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timeagainreviews · 5 months ago

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Dust and Darkness Prevail

Panspermia is the theory that human life was seeded by comets, asteroids, meteoroids, and space dust falling to Earth. Directed panspermia is the idea that an unknown third party purposely seeded life onto this planet through similar means. These are perhaps the most ancient of aliens. For whatever reason, be it propagation, a future food source, or simply contamination from an explorer’s boot, somehow, we were created. It’s easy to see why mankind looked to the stars for parentage- we are made of star stuff, after all. As our understanding of the stars grew, so did our desire to understand them in relation to ourselves. Staring down the concept of being a mere dust mote floating within sunbeams, some of us began to wonder if the Gods we abandoned weren’t actually a different form of sky daddy. In the words of Giorgio A. Tsoukalos- “Aliens.”

Science fiction has a rich history of depicting ancient Gods as alien lifeforms. Doctor Who is no different. Sometimes these extra-terrestrial visitors are used to explain odd phenomena, and other times, they’ve been used to outright undermine the achievements of ancient civilisations. One of the most popular ancient alien theories is that aliens helped build the pyramids. Some Egyptian-themed polyhedron-obsessed aliens influenced ancient Egyptian culture. You can see it in movies like Stargate, or in television stories like the 1975 Doctor Who serial “Pyramids of Mars.” Recent books like Erich Von Daniken’s scientifically dubious “Chariots of the Gods,” or numerous documentaries narrated by Rod Serling had garnered interest in ancient astronauts. A year after “Pyramids of Mars,” aired, NASA released photos from their Viking 1 orbiter that would only feed these theories. The black and white photos of the Cydonia region appeared to depict a carved facelike structure and gigantic pyramids on the planet’s surface. Needless to say, some people let their imaginations run wild.

While many of the concepts explored in the History Channel’s “Ancient Aliens,” have been labelled pseudo-science or even racist, some of these concepts still crop up in popular media. A more benign example would be Marvel’s own Thor and Loki. Sure, they call them Gods, but they are very clearly from advanced alien civilisations. It feels appropriate then that Doctor Who returning with Disney money might also explore one of its own ancient aliens in Sutekh the Destroyer. Considering the build-up with the Toymaker and the Maestro, it all seems fairly obvious in hindsight. But what does this have to do with Ruby Sunday? In seeking out her own parentage, might she also benefit from looking to the stars?

One aspect to this season of Doctor Who that I feel has actually fallen a bit flat is the question of Ruby Sunday’s parents. Considering that the fandom has been interacting more with the question of the identity of Susan Twist’s character, it’s safe to say I’m not alone in this. It’s just not a very interesting question, and I think it’s partly because we already know the answer. Doctor Who’s official Twitter recently asked fans who they think Ruby’s mother really is, and only a few people actually got the answer right. It’s Carla Sunday, obviously. I find this whole question to be as flawed as the conversation around it. Ruby uses words like “abandoned,” to describe herself. And while I can understand the desire to know your roots, I know my adopted siblings were never abandoned. They were found. They have a family who love them. My mother who was also adopted had a mother in my grandma. My greatest hope with this storyline is that this is what Russell T Davies has been leading up to all along. Ruby’s real mother is the one who changed her diapers and cleaned up scraped knees.

Speaking of family, “The Legend of Ruby Sunday,” begins like a bit of a family reunion. Yasmin Finney is back as “Rose.” As are Gemma Redgrave as “Kate Lethbridge-Stewart,” Bonnie Langford as “Mel,” and Alexander Devrient as “Colonel Christofer Ibrahim.” Also returning is the Vlinx, with a shiny new chassis. Strangely absent is Ruth Madeley as UNIT’s scientific advisor “Shirley Anne Bingham." In her place is Lenny Rush as “Morris Gibbons,” a boy genius with a taste for excitement. We’re also introduced to Harriet, UNIT’s newest lead archivist. More on her later. The light tone of this family reunion is much needed as the majority of this episode is Doctor Who at its most bleak.

Something I have completely failed to mention this season has been the TARDIS’ weird groaning. It’s not as though I hadn’t noticed, there have just been so many things to talk about lately. I had meant to bring it up last week when the Doctor told Rogue the TARDIS doesn’t like bounty hunters. I figured then that it was the Doctor ignoring a bigger problem. Speaking of which, it does strike me as a bit odd that the Doctor hadn’t addressed the issue for such a long time. The TARDIS has been groaning and sliding into landings like a football tackle. I understand that the Doctor has a lot on his mind, but it would have been nice if they could have shown the Doctor showing any kind of concern for the TARDIS. He’s been flying her for thousands of years, he would notice any slight change. This isn’t a huge issue for me, though it does feel a bit out of character. But who am I to complain? Even I forgot to bring it up.

The Doctor does have a lot on his mind, which is what brings him to UNIT HQ. It was nice to see the Doctor lay all of his cards on the table for a change. You don’t often see the Doctor outright asking for help. Luckily, UNIT was already on the case. The woman the Doctor keeps seeing also exists in modern-day London as Susan Triad. I found it a bit odd that the Doctor would know a politician from an aborted timeline like Roger ap Gwilliam, but not a tech industry giant with her name on a skyscraper. Even Colonel Ibrahim recognised it as an anagram of TARDIS, so what gives, Doctor?

Part of their gathering intelligence on Susan Triad has been using Mel to infiltrate her organisation. When I had heard they were bringing back Mel, I was excited. Mel has never been a fan favourite, and even I took a lot of time to warm up to her in classic Doctor Who. But bringing her back feels like a no-brainer. She’s a tech whiz and Bonnie Langford is a great actress. There is only room to grow with her character, and grow she does. Not only have they given her a bit more backstory with losing her family, but we also get to see her acting as a double agent and puttering about on her scooter. Seeing Mel in this capacity is a delight. I am really enjoying how they have built up UNIT to be more like the ‘70s (or was it the ‘80s?) with recurring characters. Instead of Yates and Benton, we’ll now have Ibrahim and Sullivan. I really hope they continue this trend, though I would appreciate it if they stopped haemorrhaging scientific advisors.

Despite around-the-clock surveillance, the most UNIT has managed to gather on Susan Triad is that she’s a seemingly nice human woman with no underlying alien traits. Her company’s upcoming event will announce that she is making the Triad OS free to the world, which seems like a weird flex. Ubuntu and Fedora are both free operating systems, so this is nothing new. What’s even more perplexing is that UNIT would integrate Triad into their own systems. Call me crazy, but if I were a government organisation spying on a tech giant because their name is an anagram of an alien time machine, I might opt to use Windows or Mac. The whole storyline was giving shades of “The Sontaran Strategem/The Poison Sky,” or even “Kingsman: The Secret Service,” wherein miracle technologies are secretly deadly. We still don’t know the ramifications of the Triad system’s worldwide rollout, but I imagine we’ll find out next week.

Something a friend pointed out to me that feels important happens during the Mrs Flood scene. According to Kate, the Triad press conference was scheduled for fifteen hundred hours, or 3 pm. What’s odd is that when Ruby and Rose show up to Ruby’s home, Cherry’s digital clock reads 15:08. At first, I had misremembered this scene and figured it must take place during the events at UNIT HQ, but the inclusion of Ruby and Rose implies that it’s not. I can think of three possible explanations for this. One explanation is that it was a continuity error. The production crew simply goofed. It happens. Another explanation is that Cherry’s radio is like my coffee machine in that the digital time display is incorrect. That’s possibly the most human answer. But television doesn’t often allow for such realistic discrepancies as they can confuse audiences. Seriously, how often do you see fictional stories where two characters share the name John? One of my closest friends is also named Natalie, but that wouldn’t usually work in fiction. This leaves us with a third explanation which is that it was done on purpose. Either something wibbly wobbly is happening, or they goofed.

As expected, Mrs Flood appears to be someone. With the reveal of Susan Triad being Sutekh, my hopes of the Rani have been dashed against the rocks of reality. Or have they? In explaining regeneration to Ruby, the Doctor describes it as a way to hide away with a new face. When Ruby fetches Mrs Flood to mind Cherry while Carla joins them back at UNIT, Mrs Flood mentions hiding herself away. While Mrs Flood was a bit rude to Ruby and downright hostile toward Cherry, these could be the actions of a bitter Susan Foreman, aka the Doctor’s granddaughter. However, I am reticent to call her Susan for a couple or reasons. For starters, Carole Ann Ford was present at the premiere for the 60th anniversary specials. Sure this could have simply been due to her history with the show, but it could also imply she’s been filming things for the RTD2 era. You could speculate that the only thing she actually filmed was a flashback regeneration scene into Mrs Flood, but that feels like a waste of a much-needed reunion. My money is on the Rani, but mostly because I want her to be and because Carole Ann Ford deserves her moment. If they bring Susan back, there’s only one person I want to see play her.

Ruby and Rose fetch the surveillance tape from the night Ruby was left on that church stoop. I loved that Carla joined them the moment she learned that Donna was involved with UNIT. It’s nice to see that at least one character hasn’t forgotten who Ruby’s real mother is. This also gave rise to one of my favourite Doctor moments of the episode when he says "Yeah but it’s Carla. Come on," in response to the claim that not even the prime minister has access to UNIT HQ. I loved the exchange between the Doctor and Kate about their possession of a time window. They claim they don’t have one, the Doctor knows they do. Classic. It’s the Doctor knowing of the existence of the Black Archive all over again. Even further, I loved the Doctor laughing at the way UNIT has “lashed together,” the time window. I doubt he really feels that way, but the Doctor needs to remind UNIT not to get too comfortable. Undercutting their achievement is a reminder that these items aren’t toys. It’s a subtle way to establish himself as an authority while also reminding UNIT of their limitations. The Doctor’s aim isn’t to belittle UNIT, but to instill a healthy fear of these technologies. As it turns out, the Doctor’s fears were well-founded.

The time window is a large room capable of viewing moments in time. The Doctor refers to time as a memory which is a bigger Whoiverse change than people are giving it credit. I always thought of the TARDIS as a supercomputer that stores moments throughout time in its memory like files. It makes sense that time and memory mingle like this. The effect of the VHS degradation on memory is one of the coolest visual effects in Doctor Who. It’s nice to see that Disney money coming into play. I also have to tip my hat to Lenny Rush for his performance as Morris here. Lots of UNIT characters were given little moments to shine in this episode like Harriet and Colonel Chidozie. The latter of whom we’re given a bit of background information about so that when he meets his demise, we care a little bit more. He’s just a Manchester lad with a cheery disposition. It would be a shame if something were to happen to him.

In an almost cruel twist of fate, the visual of Ruby’s mother is obscured. Not just obscured, but seemingly darkened as if on purpose. The moment she walks close to the Doctor and Ruby, she glitches past them. It’s sad for Ruby, but I feel it’s important that Carla is there to witness this moment. She needs to see that the mystery of Ruby’s life isn’t just one of being an orphan, but that something is deeply and darkly wrong. I feel as though Carla’s involvement in this storyline is due a rather big payoff next week, and I am looking forward to that. The Doctor notices that the TARDIS appears more corporeal than a simple image from a video. He asks the tanatalising question “If time is memory and memory is time, then what is the memory of a time machine?” It’s a question I have been mulling in my head ever since, and I still don’t have a great answer.

Colonel Chidozie disappears around the same time a swarm of dark energy begins to incircle the memory TARDIS (omg I think I just figured it out). The MEMORY TARDIS! Ok. I see what you’re putting down, Russell. Carla refers to the dark energy as “the Beast,” as in, the devil. But who among us didn’t automatically think of the Beast from “The Satan Pit”? Hell, it’s not as though it would break the show if Sutekh and the Beast were one in the same. They’re both voiced by Gabriel Woolf. Furthermore, we know Sutekh takes on multiple forms like the doggo or Susan Triad. There are plenty of examples of gods taking on multiple forms. Christianity has the Holy Trinity of God, the Son, and the Holy Spirit. Hindu gods often have multiple forms such as Vishnu manifesting as Krishna, Rama, or even Buddha. It’s fully within the realm of possibility that the Beast is yet one more aspect to Sutekh. After all, the Fourth Doctor did refer to him as Satan at one point. Why not?

Possibly the most interesting aspect of the scene is when Chidozie’s speaks out from the darkness. It’s not so much the fact that he’s in Hell or that his consciousness feels like it’s been hijacked like Angel Bob’s was, but rather the fact that he only seems to respond to Ruby. The Doctor tries to commune with the entity and gets nothing. Kate commands Chidozie to report and comes up equally empty-handed. It’s not until Ruby attempts to communicate with the entity that it responds. If Christianity has the Trinity and Hinduism has the Trimurti, perhaps Sutekh has the Triad. Perhaps there’s Sutekh, his doggo form, and Ruby Sunday. This might explain why Ruby’s birth mother has been obscured- she never existed. Whoever left Ruby at the church that day could have been a servant of Sutekh, or even Susan Triad herself.

The tone of the episode by this point is very gloomy. I think the last time Doctor Who gave me the creeps to this degree was “The Impossible Astronaut.” As a fan of dark and disturbing movies, I consider myself rather resilient to horror and dread in media. But there is something about turning the TARDIS into a malevolent force that chills me to my core. Bad Wolf Girl once said “You know the sound the TARDIS makes? That wheezing, groaning. That sound brings hope wherever it goes.” But here, the TARDIS offers no comfort. It goes beyond seeing our beloved symbol of hope twisted and perverted. We have seen what the TARDIS is capable of doing. We know how powerful it can be. We can also imagine what that power can do in the wrong hands. My dear late friend Quinn and I used to say that the cloister bell was the scariest sound the TARDIS could make. But this howling groan and sinister energy turning into a hound of Hell is like the cloister bell on steroids.

The Doctor and Mel head off to S Triad Technologies in the vain hope that Susan might be the Doctor’s granddaughter Susan. It’s a last-ditch effort to gain insight into what is happening. Earlier in the episode, we see Kate telling the Doctor that he brings joy, but after Chidozie’s death, you get the impression that her view has sobered up a bit. The Doctor sees the fear in Kates eyes. He sees the fear in Carla’s eyes. He even let down his best friend Ruby. But it’s Mel who picks him back up. Mel who has seen him at his worst and knows who the Doctor is underneath it all. Only she can give him the tough love he needs in this moment and I loved that they gave this opportunity to Bonnie Langford.

The Doctor makes contact with Susan Triad but there is no Time Lord recognition on either end. However, we’ve been here before. Maybe she has a fob watch she doesn’t like to look at. Maybe she’s hiding away. With her press conference due to begin, Susan is whisked away. But as she leaves the Doctor calls out asking if she’s ever dreamed of a girl named Lindy. Has she ever dreamed about a place called Pacifico Del Rio? Has she ever dreamed about being an ambulance? Out of context, he sounds insane. I mean, sure, I dream of being a sail barge, but that’s my special time. It’s enough to set things into motion.

At this point, we still don’t know the true identity of Susan Triad. She very well could still be the Doctor’s granddaughter. But the moment she walked onstage doing that awkward Theresa May arm thing, I knew she had to be evil. Historically speaking, if you want someone to appear evil in Doctor Who, compare them to a Tory. It worked in “The Happiness Patrol,” and it still works now. Could you imagine being the person who milkshakes Sutekh? I feel like throwing a sweet banana dairy concoction into the face of a terrible god would only resort in eternal suffering. While Susan Triad is having her public meltdown for all to see, UNIT’s own Harriet Arbinger is doing one as well. Once again we get another Harbinger. I’ll be honest, the H. Arbinger joke isn’t nearly as strong as RTD seems to think it is. But then again, Batman is the “world’s greatest detective,” and it took him a while to learn that E. Nigma was the Riddler.

I had begun to fully suspect Sutekh by this point, but part of me was starting to wonder if Harriet wasn’t going to turn out to be Sutekh instead. It would have been a very effective misdirect. I was really liking Harriet up to this point too, so I was a bit sad she just turned out to be a servant of the God of Death. Her “I was born for this,” line had me a little hot under the collar. But it looks like she’s gonna get a lot to do in the next episode, so that softens the blow a little bit. As she names off the various gods of the Pantheon, I was very happy to see them reference the Mara as I am a big fan of both “Kinda,” and “Snakedance.” Some have also speculated that the threefold deity of malice, mischief and misery could be a reference to the Gods of Ragnarok. I really hope this is true because I’ve always thought they were cool.

I’ve seen some people complain that they seem to have somewhat retconned Sutekh. People have said it makes no sense to make him the god of gods. He’s an Osiran, not the most powerful god of them all, right? Well, if you think about it, in many ways, death is the ultimate power. If a god like the Toymaker can die, then of course he would run from Sutekh. Also, he’s a god, of course he’s going to claim to be the best. That’s kind of their whole deal. They’re quite full of themselves, gods. Sutekh’s whole deal is that he believes himself the only being worthy of life. Thus all living creatures are an affront to him. Where he treads, he leaves only dust and darkness. Sutekh demonstrates this by reducing Susan Triad’s poor assistant to dust much like he did to Chidozie. With the TARDIS commandeered by evil Anubis and the Doctor being next in line to receive Sutekh’s gift, things have never looked darker for our Time Lord and saviour.

So who was Susan Triad? Was she always Sutekh? Harriet referred to Sutekh as “the mother, father, and other of them all.” I suppose I should start using they/them pronouns for Sutekh. But who were they? Did every incarnation of Sutekh know they were Sutekh? You could wager that they had a hand in a lot of what was happening, and a lot of what was happening could lead to death. The Space Babies were forced into existence and left to die. Roger ap Gwilliam and the Maestro were set on nuclear annihilation. Lindy and her lot were racists which often leads to death. And let's not forget the cold algorithm of the capitalistic war machines from Villengard. What’s even more interesting then is that if these are all aspects of Sutekh and death, then we know Sutekh is stoppable. In “73 Yards,” we’re shown that whatever Ruby’s follower said to Sutekh was enough to send them scurrying. Sadly, Ruby has no memory of this aborted timeline.

With a new episode of “Tales from the TARDIS,” in the pipeline, I expect we’ll see the return of the memory TARDIS in a big way. According to news sources, the new episode will feature the Doctor and Ruby discussing the events of “Pyramids of Mars,” so make sure to watch that if you need a refresher or have never seen the original. One aspect you might find interesting is that Sutekh initially manifests at a priory on the site of the original UNIT HQ. I have no idea if that will come into play, but it’s interesting that both stories are focused around UNIT, if nothing else. Even more interesting is the fact that in both stories, Sutekh is intent on possessing the TARDIS. I wonder if the Doctor will be forced to use the memory TARDIS to stop Sutekh since the regular TARDIS is compromised. We see Ruby’s memory begin to manifest once more when she and Sullivan enter the time window again. It’s entirely plausible.

I’ll be watching the finale like many others in the UK this weekend, at the movie theatre. The last time I got to see a Doctor Who episode in the theatre was in Kansas City when they simulcast “The Day of the Doctor,” at a local indie-theatre. I’ll never forget the feeling of a theatre packed with nerds cheering over Peter Capaldi’s attack eyebrows. I’m also going to see it in the theatre because, evidently, this is a big enough episode to merit a cinematic experience. I bought nine tickets, so it’s going to be a bit of an event for me. I’ll try not and let that colour my experience too much. All in all, I loved this episode, but we’re still waiting for the other shoe to drop. I loved “Fugitive of the Judoon,” but the lacklustre finale left me retroactively disappointed. But for the time being, RTD has my full attention. I can’t remember the last time Doctor Who left me this excited for what’s to come.

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