#Apollo ferret

[bluecoati]

Look at my son

NOW!!!

[discothemechanic]

There are trying to merge and twist themselves together to make one SUPER FERRET!

[bluecoati]

Mythology! Which I suppose could count as "historical figure" but that didn't feel right.

My two ferrets are named Artemis & Apollo! <3

a redemption poll from that last dog name one i did:

reblog for a larger sample <3

[gard3nias]

Amor tam pulcher | KTH - masterlist

❁pairing: senior!taehyung x junior!oc (Italian education system)

❁description: a love story revolving around a butterfly and its favourite flower

❁synopsis:

If he could, he'd write poems about how pretty she looked and how perfect she was. He'd probably make the next Catullus or even better, he'd dare say. Everyone would love to read about her and how she makes him feel. He even wonders how she isn't loved, worshipped in fact, by everyone but he's glad he's the only one whom she hops to whenever class is dismissed, the only one to have her cheeks explore all possible shades of red, the only one whose arms she'd willingly fall asleep in between. "Where's the love, baby?"

❁genre: romance, fluff, smut, angst

❁wc: 199.64k+

❁date: 30/03/2024

❁warning: mature content

❁notes: strangers-to-lovers, teen love story, lots of fluff, smut, senior!taehyung (taehyung is like super smart), junior!oc (academic weapon, she loves herself an excellent academic performance), a lil angst, taehyung is head over heels for oc, nature lovers (oc loves flowers, taehyung loves butterflies), countryside (looks like Italy because that is the only type of countryside I know and love), oc has a lovely family, taehyung has daddy issues, jimin and jungkook are taehyung's besties( they also have other two girls as best friends); oc has a girl best friend (childhood best friend) and three boys as best friends); oc is so fucking prettyyy, like girl pretty; cross-posted on wattpad and ao3

❁chapters (status - ongoing) ⇀ updates every Friday, midnight

latest — 30/03

❀ ❛prologue❜ - 1.52k

Rewriting the story of Daphne and Apollo ⇀ «A love that drives me crazy, a lovely crazy, a sexy crazy, an amazing crazy»

❀ 01 ❛love is all around❜ - 4.24k

On a chilly summer morning, a bouncy curly-haired sun rose up and shone above the flower

❀ 02 ❛ying yang❜ - 4.28k

Photosynthesis: the sun shines bright above the flower providing it with energy which will be transformed into nutrients

❀ 03 ❛the exploratory stage❜ - 5.48k

As the sun shines in its might, it brightens the way for a little flower to see over the horizon

❀ 04 ❛just like old times❜ - 6.70k

The bright rays of the sun show the way to the flower, introducing it to an innocent little bear, a ferret and a little wasp

❀ 05 ❛a monarch butterfly❜ - 4.17k

There, going back home, was an unusual combination of subjects: a cricket, a wing-man, a monarch butterfly, a little pika and a puppy

❀ 06 ❛venus❜ - 4.82k

Who could have ever thought that a flower could grow in space? Who? No one surely and yet... there it was, standing upright in its beauty

❀ 07 ❛a laurel❜ - 4.92k

He knew he wasn't meant to fly to space because he physically couldn't but this thought wouldn't stop him. Was he being pretentious? Trying to exceed his limits?

❀ 08 ❛fuck you!❜ - 6.10k

Normally, flowers are in people's gardens or on a bed of green grass so... what the hell is one singular one doing in the middle of the ocean. Does it know, does anyone know, that too much water will cause it harm... especially when the water is salty?

❀ 09 ❛en route❜ - 5.07k

With its six tiny feet into proper boots, a good protective shield over his wings and an astronaut helmet on, the monarch butterfly embarks on a life-threatening journey, one believed to be a one-way ticket travel

❀ 10 ❛who we are, what we do❜ - 6.01k

Flowers don't have eyes, yeah, and neither does a pika glow even during the day. The flower is used to seeing only the sun shine during the day. The little pika walking by is unusual.

❀ 11 ❛an overly ambitious hedonistic seductress❜ - 6.04k

Cleopatra is the modern definition of the term "femme fatale"; she's known for ruling in ancient Egypt but also for her relationship with Ceaser and Mark Antony

❀ 12 ❛the butterfly, the cricket and the wing-man❜ - 4.49k

A butterfly, a cricket and a wing-man all have wings somewhat. The first does fly, the second mostly leaps and the last doesn't fly unless the first two do.

❀ 13 ❛the Titanic❜ - 7.31k

Between the night of the 14th and the 15th, in 1912, one of the biggest ships of its time sank, going against the expectations but did it? At the time, there was a little competition between countries so when it sank it wasn't so surprising: something so big with very few resources would have never made it across the ocean.

❀ 14 ❛from five to ten❜ - 11.44k

Brighten the mood. Increase the energy. Make a downturned flower rise high and flunt its beautiful petals for others to see.

❀ 15 ❛bold, red and underlined❜ - 14.70k

“You know? That party I wanted to host at mine? You’re so invited. In fact, you’re the first one on my guest list and I’ll underline your name in red as in ‘in great and urgent need of pussy’—”

❀ 16 ❛«it's Daphne»❜ - 11.30k

A monarch butterfly sees a lot of flowers in its short span of life but never has this one, nor its ancestors, seen a flower as pretty as the one ahead. The flower was there, living beautifully in space.

❀ 17 ❛hesperiidae❜ - 6.41k

Right when the sun faded away and the dark clouds took over, the little butterfly's wings fluttered less as it lost hope until something caught his eye, a gleam slicing through the gloom and focusing on a flower.

❀ 18❛opposites attract❜ - 5.59k

Winter and the Wind of the West come to destroy but nothing can touch a flower when it's under a shelter, something that will prevent it from dying in the cold or losing its beautiful petals.

❀ 19 ❛peek-a-boo (boo boo)❜ - 5.66k

Things have been too unusual for this butterfly. Wasn't it trying to embark on an impossible journey? To space? How did it end up in a shiny sea? it's floating and his pupils are swelling. The beauty is indeed out of this world

❀ 20 ❛lifejacket❜ - 6.97k

The wings grew with each flutter. There was a glowing dot on the ocean and it was slowly fading out into the darkness so the butterfly cradled it and protected the leur

❀ 21 ❛monarch and blue morpho butterflies❜ - 4.13k

The weather was chilly and slightly windy. Despite the discomfort it caused everyone, the flower stood out like a thumb as it danced and waved with the soft patterns of the breeze. The butterfly couldn't do anything other than admire with widened orbs

❀ 22 ❛rosy cheeks❜ - 3.91k

Did it see it? Did the flower see the butterfly? Because the butterfly has already seen the flower. Had already memorised every curve, every line, and every dot that brought the flower to life.

❀ 23 ❛caramel macchiato❜ - 4.23k

There was no way he could ever get lost: one look at those eyes and he'd see all the constellations, the map leading him to Venus

❀ 24 ❛butterflies, flowers... and butterflies❜ - 6.03k

«I mean, it's also an evergreen plant like the Laurel but it doesn't sound as special. Lauri does though.»

❀ 25 ❛bittersweet❜ - 4.10k

There were seven lanes, each welcoming an athlete, for a total of seven athletes. Yet, as the contestants got ready for the lace, some chose to acknowledge the presence of only a few athletes, the ones they were marking. Their true competition.

❀ 26 ❛open stage❜ - 9.78k

Floating and hovering around his spaceship, the butterfly moved closer to the round window giving to the dark glittered expanse. There was Venus and standing proudly in its infinite beauty was the flower.

❀ 27 ❛approach, round out, flare❜ - 8.08k

Poor Cinderella. She cried and cried. Then a small woman appeared in a cloud. It was Cinderella’s fairy godmother. “Biddidi, bobbidi, noo!” sang the fairy godmother as she waved her magic wand, but she gasped, hand coming to cover her mouth in bewilderment. Cinderella had turned into a tomato!

❀ 28 ❛a lighthouse❜ - 6.47k

Water flowed through the clothes, the hair strands, and around the body as the flower held onto a wide piece of wood. The water was chilling, the night was silent, and the ambience was dark, but right through the blackness slid the rotating rays of a lighthouse. Blinking to adapt to the brightness, the flower called for help.

❀ 29 ❛sus or sos?❜ - 7.12k

The rotating and flashing lighthouse lights shone upon a cricket, which floated barely a foot away from the flower. Yet, as the butterfly came to rescue, it didn’t see it, leaving the cricket trying to swim for its life, screaming and choking on water.

❀ 30 ❛a coup d'état❜ - 5.95k

Standing on a tower, two neurons patrolled the area, binoculars to their eyes. Suddenly, they sighted something. They squinted their eyes despite the instrument in their hands and tried to make sense of what they saw. "Hey, send in the alarm. Prepare the defensive barrier. Do something. Hurry up!" As this one darted away, the other remained still, binoculars back to its eyes. Confusion bubbled in its head. What had happened for the heart to be heading towards the body's headquarters? And what was that army of hormones behind it?

❀ 31 ❛the sun on the horizon❜ - 10.75k

The butterfly had finally found the flower. After travelling across space, it landed on Venus, where a singular ethereal natural being stood erect in its almighty beauty. After the coup d’etat, the heart realised that the situation was bigger than expected. The heat rose up to every part of the body. Butterflies increased and with that the flutters of their wings, which fanned the fire, expanding instead of quenching it. Infatuation at its peak.

❀ 32 ❛love me (not)❜

❀ 33 ❛stinkily cute!❜

❀ 34

❀ 35

❀ 36

❀ 39

❀ 40

❀ 41

❀ 42

❁pinterest board // my main

[apollocabinrep]

Can't stop thinking about Luke Castellan getting turned into a rabbit after Manhattan, an idea presented in @pain-is-too-tired 's discord server. Like, brainrot so bad I have another wip

For those not fortunate to glimpse the chaotic-ness, the premise is instead of Luke dying, he is turned into a rabbit- something that is common in Greek mythology- and only the Hermes campers can understand him. I am leaning towards ferret Michael as well because I love the chaos, plus I can have Jake kinda chilling with Michael on his shoulder when Leo first meets him.

Will: And this is your brother, Jake, and my brother, Michael. They were dating before Michael became a ferret, so Jake is the only one I can leave him with and not have to worry Leo: Please say you're joking Jake: He's not. Apollo saved Michael and this was the cost

[discothemechanic]

Artemis and Apollo

Apollo is a big chubby boi who is very mischievous

Artemis is very calm, gentle and cuddly and is very tiny (I think she was a runt)

My babies…

@discothemechanic

YEAAAAAAAAAAAAAAAAAAAAH!!!!!!!!!!!!!! BABIES. YES YES YES I LOVE THE BABIES!!!! HEHEHEHEH Disco you need to tell me their names rn

[cursecuelebre]

All About Lady Hekate

Her Attributes

Witchcraft

Magic

Crossroads

Death and Life

Liminal spaces

Protection of The Home

Necromancy

Spirits

Childbirth and Midwifery

The sea

The stars/Moon

Symbols:

Torches

Snakes, Dragons, Serpents

Dogs especially black

Corvus birds

Fish

Wands

Daggers

Keys

Cats

Moon

Crossroads (three way road)

The number 3, 6, and 9

Hekate’s Wheel or the Stropholos

Skulls or bones

Ferrets

Pomegranates

Any black animals

The color black

Offerings

Libations of wine

Fish

Cakes, breads, any kind of pastries

Herbs like Mugwort, Rue, Belladonna (poisonous), Garlic, Rosemary, Chives, Black Nightshade (Poisonous), Lavender.

Fruits: Pomegranates, Apples, Lemons

Anything related to dogs

Spiritual or magical tools or items

Creating spells and offerings i.e I created a spirit board for Hekate

Spirit communication

Taking care of Children and supporting mothers and soon to be mothers

Epithets (Greek and a Roman title)

Trivia - A Roman title given to Hekate and Diana relating to the crossroads. It’s also said Trivia could’ve been a Roman Goddess on her own.

Brimo - Angry, Terrible one. It’s a title for a god who is showing their scary aspect Hekate, Demeter, Presphone is known for this also male deities like Dionysus. Hekate in this aspect is usually depicted with three heads of animals like dogs, owls, and a serpent but she can take any form that can be terrifying. Usually invoke during rituals and magic spells. Also very good in curse workings, this aspect infamously shows up in the myth of Jason when she is evoke by Medea who is a witch.

Perseis- Destroyer, child of Perses. Hekate’s Father is a Titian Perses who embodies destruction.

Aidônaia - Of the Underworld - Hekate is considered to be a Psychopomp like Hermes she guides souls to the underworld

Kthonia - Of The Earth - many earth deities have this title it can still relate to the underworld but also the physical world like Demeter a earth goddess.

Phosphorus - Light Bringer - Hekate’s main symbols are torches being a guiding light to those who are lost, also to help guide lost souls. Common depiction is how she guided Persephone out of the underworld and guided her so she won’t be lost.

Kourotrophos - Nurse of the young - She is considered to protector of children like how Hera and Artemis is.

Genetyllis - Protector of Births - Hekate is also a midwife goddess and fertility, evoke during births. One myth says she taught Artemis the ways of Midwifery when Leto was giving to Apollo.

Aeneos - Eternal, everlasting.

Trimorphis - Three formed

Trioditis - The three ways or crossroads

Einodia - The one on the Road - Relating to her and the crossroads.

Nyktipolos - Night wandering

Atalos - Tender, Delicate

Skylakagetis - Leader of Dogs

Anassa Eneroi - Queen of those below

Festivals:

Noumenia- Beginning of the new month which is the New Moon. Hekate along with Artemis and Selene are worshipped during this day.

Feast of Hekate is on August 13th where people would bring offerings like honey cakes on the crossroads. The reason being to make sure she won’t summon storms to kill their crops.

In Rome she was honored monthly on the 29th day of the moon.

Tarot Associations

The Moon

The High Priestess

Hierophant

The Hermit

The Two of Swords

General Information

Hekate’s name means “Far-darting” or “who works from afar”. Hekate is the daughter of Perses Titian of Destruction and Asteria Titan of the Stars. It is also said she is also the daughter of Helios and the Oceanid Perse. She is also linked with Circe as her Mother or sister or regular servant to Hekate. As Helios is the father of Circe and Medea who also evokes Hekate a lot in her spells. Helios and Hekate have common myths together.

Hekate is associated with the Full moon and New Moon, stars, and other Cosmic events. She is associated with the sea but most commonly she is associated with earth and the underworld as being a guide to souls to the after life and those coming out. It’s said lost souls follow her along with her nymphs carrying torches. She has black dogs always beside her, it is said you can hear Hekate approching by the howls of dogs.

Hekate is also the protector of the home, keeping a statue of her at the front door will help keep danger away. Protector of liminal spaces and doorways. She can protect a person from curses but she can also help you cast them but she won’t do it unless there’s a good reason. Hekate is goddess of spirits, she can help guide them as I said earlier but also get rid of evil spirits from the home.

At the crossroads is where most likely you’ll find her especially if you need her help. The crossroads are important when it comes to transitions and change and it’s by your choice and of her guidance. But you can also do magic at the crossroads by summoning a spirit or getting rid of one, you can do a simple ritual of banishing a spirit with the item being buried and then you walk away it’s been advised by experienced witches even historians to not turn around after doing the spell. Necromancy is in the context is this, no you’re not summoning the dead back to life or evil spirits, necromancy is simply spirit communication and workings. Of course you’ll be careful with each spirit first encounter with.

Hekate has been a powerful goddess throughout centuries, her origins in Ancient Turkey who was seen as a mother goddess before she was adopted into the Greek Panetheon. She is quite remarkable in Roman religion and even modern day times she is separated from these ancient practices and still a goddess that people go to for all things in life. She is open to all for those who wish to make her involve in your life. Hekate will not be the same for everyone of course, but similarities are true she is very much like a Mother and very protective of her children.

[thestarstoasun]

I need the Michael Yew brainrot, just him shooting Luke and yelling at Lee like "why the hell do you keep fucking that?!"

Please tell me about this AU, I'm completely normal and sane about TA Lee

THIS IS EXACTLY WHAT I IMAGINE WHEN I THINK OF THEM.

○ When Lee first brought his siblings to the darkside - sometime during SoM while Percy & co are on their quest - Michael literally slaps him across the face when he tells them they aren't going on a camp field trip, but going to join the titan army.

Michael: "I know you're stupid, but I hoped there was a brain in that head somewhere."

Lee, smiling and holding his bow: "Luke is well aware what will happen if any of you so much as get a scratch. Kronos himself won't be spared."

Kayla: "So- no field trip? What a bust! You have to get us snacks to make up for this utter betrayal!"

Austin: "Yeah!"

Will: "I'm just happy to to wherever Lee is"

• Michael, Will, Lee, Austin, and Kayla go back to CHB as infiltration & basically recruitment sects. There was a lot of Leeluke debate about this because of the involvement of Lee's siblings.

• You know Gods send dreams to demigods and mortals? Kronos does this to Lee whenever Luke starts to be insufferable

• Luke slowly actually "corrupts" Lee to the cause by pointing out actually valid points

• Michael is absolutely insufferable on all fronts about this arrangement. He literally can't believe he's been dragged into the titan army all because he's an apollo kid & Lee has attachment issues.

• Michael is very on-the-fence about being in the TA and has a crush on Jake Mason - he won't admit it, but everyone but Jake knows.

• Luke tries very hard to get along with Michael, and meanwhile Michael is flipping him off, making the most passive aggressive comments known to man, rolling his eyes, whole 9 yards

Luke: "WILL YOU STOP SHOOTING AT ME!? I DIDN'T EVEN DO ANYTHING!"

Michael perched on a lamppost, glaring: "You're literally the reason I'm here right now."

Luke: "I wanted my amazing partner. I didn't realize I got a ferret as a package deal."

Michael: "WHO THE FUCK ARE YOU CALLING A FERRET!?"

This has taken so long because I'm still undecided whether I wanna take a page outta SoSF and let Bianca live with the consequences of someone else dying on the TTC quest, but it would also change the entire trajectory of canon & I don't want to receive hate if I put Annabeth in the Hunters 😔 I wanted to add a secret detail and couldn't decide LMAO

[all-mighty-axle-arc]

*gives ferret friend. The ferret is very chubby*

His name is Apollo- good luck!

*runs away*

@discothemechanic

ag- huh.. hi?

apollo?? well.. aren't you cute. uh.

*he looks in the direction of the stranger, confused.* where are they going..?

[hearted-anon]

hii i have read all your fics and i love them can i request lee! seungmin and lers! leeknow and chan

have a great time writing this!

🥰😛🤗

What, what, WHAT?!

Words: 1,176 Note: hm. T/w: Rough tickles Taglist: @reginald-stay09 @itzsana-kiddingmenow @hetashi-takashimaya-apollos-kid @soap143 @jungwon-is-the-one Lee: Seungmin Ler(s): Channie, Minho

"Yea! He's been acting really suspicious these days…" Jisung exclaimed to a listening Felix to him, both of them with a cup of homemade tea from Minho in their hands for their weekly gossip session. Recently, Jisung has been inviting both Felix and Seungmin over to theirs to 'have a good time', a suspicious cat giving a glare in his direction each time he pleaded to let them both come over, like a child asking their parent for permission to allow their friends over for the night. With a reluctant nod, despite acting very strict towards the quokka, tutting in faux disappointment whenever he would forget to tell the duo to take off their shoes when coming in or were a bit too loud, he still never failed to make them home brewed tea, or the mountain of food that was always perfectly laid on the dining table when they exited Jisung's room.

However, both Jisung and Minho felt a tad bit strange when they only saw one head of blonde hair appear at their dorm apartment these few weeks, not that the ace minded too much of course. But as curious as he was, a paw pasted itself on the younger's door, questioning the Aussie where his roommate had disappeared off to. And to their utter surprise, Felix only gave a small shrug, insisting that it was 'something Seungmin didn't specify about' or 'he said he went to hang out with friends'. Pfft- Hanging with friends?! There were only so many excuses that could make past Minho's sharp observation. Knowing with a terrible gut feeling, he sought the only other person that would help him uncover this mystery, Chan.

"So, you're saying, during they're weekly visits, Seungmin just so happens to disappear and come back when Felix arrives home?" Chan inquires, clicking the tip of his tongue while his foot drums against the wooden floor smoothly. Minho nods along, smiling widely when Jeongin peeks out from his room to catch a glimpse of what the elders were up to, hurriedly scurrying by to take a seat between them both.

"Yea! But none of us knows where he went, but we still haven't asked one dorm…" Their heads all collectively snap to the doorway, right across Changbin and Hyunjin's dorm room, which has been eerily quiet these days. Usually, Changbin would bug their dorm to no end, whether it'd be dragging Chan out for gym or being overly affectionate with the youngest, whereas Hyunjin would just be there to give him an earful and drag him back home when it was time for dinner. However, neither of them has left the dorms recently, staying right at home where it was comfortable.

Slamming opens the door without mercy, Chan and Minho were surprised to find Changbin…cooking?! After having told Jeongin to stay home and keep watch if Seungmin would pass by or even better, come over, they had come over to the 'newlyweds' dorm to investigate. Was this some kind of alternate universe? Eyeing the middle of the Hyung line suspiciously, they both came over to see if the rapper had managed to burn water yet, or fry air. Surprisingly, he was doing shockingly well, their eyes lighting up when they tasted the soup he had made, the cook bashfully hiding away with a cookbook in hand.

"Why did you make this though? Isn't Hyunjin the one usually cooking here?" Lee Know questions, a raised eyebrow with his head in the creamy tomato soup.

"I-I… I just wanted to try and start cooking, nothing more!" Changbin hurriedly explains, and with a shared glance, the elders both pounced onto the youngest of the trio, starting their investigation.

"Found you!" Chan exclaims as the door to Hyunjin's room creaks open, and to well, everybody but Seungmin's surprise, he's laying on the ferret's bed, without said ferret being there. A flustered Changbin stands behind them, looking defeated with tear streaks down his face that the leader was wiping while looking straight into the vocalist's eyes.

"Sorry…I tried to keep it a secret, but they got me- AHA!" Changbin worriedly explains but is cut off when the older bunny's fingers sneakily drill into the hollow of his hip, cutting him off.

"You're going to clean yourself up, and take a long, long nap, clear?" Chan coos sweetly into the younger's ear, squishing and kneading his cheeks before giving both of them a tender kiss each, sending him off without fail. Chan and Minho's gaze then turned to the culprit of them all, who was blinking up and them innocently as if he didn't know what was wrong exactly.

"You're going to tell us why you came here and thought it was funny not to inform anyone." Lee Know announces whilst clearing his throat, the eldest coming to pin the puppy's arms above his head, earning a squeal of surprise. To their shock, he instantly revealed the reason, so much for Changbin's resolve to keep it down. Their jaws dropped once the beans were spilled, fingers immediately crawling over his waist and ribs.

"Hehehey! I-I tohohold you guhuhuys! Whahahat gives?!" Seungmin squeals, trying and failing to bat four hands away from his sensitive body that followed him no matter where he squirmed on the bed, melting into a puddle of breathless laughs for them to tease for now.

"How could you even keep this a secret from your Hyungs?! This is such big news y'know?" Chan yells in an almost hurried way, still trying to let the information sink in, an astonished Minho nodding along at the back. As a so-called revenge, they both up their game on the poor puppy, Lee Know's fingers finding the sides of his stomach and digging in while the leader found blowing raspberries on the nape of his neck interesting.

"AHAHAHA! I-I'M SOHOHORRY! HYUHUHUNG!" Seungmin shrieks, dissolving quickly into loud, yet puffy cackles, kicking his legs out through his struggles to get away from the torment being inflicted on his body. However, neither of them let up, only grinning cheekily above the puppy and letting the sensations linger for longer. It was a surprise that the rapper was somehow still sleeping, or maybe not and just hasn't exited his room due to Chan's instructions, where was Hyunjin anyway?

"PLEHEHEASE IT'S TOHOHORTURE! MEHEHERCY!" Seungmin pleads, tears of mirth beginning to well up in his eyes, scrunching his shoulders to try and block out the eldest's lips to no avail, or shoving at Minho's hands; that obviously didn't work out in his favor at all. Having decided he had enough, the duo let up on the poor vocalist, rubbing his stomach soothingly and his reddened cheeks too. They awed at the sight of Seungmin's cherry red face all the way down to his neck, eyes already lidding before they could say anything.

Safe to say, when Hyunjin got back from grocery shopping, he was stunned to find both members asleep in their rooms, unable to hear the giggling and chatter from a certain duo that had just left.

[bluecoati]

Criminals

At least they are cute about it tho~💙✨

UwU

[megamindsupremacy]

Misc PJO Fic Recs (Part 4)

The Stolen God by TsarinaTorment

Python is defeated. The prophecies are restored, and Nero has fallen. Apollo has not been seen since. His trials are over; why isn’t he back on Olympus?

-

Baby Blofis College Fund by zipadeea

Valerie calls her an hour later.

“Sally, what the hell?”

“That bad, huh?”

“Bad? Sally, it’s gold. I went from squirming in my seat to crying genuine tears. And that twist, making him a Greek god, it’s exactly what we’re looking for right now. How soon can you get me the next chapter?”

***

In which Sally Jackson realizes by the time the new baby is eighteen, a semester of college will cost an arm and a leg. And those Fifty Shades of Grey books sure did make a lot of money.

-

to bet on losing dogs by furnaceglow

The thing is,” Apollo said, the coolest prisoner of war in all of time. Prometheus wasn't prone to jealousy, but even he felt a drop of envy at how relaxed Apollo was in maximum security. "How to define a man…are we talking ontology here? That’s broad scope, bigger picture. We can include ourselves in that definition. Philosophy otherwise! Our good man Diogenes. You remember Diogenes! Or are we specifically talking about man for the sake of man? Is this about anthropology, is what I’m saying.” “I’m open to all interpretation,” Prometheus said. “Been a while since I’ve had good conversationalists here. Krios is all grunting, and Hyperion is solely interested in making his quarters nicer.” “Well, he has an eye for interior design, I’ll give him that,” Apollo said.

In which Percy Jackson ascends to a reluctant godhood, his mother loses the war but wins a battle, and for once, Prometheus picks the winning horse.

-

and if your eyes don't speak by Pixelfun20

Estelle Jackson is seven years old when she meets her nephew for the first time, over a grainy Facetime call.

OR

Estelle grew up with stories of Percy Jackson, but it takes meeting his son to realize who he really was.

-

the carriage held but just ourselves by Writeous

The official story is this: Percy Jackson and Annabeth Chase, just two months shy of their seventh wedding anniversary, hurtle off a cliff on a lonely mountain road. A tragic accident, a sharp turn taken too quickly. Their 2023 Prius was found buried under debris, three hundred feet below where witnesses claim they fell. Paramedics declared them dead upon arrival, suffering blunt force trauma as their car collapsed with them inside.

The real story is this: Percy and Annabeth watch as Hecate’s children create perfect duplicates of them that are promptly hurled off a cliff. Percy loved that Prius.

(Or: at the end of the Titan War, Zeus offered Percy immortality. Percy was mistaken in thinking it was an actual choice.)

-

Dawn Rises From The East by TsarinaTorment

During the Battle of Manhattan, Michael Yew fell into the East River; his body was never found. Two years later, a homeless kid known only as Ferret has a chance encounter that changes everything he knows.

-

Annabeth and the Nine Step Career Plan by feeling_the_aster_9145

Annabeth Chase does not accept limitations. Everyone knows that. If she wants something, no matter how impossible, she will find a way to make it happen. Though, perhaps she will allow Bruce Wayne and his ridiculous paranoia-induced company restrictions a small portion of the credit.

Actually… now that she thinks about it, the man may have had a point in his worries.

Wayne Technologies does not accept college interns. Annabeth always has a plan B.

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is it really a crime if you don't exist? by MidnightBunny

"So, what you're saying is," Percy said, staring at the man in front of him. "you're me from the future."

The man took a drink out of the coffee cup in his hand. "Yup."

"And you're here," Percy said slowly. "Because Annabeth's brother's boyfriend is trying to prove the existence of the multiverse."

The man nodded.

"And you got sucked in when he turned it on."

Nod.

"And now you don't know how to get home."

Nod.

"And how did you get sucked in, again?"

The man mumbled something.

"What?"

"I was coming back from the bathroom and opened the wrong door."

-

(I'm so excited this one is back y'all, the author privated all her works but just unprivated them a few weeks back so now I'm recommending you read all of her stuff, especially this fic)

Son of Sea Foam by CaffeinatedFlumadiddle

“She’ll never claim me,” he whispered. Silena shook her head, eyes wild as she looked around for anyone who could be watching.

“My mother doesn’t remember half of her children as it is,” she said with a note of bitterness. “If you do something to impress her, it won’t matter. Return the bolt in her name. She’ll claim you if you act the part. If you stay unclaimed then they'll figure out what you really are," she said, squeezing his hands tightly. Percy's heart sped up.

"I - I don't know the first thing about Aphrodite-"

"My mother was born of sea foam," Silena cut him off. "And if you're really who I think you are... you are the sea. You can pull this off," she said and touched his cheek. "Get the bolt. Survive," she said. Percy swallowed.

"What if I can't act the part?" He asked. Silena's expression went blank for a moment. Slowly, she slipped off her bracelet and placed it in his hands.

"If you're going to be one of us... you better learn."

Or

AU where Percy has to hide the fact he's a Big Three kid otherwise he'll be killed on the spot. Unfortunately for him, unclaimed kids tend to raise the most suspicion... but he might have found a loophole in the form of Aphrodite.

-

This fic on tumblr that’s one of the best PJO fics I’ve ever read

[tsarinatorment]

Michael Yew's Fatal Flaw

This meta is the fault of @apollosgiftofprophecy who made the questionable decision of asking about Michael's fatal flaw in my vicinity the other day.

People who have been following me for a while may recall I once answered an ask about Apollo kid fatal flaws, and mentioned Michael there. Please ignore what I said back then because I'd barely even started picking him apart to see what made him tick, and my conclusions there have since been deemed rather surface-level!

The first question, of course, is what is a fatal flaw? What makes it different from a regular character flaw? The clue's in the name, I think - fatal flaw is one that's most likely to one day result in the hero's death, as Annabeth also suggests in Sea of Monsters:

“I don’t know, Percy, but every hero has one. If you don’t find it and learn to control it … well, they don’t call it ‘fatal’ for nothing.”

Athena gives us a little more to go on in The Titan's Curse:

"In each case, your loved ones have been used to lure you into Kronos's traps. Your fatal flaw is personal loyalty, Percy. You do not know when it is time to cut your losses. To save a friend, you would sacrifice the world. In a hero of the prophecy, that is very, very dangerous." I balled my fists. "That's not a flaw. Just because I want to help my friends—" "The most dangerous flaws are those which are good in moderation," she said. "Evil is easy to fight. Lack of wisdom… that is very hard indeed."

Of course, she's talking specifically to Percy about his flaw here, but there are certainly broader points to be inferred from this. When you break down all her warnings, it boils down near enough to "your fatal flaw is one you either cannot fight, or do not want to fight, because you think it is right/justified", which is interesting. It's a flaw that you don't, necessarily, recognise as a flaw, which makes it difficult to do anything about because how can something that's right be wrong?

As Athena says, the most dangerous flaws are those which are good in moderation - flaws that, in most situations, actually help, or are perceived to do so. These are the flaws most likely to kill the hero - and maybe others, as well.

With that out of the way, let's start picking apart Michael properly.

Generally, I see anger, pride or stubbornness put forwards as suggestions for his fatal flaw, so I'll look at each of those and see how well they actually fit. On top of that, I'm also going to explore two other contenders that I've come to notice from the hundreds of times I've re-read his scenes - protectiveness, and love.

First up, let's talk about Anger.

Anger is the one that seems to spring to mind most readily for some people (myself included), and it's hardly surprising given his introductory scene:

She was in the midst of yelling at Michael Yew, the new head counselor for Apollo, which looked kind of funny since Clarisse was a foot taller. Michael had taken over the Apollo cabin after Lee Fletcher died in battle last summer. Michael stood four feet six, with another two feet of attitude. He reminded me of a ferret, with a pointy nose and scrunched-up features—either because he scowled so much or because he spent too much time looking down the shaft of an arrow. "It's our loot!" he yelled, standing on his tiptoes so he could get in Clarisse's face. "If you don't like it, you can kiss my quiver!" [...] I couldn't believe Clarisse and Michael standing over her, arguing about something as stupid as loot, when she'd just lost Beckendorf. "STOP IT!" I yelled. "What are you guys doing?" Clarisse glowered at me. "Tell Michael not to be a selfish jerk." "Oh, that's perfect, coming from you," Michael said.

(As an aside, I love Michael's "kiss my quiver" line because hip quivers are very much a thing and if you think of his quiver as on his hip instead of his back... he's basically saying "kiss my ass" but in a kid-book-friendly way)

Michael's introduction is full of aggression - he's standing on tiptoes, getting "in Clarisse's face", and yelling at her. To make matters worse, it's in front of a grieving Silena which makes him (and Clarisse, but we've already had four books on how much Clarisse can be a bitch in Percy's opinion) look incredibly callous and uncaring. Percy's rather unflattering description about "two feet of attitude" and "because he scowled so much" adds to the overall impression that Michael's a right piece of work as well. Thanks, Percy.

It's a good introduction, though. This is memorable, as far as character introductions go (far more memorable than the first time we're introduced to Beckendorf, or Silena, etc.), and it's full of personality - personality that says Michael is not afraid to throw hands and will do it anywhere, anytime. It directly opposes him with Clarisse, but in such a way that makes them seem like similar characters, and we know anger/rage is one of Clarisse's traits as well.

This scene isn't a one-off, either. We get the full feud against the Ares cabin, which Michael spearheads:

We ducked as Michael Yew's chariot dive-bombed an Ares camper. The Ares camper tried to stab him and cuss him out in rhyming couplets. He was pretty creative about rhyming those cuss words. "We're fighting for our lives," I said, "and they're bickering about some stupid chariot." "They'll get over it," Annabeth said. "Clarisse will come to her senses."

The fact that it's Clarisse, not Michael, that Annabeth thinks is going to stand down also says a lot about how she sees the pair of them, and she must know Michael reasonably well, so this adds another note to the impression that Michael can be even more unreasonable than Clarisse (although it should also be noted that in this feud Michael is the one in the right, and Chiron has said as much to the campers, or at least the head counsellors - and of course from a narrative point of view, Clarisse is a far more familiar character for readers).

Michael himself also admits later on that he lost his temper with Clarisse again off-screen:

Michael shrugged. "Yeah, well, I called her some names when she said she still wouldn't fight. I doubt that helped. Here come the uglies!"

Those names certainly weren't ones for polite company - or a children's book. I think we can confidently say that Michael certainly has a temper, much like his father is legendary for.

But is it a fatal flaw? Well, sadly we have a scene that's implied to be Michael's death scene (I say implied because we never saw a body and a lot of things don't quite add up, so I prefer to think of him as not-dead, but for the purposes of this meta we'll consider it his death scene), so let's go look at that.

He struck the bridge with the butt of his scythe, and a wave of pure force blasted me backward. Cars went careening. Demigods—even Luke's own men—were blown off the edge of the bridge. Suspension cords whipped around, and I skidded halfway back to Manhattan. I got unsteadily to my feet. The remaining Apollo campers had almost made it to the end of the bridge, except for Michael Yew, who was perched on one of the suspension cables a few yards away from me, His last arrow was notched in his bow.

Michael's final stand happens immediately after several demigods - including his own siblings - are just blown clean off the bridge by Kronos. Is it a decision spurred by anger after things going wrong after they were finally going right? It would make sense.

However, there is one big issue with anger as his fatal flaw. Obviously, Michael does have this temper, and it does get out of hand, but we only ever see it get out of hand in the (relative) safety of camp. The Michael we see in Manhattan actually seems very calm and in control the entire time. He's observant and quick-witted, and is the only head counsellor to spot (or at least verbalise) a potential flaws in Percy and Annabeth's plan.

"He's right," Annabeth said. "The gods of the wind should keep Kronos's forces away from Olympus by air, so he'll try a ground assault. We have to cut off the entrances to the island." "They have boats," Michael Yew pointed out. An electric tingle went down my back. Suddenly I understood Athena's advice: Remember the rivers. "I'll take care of the boats," I said. Michael frowned. "How?" "Just leave it to me," I said.

Of course, Percy being the son of Poseidon can plug that massive gap, but it took Michael asking the question for him to make the important connection that he needed to.

This calmness continues into the battle itself, as well.

Michael Yew ran up to us. He was definitely the shortest commando I'd ever seen. He had a bandaged cut on his arm. His ferrety face was smeared with soot and his quiver was almost empty, but he was smiling like he was having a great time. "Glad you could join us," he said. "Where are the other reinforcements?" "For now, we're it," I said. "Then we're dead," he said. [...] "We have to fall back," Michael said. "I've got Kayla and Austin setting traps farther down the bridge." "No," I said. "Bring your campers forward to this position and wait for my signal. We're going to drive the enemy back to Brooklyn." Michael laughed. "How do you plan to do that?" I drew my sword. "Percy," Annabeth said, "let me come with you." "Too dangerous," I said. "Besides, I need you to help Michael coordinate the defensive line. I'll distract the monsters. You group up here. Move the sleeping mortals out of the way. Then you can start picking off monsters while I keep them focused on me. If anybody can do all that, you can." Michael snorted. "Thanks a lot."

No temper tantrums, no yelling like he did with Clarisse earlier - he's matter of fact when he realises they don't really have reinforcements (not knowing, of course, about Percy's little Styx bath), he doesn't argue with Percy when Percy starts taking command. He continues to say his piece and get his point across, but at no point do we ever get the sense that Michael is anything other than perfectly in control at any point during the battle - which is not what you would expect from a rage-based fatal flaw.

For example, contrast Michael's scenes with Clarisse later in the battle:

The real Clarisse looked up at the drakon, her face filled with absolute hate. I'd seen a look that intense only once before. Her father, Ares, had worn the same expression when I'd fought him in single combat. "YOU WANT DEATH?" Clarisse screamed at the drakon. "WELL, COME ON!" She grabbed her spear from the fallen girl. With no armor or shield, she charged the drakon.

and

"I AM CLARISSE, DRAKON-SLAYER!" she yelled. "I will kill you ALL! Where is Kronos? Bring him out! Is he a coward?" "Clarisse!" I yelled. "Stop it. Withdraw!" "What's the matter, Titan lord?" she yelled. "BRING IT ON!" There was no answer from the enemy. Slowly, they began to fall back behind a dracaenae shield wall, while Clarisse drove in circles around Fifth Avenue, daring anyone to cross her path. The two- hundred-foot-long drakon carcass made a hollow scraping noise against the pavement, like a thousand knives. Meanwhile, we tended our wounded, bringing them inside the lobby. Long after the enemy had retreated from sight, Clarisse kept riding up and down the avenue with her horrible trophy, demanding that Kronos meet her battle.

Calm and collected whomst? Not to say that Clarisse's temper isn't understandable here, but this fits much more in line with Athena's description of a fatal flaw - one that seems justified, right, even (and later on, Clarisse gets frozen by a Hyperborean Giant, so this does come back to bite her!), as opposed to the way Michael seems to stay in control of his temper even when his siblings are being killed around him.

With all that in mind, while I willa gree that anger is a flaw of Michael's, it certainly doesn't seem to check the boxes to be a fatal flaw, so let's move onto the next one: Pride.

Pride has its roots in the same parts of the narration as anger, so this section is going to be rather shorter because I don't need to rehash all the quotes again. The main thing that stands out on the pride side of the feud, specifically, is that it's completely needless for Michael to keep agitating Clarisse and the Ares cabin.

Clarisse turned to Chiron. "You're in charge, right? Does my cabin get what we want or not?" Chiron shuffled his hooves. "My dear, as I've already explained, Michael is correct. Apollo's cabin has the best claim. Besides, we have more important matters—" [...] "I see," Clarisse said. "And the senior counselors? Are any of you going to side with me?" Nobody was smiling now. None of them met Clarisse's eyes.

Chiron's put his hooves down on the matter - the Apollo cabin has the best claim to the chariot, Clarisse is the aggressor here. The other head counsellors all agree with that, too. Michael could, and given the upcoming war, should, ignore her and put his and his siblings' focus towards the war and not an argument he's already won.

But he doesn't. His chariot is attacking the campers - the Apollo kids aren't just defending themselves from the upset Ares kids, they're on the offensive themselves, arguably more so than the Ares campers.

As we crossed the commons area, a fight broke out between the Ares and Apollo cabins. Some Apollo campers armed with firebombs flew over the Ares cabin in a chariot pulled by two pegasi. I'd never seen the chariot before, but it looked like a pretty sweet ride. Soon, the roof of the Ares cabin was burning, and naiads from the canoe lake rushed over to blow water on it. Then the Ares campers called down a curse, and all the Apollo kids' arrows turned to rubber. The Apollo kids kept shooting at the Ares kids, but the arrows bounced off. Two archers ran by, chased by an angry Ares kid who was yelling in poetry: "Curse me, eh? I'll make you pay! / I don't want to rhyme all day!"

This feels a lot like he's trying to validate that yes, the chariot really is his cabin's, and the fact that Clarisse keeps insisting otherwise despite every non-Ares member of the camp being on Michael's side is insulting/undermining the Apollo cabin's claim.

It also sounds like he made sure to have the final word against Clarisse when she still refused to come and fight, which is a very prideful action.

"Nah," Michael said. "Left it at camp. I told Clarisse she could have it. Whatever, you know? Not worth fighting about anymore. But she said it was too late. We'd insulted her honor for the last time or some stupid thing." "Least you tried," I said. Michael shrugged. "Yeah, well, I called her some names when she said she still wouldn't fight. I doubt that helped. Here come the uglies!"

The thing is, though, that we hit a snag with the pride theory at this point for a similar reason to the anger one - as soon as there's something bigger and more immediate to focus on, Michael sets it aside.

He gives up the chariot they were fighting over - the chariot that, rightfully, is the Apollo cabin's - for no reason other than because he knew that they needed the Ares cabin to come and fight and it was the only thing he could think of that he could do to try and change Clarisse's mind - made even more stark when compared with Michael's original, in-camp, reaction to Clarisse's declaration.

Clarisse threw her knife on the Ping-Pong table. "All of you can fight this war without Ares. Until I get satisfaction, no one in my cabin is lifting a finger to help. Have fun dying." The counselors were all too stunned to say anything as Clarisse stormed out of the room. Finally Michael Yew said, "Good riddance."

It's true that Michael does get upset when Clarisse ignores his sacrifice of the chariot and still refuses to fight, but I think that's understandable given the situation (and he is, still, a teenage boy with a temper). It doesn't change the fact that he does it, however, nor the fact that Michael doesn't rescind the sacrifice and bring the chariot with him regardless, despite its potential stragetic uses in the war. Pride certainly doesn't seem to have much if any weight in his final stand, either, so I'd say that like anger, this doesn't actually fit as his fatal flaw, even if it might be somewhat of a personal trait/flaw.

At this point, it seems a little bit like a moot point to poke at Stubbornness because most of the counter-arguments for anger and pride also address this, but I'll quickly go over it anyway because this is the first one that properly shows itself all the way through Michael's appearances.

I've already mentioned the way he doesn't back down in the chariot feud, which is pride, yes, but also stubbornness - he won't leave it alone, won't let Clarisse stake her own claim on it, keeps fighting past the point of necessity over it.

But then we have his final scene, where he stands his ground. There's no indication that Michael even tried to run when the bridge crumbled.

I got unsteadily to my feet. The remaining Apollo campers had almost made it to the end of the bridge, except for Michael Yew, who was perched on one of the suspension cables a few yards away from me, His last arrow was notched in his bow. "Michael, go!" I screamed. "Percy, the bridge!" he called. "It's already weak!" At first I didn't understand. Then I looked down and saw fissures in the pavement. Patches of the road were half melted from Greek fire. The bridge had taken a beating from Kronos's blast and the exploding arrows. "Break it!" Michael yelled. "Use your powers!" [...] I turned to thank Michael Yew, but the words died in my throat. Twenty feet away, a bow lay in the street. Its owner was nowhere to be seen. "No!" I searched the wreckage on my side of the bridge. I stared down at the river. Nothing.

Michael completely ignores Percy telling him to run, tells him to break the bridge that he's currently on and clearly has no intentions of leaving, not with that notched arrow that he then seems to have fired, given that there's no arrow later on. This seems the closest we've got so far to a flaw that goes beyond a simple character flaw and into the fatal category.

Except.

He's a stubborn character, but just like with anger, like with pride, Michael keeps putting it aside when it might otherwise cause issues during the battle - he questions Percy's plans more than once, but despite that, he cedes command to Percy on Williamsburg Bridge, follows his orders instead of continuing with his own strategies, and generally shows that he's exactly the sort of person you want by your side/at your back when you're fighting. Michael's flexible and prepared to change and adapt as the situation does - which is pretty much the opposite of stubbornness, so while at first glance it seemed like a strong candidate it's once again contradicted by the scenes on Williamsburg Bridge.

So, that's the three usual suspects that arise from the chariot feud all falling apart once we rearch the battlefield. Michael is certainly passionate about the fight - more than once, Percy implies that he seems to actually be having a good time on the battlefield and there's no other explanation other than eagerness for this moment:

I sliced through armor like it was made of paper. Snake women exploded. Hellhounds melted to shadow. I slashed and stabbed and whirled, and I might have even laughed once or twice—a crazy laugh that scared me as much as it did my enemies. I was aware of the Apollo campers behind me shooting arrows, disrupting every attempt by the enemy to rally. Finally, the monsters turned and fled—about twenty left alive out of two hundred. I followed with the Apollo campers at my heels. "Yes!" yelled Michael Yew. "That's what I'm talking about!"

But despite all of this, that passion doesn't seem to be based in anger, pride, or stubbornness, despite those being the first things people seem to think of when they think about Michael - and that's why I have two more options added to the list to explore.

Moving on, then, I'll start with Protectiveness.

So, just now I said that stubbornness is what caused Michael's final moments, but is it really? It was certainly part of it, but also - as I mentioned earlier, when talking about anger, Michael's final stand is immediately after some of his siblings have been thrown off the bridge - having already seen at least one other sibling killed earlier:

Hellhounds leaped ahead of the line from time to time. Most were destroyed with arrows, but one got hold of an Apollo camper and dragged him away. I didn't see what happened to him next. I didn't want to know.

Siblings, of course, that as their head counsellor he is the one in charge of and responsible for - it's likely that he's the oldest in the cabin as well (although not guaranteed), and that these are all his younger siblings that are getting killed/seriously injured/status unknown. We're told that the "remaining" Apollo campers are running for the end of the bridge and retreating as far as possible - all of them except for Michael, who was with them to start with but stopped and turned to face the enemy.

Michael and his archers tried to retreat, but Annabeth stayed right beside me, fighting with her knife and mirrored shield as we slowly backed up the bridge.

Followed by

The remaining Apollo campers had almost made it to the end of the bridge, except for Michael Yew, who was perched on one of the suspension cables a few yards away from me. His last arrow was notched in his bow.

This is the point when Michael makes the decision that the bridge has to be destroyed, figures out how to destroy it, and basically orders Percy to do it. I've got a whole other argument about how Michael is the reason Olympus didn't fall that first night of the siege, but at this point I think it's blatantly obvious that the only thing Michael is thinking about is protecting his siblings. Why else would he put himself (tiny archer who should never, ever, be on the front lines - which is hinted at by the fact he still seeks out as high a ground as he can get aka the cables) as the rear guard, the barrier between an entire army and his fleeing siblings?

He's protecting his siblings - he's guarding their backs as they flee to safety and he's finding a way to stop them from being pursued, even if it kills him in the process. It's clearly the right decision to him, the only decision he thinks he can take - and it's textbook fatal flaw.

But before I settle on that, there's one more I want to talk about, which is really an extension of protectiveness, and that's Love.

I'll admit that love always feels like a bit of a cheat to me as a fatal flaw - it's a bit of a catch-all, in that if you argue hard enough you can pull back almost any character to love in some way (which is why Aphrodite is such an underrated yet powerful goddess), and it's nowhere near as obvious for Michael as it is for Apollo and Nico (yes I know what Bianca said, but consider: she didn't know what she was talking about. Nico's fatal flaw is a whole other meta, though), but I think it fills in a few gaps that protectiveness leaves a little open.

There's something that gets overlooked a lot when Michael gets discussed, especially the chariot feud, despite the fact that Percy outright states it.

Michael had taken over the Apollo cabin after Lee Fletcher died in battle last summer.

No sugar-coating, no forgetting about a background character that got all of two pre-death appearances - Lee was killed in battle, and Michael was the one that took over the cabin from him.

We never get any canon information on Michael and Lee's relationship, but obviously they knew each other well, given that Michael's the next most senior kid - and isn't that the kicker. Because this line tells us one very important thing: Michael had to step into his big brother's suddenly-vacated shoes in the immediate aftermath of a battle, with no time to grieve.

We even have a comparison to make right in that same scene:

Even Jake Mason, the hastily appointed new counselor from Hephaestus, managed a faint smile.

Jake's also been shoved into the same role, a role we later find out he never wanted and never recovered from - big brother's dead, your turn to step up and lead the cabin in war. Most of the counsellors are laughing but all Jake can do is a faint smile. He's not okay, and you wouldn't expect him to be - and in The Lost Hero he's even more blatant about the fact that he's not okay (same as Will, in fact) - so, clearly, Michael is not okay, either.

The chariot feud is a whole mess of emotions - anger, pride and stubbornness are ones I've already covered - but I never see anyone talk about grief, and how Michael's been forced to lead a cabin in the wake of the death of his older sibling (the first wartime promotion, really - the Stolls situation isn't quite the same), and how he has to be at least somewhat off-balance, because grief is a tricky little thing and there's no way it hasn't got its nasty little claws in Michael, and that only a few scant months - a year at most - after Lee's death, it's still very, very raw.

And there's a strong correlation between love and grief. "What is grief but love perservering?" "Grief is the price we pay for love" - there's a neverending list of sayings about grief and love.

Then there's the bridge. There's Michael putting Austin and Kayla right at the back, setting traps but a long way back from the front line. There's the way he knew that without the Ares cabin they weren't going to win so he surrendered the chariot in the hopes of getting the front line fighters to join in - the ones that will stand between the archers and the enemy, between his siblings and the enemy. There's, again, the way he stood his ground as a barrier between Kronos and his army and his siblings, even though if Percy hadn't destroyed the bridge he would've been overrun and killed (and he was in such a precarious position that breaking the bridge... well, we know what happened or do we).

But also there's the fact that Michael was fighting at all. The fact that Michael wanted to fight - when Percy gives him the opportunity to take the fight to Kronos, to fight back rather than just numbly defending the bridge/Manhattan/Olympus, Michael seizes it.

His ferrety face was smeared with soot and his quiver was almost empty, but he was smiling like he was having a great time.

"That was my last sonic arrow," Michael said. "A gift from your dad?" I asked. "God of music?" Michael grinned wickedly.

I followed with the Apollo campers at my heels. "Yes!" yelled Michael Yew. "That's what I'm talking about!"

He's right there on the front line, it's so obvious that he's there because he wants to be, because he believes in their cause. Because he loves Apollo.

It's never said in so many words (although we know Apollo has interacted with Michael because he's given him those sonic arrows), but it's there in Michael's actions, in how he never falters in the pro-god side of the war despite losing sibling after sibling after sibling to it - Michael has to love Apollo for anything else to make sense.

It's his siblings he sacrifices himself for, but it's his father he chose to fight for. And it's both that he died for.

If that's not a fatal flaw in action, what is?

[blueberryattack]

Some random headcanons from my stex fic Bracelets

Idk if anyone cares but you're getting them anyway

-Other than the two that ended up in the coach's shed coach, Greaseball hasn't lost any of the bracelets Tass has made for her, Dinah just nabs them when she can.

-Dinah has a habit in general of stealing Greaseball-related doodads and hoarding them like a ferret.

-Greaseball was wearing one of Tass's bracelets during the first race she won as a junior racer, which why she counts them as lucky charms.

-Tassita refuses to make Dinah and Greaseball a couples bracelet on the grounds that the color combo would be atrocious (and also Dinah is too good for her). He wouldn't make one for Rusty and Pearl either, but just on the bad color scheme grounds.

-In general, Tass uses a candy stripe pattern for engines, and chevron for coaches. He made kumiho/rope bracelets for the Apollo Vic freights (and Flat-Top's favorite brick) but has used a different pattern for each of the fuel trucks at Troubadour. Greaseball also gets a different pattern every time he makes her one.

-Tass has made two bracelets for Momma - one based on her livery and one representing Rusty and the Fuel trucks (which is why he had Hydra's color on hand in the first place)

-He hasn't made any for Electra or the components yet.

-The Apollo vic trains would rotate who would babysit Tassita and Greaseball based on who was working. Dustin was Tassita's favorite sitter and CB was Greaseball's (he taught them how to play poker and gamble).

-Hydra knows the orange in his bracelet is for Rusty but would tease Tassita about not using the right shade (Tass's paler orange) given the chance.

Also here's the link in case you read the hcs first for some reason:

[beelinx]

Percy Jackson Masterlist

✿ leo valdez

blurbs

clingy leo

metal flowers

gingerbread house !!

flower crown

headcanons

him as a bf

dating a child of apollo

dating a child of ares

dating a child of hypnos

dating a child of hecate

✿ jason grace

headcanons

him as a bf

✿ percy jackson

blurbs

s/o who likes collecting bones and preserving animals

one shots

angst w/ comfort

headcanons + smau

him as a bf (+ w/ an apollo kid)

✿ travis stoll

blurbs

stolen ferret

✿ piper mclean

blurbs

braids + flower crowns

[trucydoll]

who in ace attorney would you trust most to hold a fragile object?

hmm, main cast...? i think if he were amenable to the idea of holding something for me, edgeworth would be perfectly capable. franziska, also, but she's a lot less charitable in doing things for others, and i fear if i tried to foist it off on her without permission she'd break it out of sheer anger. mia would be a good choice as well but she's out of commission. gumshoe could also do it.

phoenix has horrible luck so i worry that something might happen to it, eating included. someone like maya or trucy would find a way to ferret it away from me permanently; maya would hide it and lose it for and trucy would just keep it for fun. pearl's responsible, but she has a bad history with fragile objects, so i'll save her the anxiety of holding it! apollo by virtue is not allowed to hold things because it makes them more accessible to trucy. and i think athena would get distracted and fumble it despite her best efforts, bless her heart.