#As it is it's pretty solid

[bonefall]

does Tallstar’s SE (or Tallstar in general) have any changes? Hes always been my favourite character

For Tallstar's Revenge, there's a ton of building blocks I want to keep.

(WIP Title: Tallstar's Collapse)

The story is that Heatherstar, a few years ago, started a campaign against ShadowClan for control of the Mothermouth Moorland (ShadowClan probably calls it the Mothermouth Marshland). It's a floodplain just above the carrionplace and to the east of the Moor. This war is in its early stages, but quickly escalating.

To win this, she's focusing on training more Runners. Tunneling is a defensive activity. It helps you catch more food, it makes shelters from storms, it produces the best clay that any Clan has access to. And it's not useful for conquest.

So she's killing it, slowly. Into this world, Tallkit is born.

Sandgorse and the Tunnelers, like canon, realize that Heatherstar is trying to end their ancient tradition. The more they fight her, the more justification she has for denying them apprentices. I have some sympathy for Sandgorse I intend to portray here. He's still wrong for how he treats his son, but without a young tunneller, generations of knowledge will be lost.

But Tallkit CAN'T be their savior. He's a Runner, he hates tunnels, he has no mind for types of soil or a sense of depth. Heatherstar is right behind him to encourage

So between all this, Palebird's postpartem depression, Sandgorse's disappointment, Heatherstar's pressure, and the escalating war, Tall feels suffocated. I'm planning for Jake to be one of those traveling cats, from the original book.

(Also Jake is not Firestar's father, not in a way that matters. They do not look very similar either. Chelford cats don't have a concept of fatherhood and I don't appreciate canon's implication that Jake had special Main Character Genes and Tallstar immediately liked him because he saw his ex in him :/)

Jake offers him an adventure and freedom. I don't care much for the revenge-setup of the original book honestly. If I can find something else for them to look for together, I'd prefer that-- but the point of this journey is for Talltail to experience freedom for the first time in his life.

He meets old BloodClan, he rests a week as a kittypet, he explores the farms beyond the Clans and sees how the cats live. Talltail considers what the world has to offer and where Jake can bring him, as both a lover and as a symbol of freedom.

But in the end, he misses his family, and he misses WindClan.

Talltail decides that he wants to return to the Clans. He chooses this over the life he could have had with Jake, believing that his family needs him and that this is truly where he belongs. He believes he can make it better., and in some ways he can.

But, long after this SE ends, we see that power acts through leaders just as much as they can act through power.

Anyway, that's the WIP.

[rohirric-hunter]

One of the funny things about LotR is that almost every people in it professes to disbelieve in the supernatural, but because they live in a fantasy world their baseline for "natural" is so jacked up. The Rohirrim are like, yeah, there's a wizard in this tower and ancient tradition that we have no reason to doubt says this mountain is full of ghosts, but walking trees? Short people? I don't think so. Galadriel is like, "Listen I heard you describe what I do as magic and look I just gotta clear some things up, okay." Gondorians are like, yeah, of course the Enemy has spectres of men who lived long ago and never died and can now fly above us and incapacitate us with just their voices. This is just a fact of life, okay? But shut up about this magic weed that makes comatose people better. That's an old wives' tale. Royalty? Press X to doubt.

The people group in Tolkien's work who seem most receptive to magic and least restricted by their own notions of what it can do actually seem to be the hobbits. And they use it to avoid meeting people they don't want to talk to

[teaboot]

Cannot overstate how much that spongebob scene that went

Somsone: "spongebob you look like a girl"

Spongebob: "am I a pretty girl?"

Like was such a legit game changer for me as a kid

I remember that family and grownups and other kids at school would tell me in a sort of mean-spirited way "you look/sound/act/dress/talk like a boy" and I'd just be like

"Am I a pretty boy?"

There were other unexpected things that came from that long-term I think but that'sprobably where it started being fun

[ruushes]

companions re-classed pt 2 - wyll 🗡️💘🐉

with thanks to @thedragonagelesbian and everyone who suggested drakewarden, i think the change made it a much better piece! 💛

karlach

[tallochar]

Video by The Panda Redd on TikTok

[stark-lord]

Which could, of course, mean nothing.

+ bonus

[puppetmaster13u]

Prompt 162

“So,” Danny drawled from where he was sitting, legs kicking slightly. Really, what a fun reincarnation. A world with heroes and villains where he didn’t have to do shit in and could just vibe with Ellie. 

“So,” Tim responded from where he was typing on his computer, mostly in civilian clothes save for his gauntlets and boots. The Red Robin outfit was haphazardly dropped across the couch and his pole leaning against the end. 

“Technically there’s proper procedures for clones…” Danny motioned to both himself and Ellie from where they sat on the counter, snacking on a plateful of scones. From Alfred, he was certain. 

“Technically, yes… but do we want to actually do that?” 

All three of them smiled, something almost feral in the motion. Of course not. They all had the same memories after all, and Bruce had just returned from the past, from exactly where and when Tim had said he was. Despite no one believing him, hence why they were in his boathouse, and not in the apartment or manor. 

“Think we can pull it off?” Ellie took a sip of tea, mischief swirling in her eyes. 

“Of course we can.” Both Danny and Tim spoke at once, one pulling up a new doc and the other pulling the whiteboard out from under a curtain. 

[kazz-brekker]

legit kind of sad about the my lady jane cancellation. it just really sucks to be living in an era of television where it feels like you can't get invested in anything new and interesting without constantly fearing that it's going to get yanked away from you and unceremoniously cancelled

[hyruule]

Ocelot!!!!! Metal Gear Solid Δ : S n a k e E a t e r

[lycandrophile]

“trans men don’t have any real safety concerns to worry about” i can’t wear a mask when i go into public bathrooms even though i’m higher risk and bathrooms are some of the easiest places to get sick because i don’t reliably pass when my facial hair is covered and i can’t risk not passing when i use the men’s room, but i also can’t just use the women’s room for safety anymore because i don’t reliably pass as either binary gender anymore. so my only options are to risk getting sick, take my chances with the consequences of not passing, or just never use the bathroom in public (which has its own health risks).

and today, it almost didn’t even matter that i was putting myself in danger to ensure that i passed because, thanks to a faulty lock and a man who didn’t think to knock, i came very close to having my half-naked body exposed to a bathroom full of cis men. if i hadn’t been holding my coat on my lap because there was nowhere in the stall to put it, every single guy waiting in the (very crowded) bathroom would’ve seen that i didn’t have a dick. how well do you think that would’ve gone for me? my money’s on Not Well At All.

[inkskinned]

you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.

you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.

he says i don't like small talk. and then he smiles again, watching you.

a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.

he doesn't like small talk, figure out something to say.

you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.

people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.

wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.

also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.

he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."

you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.

"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."

he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.

you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.

is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?

you look down to your hand, clutching the knife.

[groovygrub]

[lemonhemlock]

the reason why i don't think blood & cheese works without maelor is because it undermines the gravity of helaena's choice

in the books, as we all know, she has to choose which son to sacrifice. blood & cheese are going to kill one either way, so, whatever happens, if you want to get cynical about it, aegon will still be left with a male heir of his body. no, the horribleness of the choice lies not really in dynastic matters, but in basic humanity: which of your children are you willing to condemn to death? and helaena truly does try to make the best out of a bad situation, she picks not because she loves jaehaerys more, but because maelor is so tiny that she hopes he won't understand what's going to happen to him.

and she absolutely has to choose, because b&c threaten to rape her daughter if she doesn't. it's psychological torture. b&c just want to fuck her up in the head as much as possible and helaena tries her goddamnest to minimize the harm done to her family. to further compound on the tragedy, b&c kill the opposite child, so now she has to live out the rest of her days knowing that the son left alive is the son SHE herself marked for the axe. which is what understandably drives her to lose her mind

now, in the show, the "problem" blood & cheese have doesn't exist at all: that they can't supposedly tell the twins apart. but (as awful as it sounds, since it involves sexual assault) they could very easily check which child has male genitalia and be done with it. it's a "problem" that takes literal seconds to solve. they don't need helaena at all! it becomes irrelevant which child she points towards - b&c can always just check! she can't save jaehaerys in this situation no matter what she does, because b&c were never interested in jaehaera in the first place. in the books, she has the ability to save one child and this exact horrible "agency" bestowed on her torments her for the rest of her days. in the show, even had she pointed towards jaehaera, it would have been a narrative plot hole for the writers to have killed her without checking

likewise, in the books, she begs them to kill her instead, but, in the show, she offers them a necklace? you can't deny that the dramatic stakes are lowered substantially by making that change. which one of these options would have been more filled with pathos? personally, it just feels like this was phia's moment to shine and, while she did a good job with what she had, every narrative choice was somehow made to subdue this horrible event and left her only crumbs to work with. cinematically-speaking, this scene (as it was executed) does not even come close to the iconic moments that cemented GoT into the collective consciousness, which is very strange, as the subject matter is anything but mediocre

and that's not even getting into the rest of the plot holes that others have already pointed out, like:

- why are there no guards at helaena's door or anywhere else for that matter? not just on that hallway, but on many other hallways, she has to run quite a lot to get to alicent's chambers

- why is her room unlocked at the very least

- why is ALICENT's room unlocked, for that matter? she is having secret guilty sex with criston and she forgets to lock her door in a castle full of spies? anyone could have walked in

- not even getting into this whole thing just being one huge misunderstanding + minimizing daemon's and mysaria's roles :))

- NOT EVEN mentioning removing the trauma of alicent witnessing all of this, gagged and bound on her own bed, not being able to help or intervene in any way

i can understand the likelihood of these elements happening sometimes (maybe someone does forget to lock their door from time to time, maybe a guard does shirk their duties from time to time), but you can't write all of them at once without it turning all looney tunes. if you introduce too many aspects that defy logic in your story, it ceases to be believable and just becomes bad writing

___________________________________________

also, "they killed <the boy>"? not "my son" or "jaehaerys"? it sounds so removed, don't you think? helaena out there on her mother's floor dropping exposition for the audience 🥲

[ms-demeanor]

Hey if you're looking for some decent leftist critiques of AI that don't tip into scaremongering and are much more realistic about the state of the industry that I think a lot of the people discussing this stuff on tumblr are, Citations Needed and It Could Happen Here both had recent episodes about this that are pretty reasonable in their approach (their approach broadly being that the problem is capitalism and also media narratives about AI either being the end of the world or replacing all creatives are both pushed by grifters).

[gunstellations]

In the world I love

_

In a different world

[transformers-synergize]

Do you have any more stuff for Sunny & Sides? Your designs for them are some of the best I've seen, and I'd love to know more about your plans or headcanons for them!

No pressure ofc, I support you and your absolute galaxy brain :D

Sure, here is a bunch of random stuff about in no particular order, lot of this stuff was just pulled from my notes but whatever lol 

Sunstreaker is egotistical, he knows he is the best and makes sure everyone knows it too. He also has the skills, looks, and combat prowess to back it up. Sunstreaker only really cares about himself and Sideswipe, considering pretty much every bots below him or not worth his time. He often makes sly comments, belittling or cracking jokes about bots whom he deems lesser. His friends are either Sideswipes friends who can tolerate him or bots who think he's cool, which is usually due to factors outside his personality. He's always down for a good fight, being ruthless and downright merciless in combat while still somehow managing to get as little dirt, energon, or other various combat filth on himself as possible, sometimes being nearly spotless after a battle aside from the energon coating his blade. Sunny likes to keep himself in good condition, making sure his paint is perfect and his polish shines, it really helps accentuate how he's the best.

Sideswipe is the nicer of the two brothers. He's outgoing and usually pretty friendly. Sideswipes is always looking for a fight. He loves the thrill of combat. He often treats serious situations more like a game than the high-danger situations he often places in. Sideswipe often can't sit still and always need something to do, and if there is nothing fun to do then he will make his own fun, he is often sparring with his fellow Autobots, trying risky stunts, pulling pranks on other bots and generally just causing chaos. He's very impulsive, often doing the first thing that comes to mind because he thought it might be fun, never considering the consequences. He's kinda like a jock who treats war like a sport with an almost ruthless approach to combat. He often tenses and banter with other autobots, sometimes making jokes at their expense, but unlike Sunny, he usually knows when to stop or when he's gone too far.

info dump bellow↓↓↓

Sideswipe and Sunstreaker both emerged during the Autobot Decepticon war and never known peace times. They are the youngest of the crashed Autobots, both being around a thousand years old, which is very young when your species can live to their hundred thousands.

Twins are what happens when a shuttle-sized spark splits into two, so before Sideswipe and Sunstreaker split, their emerging was highly anticipated because shuttles are rare and extremely powerful, but their spark ended up splitting. When they finally emerged, it was a great disappointment.

they were mentored by Inferno and, to a lesser extent, his conjux Redalert (they are one of the many reasons for Redalerts anxiety). Sideswipe has a pretty good relationship with his mentors Sunny… not so much 

Sunny hates Earth, it's filthy it's wet it's squishy it's sticky it's too hot, at least compared to Cybertron's frigid temperatures, and its dominant species are nothing but a pain he hates he has to hide his existence from the stupid inferior fleshy creatures that rule this dirtball of a planet he hates how often on missions he has to have a fleshy human chaperone to perform basic task that he could easily do himself or wouldn't be a problem if humans just didn't exist. Whichever bot or bots are on a mission with Sunny where human help is required, the other bot will always be the one transporting the human because Sunny refuses to let a human inside of him.

Sideswipe likes Earth, there so much to see it his first time being anywhere without the war consent looming present of the great war, but having to hide all the time on Earth is frustrating, he's been able to seek out and do some street races without Prowl knowing, he likes quite a lot of human stuff human music is pretty good and he like some human tv shows and movies mostly the ones with a lot of actions and explosion, he like interacting with the humans he's allowed to interact with especially Carly and Raoul, thought Sideswipe often struggles to understand how fragile humans are and often can put them at risk without even knowing it. Sideswipe is still a little homesick for Cybertron, even if he's only ever known it as a war-torn mess.

their poses often mirror each other

Sunny tells Sideswipe to smile with his mouth closed because his split beak. 

Sunny is the decision-maker of the two, and though Sideswipe may make destinations for himself on his own as a pair, Sunny always has the final say. 

Sunstreaker hates Sideswipe stickers but gave up on trying to remove them because whenever he tried, he got his claws sticky. 

Sunstreaker and Tracks have a bit of a rivalry going on, though Tracks hates Sunstreaker more than Sunstreaker dislikes Tracks. Also, Sunny usually comes out as the victor of most of their little spats.

Sideswipe pulls pranks but doesn't dare prank Sunstreaker because he knows there will be hell to pay if he messes up his brother's paint job. 

sideswipe loves to cause chaos, Sunny often help

Sunny has some artistic talent, though he doesn't use it much

Sunstreaker always makes sure his frame is clean and in near-perfect condition. Sideswipe doesn't care as much but Sunny, make sure Sideswipe keeps up to a certain standard.

Sideswipe is very extroverted, loves interacting with other bots, and will talk to basically anyone. Sunny is more introverted and prefers to keep to himself and select bots. Sunny tries to encourage his brother not to hang out with bots he considers not good enough to be associated with them which is most bots.

-----------------

As for plans for them, I like keeping what I share plot-wise pretty vague. They appear pretty early on, and they both are pretty plot-important. I don't really care about spoiling characters who appear in the first seven chapters. After that, I'm a little more sneaky and vague about who will appear.