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airenyah · 2 days ago

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A LOOK AT STYLE'S JOURNEY | Ep 12

(Overview | Ep1+2 | Ep3 | Ep4 | Ep5 | Ep6 | Ep7 | Ep8 | Ep9 | Ep10 | Ep11)

Oof, so this took me forever to write. A week and a half. But now it's finally here, the final post of this meta series. And yes, I did hit 20k words by the finale, oops. The analysis part alone is at 20.1k words. In total, this meta series is at 150k words. When I wrote that very first post about episodes 1+2 in on single sitting, pulling an all-nighter to both write, gif, and publish it I never expected it to turn into this huge project that has become. Don't ask how much sleep I was getting while I was writing these metas. And don't ask how my studies have been going since early December (I was gonna write two exams a week from me publishing this but I haven't done any studying so far whatsoever rip). Totally worth it, though. Anyway, I don't wanna keep you on your toes any longer, so have fun <3

By the way, I apologize in advance, but the section cover pics had to go for this one. Instead I bring you.... more gifs! Yay!

Acknowledgments: To everyone who regularly liked and/or reblogged and/or commented... THANK YOU 😘 Your encouragement really kept me going over these past few weeks, even when my brain was feeling really exhausted from thinking so long and so hard about this series and especially this character. I had a blast going on this journey and I'm glad I got to share it with you. Thank you for coming on this journey with me. I love you.

Pronoun situation: As usual, just assume Fadel and Style use the rude pronouns guu/mueng with each other unless I specify otherwise. And I WILL be specifying otherwise this time hehe.

To recap: Last episode Style got to spend a lovely 24 hours of saying goodbye to Fadel before the one thing that Style has been dreading the most (safe for Fadel's death, probably) happened: Fadel got arrested. And there's nothing Style could do about it but watch. And now he has to live with the fact that his boyfriend will be in prison for the next five long years.

No. 1: Visitors

Kant and Style go visit their boys in prison together and it seems to be their first visit in general, considering how both couples are catching up. We don't know how long it's been since they last saw each other, but I assume it must have been more than just a couple of days, since we later learn that the burger restaurant has already been sold.

Either way, Style is now sitting in front of Fadel, asking him how prison is. Fadel says it's not that bad and Style checks in once more to make sure Fadel is really fine: "Really? You sure you're not saying that just to make me happy? I've seen some interviews, and the people who have been here said it was awful."

After all, Style knows Fadel and he knows Fadel is prone to pretending that everything is fine when really, it isn't. Style even called Fadel out on it in episode 7: "Just admit when it hurts. You don't have to be tough all the time." Back then Style also told Fadel: "I'm worried about you, you know? I was afraid something would happen to you.*"

*กลัวมึงเป็นไรไปอ่ะ [gluua - mueng - bpen rai - bpai - àh] afraid - you - have a problem - [particle] Official subs: I thought you were a goner.

Now, about half a series later Fadel is finally very well aware of just how much Style worries about his well-being and, with a laugh, reassures him once more that prison really isn't that bad. Style lets it go and tells Fadel: "I really miss you, though." And let me just share what I learned when I asked my Thai friend about the phrase ก็...อยู่ดี [gôh ... yùu dii], because I wasn't entirely sure what it meant: according to my friend it means "still" (German speakers: he translated it as "immer noch"), so the line goes more like:

But I still miss you. แต่กูก็คิดถึงมึงอยู่ดีนะ [dtàe - guu - gôh - kít-tĕung - mueng - yùu dii - ná] but - I - miss - you - still - [na]

They've been separated for a while now, but Style still misses Fadel. Style hasn't stopped missing Fadel. Fadel acknowledges that and tells him "When you do, just come visit." And for those curious about the literal wording (it doesn't really change anything, but I know you guys love this <3):

If you miss me, then come visit me like this. ถ้ามึงคิดถึงกูอ่ะ ก็มาหากูแบบนี้นะ [tâa - mueng - kít-tĕung - guu - àh • gôh - maa hăa - guu - bàep níi - ná] if - you - miss - me - [particle] • then - come visit - me - like this - [particle]

Style doesn't say anything. He just smiles at Fadel fondly and in love. Fadel didn't preemptively break up with him last episode and even though there is a barrier between them, Style can still go see Fadel and Fadel also wants Style to come see him. It's not ideal, but things could have been much worse, so Style is happy and also makes the best out of the situation. Just like he always does.

Fadel then asks about the garage and it's the first time we learn that Style's dad is starting to retire and that Style is starting to be busy. This will come up later in the episode again, but for now everyone is still happy. Then Fadel asks about his burger restaurant and both we, the audience, and Fadel learn that it's been sold. Fadel then says he'll find a way to buy it back once he's out of prison and once again we're handed information that will be relevant later in the episode.

Style being Style immediately announces that he'll be helping Fadel find a new place, if he can't get back the old one. And now it's Fadel's turn to smile at Style fondly and in love. Style then asks if Fadel wants anything special. But Fadel doesn't need anything. "Just seeing your face will last me a whole month." And again, the literal wording doesn't really change anything here, but if you're curious, this is what he's saying:

Just you visiting me like this makes me happy for a month. แค่มึงมาหากูแบบเนี่ย กูก็อิ่มใจเป็นเดือนละ [kâe - mueng - maa hăa - guu - bàep nîia • guu - gôh - ìm-jai - bpen deuuan - lá] just - you - come visit - me - like this • I - [sentence link] - happy, pleased - for a month - [particle]

Fadel uses the word อิ่มใจ [ìm-jai] here (which I translated as "happy") and that's funny to me personally, because this word already came up when I was discussing a different sentence from episode 11 with my Thai friend. You know when Fadel and Style are in the kitchen in episode 11 and Fadel talks about how he wants to do what he loves with the person he loves? And then he says "It makes me happy". The word that was translated as "happy" in Thai is อิ่ม [ìm], which actually translates to "full". And I had my friend watch the scene and asked "What does he mean 'full', what does that mean in this context??" and my friend explained that in this context it means "happy" and mentioned the word อิ่มใจ [ìm-jai], which he also explained to mean "happy". The literal translation, though, is actually "full heart" (as in the heart is full → you're happy). And then this exact word that I learned comes up in episode 12, I love it. So yeah, Fadel is basically telling Style that he doesn't need anything, because Style visiting him in prison is enough to make is heart full/fill up his heart for a month. And from the way Fadel raises his eyebrows and smiles cheekily when he says the อิ่มใจ [ìm-jai] part, I assume it's just as cheesy in Thai as it is in English, especially judging by Style's reaction afterwards.

Style is amused, impressed, as well as touched by Fadel's cheesiness and asks: "What did they feed you in there? How come you're this sweet?*"

*ทำไมถึงหวานขนาดเนี้ย [tam-mai tĕung - wăan - kà-nàat níia] how come, why - sweet - to this extent Official subs: You're way too sweet.

If you read last episode's meta you might remember how I went over the development to from โหด [hòht] (= harsh, aggressive, brutal) to หวาน [wăan] (= sweet) and I just love how this time around, the word โหด [hòht] doesn't even get mentioned anymore. They went from Style using only the word โหด [hòht] in episode 4 ("No matter how harsh you are, I'm still hooked on you." / Official subs: "It doesn't matter how scary you are, I'm still hooked."), to them making comments about and discussing Fadel being both harsh (โหด [hòht]) and sweet (หวาน [wăan]) in episodes 7, 9, and 11, and now in the finale Style only uses the word หวาน [wăan] (= sweet). It's the polar opposite of episode 4. I love it.

(By the way, I'm not gonna copy and paste all the direct quotes again, so if you wanna look at the lines and the development of "harsh vs sweet" in detail, please refer to section 7 of my ep11 meta.)

Style continues to say "If you say such sweet things, it'll only make me want to hold you and kiss you even more, you know?" and I'm just gonna share the literal wording again:

The sweeter like this you are ยิ่งมึงหวานแบบเนี่ย [yîng - mueng - wăan - bàep nîia] the more - you - sweet - like this the more I really want to embrace you and (sniff) kiss you on the cheek, you know that? กูยิ่งอยากกอดอยากหอมมึงมากเลยรู้ป่ะ [guu - yîng - yàak - gòht - yàak - hŏhm - mueng - mâak loiie - rúu - bpà] I - the more - want - hug, embrace - want - (sniff) kiss - you - very much - know - ?

In the official subtitles Style says just "kiss you", but the word he uses here in Thai is หอม [hŏhm] which, from what I've picked up so far, usually refers specifically to a kiss on the cheek, especially those sniff-kisses. And that's what prompts Fadel to turn his head and offer his cheek to Style — because Style specifically asked to kiss Fadel's cheek.

Also, something about the way Style says this and the way he emphasizes and drags out the word หอม [hŏhm] kind of really reminds me of the way he emphasized and dragged out the word หวาน [wăan] (= sweet) when he shouted "My meat is sweet, I tell you!" in episode 3, and watching these two lines back-to-back actually shows the development so beautifully:

In episode 3, Style is so very loud and he doesn't mean what he is saying at all, he isn't taking his words seriously whatsoever. His words are a performance and the world (or rather the market, in this case) is his audience. In episode 11, his words are still a performance, but now it's a private show for Fadel and Fadel alone. Fadel is the sole member of his audience and what Style is saying isn't meant for anyone else but Fadel. Style is serious about it now and he really means it. By the episode 12, Style is still loud in his personality, but compared to episode 3 his demeanor is so much calmer and he is also much more grounded.

The difference is also in Fadel's reaction: in episode 3 when Style isn't taking what he's saying and doing seriously whatsoever, Fadel doesn't have time for him. He rolls his eyes and just leaves him standing there. In episode 12, when Style means every single thing he says and does, Fadel actually leans closer and then presents his cheek to Style, going along with Style's antics instead of blocking or ditching him. Style blows a cheek at Fadel and we leave them as they continue to make heart-eyes at each other.

No. 2: This Is Torture

Style puts on his cheerful face when he's in front of Fadel, and while I don't think any of the above was a mask, because I think he is definitely genuinely happy to talk to Fadel, there is still some frustration that Style only lets out as soon as he's away from Fadel, similar to how he didn't fully cry until Fadel was completely gone at the end of last episode. "Kant, I can't do this," Style complains and let me just share the real vibe of his sentence:

Ai'Kant, I can't fucking do this anymore. ไอ้กานต์ กูแม่งไม่ไหวแล้วว่ะ [âi Kant • guu - mâeng - mâi - wăi - láew - wâ] Ai'Kant • I - [rude interjection] - not - able to, can - anymore - [rude particle]

I usually don't bother to point out sanitized subtitles, but here I thought it was appropriate, because first of all, Style using curse words and rude language really underlines just how frustrated he really is about this from his first line of the scene on and second of all, to me with the cursing it comes across as even more dramatic and I mean, the drama is what we've all come to love about Style, isn't it? Kant agrees and once again Style is much more dramatic in the original wording than he is in the official translation:

What's torturous is going in and being able to chat only for a few minutes. ที่มันทรมานอ่ะ คือเข้าไปคุยได้ไม่กี่นาทีไง [tîi - man - tor-rá-maan - àh • keu - kâo bpai - kui - dâai - mâi gìi -naa-tii - ngai] that - it - torture, be tortured - [particle] • is - enter, get in - talk, chat - be able to, can - not many - minute(s) - [particle] Official subs: The worst part is only getting a few minutes to talk to him.

Yeah. Style explicitly calls it torture that he can only see Fadel's face but can't touch him. He continues with the drama:

We're close, but so damn far away. ใกล้แต่ไกลฉิบหายเลยมึง [glâi - dtàe - glai - chìp-hăai - loiie - mueng] close - but - far - [impolite intensifier] - [particle for emphasis] - you Official subs: We’re so close but it feels so far.

Style is frustrated, almost downright angry even. Kant agrees again and when Style then asks "Is there no way we could hold them in our arms again?" There's a hint of desperation and impatience now mixed in with the frustration. Kant informs Style that there's a special visiting day, but it's only once a year. And here we have the biggest clue as to just how unhappy Style really is with the situation. Style, who usually stays optimistic and tries to find the bright side in things, is very dissatisfied about those news. Even positive Style can't see how the special visiting day is a good thing. Because once a year just really isn't enough, no matter how he looks at it. Kant throws him a glance. Style is sitting in the passenger's seat, head downcast, looking very dispirited and crestfallen.

Kant thinks some thoughts for a moment. Then he announces "I think I have an idea that will give us more than just a hug." Style lifts his head again. He's listening.

No. 3: Prison Break

For Kant's idea to work they need Captain Christ's help and they go meet him in a parking lot. They let Captain Christ know they wanna get into jail to see their boyfriends and Captain Christ actually asks the reasonable question of "Can't you just visit them?" No. They cannot. Because looking at them through a barrier is simply just not enough. Style starts listing all the things he wants to do to Fadel and he's clearly thought about this a lot. He gets lost in his own world a little the longer he goes on, clearly seeing everything he's describing in front of his mental eye, clearly seeing Fadel himself in front of his mental eye. And in a parallel to both episode 4 and episode 11, Style trails off at the end, leaving it up to the audience to imagine just what exact kind of things Style wants to do to/with Fadel (fanfiction, anyone?). Style pulls himself out of his fantasy and back into the real world, sighing and shaking his head in a way that reads to me like frustration about the fact that he can't be doing all of that. Kind of like Come on, man, get it together... The circumstances won't let you have your fantasies anyway. When the shot changes to Captain Christ, we can see that Style is even looking towards the ground. We can't see his face, but just from his dissatisfied expression just now we could interpret his hanging head as disappointment or sadness or both about not being able to do all the things he just talked about.

Captain Christ says that Style is crazy in love and from the way that Captain raises his eyebrows and the way the corners of his mouth twitch into a bit of a smirk when he's done speaking has me think Captain Christ was saying it to tease Style, but I think the teasing passes right by Style, because he makes a skeptical face, kind of like a bit of an annoyed and maybe slightly defensive What?? or maybe even a bit of an And what's wrong with that?

Captain Christ discards his cigarette and starts asking questions about just how exactly Kant and Style plan to get into prison, pointing out that he had just helped Kant wipe his slate clean. Kant explains that they aren't planning on getting themselves arrested and asks if Captain Christ knows anyone inside. Captain Christ says he does, then asks: "Don't tell me you want me to help you reenact Prison Break?"

Special shout-out to Style's reaction, because it's definitely in my top 5 moments of the episode, if not my absolute favorite highlight of the episode:

His face makes me laugh and giggle so much, it just really cracks me up. It's like he's thinking to himself Oh I sure wouldn't mind a little prison break... or maybe even Oh this is totally not the exact thing I've been fantasizing about. Let's be real, this would be Style's ideal scenario. But unlucky for Style, that's not the plan that Kant has had in mind.

No. 4: Vocational Training

Kant's idea was to go do some kind of volunteer work (or something along those lines) at the prison. Style, of course, teaches fixing cars, and it's interesting that Fadel actually shows up for that, because without knowing Style was gonna be the one teaching, Fadel could have easily chosen a different activity instead, since we never actually saw him be interested in fixing cars. Maybe Fadel heard about it and it made him think of Style and decided to go check it out in honor of him or to feel closer to him. Either way, Fadel actually shows up to Style's class and from the way Style's jaw drops a little bit I wonder, if this comes as a surprise to Style, since it's not like Style specifically told Fadel he was gonna come in.

Pronoun change! You might have noticed yourself, but the very first thing Style says to Fadel is khun. Style is pretending not to know Fadel. Style continues to speak using no pronouns at all and when Fadel answers, he goes along with Style's pronoun change, using phom to refer to himself. The two of them continue to use the polite phom/khun for the rest of this specific conversation.

Fadel says he doesn't know anything about fixing cars and Style replies it's fine, because Fadel can learn about it. Then he says "If you want to, that is." The expression that Style uses here in Thai is มีใจ [mii jai] which is made up of มี [mii] = "to have" and ใจ [jai] = "heart, mind", so literally it translates to "have (a/the) heart". My friend explained that in this context this phrase means "to have the intention to do something". The funny thing is, though, that I asked my friend about this specific phrase a couple of episodes ago, because Style actually uses it when they're standing by the broken down car in episode 8 when he teases Fadel "Either a hitman like you still have his humanity, or you’re in love with me." In other words, the phrase มีใจ [mii jai] can also mean "to be in love" and now I'm wondering if this specific word choice with this double meaning was very intentional for this episode 12 scene. Especially because Fadel then huffs and smiles a little.

Style walks up to Fadel and tells him "I'll show you every nook and cranny of a car. You'll definitely find some use for what you learn from me. But if you still can't fix cars after that, I'll fix them for you," still using polite pronouns and particles to address Fadel, and somehow this whole thing just really reminds me of their little roleplay at the garage back in episode 5. The way Fadel's eyebrows shoot up and he huffs in amusement really raises the question if Fadel is wondering what kind of payment Style will take for fixing Fadel's car. At the same time, Style offering to fix Fadel's car also works as a callback to the circumstances in which they first met: Style has fixed Fadel's car once before, maybe even twice, if we assume that Style fixed the jeep again between episode 8 and episode 9 when it broke down.

No. 5: A Man Has Wants, A Man Has Needs

At the end of class, Fadel is working on the car and Style uses the chance with everyone else distracted for a little private chat with Fadel. And now that they don't have an audience listening in and appearances to keep up, they're both back to the rude pronouns guu/mueng. Fadel likely sort of already expected that Style would find a way to get to him, because he says he had thought Style would do something illegal to get inside the prison and I think the majority of the fandom thought similarly. I personally realized Kant and Style would be working in prison when I went to rewatch the episode promo like two or so days before the episode and realized that the blue clothes that Fadel was wearing in the shots where Style kissed him on the cheek and threw him against the wall looked like the prison uniform while Style was in normal clothes. At first I thought the shot of the cheek kiss by the car was when Fadel was out of prison again and that it was set in Style's garage, but once it hit me that they were clearly fixing a car while Fadel was in a prison uniform while Style wasn't, that's when I realized that Style was likely there as a volunteer worker (or something along those lines) rather than a prisoner. Unfortunately, I was too busy trying to get my ep11 meta done, so I didn't make a post about my discovery which means I don't have receipts and this brag is completely worthless. Ah, well. At least my ep11 meta is done.

Style says "This is way better" and steps closer to Fadel, reaching out his arm right into Fadel's personal space, seeking proximity before he even says it out loud or touches Fadel at all. Fadel responds to it by immediately moving his own arm closer to Style's hand and while I know that Joong most likely did this as part of their "choreography" so that Dunk would have an easier time grabbing his arm for when Style talks about touching Fadel, the thing is if we're looking at it from the character's perspective, well, Joong might have known Dunk was gonna grab his arm, but Fadel didn't know Style was gonna grab him and so I love this small interaction anyway. Style reaches into Fadel's personal space with his hand and Fadel immediately moves his own hand closer to Style.

And it's only then that Style says: "I get to be close to you and to touch you just like I wanted to." Then Style sneaks a kiss on Fadel's cheek, just like he said he wanted to do in his first scene of the episode. Fadel gets as stressed about it just like I did when I watched the episode for the first time. I mean come on, Style, there are still people around!! I swear to god, the amount of times I've had to remind myself during the prison part that this was a romcom and that this was the final episode of the show and that nothing too bad was gonna happen now...

Fadel scolds Style, but Style doesn't care. He points out: "Why would I come here if I don't get to do anything with you at all?" The whole point of finding a way to get inside the prison was to be able to touch Fadel, to kiss him, to hold him, just like Style was so very desperately wishing he could do in the very beginning of the episode. And he's not gonna pass up that chance, especially when it's been a while since he actually got to feel Fadel's skin.

Fadel sees the guard walk around and tells Style "I can't help you." Then Fadel continues to be grumpy, scolding Style "You said you'd be patient, and you're already losing it?" Style is so used to Fadel's grumpy personality by now that he isn't fazed in the slightest. He comments it with a very quick huff to the side, then goes "A guy has wants and needs, you know?" He smiles a little when the words are out of his mouth and observes Fadel's reaction, eyes fixed on him attentively. Fadel lifts his head, looking a little done, but ends up breaking anyway after staring at Style for a moment. Fadel laughs and turns his head away to hide it, then looks at Style one more time, before directing his attention back to the car. Style watches him with a fond smile and affectionately shakes his head as if to say That's so you of you to first be grumpy, only to fall for my charm in the end anyway, you silly goose. As if I don't know you by now, my love.

After that, Style goes back into teacher mode in order to officially end the class. And I just love how the wide-shot reveals that now both Style and Fadel have their hands in each other's personal space close to the other person's body, their arms criss-crossed. And I also love how Style leans right into Fadel, touching him more when he goes to address the whole class.

Good job at pretending not to know each other, boys. Really. Very inconspicuous.

Fadel does move away from Style a little a moment later while Style continues his "see you next week" speech. But we can still see just how much Style missed touching Fadel, because he seeks out proximity again by tapping Fadel, casually touching him again immediately after he is done ending the class.

Then his eyes also find Fadel's face again, who looks at him very amused. And now that class is over, Style can finally do what he's really here for.

No. 6: Loyal to You

When we cut back to them, they've found a hidden corner and Style is shoving Fadel against a wall, kissing him with great urgency. Once they break apart, Style tells Fadel "I've been dying to do that since the moment I saw you", smiling a very satisfied smile. Fun fact, this time around Style is actually less dramatic in the original wording:

I've been wanting to do this since I saw your face. กูอยากทำแบบนี้ตั้งแต่เห็นหน้ามึงอ่ะ [guu - yàak - tam - bàep níi - dtâng-dtàe - hĕn - nâa mueng - àh] I - want - do - like this - since - see - your face - [particle]

Fadel laughs and says "You're crazy", to which Style replies "Love will make people do crazy things" and let me just share the original wording for a second:

Love makes us do something crazy like this. ความรักอ่ะ ทำให้คนเราทำอะไรบ้าๆ แบบนี้แหละ [kwaam rák - àh • tam hâi - kon rao - tam - à-rai - bâa bâa - bàep níi - làe] love - [particle] • make that, cause - people, we - do - something - crazy - like this - [particle] Official subs: Love will make people do crazy things.

The reason why I'm sharing this isn't, because the translation is inaccurate in any way, but rather because this line reminded me of another line Style says in episode 7 and I just want to point out the similarity in the original wording that isn't as clean in the official translation:

Love makes us do something stupid. ความรักมันทำให้คนเราทำอะไรโง่ๆนะ [kwaam rák - man - tam hâi - kon rao - tam - à-rai - ngôh ngôh - ná] love - it - make that, cause - people, we - do - something - stupid - [particle] Official subs: Love sure makes you do something stupid.

It greatly amuses me that Style went from "Love makes us do stupid things" to "Love makes us do crazy things". Style, lover of love, willing to do stupid and crazy things for the sake of love. He is stupid and crazy enough to even find a way to get into prison for the sole purpose of making out with his boyfriend, because who can wait five whole years, amirite? Style immediately proves his point by continuing to kiss Fadel. But Fadel doesn't let Style kiss him for long, because he has something to say: "Save your sweet words." Funfact, he uses the word นำเน่า [nam nâo] here, which my friend explained to mean "soapy" (as in soap opera like). I think Fadel just called Style "dramatic" without actually calling him dramatic, and I think that might also be the reason why Style steps back with a sigh, looking kind of disappointed and annoyed, before answering Fadel's question of "How did you get in here?"

We know being called dramatic has been a touchy subject for Style before and so has been being pushed away. I think Style had a moment of Does he really not appreciate that I'm here now? Does he not appreciate my efforts? But Style doesn't comment on it, doesn't start an argument, and instead answers Fadel's question. He explains that he'll be teaching at prison every week now thanks to Kant's connections and then says:

I'll get to come and see you every week. จะได้มาเจอมึงทุกอาทิตย์เลย [jà - dâai - maa - jer - mueng - túk - ah-tít - loiie] will - get to - come - see, meet - you - every - week - [particle] Official subs: So I'll see you every week.

Although when Style says this, it's not as joyful as you might expect. There is determination in Style's voice, because he is determined to do this, but there is also a bit of a challenging edge to it and I think it comes from his sudden worry that Fadel might not want him here after all. It's a challenge in the sense of Well, are you happy about me being here once a week from now on or not? He keeps his eyes fixed on Fadel and when Fadel then huffs and smiles almost in disbelief, the look on Style's face softens a little bit before he leans in to kiss Fadel again.

But once more, Fadel isn't letting Style kiss him for long, before he speaks again: "You know… You don’t have to do this." Style goes still as he waits for Fadel to elaborate. And Fadel does:

It's fine if you visit me once a month or once every three months. มาหากูเดือนละครั้งหรือสามเดือนครั้งก็ได้ [maa hăa - guu - deuuan lá kráng - rĕu - săam deuuan kráng - gôh dâai] (come) visit - me - once a month - or - once every three months - it's fine Official subs: I don't mind seeing you once a month or once every three months.

Ah. There it is. Fadel is pushing him away again. Or so Style thinks. Of course Fadel is saying this to be considerate of Style's time and schedule (after all, Style did tell him that things at the garage were getting busy), not wanting Style to get tired and exhausted in the process, but what Style hears is I don't want to see you that often. And now Style is seriously done.

He steps back, tilting his face in a Really, now?? way, presses his lips together unhappily, then raises his eyebrows and firmly tells Fadel: "I did everything I could to be with you, you know?" Style's next question is another challenge to Fadel:

Are you not moved? ไม่ซึ้งบ้างหรอ [mâi - séung - bâang - rŏr] not - touched, moved - any - ? Official subs: You don’t appreciate that?

Fadel breathes out loudly and tilts his head like Oh, come on, it's not like that. But Style is really annoyed now and continues to say: "Or did you already find someone here? I'd expect it of a popular guy like you." You heard him use the anglicism "hot" here, right? Because the second sentence goes more like:

You're hot anyway. ฮอตอยู่แล้วนี่มึงอ่ะ [hot - yùu - láew - nîi - mueng - àh] hot - be - already - [interjection] - you - [particle]

A little extra info from my Thai friend: according to him in Thai this word doesn't necessarily refer to someone's appearance and to physical attraction, but rather it is used to express someone has a quality or skill that is desirable.

Now I think Style actually being jealous for real can be a valid interpretation of him asking Fadel if he found someone new in prison, but to be honest, personally I don't really think so, or rather I think real jealousy is the case only on a surface level. Because Style knows Fadel, Style knows that Fadel doesn't easily open up to others. Style knows first hand how much work, effort, and persistence it takes to get to Fadel's heart. Style also knows Fadel would absolutely kill him if Style ever cheated on him and so I don't think Style would expect Fadel to be a hypocrite and go cheat on Style just like that himself. So I don't think Style actually expects Fadel to have found himself a new boyfriend in prison for real. No, in my opinion this is about something else deep down. I think Style is actually hurt that Fadel is (seemingly) pushing him away again, the way Fadel has done before so often. And Style has felt hurt from that before, and he's argued with Fadel about that before (most recently last episode during their last supper, and in episode 10 the scene where Style demands to help with the mission as well as the scene where Fadel cries in Style's lap). And I think playing it over apparent jealousy is Style's way of letting Fadel know that he's sulking about this, without starting a full-blown argument. Because at this point Fadel should know better than to keep pushing Style away, especially when Style is putting in so much effort in their relationship again. And part of me also wonders if Style was trying to avoid being called "dramatic" again (remember: touchy subject) if he had outright complained about being pushed away, while jealousy could maybe be taken as a "more valid" or more expected or acceptable reason to be mad.

Style starts to walk off, upset, because fine, if Fadel doesn't want him here then he'll leave him alone. But Fadel catches his arm. Style is sulking and it's Fadel's job now to make up with him. And Fadel does: "No matter where I am, you're the only one for me." Fadel holds him back, pulls him back in, doesn't simply just let Style go. And then promises his loyalty to Style. Something that Style has promised to Fadel many, many times. Fadel's efforts to get Style to stay placate Style again. This is all Style wants: for Fadel to show that he, too, wishes for Style to be in his life and be willing to work for it, the same way Style constantly shows he wishes for Fadel to be and actively works on Fadel being by his side. Style's face softens again, he smiles a little and lets Fadel kiss him.

They go back to making out against the wall. Well. That is, until the prison guard walks in on them. They quickly jump apart and Style rambles some orders about cleaning up, before walking off. And I love that Style can't help but touch Fadel one last time, before he leaves. He really has gone too long without touching Fadel and has to make up for it now.

Language fun fact: Technically, a pronoun switch from guu/mueng to phom/khun isn't actually happening here, because Style actually uses no pronouns at all when he talks to Fadel in front of the guard! Fadel does drop one polite "krub", but that's about it. There are no pronouns this time, but I think it's safe to assume they would have switched to phom/khun again in front of the guard, if the conversation had gone on.

Side Quest: Year 2 or Literal Horny Jail

Alright, sooo, there isn't that much interesting happening in year 2, or rather not interesting enough that I really wanna get into detail and turn this into its own section, but of course I couldn't leave it entirely unaddressed. So a side quest, it is. The brothers' second year in prison turns out to be a happy one, with both couples really obsessed with each other as if they'd only just started dating, sneaking kisses and make-out sessions whenever they can. Somehow, they're never found out. Everyone is happy and pleased, and this is especially significant for Fadel and Style. They're happy and in love and still very much into each other. We don't actually get any scenes of Fadel and Style together during year 3, but I think it's safe to assume that things are going this well throughout the third year, too. Well, until things aren't. Until suddenly we get dropped down to the ground from the high that we had just been taken up to.

No. 7: Busy Bee

Year 4 comes around and with that all the happiness gets thrown right out the window. Because Style, without a warning, suddenly doesn't show up to class one day and instead waits for Fadel in the visiting room. When Fadel walks in, Style addresses him happily, but his happiness is not as bright as we know it can be, it's a bit subdued. Style asks why Fadel took so long and I think it explains why Style doesn't sound as cheerful as usual: I think while Style was waiting, for a moment he got really worried that Fadel wouldn't come to see him.

By the way, yes, Style did phrase it as a question in the original wording:

Why were you so slow? ทำไมช้าจังเลย [tam-mai - cháa - jang loiie] why - slow, late - so much, very much Official subs: Took you forever.

Fadel explains he went to the garage first, but Style wasn't there. Style apologizes for it, then explains he's been very busy. Style had already mentioned at the beginning of the episode that he was busier compared to before, and now he's even more busy than that. So busy that he might not be able to come in and teach as often anymore. He tells Fadel just that and looks at him with sad, apologetic puppy eyes.

Fadel asks why that is and when Style answers, he puts on a very enthusiastic voice in an attempt to make the situation sound as positive as possible. Style explains that he's in charge of the garage now that his dad is retired and updates Fadel on how he's thinking of expanding the business and how he has a lot of projects going on that allowed him to meet more people in the industry. Style's little mechanic world is getting bigger for him, isn't that exciting? Style just wants to share the joy of his good news with Fadel.

Fadel nods a bit unenthusiastically and says "That's good. It's alright. I understand" and I think Style can tell that in reality Fadel is upset just as much as the audience can, even if it might not immediately seem like he can tell:

Style continues to smile, but it's like he's putting down the enthusiasm that he's just put on, and he looks at Fadel. Style is always looking at Fadel. And Style has become an expert at reading Fadel. There is no way Fadel's disappointment passed right by Style, even if his expression stays positive and affectionate and full of love. Style doesn't say anything and I think he's actually waiting to see if Fadel will fall back into his old patterns and usual downward spirals again. And I think Style keeps his expression joyful and warm in order to give Fadel as little reason to think that Style doesn't care about him anymore. But the trauma sits deep within Fadel, leading him to say: "You don't have to come here to teach, you know?"

This is the exact reaction that Style was expecting of Fadel and we can tell, because Style is immediately ready to calm Fadel's anxiety without missing a beat: "Don't worry. I'll make time for it." It's really not that big of a deal. And in case it is a big deal, Style has already thought of a solution, a compromise: "But if I can't, I'll just come visit you instead." Because let's be real, Style would miss Fadel just as much and wouldn't want to miss out on seeing Fadel's face. "Is that okay?" he asks. Do we have a deal? Fadel stares at Style for a second, then nods awkwardly, but looks very unconvinced and doesn't say anything. Style raises his eyebrows a little, then leans back, keeping his eyes fixed on Fadel.

As I said above, I think Style could already tell Fadel was upset a few lines earlier, but I think this is the moment where he realizes that Fadel is more upset than Style had initially thought and that Fadel isn't gonna be easy to cheer up about this. It really does seem to be a big deal to Fadel. So much so, that Style now chooses to address it after all: "What's wrong? Are you mad at me?" And I adore how Style continues to interact with Fadel in such a loving, kind way and continues to smile at him warmly.

Style isn't attacking Fadel when he asks Fadel if he's mad, instead he's reaching out to him kindly and in a way that makes it very clear that Style is asking out of concern for Fadel's well-being and not because he's trying to start an argument. In fact, Style is very much trying to not start an argument right now. Fadel says he isn't mad at Style. "I understand you have to live your life. I'm in here so there's nothing I can do but wait." And that's when Style's smile finally falls completely.

I think part of him is concerned for Fadel and his mental state, and part of him is also worried where this might be going. I think the underlying question here is Are you... about to preemptively push me away again because you're falling into a downward spiral again?

Fadel continues. "Style, I think..." Style's face is very serious now as he listens to Fadel to find out where this is headed. Fadel says "Our timing just wasn't right at all" or word for word:

We met at the wrong place at the wrong time. เราเจอกันผิดที่ผิดเวลาไปหน่อยว่ะ [rao - jer gan - pìt - tîi - pìt - weh-lah - bpai nòi - wâ] we - meet each other - wrong - place - wrong - time - too little - [particle]

Style is quiet for a moment and I think now there is also a hint of fear added to the seriousness in his expression as well as confusion.

I think Style does very much understand that Fadel really is in the process of pushing him away again, but I think he's confused about what exactly Fadel means by "wrong place, wrong time". Style needs to know what exactly Fadel is getting at in order to properly fight against Fadel's downward spiral and so he asks. Fadel explains and Style listens intently. "I think you should focus on your future." Style is wasting many hours just to come to see Fadel at the prison since it's so far away. Style doesn't earn any money working at the prison. Style is better off getting paid fixing some expensive cars. "You shouldn't waste your time on me." Fadel is once again simply just presuming Style's perspective on things without actually asking Style about it. But at least Style now has a lead, something specific he can counter. And Style does, and just like before he talks to Fadel in a very kind, warm way: "It's not a waste of time. You're my boyfriend. I will always make time for you. Work is important, but you're also important to me." Style is also back to a warm, happy face now, the seriousness from a moment ago hidden completely.

He then also speaks a little reminder to Fadel that Fadel's behavior right now isn't entirely fair to Style either: "Before you went to jail, you told me to focus on my own life. Now that I'm doing exactly that, you are sulking?" And again, this isn't supposed to be an attack. When Style says this, he is more serious than he was mere seconds before, but Style's voice is still rather soft, and while his words come with a certain urgency, there are no sharp edges to his tone. Style stays patient with Fadel, clearly trying to talk this issue out without getting into a full-blown argument.

By the way, the word that Style uses here that was translated as "sulk" is งอน [ngon]. Avid watchers of Thai dramas might have come across this word before (especially those who also follow actors outside their series). The dictionary thai2english translates it as "sulk" and "pout", and I knew it meant something like this, but I still went ahead and asked my Thai friend about it, in case he had something interesting to say about it. And he did, and I'd just like to share it here, because I think some of you will love to read about it, too. According to my friend งอน [ngon] is when you are "upset and disappointed, because the other person should know better, but it's not significant enough to be properly angry". My friend also said that it's a whole thing: for example when you are งอน [ngon] you can't actually admit to it, and it's the other person's job to come to you and make up with you (this step is called ง้อ [ngóh]).

So Style asks if Fadel is งอน [ngon] (and I hit pause after Style's sentence to have my friend explain this word, before continuing the scene) and Fadel says that no, he is not งอน [ngon] (after which my friend exclaimed: "See!! Exactly!! He's denying it!! Like I said!!"), then tells Style "Just do what you want. Don't take me into account." Fadel gets up to walk away and Style calls out for him to wait. But Fadel is done with the conversation. "I have work in the kitchen. Don’t want these prisoners to starve." With these words, Fadel leaves Style sitting there, alone, looking unhappy.

No. 8: Be Patient, My Son

Next, we find ourselves in Style's garage and we are shown that Style is indeed working hard, earning money. Even his dad comments on it: "You always only fixed a few cars a month. What's going on?" Style's dad then asks if Style is in need of money and Style says he just wants to save it. And that's when we, the audience, slowly start to realize that Style is likely trying to buy back the restaurant. But Style's dad doesn't know this, so he starts asking whether Style is intending to buy a new car, and when Style says no, he's not, his dad makes a guess for a "love nest" (เรือนหอ [reuuan hŏh]). I didn't ask my friend about the term เรือนหอ [reuuan hŏh], but according to thai2english and sanook.com it refers to a home for newlyweds which, uh, is quite different from "a place (such as an apartment) used for amorous and often illicit rendezvous", which Merriam-Webster defines love nest as. Style's dad asks if Style is getting married, and that's the fifth reference to a FadelStyle marriage. Here's a recap, in case you forgot:

Ep6: "wear make-up with me" vs. "will you marry me" (explanation here)

Ep7: proposal prank

Ep8: Fadel and Style taking part in an actual wedding

Ep11: Style's dad outright telling Fadel and Style to get married

Ep.12: Style's dad asking his son about marriage again

I can't believe this show did not end with them actually getting married, or at the very least engaged. It's gotta be my biggest beef with the show, not gonna lie.

Anyway, so Style informs his dad that he is not, in fact, getting married and goes on to tease his dad, asking if his dad doesn't like seeing his son working hard. The comment makes his dad laugh, although he's already got another question on his mind: "Where's Fadel been, though?" I do think it's kinda funny how this question comes up only after more than three years. Did Style's dad really never wonder about it? Or has Style always casually mentioned Fadel over the years and his dad just assumed that Fadel only happened to come over when Style's dad happened not to be there for it? Why did it take more than three years for this question to come up?

Either way, Style quickly comes up with the excuse that Fadel is in culinary school abroad. And from the way Style says it, it seems like Style is making up this excuse on the spot, which again has me wonder... what exactly has Style been telling his dad the past 3+ years?

Style says that Fadel will be back, which is the truth this time, and Style's dad is happy to hear that, because he's actually rooting for Fadel. We love to hear it. Then Style's dad tells him "You need a lot of trust when it comes to long distance relationships. Be patient, son" and I'm so glad we got this very scene, following the last one. I think this is something Style kinda needed to hear at this point. Because Fadel had just walked out on him, clearly upset, and now Style's relationship is in trouble. And I adore that Style gets told some comforting words, even if his dad actually has no idea what's really going on. "You need trust," his dad tells him, "be patient." And Style thinks about it.

These words hit Style, they mean something to Style. He goes very quiet while his dad continues talking. "You'll be back together soon." Style's dad puts a comforting hand on Style's shoulder and Style's reaction is one I find very difficult to describe and put into words (see gif below). It's like, on the one hand his own optimistic and hopeful nature agrees with his dad, but at the same time he also doesn't quite believe his dad, as if he's thinking Well, whether we'll be back together or not depends entirely on how stubborn Fadel is and if he stops being mad at me. I think part of Style lowkey fears that Fadel might not be willing to make up with him again. Style looks at his dad who then gives him an encouraging nod and Style returns a small smile and a little nod himself.

Style's dad walks away and Style's smile slowly falls as he gets lost in thought and looks down at the money in his hands.

Style is most definitely thinking about the state of his relationship with Fadel and his dad's encouraging words right now. And we, the audience, are now all going Oh, he is SO buying back the restaurant for Fadel!! Honestly, it's my own personal headcanon that Style started working out a plan to buy it the moment he got back from that very first visit where Fadel was like "I'm gonna buy back the restaurant."

No. 9: Making Up

We don't know how long it's been since Fadel and Style talked last, but I assume it's been a while, since last time we checked Style said he might not be able to come as often and now we learn from Bison that Style is at the prison twice a week these days. Personally I assume it's been at least a month if not more. I feel like 3 weeks should be a long enough time for "twice a week" to have become an established pattern that Bison can point out, plus at least one or the other week for Style to work on his projects before that. There's also the chance that it's been even longer than that. Either way, it's been quite a while for sure. After all this time, Fadel is still งอน [ngon] at Style and as my friend explained to me, it's Style's responsibility to make up with him. And so Style does. Surely also boosted by his dad's encouraging words, Style takes the first step towards Fadel by having Bison deliver a small origami bouquet. We know for a fact that Style was not the one who made the bouquet, because Bison does explicitly say the bouquet came "from someone who takes origami training" and I don't think it was a lie, because I think Style would most certainly have bragged about his origami skills if he'd made it himself. However, I do think the little Heart Burger flag is something that Style did make himself. And it's the first hint of confirmation that we get that Style is indeed trying to buy back the restaurant. Fadel doesn't make the connection, though. The little gift still touches him enough to finally seek out Style again instead of actively avoiding him.

Style is wiping the board when Fadel finds him. We don't know if Style is about to start a class and is wiping the board in preparation so that he would have space to write on once the prisoners come in or if he just ended a class and now he's doing some clean-up for next time. My personal headcanon is that we're seeing Style after class actually. It's been established that the prisoners help putting stuff back once class is over and with the way Style is completely by himself when the scene starts it's my headcanon that Style is being slow and hanging back on purpose, because he is desperately hoping Fadel would come to see him, even if Style isn't really expecting it. And the reason why I believe Style thinks Fadel won't show up despite the gift is because Style isn't cheerful the way he usually is when he's purposefully staying optimistic (like he was for example when he's talking to Kant about the cat in front of the abandoned diner in episode 6, or in episode 7 when there is clearly something off about the assassin brothers and Kant points it out and Style insists that Kant is overthinking it or in episode 9 when he makes wishes for his dead body and so on). No, Style looks very serious when the camera first cuts to his face.

He does smile a little once it's fully sunk in that Fadel is really here, standing in front of him, and only then does he put on a bit of a cheerful, teasing voice when he tells Fadel: "Thought you'd never see me again." Didn't I say Style was a little afraid that Fadel might not be willing to make up again? Fadel bluntly asks what Style is here for and Style drops the positive voice. Instead, now his voice sounds more concerned and regretful when he asks "What are you mad (งอน [ngon]) at me about?" As per the etiquette that my friend explained, Fadel immediately denies that he's mad (งอน [ngon]). But then he finally does tell Style what the problem is: "I told you I don't like expectations because I don't want to be disappointed." (Btw, Fadel did indeed say this pretty much word for word when he was crying on those steps in episode 10.) Style then says "But I didn't do anything to disappoint you."

I actually had a question about this line to my friend as well: for the English translation the sentence was phrased in past tense and to me that sounds like Style is talking about something specific maybe back around that time when he failed to show up to teach, an incident clearly set in the past. The thing is, though, that Thai doesn't actually have verb tenses. There are words you can add to a sentence that will clarify whether a statement is about the past or the future, but the verb itself doesn't change and sometimes things can get a little muddy. This is one such case. And I was confused, because especially in retrospective where we know Style is actually in the middle of trying to get back the restaurant (he also states later in the scene that he is in the middle of doing something that he isn't sure is gonna work yet, meaning the restaurant has not yet been acquired at this point) I thought Style's statement could maybe also be taken as What I'm doing and working on right now isn't something that is wronging you. Since Style trying to buy back the restaurant is an on-going project that is happening off-screen at the very same time, it's not a one time thing that happened back when Fadel first got mad at Style. No, it's still happening at this very moment. I discussed this with my friend who thought about it for a moment and then decided that the present perfect tense would probably be the best solution here, since it implies that it's about something that started in the past and is still on-going (or still has an effect) in the present.

So Fadel says he doesn't want to be disappointed and Style tells him "But I haven't done anything to disappoint you." Because what Style has been doing will be the opposite of a disappointment for Fadel. If it works out, that is. Because if it doesn't, if Style fails then it will be a huge disappointment to Fadel. And so Style doesn't want to tell Fadel about it just yet, precisely because he knows Fadel doesn't like disappointments. But Fadel is missing all that context, and so to him the situation reads very differently. And he's hurt. And now he finally opens up to Style about it: "Coming to see me regularly, getting me used to seeing you, making me miss you, and suddenly disappearing… How do you think that made me feel?" Style doesn't reply, he just keeps looking at Fadel with a serious face.

I think he feels bad that Fadel feels like this, but I think he truly doesn't dare to reveal what he's doing. Style knows just how important the burger restaurant was/is for Fadel and how much he loved the place and I think Style assumes it will be an even bigger disappointment and blow to Fadel if Style outright tells him and then fails to deliver. And it's a disappointment that Style really doesn't want to see, because I think it would crush Style himself. I think Style would actually beat himself up about that. And so he keeps his plans to himself, because he's afraid of failure. This specific failure is one he really can't afford. Style stays silent and doesn't answer Fadel's question. Fadel continues to rage: "If you can't do it, don't promise me anything. Do you know how easy it is to overthink when I'm here?" Style still isn't saying anything. Fadel is done. "If you have something important to do, just focus on it. I don't want to slow you down."

Fadel turns to walk off angrily. Style moves at the speed of lightning to hold Fadel back. Fadel finally talked to him and Style is not gonna let him go that easily. They still have something to clear up. Fadel stops and turns back to look at Style again. Before Style even says anything, he pulls away his vest to reveal the heart burger pin that Fadel gave to him. The pin that is very important to Fadel, the pin Fadel is very protective of. In a way, the pin is Fadel's heart which he gave to Style only last episode. And it's right there. Fadel's heart. On Style's heart. In Style's heart. "You're the most important thing to me," is the first thing out of Style's mouth. Style is extremely serious right now. All of Style's decisions, all of Style's actions revolve around Fadel. And he really doesn't want to lose him. And even if he's afraid of failure and disappointing Fadel if he can't pull through with his plan, losing Fadel is worse, and so Style finally opens up at least a little bit: "I'm doing something for both of our futures." Again, Style is extremely serious. He isn't hiding behind a positive attitude, his words aren't performative in the slightest. This is extremely serious and extremely important. I think Fadel does believe him, but wants to confirm that it's true and also doesn't want to be kept in the dark. "What are you doing?" he asks, then throws Style a challenge, almost an attack: "Can you tell me?" You know your behavior is hurting me, will you keep it up for the sake of whatever it is you're apparently doing?

At this point everyone in the audience is screaming HE'S BUYING BACK THE RESTAURANT FOR YOU, YOU DIMWIT!!!!! at Fadel. But Fadel still isn't making the connection, despite the hint with the Heart Burger flag and the Heart Burger pin and Style dropping he's working on their shared future. Can you tell me? But Style can't. He doesn't quite dare. "Can you wait a little longer? I want to be certain about it first. I want to make sure I really can do it." This is a plea. Style is pleading with Fadel. I told you as much as I could and I really am trying my best. For us. Will you please give me the benefit of the doubt and be considerate of my feelings in this situation, too? As I said, I think Fadel did believe Style earlier already, but I think now Fadel really understands that what Style is doing is very important to Style, but that it comes with certain insecurities that Style isn't ready to open up about. Style never pressured Fadel to open up about anything he wasn't ready to open up about and Fadel isn't about to pressure Style either. Style is loud and clear on the fact that he has Fadel in mind and that Fadel is important to him. Fadel doesn't immediately answer and instead contemplates on the situation and Style's plea while Style keeps his eyes fixed on him. Fadel's reaction, Fadel's response really matters to Style right now. Their relationship depends on it. And then Fadel finally yields. Because Style and their relationship is just as important to Fadel. Even if the situation isn't ideal. "You really love surprising me, don’t you?" Fadel finally says. And let me just share the original wording, even if it doesn't make much of a difference:

You always like to surprise me. มึงนี่ชอบเซอร์ไพรส์กูตลอดเลยนะ [mueng - nîi - chôp - sêr-prai - guu - dtà-lòt - loiie - ná] you - [interjection] - like - surprise - me - always - [particle] - [particle]

(Alt. translation: You're always surprising me.)

I like that in Thai Fadel says Style always surprises him, because to me it highlights how for the past 12 episodes we really have watched Style surprise Fadel all the time. Over and over again. In many different ways. God, I love them, I love their story so much. Anyway. Back to the scene. Fadel says this and Style understands that Fadel is no longer outright pushing him away or blocking him anymore. Style replies:

Then come learn how to fix cars with me again. งั้นมาเรียนซ่อมรถกับกูใหม่นะ [ngán - maa - riian - sôm - rót - gàp - guu - mài - ná] then - come - learn - fix, repair - car(s) - with - me - again - [na] Official subs: Come back to class.

The phrasing of the official subs sounded a bit too much like a direct order in their written form, especially without the context of Style's friendly tone, which is why I wanted to share a softer phrasing for the purpose of this meta. Because Style's words aren't an order. They're an invitation. If you've forgiven me, come see me again regularly. They're a peace offering. Fadel stays grumpy and grumbles: "I've been taking the course for years, and I still don't know how to fix anything." It's a stab at Style, but not an aggressive one. And it doesn't have anything to do with their original conflict. Fadel is leaving that conflict behind. Fadel has forgiven Style, even if he doesn't outright say it. Style finally laughs (or rather snorts) for the first time this entire scene and for a moment it looks like he's about to cry from relief that Fadel is no longer angry and that their relationship is saved:

Fadel continues with his grumbly teasing: "All you do is yap." The relationship really is back on. Style teases Fadel right back: "But that's exactly what you love about me, isn't it?" This isn't just Style going along with Fadel's teasing, it's also Style telling Fadel No matter how grumpy you pretend you are, no matter how much you were ignoring me, I know you never stopped loving me, I know you still love me now.

And finally, Fadel breaks. He laughs for a moment. Because he can't deny Style's call-out. Both, that he still loves Style and that he likes that Style is a chatty cat. Fadel pulls up the Heart Burger flag from the origami bouquet. Style laughs in surprise. Why? I don't know. You decide. Maybe he thought Fadel had stomped on it in dramatic anger. Or maybe he's thinking Oh wow, did the bouquet and the flag actually work? Is that what finally made him come see me again? Fadel is still holding up the flag and says that it's cute. And again you can really see the relief in Style's eyes, alongside his joy that things are looking better now with Fadel.

Style asks Fadel to clean the board and Fadel grumbles about it, but does it anyway. Because when does Fadel not give in to Style.

No. 10: Show, Don't Tell

We reach year 5 and finally the brothers are released. We check in with our foursome on the day the brothers get to go home. Bison walks through the door first, runs up to Kant and hugs him. In the meantime, Style is sat on the hood of the car. Fadel doesn't immediately walk up to him, but instead stops behind/next to Kant and Bison who discuss just how much they missed each other. Style doesn't pass up the opportunity to tease Fadel (and I think Style, too, wants a proper greeting, thank you very much):

Hey. This couple said they missed each other. เฮ้ย คู่นี้เขาบอกคิดถึงกันด้วยนะ [hóiie • kûu níi - kăo - bòhk - kít-tĕung - gan - dûuay - ná] hey • this couple - tell - miss - each other - too - [particle] Official subs: Hear that? He said he missed him and all that. So how about you, did you miss me? แล้วมึงอ่ะ คิดถึงกูป่ะ [láew - mueng - àh • kít-tĕung - guu - bpà] and - you - [particle] • miss - me - ? Official subs: Did you miss me at all?

(Sharing this mostly because I feel like it and I know a lot of you love the language bits, not because the literal wording makes any difference in this case lol)

Fadel announces "I'm not saying it", but the reality of the matter is that Style's wish is Fadel's command. And so Fadel walks up to Style and plants a kiss on his lips. "I'm showing it."

But before they break apart, Style pats Fadel like easy tiger, we have company. I do think this is about Kant and Bison's live slug reaction and not because Style doesn't want to be kissing Fadel right now. I think Style is trying to be considerate of the other two. After the kiss, Style gets up, hugs Fadel and over his shoulder nods at Kant and Bison and boastfully points at Fadel like Did you guys see that?? That's my man!! It's the exact same energy as he had at the end of episode 9 when he was raising his eyebrows at Kant and Bison in the boat. It's the You guys don't have a Fadew like me energy. (I'm out of images for this post, but here's a parallel gifset.) I love just how proud Style always is of Fadel, and how happily he'll show him off.

While Fadel and Style are busy hugging, Kant and Bison discuss where they should go to now. Style jumps in to ask "Hey, can you guys drop me off near my place first?" and Fadel gets confused: "What do you mean, 'your place'? The garage?" Fadel's confusion might be a little weird, because why exactly would Fadel be so confused about "my place"? That seems pretty self-explanatory in English, no? Well, let me explain. Because there's something really interesting going on here in Thai...

Now, I didn't go back and rewatch the entire show to check (if I did, it would be March until I finally drop this meta lol), but as far as I remember they usually refer to Style's place as "the garage", or อู่ [ùu] in Thai. But here for this line, when Style say "my place", he does not use the word อู่ [ùu] (= garage). Instead, he asks to be dropped off at his ร้าน [ráan]. Now what does that mean? This word means "store" or "shop" and like in English it can be paired with other words to specify just what kind of shop it is, for example:

ร้านหนังสือ [ráan năng-sĕu]: ráan (store) + năng-sĕu (book) = book store

ร้านดอกไม้ [ráan dòhk mái]: ráan (store) + dòhk mái (flower) = flower shop

You may have noticed that I said Style says just ร้าน [ráan], without specifying what kind of shop it is. Because just like in English, you can drop the specification and refer to it as just "the shop" (or ร้าน [ráan] in this case).

Now here comes the interesting bit: this word is also used when referring to food related places such as...

restaurant = ร้านอาหาร [ráan aa-hăan] -> ráan (shop) + aa-hăan (food)

coffee shop = ร้านกาแฟ [ráan gaa-fae] -> ráan (shop) + gaa-fae (coffee)

Or, you know, it's also in... ร้านเบอร์เกอร์ [ráan ber-gêr]. Now, เบอร์เกอร์ is "burger", but written in Thai letters. I don't have to tell you what ráan burger translates to, do I?

Oh, and at his point I should probably also mention that while the characters usually refer to Style's place as อู่ [ùu] (garage), when they talk about Fadel's place (the diner) they usually call it ร้าน [ráan] (shop, restaurant).

So yeah. The moment Style dropped that he wanted to be taken to his ร้าน [ráan] instead of his อู่ [ùu] (= garage) was the moment I started screaming, because that's when I knew for sure Style had bought back the restaurant and more importantly, that he had succeeded in doing so (yes, I did scream as if I didn't already know they were gonna be back at the restaurant through the clips shown in the MVs and from pics the boys posted during the shoot where they posed in front of the burger shop sign and their clothes matched the ones from the clips lol).

As I already mentioned, Style refers to it as just ร้าน [ráan] without specifying what kind of ร้าน [ráan] it is and it's vague enough that Fadel doesn't catch on the surprise, but it's just weird enough for Fadel to get confused: "What do you mean, 'ร้าน [ráan]'? The garage (อู่ [ùu])?" Yeah, Fadel's confusion here is about Style's unexpected word choice, because usually Style doesn't refer to his garage as ร้าน [ráan] (= shop, store). This is how they used to refer to the diner before Fadel had to go to prison. Style tells him he'll know soon and urges him to get into the car. They all do and Kant drives off.

No. 11: Surprise Surprise

The surprise works. Fadel didn't see it coming. "You said it was sold to someone." Style nods, making a m-hm sound, an adoring smile on his face that just oozes love and care. I really wish I could add a gif or a screenshot of his face, but unfortunately there's an image limit. I mean, you've seen the episode. You know how head over heels in love Style looks throughout this entire scene.

Style explains he bought it back for Fadel who then says Style didn't have to do that. Style says "I worked my ass off to buy this place back for you." I'm not entirely happy with the phrasing in the official subs, because to me there is also a negative connotation hidden in the phrase "work one's ass off", in the sense of "I worked my ass off for [xyz] and you don't appreciate it". But that might just be my ESL brain, maybe the media I've consumed mostly used this phrase in a more negative context and now my brain associates it with that.

In Thai Style uses the expression ตั้งใจทำงาน [dtâng jai tam ngaan] which does translate to "to work hard", but this expression contains the word ตั้งใจ [dtâng jai] which means "to intend to" or "to mean". I think it highlights with how much intention Style did this for Fadel. Style really meant to do this, like he's meant a lot of other things he's said or done over the last few episodes.

And Style putting in so much work also really shows how much he's grown. Because in the first half of the show I kept wondering why he had so much time to run after Fadel. We were told Style works as a mechanic, but we rarely saw him do any actual work. Instead, Style was able to follow Fadel's routine at the market or at the sports field or was even able to randomly help Fadel work at the restaurant without any scheduling problems and I kept thinking... what about his job at the garage? Is he never working? How does he have so much time to bother Fadel? And earlier in episode 12 Style's dad actually confirms just that: "You always only fixed a few cars a month." So Style, indeed, had the time to keep bugging Fadel. And back then it seemed like he didn't really have anything to do, didn't really have a goal or any direction in life. But then Kant sets Style on Fadel. And suddenly Style has a mission. And then Style falls in love. And now he suddenly has goals to work towards. We saw it last episode already, when Style suddenly started to make plans (first, his elaborate plan on getting Fadel and Bison on the run and second, during his last supper with Fadel when Style suggests making a plan for their life and their relationship while Fadel was imprisoned), and now it's not just that Style has started planning, but he makes plans with a very specific goal in mind and puts all his efforts in to reach this goal. He's no longer running around doing whatever. Style has really matured in this regard, Fadel's influence has changed him and has made him grow.

When Style says how determined he was to work hard to earn money to buy back the restaurant, his voice is somehow both soft and firm at the same time. His voice is so soft and filled with so much love, but there is some urgency to it, because Style needs Fadel to know this and he needs Fadel to know that he wanted to do this for him. Style knows he didn't have to, but Style wanted to. And it's important to him that Fadel really understands this. Because over the years Fadel has so often blocked or disregarded or struggled to accept all the nice things that Style has done for him. And Style doesn't want his act of love to be devalued again, especially not when he has spent so much time, effort, and energy on it purely out of love. A love that is worth it.

It's finally hitting Fadel what Style was so busy with when Fadel was sulking at him. Style confirms with another "mh". God, Style's heart eyes are really off the charts in this scene. "I wasn't sure I could do it so I didn't tell you," Style explains. And then he tells Fadel how he managed to keep up the energy in order to succeed despite his uncertainty: "But the image of you being back in this restaurant gave me this great strength to fix at least a hundred cars." Style smiles a bright, adoring smile. He's so in love. Fadel takes Styles hand and thanks him: "Thank you for doing this for me and for waiting for me." When Style responds, he actually phrases his sentence in a less direct and more general way in Thai than he does in the official subs:

Well, when you love someone, you gotta be able to wait. ก็คนมันรักอ่ะก็ต้องรอได้ดิ [gôh - kon - man - rák - àh - gôh - dtông - raw - dâai - dì] well - person, people - they, he, she, it - love - [particle] - [sentence link] - have to - wait - be able to - [particle] Official subs: Well, I love you. Of course I can wait.

This is an interesting difference between the Thai wording and the English subs, because once Fadel and Style start dating, Style actually rarely ever outright says the words "I love you" (and neither does Fadel, by the way). The only time Style properly says it is when Fadel has him at gun point in episode 7:

But now that I know the real you, I love you for real, Fadel. แต่พอกูรู้ตัวจริงของมึงแล้วอ่ะ กูรักมึงจริงๆนะฟาเดล [dtàe - poh - guu - rúu - dtuua jing kŏng meung - láew - àh • guu - rák - mueng - jing jing - ná - Fadel] but - when - I - know - real you - already - [particle] • I - love - you - really, for real - [na] - Fadel Official subs: Now that I know you, I really love you, Fadel.

And then arguably he says it again in episode 10 when he comforts Fadel on the stairs, although it's up to debate if that really counts as a direct "I love you":

But that I'm still staying / But that I still stayed แต่ที่กูยังอยู่ [dtàe - tîi - guu - yang - yùu] but - that - I - still - stay Official subs: But I stay with you is because I love that you're you / is because I love you for being you เพราะกูรักที่เป็นมึง [próh - guu - rák - tîi - bpen - mueng] because - I - love - that - be - you Official subs: because I love who you are.

Any other time Style talks about "love", he never addresses Fadel directly but phrases it in a more general way, using the word คน [kon] which means "person" or "people" instead of a pronoun. Style does this in episode 10 just a little while after the above line:

The more I know how much you care about me, ยิ่งกูรู้ว่ามึงแค่ร์กูขนาดเนี่ย [yîng - guu - rúu - wâa - mueng - kâe - guu - kà-nàat nîia] the more - I - know - that - you - care (about) - me - like this, this much Official subs: Knowing how much you care about me the more I know that I don't love the wrong person. มันยิ่งทำให้รู้นะว่ากูอ่ะ รักคนไม่ผิด [man - yîng - tam hâi - rúu - ná - wâa - guu - àh • rák - kon - mâi - pìt] it - the more - make that, cause - know - [particle] - that - I - [particle] • love - person - not - wrong Official subs: makes me certain that I didn't choose the wrong man.

And he also does it in episode 9 when Fadel opens up about his ex for the first time on the island:

A person who risks their own life for someone they don't even know. คนที่เอาชีวิตตัวเองไปเสี่ยงเพื่อคนที่ไม่รู้จักด้วยซ้ำ [kon - tîi - ao - chee-wít dtuua eng - bpai - sìiang - pêuua - kon - tîi - mâi - rúu-jàk - dûuay sám] person - that - take - one's own life - go - risk - for - person - that - not - know - even Official subs: You risked your life for a total stranger. I love the right person. กูรักถูกคนแล้วละ [guu - rák - tùuk - kon - láew - lá] I - love - right - person - already - [particle] Official subs: I know I'm in love with the right man.

And Style does it again now in episode 12, standing in front of the restaurant with Fadel. And let me just repeat the line with an even more literal translation this time (this sentence really doesn't work well in a literal translation in English, especially because English also comes with plural forms rip):

Well, people who love, they gotta be able to wait. / Well, a person who loves, has to be able to wait. ก็คนมันรักอ่ะก็ต้องรอได้ดิ [gôh - kon - man - rák - àh - gôh - dtông - raw - dâai - dì] well - person, people - they, he, she, it - love - [particle] - [sentence link] - have to - wait - be able to - [particle] Official subs: Well, I love you. Of course I can wait.

This time Style actually switches it around, because previously คน [kon] implicitly referred to Fadel, while this time คน [kon] actually refers to Style himself. And for some reason the official translator went for a direct "I love you" when Style neither says "I", nor says "you". In the entire series, Fadel and Style rarely say the words "I love you" word for word to each other. It's very clear that they do love each other, but they never outright say it. Instead they say things like "I'm worried about you" or "So what if we're old? I'll still wanna be with you" or "I don't feel so sad anymore. I'm happier." And they don't really need to tell each other I love you anyway, because their actions speak for themselves. It's like Fadel said the moment he got out of prison: "I'm not saying it. I'm showing it." And yes, this line was about missing Style, but really, this sentiment also goes for their love, for both Fadel as well as Style. So Style doesn't directly say he loves Fadel, instead Style just implies it and it's only in the next line where he doesn't mention the word "love" that he directly addresses Fadel:

Whether it's 5 years, 10 years, 20 years, I can always wait for you. จะ 5 ปี 10 ปี 20 ปี รอมึงได้เสมอแหละ [jà - hâa - bpii - sìp - bpii - yîi-sìp - bpii - raw - mueng - dâai - sà-mĕr -làe] will - 5 - years - 10 - years - 20 - years - wait (for) - you - be able to - always - [particle] Official subs: Whether it’s five, ten, or twenty years, I'll wait for you.

And this is the point where I get jumpscared by Dunk's voice suddenly blasting through my speakers. I wish the editors had made the music just a little more quiet. It gets me every single time, because every single time I watch this scene I get so immersed that I completely forget about the jumpscare. Fadel and Style lovingly stare at each other while I scramble to save the health of my eardrums. Then Fadel says he'll work hard to pay Style back, but Style doesn't want that. Technically Style is the current owner, and if Fadel were to pay him back then it would be like Fadel was buying the restaurant from Style. But that's not how Style wants to see it. Because this isn't Style's restaurant that Fadel has to buy from him. No, it's their restaurant. It's already their restaurant. Because obviously if Style owns it, then Fadel owns it, too. It's both a gift to Fadel and something that Style bought for them to share. Because "I'm here to support you in all your dreams." Because no one means well for Fadel more than Style does.

Fadel says "I sure am a lucky guy. I've been doing bad things my entire life, but I have the best boyfriend in the world." Style throws his head to the side, smiling, half in an Oh, you sweet-talker way and half in a No need to mention it, kinda way. Then he says "It's all thanks to Kant for daring me to take you out." And this is actually a reference to the title. The Thai name of the series goes:

He hired me to flirt with a hitman เขาจ้างให้ผมจีบนักฆ่า [kăo - jâang - hâi - pŏm - jìip - nák-kâa] he - hire - that - I - hit on, flirt, woo - assassin

And this is what Style says:

[...] for hiring me flirt with you. [...] ที่จ้างกูมาจีบมึง [tîi - jâang - guu - maa - jìip - mueng] that - hire - I - come - hit on, flirt, woo - you

Style laughs and Fadel smiles, too, and then Style pulls the Heart Burger pin out of his pocket. Without a word, he carefully pins it onto Fadel's shirt while Fadel makes heart-eyes at him. It's a parallel to Fadel putting the pin on Style last episode. The ring pin exchange is complete. Style says "From now on, everything is yours." They're all but married. Style still has his hand on Fadel's chest by the pin. Fadel goes to grab it. They smile at each other. Then they turn and together they enter the restaurant, their restaurant, their shared future, hand in hand.

No. 12: Dinner With Mom

At night, when Fadel and Style are done at the ร้าน [ráan] (restaurant) they do go to Style's อู่ [ùu] (garage). And I love how Style immediately calls out that Fadel is here. Style is so excited to tell his dad the joyful news. But but before he has the chance to share his good news, he gets surprised with bad news instead. A dinner invitation.

Our foursome once again gets together to fight evil. And of course, the evil dinner invitation calls for an urgent outfit change for all four of them. They're greeted by two men holding out guns, and Style is a bit startled for a moment, but otherwise keeps calm. The men demand Fadel's and Bison's guns and the brothers hand them over. The men then walk into the dining room and the the four of them look at each other before following the men inside where Lilly is waiting for them together with Babe and Style's dad tied up on their chairs. Kant and Style immediately call out to their loved ones. In general, I just love how worried about his dad Style is throughout the entire scene and how he keeps checking and communicating with him. I actually made a whole separate post about this with lots of gifs where I really go into detail about it, because the relationship between Style and his dad really needs to be appreciated in all its glory in gifs and tumblr simply just has an image limit of 30 gifs per (desktop) post. I can't afford to spend like 20 of them on Style and his dad alone. It was already tricky enough to limit everything I wanted to showcase for this episode to only 30 images in the first place. Anyway. Back to the scene.

Once again Style finds himself in danger, and once again he mainly stays out of the conflict between the brothers and their mother. We also aren't shown Style's face that much, so we can only make guesses as to how he feels listening to Lilly monologuing on and on and Bison raging at her. Style probably feels worried, especially for his dad. We know this, because in the beginning of the scene, before everyone sat down at the table, Style was very fixated on his dad and you could tell that he wanted nothing more than to run over to him and check if his dad was unharmed. When everyone is sitting at the table, sometimes the camera cuts into a wideshot and while we only see the back of Style's head, we can tell that he's looking at Lilly, so I assume he's paying close attention to her words and actions.

At some point, Kant chimes in: "It was me who exposed you. I masterminded the whole thing. If you want to kill someone, kill me. Just let my brother go." Style immediately jumps on board: "Kant was right. Let my Dad go. He doesn't know anything. I don't care what you do to me." We already learned in episode 9 that Style is very much willing to give his own life for the people he loves and so it doesn't come as a surprise at all that he's willing to offer himself up for his dad. However, in comparison to episode 9 there now is a hint of uncertainty to Style's voice, because he really doesn't know Lilly and so he can't predict her actions and reactions unlike he could with Fadel in episode 9. Lilly laughs a mocking laugh while Style and his dad exchange glances. And I love that they exchange glances here, because, to quote from my other post:

i love that style is communicating with his dad again at this very point, because style offering himself up will also affect his dad. his dad might be physically fine if style trades his dad for himself, but emotionally the dad will be ruined if lilly takes his son's life, especially when he's already had to deal with the loss of his wife years ago. style being willing to sacrifice himself isn't nothing, in fact, it's a very big deal and so the two of them communicate about it

Lilly continues to monologue and announces she has some poisonous drinks prepared for the occasion. Style turns to his dad and says "Dad. I'm sorry." His dad had absolutely nothing to do with this, his dad is totally innocent and Style hates that his dad was pulled into this and that his dad's life is now in danger.

We then don't see any shot of Style at all while Fadel and Bison plead with their mother and offer to continue working for her. We don't get to see Style immediate reaction to Lilly's announcement that she'll let her sons and their boyfriends go if her sons give their brother-in-law and their father-in-law the poisoned drink. There is a long pause and it's only right before Lilly asks "Can you do that?" that the camera goes back to Style and we see there is shock and concern. Shit's getting real.

Fadel and Bison say yes, they can. Style is most definitely very worried right now, but to be honest, I don't feel like he's all that terrified, I think that's more of a secondary feeling. He watches closely as Fadel lifts the glass towards his dad lips, and Style is clearly anxious and agitated and maybe a little afraid, but he doesn't say a single word to stop Fadel and I think deep down he does trust Fadel not to kill his dad, trusts Fadel to find a way out with dad unscathed. After all they've been through, I think Style trusts Fadel not to cause him such great pain. Although I do think Style is ready to swap the glass out of Fadel's hand at any given moment. But Fadel pulls through. From one moment to the next Fadel throws the wine into his mother's minion's face, attacks him, and Bison follows his lead. Style and Kant jump up to free their family.

Fadel and Bison kill the henchmen without remorse and end up with Lilly at gunpoint. Kant calls out for Bison not to kill her and Style offers to call the cops. Now that the immediate danger is over, we get to see a little bit of that Style again who tries to mediate and solve conflicts with as few people coming to harm as possible. But Fadel orders him not to get the police involved, so Style drops his phone, still concerned and not entirely happy, but without further protest. Style, Kant, and their family watch the brothers poison Lilly without interrupting them.

And I kinda love we do get to see Style witness Fadel actually murdering someone, because in my ep5 meta I wrote this:

"I promise that no matter who you are, I'll still like you." And there it is. Style's decision. [...] Fadel doesn't believe [Style's] promise, though. "Words are cheap. I'll do that when you're ready. You can judge, then." Again, I think Fadel has a point. [...] Because yes, Style may say he'll like Fadel no matter his occupation, but Style still hasn't seen the killer in action. Fadel's words mean Decide whether you still like me or not only when you find out my real occupation before you promise anything as much as they mean Decide whether you still like me or not once you've actually seen me murder someone in front of you before you promise anything. Style has already made a decision about the former, but he is yet to make a decision about the latter.

And so I love that Style is now able to make the choice of loving Fadel having seen Fadel truly at his worst, having seen him murder someone in cold blood.

I know for this meta I focus purely on character analysis, and I don't really criticize (whether it's acting performances or script writing or directing or whatnot), but I do wish the series would have spent a little more time on this, on Style seeing Fadel kill. Because Style is clearly affected by what he is witnessing.

Something truly horrible is happening right in front of his eyes. And it's a shame that Style finally seeing the killer in action gets kind of just glossed over in the very next moment when "I'm a killer, I'm a bad person, you should be wary of me" "I love you anyway" has been such a big theme for these two. It's kinda weird that we go from Style looking this horrified to Style being happy and content in bed, as if nothing had happened. That kill doesn't even get mentioned again. I feel like you could jump from the scene in front of the diner straight to Fadel and Style in bed and not notice that any major traumatizing event has occurred in between. Ah well. Let's move on.

No. 13: 100%

We come back to Fadel and Style sitting in Style's bed at night. Fadel is wondering if he should change the restaurant's name and Style thinks it's fine as it is. But Fadel says he wants Style to be a part of it, too, so Style suggests "Just add an S and a heart" and I'm just thinking... So, Heart Burgers? Or Hearts Burger, since he talks about an additional heart? Or maybe the S in an entirely different position? Whatever name Style is thinking of, according to him with an added S and another heart it'll be a better version than Fadel's version, because:

Because you have another heart right here. เพราะมีหัวใจอีกดวงเพิ่มขึ้นมาอยู่ตรงนี้ไง [próh - mii - hŭua-jai - ìik - duuang - pêrm kêun - maa - yùu - dtrong níi - ngai] because - have - heart - another - [classifier] - increased - come - be - here - [particle] Official subs: With another heart, that is.

Fadel likes Style's idea. And before I move on, I just want to go into more depth about this little sequence for a moment: after Fadel explains that he's thinking of changing the name because he wants Style to be part of it, too, Style looks like he thinks about something for a moment before he says "I don't think it needs much change." Of course, in this moment he is thinking about what exactly could be changed if Fadel really does want to change something, but the thing is, Style already likes the restaurant the way it is. He doesn't necessarily need the restaurant to change if Fadel is changing it just because he thinks Style would want him to change it. It really reminds me of episode 6 and the theme of "Be who you want to be, not who someone else wants you to be". If the restaurant represents Fadel's life, Style already likes Fadel the way he is. But if Fadel does want to change, there is something important to do: he needs to add a S(tyle) to his life. And another heart (Style's heart). With that, it will make a much better version of Fadel's life than it was before. And Fadel actually agrees.

I can't help but think back to the last time they were in Style's bed at night, all the way back in episode 5. Back then, Fadel really struggled with sharing his life with Style and letting him come close. Now Fadel actively wants Style to be part of his life. Now that he's done being a hitman, the restaurant can finally be Fadel's life, but it's not his restaurant alone, it's theirs. Getting to be part of Fadel's life is something Style has desired for a long time now and has even fought and argued with Fadel over on multiple occasions, and now Style is finally granted his wish. Fadel is finally letting Style in. When Fadel agrees that a better version would be one with an added S(tyle), Style looks at Fadel for a moment and thinks about something again.

Style knows Fadel loves him. And that actually reminds him... Style turns to grab something off the shelf next to him and proudly presents it to Fadel. The key to Kant's car. It's finally Style's. And I know from a story crafting perspective it makes sense for Style to receive the car only at the very end, but it's still really funny to me that Style was given the car only now, when Fadel has without a doubt been head over heels in love with Style for the past five years already. Because Fadel was without a doubt already head over heels in love with Style before he went to prison. But however long it took, what really matters is that Style did get the car, because a deal is a deal. And Style did indeed succeed. "If I could make you fall crazy in love with me, I'd get his car." When Style says that, his voice is full of affection and there's also a bit of teasing. I know you're head over heels in love with me. But Fadel tells Style to give the key back to Kant:

Because I don't love you that much. เพราะกูไม่ได้รักมึงขนาดนั้น [próh - guu - mâi dâai - rák - mueng - kà-nàat nán] because - I - not - love - you - to that extent Official subs: I’m not in love with you like that.

Style wordlessly stares at Fadel for a second while he's processing those words, blinks, then lowers his head. Really now?

Fadel looks at him, a grin most definitely hidden in his eyes, then huffs and pointedly ignores Style. It's a challenge. Style puts down the car key. Challenge accepted. Because Style is not one to back down from a challenge. This personality trait has stayed consistent until the end of the series. Style turns to loom over Fadel. "Are you sure that you're not head over heels in love with me?" Because Style knows with unwavering certainty that Fadel is. He just needs Fadel to admit to it. I've already talked about how Fadel and Style hardly say "I love you" to each other. Style, the person who loves so fiercely and so passionately and so loudly, already rarely says it himself and Fadel says it even less. In fact, ever since they've started dating the only other time Fadel has said he loves Style since that one time Fadel directly said it the night he found out about the betrayal in episode 6 was in the kitchen in episode 11 when he said he wants to "do what I love with who I love" and even then he actually doesn't literally say the words I love you, but rather just implies it. If anything, Fadel likes to claim he isn't actually in love with Style. And so I think Style wants to hear Fadel say differently out loud for once, even if Fadel's actions speak louder than his words anyway.

But Fadel continues to ignore him. I think Fadel is waiting to see what Style will do in order to draw the words out of Fadel's mouth that Style so desperately wants to hear. It's like he's testing Style's persistence. Style kisses Fadel's cheeks and asks "How much do you love me?" But Fadel isn't giving in to Style that easily and that quickly. "Only 30%." He knows Style is chasing those 100%. Style ups the ante and kisses Fadel's neck. This is a game now. "How much do you love me?" Fadel says "60% now" and looks up at Style, waiting to see what Style's next move is going to be. This time, Style goes for the mouth, goes for a full make-out session even. Then Style asks again: "How much do you love me?" He grins at Fadel expectantly and he's definitely also a little bit satisfied and proud. Fadel doesn't reply immediately, just puts his hand on Style's face and looks at him for a moment. And then Fadel finally gives in and says "100%".

Again, this meta isn't supposed to be a review or a criticism piece on the story, but I do think it's a bit of a shame that the conversations about percentages wasn't about trust. Because I feel like the main question with them over the series wasn't really Does Fadel love Style? but rather Does Fadel trust Style? And trust was also the big theme of episode 5, the episode that Fadel and Style's game in episode 12 is a callback to: "A guy like me doesn't go trusting someone 100%." And a little later in episode 5, when they're in Style's bed, Style more or less opens the conversation with "Sometimes you make me feel so scared, and sometimes you make me feel so safe," which again is about trust, not love. This theme continues also in episode 8, when Fadel handcuffs Style to the bed, because "I don't trust you", not because he doesn't love Style. Episode 8 is all about Style trying to gain Fadel's trust again, not his love: "What do I have to do for you to trust me?" The episode 12 dialogue does work in a way, because Fadel did say he didn't love Style or didn't like him all that much multiple times over the course of the series, and he even makes a comment like that in this very scene that we're currently discussing. But the thing is, Style never actually believes Fadel whenever Fadel claims he doesn't love Style (that much) and Style even calls him out on his "I don't love you" claim in episode 8: "You might be good at cooking and shooting, but you're not very good at lying at all." Style never doubted that Fadel loved him, but trust has been a very big issue. In fact, trust also played a role only this very episode when Fadel was sulking at Style when Style couldn't come in to teach in prison. Because in episode 10 Fadel had told Style "I don't want to have any expectations just to be disappointed" and Fadel had trusted Style not to disappoint him, except then Style seemingly does disappoint him and that hurts Fadel ("I told you I don't like expectations because I don't want to be disappointed." [...] "Coming to see me regularly, getting me used to seeing you, making me miss you, and suddenly disappearing… How do you think that made me feel?"). It makes Fadel feel like he can't trust Style, not that he can't love Style. And the question in that scene is whether Fadel can trust Style to really be working on something for their future that Style can't share yet, it's not whether Style loves him. So yeah. I feel like the dialogue about the percentages would have been a much cleaner parallel/callback if it had been about Fadel trusting Style, not about Fadel loving Style. Because we all, including Style, know that Fadel has always loved Style. He just didn't always trust him. But now he does. 100%. Style once decided "One day, I'll be your 100%" and now he is. They celebrate that by making out some more.

When they part again, Style tells Fadel "You know what? Having you is worth more than winning that car" and I'm filled with satisfaction upon hearing that, because I said more or less exactly the same thing three episodes ago in my ep9 meta:

[I]t's actually kinda funny, because Style agreed to make Fadel his boyfriend, but it's been how many episodes since they've started dating?? And we have yet to see Style with said car. [...] [A]s of episode 6 it was Kant who was still in possession of the car, despite Style and Fadel being head over heels in love by that point [...]. Style may have gone into it for the car, but he never actually took the car and by now the car is long forgotten. I didn't go and check, but as far as I remember Style hasn't even brought the car up to Kant ever since that scene in episode 4 where he initially came to claim it. At this point, Style would much rather have Fadel than the car anyway.

(Bolded for emphasis)

Now please forgive me if I skip the rest of the love scene, but I do want to get this post done before the end of the month, if possible. I think the main take-away is that now they both very much want each other and are very much into it, with nothing holding either one of them back.

No. 14: Driving Into the Sunset

Of course their last scene would be of them driving into the (metaphorical) sunset together in Kant's car that Style has finally won. Fadel and Style check in with Kant and Bison in Iceland. After the call, Fadel asks if Style would also like to go on a trip. Obviously Style wants to. "I usually travel with my Dad. Never done it with my boyfriend before," Style says, at which point, upon me showing my language buddy and Thai language consultant this scene, he goes "...the kidnapping, though?" and I break into laughter, because my friend is right. Yeah, Style, what do you mean you've never gone on a trip with your boyfriend? *gestures at episodes 8 and 9* Right, wots all this then?

I mean, technically you could argue that during that time Fadel wasn't actually Style's boyfriend, but let's be real, Style never got that memo. Or rather he went I recognize that the Council has made a decision. But given that it's a stupid-ass decision, I've elected to ignore it.

Anyway, whether it'll be their first trip, their second trip, or their hundredth trip, I don't think Style will ever say no to traveling with Fadel. Fadel suggests planning a trip later and then, at the mention of Style's dad, asks how Style's dad is taking the news of Fadel being an ex-assassin and ex-prisoner. I do think Style's dad is genuinely chill with it, but once again I wish the series would have dwelled just a little bit more on the aftermath of the Lilly incident and on how it affected everyone involved. Because it was quite a traumatic and brutal incident, and it's a bit jarring how everyone is all sunshine and rainbows from one second to the next. But for the sake of this meta and the next line, I'll just assume that everyone, including Style's dad, worked through it all off-screen. Style says that his dad is totally okay with it, because "He said I need someone with a past like yours to tie me down." The Thai wording is slightly different, actually:

My dad said someone like me needs to meet someone with a history like yours. พ่อกูอ่ะ บอกว่าคนอย่างกูต้องเจอคนมีประวัติแบบมึง [pôh guu - àh • bòhk - wâa - kon - yàang - guu - dtông - jer - kon - mii - bprà-wàt - bàep - meung] my dad - [particle] • say - that - person - like - me - have to, need to - meet - person - have - history - like - you

I like that in the original phrasing it doesn't state the "to tie me down" part. The Thai line leaves it up to the viewer's interpretation as to why exactly Style would need someone with a past like Fadel's. Personally, I took it in a "Style needs someone fucked up enough to be able to stand and handle and appreciate all of Style's unhingedness". And I don't necessarily think that Fadel would actively try to tie Style down, since Style's shameless loudness and Style's ability to unabashedly be himself and say things without a filter is exactly what Fadel loves him for. I think Fadel tying Style down ("taming" him *wink wink*) happens more as a byproduct of both of them influencing each other and changing into better versions of themselves when they're together.

The words of Style's dad make Fadel laugh. Then he says: "You know, I still remember what I promised your dad before I went to jail." Style looks over to him and asks "What did you promise?" Style smiles and I see both joy as well as curiosity on his face.

I think Style knows exactly what promise Fadel is referring to, but he's dying to hear the words out loud out from Fadel's mouth. His expression is also very expectant, almost challenging when he's done speaking. The little head tilt afterwards is almost like he's saying Pray do tell. Fadel replies: "I told him I'd go talk to him after five years." As I said, I think Style knew what the promise was, but I think actually hearing Fadel say it still gives him a thrill and causes butterflies in his tummy. He looks over to Fadel in pure delight.

And I love, love, LOVE that Fadel was the one to bring it up first. Because at some point after episode 8, when there were so many references to a FadelStyle marriage and I seriously started thinking about the possibility of a canon FadelStyle wedding or at least a wedding proposal (lmao joke's on me rip), I was contemplating about who of the two would propose first and who I'd prefer to do so. And I thought Style proposing would fit with his personality, especially since he himself said "I could spring a ring on you one day and just ask you to marry me." It seemed fit that the series would end with Style doing exactly just that. But then I contemplated some more and thought, actually, I would love it if Fadel was the one to propose. Because in the series it's always Style who is chasing Fadel, it's always Style proving over and over again that he really wants Fadel in his life while Fadel spends the majority of the series pushing Style away (and Fadel does it again even in the finale when he's mad at Style during year 4!). And I thought that it would probably mean the world to Style if Fadel proposed. Because it would showcase that Fadel wants Style in his life just as much as Style wants Fadel in his life. It would show Style that the feeling is mutual, that Fadel wants it for himself, too. That a marriage isn't something Fadel agreed to just because Style asked for it or talked him into it or anything like that. Fadel proposing would show Style that Fadel is choosing Style out of his own free will the way Style has been choosing Fadel over and over again. I'm once again reminded of @braceletofteeth's tags on this post:

#Style wants Fadel to claim him as his so bad it makes him look stupid #just like he takes pride in choosing his own man #he would be proud to be chosen as Fadel's man #delighted‚ if Fadel let others (and Style) know he's the one who earned the space reserved for his special someone #in his heavily secured heart #if he was so special to Fadel that he wouldn't want him to be taken away #or to share him with anyone else

Fadel asking for Style's hand in marriage, Fadel marrying Style would be Fadel claiming Style, it would be Fadel making an announcement to the world that Style is his and his alone. It would be Fadel choosing Style and Style would even have a ring to prove it. To prove that he is Fadel's. To prove that Fadel is his. I just thought Fadel being the one to propose would mean the world to Style. And judging by the joy in Style's face in the above gif, it absolutely does mean the world to him. That Fadel is the one to bring up the prospect of marriage.

Style asks if Fadel is serious and Fadel says yes, he is, but that he wants to have the chat only once the restaurant is up and running again (at least that's how I interpreted this statement). Style says "No need to hurry." He most definitely wants to marry Fadel one day, but I think he's got a point with this. After all, it's only now that they can finally start dating "properly", can finally experience the couple life with both of them out of prison, all cards out in the open, both parties trusting and loving each other mutually, and most importantly, without fearing for their lives. "No need to push yourself. After everything that we've been through, still staying together is already beyond anything we expected." Their relationship really is chill the way it is, there is no need to rush anything. They can get married when they both feel the time is right for it. I think that's what Style is getting at here. Fadel agrees. Then he says "I thought I'd die alone." Style knows that well. They discussed this last episode by the gravestone. And back then, Style had already announced that he wouldn't let Fadel get lonely in death. Now he says: "We'll die one day, but we'll die together of old age." They're gonna have that old man yaoi future together.

Fadel laughs, claims Style is cheesy, but still plants a big kiss on Style's lips. Uhhhh, Fadel, so what about the lecture you gave Style about safe driving the first time you guys met? All of that goes right out of the window as Style and Fadel continue to plant kisses on each other. How's that for character growth?

And off they drive into the night. Style's got both the car of his dreams as well as the man of his dreams. What more could Style want?

(Overview | Ep1+2 | Ep3 | Ep4 | Ep5 | Ep6 | Ep7 | Ep8 | Ep9 | Ep10 | Ep11)

#the heart killers #thk #stylefadel #fadelstyle #thk meta #thkmetamine #thk ep12 #adrm #SORRY THIS TOOK ME FOREVER TO UPLOAD #ALSO SORRY I KNOW I SAID I WANTED TO UPLOAD IT YESTERDAY #but then yesterday my mom came up to me suggesting we eat out #bc she had to go to the nearby town where my other thai friend lives who barely speaks german or english #and my mom suggested we go eat at her restaurant and so that's what we did #and so instead of finishing my meta i went and got a lot of thai speaking practice dgdkjjkfd #also!! we (including my friend) were chatting with some other customer at some point and i mentioned i watched thai series #in in that conversation my friend suddenly went #''oh yeah i never actually heard you talk about any thai stars that you're into‚ what actors do you like?''#and i panicked and then said joong archen and my friend was like ''ohhh joong!!''#turned out that she knew (of?) joong and that the cook at the restaurant had also watched the heart killers lmaoooo we love #(he's is also a sweetheart btw) (the cook i mean) (except i struggle to understand him bc the way he talks confuses me dfjkkjdfs)

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trafficblrpositivityproject · 2 days ago

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I have decided to try and link specific fics/art/videos when they are mentioned by name in asks if possible. I have been doing this somewhat irregularly already, but I think I want to make it a rule for myself to include them.

If your ask references a specific piece, please feel free to link fic/art/videos to me directly as part of your ask. If you do not provide the link, please make sure to supply enough information for me to find it.

With fic and animations/animatics, which come from sites like Ao3 and Youtube where you are not able to reblog works on your own account to share them, I am happy to use my blog as a way to showcase specific works. Please give me a link or the name of the fic/video and I will try to find and link it, as word of mouth is the best way to “advertise” these types of creations. Include the URL of the writer/animator, as I want to be able to ping them. And please do not forget to actually comment nicely on the fic or video directly!

If a fic or video is not mentioned by name and is only described, I cannot promise I will be able to find it, as I am not willing to promise I will watch a creator’s entire discography or read their entire profile to find a specific fic or video, especially if the description is vague (ie, “I love this author’s fantasy au” or something).

Also, if you tell me about a tiktok or Instagram post without a link I will not be able to find it. I do not have tiktok or Instagram and will not make accounts on them so I cannot access their content. Sorry for the inconvenience.

With art pieces, I would prefer asks that reference art to center the artist, rather than centering a specific piece. I would prefer this since we are on tumblr, which is the same site the art you send me is probably posted on, meaning you can directly comment on and share a piece of art by reblogging it with tags. Reblogs with tags are the most effective and direct way to show your support and “advertise” a piece, and will be easier for both you and myself.

An ask relating to art should primarily be directed at the creator, with the creator’s URL included so I can ping them. But if your ask mentions, as part of a larger ask, “and my favorite work by them is ___” or “I have been thinking about their piece ___” that is fine and if you are detailed about a specific piece I will try and find and link it.

Related: Two people have sent me on artist searches, describing a piece while being unable to remember the artist’s URL. While I do not mind an occasional investigation, please send asks like this off anon so I can confirm I have found the correct piece with you. Asks that are about a specific art piece that do not include that artist’s URL and do not allow me to confirm the correct person sort of defeat the point of this blog. I am, for all intents and purposes, a mail carrier. If I do not know and cannot confirm who the recipient of your letter is, how am I supposed to deliver it?

And finally, while I do not think we will have this issue, I want to say: Any complaint or harassment toward people who submit or create things you do not personally find favorable is explicitly against the point of this blog and I am not interested in hearing it. If you do not like something posted, ignore it. Not every post is “for you” online, and that is okay.

As always, I am not here to pass any sort of judgement on who or what is submitted, as far as fandom opinions go I do not care. I am, for all intents and purposes, a mail carrier. If a package is not for you, do not open it. Simple as.

Related. For fic, I am fine with M or E rated fic submissions—what you all write or read in your free time is not up to me to judge, so long as you tag it properly. I will probably add any E fics, if they are referenced to me by name or linked, to the “mature trafficblr” tag I already use. (I will kindly ask you not describe any E rated work to me in detail, because I am not really interested.) Beyond this, any posts including fic links will not include tagged warnings on this blog, as I usually do not know the content of fic submitted to me (I have rarely read the fics that people submit and do not want to promise warnings I cannot provide). So please check the tags provided by the author on anything I link before reading any fic submitted here in order to make sure it will be something you enjoy.

I will add all of this information to my FAQ page, possibly this weekend or sometime soon.

This blog has already accepted submissions based on specific fics, videos, or art pieces, but I wanted to make linking them an official rule for myself, and then communicate that rule with you all. If I cannot find a piece, do not notice that a specific title was referenced and do not link it (it happens!), or forget to link a piece, you all are free to link the work on the post for me.

And again. I am, for all intents and purposes, a mail carrier. Please do not forget to include the URL/@ for whoever you submit, even if they are off-site like youtube or Ao3. I want them to see the kind things you have to say about them and their work! That is the point of this blog!

I hope this all makes sense and more officially opens up new types of positivity you all can submit! (✨0✨)

#talk tag #No one has linked me that type of fic before to my recollection #But I have received asks for blogs and events of that nature #So I figure it would make sense for me to allow similar fics to be submitted

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esoogthegoose · 2 days ago

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I AM GOING TO MAKE AN IN STARS AND TIME MUSICAL!!!

(Like, actual songs!! Sung!!!)

Read full post!!!

VOTE ON THE POLL AT THE BOTTOM OF THIS POST!!! For roles as SINGERS, WRITERS, and ARTISTS!!!

+required information, discord link, and characters to voice under cut

If you would like to maybe sing, reblog or comment whichever character. Duplicates are fine for now as that can be sorted out later

This isn’t professional or anything, just a fun fandom project I’d love to see happen!!! Anyone who likes singing, writing, and/or drawing!

Any additional questions, you can send an Ask (anonymous or public is fine) to @ISATtheMUSICAL or a DM to @esoogthegoose

Important points first!!! READ BEFORE ANSWERING POLL!!!

- I AM NOT A PROFESSIONAL, I’m a teenager who wants to do a fun personal project with like-minded people who appreciate the same silly hyperfixations that I do!! Which means, I have no professional equipment, I am NOT trying to make this the most perfect, most well-written thing ever! I’m trying to have fun!!! Which also means YOU do not have to have any professional equipment! Whether singer, writer, artist, as long as you have the means to record, write, and draw, join us!!!

-COMMUNICATION will be done through a DISCORD SERVER!!! If you do NOT have Discord, you can’t join. Link is down by the poll

-IF YOU ARE AN ADULT THAT IS FINE, ANY age is welcome, but to everyone, do NOT be weird or crude in the disc. You will be IMMEDIATELY banned with no exceptions.

-You need to have played/watched In Stars and Time. If you’re only at the beginning or halfway through, there will be MAJOR spoilers and you also can’t really sing or write without knowing the full scope of the characters

-WHEN I MAKE FUTURE POSTS, LOOK FOR THEM @ISATtheMUSICAL

-IF YOU WANT TO BE A SINGER… all you need is a place to record, and a decent audio quality. I can send sheet music to read as well as audio recordings of melodies in the disc!

-IF YOU WANT TO BE A WRITER… I’m going to be composing all of the music, but if you want to take a shot at writing lyrics, planning out song order, which events should occur in which song, timeline, etc etc, just make sure you actually participate!

-IF YOU WANT TO BE AN ARTIST… For when we have a finished song and you’d like to make some art for it! Make sure it’s digital art, platform doesn’t matter, and don’t forget to sign your @ on it!

The Discord is HERE!

By the way, people can absolutely be multiple, or even all three. This poll is to see if enough people would like to partake!

Characters to voice:

Main characters: Siffrin, Mirabelle, Odile, Isabeau, Bonnie, Loop, The King, Euphrasie, Mal du Pays

Ensemble?: Sadnesses, townspeople of Dormont

There will be ways to choose more specific roles for those who’d like to sing on the discord server application form, as well as auditions in the future

#in stars and time #isat #isat siffrin #isat mirabelle #isat odile #isat isabeau #isat bonnie #isat loop #isat mal du pays #isat euphrasie #esoogthegoose #@isatthemusical #isat the musical esoogthegoose #isat spoilers #sasasaap

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maydays-medbay · 1 year ago

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uh oh

#I've seen this going around and I am both intrigued and terrified #Asks. reblogs. and comments are all fine!#I already have an inkling of what's going to happen and I'm scared lmao #evil artstyle challenge

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elevenenthusiast · 3 months ago

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Some people might not wanna admit it but Miguel has really changed Johnny as a person and shifted his views on a lot of things. It's upsetting that we haven’t seen much of Johnny and Robby’s relationship and the fact that they haven’t fully reconciled. Saying that Robby is Johnny's "real son" tho and calling Miguel a random or replacement is just wrong. You can dislike Johnny for being absent in Robby’s life but that doesn’t mean you can’t see things from different perspectives. Johnny’s bond with Miguel genuinely helped him get out of that deadbeat alcoholic phase he was stuck in back in season 1. Even if there wasn’t a huge shift between Johnny and Robby, Johnny would probably still be the same guy he was in season 1 and might’ve even been worse, not even trying to be part of Robby’s life. I get that some of you won’t be happy with this because it’s not "enough" but the point is, Johnny being absent in Robby’s life doesn’t justify saying derogatory things about Miguel especially about a Latino kid. That makes it even more ICKY.

#I actually really hope this reaches to a lot of you #and if you want to reblog or comment your opinion that’s fine just be respectful about it!! that’s all i ask of you #cobra kai #cobra kai season 6 #cobra kai nation #cobra kai fandom #miguel diaz #robby keene #johnny lawrence

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orchidyoonkook · 1 year ago

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Saw this today. And I kind of just sat for a moment in shock.

A fic with over 640 THOUSAND words.

A fic with over 84 THOUSAND hits.

And less than 1000 kudos??

Less than 250 comments??

This isn’t it guys. Fic is dying by the looks of these numbers. This author is putting their all into this story and not even 1000 of the 84000 people who opened the work could’ve been bothered to click one button to leave a kudo?

And this isn’t me bitching about me. If you know me you know I never expect likes or comments or reblogs on my work. But when I get them I’m over the moon. I’m showing my friends, my partner, my mom even my grandparents on occasion. I’m ecstatic.

But I don’t need them like other authors might. Like other authors may need them to know to keep going. To know their work is appreciated. To know what they are doing is worth doing and to stick at it.

So remember to be kind today. Leave a kudo. A comment. A reblog with a “I love this” in the tags.

It may not be much to you.

But it is everything to the writer.

#I’ve never felt the need to make one of these posts until I saw this #eighty four thousand people.#eighty four. thousand.#and only 919 of them bothered to let the author know they even liked it.#i just #when the numbers are like mine and small (which I am perfectly happy with so not mistake me)#do* not.#it doesn’t really matter as much to me cuz I don’t expect a huge amount of feedback and again that’s fine. that’s perfect. i love every #person who decided to read and leave a comment or like or reblog or review. like. that’s all I could ever ask for #but soemthing like this!??? that HAS the numbers and the following to be treated like this??#idk I felt the need to say SOMETHING. anything. fic didn’t used to be like this and even tho I say that like every other creator.#remember #I was a LONG TIME lurker before I ever posted something. but I always left a kudo or a comment.#always.#let people know their work is appreciated #yoons ramblings

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austerulous · 2 years ago

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Gentle reminder that I’m very slow and inconsistent both ic and ooc, and that the speed of my replies ≠ my interest in them.

#i work part-time i'm the primary caregiver of twins i do all the housework all the cooking all the gardening #i'm in the middle of some hefty home renovations i have a dog i have depression and very likely undiagnosed and untreated adhd #mental load is real and it's insidious #( i'm actually this 🤏 close to quitting my job because i can't Do It All )#all this is to say sometimes i'm here sometimes i'm not #sometimes I focus on ic stuff sometimes ooc convos #very often i'm just here to like posts / leave comments / reblog aesthetic stuff #this is stated in my rules and if it's something that makes me and my blog incompatible with you that's absolutely fine!#no hard feelings #some folks need consistent momentum but i can't offer that #i owe in 67 threads right now and i have 170 asks in my inbox #i'm trying to streamline things and choose a handful of threads to focus on but the fact remains i have more to do than time to do it #anyway! 99% of people understand my situation and i'm so grateful for your patience and understanding ♡#if we're mutuals please know i like what you're doing and i'm interested in writing with you #◈ — ooc; puffin speaks

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siamesedreamgirl · 1 year ago

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I'M ALSO ON COMMENT LIMIT AHHHHHH (it was for a good cause i had to get juno's post to 1,500 notes)

lmaooo yess but like does it tell you youre on comment limit?

#incredible remarkable awe-inducing mutuals <3 #asks #luc <3 #comment limit is weird bc i cant comment on specific posts #but if i comment on someone elses reblog its fine #but sometiimes i cant comment at all

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alwritey-aphrodite · 1 year ago

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The next person who asks me about You Are In Love is getting sacrificed to the old gods

#I appreciate that y’all like that story but coming into my inbox and using the comments on my OTHER FICS on ao3 to demand to know if it’s #abandoned makes me want to cry #you like it so much???? comment on every chapter. reblog every chapter. how come you care so much but I stopped writing because there was #no engagement. how come you’re still not fucking commenting and reblogging???#I get so excited to see comments on my JAMIE FIC and they’re all asking about you are in love… you guys understand that’s shitty right?#anyway… that’s how I’m feeling this fine morning

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madamechrissy · 2 months ago

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Well, are you mine?

Pairings: Sukuna x fem reader

Summary- You're Yuuji Itadori's best friend since forever, and his older brother Sukuna is a grade A ass to you. After a nasty breakup with your ex, you text Yuuji who's out for the night, he gives you the go ahead to stay at his place. But it's only Sukuna there, and he is oddly comforting? You've had it bad for him forever, but little do you know, so has he, even if he doesn't show it, because Sukuna thinks Yuuji loves you (ahem, he's WAY wrong) Porn w/feelings, best friend's brother trope, Duo POVS

CW- Modern Sukuna, he's a gamer and tsundere af lol, this is SMUTTY asf, loss of virginity (don't mention much abt it aside from reader is one) Sukuna is ROUGH lol, oral sex (m and f recieving) overstimulation, dirty talk, Sukuna calls reader brat and slutty, lowkey breed kink, possessiveness, marathon sex lol. Sukuna is BAD AT FEELINGS lmaooo, but he whimpers? Reader- 20, Sukuna 25- 6.4k WC!

Comments/reblogs appreciated if you enjoy this one!

You’re walking out in that pathetic excuse for a tank top and the most revealing shorts that morning when Sukuna sees you, peeking up from his monitor, proceeding to get sniped like some damn noob when he sees your nipples perk up through the material. He curses loudly, slamming off his headset then, you look at him in surprise, lips parted just so.

“What’s wrong?” You ask, he glares at you then, standing up as he takes you in, irritated you have such an effect.

“What are you doing here? Yuuji isn’t even home until tonight.” He says with a glare, ruby eyes glinting, you tense just a bit, Sukuna is tall and intimidating, and constantly an asshole.

“He said it was fine, here’s the text.” You swipe up on your phone, he snorts as he looks at it.

“You have a teddy bear case? Stupid.” Your eyes narrow in irritation when he picks up the phone, scoffing as he sees the texts. “God. What a simp you’re making him.”

“What now? Am not even! He’s my best friend, not that you’d understand, you don’t even have any. You’re such an ass.” You snatch your phone back from him, earning his scowl.

“You’re an annoying brat, y’know that? If Yuuji didn’t simp so badly I wouldn’t have to deal with you.”

“Whatever! Ugh.”

“Why’d you need to come here anyway? Boyfriend piss you off?” You sigh, crossing your arms, just pressing your breasts up more for his view.

“He cheated on me.” Sukuna pauses then, hearing the hurt in your voice, seeing it on your pretty face, annoyingly pretty face.

“Shit.” Is all he manages, and you sigh, looking at him then, emotions in the back of your throat.

“That was mean of me to say, that you have no friends. I know you do… I’m sorry I said it.” His mouth opens, then closes, his brows lowering.

“You’re always bitchy to me, it doesn’t surprise me.”

“And you’re always an ass to me.”

“Tch, I’m not gonna fawn over you like your little best friend does, if that’s what you mean.”

“No, every time I stay or hang out you tell me you can’t wait for me to leave, or are just mean as shit.” Sukuna rolls his eyes, looking up at the ceiling then, it’s true he is mean to you constantly.

Every time you stay, he’s picking on you or making snide remarks, to the point he’s made you cry sometimes, and then felt like shit. Nothing was worse than seeing you cry, but he didn’t know what else to do, because you’re haunting his every dream, even last night he was stroking his cock to a stupid Instagram picture of you.

The thing is, Sukuna wants you, and wants you badly, so much it makes him pathetic, his little brother’s best friend, who Sukuna knows has had some stupid crush on since forever. Sukuna’s only five years older than you, but twenty just seems too young, you seem too inexperienced, too innocent and sweet, the last thing you needed was him around you.

And he knew you had some little crush on him, most of knowing him, you used to literally make doe eyes at him, he found it sort of cute at first, but now you’re a whole woman, walking around in nothing half the time. He was happy you got a boyfriend, despite the odd clench in his chest from hearing it, only because he wouldn’t have to see you as much.

So, the best course of action?

Make you hate him, and he thinks it’s worked, you don’t make doe eyes, you’re not fawning over him, or pathetically trying to flirt. No, you’re just as mean to him as he is to you now, god and you scowling and flipping him off? That turns him on more than fucking anything, unfortunately.

“Fuck him.” Sukuna says, and you’re shocked for a moment, as you stare up at the guy you’ve had it bad for since you can remember, Yuuji’s older brother, you thought he was so cool, you were always coming over more and more to see him.

Yuuji was the best friend in the world, so it wasn’t that you didn’t enjoy hanging out with him, it’s just your mind kept wandering, Sukuna was always a grump, but something shifted in the past couple of years, especially this year. He was downright mean and nasty to you, making jokes, pinching on you, ruffling your hair, rolling his eyes whenever you were near.

If his goal was to make you hate him, you don't, you just really can't stand him. Can't stand seeing him shirtless seeing the tattoos around his biceps, down his strong chest, hate seeing his stupid abs that have abs!?! Why does he have to be such an attractive ass, you don't know, but your crush hasn't gone away.

It's worse.

Last night you'd seen Sukuna was here when you'd used the key Yuuji let you have, he was crashed out on the couch sprawled out, movie ended, you'd covered him with a blanket and given him a pillow. In his sleep he almost looked sweet, you thought, having slept in the guest room, he'd swirled in your mind, your boyfriend having cheated hurt, but thankfully you hadn't taken that step with him…

No, you stupidly still wanted Sukuna as your first.

As if that would happen, he hates you so much clearly, and you have seen the girls he brought over, older and more experienced, more confident and worldly. You weren't there yet, especially when the man you're wanting doesn't see you as anything but a little brat.

“Sukuna, are you comforting me?” Sukuna scoffs.

“Of course I'm not, but also… he's a fucking idiot. You don't deserve someone who does that shit.” You blink back tears then, stepping to him, hugging him.

Sukuna freezes, as he inhales that scent, something floral and irritatingly delicious, your soft breasts pressing against his chest, your nipples taut under the tank top. You're tiptoeing, holding him around his chest, he grimaces, wanting to pick you up and drag you to his room, but he shoves at you.

“Annoying brat, off me god.” You shake your head, snuggling closer, when he realizes you're crying. It annoys him how you wrench his heart when you look up, tears falling out of your stupidly pretty eyes.

Did you have to affect him this way?

“Thank you, Kuna.”

“Don't call me that, ugh.” He places his huge hands at your waist to shove you off, but you gasp at it, taking over your waist, burning your skin then. He falters, his breath coming faster as he holds you there, just a little off of him, eyes going to your lips, tempting him to no end. “Stupid nickname.” He grumbles.

“I… you used to not mind it. What happened to make you hate me so much?” You whisper, hands slipping up his chest, so much revealed in the soft white shirt he's wearing, you feel his heart thudding under your hand.

“Don't hate you, just you're annoying.”

“How?”

“Just being here.”

“So I annoy you just existing?”

“Yes.” He speaks through clenched teeth, when you lean back, and he views your body. “Why do you fucking dress like that!?”

“It's comfy. What do you care, Kuna?”

“Stop it with the stupid nickname. Your… your body annoys me.” He is whispering now, hands slipping down your hips, you let this little sound out from the back of your throat that destroys him then.

“My body, what not your type? Don't wanna see it?”

“You're so fucking stupid.”

“How can a body piss you off? Ah!” Sukuna had you picked up now right on the kitchen counter, your breaths come in pants at getting handled like this, his big hands on your thighs, his eyes boring into you.

“All I can think about is all the ways I wanna fucking ruin you for any stupid boy you'll ever meet.” Your heart thuds in your chest, blinking rapidly as if you're in a fucking dream.

“Wh-what?” He moans softly, rough pads of his fingers slipping up your thighs, watching the goosebumps rise everywhere.

“Thinking how good your little pussy tastes, how pretty your tits must be, how your face would look fucked out.” You're moaning out loud when he finds you then, lips hovering just an inch from yours, he moans when he finds your slick cunt dripping, he laughs then, softly. “That wet for me? Haven't even done shit.”

“Shut up and touch me, please, Sukuna.” The way that his name sounds from your lips? Your eyes dilating? Your wet cunt on his fingers? His cock starts throbbing from touching you, watching your face when he shoves a finger in your hole, you grip him like a vise.

“Anyone ever made you cum? Any of your dumb boys?” You grip his wrist when his fingers curl in your gummy walls, finding that spot instantly and pressing on it, making you gasp as you gush down his fingers. “Fuck you're wet, why are you so stupid tight, fuckin feel you…”

“Don't know… I… Kuna, m’a v-virgin, ngh!” He yanks away then, panic on his face. “Don't stop, please.”

“A virgin, how the fuck?” You whine out as he backs off, sucking you off his fingers, his cheeks moaning, those crimson eyes dilated, the hottest thing you have ever seen. “Why do you taste so good? God I can’t stand you.”

“Kuna, please… just…”

“No, I won’t do that, I sure the fuck won’t take that. How are you even…”

“I’ve been waiting.” You murmur, earning his brows raised, barring you on either side with his strong arms, leaning close.

“You what now?”

“For you, stupid.” Sukuna cups your face with one hand, hot as your overheated cheek, so close your breaths mingle.

“No way, I’m not doing that, it’s bad enough I even touched you, now you’ll be all I can think about, annoying little brat ruining me.” His words hit, your pussy throbbing around nothing then, you lean your head and kiss his palm, melting him as you do. “Don’t do shit like that.”

“Do you want me?” You ask, thighs on either side of him.

“What do you think?” He grabs your hips, and you feel him, huge and hard against you over the fabric of his pants and your shorts, he grabs you tight, you’re looking at those lips, usually in a smirk or a sarcastic grin, so pouty right now, begging for your kisses.

“Doesn’t have to be anything serious-”

“How can you say that? No, it would be.” You would end him the moment he got inside you, he already knows it, tasting your sweet arousal on his tongue, looking at the color your cheeks are tinged, imagining your face as his cock leaks precum against his boxers.

“I can be… casual…” You’re grinding on him, you’ve never felt this, the longing for him in this way, you’re jutting your chin up, trying to kiss him, but he pulls his face away, shaking his head. “Kiss me.”

“No way.” He won’t be able to stop, at least at this point he can rip himself off of you, taking several breaths, turning away from how delectable you look sitting with your thighs spread on his counter.

“I’ve seen all the women you bring over the years, why not me? You clearly are casual about it?” You hate the emotions in your throat. “Am I not…”

“If you say some dumb shit like you’re not attractive, I swear you’ll piss me off. Look at you.”

“You won’t look at me.”

“I can’t right now, I won’t just fuck you, especially your… first I… can’t. Just drop it, just forget it even happened.” You jump off the counter then, breathing fast, heart nearly pounding out of your chest.

“I’m sorry I asked.” He curses as you run off to the room, his head is spinning from your scent, your taste, the images now burned in his brain, your slick still on his fingertips.

He could never just take your virginity, what if he hurt you? What if he hurt you emotionally, he sure his entire life has never had a real girlfriend, he’s had hookups and booty calls, that’s it. And for the past year he’s pictured you half the time when he’s played with himself, when he’s slept with them, but he can’t do that, you deserved better than him surely.

You’re all dressed now, you stand there and look at him, he hates the tears that have streaked down your face, your bag on your shoulder. “You don’t have to leave, just leave me alone.” He says then, and you laugh without humor, shaking your head.

“I can’t face you after that, too embarrassing. Don’t even tell Yuuji I came over, please.” You go to leave and Sukuna stops you, a hand on the knob above you, his hard body towering behind you, you feel so small next to him, god who didn’t?

Sukuna runs his fingers down your spine, you shiver from the sensation, he leans close, his lips against your ear. “You don’t have to be embarrassed.”

“No?” You look at him then, noses touching, so close.

“Everyone wants me, it’s fine brat.” He smirks, you glare then, smacking at his hand on the knob and pulling open the door.

“Fuck you, Sukuna.” You say, he grins at you like the asshole he is, but when you shut the door behind you, you don’t see him cursing himself, forehead resting on the door, his stomach sick.

Why’d he do that?

Why couldn’t he just give you what you wanted, what he wants so badly?

He’s terrified to disappoint you, but he already has.

*****

Two Weeks Later

“Please stay for dinner!? Please, please, please!” Yuuji begs you, literally on his hands and knees bowing, you giggle, shaking your head.

“No, I can’t… your brother-”

“He won’t bother you, he just yells at the game, it’s fine! Never used to bother you, and I miss you.” He looks up with sweet honey eyes, making you sigh then, nodding, he jumps up all excited. “Perfect, I need to show you the recipe my brother Cho showed me!”

“How is he? I miss him.” You say softly, Yuji’s other brother lived far away now, he was a sweetheart, much unlike Sukuna.

“He’s doing so well, his band is so popular now. I’ll tell him you said hi! You know he thought you were so pretty.”

“Cho did? No way.”

“Well who doesn’t, even Sukuna does.” You pause then, faltering as you look at the kitchen, where he’d had a long, thick finger inserted in your little hole. Where he’d tasted you.

“Um, I doubt all that. He hates me.” Yuuji shakes his head, checking his phone then. “Your girl?”

“We’re not dating yet, just talking, but we are going to a movie tonight. You know her, yeah?”

“Yes, she was so sweet in school.”

Sukuna walks in as Yuuji shows you their texts, his eyes darting to you, taking in your little pleated skirt and top with some dumb anime character you liked on it, you looked fucking adorable. So cute he hates it, so he scowls at you, earning your scowl right back, as Yuuji looks between you both.

“Woah, calm down. Sukuna, I have a date!” Sukuna’s heart drops, Yuuji surely would be good enough for you, he’s sweet (annoyingly sweet) and devoted. Choso and Yuuji were sweet, he’s not sure how he got all the asshole of the family, but he supposed it came from taking care of them both, being the oldest.

He should be a little relieved, you’d leave him alone now, right? You wouldn’t give him that look, he would finally know you’re untouchable, he clears his throat now, hating that his heart feels like it’s ripped in half. Just two weeks ago, the last time he saw you, he’d felt your heat, he’d had you begging for him, but he turned you down.

He did this.

“Finally, you two are going on a date, huh?” He says, trying to act casual, and Yuuji snorts, shaking his head, as your eyes go wide.

“Us, no! We’re too close, we’d never ruin our friendship. Though I sure asked her out a lot in school.”

“You tried.” You say with a little smile, as Sukuna stands there dumbfounded. “You’d never have liked dating me, I hate your zombie movies too much.”

“You have the worst taste, it’s true. Now, Sukuna, it's this girl…” Yuuji starts going on, and Sukuna can barely hold his composure, as he shows him a picture of her, as he’s rambling.

He was convinced his brother was in love with you, it’s a huge reason he has pushed you so far away, he’d never dishonor him like that, even if he knew you didn’t feel the same. He struggles to focus now, as you look down nervously, as if you could hear his thoughts, feel what he wants so badly.

“Thought you simped for the brat here.” He says, Yuuji laughs.

“No, she’s just a beautiful best friend.” He kisses your cheek and you smile warmly at him, it lights up your face, doing the annoying thing to his heart again. “If you’re not so mean, maybe she’ll stay for dinner.”

“Me, mean? Never.” You and Yuuji both roll your eyes at him.

“I don’t have to stay, Sukuna, I was just stopping by.” Your words break him down, remembering how mean he was, and he didn’t apologize, why should he though?

He should have said something.

You’re feeling his gaze on you, as he runs a hand through his pastel locks, the same shade as Yuuji but his are longer, messier, he has a little stubble on his cheeks you don’t remember seeing. As you further look, you see the dark circles under his eyes, how tense he is when he opens his mouth, just to close it, and re open it again, as if he doesn’t know what to say.

Sukuna is… on edge?

“You can stay, what do I care? Used to your ass around anyway.” He walks to his room then, and Yuuji excitedly talks to you, but your mind is in that room, with that asshole of a man.

The dinner is awkward as fuck, and when Yuuji leaves to get ready for his date, you hastily start washing your dish, you feel his gaze on you, he’s leaned back in the chair with his legs wide. You don’t dare say a word to him, you’re too mortified still, too confused, his one touch with no kiss has done more than anything you’ve experienced so far.

Awakened shit that was already there.

Made it worse.

“So you two never…” Sukuna trails off, leaving the question open, you look back at him as you dry your hand with a dish towel.

“Never what, dated? Of course not.”

“I thought the kid had it bad for you.” His voice is quiet, you clear your throat, shaking your head then.

“No, I tried to tell you, just friends. Yuuji is sweet and I love him, but I’ve never felt that way… like I…” Like with Sukuna. “Yeah, anyway, the girl is so sweet. I’ll head out when he does, don’t worry.”

Sukuna’s standing next to you before you can blink, he’s wearing this black dress shirt unbuttoned just so, revealing too much of his strong chest, pecs that are ridiculous, your eyes keep darting to it. To those collar bones, the black lines running along, making you wonder just where his tattoos stop, you physically back up, looking away then, unable to even look in his eyes.

“Running away, brat? Scared?” He raises a brow, you blink then, shaking your head. “Yeah you are.”

“Scared of what?”

“I’m ready guys! Oh… are you two gonna… hang out?” Yuuji asks with a little smile, you’re blushing then, shaking your head.

“Hang out with him? What, no.” Sukuna’s jaw clenches now, you smile as you feel how mad he is. “What?”

“What’s so wrong with me?”

“You’re an ass.”

“You’re a-”

“Okay, dumb question, don’t kill each other.” Yuuji does a little spin then, showing off his outfit, you giggle. “How do I look?”

“Amazing!” He kisses your cheek and hugs you then, just the sight of that alone has Sukuna infuriated, imagining kissing you.

What do your lips feel like?

Would they end him?

“She’s staying, she’s gonna… game with me.” Sukuna says then, you and Yuuji both look at him with shock. “Yeah, brat wants some lessons on Call of Duty.”

“Lessons? You game?” You want to burst out in laughter, the only video games you play involve very hot men on your phone.

Sukuna eyes you though, so intense it’s hard to breathe, you smile then, a little shy almost, realizing what he wants even though he’s not saying it. He wants to spend time with you, this shithead, this asshole of a man, he’s… he’s trying to express that he wants you to stay. And, to stay alone with him.

“I do wanna learn though, plus we should try to get along, hmm?” You look right at Sukuna, he’s not smirking or grinning, he’s vulnerable for a moment. His full lips parted just so in surprise.

“This makes me so happy. I love you both so much! If he pisses you off too bad, just text me.”

“What would you do, kid?” He demands.

“I’d… well I’d tell you to be nice.”

“I love you too.” You tell Yuuji then, and he runs off now to his date, leaving you alone in the kitchen again, with Sukuna. “Video games, huh?”

“Video games.” He answers, and before you know it, he’s right in front of you, gently holding you by your face, in a sweet manner you’d never think he could. “I want you, fuck I’ve wanted you for a long time now… but I thought you…” He’s trailing off, words escaping him.

“You thought Yuuji loved me, and you couldn’t do that.” You answer, everything starting to click now.

“That and you irritate the shit out of me. I don’t like what I feel.”

“What do you feel, Sukuna?” You step forward, arms wrapping around his thick waist then, he gulps visibly.

“Too much.” Is all he says, eyeing your lips hungrily.

“Maybe I feel too much. It’s scary, yeah?”

“I’m not scared of shit.” He’s leaning closer, you’re aching for him to just kiss you, licking your lower lip, tantalizing him as it turns glossy.

“If you’re not scared, then why are you so afraid to kiss me?” You whisper the words, his eyes flutter shut, a hand gripping your hair then at the nape of the neck, pulling it just so.

“Because I won’t stop there, I won’t stop till I’ve kissed every part of your body, till I’ve licked every part, until you’re cumming all over me.” Your little whimper from the back of your throat ruins him, he slams his lips down then, and it’s over.

Your kiss is messy, it’s desperate and sloppy, your tongues dripping saliva as he lifts you suddenly, you cling to him, thighs squeezing narrow hips, arms around his neck, your hand drifts through his undercut just so. He’s moaning as he kisses you so brutally, carrying you until you’re against a wall, pressing you there, you gasp for a breath while he starts licking down your throat.

“Kuna…” You’re arching against him, clinging tightly as he bites your throat, his big hands gripping your ass and squeezing.

“Hate that nickname. Hate how much I like it. Fuck you.”

You scowl, pulling away. “Fuck me for what?”

“Being so stupidly pretty. Driving me crazy forever. Fuck you for tasting so good, too.” You’re opening your mouth to protest, but he’s already carrying you to his bed, unceremoniously plopping you down on it, yanking off your top then, your breasts heave as your breaths come quickly, and he eyes you. “Fuck you for perfect tits.”

“Fuck you for being a dick.” You counter, but he’s gripping your breasts in his huge hands, squeezing them, sucking on your nipples, your hands enwrap in his pastel locks as he looks up at you, saliva strings dripping from your breasts. “Fuck that… feels s’good…”

“Fuck your sexy little moans, too.” You can’t be mad, not when he’s got your skirt off you, not when he’s ripping your panties to shreds, not when he eyes your pussy hungrily, shaking his head as he nips your inner thigh. “And fuck if you don’t have the most perfect pussy, what the…”

“Kuna, you’re c-crazy.” You whisper, he laughs then, breath tickling your cunt as he parts your plump lips, inhaling you like some psycho, burying his face. “Kuna!”

“Shut up, brat. Gonna ruin you for anyone.” He’s talking to your pussy it seems now, strong fingers pressing your thighs apart as he swipes a stripe up between your lips, licking you all the way from your hole to your clit, the sensation has your hips jerking, which he pins in place. “Ah- ah brat, stay still.”

“S’too much… I… oh my god.” Sukuna is devouring your pussy, there’s no other term for it, the way he laps at your pussy with his stupidly long tongue, his eyes bright red when they look at you, when he flicks it to your clit. You’re soaking him, hands pulling at his hair, earning his groan against you. “Wh-what… you’re… I…”

“Shut up, brat, I want to hear you cum, not run your mouth.” You should be offended, but you can’t be, not when he’s fucking your velvety walls with his tongue now, pinching your clit with two of his fingers, the stimulation far too much, you feel it, the pressure building in your core, spreading.

“Kuna!” You’re screaming that nickname, he doesn’t care in fact he loves hearing it, loves your pussy drooling around his tongue, he feels your walls tighten around his wet muscle then, looking up at your face, mouth open wide in an O, eyes rolled back, your hands yanking his hair out, and he knows you’re cumming for him.

He’s grinding his cock on the mattress, aching to be inside you, but he also wants to make you beg for it, wants to make you pathetic for him, only him. You’re cumming so blinding, stars bursting everywhere behind your eyelids, your body convulsing as you’re gushing all over his handsome face. You feel his grin against you when he pulls back his tongue, slipping two fingers inside.

“Hear how slutty she is, huh? So slutty thought you were a good girl.” He huffs, you’re reeling from cumming so hard when he quickly finds your g spot, as if he knew your body forever. “Can’t talk? Pathetic.”

“F-fuck… you I… it’s too much!” You whine, he’s scissoring those two fingers in and out of your now soppy little hole, you do hear it, the wetness so fucking loud, he’s licking your clit now, sucking it into his mouth, you’re pushing over the edge again. “Both!? I c-can’t!”

“Mmm, you can, cum again, pretty slut. Lemme drink it.” You’re trying to close your thighs, but he forces them open, smacking at one, shaking his head. “Again, y’can do it.”

“S’too much…” You’re whining over and over, it is so much pleasure you have trouble comprehending a thought, when he crooks his fingers in your gooey walls, and sucks your clit again, you’re shattering.

“Mmm, there you go, you can do it can’t ya?” He’s cooing to you, smirk on his features, that are coated in your slick.

“Please!” You’re yanking him up, he chuckles a bit, letting you, hovering over you with his strong arms, as he wipes your chin with one hand.

“You’re fucking drooling, god, fucked out already? Can you handle me?” He raises a brow, you want to retort, but you are fucked out, you came more than you ever have, now you’re opening your mouth and closing it. “Can’t talk, stupid brat?”

“F-fuck off… ass…” You manage, earning him more hard for you, kissing you deeply, you taste yourself then, but even more when he shoves his fingers in your pussy, scooping out more arousal, shoving them in your mouth.

“Suck them like a good girl, there ya fuckin go, pretty little slut.” You’re in tears from overstimulation as you suck him eagerly. “So ya can follow directions, ha… didn’t know that mouth could shut.”

“Shut it.” You whisper, pulling back with a pop, he falters at your seductive words, shaking his head.

“You sucked dick?”

“N-no.” You admit, he sighs then.

“Look, maybe not the first time.”

“Sukuna, are you being caring?” You tease, his brows lower, lips pressing in a firm line.

“No! Just… you need a lot of workup and… will you stop smiling like that!? Stop looking at me that way.”

“Like what?” You tease, hands unbuttoning him shakily, he pulls back then, taking a breath as he looks down at your pretty body, and you reveal more of his chiseled frame.

“Like… that. Like you’re…”

“In love with you?” His jaw tenses again.

“Shut it, now.”

“I am, stupid ass. Don’t know why.” You sit up when he stands, eagerly unbuttoning his pants, his heart races like he’s the virgin, brain short circuiting when you slip them down, his boxers following.

“I… you… shouldn’t…” He doesn’t remember what he was saying, you’re too sexy, too pretty, your words he’s never thought he’d hear. “You don’t love me. Don’t say it.”

“I do, and I will say it.”

“Then why did you ask for… casual!?”

You’re blushing when his cock is revealed, and it’s massive, thick and heavy, his reddened tip drooling precum. It’s so big you can’t understand how it would fit, your hand barely circles the girth, looking so tiny against him, he’s ridiculously big. You nervously look up, seeing his eyes dilated, his lashes lowered, Sukuna’s hands come to enwrap in your loose hair, gripping it.

“Answer me, brat. Now.”

“Because if that’s how you want to, I’ll do it. I want you, I have wanted you.” He exhales, jerking when you lick his tip.

“I don’t want to be casual with you, okay!?” You smile, he rolls his eyes. “Don’t you dare smile like that. Doesn’t mean I’m gonna be all mushy and dumb.”

“I don’t want to be casual either.” He cups your face with his other hand, groaning when your hot mouth starts sucking him in, there’s too much of him, you barely get the tip and an inch or two, swirling your tongue, tasting the salty precum, his musky scent filling your nostrils.

“F-fuck…” Sukuna’s stuttering, you swear you hear him whine, but you wonder if it’s a trick of your ears, his hand on your face shaky when he starts thrusting his cock in your mouth, eyes locked on yours. “Stupidly pretty brat.”

He might as well say ‘my love’ or ‘darling’ because your body reacts, already having had so much pleasure you’re wet again, when he yanks you more on his cock, shoving it deeper. You’re breathing through your nose as he fucks your throat, as he’s gasping and moaning out your name, you finally think you have a rhythm when he pulls you off.

“Was it okay?” You ask nervously, he shoves you on your back, between your thighs in an instant then, you gasp for breath.

“Okay? Sucked it like some pro. You lyin’ t’me?” You giggle, shaking your head and catching his gaze.

“Watch porn though.”

“Porn ain’t shit to what I’m gonna do.” You’re crying out as his tip leaks precum along your clit, biting your lip when he’s pressing into your tight ring of muscles, your nails dig into his back, feeling the taut skin. “If we do this, you’re never fucking anyone, never. Fuckin got me brat?”

You blink a bit, as his tip presses in, stretching your skin. “You love me too, don’t you Kuna?” You tease, he scoffs, but then nods just a bit, and kisses you, pressing past your barrier, you gasp at it, at the pain, being stretched by him. “Ow! Shit!”

“Shit… y-you’re too tight… loosen the fuck up, brat.” You glare up at him, throbbing from the pain now, he’s barely holding on.

“I can’t. Y-you’re an idiot!”

“Running your mouth?”

“You’re too big!”

“Fuck…” He eases back, leaning up on an elbow, hand slipping down and rolling on your clit. “Relax, annoying ass. Even your pussy is stubborn.”

“You’re… so… ah!” His circles are rough, calloused thumb pressing on your little engorged clit, when he sinks in again.

“Relax, now.” His husky voice gives you that order, you do so then, exhaling and looking into his eyes, that are so dark they look black, you nod weakly. “You… are you alright?”

“You care, aw.” You can’t help it, you’re grinning all fucked up.

He glares again, this time thrusting deep, you scream out at it, he moans, biting your neck again, big hand gripping your thigh and lifting it higher. “Fucking feel her, gripping me my god. She’s mine, huh?”

“Y-yours, Kuna.” Your little whimper destroys him, your cunt pulsing around him, stretching and getting wetter to accommodate, and he begins actually fucking you then, you’re so wet, hot and tight he can’t stand how good it feels, he’s already dreaming of breeding this little cunt as you convulse under him.

“F-fucking love it, slutty little pussy.” His words along with his tip dragging against that spot in your walls send you reeling, you hear it now the skin smacking, his balls slapping your ass, wetness squelching when he pulls back, gripping your hips with a wicked grin. “Look, fucking your guts up, huh?”

He forces your chin to look down at the ridiculous bulge in your tummy, you gasp at it, clinging to his sheets now, so full when he sinks more of his cock in you, so much you don’t think he’ll fit fully, he’s already slamming your cervix. His hands slip up your hips, yanking you down further, you scream out at how good it feels.

“Ruin you, no one… n-no one’s gonna do this, yeah?” He leans over just a bit, fucking you harder, thrusts so rough your tits jiggle, your body moves. “Use you as my little fuck toy, pretty toy, so fucked out and stupid.”

“Ngh!” You are stupid, your eyes are rolling back, you’re drooling, incapable of doing anything but pulsing on his cock now, of desperately clinging to him.

“S-say it, brat.” He’s shoved his cock so deep, your cunt is dripping down his veiny length, you’re whimpering desperately, nodding. “That’s it, cum f’me, lemme feel her clamp down. F-fuck, there she is…”

Now Sukuna is full of nonsense, you’re both mumbling as he does ruin you for anyone, as you ruin him for anyone, he’s kissing you sloppy, his tattooed hand wraps your throat. He squeezes just so, you’re fading as he rails your cunt, muttering filthy, nasty words, you were a virgin, but he sure the fuck wasn’t taking it easy.

Well, you didn’t think he was, Sukuna actually is taking it easy.

He’ll wait before he goes where he wants to, but you so eagerly open your mouth for his spit, desperately cumming all over his cock then. “Made f’me, pussy she’s m-mine, hmm?”

You’re getting choked, swallowing spit, and this asshole asks you a question? You manage a nod, as he slows finally, releasing your throat, hand slipping up your titty to pinch your nipple, hips rolling just so, jerking his cock against your bruised cervix. You’re a stupid mess under him, sputtering when he finally slows his rhythm, when he thickens impossibly in you.

“I’m never pulling out of you, on something?” He huffs, you blink in confusion as he grins. “Asked ya a question brat.”

“On… pill… mmm…” He moans now, exhaling.

“Good, hah-” He thrusts deep again, you’re fluttering around his length. “Wouldn’t pull out anyway. I’d knock you the fuck up, breed your slutty cunt.” You’re done for, when he starts spurting cum, crying out in your ear, taking over everything with his huge body on top of you, in you, around you. He’s cumming so much it’s ridiculous, coating your walls, filling your belly full. “Oh f-fuck… fuckin love you…”

You blink as you come to, as your cum and his are pushed out with each thrust, your thighs shaking, head buzzing from pleasure. He looks at you then, eyes desperate, biting his lower lip while you put it together. “You love me, Kuna?”

“Shut up.” You smile when he kisses you again, and well… you don’t just fuck once for your first time.

You’re fucking in the shower to ‘clean up’ and then he’s got you up on the counter, devouring your pussy again, seeing how many times you can cum, soon he’s got his game going, showing you the controls as you’re cockwarming him. You’re so sore no amount of ibuprofen will fix it, but you want more, you’re grinding on him as you wear his headset, getting shot hopelessly by the players.

That’s where Yuuji finds you all, your tits out, Sukuna half naked, big hands on your hips with his cock inside you, you gasp then, covering your tits with your hands, but Sukuna just laughs, kissing on your shoulders. Yuuji covers his face, turning away quickly in embarrassment.

“K-kuna… s-stop…” You whisper, but Yuuji waves at you all, covering his eyes with a smile.

“You’re getting along!”

“Um… yeah.” You manage, and Sukuna’s laughing so hard it’s annoying, he doesn’t pay attention to your glare.

“Cool… um… bye.” He hides in his room, you try to get up, but Sukuna has you pinned down, tilting your head and kissing you.

“You’re insane, Sukuna.”

“You love that shit.”

“Shush. Show me the… g-game…”

The teammates are very curious why Sukuna started sucking at Call of Duty that day, but he has his new very annoying girlfriend to blame, she’s just squeezing his cock too good.

A/N I really have been feeling some Sukuna latelyyy, I hope ya'll enjoyed the smut aha!! <3

Taglisttt: @yenayaps @schlokki @elliesndg @thelightknight21 @attackonnat @indiewritesxoxo @sylussss7 @ninikrumbs @zezedoesshit @iveiveim @spacefae-x @maomimii @moonchhu @jinxiewritings perma tags- @alt--er--love @seeing-stars-alt @nanasukii28 @labelt-san @makingtimemine @aldebrana

All my sukuna oneshots hereee

#sukuna x reader #sukuna x you #sukuna x y/n #sukuna smut #ryomen sukuna #ryomen x reader #sukuna ryomen smut #jjk sukuna #jjk smut #jjk x reader smut #jjk x reader #jjk x you #sukuna x female reader #jujustu kaisen

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gojorgeous · 1 year ago

Text

"creature of myth."

pairing: vampire!gojo x fem!human!reader summary: when you receive an offer of marriage from a mysterious wealthy lord, it’s too good a deal for your family to turn down. but nothing could be so perfect... right? content: MDNI (18+ ONLY), dark content, nsfw, gets dubcon/noncon in some spots, yandere behavior from gojo, implied death/k*lling of a character (not reader or gojo), arranged marriage, victorian au, plot that ends with porn lmao, spooky dooky vibes, blood, blood sucking/eating, praise, biting, unprotected sex, creampie, virgin!reader, discussion of virginity, cherry popping, pain, pet names (princess/love), reader is highkey clueless about sex, discussion of masturbation, ideas of masturbation as “sinful”, very minor religious themes, fated “mates”, gojo is highkey insane, coercion and manipulation, like SO much neck kissing, ooc gojo??? (had to alter his character to match a victorian vampire lord LMAO). a/n: PLEASE READ THE CONTENT WARNINGS. THERE IS DARK CONTENT AHEAD. is this a gojo fic or a twilight fic?? Going back to my roots fr fr. straight down to the “SAY IT, SAY IT”. this fic is also way too long my apologies bbs. i hope you like a hefty side of plot with your porn. parts of this fic feel way too cheesy to me but sometimes i eat that up, yk?? this fic was inspired by this amazing work by @rice5x ! and, finally, thank you all for the support on my most recent fics. i'm just getting back into being active on this blog and it's been amazing reading each and every comment/reblog/ask. they genuinely fill me with so much joy. keep them coming hehe. anyway, i hope you enjoy and remember, ALL AGELESS BLOGS WILL BE BLOCKED. credits: dividers by @cafekitsune. banner art by @ndsoda on twitter. wc: 11.6k (sowwy)

You remember perfectly the way your mother’s jaw dropped when Satoru Gojo proposed to you. You’d never seen the man, and you still hadn’t. He’d asked to marry you via messenger, a simple letter delivered by hand with a list of all the things he’d be willing to pay for your hand. Offers of money, land, protection, connection- anything so long as he got you. You’d thought it was a joke. Your father nearly took a shovel to the head of the poor messenger, thinking the letter was some kind of cruel prank, some sort of targeted disrespect. You’d only started to believe when you really looked- saw the Gojo crest embroidered on the man’s suit, the fine leather of his boots. If it was a prank, somebody had spent a great deal of money and effort to pull it off.

You’d asked for proof nonetheless, and you’d gotten it. Documents signed and sealed with a well-known waxen crest, gifts that could only have been purchased by a wealthy lord. The one thing you never got was the lord himself. He refused to see you, to come down from his mysterious castle on the hill. It didn’t surprise you. He rarely deemed town worthy of his presence. He had a reputation as a recluse, as a man who only ever liked to see and never be seen. What little glimpses people got of him were usually through the dark window of his carriage. Still, his appearance preceded him. White hair, light eyes… “haunting” said those who had the luck to see him. Those who went to work for the lord tended to return… changed— if they returned at all.

You accepted, of course. How could you not? You were a peasant family with no status or wealth to your name. The promises Lord Gojo had made would make your parents into aristocrats all on their own. But that left you wondering… why did he want you? You offered him no benefit. If anything, you sullied his bloodline. The question scratched at the back of your mind. It came to you while you ate breakfast, while you washed your clothes, while you weeded in the garden. Some part of you told you that you needed the answer before you ever stepped foot in that castle. You needed that answer, but you’d never get it.

Your wedding wasn’t even a wedding- just a piece of paper that had already been signed and witnessed, once again delivered by a familiar messenger. You signed at your dining room table and… that was that. You were married.

Later that night the carriages arrive. Men flood your home, all dressed in blue velvet, the Gojo crest embroidered on their chests. They seem puzzled when you tell them you’ve packed all your belongings into a measly three bags.

You say a quick goodbye to your parents, drawing them into stiff embraces. You love them, and they love you, but you can’t bear to see their faces as they send you away to a man who couldn’t even show his face for your wedding.

The carriage ride is somehow longer than you’d thought it would be- apparently, the castle’s size makes it seem deceptively close. The trip is rocky and twisty and altogether unpleasant as you steadily make your way toward the castle gates. By the time you reach them you think you’ve probably dozed in and out of consciousness at least half a dozen times.

The castle is even more intimidating up close. Spires that swirl into the clouds, sculptures that stare, doors that look more suited to being locked than opened. It’s… terrifying.

When you finally roll to a stop, you move for the door. When you swing it open you get your fair share of strange looks from your attendants and remember that you should have waited for the footman. Your face heats as you climb out anyway, unwilling to subject yourself to the further humiliation of waiting for assistance.

Your feet hit gravel and all you can do is stare- up, up, up, to where the castle’s peaks disappear into the fog. When your eye flashes to a window on the east side of the manor you think you see a swaying curtain. You tuck your arms around yourself and shiver, but it’s not from the cold.

You nearly stumble over your feet on your first step inside. The entrance hall is larger than your former house, with ceilings that stretch so high you can hardly make out the figures on the frescoes that adorn it. Silver and blue drape everywhere, the Gojo family colors. You swallow when you see a chair that is most definitely worth more than your family’s annual income.

The floors are marble and when your worn heels clack against it, you only feel reminded that you don’t belong here. That question pricks in your mind again as you pass portraits of every Gojo heir to have lived in the last three hundred years. Why me? Why me? Why me?

Your footman deposits you in your room, a place more lavish than you’ve ever seen. You have a four poster bed with a canopy of blue velvet, a window that overlooks a sprawling estate, and more square footage than you’ve ever dreamed of.

“Pull this if you need any sort of assistance, ma’am.”

You turn to see your footman referencing a silver cord at your bedside. You assume it’s one of those contraptions that rings a bell in the servants’ quarters. You try to hide your amazement- you’ve never seen one in real life before.

You clear your throat and give your most ladylike nod. “Thank you, um-” you pause, your brow furrowing. “I’m sorry, I don’t think I asked your name.”

Your footman appears stunned to silence, like he’d never expected you to care about his existence, much less his name. He recovers quickly, though, and forces a small smile. “Thomas, ma’am.”

You smile and it’s genuine. “Thank you, Thomas.”He bows and makes a beeline for the door, but you have one more question. “Oh, um, Thomas-” He freezes, turning slowly on his heel to face you.

“Yes, my lady?”

You cringe at the title. The sound of it creeps across your skin, foreign and… wrong. Why me? Why me? Why me?

You clear your throat again. “Do you know, um, well-” You shift, trying to word your question properly. “Do you know when I might see the Lord?”

There is a pause, a moment of tension and silence, and then an answer. “No, my lady.”

Thomas does not stick around for more questioning. The door clicks shut behind him and then you're left with only the sound of retreating footsteps.

You’re stunned to say the least, mouth still halfway open, more questions on the tip of your tongue. Should you seek him out? Was that proper? Would he come to you? Would he meet you for dinner, perhaps? Surely he would come to your room tonight to… consummate. Would that be the first time you lay eyes on him? When he’s over you?

You sigh. There’s nothing much to be done about it now. You find your way to the bed and sit down hesitantly. It feels like a crime to rumple such primped and polished cotton. You do it anyway- it’s going to happen sometime, right? You fall back against the mattress and don’t fail to notice how utterly comfortable it is. The silvery patterns on your canopy swirl and bend together. You’re tired. You didn’t sleep much last night, anxious for the morning… and it’s only mid-afternoon now. You had time for a nap, right? Your eyes are closing before you can convince yourself it’s a bad idea and then you’re swept away into a world of warm darkness.

You wake with a start. Your first thought is that it’s dark now. Your room is pitch black except for the stream of moonlight passing through your stupidly large window. Your mouth feels dry and your skin is cold, like you’ve just woken from a nightmare. If you have, you don’t remember it. Perhaps that’s a blessing.

You sit up, combing a finger through your hair and laughing pitifully when you realize that you left your shoes on as you slept. You hope Thomas didn’t walk in to find you in yet another unladylike position. A glance at the foot of the bed reveals he might have. Your bags have arrived- all three of them. You eye them with a combination of longing and contempt. They don't match this place. They’re worn and used- everything here is shiny and new. Still, they’re all you have, and all you have left of your life before. All you have left of home.

You stretch your arms above your head, nearly groaning at the burn in your muscles. The carriage ride did your body no favors and you suspect you’ll be sore for many days to come.

You rise, no longer content to lie in bed. You’ve had your rest and, from the state of darkness outside, you suspect your new husband might be joining you soon. The thought twists a certain tightness into your gut, but you push it aside. If that was the price you paid for all he gave your family… then you’d pay it gladly.

You start with candles, finding a box of matches at your bedside. You light every candelabra you can find. The room, the castle, seems so perpetually… black- like it soaks up every ray of light it touches. Even when you’ve finished it doesn’t feel like enough. You make a note to ask Thomas for more in the morning.

You find a meal, carefully prepared and preserved, on a table near your dresser. Judging by the fact that it’s still warm, you conclude that it can’t be much past mid-evening. You originally intend to pick at the food as you unpack, but one bite has your mouth watering. It is the most delicious thing to ever touch your lips, complete with dessert waiting on the side. You clean your plate before moving onto your bags.

You lay your clothes out on the bed. A few dresses, riding pants, undergarments, an assortment of ribbons and bows. At one time these items had been the finest things you owned- now you owned a castle.

You find an armoire that looks like a master sculptor carved its edges and grab a dress, intending to hang it. Instead, your dress hits the floor when you part the doors to find the hangers already full. Your lips part. Luxury dresses of silk and satin line the rack, fading into some that appear more casual outfits of cotton and linen. You stretch a hand out, curious and utterly… amazed. To think your new husband had gone to all the effort… Your hand brushes purple silk and-

“Do you like them?”

You screech, jumping to face the voice at your back. It takes a moment for your eyes to find him, leaning casually against one post of your bed. Your breath is stolen for a second time. Snow white hair, piercingly blue eyes, pale soft skin… you know who he is even without looking at his dress, at the air of authority he claims. He’s your husband… and he is the most devastatingly beautiful thing you’ve ever seen.

He laughs, then, and it’s a warmer sound than you’d thought it would be- rich and full. A sound that seeps into your bones and settles in your soul.

“Sorry. Didn’t mean to scare you,” he says, but the twinkle in his eyes makes you think that perhaps that’s a lie.

Your heart pounds and your eyes flash to the door. It’s shut. You didn’t hear it open, nor did you hear it close behind him. You also didn’t hear footsteps, didn’t hear breaths, didn’t hear him.

He follows your gaze and laughs again, though it sounds a bit… strained?

“I have a habit of being unintentionally lightfooted. I apologize.”

Your heart is still pounding but you find it in yourself to have some decorum. You snap your jaw shut and bow your head slightly in respect. “You must be Lord Gojo. Forgive me for my insolence.”

There’s a beat, and then footsteps– ones you actually hear this time. You clench your jaw when he stops before you and then nearly gasp when he takes your hand and brings it to his lips.

“Satoru, please,” he winks and you think you might stop breathing. “I am your husband after all.”

You force yourself to nod, to swallow, to act normal. But how can you in the presence of a man that looks like… that? There’s something too unreal about him, too perfect. It’s almost… unsettling.

“Of course… Satoru.”

He straightens and shows you a close-lipped smile that digs a dimple into his left cheek. You have to look away to avoid stumbling over your own feet.

“So, do you like them?” Your brows furrow- “The dresses,” he clarifies.

“O-oh.” Your features relax into an easy smile. You turn back to your armoire, running a hand along another gown. You don’t think you’ve ever touched something so… finely made. “I like them very much. I don’t know how to thank you.”

There’s a little chuckle as you turn to face him again and you have to steel yourself before you meet his eyes. He’s mesmerizing, too mesmerizing. You think you could probably lose yourself in those eyes forever…

“No need to thank me. If they don’t fit, we’ll call for the seamstress in the morning.”

You nod softly, still lost to the situation. There’s a beat of silence in which your husband does nothing but… look at you. His eyes roam freely and the hair on your arms stands under his gaze. He traces the lines of your nose and jaw and lingers on your pulse. Can he see just how fast your heart is pounding?

“Did you… get dinner?” It’s a stupid question, you know, but you don’t think you can bear another second of that look he’s giving you. “I fell asleep and found a plate. I hope I didn’t prevent a proper meal…” You trail off. Perhaps you shouldn’t have pointed out your own shortcoming?

He gives you another smile and you swear he inches just a little closer. “You did no such thing. I’m… perfectly satisfied.”

You nod, glad that he doesn’t seem upset at the very least. Your lips press together, unsure of what to do or say. You’ve never had a husband before. Wasn’t he supposed to just sort of… put you on the bed and… do it?

Your eyes flit to said bed and your husband must see because he hurries to continue.

“Well, I’ll see you in the morning then, hm?” His eyes flit to your armoire and back again. “Wear the blue dress with the lace to breakfast, yeah? Been dying to see it on you.” He chuckles like he’s just told some sort of amusing joke.

Your brows furrow. That was… not the topic you’d been expecting. “You’re not…” You feel your cheeks heat and tighten your jaw. “Not staying the night?”

His lashes lower a fraction and those eyes pierce you again. You don’t think you could move even if you wanted to, even with him prowling closer, each step eating up the space between you. He doesn’t stop until you’re nose to nose and you can feel his breath fanning over your cheeks. It’s cold somehow, chilling, and you shiver. He smirks.

“Not tonight.”

His head dips and for a moment you think he’s going to kiss you, but then he’s bypassing your mouth altogether and- his lips connect to your pulse. His mouth is cool, just like his breath, and you shiver uncontrollably under his touch.

His touch is just a fleeting moment, just a wrinkle in time, and then he’s gone. His footsteps are quiet brushes on the hardwood and the creak of the door even seems tamed in his presence.

“Goodnight,” is all he says, and then he’s gone.

You climb into your bed an hour later wondering what in the world just happened.

You do wear the blue dress to breakfast and you can only gape in the mirror when you realize that it fits perfectly. It has you second-guessing yourself. Had you sent your measurements in advance and forgotten about it? No, you’d only sent a handful of pieces of information to the Lord prior to your marriage and you remembered all of them very clearly. Everything had gone through a messenger, everything had been clear and direct– you would have remembered sending your measurements– you didn’t. So had he just… guessed?

That seemed impossible with how everything fit you like a glove, but it was the only explanation you had. The only one that made sense.

When you join Satoru for breakfast it’s in a sitting room as lavishly decorated as the rest of the castle, but perhaps organized to be a bit more… liveable. He has no plate in front of him, only a tin cup that hides the contents of whatever he’s drinking. You assume coffee or juice. Perhaps he’s just not a breakfast person.

“It fits!” he says. His hands clasp together in front of him and he smiles again, dimples and all.

You nod and fight the heat that bubbles beneath your cheeks as you take your seat. “Yes, perfectly.”

A plate is set before you and a glance up reveals it’s Thomas serving your breakfast. You smile, hoping for some acknowledgement from him, for a small piece of comfort. Instead, you get his averted gaze and quick retreat. Your brows furrow, but before you can say anything, Satoru is back to speaking.

“I hope Thomas treated you well yesterday?”

You glance up, but Satoru’s eyes aren’t on you, they’re on your footman. His smile is bright, but it’s anything but friendly. You fight a shiver.

You glance at Thomas. He’s perfectly still, perfectly straight, but you think you see a muscle clench in his jaw. You clear your throat. “Y-Yes. Thomas was very helpful.” When Satoru keeps staring the boy down you add, “-and very respectful.”

That seems to satisfy. Satoru breaks his stare and some of the tension in the air instantly eases. He shoots you another dimpled smile, this one with a little more warmth. “Perfect.”

There’s a beat and then he’s standing, draining whatever he has in his cup and then straightening his jacket. “Well, I have some work to do. I’ll see you for dinner?” He’s grinning again, like it’s so normal for a man to abandon his bride on their wedding night and then again the morning after. All you can do is nod. He chuckles. “See you then, princess.” And then he’s gone.

If this is to be your life you don't know how you will survive it. You spend the day milling about. Through the gardens, through the castle, through the stables. Thomas is never far behind, but any attempt at conversation is nipped in the bud by hit shortness. It’s like he fears coming too close. He’s never closer than a couple paces except when he has to bring you something, only to retreat again as soon as possible. The other servants barely pay you any mind apart from giving you a respectful greeting and then immediately averting their eyes. There is no work to be done, no guests to be had, no parties to plan… and no Satoru. You don’t see your husband once on tour around the grounds. You ask Thomas where his office is only for him to vaguely point out a window in the east tower. You don’t see so much as a ripple in the curtains.

Dinner comes around at the pace of a snail. When it’s finally time to get dressed a lady’s maid whose name you don’t even catch arrives to help you lace your dress. As soon as your corset is deemed tight enough she’s back out the door with a curtsy. Thomas leads you to the dining room and your eyes roam the whole way. Even after having spent the whole day exploring, there are halls and corridors that you’ve yet to step foot in.

The dining room is just as gorgeous as the rest of the place– filled with singular items that could feed entire families for years. Somehow, you think you’ve already grown accustomed to such things, since the only thing you truly care to look at is your husband. Satoru’s already seated, but he stands when you enter, looping around the table to pull a chair out for you.

You give him your most genuine smile, accepting a kiss to your knuckles in greeting before you settle. “How was your day?” you ask as he takes his seat again.

He chuckles. “Perfectly fine. And how was yours, princess?” Your nose crinkles. That’s the second time he’s called you that. Something about it feels wrong. You’re still getting used to being a lady. Princess feels even worse.

“It was… good.”

You watch a perfect white brow arch in the candlelight. “Oh? Just good?” You don’t miss the way his eyes flicker to the corner– to Thomas.

You hurry to elaborate. “Well, I just– I can’t help but feel as if there’s not much… use for me.” Servants flood in, some carrying wine, others carrying trays that hold more food than the both of you could ever possibly consume.

That brow arches impossibly higher. “Use?” His lips crack into that smile again, but it’s tight this time. Too tight. “You have no use. You only enjoy yourself. Surely Thomas has told you that.”

A plate of steaming food plops in front of you. Even its heavenly smell can’t quell the sudden dread in your gut. “Of course! Of course he did.” Your stomach twists and you decide that perhaps now is not the time to press the subject. “I’ll just… I’ll try riding tomorrow.” You hate riding, but it’s the first thing that comes to mind.

Satoru’s smile thaws into something less menacing. “I’m sure you’ll enjoy that.”

You nod eagerly. “I’m sure I will.”

You grab your fork, eager for a new subject. From what you can tell, dinner is roast chicken and vegetables, though it’s the luxury version as everything seems to be. The spices are intoxicating and the green beans are even arranged in a pretty little pattern that makes them look too good to eat. You do anyway. The first bite nearly makes you moan, but you chew slowly, delicately, trying not to let your upbringing show.

It’s not until several bites later that you realize you’re the only one eating. A quick glance reveals your husband has no platter, no chicken or green beans. He’s only… watching you. You clear your throat, dabbing at your lips with a napkin.

“You’re not… eating?”

That permanent smile grows a little wider and you can’t help but feel as if there’s something… menacing about it. “Ate before I came.”

Your brows furrow. “Oh. Were you on the road?”

You think you see something wild flash in his eyes. “No.”

The rest of dinner passes slowly, almost painfully. Satoru doesn’t eat a bite, doesn’t even look enticed. You wonder how that’s possible when it smells like a spice bomb went off in the dining room.

By the time you’ve cleared your plate you’ve discussed everything from the number of horses in the stables to kinds of crops grown on the estate. It’s comforting to know a little more about your new home, but it’s not enough.

“Is there a library?” you ask. You’re on dessert now. It’s the best chocolate cake you’ve ever had and it takes everything in you to hold back a moan each time it touches your tongue.

“Of course.” Your husband’s eyes flicker to Thomas again and you’re honestly starting to fear for the poor footman’s life. Everytime you ask a question it’s like Satoru is angry it hasn’t already been answered. “It’s yours to use as you please.”

You smile lightly. “Perfect. Thank you.”

He softens a bit at that. “Is there anything specific you wanted to read about?”

You shrug. “The estate, I suppose. I should know my home’s history, no?”

His eyes get that wild look again, that sparkle that you know speaks to nothing good. “Oh, absolutely. I have some personal favorites to recommend. I’ll leave them aside for you?”

You swallow and give him a shallow nod. “That would be perfect. Thank you.”

He chuckles. “My pleasure.”

When dessert is finally over, you stand slowly. Satoru’s not far behind you, saying he’ll walk you to your room. Your heart leaps at his words. Will he stay with you tonight?

He offers you his arm in the hall and your mouth runs dry when you feel the corded muscle beneath his jacket. By the time you reach your room, you’re thinking of tugging him in behind you. His denial to stay with you last night was not only confusing, but… off putting. Nearly offensive. Did he not like how you looked? Did he think something was wrong with you?

You muster all the courage you possess and force your lips apart. “Will you stay with me tonight?”

His eyes spark again and you hold your breath. He presses closer. This is it, you think. His lips hover over yours, eyes glimmering in the candlelight. And then he dips his head, his mouth pressing to your pulse.

“Not tonight,” he whispers– and then he’s gone.

You wake suddenly. It’s the middle of the night, you gather. The light streaming through the window is weak enough to only be that of the moon.

Your heart is pounding and your skin is slick with sweat despite the chill in your bones. A nightmare, you think. It must have been a nightmare.

As you settle back into your sheets you swear you see a ripple in the darkness. You close your eyes. If your nightmare is real, you’d rather not see it coming.

The library is huge. It’s sprawling and smells of paper and leather and everytime Thomas lights a candle you flinch at the idea that one misplaced spark could end thousands of years of knowledge.

The books Satoru left you are… perfect. Just what you were looking for. They’re all comprehensive volumes of the history of the estate, many of which reference each other. You’re stunned to see that several are written by very well-known authors of both the past and the present. You knew the Gojo family’s influence reached far, but not that far. You peruse the titles. The Gojos: A History, A History of the Gojo Crest, History of the Gojo Castle, Revisiting the Gojo Family: A Comprehensive History. Altogether you have well over a few thousand pages of information– but there’s one book that doesn’t fit with the rest. It’s relatively unassuming. A black cover with some sort of gold rune etched onto its front. When you flip to the title page it reads “Creatures of Myth and Where To Find Them”. Your brows furrow. You slide it to the side– must have gotten mixed in with the others, you think.

You ask Thomas to bring the books to your room. He does. Very respectfully. He sets them on your bedside table and then retreats like a kicked puppy with only a polite goodbye. You sigh. His behavior has only gotten stranger in the past few days. You think the servants’ coldness must have something to do with Satoru, but you can’t figure out why. Had he ordered them to stay away? Why would he?

You decide it’s a question for another day and dive into your books. You spend hours, days, reading every chapter, page, and word. The pure amount of information is dizzying. Apparently this specific estate had been in the hands of the Gojo family since the eighth century (with several razings and consequential rebuilds). You also learn that Satoru was not only the most wealthy lord on the continent, but the most wealthy man. Even wealthier than the king apparently, though that fact was kept fairly under wraps to protect the crown’s ego. The estimates of your husband’s net worth made your head spin.

Satoru joins you for breakfast and dinner every day. You never see him eat a morsel. It’s… unsettling to say the least. It’s always just that tin cup, filled with something you could never quite see. You develop a pattern of waking in the night, too, with the overwhelming sense that something is watching you. Sometimes you could swear you feel the bed shift as you jerk awake. Each time you simply close your eyes and try your best to slow your heart, convinced your mind is playing tricks on you.

Your days feel a little more productive with a book in your hands, but you’ve read them all three times over by the time a fortnight has passed. You find yourself packing them up to return to Thomas when a certain black cover catches your attention. You grab it from the pile and settle back into your seat. You’ve nothing better to do, right?

You flip back the cover, revealing a familiar title. “Creatures of Myth and Where to Find Them”. You don’t recognize the author’s name. A quick scroll through the table of contents reveals nothing particularly interesting, but you pick a random chapter on ghouls and decide to start there.

It’s fascinating. Nothing about the style is boring and the words fly by. Your silly little myth book is a page turner. By the time you notice the light has started dying you’ve read about ghosts, fairies, werewolves, and goblins– all of which have been a delightful little read. A glance at the clock reveals you have a half hour before dinner. One more chapter, you think. Your eyes skim the title. “Vampires [Vampyr]”.

You skim the first paragraphs until your eyes settle on a line that catches your eye.

“Contrary to popular belief, vampires are not always crazed blood-hungry monsters. Many live among humans quite comfortably and are able to avoid detection with a little well-placed effort.”

You purse your lips. What a… terrifying thought. You skim a little further.

“A vampire’s key characteristic is, of course, their desire and need to drink human blood as sustenance. However, a vampire can be spotted sooner if one is able to recognize their subtler traits. Vampires often have skin lacking any sort of flush. The lack of blood in their veins results in a sickly pallor, even after the most rigorous exercise. Their skin is also noticeably cold to the touch. At best, a vampire’s body will reach room temperature. Vampires can also be noted for their preternatural beauty. They will stand out as the most attractive person in any crowd. Finally, a vampire will have fangs. If one wishes to identify a vampire, one only needs a good look at their teeth”.

A chill settles over your skin. You flip ahead a few pages.

“Vampires are unable to consume typical human food. Should they attempt to, their bodies will immediately reject any and all foreign substances.”

Your stomach drops. You don’t want to think about why. You skip the rest of the paragraph.

“Vampires possess several supernatural abilities that set them apart as a human’s predator rather than their equal. Vampires are known to move unnaturally fast and are notably light footed. If a vampire does not wish to be heard, they will not be. A vampire’s strength is inhuman, well over ten times that of the average man. They also have a penchant for darkness, an ability to hide away in the shadows that cannot be explained. Oftentimes they will seem to appear from thin air.”

You skip ahead again.

“Vampires have been known to take mates. Mates usually come in the form of another vampire, but in some cases a human has been chosen. Vampires are fiercely protective of their mates, bordering on obsession. Any person deemed a threat to their bond or their mate’s safety is usually disposed of quickly. Oftentimes, vampires make these decisions with haste, with little regard for whether or not the threat was real. A vampire will do everything in their power to please their mate, but have been known to forcibly restrain their mates in situations of unrequited feelings. Above all else, vampires wish to possess their mates. Two bonded vampires will sometimes spiral into gloriously destructive fits in their endless desire to protect and possess one another. A vampire bonded to a human will show an increasingly protective nature, often isolating their mate from others.”

Your heart pounds. A bead of sweat rolls down your back. You flip the pages, desperate– desperate for a piece of information that will save you from the thoughts spilling in your mind, from the thoughts you will do anything not to believe. You reach the “Where to Find Them” subsection and nearly gasp with relief. Surely, vampires do not pose as wealthy lords of Europe?

“Vampires can be found everywhere. They do not exist in only one country or continent, but all over the world. Odds are that you have faced at least one vampire in your life, unknowingly or not. Some vampires choose to live solitary lives, surviving in the wilderness where human society will not attempt to tame their wild nature. Others choose to live among humans, some even existing in positions of very high authority.”

No, no, no. This can’t be happening to you. It can’t be real. You’re dreaming, you’re having one of those nightmares again. You’re going to wake up any second.

“One tale recounts a razing of the Gojo estate in the 12th century.”

You’re panting, hyperventilating. This isn’t happening.

“Soldiers of the enemy force recounted a singular man, the son and heir of the then Lord Gojo, taking out a minimum of 800 men. He was described as having his family’s characteristic white hair as well as blue eyes. Eyewitness accounts depict the Gojo heir as covered in blood and killing savagely and with inhuman strength.”

No, no, no.

“(See next page for only existing portrait)”

Your fingers tremble but you can’t stop them. There’s no way. It’s not possible.

You flip the page and Satoru stares back at you.

Knock! Knock! Knock!

You nearly scream. Your door rattles angrily, but you’re not sure you can answer it, not with the knowledge flooding your mind. The knocking continues. You run your hand over your face and smooth down your hair. You feel frazzled, dirty, despite not having moved from your chair all day. Another knock prompts you to set your book aside and stand. You do your best to compose yourself, to put on a straight face. You fail instantly when you pull back the door not to reveal your faithful attendant, not Thomas, but Satoru.

You bite back a shriek and instead force a smile. You’re suddenly very aware of the blood pounding in you veins and of the fact that he most likely knows.

“Hello,” he says, but his voice is lower than usually, more intense.

You force a breath into your lungs. “Hello,” you answer, but it sounds more like a squeak than a greeting.

Something flashes in his eyes, something familiar, something that is no longer interesting but rather terrifying. “Are you alright? You seem a little… flushed.” The concern on his face feels anything but genuine.

“I’m fine,” you answer, but even you can tell that reply too quickly, too eagerly. You rush to cover it up. “Is it time for dinner? Where’s Thomas?”

His lip twitches and you see a muscle in his jaw flex. “Thomas has… left us.”

No. This wasn’t happening to you. There was no way this was happening to you.

“He… what?” There’s an unmistakable wobble in your voice that only causes Satoru’s face to fall further.

“It’s no matter. He’s gone. Now it’s just you and me, hm?” He chuckles and the sound rattles your bones. “In fact, I was thinking I’d cut down on the number of servants we have entirely…”

You mind races with the memory of knowledge you wish you didn’t have. “Vampires are fiercely protective of their mates, bordering on obsession. Any person deemed a threat to their bond or their mate’s safety is usually disposed of quickly.”

You nearly stumble, but lean against the doorframe just in time. Your husband had disposed of a man, all because he brought you meals and books?

“What have you been up to today, princess?” The question breaks your trance just in time for you to see your husband’s eyes flicker behind you.

You wet your lips. “Just some reading.” You plead that he doesn’t ask anything further. He does.

“About the estate?” he asks.

You nod and try to swallow the lump in your throat. “Yes.”

His smile returns and this time it’s not forced. “You got my books, then?”

You try smiling back, but you’re fairly sure it looks more like a grimace. “Yes.”

“Anything interesting?” he presses.

This isn’t happening. This can’t be happening. Does he know? Does he know that you know? “Yes, of course. Lots.”

He pauses and you see the debate and then the decision in his eyes. You think it’s the first time you’ve felt true terror when he meets your gaze again. “I think we should skip dinner tonight. It seems we have so much to discuss.”

You don’t even have the wherewithal to scream when he steps into you, forcing you back until he’s shutting your door behind him. He doesn’t stop there, though. He keeps pressing, keeps pushing until your knees hit the bed and you’re falling to the mattress. He crawls right after you.

“Who knew my little wife was such a reader? All those books in such a short time… You must be simply spilling with information.”

You retreat across the mattress, squeaking when your back hits the headboard and his arms cage your waist. You’re trapped.

His hands find your hips and you’re all too aware of how cool his touch is. Even more so when he pulls you right into his lap.

“Satoru-” your voice is pitiful, breathless, and you’re ashamed to say it’s not just from the fear in your gut. He’s never been this close before, never touched you, held you like this. “Thomas-”

“Don’t speak his name.” His face pulls into the first scowl you’ve ever seen and the sight is enough to root you to the spot. Never have you seen anything more frightening. A creature so beautiful, so perfectly angelic, filled with an insurmountable rage. It’s wrong. “He’s gone. He’ll never bother you again.” He’s closer now, his breath skating over your skin. It’s cool and now you know the reason why.

You shake and tremble and you know– Thomas is dead. Your husband killed him– killed him for getting too close when all he did was stay at a distance. Satoru killed him. Killed him.

He buries himself in your neck, his voice a near whine. “Thought I could put up with it, just so you’d have someone to take care of you…” He groans. “I was so wrong, princess. Couldn’t stand it. Couldn’t stand the way you smelled more like him than me…”

You feel him melt against you then, relief washing over his body in a wave. “But he’s gone. And now it’s just you and me, hm? Just you and me…” He hums, like remembering that fact is all he’s ever needed.

He’s kissing your pulse again, now, and your heart is racing faster than ever. Your fingers curl into his shoulders. You should push him away, away, away. He’s a killer, of thousands no doubt. You’ve never felt at home here, never felt like you belonged. This is why. You’re not even the same species. He’s something else, something your hands were never meant to touch.

Your mind screams at you to do go, to shove and kick at him and leave this place behind. Go, go, go your gut says… but you don’t. You can’t. It’s too… good. The feeling of his cool lips against your skin, of what you’re sure is his tongue prodding at your pulse… it’s intoxicating. He is intoxicating. How could anyone blame you for wanting more of someone, something, so divine?

“Have you figured it out yet, love?” Your breath hitches and he chuckles, licking a long stripe up your neck, before he settles back at your pulse. Always your pulse. “I can feel those little gears turning. Tell me, what have they discovered?”

He knows you know. But he’s going to make you say it. You swallow and feel his grip on you tighten. “You’re…” Your breaths come faster. You can’t. Not aloud. Aloud makes it too… real.

“Yessss?” he prods. He’s licking at you again, all the way across your throat to find your other pulse-point.

“You’re not…” Something sharps nicks at your skin and you bite your lip to hold back a whimper.

“Go on, princess.” You think he’s just smelling you now, just burying his face as close to you as possible and taking you in.

You close your eyes tightly, holding back tears. “Not human,” you breathe. A piece of you breaks with the admission.

He huffs a little laugh against your skin and pulls back to look you in the eye. “That’s good,” he purrs. “But I think you can be a little more specific, no?” His lips press to your chin, then the corner of your mouth, then down to your jaw… “Tell me.”

Your lips wobble, muscles clenching tighter with each passing moment. You don’t want to say it, don’t want to speak it into existence, but you also don’t dare to disobey him.

“You’re a…” You shake and tremble. He draws a line up your neck with the tip of his nose.

“Mhm?”

You open your eyes, thinking this might be the last time you see. “Vampire.”

He chuckles and you feel his teeth press to the skin of your neck. “That’s right, princess. So smart.”

He smiles and you suddenly realize you’ve never seen his teeth before. Everytime he smiles at you it’s close-lipped and dimpled. But this… this is the smile of a predator– all white and pointy and fitted with a set of menacingly long fangs. You sob at the sight.

“Shhhhh,” he coos. He has your chin in his hand, forcing you to truly look at him, to see him for what he is. “I won’t hurt you, love.” You want to believe him so badly it burns, but his laugh washes away any fire and turns it to ice. “Not unless you want me to.” He wiggles a brow like it’s just a little joke, like he’s not an actual fucking vampire that had his fangs over your neck just moments ago.

“Satoru,” you beg. You’re not sure what you’re begging for. Release maybe? But, no, that’s not right. You don’t want him to let you go, not when you finally have him close after all this time. “Why did you pick me?”

The question slips out. You hadn’t even been thinking about it, hadn’t even noticed it scratching at the walls of your mind, but it made its way out nonetheless.

His brow creases, but not in confusion. Moreso in… thoughtfulness. “Do you think about that a lot, princess?”

You nod and you suddenly want him closer, want him to touch you everywhere, hold you like his life depends on it. You want him, no matter how horrible it might be.

He nods and hums, kissing the tip of your nose lightly. “Well…” he says. His thumb swipes over your lips when he leans in to whisper in your ear. “At first I wanted you for this.” His head dips to your neck again and you feel the familiar brush of his lips against your throat. “You smell…” he chuckles. “Like heaven. Which is a place I’ll never get to on my own, so I had to bring my own little slice home, no?” He laughs again, a little louder this time, genuinely amused. “Went into town one day and caught your scent on the street. At first I thought I must be walking past the bakery, but, lo and behold, there was no baker in sight.” He’s still kissing at your pulse, worshiping it. “Went crazy, princess. Didn’t think I was going to be able to contain myself when I found you. Thought it might be quite the scene.” He huffs a laugh and you shiver, somehow both terrified and intoxicated. “But then I saw you–” he groans and something clenches deep at your center. “And I knew I needed more than just your blood. Needed you.” He’s rocking into you now, and your breath catches when you feel something firm against your backside. “Went to you in that little room you slept in every night. Watched you. Couldn’t stay away. Knew I had to have you.” You feel him smile against your skin. “After a week I couldn’t take it anymore. Sent you that letter, married you. Made you mine.” He groans again. “Then I met you and you were so pretty, princess. Already knew it, but hearin’ you talk to me, look at me.” Teeth graze your pulse. “Needed you more than ever. Almost took you right on the fucking floor in here while you were lookin’ at those dresses.” You whine when his hips roll into you again. “Oh, but I knew I couldn’t. You’re so fragile, love. Had to wait, had to make you feel safe, yeah? Spent all this time forcing myself to stay away, ‘fraid of what I might too if I was in your presence too long. Had to control myself. Had to make you realize you could trust me.” He panting, like he’s so pent up he can hardly sit still. “Do you trust me, princess?”

Your brows scrunch. Say no, say no, say no a part of you screams. Run, run, run. You can’t. “Yes,” you breathe.

You feel him smile again, feel the pleasure of submission. “Good girl.”

You’re on your back. It happens so fast your eyes don’t even have time to gasp. You don’t see Satoru, but you feel him. Everywhere. His hands are roaming your body softly, sliding under buttons and laces and popping them off. Your dress loosens with every passing moment until Satoru reappears above you, diving straight for your neck again. “So good, princess. Let’s get you out of this dress, yeah?”

You nod wordlessly, entranced. He finds your mouth as he rids you of your clothes. His tongue presses in and you flail against him, unsure of what to do, of how to handle the intrusion. The kiss is heavy, too heavy, but Satoru can’t seem to stop. He devours you as he gives up on laces and buttons and simply shreds your dress down the back. You tremble when the cold air hits your skin, when his cool fingers dust your collarbone.

“I always forget how many damn layers they make you ladies wear,” he chuckles. His hands run beneath your shift, up across your bare thigh. You gasp at the touch. No one has even been so close to you before. You feel the threads of your corset snapping away, feel your breaths growing deeper. You tremble when he pulls your sleeve down past your shoulder and runs his mouth along the newly exposed skin.

“Satoru,” you gasp, and your hand pulls at his flowing white shirt.

He chuckles, pulling back just enough to see your face. “You wanna see me too?” You nod, lips parted and eyes glassy, and he laughs again. He lips dust over the corner of your mouth. “Alright.”

His hands shift from you to himself, working at the laces on his chest. His movements are speedy, practiced, like he’s been lacing and unlacing shirts for hundreds of years. Your throat tightens when you realize that he has.

You gasp when he reveals himself, when his shirt slides away to reveal an expanse of pale skin and carved muscle. You’ve never seen a man like this and seeing one this close up for the first time is nearly blinding. He’s art, you think- nothing less.

“Touch me, princess,” he says. You can’t. You shouldn’t. He’s too beautiful, too perfect to be beneath your insignificant hands. “Need a little help?” he asks, and there’s a lilt in his voice that makes you sure he’s grinning.

His hands find yours and bring them to his chest, running your palms over his collarbones, his pecs, down, down, down across his abs that you can feel each and every one… You whimper, watching your own fingers grope his skin. He pulls you lower, lower, lower, and you gasp when your fingertips brush the waistband of his pants. But then he’s laughing again and he’s throwing your arms over his shoulders and pulling you closer, kissing your neck like it pained him to be parted from your pulse for so long.

“Not so fast,” he says, like he wasn’t the one nearly stuffing your hands down his pants. His hands are on your corset again. You can feel it dangling onto you by a thread, literally. All he needs is a couple more pulls and you’ll be bare. By the look he gives you, you can tell he’s

thinking the same thing. “You touch me, now I touch you, yeah?” There’s a tug and a tear and then so much… cold. You’ve never realized how cold this castle is, not until you’re exposed to its elements fully. You’re naked.

Satoru sits back on his knees and just watches. His gaze is searing, burning, despite the iciness of his being. It’s too much. Your hands move to cover yourself, to maintain some modicum of your dignity-

“No.” Strong hands find your wrists and pry them apart. “Let me see you,” he says. His tongue darts out to lick his lips.

Your jaw clenches and your frame shakes, but you do as he asks, letting your hands fall limply at your sides. There’s silence for many more moments and it seems to go on so long that you can only squeeze your eyes shut under his gaze. Surely he will turn you away now, get up and leave, tell you this was a mistake, tell you that you’re–

“Beautiful,” he breathes. Your eyes snap open to find him already staring at you. “Beautiful,” he says again, and then he’s on you, lips at your pulse, hands on your skin. His touch is cool and you squeak at the chill that runs up your spine. You’re not sure it’s entirely from his temperature.

His mouth seeks yours and he devours you. You feel as if he’s sucking your soul out through your lips. “Tell me you’ve never done this before,” he begs. “Tell me I’m the first to touch you.”

You whine against his mouth, both aching for more and overwhelmed by what he’s already giving you. “Y-You’re the first,” you whisper.

His groan is deep, primal. It rattles through your chest and you whimper when his hands dig into your waist hard enough to bruise. “Yes,” he breathes, and you shiver again. “Lie back, princess.” Your eyes widen, with anticipation or fear you’re not sure. Probably both. He chuckles. “Don’t worry. I’ll be gentle.”

You pray he means that. “Just relax, love. Here, hold my hand.” His fingers find yours, twining them together. When you swallow, his eyes follow the bob of your throat. He leans back again and your body twitches when his free hand skims the skin of your thighs. His tongue darts out to wet his lips as he finds your knees and you gasp when he parts your legs, revealing you so completely to his gaze. The way he stares, like he’s committing you to memory, it’s nearly enough to make you snap your thighs shut, but a squeeze from his hand reminds you to relax, to trust.

His palm skates up your thigh and settles near your hip, his fingertips inching closer to where you can feel an embarrassing throb.

“Tell me, love. Have you ever touched yourself here?” His fingers dust low on your tummy- just low enough for you to catch his meaning, but not low enough to give you any relief. Your face heats and your teeth dig into the flesh of your cheek. You have, you have touched yourself there, but it’s the last thing you want to admit to your new husband. It’s shameful, it’s dirty, it’s- “Don’t think I’ll judge you, princess. Just wanna know.”

You gulp down a breath. You should come clean. “Y-yes,” you stutter, and the sound of your voice so weak and helpless only makes you flush further.

He chuckles and squeezes your hand again. “On the outside or the inside?”

Your eyes widen. I-inside? You’d never considered that… “J-just the outside,” you answer.

Your eyes grow even wider when his head rolls back and he moans straight up to the ceiling like your answer is heaven-sent. When he looks back to you his fangs are on full display. “Well, I think you and I are in for a little treat today, hm?”

Your brow furrows and your lips part to ask him what he means– his fingers travel those last few inches down your tummy and find your clit. You squeak and jolt so violently that he presses a hand to your hip, holding you to the mattress. “Somebody’s sensitive,” he chuckles. He holds you still for a moment and then lets your hips go free. “Try to stay still. I promise it’ll feel good.”

You nod hopelessly, but this time you’re prepared for when he touches you again. Your muscles clench at the first touch, at the foreign sensation of a touch down there that wasn’t your own. But then it’s more. It’s languid, slow circles around a spot that you’ve never been able to pinpoint so well on your own. It’s heat building in your tummy that seeps through every vein and into every pore. It’s relaxation that you’ve never known, that has you melting into the mattress despite the chill of the touch.

There’s a little huff of a laugh and then his voice. “Good girl. Feels nice, yeah?” You nod hesitantly and squeeze desperately at his hand, searching for an anchor. His head cocks to the side and you watch the smile slide across his lips. “It’s about to feel even nicer.”

By the time you realize what he’s doing it’s far too late to stop him. His mouth closes around your cunt and you yelp, trying to wiggle away from the overwhelming sensation- but he’s got his freehand on your hip again and his grip is bruising, punishing, as he holds you in place. He licks a stripe through your folds and you find yourself jolting again, uselessly so against the pressure of his palm on your hip. “Stop that, princess.” Your heart drops at the admonishment until you feel his guiding touch. “Rock into me like this.” His hand rocks your hips into his mouth and the pressure of his tongue against your clit is so delicious that you whimper. “Good girl,” he says and your heart rises right back up. “Keep doing that, now.” You don’t dare defy him. You rock like he showed you, a little jerkily at first, and then you find a rhythm that has you seeing stars. “That’s it, love,” he says, and the sound is muffled against your cunt. “Here, put your hand in my hair.” He finds your wrist and guides you forward until your fingers are tangling in those snowy locks. They’re even softer than you’d imagined. “Good girl,” he whispers and suddenly he’s taking one last long lick and lifting his head to meet your eyes. “‘M gonna put my fingers in you now, princess.” Your chin wobbles. “It might hurt a little bit, but stay still, okay?” You can’t do anything but nod.

His eyes return to your cunt and you can feel him prodding at your entrance, circling the hole as you clench in anticipation. “Relaaaaaax, love,” he says and you nod. A deep breath in through your nose and out through your mouth–

You feel the exact moment he pushes into you and a whine of pain rips from your throat. Your walls clamp down like a vice, angry at the intrusion– but it’s already too late. There’s a beat of silence, of anticipation, and then he’s– laughing?

Your brows furrow when you hear it, your head lifting to a sight that locks your limbs in shock. Satoru’s hand is lifted in front of his face, his pointer finger coated in– blood, you realize. Your blood. And he’s a fucking vampire.

“Oh princess,” he coos, and the manic look in his eyes makes you tremble. “You really are perfect.”

Things seem to slow as you watch him take his blood covered finger into his mouth. You’re sure you’ve never seen an expression more blissful, more lost to sensation. His eyes roll back and his body shivers, like he’s ascending to some higher plane. Maybe he is.

When he pulls his finger from his mouth it’s completely licked clean. You hold your breath. He’s going to go for your neck now, right? He’s had a taste and now he’ll want more of it, all of it?

“Fuck,” is all he says. His mouth is back on your cunt so fast you don’t even see him move.

Your mouth falls wide. It hurts, the way he is so desperately licking at you. You feel his finger again, pressing in, in, in, only to pull back and suddenly be joined by another. The stretch tears at you. You thrash and jolt, but Satoru doesn’t bother telling you to stop this time. His arm wraps over your hips, holding you in place. He seems immune to how hard your legs squeeze at his head or your hands pull at his hair. He’s lost. You can feel him licking, lapping, and prodding at you like you’re a fucking gold mine. He’s lost to desperation, to the need for more, more, more. Every so often he lifts his chin and you see his mouth smudged with a mixture of your wetness and your blood. He laps at his lips like an animal, dragging his thumb across his chin and sliding it into his mouth to make sure he gets every last drop.

You’re not quite sure when the ravenous pain turns to a ravenous pleasure, when it turns from terrifying to downright delicious. You don’t notice your moans filling the air until Satoru joins you, groaning and whining into your cunt and telling you to keep going, to keep making those sounds. The hand you have buried in his hair doesn’t fight to push him away any longer, only to pull him into those now practiced rocks of your hips. His fingers thrust deep, curling into a spot that makes you feel so good and his mouth has found your clit again. He sucks your nerves lightly between his lips, tongue swirling in little circles. Your thighs start to shake.

“Yes. Yes. Give it to me.”

“S-Satoru–” you breathe. Warmth and tightness pool in your tummy, and you recognize it as your approaching orgasm, though you know this one will be far different than any you’ve ever managed to give yourself. Your body shakes and your breaths tremble and then– you fall over the edge, rocking your hips senselessly, losing all form of rhythm. Warmth tingles in your spine and seeps all the way down to your toes. You think you cry out, cry for your husband, cry for more, cry for less, but if you do you don’t hear it. All you hear is the pounding of your pulse, of pleasure throbbing in your veins until the world slowly seeps back in through the corners of your vision.

Satoru is grinning. A speck of your blood clings to his chin and his fangs peek out from behind his lips. The sight makes your blood run a little colder. If any part of you doubted what he was before… well, there was no doubt any longer.

There’s a shift between your legs, his hips slotting between them, and you’re suddenly snapped back to reality. From the look in his eyes, you’re not done.

Frantic hands find his pants and he undoes each button with a quickness that is almost inhuman. You wonder if he could go even faster, if he’s holding back so as not to scare you. If he is, it isn’t working very well. Fear surges in your veins right alongside anticipation.

“S-Satoru–”

“It’s alright, love.” His hand finds yours without his eyes ever looking up. His grip is just a little too firm, a little too cold. “Just stay still.”

You whimper, but you don’t think he’s paying attention to that, and soon enough, neither are you. His pants slide down just past his hips, just enough. You gasp.

You’ve never seen a man in the nude, never even dared to think about what it might look like, though it seemed you no longer had to guess. His hand wrapped around his shaft, giving one long and slow stroke that made his breath hiss through his fangs. The tip was flushed, angry, and leaking something that looked clear and sticky. You couldn’t help but notice it was a lot thicker than a finger, or even two. If his fingers had hurt…

He moves with that alarming quickness again, leaning down to hover over you, chests nearly pressed together. “Gonna take you now, princess. Gonna make you mine.” His eyes bore into yours, blue and shimmering with something wild. His hand presses into the mattress beside your head. “Stay still, now.”

It’s all the warning he gives you. You feel like you’re splitting– straight up the middle. You wail, hands flying out to claw at his back. It hurts. It hurts.

“Satoru, p-please! It’s–”

Lips catch yours– hungry, feral. The kiss is not gentle, not soothing. It shuts you up, it keeps you quiet, it keeps you still as you feel him sinking further, deeper into you. It’s too much, you try to say, but the poke of sharp teeth against your lips keeps you silent. Your hips jolt and wiggle trying desperately to escape the stretch but it’s no use. By the time he’s fully inside you, tears are streaking down your cheeks, fat and heavy. His lips break away and his eyes reappear. You shake when you see that none of the wildness has been tamed, that you’ve only just begun.

“Good girl,” he coos, and a cool finger traces a line across your jaw. “Took me so well.” You hold back a sob when his hips shift a little, testing, prodding. He must see the pinch of your eyes, the twist of your mouth, because he’s quick to comfort. “Just hold my hand, princess.” His hips rock in earnest this time and you whimper, squeezing down on his hand with all your might. You’re panting as he chuckles. “Breathe, love. Breathe. Soon you’ll be begging for more,” he laughs. It’s not long before he’s rocking into you sincerely, setting a pace that stretches you to the brink of breaking. At first it’s all you can do to grasp onto him, to bite your lips through the whimpers and hold his hand. And then it’s… more. It’s heat and warmth despite the coolness of his body on yours. It’s sensation and… pleasure. He laughs when the first moan slides past your lips, burying his face in your neck once again. You hear him at your ear, panting his hot breath across your skin.

“Feel good, princess?” You nod, letting your hips rock against his as he showed you before. It feels good– it feels right. He chuckles, but there’s nothing light about the sound. “Wanna feel even better?” Something sharp pokes at the skin of your neck, hard enough to make you squeak, to make you freeze at what you know he wants.

He pulls himself back, pressing his forehead to yours, searching your eyes with his. Something like a cruel smile dances on his mouth. “Just a taste, love. I promise it won’ hurt.” His tongue darts out and licks across your lips, his thrusts rocking just a bit faster. “You’ll feel s’ good an’ I’ll only take a little.” He laughs again and it sends a chill through your bones. “Promise.” He sounds breathless, like he’s struggling to restrain himself. The increase of his pace makes you whine and you squeeze his hand again. He buries himself back in your neck, panting. “Come on, love. Say yes. Say yes f’ me.” Your eyes glaze over. Your body justles with each new thrust. He’s desperate now, seeking a release that you don’t think is any kind you’re familiar with. “Yes, yes, yes,” he chants in your ear. You’re not sure when his words twist in your mind, when they settle on your tongue and push past your lips, but you know it feels so right when they do.

“Yes,” you whisper.

His fangs clamp around your pulse. You scream when the sting rips through you, violent and savage– but it only lasts a moment. Pain fades to… ecstasy. You feel his throat bobbing with each swallow, feel your blood seeping from your skin and onto his tongue. You’d thought it would feel slicing, draining, like the life was being sucked from you. It doesn’t. It feels wonderful. Heat spreads under your skin, emanating from your neck and down to your toes. It feels like breathing for the first time, like sugar being pumped into your veins. It feels like heaven. Your hand tangles in his hair, holding him close. You don’t want it to stop, not ever. You could die like this, have him suck every last drop of blood from your veins and thank him for it with your dying breath.

He’s moaning now, hands curling into your hips while he fucks into you relentlessly. The pace is grueling and brutal. You know it should hurt but only feels perfect. Anything less would not be enough. Anything else would leave you wanting. You feel it building, feel that familiar twinge at your core. The ecstasy flooding through your veins has it coming faster, has you teetering on the edge in moments.

“Satoru…” You hadn’t noticed how dizzy you felt until you tried to speak. You wonder why… “‘M gonna…”

He fucks you harder, something menacing and deep rumbling in his chest. The sound makes you shiver, makes you whine, makes you come.

Your body shakes and a cry rips from your throat, cunt clenching like a vice around him. Your eyes roll back, hands scraping trails down his back. Your thighs quake with the intensity, with the overwhelming senses of pleasure that erupt throughout your body. Every nerve is firing, every hair rising. It’s an unstoppable current, one that sweeps you away, helpless to its pull.

His thrusts grow sloppy and untimed. His grip on your hips tightens, holding you in place while he makes you his. His teeth break from your neck and when you look up through blurry eyes you see his head thrown back, your blood streaming down his chin in thick little globs. You feel it when he cums, feel the thick ropes of it seeping into your womb, feel the way he keeps fucking you, pushing it deeper and deeper inside. He’s moaning, chanting your name like a prayer at the heavens.

When the moment ends he slumps over you, eyes half lidded and tired. There’s a familiar grin on his lips, one that inspires both comfort and uneasiness in your gut. You can’t help but stare at him, at the blood that stains his chin and cheeks, that reddens his lips so beautifully. You want to reach out and touch him, touch his blood-soaked skin and see what it feels like, what it tastes like. What you taste like.

His eyes slide to the side, finding your pulse again. You groan. Yes, you think. Please, yes. More. You don’t think you’ll ever get enough of that. Of his teeth in your flesh, of the euphoria flooding your veins. More, more, more, your mind chants.

He chuckles lightly and shakes his head. “No, princess.” He raises a finger to trace the curve of your neck. “I took more than I should have…” His expression doesn’t tense with worry. His cheeks pull into a smile, those little dimples shining through. “But what can I say? You just taste so good.” Like he needs to emphasize his point, his tongue darts out to trace his lips, lapping up some of the remaining blood on his chin. “You taste like mine.”

You whine. More, more, more. It’s all you can think about. You lift an arm weakly. You want to pull him to your neck, to make him drink, to make him fill you with the heaven you had just moments ago.

He catches your wrist and brings it to his lips, inhaling deeply. His lips split into another grin and you see his eyes spark again with the wildness you crave.

“Not yet, princess.” he coos. “But soon.” His smile grows even wider, until those fangs are on full display, until you’re trembling again. “Forever,” he whispers.

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