#Art framing Houston

[pictureworthcustomframing]

Elevate Your Art with a Stunning Koa Wood Picture Frame from Hawaii

Picture framing is more than just a practical necessity—it’s an art form. At Picture Worth Custom Framing, we take immense pride in framing specialty, one-of-a-kind, Hawaiian Koa wood picture frames.  Known for its exquisite grain and warm hues, Koa wood transforms any piece of art into a show-stopping centerpiece. More About Koa Wood Frames? 1. Rich History and Authenticity Koa wood is native to…

[a5trocreep]

who up for some more dwaynepaul 🗣️🗣️🗣️

[clairity-org]

Jean Tinguely, Relief méta-mécanique, Metamechanical relief, 1954, Steel tube frame, steel wire, painted cardboard, and electric motor, 3/11/23 #mfah #artmuseum #sculpture by Sharon Mollerus

[geekcavepodcast]

"DC Pride" Returns in 2025 with New Format

DC Comics is changing up the format of DC Pride for the special's 5th anniversary. In past years DC Pride was an anthology series spotlighting LGBTQIA+ heroes, but in 2025 the special will instead feature a "singular story arc of interweaving narratives." These narratives are framed by an Alan Scott story from Tim Sheridan, Emilio Pilliu, and Giulio Macaione.

Several of DC comics' heroes will come together when "a century-old tavern, the center of queer life in Gotham City, unexpectedly announces its imminent closure. It’s a huge loss to the community, and generations of patrons return to pay respects to a space they’ve endowed with entire lifetimes of memories, wishes and dreams—including Alan Scott, the Green Lantern. Alan returns, for one last time, to the place he fell for his first love, Johnny Ladd, to touch the wall on which they carved the symbol of their love, to remember the days before everything went to hell for them...and to say goodbye.

But love is a kind of magic, and, in Alan’s experience, magic can take on a life of its own. Before anyone knows it’s happening, heroes, villains, and civilians alike from across the DCU with powerful ties to this mysterious place—the Question, Midnighter and Apollo, Harley Quinn, Green Lantern Jo Mullein, Bunker, Connor Hawke, and Blue Snowman among them—find themselves spirited away to strange, alternate worlds where everything they ever thought they wanted can be theirs…but at what cost?" (DC Comics)

Stories taking place in the framing device of Scott's return to the beloved bar include:

a Jo Mullein story from Vita Ayala, Maya Houston, and Vincent Cecil;

a story about new character Ethan Rivera from Jude Ellison S. Doyle, Josh Trujillo, and A.L. Kaplan;

a story about Connor Hawke from Sam Maggs and Phillip Sevy;

a Bunker story from Josh Trujillo and Don Aguillo;

a Harley Quinn story by Maya Houston and Max Sarin;

a Blue Snowman story by Jude Ellison S. Doyle and Alex Moore;

a Renee Montoya story by Vita Ayala and Skylar Patridge;

and a Midnighter and Apollo story by Sam Maggs and Derek Charm.

Additionally, fans can submit about how DC's legacy has impacted or reflected their LGBTQIA+ identity, journey, and/or experience on the DC Official Discord Server until March 28, 2025. DC's editorial team will then select some of the letters, cosplay, and fan art to be published in a letters column inside DC Pride 2025.

DC Pride 2025 goes on sale on June 4, 2025. The special features a main cover by Kris Anka, variant covers by Sozomaika and Julia Reck, and a 1:25 variant cover by Jack Hughes.

Other DC Pride products from DC Comics in 2025 include:

DC Pride-themed variant covers on several titles.

Hardcover collection of DC Pride: To the Farthest Reaches - on sale on May 27, 2025 - which collects DC Pride 2024 and additional stories. Cover by Kevin Wada.

DC Pride Box Set - on sale May 27, 2025 - collecting the first three hardcover volumes of DC Pride and a tribute to Rachel Pollack and Kevin Conroy's autobiographical comic "Finding Batman." Cover by Gabriel Picolo.

Batwoman: Elegy: DC Compact Comics Edition by writer Greg Rucka and artists JH. Williams III, Jock, and Scott Kolins - on sale June 17, 2025.

DC Pride comics will be added to the DC GO! webcomics collection - adapted into the vertical scroll format during June 2025.

(Image via DC Comics - Kris Anka's Cover of DC Pride 2025 and Gabriel Picolo's Cover of DC Pride Box Set)

[mlleclaudine]

Visit Tamara de Lempicka’s First U.S. Retrospective in San Francisco This October

by Kate Mothes - Colossal, August 13, 2024

“Young Girl in Green (Young Girl with Gloves)” (c. 1931), oil on board, 24 1/4 x 17 7/8 inches. Digital image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, New York, courtesy of Centre Pompidou, Paris.

Nearly one hundred years after Tamara de Lempicka (1894-1980) first exhibited her work in San Francisco, a sweeping survey of the storied and glamorous artist opens again in the city. This October, at the de Young—part of the Fine Arts Museums of San Francisco—the show marks the artist’s first U.S. retrospective and illuminates new details about her life.

de Lempicka’s bold, stylized figures have become synonymous with the 1920s, an era characterized by opulence, sophistication, and youthful optimism. She incorporates Art Deco design elements, like geometric facets, tonal contrasts, and city architecture framing idealized faces and flowing, fashionable garments. She sought to create recognizable paintings with a freshness and clarity that set them apart from what she called the “banality” of art she saw around her. And among other Art Deco-era painters like Diego Rivera or Rockwell Kent, who often painted large murals featuring crowds of people, de Lempicka distinguished herself by focusing predominantly on portraits.

The artist’s early life has long been a source of fascination. For years, she was thought to have been born Tamara Rozalia Gurwik-Górska in 1894—although she claimed variously that she was born in 1898, 1900, and 1902—but recent research reveals her birth name was Tamara Rosa Hurwitz. She moved to Saint Petersburg, where she married a prominent Polish lawyer named Tadeusz Łempicki, and then traveled to Paris, where she studied painting. “At the beginning of her career, de Lempicka chose to sign her works using the male declination of her surname, ‘Lempitzky,’ effectively disguising her gender and adding to the confusion surrounding her origin story,” says an exhibition statement.

By 1928, de Lempicka had become the mistress of Baron Raoul Kuffner de Dioszegh, a wealthy art collector, and she divorced from Łempicki in 1931. When Kuffner’s wife died, the artist married Kuffner, and she became known in the press as “The Baroness with a Brush.” The couple moved to the U.S. in 1939, and although her work fell out of fashion during World War II, a 1960s revival of Art Deco style ushered in a comeback. She eventually moved to Mexico in 1974, where she died in 1980.

More than 120 of de Lempicka’s works will go on view in San Francisco, including her most celebrated portraits, early experimental still lifes, rarely seen drawings, and a selection of Art Deco objects from the Fine Arts Museums’ collection. Tamara de Lempicka runs October 12, 2024, to February 9, 2025, after which it will travel to the Museum of Fine Arts, Houston, from March 9 to May 25. Find more on the de Young’s website.

“Brilliance (Bacchante)” (c. 1932), oil on panel, 14 1/4 x 10 5/8 inches.

“Portrait of a Man (Thadeusz Łempicki) or Unfinished Portrait of a Man,” (1928), oil on canvas, 51 x 31 7/8 inches.

“Arums” (1935), oil on canvas, 25 7/8 x 19 3/8 inches.

“Irene and Her Sister” (1925), oil on canvas, 57 1/2 x 35 1/16 inches.

“Saint-Moritz” (1929), oil on panel, 13 3/4 x 10 5/8 inches.

“Portrait of Ira P.” (1930), oil on panel, 39 3/8 x 25 9/16 inches.

Thérèse Bonney, “Tamara de Lempicka working on ‘Portrait of Tadeusz de Łempicki'” (c. 1929), gelatin silver print, 9 3/8 x 7 inches.

[100-art]

2/3/2024 - Art Collage 1987, Whitney Houston “I Wanna Dance with Somebody (Who Loves Me)” Hit No. 1 on the Billboard Hot 100. The song went on to earn Houston a Grammy Award for Best Pop Vocal Performance. Max print size: 60x40 inches. Worldwide shipping, 30-day money-back guarantee. #Canvas Print, #Framed Print, #Poster Print, #Metal Print, #Acrylic Print, #Wood Print

[olmo-gallery]

Bartolomé Esteban Murillo (1617-1682) - The Nativity (1665-1670). Oil on obsidian. Dimensions: Overall: 15 × 13 7/16 × 1 1/4 in. (38.1 × 34.1 cm) Frame (outer): 20 1/8 x 18 5/8 x 2 5/8 in. (51.1 x 47.3 x 6.7 cm). Museum of Fine Arts, Houston. Texas, USA

Bartolomé Esteban Murillo, one of the greatest 17th-century Spanish painters, executed The Nativity on obsidian, a lustrous volcanic black glass.

Scholarship suggests that the obsidian was originally created by an Aztec craftsman for use as a "smoking mirror," a ceremonial tool for spiritual communication and divination. Murillo used the Pre-Columbian object as a painting surface, cleverly taking advantage of the vertical inclusions in the glass to suggest heavenly rays shining down on the Holy Family.

[evesaintyves]

I love it when u post art!!

thank you!! do you want to see some art that's in my house?

this is jenna and shauna. i have no idea who the artists, B. Lyons and M.H. Len are - if you recognize them let me know!! my guess is that this is probably folk/naive art. jenna, on the left, is from a roadside stand outside ardmore, oklahoma and shauna, right, is from a vintage streetwear streetfair (lol) in houston, texas. jenna doesn't hang right because she's haunted (affectionate)

possibly nsfw below

artist unknown, she's from my flaming heart in houston. this sinister young lady, tish, lives in the hallway where we keep all our cursed stuff

this one doesn't have a home yet - lizbeth lorenzo of la familia lorenzo

also in the cursed hallway, i have no information on who made this or what's going on here, i bought it from from the texas art asylum, an art supply/found objects shop. i guess it's dicks and stuff though.

honestly one of my most prized possessions. no idea who made it. bonus content of the spoon collection we inherited from my wife's grandmother 💖

this is my fanciest piece of art, probably, it's by mike egan. i wish i knew who painted the rock, i think we got it at an antique store. also apparently i need to dust

another one we haven't hung up (we're moving soon) by painter and beader natalie archuleta. we bought it at her shop in taos pueblo, new mexico

by t. bouch, an artist out of oklahoma city who doesn't have much web presence. my wife has had this since before we met! her dad briefly owned an art gallery and t. bouch exhibited there. We have a few more of his paintings and drawings in storage right now, sonetime after we move i will photograph them because they're great

my mother in law painted and framed this and gave it to us as a wedding present. it's barnabus collins from dark shadows. she's cool as hell

anyway uhhhh. i hope somebody enjoyed that! we have a lot of art packed up right now but someday, maybe, i'll make a part 2 ?????

[2025fashion02]

Houston Astros x Ninja Turtles Night Game 2025 Baseball Jersey

Product link:https://flavorhauted.com/product/houston-astros-x-ninja-turtles-night-game-2025-baseball-jersey/

Store link:https://flavorhauted.com/

Houston Astros x Ninja Turtles Night Game 2025 Baseball Jersey: A Sewer-Slick Fusion of Fandom and Fastballs

In a league where theme nights have become as legendary as walk-off home runs, the Houston Astros x Teenage Mutant Ninja Turtles Night Game 2025 Baseball Jersey hits the sweet spot between retro rebellion and team loyalty. This is not just another ballpark novelty—it’s a full-blown fashion crossover, marrying the galactic energy of the Astros with the street-level grit of New York’s most iconic mutant heroes.

With bold aesthetics, detailed character art, and a stadium-worthy silhouette, this jersey turns every fan into a crime-fighting slugger. It’s loud. It’s fearless. It’s everything a TMNT-themed jersey should be—and then some.

Shell Shocked in Style: A First Look at the Design

From the very first glance, the jersey demands attention. The color scheme is rooted in a vibrant, shell-green canvas, but it’s far from simple. Beneath the surface, a textured shell pattern mimics turtle scales, adding dimension and subtle depth. Gold piping frames the edges, echoing the Astros’ signature accent tones while balancing the TMNT’s neon energy with the franchise’s own sleek branding.

Across the chest, the classic ASTROS typeface blazes in bright white, curved over the Nike swoosh and the star-halo "H" logo—reimagined here with a playful, mutant edge. It still speaks Houston, but with a subtle nod to the half-shell rebellion.

Then there’s the real showstopper: the lower jersey panel features all four Turtles in mid-action pose, looking ready to sprint into an interdimensional battle or snag a line drive at second base. The artwork is detailed, vivid, and explosive—each character perfectly captured in motion, with weapons drawn and bandanas flying. These aren’t just characters—they’re animated ambassadors of TMNT energy, and they make the jersey pop with storytelling power.

Back It Up with Turtle Power

Flip to the back and the action doesn’t slow down—it accelerates. At the top, the official Teenage Mutant Ninja Turtles logo glows in wild neon reds and yellows, pulled straight from Saturday morning cartoon dreams. Below it, the Astros "H" star insignia takes center stage—oversized, white-hot, and surrounded by the fully suited-up Ninja Turtles standing tall in formation.

Each Turtle is color-coded and uniquely shaded—Donatello with his bo staff, Michelangelo grinning with his nunchucks, Leonardo commanding with katanas, and Raphael staring down the pitcher’s mound like it owes him money. This composition turns the jersey into a mural of mutant loyalty, backed by team unity.

The right sleeve boasts a modified TMNT-Astros logo, while the left bears the classic turtle sewer lid graphic—small details that deepen the connection between both worlds.

Crossover Magic: From Ballpark to Back Alley

What makes this jersey shine brighter than the lights at Minute Maid Park is its cultural versatility. You don’t have to be a lifelong Astros fan or even a baseball expert to feel this jersey’s pull. If you ever caught yourself humming the original TMNT theme, quoting Michelangelo’s “Cowabunga,” or yelling “Heroes in a half shell!”—this jersey speaks your language.

And yet, the piece never loses sight of its baseball DNA. It remains structured like a proper game-day uniform—full-button front, athletic mesh ventilation, premium stitching, and a fit that works on all body types. Whether worn over a hoodie for a layered streetwear look or on its own with jeans and sneakers, this jersey bridges fashion-forward flair with functional fandom.

Why This Collab Works So Well

Not all crossovers hit the mark—but this one? It knocks it out of the sewer. The Astros are known for a futuristic, space-age identity, while the TMNT bring gritty, underground vibes. Together, they create a visual mashup that’s uniquely energetic, fearless, and fun.

This jersey is a masterclass in brand synergy. It doesn’t dilute either identity—it amplifies both. The Turtles remain the chaotic, lovable vigilantes we grew up with, while the Astros bring that Texas swagger, diamond dominance, and fan-driven spirit. It feels natural. It feels epic. It feels like the start of a new tradition.

Whether you’re a kid seeing their favorite cartoon heroes meet the sport they’re just beginning to love—or an adult reliving pizza-filled nostalgia under stadium lights—this jersey delivers emotional impact as much as it delivers design excellence.

Final Thoughts: Cowabunga with a Curveball

The Houston Astros x Ninja Turtles Night Game 2025 Baseball Jersey is more than just a limited-edition collector’s item. It’s a time machine, a team banner, and a tribute to two iconic legacies rolled into one.

From the thoughtful use of color and detail to the swaggering character art and team-branded polish, it’s a must-have for anyone who’s ever dreamed of hitting home runs with Leonardo or sliding into home base with Michelangelo cheering from the dugout.

Whether it’s for game day, comic con, or just the ultimate fan flex, this jersey is a mutant-powered home run that’s already earned its place in the pantheon of all-time great theme night drops.

[amorweddingfilms]

Luxury Wedding Photography in Houston: The Art of Eternal Elegance

Every wedding holds a unique charm, blending emotions, details, and surroundings into a lasting story. Luxury wedding photography in Houston focuses on preserving these moments with artistry and sophistication. Through refined techniques and a keen eye for elegance, each frame reflects the beauty and grace of your special day.

[pictureworthcustomframing]

The Art of Elevation: Framing a Vivid Acrylic Canvas That Reflects Emotion and Elegance

The Art of Elevation: Framing a Vivid Acrylic Canvas That Reflects Emotion and Elegance There’s something breathtaking about stepping into a scene that feels alive. When this vibrant parkscape arrived at our studio, its bold brushstrokes, glowing lights, and reflective pavement seemed to leap from the raised acrylic canvas. Every detail whispered elegance, demanding a custom framing approach that…

[tired-discipulus]

Art Analysis: Farah Al Qasimi’s Piper at Barbeque in Houston (Written in 2024)

I’m sitting on the couch as all that assaults my senses are the screams of children around me. Adults talking blur and slur in my ears, but I still need at least start looking for some art piece for my class essay. Still scrolling the art website, debating or just choosing some random artwork, I pause suddenly. There I see a piece that sticks out from the others and I click on it. The photograph being titled Piper at Barbeque in Houston by Farah Al Qasimi, a United Arab Emirates photographer based in New York.

Her other works feature vivid imagery of storytelling, using “fantical elements” and a documented archival style to tell a tale. “A storyteller at heart, Al Qasimi uses her art as a language to communicate social and environmental issues in her home country, the United Arab Emirates (Smoak).” Her photos primarily focus on advocating against,  addressing colonization, and social injustice within her home country.

There, standing out from the rest of the artwork, is a photograph. The photographs dimensions were 18 by 24 inches, with its medium being in inkjet print. There is no border, as corners of the photograph seemed to have a black fading. As overexposed lighting fills the center point of the photo, a background of a barren room with a laptop at the far right corner makes it look like an old home video.

At the center of the photo, is a coffee table, filled with types of guns, shells and bullets. At the far edge on the coffee table is a glass platter with steaks marinating. Although all of these details may seem somewhat mundane and not anything noteworthy; there, standing just below the coffee table was the very subject that caught my eye: a dog.

The dog has shaggy fur, an appearance much like a retriever. The dog is cowering at the far edge of the coffee table with his eyes trained at the camera as if instead of the lens of the camera there was a person taking its place. The shotgun is expertly placed on the desk adjusted to make it look like it was trained at the anxious dog.

As seen with her other works in the collection ‘More Good News’, Piper at Barbeque in Houston seems to be a critique on America’s treatment of racial minorities, specifically on Arabic and other Middle Eastern minorities. Piper at Barbeque in Houston illustrates the surroundings as a small coffee table filled with guns, bullets, shotgun shells, a shotgun, and a steak. The surrounding objects seem to symbolize stereotypes that America is known for, like the obsessive hoarding of guns and the fatty raw steaks. The raw steaks being near the dog, at the edge of the coffee table, makes it look like the dog wishes to eat it. The steaks represent the idealized “American dream” that racial minorities get sold on to achieve.

Then there is the dog, the subject of the photograph, cowering near the end of the table. The dog represents racial minorities, judging by the other photos part of the same collection as this photo having Arab and Middle Eastern men as their core subject. The photo seems to antagonize the dog by the framing surrounding objects and how it presents the dog’s posture. The dark lighting coupled with the harsh overexposed flash causes the effect of light reflecting off the dog’s eyes with a red hue. The red hue gives off the impression of a wild animal, despite the stance seeming to be cowardly in nature. The shotgun on the coffee table is positioned in such a way that the shotgun looks like it is aimed at the dog. A common phrase that seems to represent the dog in the photo is “working like a dog”, which has been used to describe doing hard labor for little pay. Most of these labor intensive jobs employ racial minorities. Taking in all of this, the dog represents how racial minorities pose no threat and despite that they are still villainized within our society.

The whole photograph can be interpreted as being how the American public and including the government antagonizes Arabic and Middle Eastern citizens as being dangerous and a threat. The American public viewing these racial minorities strive to achieve the “American dream” as a threat to the American citizens. Making it seem like the American citizens' privileges will be put in jeopardy if racial minorities got the same rights and treatment as them.

Piper at Barbeque in Houston is a photo shot by Farah Al Qasimi, a United Arab Emirates photographer living in New York. This photo features the subject, the dog, standing near the end of a coffee table that is filled with guns, bullets, and has pieces of steaks marinating at the edge of the coffee table. By using two of the most recognizable objects America is known for, guns and steaks, the contents on the coffee table is used to represent America. The dog representing Arab or Middle Eastern racial minority, as judged by the other photos in the same collection as Piper at Barbeque in Houston frequently featuring Arab men (Al Qaimi). The lighting of the photo makes the dog look hostile despite the cowardly stance the dog takes. Together these elements create a critique on how America treats Arab and Middle Eastern descent Americans.

Works Cited

Al Qasimi, Farah. “Farah Al Qasimi. Piper at Barbeque in Houston. 2016 | Moma.” MoMa, 2016, www.moma.org/collection/works/400394. 

Al Qasimi, Farah. “More Good News.” Helena Anrather, 20 Jan. 2023, helenaanrather.com/exhibition/more-good-news/. 

Ollila, Erin. “Origins behind Common Dog Sayings & Idioms | Hill’s Pet.” Common Dog Sayings and Their Origins, 2 Apr. 2018, www.hillspet.com/dog-care/resources/common-dog-sayings-and-their-origins. Smoak, Carmen. "Let’s Talk Art: Photography and Filmmaking with Farah Al Qasimi - the Tufts Daily." University Wire, Mar 17, 2023. ProQuest, https://ezproxy.pc.maricopa.edu/login?url=https://www.proquest.com/wire-feeds/let-s-talk-art-photography-filmmaking-with-farah/docview/2787441159/se-2.

[farfellalapine]

Artist Research Blog Post #1 - Alfred Eisenstaedt (1898 – 1995)

Alfred Eisenstaedt (1898 – 1995) was a German-American photojournalist best known for his candid and emotionally resonant photographs. Working for the magazine 'LIFE,' he captured some of the most iconic and famous photos of the 20th century. One of his most famous images is the V-J Day in Times Square (1945). The image depicts a U.S. Navy sailor unblinkingly kissing a nurse in the middle of Times Square on August 14, 1945, the day Japan surrendered, effectively ending World War II.

Photographer: Alfred Eisenstaedt

Title: V-J Day in Times Square

Date/Taken: August 14, 1945

Medium: Black and white photograph

Venue: Originally published in LIFE magazine

Physical Description: The image captures a sailor in uniform bending down a nurse in a white dress backward in a passionate affectionate unexpected kisskiss. Surrounding them is a lively crowd celebrating the victory in World War II. The contrast between their attire and the dynamic body language creates a striking visual impact

This image is so evocative because it captures the joy, relief, and raw emotion of the war's end. Eisenstaedt had a remarkable ability to capture spontaneous photographs that spoke to people on a basic level. The frame and composition of the photo create an intimate feeling and yet universal. This photo gets me thinking about the strength of narrative in pictorial art. As a student of animation and intermedia, I am amazed at how a single frame can be so powerful and carry so much history. Eisenstaedt's photo gets me interested in exploring how movement, feeling, and placement are engaged in pictorial narrative.

Resources: Houston. “VJ Day in Times Square, New York City | All Works | the MFAH Collections.” Mfah.org, 2013, emuseum.mfah.org/objects/5336/vj-day-in-times-square-new-york-city.

[dankusner]

The Landscape of Eternity: Travels through Texas, with Forrest Bess

Forrest Bess, Untitled (No. 1), 1957. Oil on canvas, 8 x 12 1/4 in. (20.3 x 31.1 cm). Courtesy Modern Art, London

There’s a painting from 1950 by the Texan artist Forrest Bess, Untitled No. 44, that shows a golden, undulating prairie set against a gridded, red-black sky.

At first, the prairie’s hills seem like little solid mounds, but once the eye adjusts to the movement of Bess’ brushwork, the mounds reveal themselves to be small caves, like bales of hay hollowed out to fit and hide some sleepy body passing through the field.

I love beyond telling this painting’s promise of safe shelter upon the land, its tender envelopment.

In another painting, this one from 1957, Untitled (No. 1), a line of magenta mesas sits against a striated pink-and-lavender sky.

In the foreground stands an incongruous object like a lamppost, a radiant yellow oval atop a post, with what looks like the silhouette of a human head at its center.

More than a lamp, the form resembles a monstrance, the ornate golden tool used in the Catholic Church for holding the Eucharist for the congregation to adore, the belief being that in doing so one literally sits with Christ.

I have no way of knowing about Bess’ awareness of Catholic ritual or whether it made its way into this piece, but the object’s resemblance to a monstrance has always struck me as a sort of pun—some quip about an arid, virginal landscape and Christ’s body standing erect upon it.

All of Bess’ paintings offer these sorts of puzzles and complex vistas.

When I first saw a small group of them at Kirk Hopper’s gallery in Dallas just before my marriage ended, I was struck by their roughness, a quality that I initially read as a cheeky aping of amateurism.

But I was transfixed by their nubby, dense surfaces, their shoddy frames and the earnest, concentrated urgency they exuded.

The more I looked at them, the more I believed their maker’s belief in their purpose—the paintings as a kind of prayer.

When Bess went to New York for the first solo show of his paintings at Betty Parsons Gallery in October of 1949, he was briefly marooned upstate with some friends, having arrived too early to the city; his show was not scheduled until December.

He wrote to Betty from Woodstock—where the trees were turning a riot of colors and the air was crisp—that he was desperate to return to his “treeless, dismal, uninteresting land” on the Texas coast, where he worked for his ailing father’s bait-fishing business.

He wanted, he said, to “tend to my crab traps and catch my fish and feel clean.”

He found his body greatly at odds with this leafy northern place and his usual suffering within his own skin thicker in displacement.

Though Texas offers scant protection from the elements, Bess felt exposed in a more existential way in New York—seen and scrutinized by human eyes, which regarded him as a stranger—and crushed by the inescapable hug of the close-to terrain.

About his spartan life in Chinquapin, on the Texas coast, he once wrote: “It is funny, but I thought that it would be a project that would last just a month or two at the most—not years. But I found myself in love with this damn mosquito-infested swamp.”

Bess had worked as an artist for a while in San Antonio but decided to settle permanently in Chinquapin, a little place accessible only by boat, without electricity or phone until the late 1950s.

He’d gone there to help his father, but he had also gone to escape the burdens of a big-city art scene, detesting the constant art talk and interruptions in his studio.

He wanted to be alone.

Also—though it took him a while to admit it to anyone he loved—he was gay and wanted to avoid the dangers posed by his sexuality.

Through error he had discovered that his sexuality was too masculine for the gay communities in Houston and San Antonio.

He grew to feel as disenfranchised as he’d been in the army, from which he’d been dishonorably discharged after making a pass at another soldier, ending up in the hospital with a cracked skull.

In remote Chinquapin, Bess was alone enough to maintain his identity without threat of judgment or reproach, and he felt a connection to the land and to his family that surprised him.

“I found my dad to be an altogether different person than I had known. Underneath his rough exterior and mannerisms I found a philosopher who had inherited from his father a theory of God in Nature, rather than God in church—a theory that I could accept.”

Photos of Bess from that time show a tall, attractive man smiling, holding fishing nets on a small boat.

But the isolation also left him disoriented: “I try to tell myself that only by breaking completely away from society can I arrive at a reasonable existence,” he wrote to a friend.

“This is far from being the truth. In doing so, I further block the sex urge and this, no matter how it looks, is not normal.”

The suppression and subsequent social complexities exacerbated another aspect of Bess’ life just as integral to his being:

From the time he was a boy, he had been visited by visions that came to him in the liminal space before sleep.

This oneiric landscape grew fertile, full of coded symbols that affected him so profoundly he recorded them in a bedside notebook as soon as he awoke.

The symbols became a lexicon of his waking mind’s perception of its own subconscious and also his guide to understanding himself and his paintings.

[local-movers-in-houston]

Navigating Your Move in Space City: A Guide to Local Movers in Houston

Moving can be an exhilarating transition, a fresh start that promises new opportunities and experiences. However, it's also an undertaking that requires significant planning and effort, particularly when it comes to the physical process of moving your belongings from one place to another. This is where local movers Houston come into play, offering essential services that make the moving process smoother and less stressful.

Understanding the Value of Local Moving Services

Local movers in Houston specialize in relocating items safely within the city limits or nearby areas. They understand the unique challenges that can arise during a move, such as navigating through tight urban spaces or dealing with Houston's unpredictable weather patterns. These professionals bring their knowledge of the local area to ensure a seamless move for their clients.

Expertise in Furniture Assembly and Disassembly

One significant aspect of any move is dealing with furniture. The right local movers offer furniture assembly and disassembly services, ensuring that each piece arrives at its new destination intact. Whether you have intricate bed frames or large entertainment units, these skilled professionals handle your furnishings with care, making sure they're ready for use once you settle into your new space.

Going the Distance with Long-Distance Moves

Even though they're known as local movers in Houston, many of these companies also provide long-distance moving services. They are equipped to transport your possessions across state lines with the same level of expertise and efficiency as they would on shorter routes within Houston. This dual capability ensures continuity of service no matter how far you’re moving.

The Art of Packing and Unpacking

Packing might just be the most time-consuming part of moving. Local Houston movers often provide comprehensive packing and unpacking services to help ease this burden. They come equipped with all necessary materials and know-how to pack items securely, reducing the risk of damage during transit. Once at your destination, they can assist with unpacking too, allowing you to focus on settling into your new home.

Secure Storage Solutions for Peace of Mind

Sometimes there is a gap between leaving one location and being able to move into another—what do you do with all your stuff? That’s where secure storage solutions offered by local movers come into play. These storage options provide a safe haven for your belongings until you’re ready for them again.

Customized Moving Solutions Tailored for You

No two moves are exactly alike; therefore, top-notch local movers in Houston will offer customized moving solutions designed around individual needs. From selecting specific packing materials to scheduling exact times for pickup and delivery based on personal timetables, these tailored services ensure that each client's unique situation is addressed.

When it comes time to relocate within or from Houston, having reliable local movers by your side can make all the difference between chaos and calmness during your transition period – whether it's down the block or across state lines. With options ranging from meticulous packing assistance to secure short-term storage solutions—and everything in between—these professionals strive not only to transport physical items but also offer peace of mind throughout what could otherwise be a turbulent journey toward beginning anew at a different address.

Contact Us:

Address: 15511 Tuckerton Rd, Houston, TX 77095

Phone: 832-398-1770

Website: https://fatcatmovers.com

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Wedding Photography Houston TX: Capturing Moments That Last a Lifetime

Planning your wedding is a whirlwind of emotions, from choosing the perfect venue to finding a dress that makes you feel like royalty. But amidst all the excitement, one of the most significant choices you'll make is selecting a wedding photographer. In Houston, TX, Joseph West Photography stands out as a premier choice, offering an artistic approach to wedding photography that ensures your memories are beautifully preserved.

Why Wedding Photography Matters

Your wedding day is a once-in-a-lifetime event filled with love, laughter, and cherished moments. A skilled wedding photographer captures the essence of these emotions, creating a visual story that you'll treasure forever. In a city as vibrant as Houston, with its mix of modern urban landscapes and scenic outdoor venues, the opportunities for stunning wedding photography are endless.

Joseph West Photography understands that wedding photography is about more than just snapping pictures; it's about creating art. Each image tells a part of your story, from the candid smiles to the heartfelt glances, ensuring that no detail goes unnoticed.

Why Choose Houston for Your Wedding

Houston, TX, is a melting pot of cultures, offering a diverse range of venues and backdrops for your special day. Whether you dream of a grand ballroom wedding, a rustic barn celebration, or an intimate garden ceremony, Houston has it all. This city is home to breathtaking locations like:

The Astorian: A chic, industrial venue with vintage charm.

Hermann Park: Ideal for romantic outdoor shoots with its lush greenery.

The Bell Tower on 34th: A Mediterranean-style venue perfect for elegant weddings.

With Houston’s unique blend of modern and traditional settings, Joseph West Photography ensures that your wedding photos reflect the essence of your chosen venue.

What Sets Joseph West Photography Apart

When searching for "wedding photography Houston TX," you’ll find countless options. However, Joseph West Photography offers a distinct edge with its combination of professionalism, creativity, and an innate ability to capture authentic moments.

1. Artistic Vision

Joseph West Photography is renowned for its storytelling approach. Each frame is meticulously composed, blending light, texture, and emotion to create timeless pieces of art. This isn’t just wedding photography; it’s a personalized experience tailored to reflect your love story.

2. Attention to Detail

From the intricate lace on your dress to the joyful tears in your partner’s eyes, Joseph West Photography ensures every detail is immortalized. These small moments often hold the most significance and are captured with precision and care.

3. Experience and Expertise

With years of experience in wedding photography, Joseph West has worked with couples across various cultures and traditions. Whether your celebration includes a vibrant baraat procession, a heartfelt Christian ceremony, or a blend of traditions, Joseph West Photography adapts seamlessly, ensuring every cultural nuance is respected and celebrated.

Tips for Choosing the Right Wedding Photographer

When selecting a wedding photographer, it’s essential to find someone who aligns with your vision and makes you feel comfortable. Here are some tips to guide your decision:

Review Portfolios: Look through galleries to ensure the photographer’s style matches your aesthetic preferences.

Meet in Person: A face-to-face meeting helps establish rapport and ensures your personalities mesh.

Ask Questions: Discuss timelines, packages, and any specific shots you want captured.

Read Reviews: Client testimonials provide valuable insights into the photographer’s professionalism and quality of work.

Joseph West Photography excels in all these areas, making the decision an easy one for couples in Houston.

Top Locations for Wedding Photography in Houston

Houston offers a myriad of stunning backdrops for your wedding photos. Here are some popular spots where Joseph West Photography has created magic:

Buffalo Bayou Park: A mix of urban and natural elements, ideal for dramatic and romantic shots.

The Houston Museum District: Perfect for couples looking for a sophisticated and cultural setting.

Galveston Beaches: Just a short drive away, these sandy shores offer a dreamy coastal vibe for your wedding portraits.

The Heights: Known for its vibrant murals and eclectic charm, The Heights provides a quirky yet elegant backdrop.

The Joseph West Photography Experience

Booking Joseph West Photography means more than hiring a photographer; it means investing in an unforgettable experience. From the initial consultation to the delivery of your beautifully edited photos, every step is handled with care.

The Process

Consultation: Understanding your vision is key. During the consultation, you’ll discuss your preferences, wedding theme, and must-have shots.

Pre-Wedding Shoots: Engagement sessions are a great way to get comfortable in front of the camera while capturing another facet of your love story.

The Big Day: On your wedding day, Joseph West Photography will work seamlessly alongside your schedule, ensuring every moment is captured without disrupting the flow.

Delivery: Once your photos are ready, you’ll receive a curated collection of images that tell the story of your day in a way that feels uniquely yours.

Investing in Memories

Wedding photography is more than a service; it’s an investment in memories. Long after the cake has been eaten and the flowers have wilted, your photos will remain a tangible reminder of the love and joy you experienced.

With Joseph West Photography, you can rest assured that your wedding photos will be as extraordinary as the day itself. Each image is a masterpiece, reflecting the beauty of your love story and the vibrant energy of Houston.

Book Your Houston Wedding Photographer Today

If you’re planning a wedding in Houston, TX, and want photography that goes beyond traditional poses to capture the true essence of your day, look no further than Joseph West Photography. With an unparalleled artistic touch and a dedication to excellence, Joseph West Photography is your partner in creating memories that last a lifetime.

Contact Joseph West Photography today to discuss your wedding photography needs and discover why they are the top choice for "wedding photography Houston TX