et comme ça marche bien, l'assurance maladie s'y est mis aussi. On rappel que l'assurance maladie a genre des tas d'infos sur toi que tu voudrais pas que le type de la CAF ou de PÎle Emploi puisse voir ?
ET DONC ?
Si tu veux lire la version courte et te dire qu'on a bien dépassé le stade de la dystopie ordinaire, c'est ici ( CAF, Assurance Maladie, URSAFF, PÎle Emploi, Assurance Vieillesse, ImpÎts, etc... ) :
Lutter contre les algos de contrĂŽle
LA VACHE ! ET MAINTENANT ?
Tu as envie de ne pas trop te laisser ? Ca te branche un peu d'emmerder lĂ©galement les institutions ? Tu aimerais connaĂźtre le score de ton trimestriel salto ? Good ! La Quadrature te fourni les outils : 2 gabarits pour envoyer aux institutions afin d'avoir ces infos. Et si tu te sens d'aider, forward tes infos Ă la Quadrature pour qu'ils puissent saisir l'Ă©tendu des donnĂ©es ( okak'on aurait pas tous les mĂȘme critĂšres de sĂ©lection ) Vazy c'est par ici :
Demande ton score ( mais t'as pas de médaille à la fin )
#upthebaguette#French side of tumblr#france#algorithme#administration#pÎle emploi#caf#ursaff#assurance vieillesse#assurance maladie#améli#quadrature du net#sérieux c'est important les gens#dystopie ordinaire#je ne suis pas un numéro#ah bah si en fait#psa#important#reblog pour un poil soyeux
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 Can The Sun Rays Creation Process Depend On Saturn Motion?
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Abstract
Paper Question
Can The Sun Rays Creation Process Depend On Saturn Motion?
The question tells us (If Saturn Is Not Found In The Solar System The Sun Rays Can Not Be Created)- If This is a fact- That proves we understand wrongly (completely) how the sun rays is created!
The question refuses directly The Sun Nuclear Fusion Theory â and tells us â The Sun Rays Is Produced by another Method â and
This another method depends on Saturn motion perfectly and without Saturn motion this method can NOT work and No Sun Rays Can Be Produced
The question answer can be summarized in 3 points
(Point No. 1) The Refutation Of The Sun Nuclear Fusion Theory
(Point No. 2) The Planet Motion Reason And Design
(Point No. 3) Saturn Effect On The Solar System Motion
Let's discuss these points in followingâŠ
(Point No. 1) The Refutation Of The Sun Nuclear Fusion Theory
There Are 7 Facts Refute The Sun Nuclear Fusion TheoryâŠ
Planet Motion Produces Energy
The gravitational waves are produced by the planets motions energies and NOT by the sun gravitational field (Moreover the sun does Not create a gravitational field)
The Gravitational Waves Can Move By Speed Of Light (C= 300000 km/s)
The Sun Rays Is Created By The Gravitational Waves Motions
The Sun Rays Creation Process Depends on A Relative Motion
The Sun Corona Temperature Is (5 million Kelvin) and the sun surface is 5800 Kelvin because the energy is NOT produced by The Sun Nuclear Fusion.
The Sun Data Depends On The Planets DataÂ
Let's summarize these facts in following
(Fact No. 1) Planet Motion Produces Energy
Any moving body produces energy (1/2 mv^2), the planet motion produces energy also, but where's the planet motion energy?
The planet doesn't store the energy in its body because it would raise this planet temperature and no planet temperature is raised by its motion- logically where can the planet motion energy be stored? In the space in waves form-
Means- the planet motion energy creates waves in the space
The space is similar to the sea of water, and the planet is similar to a fish swims through the sea of water- as we know- the fish moves by hitting the water by its body and by this action waves are created in the water- also we conclude the water moves by a velocity equal the fish velocity because of the reaction force-
Similar to that, the planet motion energy creates waves in the space- these waves are similar to the water waves, they move far from their planet and can be reflected- also we conclude the space waves move by a velocity equal the planet velocity-
Alsoâbecause the planets revolve around the sun in one direction- the planets motions energies waves move toward Pluto perpendicular on the revolution direction.
In Pluto orbit these waves are unified into one unified wave moves by the planets velocities total (9 planets velocities total is 176 km/s)
Pluto reflected this unified wave toward Venus and this wave revolves around the sun through the Earth moon orbit- because- all planets motion energy is stored finally in the moon orbit-
 And because the wave revolves around the sun through the moon orbit- the moon velocity is added to the total (the moon velocity = the Earth velocity) â by that
The velocities total be (176 +29.8 = 205.8 km/s)
Shortly-
The Planets Motions Energies Are Unified Together And Produce One Unified Wave Revolves Around The Sun Through The Earth Moon Orbit And This Unified Wave Moves By A Velocity 205.8 km/s.
(Fact No. 2) The Gravitational Waves Are Produced By The Planets Motions Energies And Not By The Sun Gravitational Field (Moreover The Sun Does Not Create A Gravitational Field)
I claim the space waves which I have described are the gravitational waves, the scientists called them wrongly supposing that these waves are produced by the sun gravitational field but this is NOT True â on the contrary- these waves are produced by the planets motions energies.
The previous analysis proves clearly that, the planet motion must create waves in the space- by that- I have a reason to claim that (the gravitational waves are produced by the planets motions energies)- and also the sun doesn't create a gravitational field â let's prove that in following to cause a confidence in my conclusion
The Sun Doesn't Produce A Gravitation Field Â
The Sun Rotation Period is (25.4 days at equator) and (34.4 days at pole), that proves the sun has NO massive gravity (even it has no gravity equal any planet gravity otherwise it would rotate in one period of time)
No planet moves by the sun gravity (Newton Is Wrong).
The planet moves by its creation force- means-Â the planet creation and motion should be done by the same one force because if two forces have effects on the same one planet, this planet would be broken
Mass gravity Can Not Cause any Motion- (Newton is wrong)â let's explain that -Mass gravity is a bond between 2 masses â the Earth and the moon are bond together by the mass gravity- They are similar to a lorry and its trailerâ If a force causes the Earth to move the moon will move with the Earthâ this is the effect of the mass gravity but the mass gravity can't cause any motion! Why? Suppose the moon moves by the Earth mass gravity- The moon motion produces energy (1/2mv^2)- andâ From what source this motion energy will be provided? From the mass itself! means- If the Earth causes the moon to move that necessitates to decrease the Earth and moon masses by the motion energyâ it's wrong definition for the mass gravity - the mass gravity creates a bond between two masses- and if a force causes the Earth to move the moon will move with the Earth, in this case, this force will provide the motion energy for the Earth and the moonâ but No Motion can be done by the mass gravity.
(Fact No. 3) The Gravitational Waves Move By Speed Of Light (C= 300000 km/s)
This fact I provide by a direct proof â in following â
This Is Extraordinary: Gravity Can Create Light, All on Its Own
https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsnHYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"cvid=620db4352aa943e2b454919a7b724604HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"ei=83
This new article states the gravitational waves can move by high velocity motion and can produce a light beam.Â
Notice â
I Claim The Sun Rays Is Created By This Method (The Gravitational Waves Motions) And Not By The Sun Nuclear Fusion
But- I have proved, the gravitational waves are produced by the planets motions energies- how can the gravitational waves move by speed of light if they are produced by the planets motions energies? And If the gravitational waves move by speed of light how they can produce a light beam?
The fact is that
The planets motions use different rates of time- for that â the planets motions energies are produced based on different rates of time and the motion by speed of light is done by using different rates of time â let's explain how the unified wave (205.8 km/s) moves by speed of light relative to the sun point of space
W agreed that
There's one unified wave revolves around the sun through the Earth moon orbit and this wave moves by velocity 205.8 km/s relative to the sun point of space
This is A Relative Motion between two players (the unified wave) and (the sun point of space)
The two players use different rates of time which is
(one second of the sun clock = 1461 seconds of the unified wave clock)
The unified wave (205.8 km/s) moves in 1461 seconds a distance = 300000 km/s
But the sun clock moves only (one second) during these (1461 seconds of the unified wave clock) âmeans-
The distance 300000 km is passed in (one second) of the sun clock- by that
The different velocity between the unified wave and the sun motions is 300000 km/s = speed of light (C)
This analysis asks a new question (How Can The Planets Motions Use Different Rates Of Time?) this question is answered in Point (No. 2* the planet motion reason)
But there's one more question we left behind- let's remember it Â
If the gravitational waves move by speed of light (300000 km/s) how can these waves produce a light beam? Let's answer in the following fact No. (4*)
(Fact No. 4) The Sun Rays Is Created By The Gravitational Waves Motions
The gravitational waves move by speed of light (C=300000 km/s) relative to the sun point of space- this idea is proved by the article states (the gravitational waves move by speed of light) BUT
How Can This Motion Produce A Light Beam? The energy is reflected in the solar system, and the energy reflection causes to square the velocities, for that, the speed of light (C=300000 km/s) be squared (C^2) by the energy reflection- and the value (C^2) is the source of energy can produce the light beam
The reflection of energy and its effects are proved strongly in my paper  Â
The sun rays creation process provides three new features which are
The Gravitational Waves Move By Speed Of Light (C)
The Energy Reflection Squares The Velocities (C^2)
The Sun Rays Is Produced From (C^2) That Means The Sun Rays Is Produced By A Relative Motion
(Fact No. 5) The Sun Rays Creation Process Depends on A Relative Motion
There are three basic critics against The Sun Nuclear Fusion Theory-
(First Critic) The Source Of Energy- while the solar system is so rich in the motion energy- the nuclear fusion theory invented strange source of energy to produce the sun rays and left the stored motion energy without using- logically- the energy can NOT be stored forever and should be used- The sun rays is the very good outlet for the stored energy- means- the sun rays should be produced from the planets motions energies which are stored in the space in waves form (the gravitational waves)Â Â Â Â Â Â Â
(Second Critic) The Sun Rays Production Method- The sun rays are produced by the relative motion- means- the used technical method is the relative motion- the motion produces a relative motion with different velocity = speed of light (C= 300000 km/s) and by the reflection of energy this velocity be squared (C^2) and the sun rays is produced from this value (C^2)
The important thing here is (The Relative Motion) why? because this relative motion is found between two players (the unified wave motion 205.8 km/s) and (the sun point of space motion 1 km/s) â the light production process depends on the different velocity between the two motions (C=300000 km/s)- means- if this different velocity is decreased (NO Light Beam Can Be Created)
So the method needs the different velocity to be (C= speed of light =300000 km/s) and that necessitates the unified wave velocity to be (205.8 km/s) and the sun point of space to be (1 km/s) BUT there's NO any other point in the space moves by this velocity (1 km/s)- only â the sun point of space moves by 1 km/s â later I prove thatÂ
Means- the different velocity (C=speed of light =300000 km/s) can be produced only between the unified wave motion (205.8 km/s) and the sun point of space
That tells- the light can be produced only on the sun point of space because this is the only one point in the space moves by velocity 1 km/s â
for that reason- the sun point of space is defined geometrically!
What does that mean (The Sun Point Is Defined Geometrically)?
The designer used many mathematical calculations and geometrical rules to define the sun position in the sky and the sun creation data- let's give one example
(The sun diameter / the moon diameter) = (Earth orbital distance/ Earth moon dist)
The previous equation enables us to see the sun disc = the moon disc and that causes the total solar eclipse to be occurred- butâ why the diameters rate = the distances rate?Â
Because the designer made all mathematical calculations to guarantee the velocity of the sun point of space to be only (1 km/s) and Never be faster
Let's see more data behind the total solar eclipse
4900 mkm (Jupiter orbital circumference) = 1.39 mkm (the sun diameter) x 3475 km =12104 km x 406000 km = 12756 km x 384000 km = 6792 km x 2 x 363000 km
3475 km     = the moon diameter                12104 km   = Venus diameter
12756 km   = The Earth diameter               6792 km     = Mars diameter
 363000 km, 384000 km and 406000 km are the distances between the Earth and its moon in perigee, orbital distance and apogee radiuses respectively
We see how the data is designed geometrically accurately- why the data is created by this accurate system? because the designer aimed by all means to make the velocity of the sun point of space to be 1 km/s and never moves by any faster velocity
We remember (Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s) this fact is proved by my planet diameter equation-
Here also- the sun diameter is defined geometrically in proportionality with many planets to guarantee the velocity of the sun point of space be only (1 km/s)
This argument is so powerful against the nuclear fusion theory, because
The Sun Data Proves The Sun Rays Is Produced By (A Relative Motion) and not by nuclear fusion- the designer had a necessity to create these proportionalities between the sun position and data on one side with the planets data on the other side- the required task was (to create a system guarantee the velocity of the sun point of space to be 1 km/s and never moves by faster velocity) â this is the cornerstone in the sun rays creation process because the rays is created by A Relative Motion- based on different velocity = 300000 km/s
This velocity is the method by which the sun rays is created and If This Velocity Is Decreased No Light Beam Can Be Produced.
Notice
The sun circumference =4.37 million km and the sun rotation period at equator is 25.4 days â if we calculate the velocity of this motion (4.37 million km /25.4 days) the velocity be = 2 km /sec
This is a strong proof for my theory- and we note that- the machine uses the velocity 1 km/s and the sun velocity (2 km/s) forced the machine to make (double for all values) means- for example- the sun rays is created not by (90000 million km) but created by (180000 million km) as I explain later- means â this change in velocity from (1 km/s) to (2 km/s) has great effect on the data but the machine can still produce the light beam- shortly- the sun rays is created by this relative motion with different velocity = C= speed of light = 300000 km/s
(Third Critic)
The sun corona temperature is (5 million Kelvin) but the sun surface is 5800 Kelvin
This data proves strongly my theory â where
The sun rays is NOT produced by the sun nuclear fusion â means â the energy is NOT produced from the sun body â BUT
The energy is produced by the planets motions energies and for that the corona has energy more than the sun body- because the energy comes from out of the sun into the sun- shortly- the energy out of the sun is greater than the energy inside the sun because the sun does NOT produce this energy- this energy is produced by the planets motions energies.
(Fact No. 6) The Sun Corona Temperature Is (5 million Kelvin) and the sun surface is 5800 Kelvin because the energy is NOT produced by The Sun Nuclear Fusion.
This fact is told just before â the sun corona temperature is a strong proof supports my theory tells (the sun rays is created by the planets motions energies total and not by the nuclear fusion)
(Fact No. 7) The Sun Data Depends On The Planets DataÂ
As We Have Seen In The Total Solar Eclipse Data, the sun data is in proportionality with the planets data proves the sun rays is created by the planets motions energies- But â not only this data
The sun all data is created depending on the planets data â let's see one more example
243/224.7= 29.53/27.3 = 27.3/25.4 = 1.0725
243 and 224.7 days Venus rotation and orbital periods respectively
29.53 and 27.3 days The moon day and rotation periods respectively
25.4 days = the sun rotation period at equator
The data shows clear harmony as if the sun data very similar to the planets data
(Point No. 2) The Planet Motion Reason And Design
A- The Solar System Creation Theory
The solar system is created from one energy- this energy is provided by one light beam its velocity is 1.16 million km per second
From this energy the space is created firstly and the light energy is consumed in the space creation and the rest energy is found in One Wave moves by speed of light (C=300000 km/s) â from this one wave the planets are created-
The creation is done in 2 stages
(First stage The Space Creation)
The original light beam (its velocity 1.16 million km per second) creates the planets orbits before any planet creation, starting from Mercury to Pluto, because of the orbits creation, the light energy is consumed and its velocity be 300000 km/s
We understand this is one light beam- its velocity was 1.16 million km per second and after the space creation this light velocity be 300000 km/s
(Second stage The Planets Creation)
The planets are created from this one wave moves by speed of light (C=300000 km/s)
NOTICE
There are strong proves prove a coherence of light is done between the light 1.16 million km per second and the light 300000 km/s- let's see this idea deeply
The original light beam its speed (1.16 million km per second) started its motion from Mercury orbit to Pluto orbit (Mercury orbit is the light motion origin point) â and this light beam created all orbits before any planet creation- and the light lost its energy in the space creation and the rest energy is one light beam move by the known speed of light is (C=300000 km/s)
The other light beam is the rest energy- it moves by the known speed of light (C=300000 km/s) and it moves in the reflected direction from Pluto toward Venus and Mercury-
Now âthere's a coherence of light between these two light beams- the coherence is proved BUT we should ask (how can this coherence be occurred)? Because the original light (1.16 million km/s) is consumed and its energy is used already and the rest energy be this light its speed is (300000 km/s) - HOW can the light (1.16 million km/s) meet the light (300000 km/s)??
Imagine we have (116 dollars) and we spent all money except (30 dollars)- how can this (30 dollars) meet the original money (116 dollars)??
Let's try to answer
Suppose the light beam (300000 km/s) moves in the reflected direction (in the space) and also (in the time) â that can enable the light (300000 km/s) to move into its past and meet the original one (1.16 million km/s) in the past and the coherence can be done there in the past- and we see the coherence results and effects on the solar system-
Means â the light (300000 km/s) moves into its past and found the original light (1.16 million km/s) in the past and the coherence could be done there in the past
Please note- this analysis tells us the light can move on the time axis means can move into the future and into the past- but the matter can Not do that- I explain the reason in my paper (No. I-6)
Shortly- we have a proof for the motion on the time axis and we can create the time machine by this method and the light will be our tool which can move into the past to get pictures and data from the past to us-Â Â
Now
Let's see how the planets are created
B- The Solar Planets Creation
We know- The solar system is one wave moves by speed of light (C=300000 km/s)
Through the space- (till now NO any planet is created)Â Â
Now -The Solar System needs To Create A Stationary Point Its velocity Zero relative to the moving wave its velocity is 300000 km/s
This is the basic information in the solar system design-
The solar system needs to create a stationary point relative to the wave motion- by that â two velocities will be found which are (v1= the wave velocity 300000 km/s) and (v2= Zero= the stationary point relative to the wave motion)âthese two velocities produce a relative motion with different velocity 300000 km/sâ
Notice â the stationary point velocity is 1 km/s (= Zero approximately)
Noticeâ The solar system is one wave moves by speed of light (C=300000 km/s), or the solar system is carried on light beam moves by speed of light (C=300000 km/s),
Everything in the solar system is carried on this one light beam motion- and nothing is static- No stationary point can be found here-
This is similar to ships are found on the sea- nothing is stopped- all ships move and can't stop- because the motion is done forcedly by the sea waves.
The stationary point will be similar to the whirlpool (vortex) found on the sea page-Â
We see the whirlpool doesn't move with the sea waves- for that the whirlpool can be considered as a stationary point relative to the sea waves. Â
But
The solar system needs to create the stationary point
Now â let's try to create this stationary point in following
The solar system uses two procedures to do that, Â
The first procedure
The wave its velocity 300000 km/s revolves around a point in space (any point in space), the revolution motion creates 2 equal velocities on both sides of the revolution- the two velocities are equal in value and opposite in direction- their total be equal Zero-means- the revolution motion creates One Stationary Point in the center of the revolution.Â
The second procedure
The previous idea is correct- but âthe velocity 300000 km/s is a huge one and to decrease it to Zero velocity this is a complex processâ for that- the wave (300000 km/s) created small waves with low velocities to use them as steps to decrease the velocity to Zero- the small waves are The Planets- (The planet is a small wave moves by low velocity relative to the mother wave its velocity 300000 km/s)Â
Why Are These Small Waves Required?
Because the velocity 300000 km/s is decreased to Zero by using these small waves and their low velocities- the low velocities are used as steps to decrease the wave velocity (300000 km/s) to be (Zero)- this process decreases the velocity gradually from 300000 km/s to Zero depending on these small waves velocities (the planets velocities)Â Â
Means- the planets are created for this process to decrease the wave velocity from 300000 km/s to Zero- and The Planet Is A Small Wave Moves By Low Velocity Â
Shortly â the solar system has one complete system of velocities, Starting from Zero to 300000 km/s where the planets velocities are the steps between the two velocities â
Please note clearly this idea- because-
The solar system has one motor for all motions which is the wave motion by speed of light (300000 km/s) No any other motor is found in the solar system
The planets are similar to carriages in one train but the train engine is the light motion by that the only motor under all motions in the solar system is the wave motion (speed of light 300000 km/s)
So, we have to ask- how can any planet move by a velocity Less than (300000 km/s)?
Because â The Planets Use Different Rates Of Time-
The rates of time is created based on the velocities rates â
For example-
Mercury velocity =1.6 Earth velocity, for that, one hour of Mercury clock= 1.6 hours of the Earth clock and by that Mercury and the Earth move equal distances in equal periods of time.Â
This is very important fact because â the light moves carrying all planets with it- Now the light moves (one motion) and passes (one distance) in (one period of time)
All planets will move (this same motion) and pass (this same distance) in (this same period of time)- but
We need different velocities for the planets to work as steps to decrease the velocity (300000 km/s) to Zero (Stationary point)- means- it's essential to have (different velocities) and that causes the using of the rates of time inevitable and essential method to enable the solar system to do its motion.
C- The Rate Of Time Use
(i)
The Rate Of Time Effect
The rate of time controls the moving energy rate-
For example (One Hour Of Mercury Clock = 24 Hours Of Pluto Clock)
What does that mean?
It means, Pluto motion energy (for 24 hours) can be used by Mercury in (one hour)
Here - the solar system is similar to a river of water moves from a point to another and the rate of time defines the amount of the transported water (energy)
In more details
The energy is transported among the planets and the amount of energy is defined by the rates of time- because- the energy transportation necessitates to transport the motion among the planets and the motion transportation caused to transport the rates of time among the planets-
(ii)
The Rate Of Time Use
We agreed that, the solar system has one motor only which is the wave moves by speed of light (C=300000 km/s)- means- no velocity can be less than speed of light unless it depends on a rate of time â
Means- all planets velocities are created based on rates of time- that causes the rates of time to be used in all motions in the solar system Â
Let's remember,
Planet motion energy creates waves in the space- we remember the accurate vision- we observed one swimming fish, the fish hits the water by its tail and swims, that creates a wave in the sea and this wave moves by the fish velocity because of the reaction-
Similar to that, Mercury (47.4 km/s) moves and its motion energy waves are created and these waves move by Mercury velocity (47.4 km/s) âBUT- Mercury velocity is created based on a rate of time- that causes the waves motions use rates of time-Â Â Â
I try to show how the gravitational waves motions depend on rates of time
For more clear vision
We have to consider that the solar system has one motor only and this motor is the wave moves by speed of light (C=300000 km/s) for that any motion in the solar system with velocity less than speed of light (must depend on rates of time)Â Â
The rates of time = the velocities rate â
Let's remember out example
Mercury velocity =1.6 Earth velocity by that (One second of Mercury clock = 1.6 seconds of the Earth clock)â by this rate of time Mercury and the Earth move equal distances in equal periods of time -
We understand the reason- where
The planets are geometrical points on the same one light beam- and this light beam moves carrying all planets with it- and
The light moves one motion, passes one distance in one period of time, for that, all planets move this same motion, pass this same distance in this same period of time
(iii)
The Solar Planets Basic Rates Of Time
Let's remember the basic rates of time
(one hour of Mercury clock = 24 hours of any planet clock) and
(one hour of Mercury clock = 576 hours of Saturn clock)
That causes
(one hour of any planet clock = 24 hours of Saturn clock)
This rate of time is defined by Mercury motion effect And
The major rate of time between the planet and light motion is
(one second of light clock = one solar day of the planet clock)
This rate is a complex one because there are 2 velocities of the light (as I proved)Â
The original velocity 1.16 million km per second and the known velocity 300000 km/s
Means
(one second of light 1.16 mkm/s  = one solar day of the planet clock) and
(one second of light 300000 km/s = one solar day of the planet clock)
That causes the rate of time (1=24) to be so necessary to create the harmony between the planets and light motions- for that this rate (1=24) is used by Mercury motionÂ
Notice
The rate of time is defined basically by the planets velocities as explained before â for example - Mercury velocity = 1.6 the Earth velocity- means â one hour of Mercury clock = 1.6 hours of the Earth clock
But the solar system energy is reflected three times in the solar system, and each reflection causes to square the velocity, by that, the rate of time (v1/v2) be growing to be (v1/v2)^3
That explains why the planets orbital periods rate = (their velocities rate)^3
Also all other planets data is worked as rates of time-
D- The Unified Wave Moves By Speed Of Light
Let's remember out equation
300000 km = 7.1 x (205.8)^2 where
7.1 is Lorentz length contraction effect for velocity 297000 km/s (= 0.99 C)
205.8 km/s = the 9 planets velocities total (176 km/s) + the Earth moon velocity
(The moon velocity =29.8 km/s = the Earth velocity because they revolve together)
Why does the data use the squared value (205.8)^2?
We know the answer- but - Let's remember it
The planets are geometrical points on the same light beam and move with its motion- for that- the planets velocities rates creates rates of timeâ for example-Â Mercury velocity = 1.6 the Earth velocity- that means â one hour of Mercury clock = 1.6 hours of the Earth clock- as I have explained beforeÂ
Now- the velocity (205.8 km/s) move relative to the stationary point its velocity Zero (The Sun) and creates a rate of time (1 second = 205.8 seconds) â
(One Second Of The Unified Wave Clock = 205.8 Seconds Of The Sun Clock)
But â the energy is reflected in the solar system (I proved in the paper),
The energy reflection reflects the players â means
(one second of the Sun clock = 205.8 seconds of the unified wave clock)
means (one second of the sun clock = 205.8 seconds of any planet clock) â
Now during one second of the sun clock, the wave clock needs 205.8 seconds while the wave moves by a velocity 205.8 km/s- means â
During one second of the sun clock, the wave moves 42253 km = 300000 km /7.1
By that the velocity is 42253 km/s which is equivalent to the speed of light
Notice
The velocity 42253 km/s is equivalent to the speed of light 300000 km/s because of the length contraction effect rate (7.1) â because
The reflection of energy causes to reflect the geometrical effects and the rate 7.1 which caused (length contraction) will cause (length increasing)
The length contraction and increasing both effects are produced by the same one motion but the reflection of energy causes to reflect the geometrical effects.
E- Planet Velocity Analysis
DATA
My 5th equation (v1v2=322)- the planets velocities prove itâlet's see that in following Â
322 = 47.4 km/s (Mercury velocities) x 6.8 km/s (Uranus velocities)                 Â
322 = 35 km/s (Venus velocity) x 4.7 km/s (Pluto velocity) x 2           Â
322 = 29.8 km/s (the Earth velocity) x 5.4 km/s (Neptune velocities) x 2Â Â Â Â Â Â
322 = 24.1 km/s (Mars velocity) x 13.1 km/s (Jupiter velocity)Â Â Â Â Â Â Â Â Â Â Â Â Â
322 = (17.9 km/s)^2 (Ceres velocity) (Max error 2%)
DATA ANALYSIS
The previous data tells the planets velocities are defined by two features
(1st Feature)
The planets velocities are complementary one another âmeans - each planet velocity is complementary with another planet â meansâ The planets velocities are defined in pairs and not in single planets.Â
(Notice, the inner planets orbital inclinations are defined by the rule (v1/v2), for example, Mercury orbital inclination 7 deg = Mercury velocity 47.4/ Uranus velocity 6.8- that proves the effect of the rule (v1v2=322) on the planet motion)
(2nd Feature)
Why the constant is 322 because
1160000 seconds = 322 hours â means- there's a light velocity = 1.16 million km /s and this light moves for one second passes 1160000 km but we see this distance as a period (1160000 seconds =322 hours)- and - the planets velocities are defined based on this velocity 1.16 million km /s
Discussion
Ceres velocity tells the idea - Ceres is used as the origin point - as a result the outer planets be complementary with the inner planets â for that the rule (v1v2=322) controls the planets velocities.
(a)
The planets velocities are created based on one design- Ceres velocity is used as the origin point for this design
(b)
Shortly
Mercury (47.4 km/s) moves during 6.8 hours a distance            = 1160000 kmÂ
Uranus (6.8 km/s) moves during 47.4 hours a distance             = 1160000 kmÂ
And
Mars (24.1 km/s) moves during 13.1 hours a distance               = 1160000 kmÂ
Jupiter (13.1 km/s) moves during 24.1 hours a distance           = 1160000 kmÂ
(error 2%) - And
Earth (29.8 km/s) moves during 2 x 5.4 hours a distance           = 1160000 kmÂ
Neptune (5.4 km/s) moves during 2 x 29.8 hours a distance       = 1160000 kmÂ
And
Venus (35 km/s) moves during 2 x 4.7 hours a distance            = 1160000 kmÂ
Pluto (4.7 km/s) moves during 2 x 35 hours a distance              = 1160000 kmÂ
(error 2%)
Notice - Saturn (9.7 km/s) moves during 33.2 hours a distance = 1160000 kmÂ
(between 33.2 and Venus velocity 35 km/s the error 5%)Â
(c)
The planets velocities definition depend on the speed of light 300000 km/s
As we have seen before in the equation
300000 km = 7.1 x (205.8)^2
Here we see the planets velocities are defined based on two velocities which are â the speed 1.16 million km per second and the light speed 300000 km/s- that's one proof among many others which prove the coherence of light is done between the light 1.16 million km per second and the light 300000 km/s
Why is it necessary to review the planet velocity analysis here?Â
Because the planet velocity analysis proves the sun is created after all planets creation and motion -Let's see that in the next point
F- The Sun Is Created After All Planets Creation And Motion (Proves)
We analyzed the planet velocity definition before, let's remember its basic feature Â
DATA
We remember the rule (v1v2=322) (my 5th equation)â let's prove it
322 = 47.4 km/s (Mercury velocities) x 6.8 km/s (Uranus velocities)                 Â
322 = 35 km/s (Venus velocity) x 4.7 km/s (Pluto velocity) x 2           Â
322 = 29.8 km/s (the Earth velocity) x 5.4 km/s (Neptune velocities) x 2Â Â Â Â Â Â
322 = 24.1 km/s (Mars velocity) x 13.1 km/s (Jupiter velocity)Â Â Â Â Â Â Â Â Â Â Â Â Â
322 = (17.9 km/s)^2 (Ceres velocity) (Max error 2%)
DISCUSSION
The data tells
The Planets Velocities Are Defined Based On One Design
The planets are added in pairs in the solar group- means- No single planet can be added to the solar group
Now we have to ask
Can We Add A New Planet To The Solar Group?
Let's answer in following
I add a new planet after Pluto
I suppose the new planet orbital distance to be =7000 million km
This new planet velocity will be 4.3 km/s (We can define it by kepler law)
Now we need the complementary planet because of the rule (v1v2 =322)
(322 =4.3 x 75), means, the complementary planet velocity is 75 km/s  Â
Where can we find a planet its velocity 75 km/s? this planet must be in the distance between the Sun and Mercury â
This planet orbital distance should be 23.2 million km
(57.9/23.2) = (75/47.4)^2Â where
(57.9 million km = Mercury Orbital Distance) and (47.4 km/s) Mercury velocity
Shortly â
It's hard to add any planet in the distance between Mercury and the Sun- means- we can't add any new planet to the solar group because of the Sun existence.
But-
How Could The Found Planets Be Added To The Solar System?
The Sun is created after all planets creation and motion- means â after all planets be in their orbits the Sun is created- In details-The planets were created in their orbits and revolve around a point of space, before the sun creation, and later the sun is created in this point of space around which the planets revolve
Because - technically-Â the Sun existence prevents to add any new planet to the solar system and also the Sun existence prevents any planet to change its orbit
(For example- Mars original orbit was between Mercury and Venus and Mars had migrated to its current orbit before the Sun creation And Mars couldn't return to its original orbit because of the Sun existence ) (Mars Migration is proved in the paper)Â
Notice
This analysis is another proof for my theory tells (The Sun Rays Is Created By The Planets Motions Energies And Nut By The Sun Nuclear Fusion)
Shortly
The sun rays can NOT be created without the solar planets because the sun rays are created from the planets motions energies â logically the planets are found and moving before the sun creation-
(Point No. 3) Saturn Motion Effect On The Solar System Motion
Let's remember our question
Can The Sun Rays Creation Process Depend On Saturn Motion?
The question tells us (If Saturn Is Not Found In The Solar System The Sun Rays Can Not Be Created)- Let's ask (what's Saturn role in the solar system motion?)
The main rates of time are
(one hour of Mercury clock = 24 hours of any planet clock = 576 h of Saturn clock)
That causes (one hour of any planet clock = 24 h of Saturn clock)
This rate of time is changed slightly by the velocities effect to produce the nest rate
205.8 km/s = 9.7 km/s (Saturn velocity) x 21.4 second
205.8 km/s = the planets velocities total
The data tells
(one hour of any planet clock = 21.4 h of Saturn clock)
And Saturn created its rotation period (10.7 h) based on this rate (21.4 = 2 x 10.7 h)
The data shows- Saturn has the smallest rate of time in the solar system and by that Saturn moves more than any other planet- in fact
In the same period - Saturn moves a distance = all planets motions distances totalÂ
Shortly -the Sun rays is created by the planets motions energies BUT Saturn motion alone provides (50%) of all this energy â that makes Saturn the most important planet in the solar system -and because of that- Saturn motion provides the greatest rate of time in the solar system and based on this rate of time the sun rays is created
Shortly
The Sun rays creation depends directly on Saturn motion because Saturn provides (50%) of all provided energy for the sun rays and because Saturn motion creates the rate of time based on which the energy can be stored to produce the sun rays
Saturn is the motor behind the sun rays creation process â I analyze Saturn data in details in point no. (3) of the paper because Saturn data proves that â the planets motions causes to create the sun rays clearly
The Paper hypotheses
The paper provides 4 hypotheses with their explanations and proves â let's provide them in following
Hypothesis No. (1)
The space is created from one energy and this energy is provided by a light beam moves by a speed 1.16 million km per second â the speed is registered in the created space proves the speed is a fact.
Hypothesis No. (2)
The Gravitational Waves Are Produced By The Planets Motions Energies And Not By The Sun Gravitational Fieldâ Moreover- The Sun Does NOT Produce A Gravitational Field And It Has No Massive Gravity-Â
Hypothesis No. (3)
Mars original orbit was between Mercury and Venus and Pluto was The Mercury Moon (Pluto size was equal Mercury size) But these two planets had migrated from their original orbits as a result for a collision- the planets migration caused a risk for the solar system geometrical design- Uranus and Jupiter the Two planets worked to repair the solar system designâ that caused Jupiter orbit to be the main orbit in the solar system design- Jupiter orbit proves the speed 1.16 million km per second is a fact.  Â
Hypothesis No. (4)
The Sun Is a phenomenon created by the planets motions
The sun rays is created from the gravitational waves motions energies and the gravitational waves are produced by the planets motions energies-
Based on thatÂ
The Sun Is A Phenomenon Created By The Planets Motions
And
The Sun Is NOT Doing Nuclear Fusion To Produce Its Rays- instead- The Planets Motions Energies Total Is Used To Produce The Sun Rays
The Sun Is Created After All Planets Creation And Motion â
Means
The Planets Are Created And Moving In Their Orbits Around A Point Of Space Before The Sun Creation- And The Sun Is Created On This Point Of Space around which the planets revolve â
And
No Planet moves by The Sun Gravity (Newton is Wrong) â
And
The Sun Doesn't Produce A Gravitational Field (Einstein Is Wrong)
And
The Sun Is A Phenomenon Created By The Planets Motionsâ means-The Sun creation and death depends on a cycle â means â after this current sun death another sun will be created for the solar system.
The Hypotheses Explanation
The abstract provides the hypotheses explanation and the paper provides their proves and discussions- In following the hypotheses will be explained in detailsÂ
NOTICE â
The creatures and all matters on the Earth are created from the sun light energy and the sun light speed is 300000 km/s, because of that, the creature realization is limited to the speed 300000 km/s and can't realize the original speed (1.16 million km per second) that means the speed 300000 km/s is a limit for the creatures realization and not for the universe design.  Â
Hypothesis No. (1)
The space is created from an energy and this energy is provided by a light beam moves by a speed 1.16 million km per second â the speed is registered in the created space which proves the speed is a fact
The Hypothesis Explanation
I- The Space Is Created By One Light Beam Energy- And This Light Beam Speed Is 1.16 million km per second
I-1 Preface (the main idea)
I-2 The Space Creation Method (the distances are one network)
I-3 Light Coherence between light (1.16 million km /s) and light (300000 km/s)
I-4 The Matter definition (based on my planet diameter equation)
I-5 The Planets Creation
I-6 Can The Time Machine Be A Fact?
The Hypothesis Proves
I-7 The Proves Logic Analysis
I-8 Planet Velocity Is A Function In A Speed = (1.16 million km /s)
I-9 Planets Orbits Are Defined By A Motion Its Speed = (1.16 million km /s)
I-10 Jupiter distances are defined by a motion by a speed = (1.16 million km /s)
I-11 The Solar System Geometrical Design Proves The Hypothesis
I-12 The Solar System Distances Analysis Prove The Hypothesis
I-13 Deep Analysis For The Planets Orbits
1-14 Light defines each planet orbital period
I-15 Can Planet Diameter Be Used As A Period Of Time
I-16 Mercury Orbit Analysis
I-17 The Planets Data Is Created By The Light Motion Directly
I-18 Light Defines Each Planet Rotation Period
I-1 Preface (The Main Idea)
The solar system (planets and distances) is created from one energy and this energy is provided by one light beam and this light beam moves by speed (1.16 million km/s)
The space is created before the planets creation-
Let's write the whole story in following
The light beam (1.16 million km per second) started its motion from Mercury orbit moves toward Pluto orbitâ by thatâ we consider Mercury orbit is the origin point-
Now- we should notice- No planet is created yet- the motion from Mercury orbit to Pluto orbit defines the motion direction- and No planet is created before this motion end nor during this motion- the planets will be created after this motion is finished means when the light 1.16 million km per second reaches to Pluto (orbit)- after this event â the planets will be created âas I will explain later Â
Notice
The light (1.16 million km per second) creates the distances by its motion- means- the light moves from Mercury point to Venus pointâ the distance from Mercury to Venus was not found and is created only by the light motion through it for first time- means â before the light motion this distance was NOT found- It's found after the light moves through this distance for first time-Â Â Â Â
This is similar to the blood motion through the arteries, the blood creates these arteries and the blood moves through these arteries, but the blood created these arteries with its first motion and that needed energy- but â after the arteries creation the blood move through them without any energy is required- means- the first motion is the most important one because by it the arteries are created
Shortly- The space is created from the energy of this light beam its speed 1.16 million km per second â NOW- after the Space creation- the light beam energy is decreased because of the energy consumption in the space creation process- and the rest energy is one light beam its speed is (C=300000 km/s =the light known speed) â But - We understand that- it's the same one light beam- its speed was 1.16 million km /s before the space creation- and the light created the space and that caused to consume the light energy and that caused to decrease the light speed to be 300000 km/s
Shortly- the light beam started its motion from Mercury (orbit) with speed 1.16 million km /s and reaches to Pluto (orbit) with a speed 300000 km/s because of the energy consumption in the space creation process Â
Let's give example to explain this idea
Imagine we create A Sea Of Water- we use energy to create this sea of water- now we have some energy and we use this energy to create this sea of water- BUT- our energy is NOT spent completely But there's a small part still rest with us â this small part of energy is used to create one wave moves through this sea and this wave speed is 300000 km/s (I suppose the space is similar to the sea of water)
Now â the rest energy is found in one light beam its speed 300000 km/s and this light beam is found NOW in Pluto Orbit â and this light beam will be reflected from Pluto orbit toward the inner planetsâ means- the rest energy will move in the reflected direction to the original light motion direction.
This idea will be explained in details in the next point- shortly
The light beam (300000 km/s) will be reflected from Pluto toward the inner planets
ANDÂ the light 300000 km/s will meet the original light beam (1.16 million km per second) in the origin point (in fact â beside the origin point) and there's a coherence of light is done between the light beam (300000 km/s) and the light beam (1.16 million km per second) â this coherence of light is proved strongly- we have to ask (how can that be possible while the light beam 1.16 million km /s is consumed and the new light beam 300000 km/s is the rest energy? how this light beam (300000 km/s) can meet the original one (1.16 million km per second)? in points no. (I-3) and no.(I-6) I answer this question.
Notice (1) I suppose the rest energy is a light beam its speed is (C=300000 km/s) but this idea is for simplicity- the rest energy can be in any wave form its speed (C=300000 km/s) â no necessity to be in visible light beam form
It's simply energy moves by the known speed of light (C=300000 km/s)
Notice (2)
All Planets Orbits Are Defined Before Any Planet Creation-
The light used the distance from the sun to Pluto as one area and create one geometrical design for this area before any planet creationÂ
Notice (3)
The planets are created from the rest energy its speed (300000 km/s) â means- the space is created by the light 1.16 million km per second and the energy is consumed in the space creation and the rest energy is one light beam its speed 300000 km/s (or one wave moves by the known speed of light C=300000 km/s) â the solar planets are created from this one wave its speed 300000 km/s and that means all planets orbit are created and defined before any planet creation
Notice (4)
The Sun Is Created After All Planets Creations And Motions
The sun is a phenomenon created by the planets motions energies total
The sun doesn't produce a gravitational field and doesn't have massive gravity
Logically â No planet moves by the sun gravity
(The Planet Moves With The Energy From Which The Planet Is Created â Newton is wrong- later we discuss the proves)
Notice (5)
The child (fetus) inside his mother is created by the blood motion- the blood motion creates arteries for this child and through these arteries the blood moves also but the arteries themselves are created by this same blood motion- Similar to that- the distances are created by the light motion energy and the light moves through these distances also but originally these distances themselves are created by the light motion energy-Â means the distances creation is done with the first time of the light motion through them - that required energy- but after the distances are created no more energy is required- the light (or planet) can pass simply through these distances
I-2 The Space Creation Method (the distances are one network)
Data
778.6 = 1.16 x 671
721Â Â Â = 1.16 x 621
629 Â Â = 1.16 x 543
543Â Â Â = 1.16 x 468
5906Â = 1.16 x 5127
These numbers are distances in (million km)
778.6, 721, 671, 629, 551 are Jupiter distances to the sun, Mercury, Venus, Earth and Mars respectively- 5906 and 5127 Pluto distances to the sun and Jupiter respectively    Â
468 = 936 /2 where (940 million km = the Earth orbital circumference)
Discussion
(1)
The previous data tells us how the light beam motion creates the distances-
Simply the light uses a distance as (a period of time) and travels through this period another distance- that can be understood clearly from Jupiter distances- let's look deeply as possible
The light beam (1.16 million km per second) uses the period 629 seconds to pass a new distance = 729 million km (Mercury Jupiter distance is 721 million km error 1%) â where 629 million km = Jupiter Earth distance
Also Â
The light beam (1.16 million km per second) uses the period 671 seconds to pas a new distance =778.6 million km (Jupiter orbital distance)Â
where 671 million km = Jupiter Venus distance
by this method the light creates the distances based on each other- and that makes all distances to be created depends on one another and that makes all distances in the solar system to be One Network where all distances are created based on the same One Geometrical Design
(2)
The data shows the creation method- and we understand that- the distance 551 million km (Jupiter Mars Distance) is created firstly and the light (1.16 mkm/s) used this distance as a period of time (551 sec) and the light travels during this period a distance =(639 million km where 629 million km is Jupiter Earth distance error 1.5%) and then the light uses the new distance (629 mkm) as a period of time (629 sec) and the light travels during this period a distance = (729 million km â where 721 million km = Mercury Jupiter distance â error 1%)
The data shows the method clearly and we understand the light original motion started from Mercury orbit to Pluto orbit because the distances are created based on one another in that direction of motion as explained clearly
(3)
New data NO. (1)
2723 sec x 2 x 300000 km/s = 1622 million km â where
2723 million km = Uranus Earth Distance
1622 million km = Uranus Neptune Distance
The data shows- the light beam its speed (C=300000 km/s) is in proportionality also with the created distances but this proportionally is found in Reflected Direction
Logically, The light can NOT move from Uranus to Neptune and after that the light returns to move from Uranus to the Earth- it's simply reflected direction Â
The distances are NOT created by the motion of this light beam (300000 km/s) â but the distances are created by the motion of the original light beam (1.16 million km per second) but the proportionality between the distances with the light (300000 km/s) is found because there's a proportionality between the original one (1.16 million km per second) and this light beam (300000 km/s) â ANDÂ
Because the light (300000 km/s) moves in the reflected direction of the original light beam (1.16 million km per second) that causes the proportionality between the distances and the light (300000 km/s) be in a reflected form
New data NO. (2)
2094 sec x 300000 km/s = 629 million km
2094 million km = Uranus Jupiter distance
629 million km  = Earth Jupiter distance
The light (300000 km/s) moves in reflected direction- for that- the distance 2094 million km is used as a period of time to pass a new distance (629 mkm)
The data proves the idea clearly
Notice (1)
The proportionality between the light (1.16 million km/s) and the light (300000km/s) will be discussed in point no. (I-3)
Notice (2)
In Point (**) I prove the gravitational waves are produced by the planets motions energies- and I prove that â the planets motions energies move toward Pluto and this energy is reflected from Pluto toward Venus- this fact is proved by powerful data and proves- for that â I don't explain in details the light motion trajectory from Pluto toward the inner planets because this motion trajectory is studied in details in the hypothesis No. (2) of this discussion- understandable that- the planets motions energy trajectory is the same trajectory the light moves through it â means this trajectory is studied in details and powerful proves in point no. (**)
Notice (3)
Jupiter Distances Analysis shows that Jupiter orbit is the central orbit for the light (1.16 million km per second) based on which all planets orbits are defined.
But â this is not the first creation case â
The light (1.16 million km per second) created the planets orbits based on each other starting from Mercury orbit moves toward Pluto orbit â this is the fist creation case â and this fact is proved strongly in point no. (I-9*)
BUT
Mars had migrated from its original orbit (Mars original orbit was between Mercury and Venus) and Pluto had migrated also (Pluto Was The Mercury Moon revolves around Mercury and Pluto size was equal Mercury size)
The planets migration caused a serious risk for the solar system geometrical design- Uranus was the first planet tried to repair the solar system geometrical design and to save it- by that
Uranus created a vertical effect on Jupiter orbit to fix Jupiter in its orbit and prevent it to migrate with the migrant planets- and based on Jupiter orbit the other planets orbits are modified â that supported the solar system original design and saved it which causes to protect the geometrical design from the destruction. Â
As a result
That causes Jupiter orbit to be the most important orbit in the solar system- the paper third hypothesis explains the planets migration and Jupiter orbit analysis is done with the solar system design analysis (I-11*)
I-3 Light Coherence between light (1.16 million km /s) and light (300000 km/s)
(1)
The Coherence Of Light
The previous explanation told us that we have 2 light beams-
The original light beam its speed (1.16 million km per second) and it started its motion from Mercury orbit to Pluto orbit (where Mercury orbit is the light motion origin point) â and this light beam created all distances in the solar system and lost its energy in the space creation process and the rest energy is one light beam its speed is (C=300000 km/s)
The other light beam is the rest energy- its speed is (C=300000 km/s) and it moves in a reflected direction from Pluto toward Venus and Mercury-
Now â we have a coherence of light between these two light beams- the coherence is proved by powerful proves BUT firstly we have to ask (how can this coherence be occurred)? Because the original light (1.16 million km/s) is consumed and its energy is used already and the rest energy is this light its speed is (300000 km/s) - HOW can the light (1.16 million km/s) meet the light (300000 km/s)??
Imagine we have (116 dollars) and we spent all money except (30 dollars)- how can this (30 dollars) meet the original money (116 dollars)??
Let's write the answer
Suppose the light beam (300000 km/s) moves in the reflected direction (in the space) and also (in the time) â that can enable the light (300000 km/s) to meet the original one (1.16 million km/s) in the past and the coherence will be done there in the past- and we see the coherence results and effects on the solar system -
Means â the light (300000 km/s) moves into the past and found the original light (1.16 million km/s) in the past
Notice No. (1)
The original light beam (1.16 million km/s) can NOT move toward the future to meet the light (300000 km/s) because in the future the original light beam (1.16 million km/s) is NOT found âby that â the coherence can't be occurred in the future - But â the light (300000 km/s) can move into the past because this light beam (300000 km/s) was found in the past because it's a part of the original light beam (1.16 million km/s)
Notice no. (2)
I prove the coherence is done by powerful proves- that tells- this idea is a factâmeans- there's a strong proof tells (in fact the light beam 300000 km/s moved into the past) and if we can use this feature practically we can get photos from the past events and by that we can have photos from the catastrophe which killed the dinosaurs and know much better about what had happened really in that time - This can be a real machine of time â the light motion into the past is a strong method to perform this invention.Â
Notice no. (3)
Why Can NOT We Move Into The Past As We Move Into The Future?
This question is answered in point no. (**)
(2)
The Light Coherence Proves
First Proof
The planets order is typical to the interference of Young â
In the double slits experiment, Young Interference is consisted of bright fringes and dark fringes - If we consider planet diameter is equivalent to bright fringe â we will see that- the planets order is typically to Young interference because
Jupiter (the greatest fringe) is in the middle and the fringes width is decreased gradually on both sides â typically to the planets order
Notice / I have proved that (Mars original orbit was between Mercury and Venus) if we restore Mars to its original orbit the order will be typical to the Young Interference
(I prove this fact in point no. **)
Second Proof
The planets velocities are defined based on the speed (1.16 million km per second) and the planets velocities analysis shows the speed (300000 km/s) is the planets motions limit- means- the planets velocities are defined based on both velocities (1.16 million km per second) and (300000 km/s) I prove this fact in point No. (**)Â Â
Third Proof
The light coherence defines the solar day period (24 hours) which is the solar system design cornerstoneÂ
(1.16 /0.3) x 2Ï = 24.3
By this equation the space and time are created- the equation tellsâthe space is created in curves (2Ï) and the time is created in units each unit is (24 hours)Â
Please note â the solar system geometrical design depends on the light motion in a solar day (24 hours = 86400 seconds)Â
The light (1.16 million km per second) moves in a solar day (86400 seconds) a distance = 100733 million km (= the planets orbital circumferences total)
Fourth Proof
The planets data prove there's a speed (1.16 million km per second) found in the solar system but the sun light beam moves by speed (300000 km/s) that tells the two speeds are facts and found in the solar system and the coherence between them is a logical result
The hypothesis proves discuss many powerful proves for this fact-
Notice- the coherence of light is a very important fact because it tells the light (300000 km/s) moved into the past and by that gives us a proof for the motion on the time axis- for that â many powerful proves support this fact.
I-4 The Matter definition (Based On My Planet Diameter Equation)
(1)
Let's remember my planet diameter equation
Planet Diameter Equation (v1/v2)= (s/r)= I
v = Planet Velocity                                                        Â
r = Planet Diameter
s= Planet Rotation Periods Number In Its Orbital Period
I= Planet Orbital Inclination       (example, 1.8 degrees be produced as a rate 1.8)
v2, s, r and I are belonged to one planet and v1 is belonged to another planet
The planet (v1) is defined by test the minimum errorÂ
Earth Equation uses Neptune velocity
Mars Equation uses Pluto velocity
Jupiter Equation uses the Earth moon velocity
Saturn Equation uses Mars velocity
Uranus Equation uses Neptune velocity (As Earth)
Neptune Equation uses Saturn velocity
Pluto Equation uses the Earth moon velocity (As Jupiter)
(The Equation works from The Earth To Pluto) (the discussion explains the reason)
Example
Neptune Equation (89143 /49528) = 9.7/ 5.4 =1.8Â Â Â Â Â Â Â Â Â
89143Â Â Â Â Â Â Â Â Â = Neptune rotation periods number in Neptune orbital period
49528 km   = Neptune diameter
9.7 km/s     = Saturn velocity
5.4 km/s     = Neptune velocity
59800 days = Neptune orbital period (and Neptune rotation period =16.1 hours)
1.8 degrees = Neptune Orbital Inclination
(the equation is proved and discussed in details in point no. **)
(2)
Can We Define The Matter Nature Based On My Planet Diameter Equation?
The equation tells, the matter is created based on its motion! means Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s!!
That tells the motion with velocity 5.4 km/s is defined before Neptune diameter is created! Can we understand such definition for the matter nature? let's try
(A)
The Matter Nature
The space and matter are created from the same original energy and they move with this original energy motion- BUT the matter has a distinguish picture and different velocity from the space picture and velocity (notice- The Gravitational Waves Prove That The Space Has A Motion)Â Â
If we suppose the space is similar to the sea of water, the matter be similar to a whirlpool or a vortex found on the sea page- means- the matter is a geometrical design has a distinguish picture from the space- as the whirlpool, it's created from the sea water but it has a distinguish picture from the sea waves picture
Means
The whirlpool is carried by the waves motion- and- the matter is carried by its original energy and moves with it- No Mass gravity is required for the matter motion- means- the matter is MOVABLE by nature.
Also
The whirlpool dimensions are defined by the water motion - for example- we have a whirlpool its diameter is (2 meters)- this diameter is defined by the sea water motion features (velocity, pressure and other motion features) by that- the water motion analysis explains how the whirlpool dimensions are created
Also- the whirlpool is created but the creation requirements are needed every day- means- even if this whirlpool is found since years it can be changed immediately if the water motion features are changed- means- the whirlpool creation process is NOT a historical one.
Also- the matter is similar to a creature muscle, the muscle is found based on the blood motion and without this motion the muscle can be changed or removed.
Shortly
The Original Energy Was Found In Motion By Itself (As Moving Light Beam)
From This Moving Energy The Planet Matter Is Created
The Created matter dimensions are defined by the features of this original energy motion (means the planet creation data is defined by the energy motion features)
After the planet creation- The Planet Moves With This Original Energy â means- the created planet moves a motion depending on the motion of this original energy because the planet moves with this original energy motion- and â the planet moves by this original energy motion (No mass gravity is required to cause the matter motion)
The planet creation data is in full harmony with its motion features- this fact is produced logically because the planet data is defined by the original energy motion features.
This explanation tells (Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s)
Example For Explanation
We agreed that the space is similar to the sea of water and the planet (matter) is similar to a whirlpool found on the sea page-Â this picture explains the idea clearly- because
We see the whirlpool doesn't move by the sea water waves velocity but by another velocity and that shows a distinguish in form and motion between the whirlpool (the planet) and the sea waves (the space)- BUT- the whirlpool dimensions are defined based on the sea water motion features- and if the motion features are changed the whirlpool dimensions will be changed also- also the whirlpool moves by the sea water motion even with a different velocity relative to the sea waves velocity but the whirlpool motion still is caused by the sea water motion- based on this picture we can say (because the water motion velocity is 80 km/h that causes this whirlpool diameter to be 2 meters "for example') â this is perfectly our sentence â let's remember it    Â
(because Neptune velocity is 5.4 km/s that causes Neptune diameter to be 49528 km)
This idea is proved by my planet diameter equation (my fourth equation) (point No.**) Â
(B)
Now The velocity is a motion in (A Defined Direction)
Meansâ the matter is created because it depends on a motion in a defined direction- as we have seen- Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s but this velocity is a motion in defined direction- and that tells Neptune creation depends on a motion in the direction of the (x axis positive "+x ") (for example)
That tells, if this motion moves in (x axis negative "-x ") that will cause Neptune diameter to be changed or perished
Means- the matter creation needs a motion in A Defined Direction
Now let's ask our question
Why Can't The matter (creature) Moves Toward Its Past?
Because the matter depends on a motion in one defined direction- that causes the matter moves into (the future) always and can't move into (the past) let's discuss this question more deeply in point no (I-6)
Notice
No Planet Moves By The Sun Gravity (Newton is wrong) â logically because- the planet moves by its creation force- means- the planet creation and motion should be done by one force only (one energy only) because if two forces have effects on the same one planet- this planet will be broken- this fact is proved strongly with the gravitational waves source discussion (Point no.**)Â Â
I-5 The Planets Creation
I summarize the main idea in following and the idea proves and discussions are found in point no. (**)
(i)
We know, the solar system is created from energy of one light beam its speed is 1.16 million km per second- and â the light created the space (the planets orbits) firstly and the energy is consumed in the space creation- and for that- the rest energy is found in one light beam its speed is 300000 km/s - And
From this light beam 300000 km/s the solar planets are created
Shortly
before the solar planets creation
The solar system was one light beam (or one wave moves by speed of light (300000 km/s)- by that â the solar system is One Wave moves by speed of light (300000 km/s)
Now
The Solar System needs To Create A Stationary Point Its velocity Zero relative to the moving one wave (300000 km/s)
This is the basic information in the solar system design-
The solar system needs to create a stationary point relative to the wave motion- by that â two velocities will be found which are (v1= the wave its speed 300000 km/s) and (v2= Zero= the stationary point velocity relative to the wave motion)âthese two velocities produce a relative motion with different velocity 300000 km/sâ this relative motion is the solar system design cornerstone.
Shortly â the solar system needs to create A Stationary PointÂ
Noticeâ The solar system is carried by the light beam motion, NO stationary point can be found here â it's similar to a ship on the sea water- Nothing can stop- because the motion is done forcedly by the sea water â
The stationary point will be similar to the whirlpool (vortex) on the sea page-Â BUT
The solar system needs to create this stationary point - Now â let's try to create this stationary point in following - The solar system uses two procedures to do that, Â
(ii)
The first procedure
The wave its velocity 300000 km/s revolves around a point in space (any point in space), the revolution motion creates 2 equal velocities on both sides of the revolution- the two velocities are equal in value and opposite in direction- their total be equal Zero-means- the revolution motion creates A Stationary Point in the center of the revolution.Â
The second procedure
The previous idea is correct- but âthe velocity 300000 km/s is a huge one and to decrease it to Zero velocity this is a complex processâ for that- the wave (300000 km/s) created small waves with low velocities to use them as steps to decrease the velocity to Zero- the small waves are The Planets- (The planet is a small wave moves by low velocity relative to the original wave its velocity 300000 km/s)Â
Why Are These Small Waves Required?
Because the velocity 300000 km/s is decreased to Zero by using these small waves and their low velocities- the low velocities are used as steps to decrease the unified wave velocity (300000 km/s) to be (Zero)- this process decreases the velocity gradually from 300000 km/s to Zero depending on these small waves velocities (the planets velocities)Â Â
Means- the planets are created for this process to decrease the wave velocity from 300000 km/s to Zero- and The Planet Is A Small Wave Moves By Low VelocityÂ
Shortly â the solar system has one complete system of velocities, Starting from Zero to 300000 km/s where the planets velocities are the steps between the two velocities â let's prove that here
(iii)
300000 km = 7.1 x (205.8)^2 where
7.1 is Lorentz length contraction effect for speed 297000 km/s (99% of speed of light)
205.8 km/s = the 9 planets velocities total (176 km/s) + the Earth moon velocity
(The moon velocity =29.8 km/s = the Earth velocity because they revolve together)
Why does the data use the squared value (205.8)^2?
We know the answer- but - Let's remember it
The planets are geometrical points on the same light beam and move with its motion- for that- the planets velocities rates creates rates of timeâ for example-Â Mercury velocity = 1.6 the Earth velocity- that means â one hour of Mercury clock = 1.6 hours of the Earth clock- Why??
Because Mercury and the Earth are carried by the same one light beam- the light moves one motion and passes one distance in one period of time- by that Mercury and the Earth have to move this same motion and to pass this same distance in this same period of time- but the two planets velocities are different- for that- the planets use different rates of time based on their velocities rates and by that the planets move equal distances in the same period of time â
Now- the velocity (205.8 km/s) moves relative to the stationary point (Zero) and creates a rate of time (1 second = 205.8 seconds) â
(one second of the unified wave clock = 205.8 seconds of the stationary point clock)
But â the energy is reflected in the solar system (I prove that in point no.**),
The energy reflection reflects the players â means
(one second of the stationary point clock = 205.8 seconds of the unified wave clock)
The stationary point will be THE SUN â by that
(one second of the sun clock = 205.8 seconds of the unified wave clock) â means
(one second of the sun clock = 205.8 seconds of any planet clock) â
Now during one second of the sun clock, the wave clock needs 205.8 seconds while the wave moves by a velocity 205.8 km/s- means â
During one second of the sun clock, the wave moves 42253 km = 300000 km /7.1
That creates the different velocity 300000 km/s between the sun motion and the wave motion-
Notice 1
The wave (205.8 km/s) moves during 1461 seconds a distance = 300000 km, and we know the Earth cycle (1461 days = 365 +365 +365 +366)
That tells, the speed of light (300000 km/s) is performed by the rate of time and that causes to create the Earth cycle-Â Â Â
Notice 2
Planet velocity is created by the rate of time- means- if no rate of time can be used â No planet velocity can be created â instead- all motions will be only by speed of light (300000 km/s)- the planet can create a small velocity because it can use rate of time
We realize that clearly because
The planets motions depend on the light motion- by that â the motion is done by One Motor only which moves by speed of light (300000 km/s), the planets can only move by speed of light or create a rate of time for their smaller velocities - No more options are provided. Â
Notice 3
We understand that, the planets are geometrical points on the same light beam, means
The planets are similar to carriages in one train and the light motion is the train engine means the planets are carried on the light beam and move with this light motion
I-6 Can The Time Machine Be A Fact?
To answer this question we need to review basics facts we have studied â let's do that in following
(1)
The solar system is created from one energy and this energy is provided by one light beam
(2)
The light moves simply and freely in any direction (for space) and (for time)- means- the light can move into the future (as matter does) or into the past (which the matter can Not do)
(3)
We know, the solar system is created from one light beam, and this light moves by a speed (1.16 million km per second) - And
We know, the light (1.16 million km per second) created the planets orbits firstly before any planet creation and the energy is consumed in the space creation and because of the energy consumption the light speed is decreased from (1.16 million km per second) to the known speed of light 300000 km/s â also
We know, the light (1.16 million km per second) started its motion from Mercury orbit moves toward Pluto- that means- the light (1.16 million km per second) started from Mercury orbit with speed (1.16 million km per second) and the light created all planets orbits till Pluto orbit- before any planet creation- and by that- the light lost its energy and the light beam in Pluto orbit reduced its speed to be 300000 km/s as a result for the energy consumption in the space creation process
(4)
Also we know the energy is reflected from Pluto toward Venus (the inner planets)
By that the light beam (300000 km/s) moves in the reflected direction to the original light beam (its speed 1.16 million km per second)Â
And â we know-
The light beam (300000 km/s) reaches to the original point (Mercury Orbit) from which the light (1.16 million km per second)Â started its motionÂ
And we know that
A coherence of light is done between the original light beam (1.16 million km per second) and the light beam (300000 km/s)
BUT Â we don't know how such coherence can be occurred? Let's analyze that deeply in following
(5)
The produced light beam (300000 km/s) moves in (the reflected direction) to the direction of the original light beam (1.16 million km per second) (In Space)Â and reaches to Mercury orbit (the origin point)
Butâ logically â the produced light beam (300000 km/s) can NOT find the original light beam (1.16 million km per second) there because the original light beam is consumed already in the space creation process and the rest energy is this produced light beam (300000 km/s) â based on that â
How Can This Coherence Be Occurred? Means-
How can the produced light beam (300000 km/s) meet the original light beam (1.16 million km per second)? The answer is
The produced light beam (300000 km/s) moves (in the reflected direction) to the motion direction of the original light beam (1.16 million km per second) (In Space) and (In Time) Means- the produced light beam moves into (Its Own Past) and in the past this produced light beam (300000 km/s) was (A Part of the original light beam 1.16 million km per second) and because of that the produced light beam (300000 km/s) can meet the original light beam (1.16 million km per second),
And
The two light beams create a coherence (in the past) and we see the results of this coherence in our present time-
The idea is very important because â the coherence of the two light beams (1.16 mkm/s and 0.3 mkm/s) is proved strongly and with powerful proves and any explanation for this coherence will prove that the produced light beam (300000 km/s) must move Into The Past to enable this coherence occurrence- and that tells clearly- the travel through the time is possible and fact
BUT
Can the matter moves into its past as the light does? NO
Why?? Because
We know the light can move simply in any direction (+ x, + y, + z, + t) by that the light can move into the future and can move into the past BUT
The matter creation depends on A Motion In A Defined Direction-
let's remember this idea
Neptune diameter =49528 km because Neptune velocity is 5.4 km/s
(This Fact Is Proved By My Planet Diameter Equation)
Now, Neptune velocity is a motion in a defined direction
(for example a motion in +x direction)
The energy moves in this direction (+x direction) and because of this motion Neptune matter is created and Neptune diameter is defined- now if the energy moves in (opposite direction "âx direction") that will change Neptune diameter or cause to perish its matter at all
Means- as long as â Neptune is found- that means â the energy moves in one direction (and not two directions) â for that Neptune can move into the future but can NOT move into the past.   Â
Notice
The matter can not move into the past but the light can do that-
Means- we have the time machine already- we need to know how to send the light into the past and by that we can have photos from the past events- and this will be The Time Machine
The Hypothesis Proves
I-7 The Proves Logic Analysis
I-8 Planet Velocity Is A Function In A Speed = (1.16 million km /s)
I-9 Planets Orbits Are Defined By A Motion Its Speed = (1.16 million km /s)
I-10 Jupiter distances are defined by a motion by a speed = (1.16 million km /s)
I-11 The Solar System Geometrical Design Proves The Hypothesis
I-12 The Solar System Distances Analysis Prove The Hypothesis
I-13 Deep Analysis For The Planets Orbits
1-14 Light defines each planet orbital period
I-15 Can Planet Diameter Be Used As A Period Of Time?
I-16 Mercury Orbit Analysis
I-17 The Planets Data Is Created By The Light Motion Directly
I-18 Light Defines Each Planet Rotation Period
I-7 The Proves Logic Analysis
Why can we prove that, a light beam its speed 1.16 million km per second is found in the solar system? also, the theory tells this light beam energy is consumed and the rest energy is found in one light beam its speed 300000 km/s (the known speed of light), if this light energy is consumed, how can we prove its existence?
There are two major reasons, which are
The Planets Orbits Are Created Before Any Planet Creation- And These Orbits Are Created Based On One Motion- And This One Motion Is Done By A Speed 1.16 Million Km Per Second.
The Planets Matters Are Created Based On Their Orbits â means- the planet is similar to a tree and the orbit is similar to a ground and the tree is planted in the ground-
NOTICE
after the planet creation, the planet can migrate from its original orbit to any other orbit - as Mars and Pluto did and that will not cause to destroy the planet.Â
Shortly-
the planet matter and data is created based on this planet orbit- the orbit is defined before any planet creation and based on the orbit the planet matter and data is created (we remember- the space is similar to the sea of water and the planet matter is similar to a whirlpool found on this sea page- that tells the whirlpool is created based on its place in the sea of water)
Shortly- The Planet Matter Is Created Depends On This Planet Orbit
The speed 1.16 million km per second is registered in the planets orbits because the orbits are created from the energy of the light beam (1.16 million km per second), and the planet matter is created from this planet orbit (energy)
Shortly
The light beam (1.16 million km per second) is the source of energy for (everything) in the solar system-
All orbits are defined by its energy, all matters are created by its energy, and all motions are done by its motion-
Can we prove this light beam is a fact? YES we can
The analysis for any data or any motion will discover this light beam because it's the source of energy for everything
Shortly
the light beam (1.16 million km per second) is The Source Energy of the solar system
The mother of all children can be discovered by analysis these children data Â
A QUESTION
Can the solar system design uses a rate 1.16 and I can't understand that but wrongly consider this rate (1.16) as a speed of light 1.16 million km per second?
NO- this can't be possible â Because
The light beam (1.16 million km per second) behaves typically to the known light beam (300000 km/s) â as we will see in the data discussion
I-8 Planet Velocity Is A Function In A Speed = (1.16 million km /s)
DATA
My 5th equation (v1v2=322)- the planets velocities prove itâlet's see that in following Â
322 = 47.4 km/s (Mercury velocities) x 6.8 km/s (Uranus velocities)                 Â
322 = 35 km/s (Venus velocity) x 4.7 km/s (Pluto velocity) x 2           Â
322 = 29.8 km/s (the Earth velocity) x 5.4 km/s (Neptune velocities) x 2Â Â Â Â Â Â
322 = 24.1 km/s (Mars velocity) x 13.1 km/s (Jupiter velocity)Â Â Â Â Â Â Â Â Â Â Â Â Â
322 = (17.9 km/s)^2 (Ceres velocity) (Max error 2%)
DATA ANALYSIS
The previous data tells the planets velocities are defined by three features
(1st Feature)
The planets velocities are complementary one another âmeans - each planet velocity is complementary with another planet velocityâ meansâ The planets velocities are defined in pairs and not in single planets.Â
(Notice, the inner planets orbital inclinations are defined by the rule (v1/v2), for example, Mercury orbital inclination 7 deg = Mercury velocity 47.4/ Uranus velocity 6.8 that proves the effect of the rule (v1v2=322) on the planet motion)
Ceres velocity tells the idea - Ceres is used as the main point - as a result the outer planets be complementary with the inner planets â for that the rule (v1v2=322) controls the planets velocities- that means- The planets velocities are created based on One Design- Ceres velocity is used as the main point for this design
(2nd Feature)
Why the constant is 322? because 1160000 seconds = 322 hours â means- there's speed of light = 1.16 million km /s - Shortly
Mercury (47.4 km/s) moves during 6.8 hours a distance            = 1160000 kmÂ
Uranus (6.8 km/s) moves during 47.4 hours a distance             = 1160000 km And
Venus (35 km/s) moves during 2 x 4.7 hours a distance            = 1160000 kmÂ
Pluto (4.7 km/s) moves during 2 x 35 hours a distance              = 1160000 kmÂ
Earth (29.8 km/s) moves during 2 x 5.4 hours a distance           = 1160000 kmÂ
Neptune (5.4 km/s) moves during 2 x 29.8 hours a distance       = 1160000 km And
Mars (24.1 km/s) moves during 13.1 hours a distance               = 1160000 kmÂ
Jupiter (13.1 km/s) moves during 24.1 hours a distance           = 1160000 km And
(Notice - Saturn (9.7 km/s) moves during 33.2 hours a distance = 1160000 km - (between 33.2 and Venus velocity 35 km/s the error 5%)) (Data Max error 2%)
The Data Proves, The Planets Velocities Are Functions In The Speed 1.16 Million Km Per Second. That proves the speed (1.16 million km per second) is A Fact
(notice the planets velocities are complementary one another also based on the known speed of light 300000 km/s, the paper provides this data)Â
(3rd Feature)
The planets velocities limit depend on the known speed of light 300000 km/s
Let's explain that in following
The 9 planets velocities total is 176 km/s (I add the Earth moon velocity 29.8 km/s)
The 10 planets velocities total is 205.8 km/s
300000 km = 7.1 x (205.8)^2
The speed 297000 km/s (99% speed of light) causes Lorentz length contraction effect with the rate 7.1
The velocity (205.8 km/s) moves during 205.8 seconds a distance 42253 km
Where 300000 = 7.1 x 42253 km BUT 42253 = (205.8)^2
The squared value (205.8)^2 is found because of the used rate of time
We have studied this equation in point (I-5**) -the data shows, the planets velocities are defined as parts of a complete system of velocities starts from (Zero = stationary point) and reaches to the speed of light 300000 km/s and between these two values the planets velocities are defined to support this same system- that tells- the planets velocities are defined with limit to the speed of light (300000 km/s) - The data proves the speed (1.16 million km per second) is a fact -and also the data proves the coherence is done between the light (1.16 million km per second) and the light (300000 km/s)
(CONT)
Gerges Francis Tawdrous +201022532292
Physics Department- Physics & Mathematics FacultyÂ
Peoples' Friendship university of Russia â Moscow  (2010-2013)
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Les retraites
Pourquoi devrait-on payer des retraites supérieures aux revenus moyens à des gens qui ont gagné leur argent en polluant sans aucune solidarité avec le reste du peuple ou avec les générations suivantes (pétrole, nucléaire, industries pharmaceutiques, banques, etc..)?
S'ils ont gagné plus que le salaire moyen quand ils étaient actifs, ils ont pu investir leur argent dont ils peuvent profiter lors de leur retraite.
Pourquoi ne pas prĂ©fĂ©rer un revenu inconditionnel / universel de base avec une bonne assurance maladie que recevraient tous les citoyens quelque soit leur Ăąge? A chacun sa stratĂ©gie ensuite pour augmenter ses revenus. Dans un pays riche, il n'y a aucune raison que les gens ne puissent pas se nourrir, se soigner et se nourrir dignement (permaculture bio)? En majoritĂ©, les gens les plus pauvres sont les moins de 30 ans. Par contre les situations d'extrĂȘme pauvretĂ© sont des plus de 60 ans.
Pourquoi les retraités seraient-ils plus méritants que les gens qui se consacrent à leurs proches, à l'art, au lien social ou que les chÎmeurs qui refusent des travaux indignes? Que font les plus de 55 ans dont plus personne ne veut au travail et qui n'ont pas encore l'ùge de la retraite? 73% des personnes touchant le minimum vieillesse sont des femmes. Les prix doublent tous les dix ans, ce qui fait que les retraités n'ont plus suffisamment pour vivre. Comme les femmes vivent plus longtemps, elles se retrouvent en situation de pauvreté. On devrait supprimer la retraite, les allocations familiales, le RSA, le chÎmage, les bourses d'étude ainsi que tous les postes de fonctionnaires qui gÚrent cela et qui coûtent beaucoup à la société et instaurer le revenu inconditionnel et universel de base.
La retraite, miroir grossissant des inégalités entre les hommes et les femmes - CFDT: https://www.cfdt-retraités.fr/Retraites-inegalites-femmes-hommes
5% des plus riches gagnent plus que 50% des autres. C'est eux qui devraient payer, c'est eux qui ne sont pas mis Ă contribution.
Il faut arrĂȘter de toujours taxer les mĂȘme c'est-Ă -dire les travailleurs et les entreprises. Il faut taxer les possĂ©dants et les hĂ©ritiers; ceux qui se sont accaparĂ©s les richesses du pays.
En France, l'inégalité face au patrimoine se maintient, 10% des ménages possÚdent 54% des richesses - La Tribune: https://www.latribune.fr/economie/france/en-france-l-inegalite-face-au-patrimoine-se-maintient-10-des-menages-possedent-54-des-richesses-991749.html
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Depuis que jâai arrĂȘtĂ© de travailler Et que jâai recommencĂ© Ă rĂ©flĂ©chir, Jây gagne!: https://www.aurianneor.org/depuis-que-jai-arrete-de-travailler-et-que-jai/
Rob the poor to feed the rich: https://www.aurianneor.org/rob-the-poor-to-feed-the-rich/
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4-day workweek: https://www.aurianneor.org/4-day-workweek/
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Liberté et vivre ensemble: https://www.aurianneor.org/liberte-et-vivre-ensemble/
Le prix plafond et le prix plancher: https://www.aurianneor.org/le-prix-plafond-et-le-prix-plancher/
Limiter la richesse individuelle: https://www.aurianneor.org/limiter-la-richesse-individuelle/
Les intermédiaires: https://www.aurianneor.org/les-intermediaires/
Le logement: https://www.aurianneor.org/le-logement/
Vivre dignement: https://www.aurianneor.org/vivre-dignement/
Lâ absentĂ©isme au travail: https://www.aurianneor.org/l-absenteisme/
Le parapluie Ă cachetons: https://www.aurianneor.org/le-parapluie-a-cachetons-la-recherche-sur-les/
Initiative Populaire: https://www.aurianneor.org/initiative-populaire-comment-lancer-une-initiative/
Oui au RĂ©fĂ©rendum dâinitiative populaire: https://www.aurianneor.org/oui-au-referendum-dinitiative-populaire-petition/
Commerce Ă©quitable et bio: https://www.aurianneor.org/commerce-equitable-et-bio/
#assurance maladie#aurianneor#banques#chÎmeurs#contribution#entreprises#héritiers#mérite#no nonsense#nucléaire#pauvreté#pétrole#pharmaceutique#pollution#possédants#retraites#revenu de base#revenu inconditionnel#revenu moyen#revenu universel#riche#solidarité#travailleurs#ultrariches
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L'Assurance Maladie met Ă disposition un nouvel outil interactif en open data
LâAssurance Maladie prĂ©sente un nouvel outil en open data pour mieux connaĂźtre et faire connaĂźtre lâactivitĂ© des professions de santĂ© libĂ©rales en France : Data professionnels de santĂ© libĂ©raux. DĂ©couverte. Acteur historique de lâopen data en santĂ©, lâAssurance Maladie est engagĂ©e dans une dĂ©marche rĂ©solue dâouverture et dâaccessibilitĂ© de ses donnĂ©es, au bĂ©nĂ©fice de tous : acteurs du systĂšme deâŠ
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#Assurance maladie#Data ameli#démographie médicale#digital santé#données de santé#e-santé#esanté#open data santé#professions de santé libérales
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La fin du tabou des fausse couche : lâAssemblĂ©e unanime pour un meilleur accompagnementÂ
LâAssemblĂ©e a votĂ© le 8 mars, journĂ©e internationale des droits de la femme, une proposition de loi prĂ©voyant la mise en place dâun accompagnement psychologique en cas de fausse couche LâAssemblĂ©e nationale française a votĂ© Ă lâunanimitĂ© dans la nuit du 8 au 9 mars, la proposition de loi dont le sujet dĂ©passe les clivages politiques. A partir de septembre 2024, le parcours fausse couche seraâŠ
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#8 mars#assemblée nationale#Assurance Maladie#congé maladie#fausse couche#feminisme#femme#François Braun#Nina Osmond#Sandrine Josso
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Assurance obsĂšques
Plusieurs familles sont frappĂ©es par le deuil. Câest le moment que certains membres de ces communautĂ©s se rappellent quâeux aussi soient mortels. Tout cela, devant des cercueils. Une assurance obsĂšques ne vous tue pas avant le temps ! Câest la pauvretĂ©, en revanche. Votre famille nuclĂ©aire, votre patriarchie, votre clan, votre tribu, votre ethnie, votre alliance, votre peuple, votreâŠ
#accident#assurance#civil#Emploi#incendie#inondation#maladie#obsÚque#perte#Responsabilité#véhicule
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17iĂšme journĂ©e scientifique du SYNAPPO: lâassurance maladie obligatoire au centre des Ă©changes trĂšs enrichissants
La 17e JournĂ©e scientifique du Syndicat autonome des pharmaciens dâofficines privĂ©es (SYNAPPO) sâest tenue le jeudi 27 juin 2024 au CICB. PlacĂ©e sous la houlette de Madame la Ministre de la SantĂ© et du DĂ©veloppement Social, cet Ă©vĂ©nement a Ă©tĂ© lâoccasion pour les pharmaciens dâĂ©voquer plusieurs sujets dont lâAssurance maladie obligatoire (AMO). LâĂ©vĂ©nement a enregistrĂ© la prĂ©sence du reprĂ©sentantâŠ
#Assurance maladie obligatoire#Ă©changes trĂšs enrichissants#JOURNĂE SCIENTIFIQUE DU SYNAPPO#Mali#SYNAPPO
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7 choses Ă retenir de la mise en Ćuvre de lâassurance maladie obligatoire au BĂ©nin
Le gouvernement bĂ©ninois a tenu sa rĂ©union habituelle du conseil des ministres le mercredi 21 juin 2023. Parmi les sujets abordĂ©s par les membres du gouvernement figurait le dossier concernant la mise en place de lâassurance maladie obligatoire. Voici sept (07) choses Ă retenir de la mise en Ćuvre de lâassurance maladie obligatoire au BĂ©nin : Mise en place de lâassurance maladie obligatoire auâŠ
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#Assurance Maladie Obligatoire au Bénin#Bénin#Bénin Santé 2023#Chirurgie Cardiaque#Gouvernement du Bénin#Journal Santé Environnement#Lutte contre le Paludisme au Bénin#MinistÚre de la Santé du Bénin#OMS#Soins santé#Traumatologie routiÚre#Wasexo
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Des retraités manifestent dans plusieurs villes de Chine
Plusieurs centaines de retraités sont descendus dans les rues pour protester contre une réforme de l'assurance maladie, selon l'AFP
Plusieurs centaines de retraitĂ©s sont descendus le 15 fĂ©vrier dans des villes chinoises pour protester contre une rĂ©forme de lâassurance maladie, selon des tĂ©moignages recueillis par lâAgence France Presse, et des images vĂ©rifiĂ©es sur les rĂ©seaux sociaux. Les retraitĂ©s ont plusieurs motifs dâexaspĂ©ration, allant des restrictions sanitaires contre le Covid-19 Ă la rĂ©forme de lâassurance maladie. AâŠ
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Only Other
chapter two of three.
content/warnings: 18+. minors do not interact. historical au (set around 350BC); potential inaccuracies as i am no historian!, König speaks some German here (as opposed to Gothic), mutual pining & worship, mentions of an arranged marriage with a large age gap, slight sexism, descriptions of violence & gore, more groping, allusions to abduction, dubious consent to a nonsexual genital inspection, animal death, minor character death, masturbation.
wc: 10.6k.
<- previous.
Everything feels unsound, a thicket of heavy vine curling itâs way up from the dirt to settle over you, in your belly, hair, anywhere. Sharp thorns and sap so thick you could drown.
Gaius is here, again, poised with his arms folded over his chest. You swallow thickly after you ask him to repeat what heâs just said. Something about eyes and ears between every crevice, beneath every board. He had a litany of reasons to believe you were not the sweet little maiden he had promised a halfway decent life to.
Careful as you thought you were, sneaking past the gate to roll in moonlight with the giant men of myth and smell the beasts and their pelts past the wall⊠The following morning had been the downfall of bliss. People take note when wolves begin to sniff around their cattle, and itâs no surprise that König was noted doing just that when he brought you back here on his horse with some sort of bloated pride when he named you his âGöttinâ.
âDisrobe,â Gaius commands for the second time. The voice that comes from cracked lips and weathered jowls never falters: always so self-assured, stern, and where it may have sparked an interest in you from anyone else, here⊠it only feels vile. Heâs the embodiment of the city itself: worn, cracking, splintered filth, left alone to wind and twist out of control.
You imagine he must have taken up the demeanor during his days as a centurion, but your head clouds when you try to recall the many times heâs monologued those times to you. Like his proposal, the dowry and arrangements, all of it feels blurry in your mind. You lose yourself to it when the strap is slipped down your shoulder, your body goading you do as asked for the sake of fewer future headaches.
There are no lemures looming over your shoulders these days, they only guide his hand, his voice. They haunt you in the shape of Gaius, an old hawk that screeches the commands youâve no place to refuse.
The stola drops to your ankles with a dreadfully slow sweep, a century passed in a bolt of lightning. It pools down at your feet in a river of white. Graciously, Gaius doesnât prompt you to remove the breast band where the truth of your bout lies embedded in little bruises, the mark of teeth scraped right by your areola in a rolling fit of passion.
Your betrothed boxes you in against the bench until the backs of your knees meet the wood, guides you down with weighty palms until youâre seated: feet pressed onto the seat, knees brought back toward your chest. In earnest, your stomach froths with a displeasure and embarrassment, but this is not the first time that the man had taken to inspect your pussy as if itâs your only worth in the world.
Whichever malady he possesses to make him like this⊠you could only hope that König did not have it. This weak, old soldier would be nothing short of a toothless dog should your bull take to charge him.
What was a dull glimmer of longing for his safety immediately sours to a wish for his goring when those cold fingers tug your loincloth aside and youâre laid bare for him right there on the bench.
The old creep inspects your cunt as though he were a medicinal woman. His fingers part your parched labia, not so much as a dewdrop of arousal thereâ completely unlike how your body had only seemed to melt and sing its pleas for König. He doesnât whisper his pleasures in Latin about how pretty it is down there, doesnât capture your mouth in a kiss that scorches you right through, only probes and prods at your slit to see if thereâs any give.
Of course there isnât.
It wouldnât have mattered if you let the entire barbarian camp take their turns with you; you wouldnât be any more blooming for Gaius. Men like him didnât have the slightest idea of how to make a lady soft and dewing, they only thought that they did.
You knew with a certainty that this wasnât normal by any stretch. After the first instance, asking the women nestled against their open windows, humming to sleeping infants curled on their chests only prompted sympathetic stares. âHave you no midwife?,â one had replied, face paled as she looked to you: the pitiable woman who had been inspected like a strange fish just for bartering with a man at his market stall for bread. Gaius had not found a thing then, and you had only begun to doubt his intelligence.
⊠Did he even know what a hymen was?
You will keep your secrets, and he will always play the fool. Thatâs just how peace would operate once you did share a roof with him.
âWell?,â you prompt, shifting a little in your seat when his cold fingers move to grip the plush of your parted thighs, examining closer with a low, raspy gasp.
A feint that earns no response.
Seemingly satisfied by a lack of a shimmering semen trail or whatever dullards like Gaius sought, he scowls and backs away, hands falling to his sides. Thereâs no bulge stirring beneath his toga, either. Thereâs an absence of anything that would make your relationship seem anything more than some strange transaction.
If anything at all, you have become a kept dove, clipped wings and cooing in a gilded cage. No more a wife than a pet or a pretty, glittering jewel. Something meant to waste away its days possessed.
You didnât even know why he had chosen you, a lady with no gold, silk, or land to her name. Everything you owned he had given to you. Father, mother⊠whether or not you even had siblings, you were uncertain. Trying to remember only stirs up another aching in your head and youâve had more than enough to worry about lately without the added sting,
âYouâve done no wrong.â Itâs decided in a cold tone of voice. Thereâs a belief there, but only because the truth of the matter would make him look entirely the part of the fool that he seemed to play without notice.
âAs I said.â You wonât run pleading to Juno for her forgiveness this time, or ever again. For the goddess of marriages and women to bless you with⊠this. Surely she never favored you very much at all.
You wouldnât waste your bronze coins on fortune tellers anymore, either.
âMind your words, girl.â He pats your cheek, feigning an affection that has never been present in this villa, in this city at all. You feel little more than like one of the slave girlsâ not whipped into submission, their plight was always far worse, but if you looked into their eyes for a moment too long, you knew you would find a part of yourself held there.
You nod your head and carry on puppeting yourself as you always have. Conversation comes stiffly as he wanders about your little home, noting what would need fixing before the night of your wedding, checking your food stores and even helping himself to a bone cup filled with wine. Even with it offered to your lips, speaking with him does not come any easier.
Finally, you utter the words that have nagged at the back of your throat since the day of his proposal, âWhy do you want for us to be wed?â
The man pauses as he sets the cup aside, finger drumming at the rim momentarily as he regards you with an upturned brow.
âYour fatherâs dying wish was for us to be married.â
âYes, but⊠who was he?â
âA great warrior.â Thatâs the only explanation you ever get, even when the confusion paves way to a simmering concern. How could you not remember your own kin? It seemed so unfathomable. Seeing so many large families walk these same streets as you⊠and yet you only had Gaius, hardly better company than a corpse.
âThatâs all that you ever tell me.â
â⊠You will make a great wife.â He concludes the conversation, gives you a firm kiss on the cheek and leaves you to stew in the nothingness that haunts this place as though it were an ancient tomb.
Your days remain the same, nothing ever changing in your eternal cage that only grows ever-colder, more and more like a crypt.
Stitching, weaving, flowing. The animals needed tending, the marketplace was always bustling, and youâve stopped listening to the poets. Their words only make you feel colder now.
You have met the things that lurk beyond these walls, and they do not speak of bubbling creeks and your gods; they soak their weapons in you, whisper like the trees and bellow like the mountains, ride their horses into battle without a scrap of armor on their hides. They donât even fear the lemures or Jupiterâs lightning strikes. Maybe not even the changing seasons; harvests must be plentiful when your home isnât surrounded by chalked clay and ivory.
You donât turn to Juno any more, but you do turn to Mars. You pray not for the empire, but for his bastard.
Her altar had been tucked away to a corner of your room, replaced now by a stagnant cup of wine you dutifully purge and refill each night, a stray dagger you had acquired from a thieving child on the street, and a strip of red fabric torn away from an old tunic belonging to your betrothed.
When night comes and the weight of it all curls over your shoulders, you find yourself tugged down to the floor on your knees, whispering great fortune for that arrogant beast who had promised to take you to bed when next you meet. It always starts the same, your voice pleads to Mars, only to dither off to murmurings of a different name.
Though he remains distant, barking and bleeding out prey far from you, some semblance of him remains tucked between your ribs. A small echo, one that only seems to grow into a roar when your eyes close and you dream of wolves and their sharp-fanged promises, wisps of wind through low-hanging branches and not paved streets, dirt giving way beneath your feet.
He holds you in those dreams, whispers to you about your false gods when you stand over a stream, points out the only two in existence amidst the reflection with a curled finger.
In those dreams, you think you hear the voice of Mars, a fluttering leaf on the breeze detached from what heâs come to be: it tells you of thyme and rosemary, a foreign glade, of death and longing, and never does it breathe fire.
Then, you wake, ripped from the Elysian and back to wander Orcus with a heavier weight upon your soul.
â â â
Mars answers your prayers in the late autumn.
You do not wake to the sounds of horses or crackling fires outside, only something quieted and peaceful. The street beyond your window is silent as you stretch out to see whatâs stirred you; not an animal or a man lies in wait, only the cool gloom of the moon tucked beneath clouds above.
Time only seems to pass more viciously these months. Thereâs a wedding to be had when the seasons changed; your yellow-red veil had been stitched with trembling fingers nicked several times over by needle, the lectus had been prepared and set on the first floor of the villa. The red cloth covering the modest couch seemed a threat in itself. You donât hazard it a glance when you wander out of the door to take to the street tonight.
Dim moonlight does little to guide you, only making each shadow seem to stretch and warp in mocking, uninvited guests to set your shivering heart spinning.
There is just no time anymore, not here.
There, sits an owl atop a roof. Its dark wings stretched out as if to begin another flight, to coo its retribution to the sleeping city. You donât dare to attempt to capture it, there would be no ritual tonight and no care if some harbinger brought doom to this place. It regards you with shimmering yellow eyes, and you think, for just a moment that you see the same feral look in them that you saw in your warrior. The bird wasnât always the omen that others may claim, sometimes itâs only a sign.
The son of Mars has returned, his horse is waiting to take you upon its broad back and carry you to the mountains and the sea.
The chill on the breeze only guides each step you take as you clamber through that chipping hole in the wall and flee to the field once again. Strangely enough, the air even feels different out here, colder still but devoid of the shadows that climb and crush. The soldiers usually stationed outside the wall are not present now. You only reason that it was rare that they ever were, anyway, always too bathed in wine and kisses from flighty little women slaves to focus on the scape just beyond.
And there, further out from the opposite bank the stream, you see the glow of a fire.
It was strange to see the Goths had returned before your cityâs own soldiers. Perhaps you had slept through their march, tucked away at some vast banquet filled with pillaged riches, the finest of wines and the most fresh of smoked meats before you had even begun to stir. Peculiar thing, being so accustomed to the rituals of men that for the most part you had learned not to even bat an eye. It mattered not, anyhow. What you sought was not another Roman to steal away your aspirations to take you as his woman.
Your pace is light and tentative, feeling the earth sink and mold around your bare soles. The thorns risen up from grass dare not poke you with their spines, the owls lurking in the trees do not chase or call, and the horses in the pastures seem at ease.
Even in a world bathed in black and silver, you feel golden, warmed from temple to ankle by that someone other lurking just beyond reach. The other gods could be condemnedâ it was Mars at your side all along.
The barbarian camp is in a similar state to when you had first seen it, just as you are with the ends of your gown drenched in water from the stream.
There are fewer to their numbers now. You count only three: two busied away with roasting meat over the fire, one running his blade over a flat stone at the mouth of his tent. You recognize them, somewhat, as you step closer, each just as imposing as the first with thick hair and wild eyes, but thereâs no sign of König, not here in the open.
Youâre stricken by fear immediately, clouding your head with doubt and worry: not for your own safety, but at the thought that your warrior was left to rot in the forests beyond, struck down by some other barbarian king.
Youâre stood at the edge of the camp when your breath grows thin, pulse racing as your veins try in earnest not to burst with panic.
One of the men rises from the fire, gruffs something at you in his mother tongue, a deep rumbling like the rocks of old mountain and the timber of trees: like König. He stands before you, a wild mane of dyed hair atop his head, so deeply crimson and maroon you would even think it had been colored with blood from sheep or man, perhaps both.
He claps you on the back with a strong hand, the shove nearly enough to send your shivering form tumbling to the dirt, before youâre righted with a strong grip on your wrist. Then, he laughs.
âCome. König,â the man barks in his heavily accented voice, tugging at your wrist as if you were a mere calf to herd.
Your panic dulls somewhat, enough to wriggle out of his grip and shoot him a glare you had only previously reserved for your betrothed. Intent on playing the part of some strong yet benevolent noble woman it seemed, as you straighten yourself out and ignore the way that the mud and blades of grass stick right to the dirtied hem of your loose robe.
âHe is here?â You ask after a moment, feeling a bit misplaced as this other, less familiar giant stares down at you. His eyes are not blue, but gold when the light of the fire pit illuminated him.
This one does not understand as much as you had hoped, because he only murmurs more incomprehensible words and pushes your forward with a palm placed right between your shoulder blades.
You donât trip, but you had half a mind to hiss at him then, until you realize he is only leading you towards that same ugly tent from before.
The pelts have been changed out, somewhat. There is less gray now and more brown, hides from deer and boar alike, taken from their months of travel. The maroon fabric remains, layered beneath in such a way that seems to make it only seem more alive and bleeding this time.
âKeep warm.â The man speaks up again, and there is no mistaking the amusement in his voice. Insulting, what he dared to insinuate with those two words, yet⊠thereâs a cloud of fuzzy, warm excitement billowing up between your breasts all the same.
The flap of the tent is held up by your own trembling hand, elation tinged with an anxiety, a clustering song played without harmony in your very bones. Though, it settles so easily when the light of the moon mingles with the candles within the cradle of wool and leather.
König is sat, recognizable from his very being, laden with scars and coarse light fur, vast as he had always been. However, his face has changed. Gone is the bleeding shroud you had seen upon him before: the cloth has been tossed away on the mattress, revealing a face that both chills and heats you to the very base of your being.
His face is not unlike others you have seen, maybe upon gladiators a time or two once the helmets were discarded and the dancing with beasts and men alike had subsided. There are scars there, too, a broken face revealing a menagerie of pain from the bump upon his nose to the chip in his tooth as he smiles. His eyelids are still smeared in darkened mud used to make him seem that much more sinister in battle, streaking down his cheeks not unlike the carmine that tended to use to paint your own.
Those eyes though⊠they stand out above all else, heart wrenching and sullen, and still, they rise to crease at the outer corners when his stare meets your own.
A man with more polish would have concealed the state of himself from a maiden; turned his face away and covered his nudity in the furs lining his mattress. Youâre thankful that König is not like those men. His stare is as open as his bodyâs own articulation: he only lies back into the bed and beckons you near with a curl of his fingers to his calloused palm.
âI made offerings for you.â To you, but thankfully that phrasing doesnât make its way out. You take your place on his mattress, carefully placing a palm over his chest just to feelâ to touch, to be nearer to your god in some way. The time apart hasnât been entirely cruel, but âkindâ would never suit it well either.
Your touch is answered by a heavy grip around your forearm, a gentle yet demanding tug that leaves you sprawled across him like some tiny animal gripping onto a tree: your head presses against his bare stomach, one hand tucked to your chest while the other is quickly pulled up to meet his mouth. König kisses you, right on your palm in some peculiar sort of reverence.
âYour blessing was enough.â You feel his mouth stretch, the brush of teeth against your flesh as he grins, something youâve missed.
Itâs a ruse; there are winding strips of fabric haphazardly tied over his chest, thick with the stench of iron. The blood is dried, but you could only imagine the state of the wound beneath it. Months upon months of travel with a chest wound⊠your heart crumbles, struck with worry then.
The seax sits intact, however, propped up against one of the wooden poles keeping the shelter in place. Even sheathed, you could assume with how dutifully the barbarian cared for his blade that it had been cleaned, sharpened and greased to keep rust at bay. Though the benevolence he had coaxed from you had not saved him, a part of you was almost pleased to see the weapon unscathed.
âYouâre hurt,â you hear yourself say, far away, out amidst the turning leaves that surely watched him take a spear or a dagger, maybe even an arrow, toward his beating heart.
âHmâŠ? Men get hurt in battles, meine Göttin,â he says, so nonchalant, as though the fear of dying out amongst the trees and hungry animals did not exist for him at all. âYou worry?â
You pull your hand away from him when he playfully nips at your fingertips; even wounded König seems more inclined to bite and make you squeal than settle into this expanse of fur to rest and heal.
Of course youâre worried, men fall to mere scrapes in time: grime coaxes its way in, wounds fester with an almost laughable ease, infection paves way for fever andâŠ
âTake care of meïżœïżœïżœ?â Königâs voice comes soft, the softest youâve heard. Gone now is that boyish, mocking lilt, replaced by something akin to trepidation. Fear for him does not come from the shouting of men with blades held high, but in small whispers begging for affection.
âSureâŠâ
The ruddy bandages are pried away from his chest by gentle hands, uncurled and left on the dirt floor to the side of the bed. The wound in his chest is not as severe as you had expected, a few centimeters deep, jagged as it curves upward⊠whoever had done this had not had the opportunity to properly pierce him before the offending weapon had been pried from their hands. Crushed. Followed by what you could only imagine was the attackerâs fretful shrieks when König advanced upon him.
Your fingers brush over the wound, gentle, as you inspect the blaze of red around its edges. Thereâs no clear indication of infection, but when a clay jar of honey is plucked from Königâs belongings and brought to your hands, you dutifully dab the wound in its sweetness.
You tell him how it will heal, using the phrases youâve only heard from the physicians about the city, failing to mention that you had not tended to someone like this before. He breathes his appreciation in a soft rumble when you wrap his chest in strips of cloth, tightening it comfortably just to tie at his side.
âDid you kill the man who did this?,â you ask once youâve stripped yourself bare, shed your clothing to lie in a heap with the ruined bandages he had previously worn. Your body rests at his side, arm curled over his middle. A womanâs warmth was necessary to heal a warrior⊠perhaps it could remedy a forgotten god, too.
âAll of them,â he hums into your hair, a whisper of a voice harboring words that should chill you to your very bones. König only appears pacified as he speaks, never minding his own madness, nor the blood caked beneath his fingernails.
You ask him what these men were like, who could have been capable of wounding a man as mighty as himself, and in turn he laughs. Surely, the gash must ache, but his voice never falters when he gathers you in two treelike limbs to pull your body ever-closer to his own.
He tells you that they were familiar, that your men in their dye red tunics held their spears and struck down some of his men but could not hope to best him.
He tells you of the cowardly ambush, how the warriors of your city turned upon his own with shouts and anger after a slave woman had been released. The way the woman spoke⊠as if she knew more about you than you ever had, how he could not bare to watch her suffer when she even resembled you in some ways: older, but still so very much like you. He had felt killing her captor to return her to the forest was the only way he could keep your favor.
While you listen in a stasis, stuck ridged against him as your mind drifts, pulls memory from the darker corners within your skull, he strokes at your shoulder, presses his nose right up to yours.
The man who had struck him was smaller⊠weaker, he had not survived Königâs first blow, but⊠Thereâs a frothing madness in his eyes like the sky threatening storms when he tells you that he could not bear the thought of a man that would think to harm anyone like his goddess finding a way to return. His attacker was ripped limb from limb, body burned with the rest of those that followed his order.
You remain entirely silent, taking in this whispered tale as though it were breathed from the mouths of the gods themselves.
You never needed to pray to Mars, to Juno, to VulcanâŠany of them. The embodiment of fear lies as a welcomed presence next to you, stroking along your back as though you were a mere kitten while he breathes this gory story against your lips. The smile returns when he finishes, pets at your jaw as if awaiting a reward for his perceived good deed⊠and you allow his madness to slip right past your teeth.
The touches brush over you like the featherlight breezes of the past spring, fingertips grazing from your waist to neck, nails leaving lightened stripes over the flesh he carefully claws at, gathering your skin, the meat from your bone, to roll between each pad of his digits. Thereâs further worship, a desperation to ensure that you are still here as he pants into your mouth, grips at your hip to pull you closer to where he aches the most.
Thereâs no pelt sprawled over his groin to hide himself from you, no thin linen to protect where he wishes to reach most. All you have is your words, and a thumb delicately rubbing over his bandage. When the kiss breaks, only then do you think to speak.
âWhen youâre better.â
The man makes his protests, gives his cock a few strokes as he hisses into your ear about promises, the horse, how long heâs dreamt and waited. You donât need to be convinced, but now⊠your mind is riddled with whatâs occurred in your months apart. Though the tension remains thick and wafting in the air between you, the physical could wait until youâre both sorted.
While you remained stuck and forlorn, struck by longing and misery, he had only found some semblance of meaning for all of what has eluded you, slayed every man who he could envision bringing you- anyone like you- harm, came back with another wound to fold over into a puffed scar.
Youâve only been waiting for your own sentencing.
Your warrior softens when your eyes begin to swim, fragile and overwhelmed as youâre tucked away beneath him. He only holds you, protective with an unwavering grip as the moon sweeps through the tent with its melancholic comfort that finally pulls the tears right from your eyes.
âMeine GöttinâŠ,â he whispers against your temple, before you press your face into a broad shoulder, hiding tears and frail hiccuped sobs. âI prayed only to you.â
The words come barely audible, though they were never truly necessary.
You feel them in every touch, every hurried whisper as he coos his apologies in that keening voice, every kiss pressed over your warmed face when relaxation snares your limbs, and you do bloom further against him. The comfort and adoration is near staggering, taking you in and pulling you under, further below than even the rivers of your dreams and the ocean just out of reach could ever hope to.
As though this were the most natural thingâŠ
The altars of your villa before were mere practice for the worship of lying next to your own deity; bastard son or Hercules, a wolf or a wild boar, none of it mattered.
He sighs, cups your face to kiss you just once more, something far more chaste than what youâve come to know from him; the small peck to your lips holds more weight than the clatter of teeth and tongue from before. When you begin to drift off to a dream of a glade filled with nymphs where the trees breathe sap that tastes of honeysuckle, all bathed in the glow of starlight, you only feel the need to silently pray for one last thing: that he will never let you go.
â â â
Itâs only on the seventh morning that you come to a realization over a breakfast of figs and water from the stream just below the hillâ one that you havenât been home. You feel at home enough here. The stuffy villa seems only a distant memory when youâre seated across from him, the giant who showers you in so much love it feels warmer than the great flames of Vulcanâs own fury.
No one has come to seek you out, either. Gaius had to have had an idea, should he have even bothered to search for you in that now desolate home. The few soldiers you have witnessed on their patrolling across the field never seem to turn an eye to the barbarian camp. You fill your pots with water, taking aid from Königâs men, and never once have they turned to you.
Judgment always seemed so swift with all apart from destiny. You reason that this is surely what it must be, a destiny painted high above in the stars on nights where the mist does not curl up to conceal them from your gaze. You watch them sometimes, when König relaxes his grip in sleep: you turn to the outside of the tent to stare up at the expanse of stars and hear the stories of this nameless king from the mouths of the very men who have braved each storm with him.
They tell you in shattered language of stories you know with a certainty must not be entirely true. They range from talk of the hundred wives König supposedly had that he released all when he met you, of the temples built in his name all lined with gold and the names of jewels you had never once heard spoken, of how he had even slain your great god Jupiter⊠You have always listened with great amusement, wondering just how highly he must speak of you to have his men lie for him so brazenly.
Laughter follows you back to Königâs tent each night, waiting to hear the cries of their king expending his love upon you that never come. You tend to his wound, observing its healing as the days come and go, and with each rebirth of the sun, his touch only seems to grow more imploring, his words sweeter than even the fruit held up in your palm.
In the haze of the morning sun spilling in from the parted flap of the tent, his eyes seem alight with an unnatural flame when he pulls you in to seat you upon one of his muscular thighs, far too rowdy for an injured man. You think not to refuse him when he laps at the juice from the fruit that has trickled down your chin.
âI love you.â He professes his devotion in that same pleading voice, an arm curled around your middle to keep you securely in place. Another thing that you never needed the words spoken to know.
You bring a fig up to his mouth, feed him with a kiss to his cheek and a whispered confession of your own. From the moment you saw him tending to his seax on the bank, your heart had become a howling, skittering animal in the cage of your ribs. You murmur words stolen from the poets against his jaw, about love and flowers, the mating dances of beasts and gods alike. With each word spun, he clutches you tighter, echoes them in his mother tongue.
The confession ends in a kiss that leaves you cloudy, aloft, a union of tongue and soft panting that leaves each nerve thrumming rapidly. The bowl of fruit slips from your lap, left to scatter over the ground forgotten.
König lowers you to lie back on the bed, teeth nipping and raking down along the column of your throat, over your pulse⊠back to your breasts that he caresses in two large palms.
âNot yet,â you remind him. His touch grows more insistent, thumbs pressed to your nipples to roll over them until your back arcs and your thighs tremble. âYouâll open your woundâŠâ
âI am fine,â he huffs when he releases you from such delicious torture. âLet meâŠâ
You can not bring yourself to tell him the true reasons as to why you can not. Not yet. Youâre a mere stroll away from the cityâs beckoning gates, from the place where youâre set to be wed only a fortnight from now. The mouth of Orcus that will drag you back in and keep you caged away from him⊠it would be too bittersweet to make your passions clear when your doom still imposes upon you with just a glance outside. If it ever comes⊠and you silently begged to any greater thing that it never would.
âWhen youâre healed⊠when you take me away from here,â you promise.
König listens in his own way. You see a flash of mischief when he separates from you with one final generous squeeze to your breast. This isnât just the casual acceptance that comes with children being scolded, but an urgency to contend your words, a desire to prove himself buried in those shimmering eyes.
âMeine Göttin thinks that I am weak, hm?â
âThat is not what I said.â
âI will show you.â
All at once, König rises from the mattress, casually shedding the bandage over his chest to discard it. You want to protest to whatever it is that heâs doing, but you knew very little of the minds of these men, their proclivities and desires, only that above all his intentions only seemed to be to prove himself worthy of worshiping at your feet, between your parted thighsâŠ
As if to taunt you, the stiffened cock between his own legs bounces, drools when he stands. Your head spins as you force yourself to sit up and look into his eyes instead.
âWhat are you doing?,â you ask when he gathers his seax from the place heâs left it propped up, followed swiftly bu the pelt he usually donned around his middle with its leather straps and worn, gray fur.
âWe will go on a hunt, hm? I will show you howâŠâ He trails off with a grunt as he fastens the straps, finally conceals the pale, proud pillar when the fur comes to cover his groin. The seax follows as itâs tied to his narrow hip, the pommel glinting in low light as he approaches the opening of the tent and gestures for you to follow.
He should not be going on a hunt, and you⊠still did not even possess a weapon to aid in such an endeavor. Still, the thought of seeing him actually in the midst of a heated battle stills your breath for a moment, spurs you forward to follow along behind him.
The men around the camp speak with him for a time, prattling on in their mother tongue, gesturing out towards the trees with grins brimming with excitement. They all seem enticed by the prospect of felling some noble creature to drag back to their camp, make a true sacrifice for the goddess made mortal that lurks here. König dismisses them with a wave of his hand, clearly intent on being the only one to gift you such an offering.
He barks an order to the man that led you to his tent, and within moments this other man brings a Roman spear to your warrior, recognizable by its intricate engravings and barbed tip. König weighs it in his hands for a moment, glances back at you with a grin that simply screams his satisfaction of holding a trophy pried from the grip of one of your own detestable soldiers.
You follow after him through the dense forest bordering the clearing. The trees have long since shed their summer green, replaced instead by reds and golds, the dead falling to bathe the forest floor in bronze and brown. König walks slowly as to not cause too much sound to pass beneath the weight of his bulky body, encouraging you to do the same in a hushed demand with each crunching leaf beneath your soles.
Finally, he comes to a halt overlooking a small ridge that overlooks a small clearing. The brush and thickets rise high here, no doubt the birthing place of brambles and thorns, ground passive and untouched by all except the animals hiding within trees and bedded down in burrows. One still walks, awake and alert, a brilliant red stag with antlers more vast than even the horns of the bulls sent off to play war with the gladiators.
The creature is stationary, chewing cud with each movement of its dainty little jaw. Itâs tail twitches, ears flicking on occasion when a bird swoops too close or the sound of a snapping twig out in the distance echoes through the forest. Itâs a beautiful, delicate thing, but still strong and sturdy. The stag looks perfectly at peace here, not noting the wolf that watches over the ridge.
By the time that the deer does catch sight of König, itâs already too late. The arm holding the long spear is already pulled back and raised high. When the creature moves to resume its prance, the weapon is sent spiraling through the air, twisting and spinning in the absence of a breeze like a living thing until its point is found bedded in the stag's protruding belly.
The creature bleats in pain, writhes and kicks as it comes crashing down to a bed of brittle leaves that clamor beneath its weight. You close your eyes when you see the ground painted with blood from its seeping wound, and König begins to descend upon it. There are other sounds that follow, thudding blows in quick succession that leaves very little to your imagination; youâre only grateful he brought such a pretty thing a swift death.
You walk ahead of him on the way back to camp as he carries the animalâs corpse, politely telling him that if you look, you will not eat.
He gives his spoils to the other men once youâve reached the camp again. They cheer, readying their blades to carve the creature up for a meal of venison and whatever amount of wine remains in their stores. The rations had been cut off since the others had failed to return, it wouldnât be long until there was no wine left without one of them fetching work for coin within the city and purchasing it himself; still, König ensures that your cup is filled to the rim with itâs tart sweetness, grape with notes of something earthy, a mixture of thyme embedded into it to bless it with scent like a pomander.
You seat yourself in his lap, looking every part of a pretty earthen goddess as he presses his face to your bare shoulder, traces shapes into your hip while you sip from your cup. His men do not stare, either, regardless of your state of nudeness. Thereâs respect here, embedded into their flesh, their beliefs, and you only feel the part of a noblewoman when you take note of it. You are not just any manâs woman, but their leaderâs most revered treasure.
The others pick apart your harvest of flesh, hang the skins to dry for further use, the antlers and bone left in a heap to be cleaned, then sharpened and carved. Your stare is appreciative as you watch them work away, never having seen this side of things from your modest villa. A fire is stoked when the usable meat is peeled away from what remains of the bones, ribs and femur, others that you could not hope to name.
âSee?â König chimes as he takes hold of your hip, squishing you closer, tighter amidst the space of his palm. âNot weak..,â he hums into the hair at the back of your neck.
His touching grows more persistent, eager as the tips of his fingers graze your inner thigh; though appeased, you were not keen on the idea of straddling him before the eyes of his men as though you were only a breeding pair of foxes, screeching your passions into the forest for birds and bears to hear. When a throb resounds from his stroking, you wind yourself away to sit at his side instead, jaw resting on his knee and cup raised up to hide your breasts from his field of view.
âI did not say you were. Just hurt.â
He gives an impatient grunt in response, but allows you to linger in this new position, taking to stroke at your face and shoulders instead.
When the meat is cooked to their standards, still bloody and near raw to your own, the men chatter away between mouthfuls and thick swallows of their wine. You try to keep up, forcing yourself to commit some of their more common turns of phrase to mindâ obvious yeses and nos, the way that they call one another, the names that would sound strange on your tongue but suit the others all the same. When your expression falls to confusion, König whispers translations into your ear; theyâre discussing the Romans⊠what they will do if their rations are cut entirely, something about a deal struck before your interest summers and you resort to eating the venison you hood in silence.
It is not that you feel out of place, only lost. These men live in a separate world entirely: there is no talk of ironed out politics, organized festivities, of weddings an plotting for farmland. There is laughter here, even song when one of the trio seated across from you and König begins to bark out a loud chorus from a tune that your warrior so sweetly explains to you is about a woman who ventured out to elope with a cave-dwelling bear. Peculiar wild men that they were, you donât even bother to question how that could ever possibly work.
When the afternoon sinks into the coziness of evening, you walk hand in hand with König back to his tent, and just as with any other night, there are cheerful, foreign goads and tedious little sounds elicited behind you. The wine had you peaceful for a time, but its haze has since passed. Your sheepishness is apparent at the implication, but the wolfish grin König shoots back at his men is anything but.
You know he expects to fulfill his promise entirelyâ make you his lover, wife, whatever he seems to see you as. That could not happen⊠as much as you thrum for him with each brush of his warm palm against your backside or upon your face, eternally gazing up at him with your dumb and doting stare.
To your credit: when his gaze crawls over you to take every bare expanse of flesh in, he only sees a beauty that he seemingly can not comprehend. The tells range from the tightening of his jaw, the twitch of each digit when they meet your skin, the way his nostrils glare and eyelids sag. His profession from earlier was anything except just that: it was a truth.
As he strips away his pelt and sets his blade aside, your hands rise to press against his shoulders, forbidding him to go any further than this simple reveal. And you speak true, explaining your exasperating engagement with the foul man who made certain you were spied upon, your distaste for your life within the walls itself, and lastly the marriage that would occur once the seasons did change.
Your eyes feel nothing short of pure liquid when you seat yourself upon his mattress for what you assume would be the very last time. Your voice tapers when you reveal that those very reasons were why you had come to him that night for the horse, why you came back even now.
König listens until your voice is reduced to a somber whisper, broken up by weak sniffles. The flirtation in his gaze is lost, and thereâs no grin that splits apart his thin lips. You think that, if he asked you if you felt similarly to him then, that you would break down in full, but he doesnât.
Instead he hisses something in his mother tongue, a singular word: âScheiĂe.â Then, another laugh is coaxed from his throat, the dozenth that you must have heard this night alone. He seems fully unperturbed, unbothered when he descends upon you as if you were nothing more than the very deer he had slaughtered earlier.
âIt is fine. Alles gut.â He covers your face in kisses, biting at your cheek when you squirm against him. âI can fight him, hm?â
Stupid⊠so terribly impulsive and cute. You sigh as if exasperated with him, but envelope him in your embrace anyway.
âI just want to be free of all of it,â you explain in a hushed voice.
âThen we will be free,â he confirms. We. No longer just yourself, and you almost bring yourself to ask if he has truly meant it before you're reminded of his declaration with a swift kiss that punches the air from your chest and leaves you shivering.
You hold him tighter still, fingers weaving into his hair to massage at his scalp and draw back in a tug when his head cocks to nip at your jaw. Again, always, he encompasses you, pulls you down into darkened water that warms and thumbs around you. You lose yourself more and more with each touch, thumb brushing over the pulse of your neck, teeth nipping at your clavicle, the brush of his groin as he rolls his hips to meet the plushness of your thigh.
You ache, cry when he guides your nipple into his mouth, languidly lapping over you until his salivating is evident over your tit. He only grows less patient the more vocal you become; one hand remains played to the side of your head while the other steadily slinks down past your naval, trails off to grasp at you hip and steer you closer before descending lower, where only his blade had dared venture before.
âI have dreamt of this, meine Göttin,â he purrs when he shifts his hips. His cock rests heavy over your thigh, weeping the sheerness of its own demand to paint your flesh. He guides your hand there to palm at his steadily growing arousal, curls your hand around his length and guides it up to stroke.
His chest rumbles his pleasure as he groans against your cheek; the sounds are somehow more surprising than the ones you had heard outside the brothels. Before König⊠never had you heard a man voice his pleasure, and though it may have been emasculating to some, it only makes you wet, there where his fingers reach to pet once heâs satisfied with the pace youâve set as you pleasure him.
Your thumb grazed over the flushed tip, smearing the preejaculate that drools from it, his hips buck then. Your own sounds join his chorus when he ghosts a fingertip over the hood of your clit, buried his middle finger into your cunt. The entire ordeal is lazy, lazy as the slow kisses that connect your panting mouths.
With each twitch of your wrist as you milk his cock, youâre met with a finger probing deeper. At some point, one becomes two, a try for three before he draws back and realizes youâre too close to begin to take anymore.
âTight..,â he appraises in a low voice, tongue lapping over your teeth as you writhe at his side.
You pick up pace at his praise, adoringly offering him your love with quickened sweeps of your hand, of your thumb over the weeping head, until he begins to throb in your hold. König mutters a curse against your jaw as he struggles to keep his hand steady then, bludgeoning you with his fingers, circling your clit until you begin to whine.
The heat builds within you so quickly you begin to see the night sky beneath your eyelidsâ an expanse of stars, of glowing blooms, and all at once the heat becomes too much. You curl into yourself, struggling to keep the demanding cock in your grip as you grind your hips down upon his hand to ride out your orgasm, bleary eyes and weakened by the intensity of it all you merely muffle your cries against his waiting mouth.
It takes no time at all for him to finish then, thick spurts of white seed paint up from your mound to your belly, coating your fingers in its stickiness. He hurts his teeth through it, intent on stifling the desperate little sounds building up in his throat, kisses you with even more fervor when you bless him with another tug to milk out every last viscous drop as it kicks and throbs in your hand.
He settles briefly, trailing kisses from your jaw to shoulder, then rises to part your legs with a strong grip around each thigh. For a moment, you almost think heâs prepared to fuck you proper, but the thought dissipates when he gathers his own seed over the head of his still hardened cock, settles it against your cunt, and grinds his seed against your salivating hole.
Your whine is clipped and almost pained when he brushes over your clit, hips rising to pull away when you feel the tickling burn of overstimulation. It doesnât last; satisfied that he has left his spend close enough to your pussy that he may as well have laid claim to it, he crashes down over you, head pressed between your breasts.
Königâs breath still comes in a pant while he huffs his affection for you: praises, those three wonderful words again and again. His tone is tender, reverent, as he tells you that he loves you⊠immediately following it with a stout and crude declaration of how roughly he will fuck you when the time does come.
âDo you mean what you saidâŠ?â You find your voice when he finally stops whispering the filth of his fantasies to you, when your cunt ceases its pleading for more. Right now⊠it would not be as special anyhow. Your fate still lies in the grasp of another, and as much as you wished for it to align in full with him, that simply was not so.
âJa,â he answers immediately, no hesitation when he commits himself in full to you, the Roman woman who had tamed him down with her silly whims and ache for him. âI will take you to the mountains, the sea, âŠthe stars if you ask.â
You comb your fingers through his hair, filled with mirth as he speaks of such impossibilities. There is no place in the stars for two misplaced lovers, but you donât dare say that. The things that fill your imaginations would leave even the poets balking, scrambling for the words pretty enough to describe a love so peculiar.
â â â
You had not questioned why they remained, that was your folly.
You had never thought that you would even care should you see the city fall. Though⊠dread immediately strikes your heart with ice and silver when youâre bolted awake by the sound of shrill shrieks and loud crumbling. Thereâs a war just beyond the veil the tent provides: loud sounds of heavy feet, shouts, even the clash of metal upon metal if only for a single stuttering beat of your heart.
Vulcan has descended, rode right through on flaming steeds with flame rising from his open maw. You know it with a certainty without even approaching the opening to look. But you do. You do move away from the empty mattress, finding the space where König had slept against you, snoring softly and tugging you closer in your bliss, entirely devoid of any warmth. The air is warm, tinged with the heat of coursing flames, but the bed is cold, frigid like the fear that cinches at your heart and steals the breath from fluttering lungs.
Thereâs ash in the air, falling like the first snows of winter when you make your way out of the tent, coughing into your hand as it clasps over your mouth and nose. The air is so thick, noxious and darker than even the backdrop of velvety sable marking the horizon. Your eyes track the twisting, feathering pillars of flame as they rise even higher than the wall: a gold and red death.
Shadows scramble across the fieldâ men, women, then the horses, the bulls, that come thundering past. The animals trample and shriek: broken bones, hooves driven through skulls to erupt into mush, leaving twitching, scorched corpses in their wake.
Fire billows up only to fall and rain down, back onto the murderous beasts in some abstract punishment. You watch the puppets writhe and squeal; perhaps your own cries join them, wailing and crying out as all youâve come to know is engulfed, smothered, destroyed. What the fire does not take, the shattering structures do.
Amidst it all is glee.
There are shouts of men on horseback that come out as the victory roars of men amidst battle, yipping and howling as all is reduced to rubble around them. Your feet do not guide you toward the chaos, they do not bring you to peace either, only farâ far as you can go.
The smell alone makes it worse than it ever appeared in your dreaming. Blood, oil, cinder and ash that plummets deep down into your stomach, pushing back up to purge what became of the deer. You feel how that creature must have: alone, terrified, certain that death was biting at your heels. If you had fur it would bristle, antlers would plow through the brush to carry you to safety, but⊠you do not. Youâve only the ability to gather yourself enough to fall. You descend down the hill in a painful roll as your legs give out beneath you.
You want to close your eyes, to sink into the stream and bid the fire away with desperation alone. When you lower to the grass to wretch, fingers digging into the earth, your gaze snaps back to the scene just beyond the stream.
You know, know dreadfully well that the people here that have managed to escape were hunted down in a veil of inky blackness. The ghouls of myth could not compare to this⊠This was very real, real as the scent of cooking meat and hair and wood.
And you watch and wait for the fire to burn out, for the animals to cease their rampage and fall back to a calm that never comes.
You stand to your feet, meekly trembling before the wrath and chaos, and you wait with splintering nails clawing at your thighs and unshed tears blurring your vision. There was always a price to pay for freedom, you had seen it time and time again in gladiator pits, monetary and dull, but never thisâŠ
And you know the price for yours was paid in fire and vengeance, promised before you ever even had the notion to disappear at all. There was always tension between the Goths and your people. This was bound to come about sooner or later, but the guilt of potentially being the catalyst to it all brings you back to your knees.
You donât know how long you sit there, staring out into the abyss in silenced fear, but eventually all that fills the quiet is the dull roar of the fires still burning and the dull sounds of a horseâs trot growing nearer. Just across the bubbling little stream, untouched by the death beneath the full moon, is König atop his sable steed. The creature huffs just as König cocks his shrouded head, prompting you in his silence to say anythingâ deliver your blessing, your thanks, your kisses.
Yet, you can not bring yourself to deliver anything but a weak, anguished wail.
The stream is crossed before youâve even the time to raise your head, limbs gathering you up to pull you against the broad chest of your god in the cruelest tenderness. You feel limp there, atop this frustrated horse, in the arms of the man who had sacked this city. They will come for him, kill him too⊠You will be alone with nothing and no one, and stupidly, you find yourself longing for the comfort of calling to Juno in that bedroom you would never see again. All of this just for pleading for the very horse you now perch upon.
He lets you cry as holds the reins in one hand and carries you away from this desolation. The horse walks further than you have ever even seen. The stream before the barbarian camp is not the only, there are orchards and glades and fields of tall grass even further beyond it. You take in the beauty as the city becomes a glimmering speck far behind you.
König only remains silent, stroking your back with his free hand, so lovingly and gentle you find it almost impossible to believe him capable of such cruelty. Your mind is tired, limbs weighty and chest aching from breathing in so much smoke. You do not even realize your exhaustion until you find yourself in a fitful sleep.
There are no dreams, no wonderful comforts, only slow breaths and pained whimpers.
When you do wake, the sun has risen in full.
Youâre lying on your back amidst withering grass, a pelt thrown over your body and a figure sat at your side. Thereâs no longer the stench of smoke, no drab gray clouds hanging over your head. The air is light and tinged with the tartness of buckthorn. There are white, puffy clouds hanging up in the vast blue of the sky, and as you blink, a thumb moves to stroke at your cheek. Soft, so soft and even tentative when it rises to your temple.
âYou should have slept longer.â Königâs voice comes, not reprimanding, but in a gentle surge of breath. He sounds as exhausted as you still feel.
Youâre angry⊠but you know not why. It feels performative, almost, when you shove his hand away. You want to wail for what youâve lost, but that voice never comes. Gaius? A home you never liked? The lectus that would be used as a stand to consummate a marriage you had begged to avoid for months on end? What was lost?
âYou are going to die.â Your whisper comes strained, tight and tinged with your own misery.
âYou worry for me again?â
You shake your head at that, fierce as you turn on your side and away from him again. The dying grass digs into your flesh beneath the fur, scraping like claws, like Königâs very touch.
âWe are not going to die, little one,â he continues as he moves closer to you, trying to gather you up into his arms in an act of comfort. Your tension rigidly leaves you, though you try to force yourself to remain closed off, it does not happen. You mold against him when he lies at your back, hand splayed over your stomach.
âI never said we. Just you,â you huff. Your hand meets his wrist as his thumb begins to stroke at your naval. The desire to push him away again only dissolves when he winds out of your grip to take your hand into his own, forced lower to feel the cold earth and the warmth of each digit beneath your touch. âThey will hunt you down.â
âThen I will die at your side.â
You donât respond to that, finding his desire to further prove whatever this was entirely incomprehensible now. It is not endearing, you force your mind to reason. This man was more than just tedious at times, but dangerous to⊠To burn an entire city on a whim then curl against you like this⊠You whimper, keening and sorrowful as you squeeze your eyes shutâ force the macabre thoughts out.
âYou are like me,â König continues, a low rumble as he lowers his head to press his cheek to the side of your neck. Even amidst the chill of winter, heâs so warm, so soothing, enough to make you melt like wax from candles⊠perfumed by his own sweat and the ash he left in his wake, so earthy and lofty all the same. âKleine GöttinâŠâ
âNo⊠Iâm not.â
âYou come from the mountain,â he urges with a kiss to your shoulder. His grip around you becomes more insistent with each muttered word, the pads of his fingers pressed further to dimple your skin. âThe slave woman told me so.â
You didnât know the woman he spoke of, you didnât know anyone still living apart from himself and his men. You want to yell, to drill it into his very skull with your words, but even more than that, you want this comfort.
You want to feed him figs, allow his tongue to sip the wine from your own, and to fall asleep against him with his breath tickling at your scalp. More, to share the life with him you once promised to a deceased man buried in ashâŠ
Truth be told you were not even sure of your standing, Roman or barbarian⊠Though you had never told him that, his resolute tone leads you to believe all of it. You had always longed to bathe in rivers rather than crowded bathhouses, to crest the tops of mountains and taste fresh honey on your tongue⊠The titan promises you all of those things and more with his tight hold and in a purred, breathy, âI love you.â
All that you could not prevent dissipates in a plume when you twist around to bury your face against that chest, curl your fingers into his hair and breathe out your resistance in its entirety. The most pitiful of surrenders.
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I am most definitely beating a dead horse with this ask, but I gotta say something cause it's just boiling up inside my chest right now.
We all don't really like the the author for Heartstopper because she put down Asian BL and it's "Bad kinky feithisatization" and basically saying her Western work is pure and non fetishy (Fucking shoot me.)
And it just reminded of an author who did that several years back, definitely to a lesser degree though. They still did it and I remember I stopped reading it because it felt so fuckin performative and it left such a bad fucking taste in my mouth.
Author of the Webtoon Castle Swimmer had a chapter come out maybe between 2021-2022 where the main character (they are guys, they are gay for each other) saw each other again after they were apart for quite some time. When they reunited, there was as scene of them kissing and it getting juuuuuust a tiny bit spicy, not much though. It was cute, it was nice.
I go down to the comments where authors can put notes down for the webtoons and the author had written something along the lines of how the story isn't gonna be icky sexual and there is going to be no fetishy bullshit when it comes to the two main characters and fucking blah blah blah and basically implying that other webtoons that do turn sexual with it's gaybies are impure scum.
Don't know if they still feel like that
But my question is - why the fuck do these supposed queer authors or authors that make queer content always trying to save face and say that their content is better than that "icky shit",
Like fuck, Castle Swimmer has pretty decent rep in its story, but I can't seem to enjoy it when I feel as if its just their as a "HEY LOOK AT MY STORY IT HAS THE RIGHTS THINGS TO LIKE"
and unfortunately that's how I feel with most lgbtq webtoons, books, etc. Idk maybe I'm just cynical and tired or maybe they just suck at writing and incorporating queer themes and characters - I have no idea.
This probably could be worderd a lot better to bring more nuance to the table, but I am so upset at Castle Swimmer because I like it a lot, I just can't past the bullshit.
--
Rest assured that the desire to shoot oneself in the foot is not restricted to authors of queer works.
"My version of this genre is so much better" is a common malady among all sorts of creators.
This particular flavor has a little more stupidass purity culture and sucking up to the mainstream, but it's not so different from the many flavors of "There's no good ___ fic, so I'm going to write some!" and "I, a ~literary~ author, know how to write genre fiction better than you hacks!"
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E-santé : dans le rétroviseur 2022 - Part 1
En cette fin dâannĂ©e, je vous propose de (re)consulter les articles les plus populaires de Buzz E-santĂ© au cours de cette annĂ©e 2022. PremiĂšre partie de ce coup de rĂ©troviseur ! Tout au long de cette annĂ©e 2022, nous vous avons partagĂ© lâactualitĂ© du numĂ©rique santĂ© en France, fait dĂ©couvrir des acteurs et solutions innovantes Ă travers plus de 130 articles originaux et plus de 1 500 publicationsâŠ
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#application mobile santé#Assurance maladie#CES 2022#digital pharma#digital santé#DTx#e-santé#esanté#intelligence artificielle santé#internet santé#médecine 2.0#msanté#podcast santé#sante 2.0#Santé connectée#Viva Technology
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Just imagine vampire gojo being obsessed with you.
Imagine he laps gently at your neck, his moist kisses stinging your delicate skin until your body convulses with involuntary shivers. His sharp fangs lightly graze your throat; you sense the danger they present â their pointy edges just barely touch your skin.
His closeness is intoxicating â your hands, magnetically drawn to the solid muscle beneath his shirt, but his urge for closeness surpasses mere physical contact. He craves to exist beneath your skin. His need to feel every thread of your body is evident.
Through the corner of your eye, you catch a glimpse of his cock straining in his jeans, the outline of his craving hard to miss. You note the grip around your waist and his almost bestial panting that seems dangerously similar to a predator on the prowl.
Only when your neck feels numb under his ceaseless attention does he relent. His lips depart, leaving your skin mottled with bruises â visible signs of his possessiveness, symbols of his claim.
A lopsided smile distorts his face, revealing too many teeth before he hums in your ear, his voice as smooth as a lullaby, ceaselessly praising you, affirming how good you taste, how perfect you smell.
Your heart stumbles when you notice the blood smearing his teeth as he declares it. An underlying threat lurks behind his innocent praise. It holds an unspoken assurance - a relentless promise that he will always hunt you down â he will always be the hunter and you, just the hunted.
You're merely the prey to his predator, the flesh for his butcher's blade, a remedy for his malady. But fear not, Gojo will always take care of you.
Till death do you part
#jjk imagines#jjk x reader#gojou satoru x you#gojo headcanons#gojo x reader#gojo x black reader#gojo imagine#gojou satoru x reader#/gojobigdick
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i'm starting my first job soon and i'm really nervous- social anxiety sucks- could i have some friendly comfort from nar? and a hug maybe?
(btw your commissioned audio and headcanons have saved lives. your writing means so much to so many people. thank you for sharing it and planting the tree for us âĄ)
<3
Comfort from the narrator for anxiety with starting a new job
"Oh come now, Reader. You'll be absolutely splendid. Not to worry, I'm sure your manager will give you all the training you'll need to succeed. And if they don't, they shall have me to deal with."
You decide to not tell the narrator that he's not really capable of being a threat in the real world. He's enough of a softie that all he can really do is frown ominously at them.
"I can assure you, that if these people are professionals, they will treat you with respect. If something goes wrong, I can delete them like I did with Stanley's co-workers."
The ridiculous joke makes you smile. You shake your head and give him a friendly shove. He laughs, then becomes somber again.
"Many people incorrectly assume that they are stuck in one job for the rest of their lives. This is not so. If things truly don't work out, you have the right to put your own well being first, and walk away. Don't let anyone tell you otherwise. Alright, dear?"
"Now then, first impressions are very important. When it comes to your coworkers, smile wide, shake their hand, and do not under any circumstances collapse to the floor due to some human malady. That won't do at all. As long as you follow those simple steps, you'll have no trouble at all fitting in with the rest of them."
The narrator cautiously looks around, before leaning in to whisper to you. "Don't forget the worker's rights you're entitled to in terms of privacy, fair pay, and breaks. The triple threat."
He finishes off his little speech by pulling you into a hug.
"They hired you for a reason, Reader. That means they saw something in you that made them think you were a good fit. And if things get hard, remember that I'm never more than a few clicks away."
Good luck, anon!
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I was reading about heroic legacies and clown themed people and was suddenly reminded of this superheroine? supervillianess? who has claimed to be the daughter of like half of Gotham's male rogues, I think the one that stuck was calling her the Joker's Daughter, I think she was called Harlequin for a time (weirdly fitting considering the most famous lover of his), pretty sure she was on the Titans for awhile, last I heard of her she was apparently from a universe where the Joker is a good guy?
The woman you are referring to was named Duela Dent and, without wishing to make light. She seemed to be a very sick woman.
(A file photo of Dent, during one of the times she seemed on a stable period with the Titans) She just sort of appeared one day on a mad spree, claiming within hours of her appearance to be the daughter of the Joker, Catwoman, the Penguin, Scarecrow and finally "settling" on Two-Face (her given name is more than likely an alias of some kind). She vanished after her first encounter with Robin leaving many questions left unanswered. She appeared sometime later alongside the Titans, who assured the public she was attempting to make up for the misdeeds of her malevolent sire (not that they never actually pin down who that is. Probably because they also don't know)
She eventually changed her nom de geurre to Harlequin (though note, due to the spelling she's actually stealing from golden age villainess Molly Mayne, not Harleen Quinzel, whose Harley Quinn moniker has always been an intentional pun on her coincidental legal name.)
She was their firm ally until sometime after the team's refoundation in the wake of the Technus Crisis (that time a big pile of space junk tried to eat the moon). After that...
It's uncertain whether Ms. Dent's struggles with mental health are a lifelong malady or just something she developed later in life, I'm not her psychologist.
She has been on the Titans for short spells, but also has a pattern of randomly showing up in violent incidents were she rants about the Titans and her own mysterious parentage to anyone who will listen, racing for as long as she is allowed and then being taken into custody by her very concerned teammates.
She has had a long series of stays, both consensual and forced at the Helping House Mental Institution in Industry, California. As far as I know she's there now but its neither my business nor my interest to snoop. What I can tell you is she hasn't been seen in public in years.
If she truly is the daughter of one of Gotham's criminal elite then one can only guess at her trauma and applaud her for attempting to make good on their legacy despite whatever scars they left her with. If her idea of villainous parentage at all is a part of her mental struggles, then she still deserves support for battling again and again and always ending up on the side of the angels after all. No matter what, people are alive now who wouldn't have been because of her and that always deserves kudos.
#dc#dcu#dc comics#dc universe#superhero#comics#tw unreality#unreality#unreality blog#ask game#ask blog#asks open#please interact#worldbuilding#duela dent#jokers daughter#harlequin#teen titans#titans
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