#Archive 81 Netflix

[kinglindwyrm]

redraw of i think my first piece of archive 81 art (back in 2021)! i changed my designs for rat and dan a bit:-) im very happy w my improvement ^_^ original under the cut

[sexiestpodcastcharacter]

Fiction Adaptation Poll (3/3): Archive 81 (Dead Signals, 2016–present) and Archive 81 (Netflix, 2022)

Please vote for the option that you feel best represents you opinion of the television show. I understand that it's possible to feel multiple of these at once, so please choose the one that sums up your thoughts the best.

[orgumimi]

You know what I desire? A crossover between archive 81 the podcast and the shitty Netflix adaptation.

I wanna see Melody and Alexa pound Samuel into the dirt, the pathetic Samuel of the netflix show. A brilliant use of the fact that Netflix show Samuel is seen often by Netflix Melody. I wanna see Samuel try his fucking "come with me on a date to the opera" and mayhaps lean in for a kiss. Only for Melody to grab him by the nose and go "I'm married, bitch." Or mayhaps, "It is only that im unsure if you're evil in this reality that prevents from tearing you to shreds."

I wanna see Melodys first reaction to the sight of Samuel to be fight, and to see this capitalist cultist weenie to fold like a paper in the face of violence. Fecker definitely is too comfortable. I wanna see Melody getting jiggy and wild with her magic rituals in Christian demon cult building. I wanna see the demon cult residents in confusion.

I wanna see how Podcast Melody reacts to the vizer apartment residents. Mayhaps this when she realizes she's not quite in the past, that she's in a different universe entirely. Like how Jess is 15 and a girl. How there's a psychic a medium an artist and a musician. But no man who loses faces or that one guy who cannot be recorded. How watered down and uninteresting the occultism is. I wanna see her flip through books and panic at the lack of depth. Her main motivation in interviewing residents being that they are different somehow now and she needs to figure out what happened.

Honestly I think it would be soo cool if the framing of the Netflix show was the result of some entity or leviathan! Like this reality might be a pocket reality or a dimension under the control of a single entity. I'd love it if the weird Christian demon themes were the result of the storytelling of a storyteller. One who is pushing themes into the story to prove a point or to serve a purpose. A purpose that Melody by virtue of being not the watered down Heterosexual damsel in distress she was meant in this world to be, stands in the way of. I wanna see the story teller struggle to try to push Melody into the role Netflix wants her in.

Residents spouting exposition about her life, trying to reshape her image in the eyes of an audience she cannot see, as she at them in "That's not what happened, that's not me, what the fuck are you talking about" People she's spoken to maybe once suddenly privy to gossip about things she did years ago towns away.

People suddenly popping up near her where they have no business, or a strong reason to avoid being there. Like meeting a elderly resident in a wheelchair at the grocery story when she knew the elevator was out, and that Jess usually got their groceries for them. Only for them to start telling Melody that she has a dark presence hanging over her. (Something ungodly, something un christian)

People she doesn't know very well at all suddenly being very friendly after a few interactions. Old friends from primary school, or highschool, or "we were like sisters back in the day" spontaneously formed deep friendships that Melody does not reciprocate. Telling stories about Old Times™ and "all the boys Melody liked" . An ineffectual foil to a wild and weary normal person. I want an Author struggling to control a story with a rogue element.

In essence Netflix is a leviathan and homophobic. All of the writing and tropes are sprinkles on the horror sandwich.

[thearchivistfromnightvale]

So...in the archive 81 show...are the names Jonah and Lukas... Magnus archives references??????????? Because it seems like too big of a coincidence to not be

[thundergrace]

I'm honestly surprised there's never been a Netflix-specific strike. But I do think there's was a lawsuit that was settled or won, so there's that.

[jongwoosbraceletofteeth]

The audio drama experience is wanting to edit the characters so bad but also never wanting an adaption ever.

[interdimensional-anomalocaris]

"Okay Netflix, you can straightwash Archive 81 as long as you promise never to do it ag— Netflix, what are you doing?? NETFLIX PUT DOWN THE OSCAR WILDE"

[kinglindwyrm]

you can now get this design as a product on redbubble!

SUIT: There is something preventing me from removing it myself but... there is a carving knife on my desk

ID in alt

[sfhvn-alltheas]

An open letter to Netflix and for everyone who feels the same

I would like to apologize in advance for any linguistic errors, English is not my native language, but I will do my best to express my concerns appropriately.

I am reaching out to you to express my deep disappointment at your cancellation of Dead Boy Detectives. The news of your decision hit me hard and I would like to ask you to reconsider. I understand that Netflix is ​​a company that is about money, about numbers, about streams, about performance. It is a business and the decisions are based not on emotions but on lucrative fundamentals.

We all know that.

But this cannot work in the long term, not without an outcry from your viewers. Because what you do is selling dreams. You might not see us, but we are here, we are being absorbed into the alternative realities you have created. We live these dreams you sold us. 

You know this, you know that you mostly produce more than just mindless entertainment that is subsequently forgotten, and that is exactly why I feel so let down by you. You are aware that our hearts and souls are attached to these characters, that’s what you want and it totally makes sense. Because whoever is emotional involved stays long term. A show can be so many different things for different people: a place of well-being, comfort, escapism, distraction, mental support, self-discovery. Queer and inclusive programs in particular help people and make them feel seen, understood and accepted. A show can be the only light in a darkness that so many people find themselves in today. A show with their characters can save lives.

How then do only numbers decide whether something continues or not? 

You, as the producer of dreams, have a responsibility to us. Money and numbers should be secondary in your industry. Feel free to call me naive, I am, I like to be, I have to be in this world, but I believe in humanity, in the values ​​that you claim to represent. Not every show can bring in billions. Not all of them can be Wednesday, Squid Game or Bridgerton. Not within fourteen days, not without support. With your impatience, you are depriving great shows of the chance to grow and, over time, attract the viewership that meets your expectations. What I'm trying to express here isn't only about Dead Boy Detectives. It's a fundamental problem.

I am not okay with this

Julie and the Phantoms

The OA

The Society

1899

Six of Crows

Shadow and Bone

Archive 81

Lockwood & Co.

Glamorous

Half Bad: The Bastard Son & The Devil Himself

First Kill

Inside Job

Midnight Club

Warrior Nun

- just to name a few. All this shows have met the same fate, they all were cancelled too soon and never got the chance to grow, to become a next Stranger Things, the next slowburn success.

This has to stop! Imagine having cancelled Stranger Things after one season back in the days. What you would have missed! Instead, you give up on shows too easily without hesitation and disappoint the very people who could have been your allies in the effort to bring the next success.

I honestly don't understand that. And it's not fair either. Not to us, not to the creators and actors who gave their everything. You should trust them to be capable of creating something epic if only they had a little more time. 

I'll tell you how it is: The news that Dead Boy Detectives had been cancelled is devastating. My life pretty much sucks for a few years now and there is little to nothing that still brings me joy. A second season has been the only thing I've been looking forward to these past few months, the anticipation has been the reason I'm still here. You took that away from me. From all of us that are like me. Now I’m sitting here and write this letter, hoping to save the show that has given me so much confidence and joy and meaning, visibility and understanding that it's okay to be who I am. It's not fair that I have to fight to keep this precious show instead of enjoying it while I deal with the wreckage of my life. 

If you don't understand that what you're doing is impacting so many people, then maybe you shouldn't be selling dreams. Better sell electronics.

I won't stop fighting for what means so much to me. It's not too late yet, you can at least right the wrong you did with Dead Boy Detectives. Please do it, give Dead Boy Detectives another chance. We, the viewers, deserve it, the creators and actors deserve it, and most of all the show itself deserves it because it is the greatest thing I have seen in many years.

Thank you for your time and for considering my request.

[unpopularly-opinionated]

I love how every single time, without fail, that I have a random thought about a cool show I watched on Netflix where I’m like “Oh yeah, I remember that show. It was pretty good. When’s the next season coming out?” and the answer every single time is: “It was cancelled.”

I just found out The Irregulars isn’t getting a season 2, despite season 1 having done pretty well. Probably old news for most, but it just popped into my head and I’m like let me look it up. CUE MY COMPLETE LACK OF SURPRISE to find out it was cancelled.

Netflix really is the fucking worst streaming platform, bar none. So far both Hulu and Amazon have only cancelled one show that I liked, whereas Netflix has cancelled like twenty at least by now. I have zero interest in getting involved in anything that isn’t a guaranteed hit or a one-off because they’re just gonna cancel it.

[bonebuckets]

oh archive 81, you would have done numbers if you aired today. like a love child of the magnus archives, malevolent, and the silt verses but uniquely special. what happened to a fourth season…. its been six years… come back from the war 💔

[the-girl-in-the-high-castle]

The absurdity and stupidity of all shitflix cancelations lies in one simple question: How many of those canceled shows have you actually heard of before they got canceled?

- Warrior Nun - never heard of it until the moment I started seeing its fans spamming every shitflix post. And that was its second season. It had two seasons, for fucks sake, and most of us have never heard of it. You wanna know whose fault that is? Let me give you a hint. No, it's not the viewing numbers.

- First Kill (or whatever its name is) - Never heard of it until, once again, I saw people complaining about the cancelation under shitflix posts. Once again, guess whose fault that is.

- Santa Clarita Diet - Never heard of it. Didn't even know it was canceled until it made it to the list of pissed of people counting how many of them they axed. Whose fault is that?

- Inside Job - Yeah, never heard of it until it got canceled. Also, canceled after they renewed it. Shitflix: guess we changed our minds.

- Archive 81 - Heard of it when the cancelation was announced.

- The OA - Remember just hearing about it through the fog, even though it came out years ago.

- Sense 8 - know about it only thanks to fans' videos and fanart. I don't remember shitflix ever mentioning it.

- Lockwood & Co - I know about it thanks to fans spamming posts asking for renewal news.

And the list goes on with, I assume, shows I have never heard of.

I've never seen any of these shows, but my open wound is 1899 that I believe got treated the dirtiest of them all.

I have heard of it two years before the premiere, thanks to a 50 seconds long teaser that got me patiently waiting for years because it was my cup of tea. It came from the people who proved themselves before by creating a critically acclaimed show that you can find on a top 10 list of greatest shows of all time. Those people have spent years developing a new filming technique for shitflix. What a way to say thank you.

8 out of 10 people around me have seen 1899. Those people haven't even seen GoT or LotR for fucks sake, the most famous show and movie ever, but they have seen 1899. But not because shitflix promoted it, but because people did.

There was zero promotion, zero cast interviews, zero mentions after the release. It was still watched and talked about by so many people. It has more viewing hours than their hit shows running for 3+ seasons put together. It's a show you can't just binge and forget, you have to actually turn your fucking brain on. It was released in the most busy time of the year, during the damn World Cup and winter holidays. It was still number one for weeks. It was given less than 30 days. They decided to cancel it before it even premiered. They deleted the trailer with 10+ million views from YT.

The same goes with other shows. I have seen zero cast interviews, zero promotion or mentions by their own platform and they still have loyal fan bases that didn't stop talking about them.

But then you have dogshit shows like the Night agent that is getting hyped by shtflix every single fucking day. Fake numbers, pumped up to get people to watch a generic, a hundred times seen before, piece of crap. It got more hype than fucking GoT, and yet I know zero people who have actually watched it. Yep, there is no one I know, in real life or online, that has actually watched this show. So you figure it out.

People who have watched the shows I've mentioned probably have the statistics for them, and have probably seen the viewing hours being blamed for it, which was bullshit.

The latest nail in the coffin was Lockwood & Co. They kept fans waiting for months, and then they announced the cancelation during Eurovision so that fans wouldn't be able to go viral about it because everyone talked about fucking Eurovision.

Shitflix has canceled 26 sci-fi/fantasy shows in the last 3 years. 26! Do you all remember when we couldn't even name 26 shows of all genres put together, let alone watch them?

What all these shows had in common is that they were original and more or less unique and creative, not something you can find at least 6 copies of in either streaming or network TV.

It's like they created all these shows just so they can cancel them, because they are doing their best to actually burn every trace they ever existed.

Shitflix is killing creativity in every form, but in the end, that will be their undoing.

[brainrotallthewaydown1312]

the stage is dark but for a single white spotlight center stage. it is empty except for a single microphone. the audience is buzzing quietly.

I walk in from the side aisles and approach the microphone. I am clearly not affiliated with this production. I tap the mic twice and there is some obnoxious feedback. the crowd goes silent. when the speakers stop crunching you can hear a pin drop.

i lean into the microphone.

"fuck netflix"

[0-sunstranger-0]

I swear there is nothing more insane to me than watching the n*tflix adaptation of Archive81 after listening to the original podcast and then seeing people not hating the show, it gives me such intense whiplash