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Tracklist:
أغنية الوداع (Farewell Song) • فيكن تنسو (You Can Forget) • مقدمة 87 (Ouverture) • ياليلى ليلى ليلى (Ya Leili Leili Leili) • اعادة (Reprise) • بروفا كيفك إنت (Prova) • كيفك إنت ("Kifak Inta" (How Are You)) • ضيعانو (Dia Anou) • في شي عم بيصير (Something Is Happening) • عندي ثقة فيك (Indi Thika Fik) • مش قصة هاي (It's Not A Problem)
Spotify ♪ YouTube
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Salah Ragab And The Cairo Jazz Band - Ramadan In Space Time
from:
Salah Ragab And The Cairo Jazz Band - Egyptian Jazz (Art Yard, 2006)
[Salah Ragab accompanied Sun Ra on a tour in Egypt, Greece, France and Spain in 1984.]
recorded in Heliopolis Egypt between 1968 and 1973
Salah Ragab - Conductor, Piano, Drums, Congas
El Saied El Aydy, Farouk El Sayed - Alto Saxophone
Abdel Hakim El Zamel - Baritone Saxophone
Moohy El Din Osman - Bass
Abdel Atey Farag - Bass Trombone
Mohammad Abdel Rahman - Bass Tuba
Sayed Ramadan - Bongos, Drums [Ramadan - Baza]
Sayed Sharkawy - Drums
Abdel Hamd Abdel Ghaffar (Toto) - Ney [Bamboo Nay]
Khmis El Khouly - Piano
Fathy Abdel Salam - Tenor Saxophone
Saied Salama - Tenor Saxophone, Baritone Saxophone
El Sayeed Dahroug, Mahmoud Ayoub, Sadeek BasyounyTrombone
Ibrahim Wagby, Khalifa El Samman, Mohammed Abdoe - Trumpet
Zaky Osman - Trumpet, Flute
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Hafez Modirzadeh - Post-Chromodal Out!
(2012 album)
Bandcamp
[Avant-Garde Jazz, Arabic Jazz]
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23. Praed | Kaf Afrit
🇱🇧 Liban | Akuphone | 49 minutes | 5 morceaux
Le duo libanais Praed, composé des musiciens Paed Conca et Raed Yassin, fusionne depuis le mitan des années 2000’s musiques populaires arabes et expérimentations électro-jazzistiques. Ce cinquième album studio est incontestablement leur meilleur, combinant de manière extatique les motifs mélodiques ondulants et frénétiques du shaabi avec des nappes de synthé et des beats survoltés – sans parler de la clarinette qui chemine avec maestria dans ce maelstrom sonore.
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Majid Bekkas, Goran Kajfeš, Jesper Nordenström & Stefan Pasborg – Magic Spirit Quartet
Majid Bekkas, Goran Kajfeš, Jesper Nordenström & Stefan Pasborg – Magic Spirit Quartet
Morocco / Sweden / Denmark, 2020, Arabic jazz / afro-jazz
Over half the tracks on this seven-track album are jazz interpretations of original (gnawa?) songs, which would explain the moments of liturgical Islamic singing over the rich, ritualistic drumming. The other three tracks are original Bekkas compositions, with Kajfeš, Nordenström, and Pasborg contributing to the final track. A warm…
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This is a playlist of some of my favorite songs. There’s no specific vibe or flow, it’s very eclectic.
hope you enjoy it as much as I did making it.
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Listen to 回憶如風 Memories like the wind II, a playlist by chu-lan-maria on #SoundCloud
生命由具有最高意義的、罕見的、單一時刻和無數的音程組成,在這些中場休息時刻,間歇的暗影充其量在我們周圍盤旋。 愛、春天、每一個優美的旋律,群山、月亮、大海,所有一切都只有一次真心傾訴:即使它永遠不再說了。 因為許多人根本沒有這些音程片段,他們自己只是現實生活交響樂中的間歇和休止符。
Life consists of rare single moments of the highest significance and innumerable intervals in which at best the shadows of those moments hover around us. Love, spring, every beautiful melody, the mountain, the moon, the sea, everything speaks only once truly to the heart: even if it never comes to speak. For many men do not have those moments at all and are themselves intervals and pauses in the symphony of real life.
─ Friedrich Nietzsche 尼采 (1844-1900) 德國的哲學家、詩人、文化批評家、古典語言學家和作曲家。💕
(PS. I don’t own any music and songs right, I just make the playlist for listening easily and enjoy all musicians your works and love to share it only. all copyright belongs to musician & singer. If you want me do delete yours from the playlist, please tell me then I will do it. Blessings! Thanks! Lan~*)
🪷 Ichiro Tsuruta 鶴田一郎
庭園にて 2020
(花園裡 /In the garden) 🪷
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Talking to [leftist/socialist/progressive/whatever] white people as a brown girl is always an experience
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Listen/purchase: Zulum Aldunya by Zulum Aldunya
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Rami Atassi - Dancing Together - this is some Bill Laswell-level fusion of musical traditions and modern styles
Rami Atassi is a Syrian-American creative producer, teaching artist, & guitar educator based in Chicago. He creates melodic instrumental music with influences of spiritual jazz, Arabic folk music & afrobeat grooves.
Rami Atassi - guitars, electronics & sound fx, vocals, bass (4)
Tatsu Aoki - bass (2,3,6,8), shamisen (1)
Ronnie Malley - oud (1,6), percussion (3)
Luc Mosley - tenor saxophone (2,3,4), flute (6)
Eric Novak - soprano saxophone (3), tenor saxophone (4,6)
Charles Rumback - drums (3,6,8)
Caleb Willitz - cornet & electronics (3,6,7)
Pri Akhil - vocals (6)
Joie Moon - percussion (2)
Ryan Suzuka - harmonica (5)
All music written & produced by Rami Atassi
Co-produced by Jeff Breakey & Caleb Willitz
Photo: Remsy Atassi
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Kamilya Jubran & Werner Hasler - Wa
(2019, full album)
[Arabic Jazz, Vocal Jazz, Avant-Garde Jazz]
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Let the music play with Amir ElSaffar, the Two Rivers Ensemble and Hamid al-Saadi
Amir ElSaffar was born and raised near Chicago, but his heart and soul are informed as much by Iraq as by Illinois. A multi-instrumentalist, vocalist and composer, ElSaffar marvelously marries Middle Eastern musical traditions with American jazz.
ElSaffar will make his Penn State debut April 4 in an Eisenhower Auditorium concert featuring his Two Rivers Ensemble and Iraqi vocalist Hamid Al-Saadi.
Amir ElSaffar — trumpeter, santur (hammered dulcimer) player, vocalist, and composer — is a master of diverse sounds. The Chicago-area native has distinguished himself by combining Middle Eastern traditions with jazz and other styles of music.
ElSaffar, who has a degree in classical trumpet from DePaul University, is fluent in the idiom of jazz, but he has also created techniques to play microtones and ornaments associated with Arabic music that are rarely heard on trumpet.
Two Rivers Ensemble, a sextet, combines the musical languages and instrumentation of Iraqi maqam and contemporary jazz. The ensemble’s music speaks the vernacular of swing, improvisation, and group interaction.
Through his powerful and highly ornamented voice, and in his comprehensive knowledge of the intricate details of the music and poetry of Iraq, generations and layers of the maqam tradition resonate through Hamid al-Saadi.
He is one of the few vocalists who is keeping the art alive today, at a time when so many elements of the tradition are in danger of extinction.
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Russia's opposition to Israel is not at all contradictory with the ongoing war in Ukraine actually. As someone who lives here, I can confidently guess that the opposition comes from Russia being 1. anti-West and 2. antisemitic.
Anti-West thing is pretty self-explanatory. It the West likes something, it's bad, be it colonialism or gay rights.
Russians are also Incredibly antisemitic. Swastikas and jokes about Hitler are commonplace, and anything related to Judaism on the Internet is met with antisemitism and, as I saw several times, photos of a smiling Hitler. Russia Loves priding itself on fighting against Nazi Germany during WWII, but everyone hates Jewish people and, Again, treats symbols of the third Reich as jokes.
There's a bus stop in my town that has a drawing of a simplistic figure stretching its arm out to call a bus, that has been drawn into Hitler, swastika and mustache. They were only scraped off by hand on May 9 (Victory Day) when people remembered that they're supposed to be against this shit.
A common way of saying you don't want to spend money on something is "being a Jew" btw.
So it was no surprise when antisemitism increased drastically since October 7. Just recently a group of people in Dagestan (a republic with a major Muslim population) infiltrated a plane to Israel to harass Jewish people. Russians authorities claim that Ukraine had a part in the organisation of it, of course.
Obviously, I'm not saying that only Jewish people suffer from more hate crimes because of the current events. Both Jewish and Muslim people were widely hated in the rest of the world already, and seeing an oppressed group killing another oppressed group is a great excuse to harass either or both of these groups.
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❤️ writing on bootleg CDs with sharpies like its not that fun with the official ones u cant write silly shit to describe the album
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